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Pius x art Stock Photos and Images
Pope Pius X in falda Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pope-pius-x-in-falda-160929344.htmlRMK9PY0G–Pope Pius X in falda
MILAN, ITALY - MARCH 4, 2024: The St. pope Pius X on the stained glass in the church Chiesa di San Agostino by Eugenio Cisterna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-italy-march-4-2024-the-st-pope-pius-x-on-the-stained-glass-in-the-church-chiesa-di-san-agostino-by-eugenio-cisterna-image606014263.htmlRF2X5X9AF–MILAN, ITALY - MARCH 4, 2024: The St. pope Pius X on the stained glass in the church Chiesa di San Agostino by Eugenio Cisterna
Pope Pius X - a rosary., A gift from the Pope to the Bavarian Prince Joseph Clemens, son of Prince Alfons of Bavaria on the occasion of his first communion on 30 March 1913 in the Court Chapel at Nymphenburg. Ivory and silver, with an attached medallion bearing the engraved Papal coat of arms, date of the communion, and the Papal motto, 'O SALUTARIS HOSTIA'. There is also a telegram from the Pope to the Prince, historic, historical, 1910s, 20th century, fine arts, art, artful, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-a-rosary-a-gift-from-the-pope-to-the-bavarian-prince-joseph-19829169.htmlRMB4788H–Pope Pius X - a rosary., A gift from the Pope to the Bavarian Prince Joseph Clemens, son of Prince Alfons of Bavaria on the occasion of his first communion on 30 March 1913 in the Court Chapel at Nymphenburg. Ivory and silver, with an attached medallion bearing the engraved Papal coat of arms, date of the communion, and the Papal motto, 'O SALUTARIS HOSTIA'. There is also a telegram from the Pope to the Prince, historic, historical, 1910s, 20th century, fine arts, art, artful,
Portrait of Pope Pius X, painting by Guido Greganti 1950s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-pope-pius-x-painting-by-guido-greganti-1950s-image249441725.htmlRMTDR1D1–Portrait of Pope Pius X, painting by Guido Greganti 1950s
cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-by-jules-maurice-radiguet-1866-1941-also-known-under-the-pseudonym-rad-illustrator-caricaturist-and-author-french-cartoon-depicting-pope-pius-x-head-of-the-catholic-church-from-august-1903-to-his-death-in-1914-image328344530.htmlRM2A25APA–cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914)
ZARAGOZA, SPAIN - MARCH 1, 2018: The painting of Immaculate conception and pope Pius X and Pius XII in church Iglesia del Perpetuo Socorro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zaragoza-spain-march-1-2018-the-painting-of-immaculate-conception-and-pope-pius-x-and-pius-xii-in-church-iglesia-del-perpetuo-socorro-image182917010.htmlRFMHGGEA–ZARAGOZA, SPAIN - MARCH 1, 2018: The painting of Immaculate conception and pope Pius X and Pius XII in church Iglesia del Perpetuo Socorro
Spain. Aragon. Near Saragossa. Charterhouse of Aula Dei. Carthusian monastery, founded in 1563 by Hernando de Aragon, Archbishop of Saragossa. Architects: Martin de Miteza and Miguel de Riglos. Cover of the complex with the commemoration of the restoration by Popes Leo XIII and Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-aragon-near-saragossa-charterhouse-of-aula-dei-carthusian-monastery-founded-in-1563-by-hernando-de-aragon-archbishop-of-saragossa-architects-martin-de-miteza-and-miguel-de-riglos-cover-of-the-complex-with-the-commemoration-of-the-restoration-by-popes-leo-xiii-and-pius-x-image221474244.htmlRMPT90JC–Spain. Aragon. Near Saragossa. Charterhouse of Aula Dei. Carthusian monastery, founded in 1563 by Hernando de Aragon, Archbishop of Saragossa. Architects: Martin de Miteza and Miguel de Riglos. Cover of the complex with the commemoration of the restoration by Popes Leo XIII and Pius X.
Art inspired by Pope Pius IX Imparting the Blessing Urbi et Orbi, 1835–59, Graphite, 23 1/4 x 16 7/16 in. (59 x 41.8cm), Drawings, François-Léon Benouville (French, Paris 1821–1859 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pope-pius-ix-imparting-the-blessing-urbi-et-orbi-183559-graphite-23-14-x-16-716-in-59-x-418cm-drawings-franois-lon-benouville-french-paris-18211859-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946252.htmlRF2HW50JM–Art inspired by Pope Pius IX Imparting the Blessing Urbi et Orbi, 1835–59, Graphite, 23 1/4 x 16 7/16 in. (59 x 41.8cm), Drawings, François-Léon Benouville (French, Paris 1821–1859 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
antique colorful art nouveau lithograph holy card from Pope Pius X's period: An Indulgence of 300 days.' Jöjj el Szentlélek Úr Isten, áraszd el híveid szíveit és gyullaszd föl bennük sz. szereteted tüzét! 300 napi bucsu mindenkor. X Pius ' Dove, angels, priest. 1900s Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-colorful-art-nouveau-lithograph-holy-card-from-pope-pius-xs-period-an-indulgence-of-300-days-jjj-el-szentllek-r-isten-raszd-el-hveid-szveit-s-gyullaszd-fl-bennk-sz-szereteted-tzt!-300-napi-bucsu-mindenkor-x-pius-dove-angels-priest-1900s-additional-rights-clearences-not-available-image451447858.htmlRM2H6D69P–antique colorful art nouveau lithograph holy card from Pope Pius X's period: An Indulgence of 300 days.' Jöjj el Szentlélek Úr Isten, áraszd el híveid szíveit és gyullaszd föl bennük sz. szereteted tüzét! 300 napi bucsu mindenkor. X Pius ' Dove, angels, priest. 1900s Additional-Rights-Clearences-Not Available
Pius X and Churchmen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pius-x-and-churchmen-132443292.htmlRMHKD8NG–Pius X and Churchmen
Marble statue of Pope Pius X erected in 1923 (birth name Giuseppe Melchiorre Sarto)(1835-1914) the 257th Pope of the Catholic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-statue-of-pope-pius-x-erected-in-1923-birth-name-giuseppe-melchiorre-40013563.htmlRMC92NKR–Marble statue of Pope Pius X erected in 1923 (birth name Giuseppe Melchiorre Sarto)(1835-1914) the 257th Pope of the Catholic
Saint Dominic Giving the Rosary to Pope Pius V. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 11-3/4 x 7-3/8 in. (29.8 x 18.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-dominic-giving-the-rosary-to-pope-pius-v-artist-anonymous-italian-roman-bolognese-17th-century-dimensions-11-34-x-7-38-in-298-x-188-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212914305.htmlRMPAB2A9–Saint Dominic Giving the Rosary to Pope Pius V. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 11-3/4 x 7-3/8 in. (29.8 x 18.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
statue of pope pius X, st. peter´s basilica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-pope-pius-x-st-peters-basilica-image157080892.htmlRMK3FJ7T–statue of pope pius X, st. peter´s basilica
ROME, VATICAN - MARTH 9, 2023: This is the gravestone of Pope Pius X in St. Peter's Basilica. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rome-vatican-marth-9-2023-this-is-the-gravestone-of-pope-pius-x-in-st-peters-basilica-image568944835.htmlRF2T1HJXB–ROME, VATICAN - MARTH 9, 2023: This is the gravestone of Pope Pius X in St. Peter's Basilica.
Chapel of the presentation of the Virgin Mary - Painting depicting the Presentation of the Virgin Mary at the temple (1728) from the original painting by Giovan Francesco Romanelli of 1642. The Virgin represented here as a young girl enters the temple accompained by her mother Anne and her father Joachim. The gilt bronze urn of the altar contans the body of Pope St Pius X (1903-1914) - Saint Peter Basilica, Vatican State in Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chapel-of-the-presentation-of-the-virgin-mary-painting-depicting-the-presentation-of-the-virgin-mary-at-the-temple-1728-from-the-original-painting-by-giovan-francesco-romanelli-of-1642-the-virgin-represented-here-as-a-young-girl-enters-the-temple-accompained-by-her-mother-anne-and-her-father-joachim-the-gilt-bronze-urn-of-the-altar-contans-the-body-of-pope-st-pius-x-1903-1914-saint-peter-basilica-vatican-state-in-rome-image414183993.htmlRM2F1RKWD–Chapel of the presentation of the Virgin Mary - Painting depicting the Presentation of the Virgin Mary at the temple (1728) from the original painting by Giovan Francesco Romanelli of 1642. The Virgin represented here as a young girl enters the temple accompained by her mother Anne and her father Joachim. The gilt bronze urn of the altar contans the body of Pope St Pius X (1903-1914) - Saint Peter Basilica, Vatican State in Rome
'Papst Pius X. 1835-1914', 1934. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/papst-pius-x-1835-1914-1934-artist-unknown-image186135340.htmlRMMPR5EM–'Papst Pius X. 1835-1914', 1934. Artist: Unknown.
15 Oct. 2016 Forked River USA / Volunteer paints the hand of a woman, hands are then placed on the family mural and the paint is pressed into the fabric as St Pius X celebrates it's 10th year in their new church with a festival open to all / Michael Glenn / Glenn Images Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-15-oct-2016-forked-river-usa-volunteer-paints-the-hand-of-a-woman-124683392.htmlRMH6RPX8–15 Oct. 2016 Forked River USA / Volunteer paints the hand of a woman, hands are then placed on the family mural and the paint is pressed into the fabric as St Pius X celebrates it's 10th year in their new church with a festival open to all / Michael Glenn / Glenn Images
Statue of Pope Pius X in Italian Renaissance Papale Basilica Maggiore di San Pietro in Vaticano (Papal Basilica of St. Peter in the Vatican) listed Wo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-pope-pius-x-in-italian-renaissance-papale-basilica-maggiore-di-san-pietro-in-vaticano-papal-basilica-of-st-peter-in-the-vatican-listed-wo-image228446177.htmlRMR7JHC1–Statue of Pope Pius X in Italian Renaissance Papale Basilica Maggiore di San Pietro in Vaticano (Papal Basilica of St. Peter in the Vatican) listed Wo
002b Pius X pic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/002b-pius-x-pic-image208309328.htmlRMP2W8JT–002b Pius X pic
Pius X and Churchmen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pius-x-and-churchmen-140390325.htmlRMJ4B985–Pius X and Churchmen
Kirchen im Rhein-Kreis-Neuss, Neuss, St. Pius X., 1966-1967 von Margot und Joachim Schürmann erbaut, Relief am Eingang Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kirchen-im-rhein-kreis-neuss-neuss-st-pius-x-1966-1967-von-margot-und-joachim-schrmann-erbaut-relief-am-eingang-image616736194.htmlRM2XRAN8J–Kirchen im Rhein-Kreis-Neuss, Neuss, St. Pius X., 1966-1967 von Margot und Joachim Schürmann erbaut, Relief am Eingang
Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-a-personal-seal-ivory-and-silver-with-the-handle-in-the-19829994.htmlRMB479A2–Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the,
Portrait of the Pope Pius X (1835-1914), 1904. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-pope-pius-x-1835-1914-1904-private-collection-image485494144.htmlRM2K5T4MG–Portrait of the Pope Pius X (1835-1914), 1904. Private Collection.
cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-by-jules-maurice-radiguet-1866-1941-also-known-under-the-pseudonym-rad-illustrator-caricaturist-and-author-french-cartoon-depicting-pope-pius-x-head-of-the-catholic-church-from-august-1903-to-his-death-in-1914-image328344527.htmlRM2A25AP7–cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914)
Madonna della Scala Benedictine abbey, Noci, Apulia Mosaic depicting Pope Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-della-scala-benedictine-abbey-noci-apulia-mosaic-depicting-image69897315.htmlRME1M2MK–Madonna della Scala Benedictine abbey, Noci, Apulia Mosaic depicting Pope Pius X
Johann Hieronymus Lo¨schenkohl (aka Johann Hieronymus) (Austrian, 1753-1807). Pabst Pius am Ostersonntag auf dem Hofe zu Wien Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-johann-hieronymus-loschenkohl-aka-johann-hieronymus-austrian-1753-77324363.htmlRMEDPC0B–Johann Hieronymus Lo¨schenkohl (aka Johann Hieronymus) (Austrian, 1753-1807). Pabst Pius am Ostersonntag auf dem Hofe zu Wien
Art inspired by Pius V and the Ambassador of the King of Poland, ca. 1712, Black and red chalk, brush and brown wash, highlighted with white, 15-7/16 x 21-3/4 in. (39.2 x 55.2 cm), Drawings, Benedetto Luti (Italian, Florence 1666–1724 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pius-v-and-the-ambassador-of-the-king-of-poland-ca-1712-black-and-red-chalk-brush-and-brown-wash-highlighted-with-white-15-716-x-21-34-in-392-x-552-cm-drawings-benedetto-luti-italian-florence-16661724-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953724.htmlRF2HW5A5G–Art inspired by Pius V and the Ambassador of the King of Poland, ca. 1712, Black and red chalk, brush and brown wash, highlighted with white, 15-7/16 x 21-3/4 in. (39.2 x 55.2 cm), Drawings, Benedetto Luti (Italian, Florence 1666–1724 Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Old GOA, India - February 27, 2024: Courtyard St. Cajetan Church and Pastoral Institute St Pius X. Colony of Portugal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-goa-india-february-27-2024-courtyard-st-cajetan-church-and-pastoral-institute-st-pius-x-colony-of-portugal-image619725139.htmlRF2Y06WMK–Old GOA, India - February 27, 2024: Courtyard St. Cajetan Church and Pastoral Institute St Pius X. Colony of Portugal.
First Public Consistory of Pope Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-first-public-consistory-of-pope-pius-x-132446313.htmlRMHKDCHD–First Public Consistory of Pope Pius X
Art inspired by Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael, 1567, Engraving, sheet: 20 7/8 x 15 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bust-portrait-of-pope-pius-v-in-profile-facing-left-set-within-an-elaborate-architectural-structure-upon-which-sit-allegorical-figures-including-faith-charity-and-religion-above-and-justice-and-prudence-below-who-flank-st-michael-1567-engraving-sheet-20-78-x-15-13-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970637.htmlRF2HW63NH–Art inspired by Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael, 1567, Engraving, sheet: 20 7/8 x 15 13, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pope Pius X during his lying in state Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-during-his-lying-in-state-132437985.htmlRMHKD201–Pope Pius X during his lying in state
Elevation of Column of Antoninus Pius and Elevation of Column of Trajan. Artist: Antonio Maria Visentini (Italian, Venice 1688-1782 Venice). Dimensions: 18-15/16 x 14-7/16 in. (48.1 x 36.7 cm). Date: 1688-1782. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elevation-of-column-of-antoninus-pius-and-elevation-of-column-of-trajan-artist-antonio-maria-visentini-italian-venice-1688-1782-venice-dimensions-18-1516-x-14-716-in-481-x-367-cm-date-1688-1782-museum-metropolitan-museum-of-art-new-york-usa-image213130633.htmlRMPAMX89–Elevation of Column of Antoninus Pius and Elevation of Column of Trajan. Artist: Antonio Maria Visentini (Italian, Venice 1688-1782 Venice). Dimensions: 18-15/16 x 14-7/16 in. (48.1 x 36.7 cm). Date: 1688-1782. Museum: Metropolitan Museum of Art, New York, USA.
Pope Pius X Vanity Fair 10 December 1903 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-vanity-fair-10-december-1903-132490245.htmlRMHKFCJD–Pope Pius X Vanity Fair 10 December 1903
Art inspired by Elevation of Column of Antoninus Pius and Elevation of Column of Trajan, 1688–1782, Pen and brown ink, brush and grey wash, over traces of ruling in graphite, 18-15/16 x 14-7/16 in. (48.1 x 36.7 cm), Drawings, Antonio Maria Visentini (Italian, Venice 1688–1782 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elevation-of-column-of-antoninus-pius-and-elevation-of-column-of-trajan-16881782-pen-and-brown-ink-brush-and-grey-wash-over-traces-of-ruling-in-graphite-18-1516-x-14-716-in-481-x-367-cm-drawings-antonio-maria-visentini-italian-venice-16881782-venice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957132.htmlRF2HW5EF8–Art inspired by Elevation of Column of Antoninus Pius and Elevation of Column of Trajan, 1688–1782, Pen and brown ink, brush and grey wash, over traces of ruling in graphite, 18-15/16 x 14-7/16 in. (48.1 x 36.7 cm), Drawings, Antonio Maria Visentini (Italian, Venice 1688–1782 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pius X NPG Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pius-x-npg-134662584.htmlRMHR2BE0–Pius X NPG
Counterfacade with Pope Innocent X coat of arms, in the Basilica of Saint John Lateran in Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/counterfacade-with-pope-innocent-x-coat-of-arms-in-the-basilica-of-saint-john-lateran-in-rome-image211778943.htmlRFP8FA5K–Counterfacade with Pope Innocent X coat of arms, in the Basilica of Saint John Lateran in Rome.
Pius X and Churchmen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pius-x-and-churchmen-136602385.htmlRMHX6NMH–Pius X and Churchmen
012 Mother Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/012-mother-pius-x-image208324103.htmlRMP2WYEF–012 Mother Pius X
Papst Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-papst-pius-x-140275084.htmlRMJ4628C–Papst Pius X.
Statue of Pope Pius X in Italian Renaissance Papale Basilica Maggiore di San Pietro in Vaticano (Papal Basilica of St. Peter in the Vatican) listed Wo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-pope-pius-x-in-italian-renaissance-papale-basilica-maggiore-di-san-pietro-in-vaticano-papal-basilica-of-st-peter-in-the-vatican-listed-wo-image228446172.htmlRMR7JHBT–Statue of Pope Pius X in Italian Renaissance Papale Basilica Maggiore di San Pietro in Vaticano (Papal Basilica of St. Peter in the Vatican) listed Wo
Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-a-personal-seal-ivory-and-silver-with-the-handle-in-the-19829990.htmlRMB4799X–Pope Pius X - a personal seal., Ivory and silver with the handle in the shape of a medieval rampant lion holding a tablet in his forepaws and standing on a base of acanthus leaves. Stepped silver seal, bearing the papal coat of arms with tiara and crossed keys engraved into the surface of the seal. The shield of the coat of arms bears the Venetian lion of St. Mark and a fouled anchor. Height 10 cm. Comes from the possessions of Prince Ludwig of Saxe-Coburg-Gotha (1870 Ebenthal - 1942 Innsbruck). There is also a handwritten Papal blessing from Pope Pius X on the,
Pius X Vatican Gardens 1913 Landauer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pius-x-vatican-gardens-1913-landauer-140421894.htmlRMJ4CNFJ–Pius X Vatican Gardens 1913 Landauer
cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-by-jules-maurice-radiguet-1866-1941-also-known-under-the-pseudonym-rad-illustrator-caricaturist-and-author-french-cartoon-depicting-pope-pius-x-head-of-the-catholic-church-from-august-1903-to-his-death-in-1914-image328344531.htmlRM2A25APB–cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914)
First Public Consistory of Pope Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-first-public-consistory-of-pope-pius-x-139866912.htmlRMJ3FDJT–First Public Consistory of Pope Pius X
Pope Pius X, 1910. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-pius-x-1910-image603638000.htmlRM2X222C0–Pope Pius X, 1910.
. History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians;. u), for that statelyhill of the Capitol whichshall endure so long asthe pontifex ascends itssteps, the silent Vestal athis side. ^ All this he clothes in the most charming verse ; and from the point . >, of view of art Vergil is AENEAS BEARING ANCHISES (PIUS AF.NKAS). >*v^.r v^ ivi u v. ^x a greater poet thanHomer; nevertheless, the Aeneid will remain as far from the Iliadas marble is from life, since the most skilful artist cannot enterinto competition with the work which sprang living from th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-rome-and-of-the-roman-people-from-its-origin-to-the-invasion-of-the-barbarians-u-for-that-statelyhill-of-the-capitol-whichshall-endure-so-long-asthe-pontifex-ascends-itssteps-the-silent-vestal-athis-side-all-this-he-clothes-in-the-most-charming-verse-and-from-the-point-gt-of-view-of-art-vergil-is-aeneas-bearing-anchises-pius-afnkas-gtvr-v-ivi-u-v-x-a-greater-poet-thanhomer-nevertheless-the-aeneid-will-remain-as-far-from-the-iliadas-marble-is-from-life-since-the-most-skilful-artist-cannot-enterinto-competition-with-the-work-which-sprang-living-from-th-image336704518.htmlRM2AFP61A–. History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians;. u), for that statelyhill of the Capitol whichshall endure so long asthe pontifex ascends itssteps, the silent Vestal athis side. ^ All this he clothes in the most charming verse ; and from the point . >, of view of art Vergil is AENEAS BEARING ANCHISES (PIUS AF.NKAS). >*v^.r v^ ivi u v. ^x a greater poet thanHomer; nevertheless, the Aeneid will remain as far from the Iliadas marble is from life, since the most skilful artist cannot enterinto competition with the work which sprang living from th
Pope Pius VII and Cardinal Caprara *oil on panel *138.1 x 96 cm *ca 1805 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-pius-vii-and-cardinal-caprara-oil-on-panel-1381-x-96-cm-ca-1805-image241336596.htmlRFT0HR84–Pope Pius VII and Cardinal Caprara *oil on panel *138.1 x 96 cm *ca 1805
Pius V and the Ambassador of the King of Poland. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 15-7/16 x 21-3/4 in. (39.2 x 55.2 cm). Date: ca. 1712. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pius-v-and-the-ambassador-of-the-king-of-poland-artist-benedetto-luti-italian-florence-1666-1724-rome-dimensions-15-716-x-21-34-in-392-x-552-cm-date-ca-1712-museum-metropolitan-museum-of-art-new-york-usa-image212936147.htmlRMPAC26B–Pius V and the Ambassador of the King of Poland. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 15-7/16 x 21-3/4 in. (39.2 x 55.2 cm). Date: ca. 1712. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Saint Dominic Giving the Rosary to Pope Pius V, 17th century, Pen and brown ink, brush and brown wash, red chalk on light tan paper, 11-3/4 x 7-3/8 in. (29.8 x 18.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-dominic-giving-the-rosary-to-pope-pius-v-17th-century-pen-and-brown-ink-brush-and-brown-wash-red-chalk-on-light-tan-paper-11-34-x-7-38-in-298-x-188-cm-drawings-anonymous-italian-roman-bolognese-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953255.htmlRF2HW59GR–Art inspired by Saint Dominic Giving the Rosary to Pope Pius V, 17th century, Pen and brown ink, brush and brown wash, red chalk on light tan paper, 11-3/4 x 7-3/8 in. (29.8 x 18.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Bronze military diploma, Mid-Imperial, Antonine, ca. A.D. 149, Roman, Bronze, A: Overall: 5 3/16 x 4 1/8 x 1/16 in. (13.2 x 10.5 x 0.2 cm), Bronzes, These tablets record that in A.D. 149, the Emperor Antoninus Pius granted Roman citizenship and the right to legal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bronze-military-diploma-mid-imperial-antonine-ca-ad-149-roman-bronze-a-overall-5-316-x-4-18-x-116-in-132-x-105-x-02-cm-bronzes-these-tablets-record-that-in-ad-149-the-emperor-antoninus-pius-granted-roman-citizenship-and-the-right-to-legal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462788329.htmlRF2HTWR6H–Art inspired by Bronze military diploma, Mid-Imperial, Antonine, ca. A.D. 149, Roman, Bronze, A: Overall: 5 3/16 x 4 1/8 x 1/16 in. (13.2 x 10.5 x 0.2 cm), Bronzes, These tablets record that in A.D. 149, the Emperor Antoninus Pius granted Roman citizenship and the right to legal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Blessed Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blessed-pius-x-137431545.htmlRMHYGF9D–Blessed Pius X
Art inspired by Storia di due amanti (Tale of Two Lovers), ca. 1495–1500, Printed book with woodcut illustrations, 8 1/16 x 5 11/16 x 3/8 in. (20.5 x 14.5 x 1 cm), Books, Enea Silvio Piccolomini, who became Pope Pius II (r. 1458–64), wrote this tale of adultery in 1444 before taking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-storia-di-due-amanti-tale-of-two-lovers-ca-14951500-printed-book-with-woodcut-illustrations-8-116-x-5-1116-x-38-in-205-x-145-x-1-cm-books-enea-silvio-piccolomini-who-became-pope-pius-ii-r-145864-wrote-this-tale-of-adultery-in-1444-before-taking-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462960719.htmlRF2HW5K3B–Art inspired by Storia di due amanti (Tale of Two Lovers), ca. 1495–1500, Printed book with woodcut illustrations, 8 1/16 x 5 11/16 x 3/8 in. (20.5 x 14.5 x 1 cm), Books, Enea Silvio Piccolomini, who became Pope Pius II (r. 1458–64), wrote this tale of adultery in 1444 before taking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
002c Pius X signature Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/002c-pius-x-signature-image208309355.htmlRMP2W8KR–002c Pius X signature
Art inspired by Emperor Antoninus Pius, 1519–22, Italian, Mantua, Bronze, partially gilt and silvered, on marble socle, Overall without base (confirmed): H. 25 1/4 x W. 19 3/4 x D. 14 1/4 in. (64.1 x 50.2 x 36.2 cm); Height with base (confirmed): 29 7/8 in. (75.9 cm), Sculpture-Bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-emperor-antoninus-pius-151922-italian-mantua-bronze-partially-gilt-and-silvered-on-marble-socle-overall-without-base-confirmed-h-25-14-x-w-19-34-x-d-14-14-in-641-x-502-x-362-cm-height-with-base-confirmed-29-78-in-759-cm-sculpture-bronze-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462775576.htmlRF2HTW6Y4–Art inspired by Emperor Antoninus Pius, 1519–22, Italian, Mantua, Bronze, partially gilt and silvered, on marble socle, Overall without base (confirmed): H. 25 1/4 x W. 19 3/4 x D. 14 1/4 in. (64.1 x 50.2 x 36.2 cm); Height with base (confirmed): 29 7/8 in. (75.9 cm), Sculpture-Bronze, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pius Ferdinand Messerschmitt (1858 - 1915)., Napoleonic Cavalry raiding a market. Gouache on paper, signed on the lower right 'P.F. Messerschmitt'. Observed by villagers and children, hussars load a cart with sacks of grain and requisition a goat and a sheep in a market place in front of a church, on the right a cuirassier and an ordnance officer talking with town councillors. 70 x 98 cm. In a gilded empire frame, 83 x 113 cm. Pius Ferdinand Messerschmitt studied between 1888 and 1898 at the Munich Art Academy under Benczur, Hackl and Lindenschmit. Hi, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pius-ferdinand-messerschmitt-1858-1915-napoleonic-cavalry-raiding-19829568.htmlRMB478PT–Pius Ferdinand Messerschmitt (1858 - 1915)., Napoleonic Cavalry raiding a market. Gouache on paper, signed on the lower right 'P.F. Messerschmitt'. Observed by villagers and children, hussars load a cart with sacks of grain and requisition a goat and a sheep in a market place in front of a church, on the right a cuirassier and an ordnance officer talking with town councillors. 70 x 98 cm. In a gilded empire frame, 83 x 113 cm. Pius Ferdinand Messerschmitt studied between 1888 and 1898 at the Munich Art Academy under Benczur, Hackl and Lindenschmit. Hi, Artist's Copyright has not to be cleared
Art inspired by Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-19-view-of-the-baths-of-caracalla-indicating-with-inscribed-letter-a-the-places-from-which-columns-were-reportedly-taken-by-pope-pius-iv-to-be-sent-to-the-grand-duke-of-florence-from-the-series-ruins-of-the-antiquity-of-rome-tivoli-pozzuoli-and-other-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811924.htmlRF2HTXW98–Art inspired by Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting a dancer from the Pigalle in Paris confronting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-by-jules-maurice-radiguet-1866-1941-also-known-under-the-pseudonym-rad-illustrator-caricaturist-and-author-french-cartoon-depicting-a-dancer-from-the-pigalle-in-paris-confronting-pope-pius-x-head-of-the-catholic-church-from-august-1903-to-his-death-in-1914-image328344526.htmlRM2A25AP6–cartoon by Jules Maurice Radiguet (1866 -1941) also known under the pseudonym Rad, illustrator, caricaturist and author French cartoon. Depicting a dancer from the Pigalle in Paris confronting Pope Pius X (head of the Catholic Church from August 1903 to his death in 1914)
Anton de Waal mit Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anton-de-waal-mit-pius-x-139536476.htmlRMJ30C5G–Anton de Waal mit Pius X.
004a Pius X Czaich Frater title Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/004a-pius-x-czaich-frater-title-image208310680.htmlRMP2WAB4–004a Pius X Czaich Frater title
Pope Pius X during his lying in state Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-during-his-lying-in-state-140366570.htmlRMJ4A6YP–Pope Pius X during his lying in state
The Pope, 1913. Shows Pope Pius X (1835-1914). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pope-1913-shows-pope-pius-x-1835-1914-image608949338.htmlRM2XAM12J–The Pope, 1913. Shows Pope Pius X (1835-1914).
Pope Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pope-pius-x-160917116.htmlRMK9PBBT–Pope Pius X
Extinction Rebellion climate change protesters protest peacefully, by occupying Waterloo Bridge, in London. April 20th 2019 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/extinction-rebellion-climate-change-protesters-protest-peacefully-by-occupying-waterloo-bridge-in-london-april-20th-2019-image328344528.htmlRM2A25AP8–Extinction Rebellion climate change protesters protest peacefully, by occupying Waterloo Bridge, in London. April 20th 2019
X-ray . ? ^ ??:^ . %-V^l^ ?^•t^ V --^ i^.-.- !Jlill(UUL!JJ.ll,Ll.lUlllJ,llLLLmjJJJ Cf)e ^=map, 1914 i|ippocratic O^atf) SWEAR by Apollo the Physician, by ^sculo-pius, by Hygeia, by Panacea, and by all thegods and goddesses, calling them to witnessthat, according to my ability and judgment, Iwill in every particular keep this, my oath andcovenant: To regard him who teaches this artequally with my parents, to share my sub-stance, and if he be in need, to relieve his necessities;to regard his offspring equally with my brethren, and toteach his art, if they shall wish to learn it, without fee orst Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/x-ray-vl-t-v-i-!jlilluul!jjlllllullljlllllmjjjj-cfe-=map-1914-iippocratic-oatf-swear-by-apollo-the-physician-by-sculo-pius-by-hygeia-by-panacea-and-by-all-thegods-and-goddesses-calling-them-to-witnessthat-according-to-my-ability-and-judgment-iwill-in-every-particular-keep-this-my-oath-andcovenant-to-regard-him-who-teaches-this-artequally-with-my-parents-to-share-my-sub-stance-and-if-he-be-in-need-to-relieve-his-necessitiesto-regard-his-offspring-equally-with-my-brethren-and-toteach-his-art-if-they-shall-wish-to-learn-it-without-fee-orst-image339323589.htmlRM2AM1EKH–X-ray . ? ^ ??:^ . %-V^l^ ?^•t^ V --^ i^.-.- !Jlill(UUL!JJ.ll,Ll.lUlllJ,llLLLmjJJJ Cf)e ^=map, 1914 i|ippocratic O^atf) SWEAR by Apollo the Physician, by ^sculo-pius, by Hygeia, by Panacea, and by all thegods and goddesses, calling them to witnessthat, according to my ability and judgment, Iwill in every particular keep this, my oath andcovenant: To regard him who teaches this artequally with my parents, to share my sub-stance, and if he be in need, to relieve his necessities;to regard his offspring equally with my brethren, and toteach his art, if they shall wish to learn it, without fee orst
Pope Pius IX Imparting the Blessing Urbi et Orbi. Artist: François-Léon Benouville (French, Paris 1821-1859 Paris). Dimensions: 23 1/4 x 16 7/16 in. (59 x 41.8cm). Date: 1835-59. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-pius-ix-imparting-the-blessing-urbi-et-orbi-artist-franois-lon-benouville-french-paris-1821-1859-paris-dimensions-23-14-x-16-716-in-59-x-418cm-date-1835-59-museum-metropolitan-museum-of-art-new-york-usa-image213147280.htmlRMPANKET–Pope Pius IX Imparting the Blessing Urbi et Orbi. Artist: François-Léon Benouville (French, Paris 1821-1859 Paris). Dimensions: 23 1/4 x 16 7/16 in. (59 x 41.8cm). Date: 1835-59. Museum: Metropolitan Museum of Art, New York, USA.
First Public Consistory of Pope Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-first-public-consistory-of-pope-pius-x-136493798.htmlRMHX1R6E–First Public Consistory of Pope Pius X
Pope Pius X during his lying in state Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-during-his-lying-in-state-136619834.htmlRMHX7FYP–Pope Pius X during his lying in state
Pope Pius X, Vanity Fair, 1903 12 10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-vanity-fair-1903-12-10-137397768.htmlRMHYF074–Pope Pius X, Vanity Fair, 1903 12 10
Art inspired by Madonna and Child, ca. 1470, Tempera on wood, gold ground, Overall 27 3/4 x 18 1/8 in. (70.5 x 46 cm); painted surface 24 1/4 x 14 3/4 in. (61.6 x 37.5 cm), Paintings, Benvenuto di Giovanni (Italian, Siena 1436–after 1518 Siena), This resplendent and well-preserved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-madonna-and-child-ca-1470-tempera-on-wood-gold-ground-overall-27-34-x-18-18-in-705-x-46-cm-painted-surface-24-14-x-14-34-in-616-x-375-cm-paintings-benvenuto-di-giovanni-italian-siena-1436after-1518-siena-this-resplendent-and-well-preserved-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824012.htmlRF2HTYCN0–Art inspired by Madonna and Child, ca. 1470, Tempera on wood, gold ground, Overall 27 3/4 x 18 1/8 in. (70.5 x 46 cm); painted surface 24 1/4 x 14 3/4 in. (61.6 x 37.5 cm), Paintings, Benvenuto di Giovanni (Italian, Siena 1436–after 1518 Siena), This resplendent and well-preserved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of an Older Man (Pius Joachim), c. 1475, mixed technique on basswood, 44 x 38.7 cm, unsigned, Bayerischer Meister, 15. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-older-man-pius-joachim-c-1475-mixed-technique-on-basswood-44-x-387-cm-unsigned-bayerischer-meister-15-jh-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349798903.htmlRF2B92M1Y–Portrait of an Older Man (Pius Joachim), c. 1475, mixed technique on basswood, 44 x 38.7 cm, unsigned, Bayerischer Meister, 15. Jh., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
004 Pius X Czaich Frater title Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/004-pius-x-czaich-frater-title-image208310672.htmlRMP2WAAT–004 Pius X Czaich Frater title
002 Pius X pic book title Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/002-pius-x-pic-book-title-image208309308.htmlRMP2W8J4–002 Pius X pic book title
Pope Pius X, Vanity Fair, 1903 12 10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-pope-pius-x-vanity-fair-1903-12-10-162230484.htmlRMKBX6HT–Pope Pius X, Vanity Fair, 1903 12 10
046 Sarto chaplain Riese statue Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/046-sarto-chaplain-riese-statue-pius-x-image208440429.htmlRMP337W1–046 Sarto chaplain Riese statue Pius X
Father Mateo Crawley Boevey with pictures of Sacred Heart of Jesus and Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/father-mateo-crawley-boevey-with-pictures-of-sacred-heart-of-jesus-image159177188.htmlRMK6Y43G–Father Mateo Crawley Boevey with pictures of Sacred Heart of Jesus and Pius X
Pope Pius VII in the Sistine Chapel. Dated: 1814. Dimensions: overall: 74.5 x 92.7 cm (29 5/16 x 36 1/2 in.) framed: 98 x 117 x 8.3 cm (38 9/16 x 46 1/16 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: INGRES, JEAN AUGUSTE DOMINIQUE. JEAN AUGUSTE DOMINIQUE INGRES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-pius-vii-in-the-sistine-chapel-dated-1814-dimensions-overall-745-x-927-cm-29-516-x-36-12-in-framed-98-x-117-x-83-cm-38-916-x-46-116-x-3-14-in-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-ingres-jean-auguste-dominique-jean-auguste-dominique-ingres-image218953193.htmlRMPM650W–Pope Pius VII in the Sistine Chapel. Dated: 1814. Dimensions: overall: 74.5 x 92.7 cm (29 5/16 x 36 1/2 in.) framed: 98 x 117 x 8.3 cm (38 9/16 x 46 1/16 x 3 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: INGRES, JEAN AUGUSTE DOMINIQUE. JEAN AUGUSTE DOMINIQUE INGRES.
001 Pius X papa Czaich Frater Budapest 1907 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/001-pius-x-papa-czaich-frater-budapest-1907-image208319522.htmlRMP2WNJX–001 Pius X papa Czaich Frater Budapest 1907
Pope's carriage, between c1910 and c1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/popes-carriage-between-c1910-and-c1915-image608955295.htmlRM2XAM8KB–Pope's carriage, between c1910 and c1915.
Pope Pius X Vanity Fair 10 December 1903 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pope-pius-x-vanity-fair-10-december-1903-136638100.htmlRMHX8B84–Pope Pius X Vanity Fair 10 December 1903
Portrait of Pope Pius II (Enea Silvio Piccolomini), oil on canvas, 77.5 x 64.5 cm, unsigned., Top left: • PIVS • II • PONT • MAX •, Cristofano (di Papi) dell' Altissimo, (Kopie nach / copy after), um 1525–1605 Florenz, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-pope-pius-ii-enea-silvio-piccolomini-oil-on-canvas-775-x-645-cm-unsigned-top-left-pivs-ii-pont-max-cristofano-di-papi-dell-altissimo-kopie-nach-copy-after-um-15251605-florenz-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349803553.htmlRF2B92X01–Portrait of Pope Pius II (Enea Silvio Piccolomini), oil on canvas, 77.5 x 64.5 cm, unsigned., Top left: • PIVS • II • PONT • MAX •, Cristofano (di Papi) dell' Altissimo, (Kopie nach / copy after), um 1525–1605 Florenz, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Christ on the Cross with Pope Pius II. Dated: c. 1475. Dimensions: Overall: 36 x 26 cm (14 3/16 x 10 1/4 in.) overall (external frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-with-pope-pius-ii-dated-c-1475-dimensions-overall-36-x-26-cm-14-316-x-10-14-in-overall-external-frame-dimensions-597-x-445-cm-23-12-x-17-12-in-medium-woodcut-museum-national-gallery-of-art-washington-dc-author-german-15th-century-image225419762.htmlRMR2MN5P–Christ on the Cross with Pope Pius II. Dated: c. 1475. Dimensions: Overall: 36 x 26 cm (14 3/16 x 10 1/4 in.) overall (external frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.
Blessed Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blessed-pius-x-image219386921.htmlRMPMWX75–Blessed Pius X.
150b Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/150b-pius-x-image209414868.htmlRMP4KJPC–150b Pius X.
Blessed Pius X Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blessed-pius-x-146524696.htmlRMJEANMT–Blessed Pius X
View of the Customs House in Piazza di Pietra, which was built within the ruins of the Temple of Marcus Aurelius Antoninus Pius in his Forum, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 395 x 599 mm (image), 400 x 604 mm (plate), 491 x 638 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-customs-house-in-piazza-di-pietra-which-was-built-within-the-ruins-of-the-temple-of-marcus-aurelius-antoninus-pius-in-his-forum-from-views-of-rome-175059-giovanni-battista-piranesi-italian-1720-1778-italy-etching-on-ivory-laid-paper-395-x-599-mm-image-400-x-604-mm-plate-491-x-638-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349698661.htmlRF2B8X45W–View of the Customs House in Piazza di Pietra, which was built within the ruins of the Temple of Marcus Aurelius Antoninus Pius in his Forum, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 395 x 599 mm (image), 400 x 604 mm (plate), 491 x 638 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Spain. Aragon. Near Saragossa. Charterhouse of Aula Dei. Carthusian monastery, founded in 1563 by Hernando de Aragon, Archbishop of Saragossa. Architects: Martin de Miteza and Miguel de Riglos. Cover of the complex with the commemoration of the restoration by Popes Leo XIII and Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-aragon-near-saragossa-charterhouse-of-aula-dei-carthusian-monastery-founded-in-1563-by-hernando-de-aragon-archbishop-of-saragossa-architects-martin-de-miteza-and-miguel-de-riglos-cover-of-the-complex-with-the-commemoration-of-the-restoration-by-popes-leo-xiii-and-pius-x-image221747708.htmlRMPTNDD0–Spain. Aragon. Near Saragossa. Charterhouse of Aula Dei. Carthusian monastery, founded in 1563 by Hernando de Aragon, Archbishop of Saragossa. Architects: Martin de Miteza and Miguel de Riglos. Cover of the complex with the commemoration of the restoration by Popes Leo XIII and Pius X.
150a Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/150a-pius-x-image209414865.htmlRMP4KJP9–150a Pius X.
Pope Pius II, frontispiece to a Constitution of the Sienese Church of the Year 1464. Italian (Siena); after Vecchietta (Lorenzo di Pietro di Giovanni) (Italian, 1410-1480). Date: 1464. Dimensions: 310 x 223 mm. Manuscript cutting in tempera and gold leaf on parchment. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-pius-ii-frontispiece-to-a-constitution-of-the-sienese-church-of-the-year-1464-italian-siena-after-vecchietta-lorenzo-di-pietro-di-giovanni-italian-1410-1480-date-1464-dimensions-310-x-223-mm-manuscript-cutting-in-tempera-and-gold-leaf-on-parchment-origin-italy-museum-the-chicago-art-institute-image239826614.htmlRMRX5186–Pope Pius II, frontispiece to a Constitution of the Sienese Church of the Year 1464. Italian (Siena); after Vecchietta (Lorenzo di Pietro di Giovanni) (Italian, 1410-1480). Date: 1464. Dimensions: 310 x 223 mm. Manuscript cutting in tempera and gold leaf on parchment. Origin: Italy. Museum: The Chicago Art Institute.
150 Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/150-pius-x-image209274667.htmlRMP4D7Y7–150 Pius X.
Bronze military diploma. Culture: Roman. Dimensions: A: Overall: 5 3/16 x 4 1/8 x 1/16 in. (13.2 x 10.5 x 0.2 cm) B: Overall: 4 3/16 x 5 3/16 x 1/16 in. (10.6 x 13.1 x 0.2 cm). Date: ca. A.D. 149. These tablets record that in A.D. 149, the Emperor Antoninus Pius granted Roman citizenship and the right to legal marriage to discharged veterans of foreign birth who had served for twenty-five years in auxiliary units. Each veteran received a copy of the law inscribed on two bronze tablets fastened together with wires, which were officially sealed. This copy belonged to an infantryman named Dasme Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-military-diploma-culture-roman-dimensions-a-overall-5-316-x-4-18-x-116-in-132-x-105-x-02-cm-b-overall-4-316-x-5-316-x-116-in-106-x-131-x-02-cm-date-ca-ad-149-these-tablets-record-that-in-ad-149-the-emperor-antoninus-pius-granted-roman-citizenship-and-the-right-to-legal-marriage-to-discharged-veterans-of-foreign-birth-who-had-served-for-twenty-five-years-in-auxiliary-units-each-veteran-received-a-copy-of-the-law-inscribed-on-two-bronze-tablets-fastened-together-with-wires-which-were-officially-sealed-this-copy-belonged-to-an-infantryman-named-dasme-image213178294.htmlRMPAR32E–Bronze military diploma. Culture: Roman. Dimensions: A: Overall: 5 3/16 x 4 1/8 x 1/16 in. (13.2 x 10.5 x 0.2 cm) B: Overall: 4 3/16 x 5 3/16 x 1/16 in. (10.6 x 13.1 x 0.2 cm). Date: ca. A.D. 149. These tablets record that in A.D. 149, the Emperor Antoninus Pius granted Roman citizenship and the right to legal marriage to discharged veterans of foreign birth who had served for twenty-five years in auxiliary units. Each veteran received a copy of the law inscribed on two bronze tablets fastened together with wires, which were officially sealed. This copy belonged to an infantryman named Dasme
162 coronation Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/162-coronation-pius-x-image209435864.htmlRMP4MHG8–162 coronation Pius X.
Jacques Louis David / 'Pope Pius VII', 1805, Oil on wood, 86 x 71 cm., Inv. 3701. Museum: MUSEE DU LOUVRE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-louis-david-pope-pius-vii-1805-oil-on-wood-86-x-71-cm-inv-3701-museum-musee-du-louvre-image211161448.htmlRMP7F6G8–Jacques Louis David / 'Pope Pius VII', 1805, Oil on wood, 86 x 71 cm., Inv. 3701. Museum: MUSEE DU LOUVRE.
162a coronation Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/162a-coronation-pius-x-image209426081.htmlRMP4M52W–162a coronation Pius X.
Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael. Artist: Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557-88, died 1620). Dimensions: Sheet (Trimmed just inside platemark): 20 7/8 × 15 13/16 in. (53 × 40.2 cm). Published in: Rome. Publisher: Bartolomeo Faleti (Italian, active ca. 1560, died 1570). Date: 1567. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bust-portrait-of-pope-pius-v-in-profile-facing-left-set-within-an-elaborate-architectural-structure-upon-which-sit-allegorical-figures-including-faith-charity-and-religion-above-and-justice-and-prudence-below-who-flank-st-michael-artist-mario-cartaro-italian-born-viterbo-active-rome-ca-1557-88-died-1620-dimensions-sheet-trimmed-just-inside-platemark-20-78-15-1316-in-53-402-cm-published-in-rome-publisher-bartolomeo-faleti-italian-active-ca-1560-died-1570-date-1567-museum-metropolitan-museum-of-art-new-york-usa-image213501016.htmlRMPB9PM8–Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael. Artist: Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557-88, died 1620). Dimensions: Sheet (Trimmed just inside platemark): 20 7/8 × 15 13/16 in. (53 × 40.2 cm). Published in: Rome. Publisher: Bartolomeo Faleti (Italian, active ca. 1560, died 1570). Date: 1567. Museum: Metropolitan Museum of Art, New York, USA.
162b coronation Pius X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/162b-coronation-pius-x-image209426084.htmlRMP4M530–162b coronation Pius X.
![[Group of 12 Stereograph Views of Celebrities, Including Popes and Presidents]. Artist: Alfred Hewitt. Dimensions: Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.). Person in Photograph: Pope Pius X (Italian, 1835-1914); William McKinley (American, 1843-1901); President John Calvin Coolidge Jr. (American, 1872-1933); First Lady Grace Anna Goodhue Coolidge (American, 1879-1957); Major General Adna Romanza Chaffee (American, 1842-1941); First Lady Ida Saxton McKinley (American, 1847-1907). Photography Studio: Sun Sculpture Works and Studios (American). Publisher: Keystone View Company; C. H. Stock Photo](https://c8.alamy.com/comp/PB6846/group-of-12-stereograph-views-of-celebrities-including-popes-and-presidents-artist-alfred-hewitt-dimensions-mounts-approximately-89-x-178-cm-3-12-x-7-in-person-in-photograph-pope-pius-x-italian-1835-1914-william-mckinley-american-1843-1901-president-john-calvin-coolidge-jr-american-1872-1933-first-lady-grace-anna-goodhue-coolidge-american-1879-1957-major-general-adna-romanza-chaffee-american-1842-1941-first-lady-ida-saxton-mckinley-american-1847-1907-photography-studio-sun-sculpture-works-and-studios-american-publisher-keystone-view-company-c-h-PB6846.jpg "[Group of 12 Stereograph Views of Celebrities, Including Popes and Presidents]. Artist: Alfred Hewitt. Dimensions: Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.). Person in Photograph: Pope Pius X (Italian, 1835-1914); William McKinley (American, 1843-1901); President John Calvin Coolidge Jr. (American, 1872-1933); First Lady Grace Anna Goodhue Coolidge (American, 1879-1957); Major General Adna Romanza Chaffee (American, 1842-1941); First Lady Ida Saxton McKinley (American, 1847-1907). Photography Studio: Sun Sculpture Works and Studios (American). Publisher: Keystone View Company; C. H. Stock Photo")
[Group of 12 Stereograph Views of Celebrities, Including Popes and Presidents]. Artist: Alfred Hewitt. Dimensions: Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.). Person in Photograph: Pope Pius X (Italian, 1835-1914); William McKinley (American, 1843-1901); President John Calvin Coolidge Jr. (American, 1872-1933); First Lady Grace Anna Goodhue Coolidge (American, 1879-1957); Major General Adna Romanza Chaffee (American, 1842-1941); First Lady Ida Saxton McKinley (American, 1847-1907). Photography Studio: Sun Sculpture Works and Studios (American). Publisher: Keystone View Company; C. H. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-of-12-stereograph-views-of-celebrities-including-popes-and-presidents-artist-alfred-hewitt-dimensions-mounts-approximately-89-x-178-cm-3-12-x-7-in-person-in-photograph-pope-pius-x-italian-1835-1914-william-mckinley-american-1843-1901-president-john-calvin-coolidge-jr-american-1872-1933-first-lady-grace-anna-goodhue-coolidge-american-1879-1957-major-general-adna-romanza-chaffee-american-1842-1941-first-lady-ida-saxton-mckinley-american-1847-1907-photography-studio-sun-sculpture-works-and-studios-american-publisher-keystone-view-company-c-h-image213423734.htmlRMPB6846–[Group of 12 Stereograph Views of Celebrities, Including Popes and Presidents]. Artist: Alfred Hewitt. Dimensions: Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.). Person in Photograph: Pope Pius X (Italian, 1835-1914); William McKinley (American, 1843-1901); President John Calvin Coolidge Jr. (American, 1872-1933); First Lady Grace Anna Goodhue Coolidge (American, 1879-1957); Major General Adna Romanza Chaffee (American, 1842-1941); First Lady Ida Saxton McKinley (American, 1847-1907). Photography Studio: Sun Sculpture Works and Studios (American). Publisher: Keystone View Company; C. H.
236a Pius X-Lieure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/236a-pius-x-lieure-image211242273.htmlRMP7JWJW–236a Pius X-Lieure.
![[Group of 250 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541 Stock Photo](https://c8.alamy.com/comp/PPP7Y4/group-of-250-stereograph-views-from-the-london-stereoscopic-company-1860-1870-many-hand-colored-to-illustrate-books-artist-unknown-american-unknown-unknown-british-benneville-lloyd-singley-american-union-township-pennsylvania-1864-1938-meadville-pennsylvania-collaborated-with-sir-david-brewster-british-jedburgh-scotland-1781-1868-melrose-c-e-goodman-j-elliott-m-laroche-author-william-hepworth-dixon-british-1821-1879-dimensions-mounts-approximately-86-x-175-cm-3-38-x-6-78-in-person-in-photograph-henry-iv-the-pius-duke-of-saxony-german-1473-1541-PPP7Y4.jpg "[Group of 250 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541 Stock Photo")
[Group of 250 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-of-250-stereograph-views-from-the-london-stereoscopic-company-1860-1870-many-hand-colored-to-illustrate-books-artist-unknown-american-unknown-unknown-british-benneville-lloyd-singley-american-union-township-pennsylvania-1864-1938-meadville-pennsylvania-collaborated-with-sir-david-brewster-british-jedburgh-scotland-1781-1868-melrose-c-e-goodman-j-elliott-m-laroche-author-william-hepworth-dixon-british-1821-1879-dimensions-mounts-approximately-86-x-175-cm-3-38-x-6-78-in-person-in-photograph-henry-iv-the-pius-duke-of-saxony-german-1473-1541-image220536040.htmlRMPPP7Y4–[Group of 250 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541
216a Pius X chapel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/216a-pius-x-chapel-image211221738.htmlRMP7HYDE–216a Pius X chapel.
![[Group of 42 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541) Stock Photo](https://c8.alamy.com/comp/PPP712/group-of-42-stereograph-views-from-the-london-stereoscopic-company-1860-1870-many-hand-colored-to-illustrate-books-artist-unknown-american-unknown-unknown-british-benneville-lloyd-singley-american-union-township-pennsylvania-1864-1938-meadville-pennsylvania-collaborated-with-sir-david-brewster-british-jedburgh-scotland-1781-1868-melrose-c-e-goodman-j-elliott-m-laroche-author-william-hepworth-dixon-british-1821-1879-dimensions-mounts-approximately-86-x-175-cm-3-38-x-6-78-in-person-in-photograph-henry-iv-the-pius-duke-of-saxony-german-1473-1541-PPP712.jpg "[Group of 42 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541) Stock Photo")
[Group of 42 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-of-42-stereograph-views-from-the-london-stereoscopic-company-1860-1870-many-hand-colored-to-illustrate-books-artist-unknown-american-unknown-unknown-british-benneville-lloyd-singley-american-union-township-pennsylvania-1864-1938-meadville-pennsylvania-collaborated-with-sir-david-brewster-british-jedburgh-scotland-1781-1868-melrose-c-e-goodman-j-elliott-m-laroche-author-william-hepworth-dixon-british-1821-1879-dimensions-mounts-approximately-86-x-175-cm-3-38-x-6-78-in-person-in-photograph-henry-iv-the-pius-duke-of-saxony-german-1473-1541-image220535310.htmlRMPPP712–[Group of 42 Stereograph Views From the London Stereoscopic Company, 1860-1870, Many Hand-Colored to Illustrate Books]. Artist: Unknown (American); Unknown; Unknown (British); Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864-1938 Meadville, Pennsylvania); Collaborated with Sir David Brewster (British, Jedburgh, Scotland 1781-1868 Melrose); C. E. Goodman; J. Elliott; M. Laroche. Author: William Hepworth Dixon (British, 1821-1879). Dimensions: Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.). Person in Photograph: Henry IV, the Pius, Duke of Saxony (German, 1473-1541)
