Plate depicts hi-res stock photography and images

Plate, mid 18th century, 1 x 9 x 9 in. (2.54 x 22.86 x 22.86 cm), Porcelain with enamel decoration, China, 18th century, Copied from a European engraving, the mythological scene on this plate depicts Apollo and Diana Stock Photo

RM2T917X3–Plate, mid 18th century, 1 x 9 x 9 in. (2.54 x 22.86 x 22.86 cm), Porcelain with enamel decoration, China, 18th century, Copied from a European engraving, the mythological scene on this plate depicts Apollo and Diana

Red-figured plate, depicts an archer, made in Athens. Dated 6th Century BC Stock Photo

RMG1CX3G–Red-figured plate, depicts an archer, made in Athens. Dated 6th Century BC

Plate Depicting a Female Figure Riding a Fantastic Winged Beast. Dimensions: H. 1 9/16 in. (4.0 cm) Diam. 8 1/8 in. (20.6 cm). Date: probably 8th century. Like Sasanian examples, this plate depicts a female figure riding a fantastic winged beast with a feline head, feathered body, and canine legs. Her figure is unnaturalistically twisted, a quality seen on late seventh- and early eighth-century Central Asian wall paintings from Panjikent. The lower part of the plate contains a symbolic representation of earth, water, and sky. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAT13M–Plate Depicting a Female Figure Riding a Fantastic Winged Beast. Dimensions: H. 1 9/16 in. (4.0 cm) Diam. 8 1/8 in. (20.6 cm). Date: probably 8th century. Like Sasanian examples, this plate depicts a female figure riding a fantastic winged beast with a feline head, feathered body, and canine legs. Her figure is unnaturalistically twisted, a quality seen on late seventh- and early eighth-century Central Asian wall paintings from Panjikent. The lower part of the plate contains a symbolic representation of earth, water, and sky. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Plate Depicting a Female Figure Riding a Fantastic Winged Beast, probably 8th century, Attributed to Iran, Silver; gilded, chased, and engraved, with applied elements, H. 1 9/16 in. (4.0 cm), Metal, Like Sasanian examples, this plate depicts a female figure riding a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8N2X–Art inspired by Plate Depicting a Female Figure Riding a Fantastic Winged Beast, probably 8th century, Attributed to Iran, Silver; gilded, chased, and engraved, with applied elements, H. 1 9/16 in. (4.0 cm), Metal, Like Sasanian examples, this plate depicts a female figure riding a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Crossing the Pont des Arts, 1816 . This plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. It was built from 1802 to 1804 and was the first Parisian bridge to be made of iron. It was also the first bridge in Paris to be exclusively reserved for pedestrians. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV's famous battle cry, 'Ralliez-vous à mon panache blanc!' and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back Stock Photo

RMP5Y30C–Crossing the Pont des Arts, 1816 . This plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. It was built from 1802 to 1804 and was the first Parisian bridge to be made of iron. It was also the first bridge in Paris to be exclusively reserved for pedestrians. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV's famous battle cry, 'Ralliez-vous à mon panache blanc!' and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back

A Greek relief plate depicts Odysseus listening to the sound of the siren tied to the mast of his ship. Stock Photo

RM2B2B6NR–A Greek relief plate depicts Odysseus listening to the sound of the siren tied to the mast of his ship.

Report on Salmonidae by George Suckley Plate No 3. Plate number 3 from George Suckley's Report on Salmonidae collected on the Northwest Boundary Survey of 1857, 1861. This plate depicts a Dog Salmon (Salmo canis).Smithsonian Institution Archives, Record Unit 7191, George Suckley Papers, Image No. Stock Photo

RM2BF58TK–Report on Salmonidae by George Suckley Plate No 3. Plate number 3 from George Suckley's Report on Salmonidae collected on the Northwest Boundary Survey of 1857, 1861. This plate depicts a Dog Salmon (Salmo canis).Smithsonian Institution Archives, Record Unit 7191, George Suckley Papers, Image No.

Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 soldiers,visitors travel traveling tour tourist tourism landma Stock Photo

RMA50Y64–Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 soldiers,visitors travel traveling tour tourist tourism landma

A color lithograph that depicts a Spanish soldier as he would have appeared in 1508, he is wearing a set of body armor that only leaves his thighs exposed, he carries a long rifle as his weapon, his pants are red and yellow and the riding gear for the horse is black and red, the horse has plate armor on his neck and head, 1861. From the New York Public Library. Stock Photo

RMKHKR13–A color lithograph that depicts a Spanish soldier as he would have appeared in 1508, he is wearing a set of body armor that only leaves his thighs exposed, he carries a long rifle as his weapon, his pants are red and yellow and the riding gear for the horse is black and red, the horse has plate armor on his neck and head, 1861. From the New York Public Library.

Title plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. The title is printed at the top of the plate just above an image of a printing press. There are 2 medallions also at the top: the medallion at left depicts the continents of America and Africa, and the medallion at represents a compass. Stock Photo

RMT966FP–Title plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. The title is printed at the top of the plate just above an image of a printing press. There are 2 medallions also at the top: the medallion at left depicts the continents of America and Africa, and the medallion at represents a compass.

Plate 4: Las mujeres dan valor (The women are courageous). This plate depicts a struggle between a group of civilians fighting soldiers. Francisco Goya - Stock Photo

RF2X0257P–Plate 4: Las mujeres dan valor (The women are courageous). This plate depicts a struggle between a group of civilians fighting soldiers. Francisco Goya -

Plate ca. 1740 Miguel Soliva The highly detailed and beautifully executed painted scene on this plate depicts the triumphal entry of Alexander into Babylon. The composition is derived from an engraving by Sébastian Leclerc made after a painting by the French artist Charles Le Brun (1619–1690). Le Brun was the most influential artist in France in the late 17th century and is often credited with creating the French Baroque style.. Plate. Spanish, Alcora. ca. 1740. Tin-glazed earthenware. Alcora Manufactory (Spanish, 1727–1895). Ceramics-Pottery Stock Photo

RM2HJ24KD–Plate ca. 1740 Miguel Soliva The highly detailed and beautifully executed painted scene on this plate depicts the triumphal entry of Alexander into Babylon. The composition is derived from an engraving by Sébastian Leclerc made after a painting by the French artist Charles Le Brun (1619–1690). Le Brun was the most influential artist in France in the late 17th century and is often credited with creating the French Baroque style.. Plate. Spanish, Alcora. ca. 1740. Tin-glazed earthenware. Alcora Manufactory (Spanish, 1727–1895). Ceramics-Pottery

'Moon Plate'. 4th century AD. Marble plaque (60 x 50 cm) that depicts an aediculae, partly engraved and partly in bas-relief, framing the figure of a crescent moon that has been sunk (in the fourth quarter), and the corresponding title in a moon. The aediculae is raised on a low pedestal edged by a cable at the top. At both ends of the cable are columns with an attic base, with a plinth, a smooth shaft and a composite capital. The temple is crowned by a high triangular pediment, bordered on three sides by a cable. Two small rosettes with sunken four petals are placed in the spandrels. From Mer Stock Photo

RM2D6A9KF–'Moon Plate'. 4th century AD. Marble plaque (60 x 50 cm) that depicts an aediculae, partly engraved and partly in bas-relief, framing the figure of a crescent moon that has been sunk (in the fourth quarter), and the corresponding title in a moon. The aediculae is raised on a low pedestal edged by a cable at the top. At both ends of the cable are columns with an attic base, with a plinth, a smooth shaft and a composite capital. The temple is crowned by a high triangular pediment, bordered on three sides by a cable. Two small rosettes with sunken four petals are placed in the spandrels. From Mer

RMD8A23H–Fulness of Joy Plate 31

Xmas, winter, new year concept - Christmas them layout on white plate depicts food smiling face with 2021 gold candles and santa hat on blue Stock Photo

RF2D7BD92–Xmas, winter, new year concept - Christmas them layout on white plate depicts food smiling face with 2021 gold candles and santa hat on blue

To Henry Hunt, Esquire, as chairman of the meeting assembled in St. Peter's Field, Manchester, sixteenth day of August, 1819, and to the female Reformers of Manchester and the adjacent towns who were exposed to and suffered from the wanton and fiendish attack made on them by that brutal armed force, the Manchester and Cheshire Yeomanry Cavalry, this plate is dedicated by their fellow labourer, Richard Carlile:[1] a coloured engraving that depicts the Peterloo Massacre (military suppression of a demonstration in Manchester, England by cavalry charge on August 16, 1819 with loss of life) in Manc Stock Photo

RM2BKKNCE–To Henry Hunt, Esquire, as chairman of the meeting assembled in St. Peter's Field, Manchester, sixteenth day of August, 1819, and to the female Reformers of Manchester and the adjacent towns who were exposed to and suffered from the wanton and fiendish attack made on them by that brutal armed force, the Manchester and Cheshire Yeomanry Cavalry, this plate is dedicated by their fellow labourer, Richard Carlile:[1] a coloured engraving that depicts the Peterloo Massacre (military suppression of a demonstration in Manchester, England by cavalry charge on August 16, 1819 with loss of life) in Manc

RFRG3PX0–A vector logo which depicts a tray with a dish around which depicts a variety of Mediterranean food.

BORDEAUX Vintage 1830s Archive Bordeaux City Map a steel plate engraving, dating to 1832 by the Society for the Diffusion of Useful Knowledge, S.D.U.K. It represents the city of Bordeaux, famous for its extraordinary French Wines. Map depicts the streets of Bordeaux with details of individual buildings. The bottom of the map is decorated with two views. One is a “View of Bordeaux from the Quai des Salinieres” and the other is a “Vies of Bordeaux from the Quai des Chartrons”. Published for the Society for the Diffusion of Useful Knowledge, by “Baldwin & Cradock Stock Photo

RM2BFEW8M–BORDEAUX Vintage 1830s Archive Bordeaux City Map a steel plate engraving, dating to 1832 by the Society for the Diffusion of Useful Knowledge, S.D.U.K. It represents the city of Bordeaux, famous for its extraordinary French Wines. Map depicts the streets of Bordeaux with details of individual buildings. The bottom of the map is decorated with two views. One is a “View of Bordeaux from the Quai des Salinieres” and the other is a “Vies of Bordeaux from the Quai des Chartrons”. Published for the Society for the Diffusion of Useful Knowledge, by “Baldwin & Cradock

This image depicts a plate of food featuring a hamburger and french fries on a table Stock Photo

RF2R8PTTG–This image depicts a plate of food featuring a hamburger and french fries on a table

engraving plate, François van Bleyswijk Engraver, first half of the 18th century, bottom center: F: Bleysweyck del en fecit, General: 14 x 11,6cm 140 x 116mm, pilgrim, city coat of arms, angel, lion, sailing ship, Engraving plate for printing labels on the packaging of Leiden bales of textile material. The plate depicts a scene of four merchants wrapped around cloth cloth. They stand in front of a monument with two angels sitting, blowing a trumpet and holding a blank cartouche together. Next to both angels a sign with the letters PWD. Above the cartouche, an oval shield depicts the coat of Stock Photo

RM2DCH86N–engraving plate, François van Bleyswijk Engraver, first half of the 18th century, bottom center: F: Bleysweyck del en fecit, General: 14 x 11,6cm 140 x 116mm, pilgrim, city coat of arms, angel, lion, sailing ship, Engraving plate for printing labels on the packaging of Leiden bales of textile material. The plate depicts a scene of four merchants wrapped around cloth cloth. They stand in front of a monument with two angels sitting, blowing a trumpet and holding a blank cartouche together. Next to both angels a sign with the letters PWD. Above the cartouche, an oval shield depicts the coat of

Black-figured plate, depicts an archer blowing a trumpet, made in Athens. Dated 6th Century BC Stock Photo

RMG1CX3F–Black-figured plate, depicts an archer blowing a trumpet, made in Athens. Dated 6th Century BC

Design for the Pommel Plate of a Saddle from a Garniture of Alessandro Farnese (1545-1592). Culture: Italian, Parma. Designer: Andrea Casalini (Italian, Parma, died 1597). Dimensions: 19 1/2 x 16 3/8 in. (49.5 x 39.2 cm). Date: ca. 1575-80. This preparatory drawing depicts the front saddle steel of one of the most lavishly decorated armor garnitures of the sixteenth century, made for Alessandro Farnese (1545-1592), duke of Parma and Piacenza. The complete armor for man and horse is in the <i>Hofjagd- und Rüstkammer</i> (Court Hunting Cabinet and Armory) of the Kunsthistorisches Museum, Vienna Stock Photo

RMPB3MHD–Design for the Pommel Plate of a Saddle from a Garniture of Alessandro Farnese (1545-1592). Culture: Italian, Parma. Designer: Andrea Casalini (Italian, Parma, died 1597). Dimensions: 19 1/2 x 16 3/8 in. (49.5 x 39.2 cm). Date: ca. 1575-80. This preparatory drawing depicts the front saddle steel of one of the most lavishly decorated armor garnitures of the sixteenth century, made for Alessandro Farnese (1545-1592), duke of Parma and Piacenza. The complete armor for man and horse is in the <i>Hofjagd- und Rüstkammer</i> (Court Hunting Cabinet and Armory) of the Kunsthistorisches Museum, Vienna

Art inspired by Apostle plate with inscription of Saint Phillip, ca. 1740, Chinese, made for export, Porcelain, with polychrome enamel, Overall (confirmed): 1 × 8 7/8 × 8 7/8 in. (2.5 × 22.5 × 22.5 cm), Ceramics-Porcelain-Export, This plate, which depicts Saint Philip, originally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9E06–Art inspired by Apostle plate with inscription of Saint Phillip, ca. 1740, Chinese, made for export, Porcelain, with polychrome enamel, Overall (confirmed): 1 × 8 7/8 × 8 7/8 in. (2.5 × 22.5 × 22.5 cm), Ceramics-Porcelain-Export, This plate, which depicts Saint Philip, originally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Nederlands: De koning van Ternate in de raad. De afbeelding is afkomstig uit het het werk 'Oud en Nieuw Oost-Indiën' van François Valentyn. De afbeelding laat zien hoe de koning van Ternate halverwege de zestiende eeuw met zijn onderdanen beraadslaagd. English: The king of Ternate in council. The illustration is taken from the work 'Oud en Nieuw Oost-Indien' by Francois Valentyn. The plate depicts the way in which the king of Ternate consulted with his subjects in the mid-sixteenth century. Nederlands: De koning van Ternate in de raad English: The king of Ternate in council . 1724. Creato Stock Photo

RMMMPDC1–. Nederlands: De koning van Ternate in de raad. De afbeelding is afkomstig uit het het werk 'Oud en Nieuw Oost-Indiën' van François Valentyn. De afbeelding laat zien hoe de koning van Ternate halverwege de zestiende eeuw met zijn onderdanen beraadslaagd. English: The king of Ternate in council. The illustration is taken from the work 'Oud en Nieuw Oost-Indien' by Francois Valentyn. The plate depicts the way in which the king of Ternate consulted with his subjects in the mid-sixteenth century. Nederlands: De koning van Ternate in de raad English: The king of Ternate in council . 1724. Creato

Charger, c. 1750. This plate demonstrates the commercial exchange of products—in this case prints and porcelain—between Europe and Asia in the 1700s. Here, a Chinese porcelain factory adapted a French print to decorate a dish for the European market. It depicts a fable by Jean de La Fontaine in which a barrel-maker’s wife dallies with a lover while her husband is working. Stock Photo

RM2A50F7E–Charger, c. 1750. This plate demonstrates the commercial exchange of products—in this case prints and porcelain—between Europe and Asia in the 1700s. Here, a Chinese porcelain factory adapted a French print to decorate a dish for the European market. It depicts a fable by Jean de La Fontaine in which a barrel-maker’s wife dallies with a lover while her husband is working.

Plate. 1780–1790. China. Porcelain, polychrome enamels, and gilding The center of this plate depicts a fanciful figure of Fame with the emblem of the Society of the Cincinnati, a group founded in the wake of the American Revolution to preserve rights and liberties. Originally enhanced with gilt decoration, the blue-and-white underglaze border, known as the Fitzhugh pattern, incorporates flowers, butterflies, and Chinese decorative motifs. George Washington, the society’s first president, and Colonel Henry Lee, a Revolutionary War cavalry officer, both owned extensive dinner services in this pa Stock Photo

RM2AHTT9B–Plate. 1780–1790. China. Porcelain, polychrome enamels, and gilding The center of this plate depicts a fanciful figure of Fame with the emblem of the Society of the Cincinnati, a group founded in the wake of the American Revolution to preserve rights and liberties. Originally enhanced with gilt decoration, the blue-and-white underglaze border, known as the Fitzhugh pattern, incorporates flowers, butterflies, and Chinese decorative motifs. George Washington, the society’s first president, and Colonel Henry Lee, a Revolutionary War cavalry officer, both owned extensive dinner services in this pa

RMA50Y62–Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 soldiers,visitors travel traveling tour tourist tourism landma

This photograph depicts Sabouraud?s dextrose agar plate of the fungi Microsporum vanbreuseghemi, 1961. M. vanbreuseghemi colonies grow rapidly, and mature in a week. The front color is cream-yellow, pink or tan with a lemon-yellow, or yellow to orange diffusible pigment observed from the reverse. Image courtesy CDC/Dr. Georg. Stock Photo

RMKR14DB–This photograph depicts Sabouraud?s dextrose agar plate of the fungi Microsporum vanbreuseghemi, 1961. M. vanbreuseghemi colonies grow rapidly, and mature in a week. The front color is cream-yellow, pink or tan with a lemon-yellow, or yellow to orange diffusible pigment observed from the reverse. Image courtesy CDC/Dr. Georg.

Scene during the cotton famine in Lancashire', 1862. Plate from The Illustrated London News, November 29th, 1863. The cotton famine was a depression in the textile industry in the North West of England brought about by the interruption of imports of cotton from America caused by the American Civil War. This engraving depicts a scene at the Manchester and Salford Provident Society, who issued provision tickets to help relieve the prevalent distress. Stock Photo

RMTAACCJ–Scene during the cotton famine in Lancashire', 1862. Plate from The Illustrated London News, November 29th, 1863. The cotton famine was a depression in the textile industry in the North West of England brought about by the interruption of imports of cotton from America caused by the American Civil War. This engraving depicts a scene at the Manchester and Salford Provident Society, who issued provision tickets to help relieve the prevalent distress.

DRUIDS AND THE EARLY CHRISTIANS Engraving by Frederick Hayman, showing the Druids being converted by the early Christians to the new faith. One Druid is cutting the sacred oak bough with a silver crescent knife: in the background (left) a bull is being slaughtered to the pgan gods. The plate in the open book in the foreground depicts the Wicker Man, wrongly believed to be an instrument of death, regulated by the Druids: those condemned to death were locked in the giant model of a human being, made from wickerwork: the whole thing was set on fire, and burned to ashes. A colour print Stock Photo

RMMC6EK9–DRUIDS AND THE EARLY CHRISTIANS Engraving by Frederick Hayman, showing the Druids being converted by the early Christians to the new faith. One Druid is cutting the sacred oak bough with a silver crescent knife: in the background (left) a bull is being slaughtered to the pgan gods. The plate in the open book in the foreground depicts the Wicker Man, wrongly believed to be an instrument of death, regulated by the Druids: those condemned to death were locked in the giant model of a human being, made from wickerwork: the whole thing was set on fire, and burned to ashes. A colour print

Plate with landscape of the West Lake early 18th century China The principal décor on this plate depicts one of the most famous scenic spots in China: Three Pools Mirroring the Moon (Santan Yinyue) in Hangzhou’s West Lake. Two gentlemen sit at their leisure in a nearby water pavilion, enjoying the view of the moon’s reflection in the midst of three small “pagodas”. Integrating painting, calligraphy, and poetry in a work of the “Three Perfections,” the plate is further embellished with a poem on this scenic spot by the sixteenth-century poet Yang Zhou. The inscription followed by a seal impress Stock Photo

RM2HGNACW–Plate with landscape of the West Lake early 18th century China The principal décor on this plate depicts one of the most famous scenic spots in China: Three Pools Mirroring the Moon (Santan Yinyue) in Hangzhou’s West Lake. Two gentlemen sit at their leisure in a nearby water pavilion, enjoying the view of the moon’s reflection in the midst of three small “pagodas”. Integrating painting, calligraphy, and poetry in a work of the “Three Perfections,” the plate is further embellished with a poem on this scenic spot by the sixteenth-century poet Yang Zhou. The inscription followed by a seal impress

The Times. Plate II 1762, by William Hogarth (1697 – 1764). English painter, printmaker, pictorial satirist. First published in 1790 after Hogarth's death, Plate II of The Times depicts a more peaceful and prosperous Britain. Plants are nourished by water spouting from the monument of George III, with the elegant Lord Bute as the chief gardener of the State Stock Photo

RM2A600C0–The Times. Plate II 1762, by William Hogarth (1697 – 1764). English painter, printmaker, pictorial satirist. First published in 1790 after Hogarth's death, Plate II of The Times depicts a more peaceful and prosperous Britain. Plants are nourished by water spouting from the monument of George III, with the elegant Lord Bute as the chief gardener of the State

Colour plate of the early life of Queen Victoria and Prince Stock Photo

RM2M3K4KJ–Colour plate of the early life of Queen Victoria and Prince

RF2D7KWF3–Xmas, winter, new year concept - Christmas them layout on white plate depicts food smiling face with 2021 gold candles and santa hat on blue

Maple Syrup Festival Sign depicts syrup over pancake with butter on plate. Vermontville Michigan USA Stock Photo

RFA0K6JJ–Maple Syrup Festival Sign depicts syrup over pancake with butter on plate. Vermontville Michigan USA

RFRG3PX1–A black vector logo which depicts a tray with a dish around which depicts a variety of Mediterranean food.

'Moon Plate'. 4th century AD. Marble plaque (60 x 50 cm) that depicts an aediculae, partly engraved and partly in bas-relief, framing the figure of a Stock Photo

RM2H0N6MC–'Moon Plate'. 4th century AD. Marble plaque (60 x 50 cm) that depicts an aediculae, partly engraved and partly in bas-relief, framing the figure of a

This image depicts a delicious plate of food featuring chicken and potatoes in a savory curry sauce Stock Photo

RF2RJ7036–This image depicts a delicious plate of food featuring chicken and potatoes in a savory curry sauce

Design for Two Cartouches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, Each plate depicts two oblong Rocaille cartouches, one above the other. Rocaille cartouches with landscapes., Germany, 1745, ornament, Print Stock Photo

RM2DMXYG5–Design for Two Cartouches, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723–1796, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Etching and engraving on off-white laid paper, Each plate depicts two oblong Rocaille cartouches, one above the other. Rocaille cartouches with landscapes., Germany, 1745, ornament, Print

Black-figured plate, depicts Dionysos, god of wine, holding out a drinking cup whilst seated, made in Athens. Dated 6th Century BC Stock Photo

RMG1CX3N–Black-figured plate, depicts Dionysos, god of wine, holding out a drinking cup whilst seated, made in Athens. Dated 6th Century BC

Perseus Saving Andromeda. Artist: Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). Dimensions: Plate: 11 15/16 x 8 1/2 in. (30.4 x 21.6 cm) Sheet: 12 13/16 x 14 7/8 in. (32.5 x 37.8 cm). Date: ca. 1775. David depicts the moment when having slain the sea monster to whom she was to be sacrificed Perseus frees Andromeda. On the ground to the right of Perseus lies the shield whose reflective surface had enabled him to slay Medusa, since looking on the Gorgon directly would have turned him to stone. Although classical sources describe Perseus as flying with the aid of winged sandals, ar Stock Photo

RMPATFEH–Perseus Saving Andromeda. Artist: Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). Dimensions: Plate: 11 15/16 x 8 1/2 in. (30.4 x 21.6 cm) Sheet: 12 13/16 x 14 7/8 in. (32.5 x 37.8 cm). Date: ca. 1775. David depicts the moment when having slain the sea monster to whom she was to be sacrificed Perseus frees Andromeda. On the ground to the right of Perseus lies the shield whose reflective surface had enabled him to slay Medusa, since looking on the Gorgon directly would have turned him to stone. Although classical sources describe Perseus as flying with the aid of winged sandals, ar

Art inspired by Perseus Saving Andromeda, ca. 1775, Etching, Plate: 11 15/16 x 8 1/2 in. (30.4 x 21.6 cm), Prints, Giovanni David (Italian, Cabella Ligure 1749–1790 Genoa), David depicts the moment when having slain the sea monster to whom she was to be sacrificed Perseus frees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXEB4–Art inspired by Perseus Saving Andromeda, ca. 1775, Etching, Plate: 11 15/16 x 8 1/2 in. (30.4 x 21.6 cm), Prints, Giovanni David (Italian, Cabella Ligure 1749–1790 Genoa), David depicts the moment when having slain the sea monster to whom she was to be sacrificed Perseus frees, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. This image depicts Bingyi (冰夷), also known as Hebo (河伯). . 1597. Classic of Mountains and Seas, 1597, plate LXI Stock Photo

RMMMMPC4–. This image depicts Bingyi (冰夷), also known as Hebo (河伯). . 1597. Classic of Mountains and Seas, 1597, plate LXI

Saint Martin and the Beggar, early 1500s. This plate is an appliqué seal, intended as a decorative element for a garment or possibly as a simple pilgrimage medallion. The work tells a story of charity. It depicts Martin of Tours, a French soldier of the fourth century who, when accosted by a beggar at the gates of Amiens, cut a portion of his cloak and gave it to him. St. Martin is depicted midway through cutting away his cloak with his saber. The bronze is often attributed to an artist in the northern Netherlands, which is due in part to the popularity of several motifs there at the turn Stock Photo

RM2A522MN–Saint Martin and the Beggar, early 1500s. This plate is an appliqué seal, intended as a decorative element for a garment or possibly as a simple pilgrimage medallion. The work tells a story of charity. It depicts Martin of Tours, a French soldier of the fourth century who, when accosted by a beggar at the gates of Amiens, cut a portion of his cloak and gave it to him. St. Martin is depicted midway through cutting away his cloak with his saber. The bronze is often attributed to an artist in the northern Netherlands, which is due in part to the popularity of several motifs there at the turn

George Lambarts Book Plate. Research in ProgressThe bookplate depicts the coat-of-arms of George Lambart with the inscription of the name below it. Stock Photo

RM2BTN4AT–George Lambarts Book Plate. Research in ProgressThe bookplate depicts the coat-of-arms of George Lambart with the inscription of the name below it.

Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 nostalgia nostalgic retro,visitors travel traveling tour touri Stock Photo

RMA50Y66–Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 nostalgia nostalgic retro,visitors travel traveling tour touri

close up depicts a red strawberry standing in a white bowl on a bright pine wooden background Stock Photo

RF2CGD15G–close up depicts a red strawberry standing in a white bowl on a bright pine wooden background

Illustrated Armament Description, British Newspaper - United Kingdom, Second World War : The image depicts a soldier operating a trench mortar. The soldier, clad in a helmet, is positioned on a rocky outcropping. The mortar, characterized by its long barrel, base plate, and handle, is the focal point of the image. The image is further enhanced by labels indicating the various components of the mortar, such as the spring and striker, safety pin, safety fuse, percussion cartridge, ammonal or amatol, detonator, shell, barrel, striker, crosshead, elevating screw and handle, and base plate. Stock Photo

RM2T0W962–Illustrated Armament Description, British Newspaper - United Kingdom, Second World War : The image depicts a soldier operating a trench mortar. The soldier, clad in a helmet, is positioned on a rocky outcropping. The mortar, characterized by its long barrel, base plate, and handle, is the focal point of the image. The image is further enhanced by labels indicating the various components of the mortar, such as the spring and striker, safety pin, safety fuse, percussion cartridge, ammonal or amatol, detonator, shell, barrel, striker, crosshead, elevating screw and handle, and base plate.

Decoration from the ceramic plate forming part of a 19th-century grocer’s weighing scales. The design depicts ‘Lady Justice’ and ‘Saint Faith’ standing with a lion on top of a globe surrounded by clouds. Above them is a ribbon bearing the Latin phrase, “Justitia et Fides” (Justice & Faith). Stock Photo

RM2J731AG–Decoration from the ceramic plate forming part of a 19th-century grocer’s weighing scales. The design depicts ‘Lady Justice’ and ‘Saint Faith’ standing with a lion on top of a globe surrounded by clouds. Above them is a ribbon bearing the Latin phrase, “Justitia et Fides” (Justice & Faith).

Plate with scene from 'Les Oies de Frère Philippe' ca. 1745 Decoration after Nicolas Lancret This plate depicts a tale from a famous collection of stories by a seventeenth-century French author, Jean de La Fontaine. The story concerns a young man encountering women for the first time, as seen here, and it served as the subject of a painting by Nicolas Lancret, now in the Metropolitan Museum of Art (see 2004.86). The plate faithfully reproduces Lancret’s composition, and it reflects the adoption of European images by Chinese potters in order to appeal to foreign markets.. Plate with scene from Stock Photo

RM2HGT6DN–Plate with scene from 'Les Oies de Frère Philippe' ca. 1745 Decoration after Nicolas Lancret This plate depicts a tale from a famous collection of stories by a seventeenth-century French author, Jean de La Fontaine. The story concerns a young man encountering women for the first time, as seen here, and it served as the subject of a painting by Nicolas Lancret, now in the Metropolitan Museum of Art (see 2004.86). The plate faithfully reproduces Lancret’s composition, and it reflects the adoption of European images by Chinese potters in order to appeal to foreign markets.. Plate with scene from

Illustrative plate from The Naval Cadet by Gordon Stables Circa 1898. Illustration by William Rainey. Depicts sailors clinging to an upturned boat. Stock Photo

RF2X3JT4D–Illustrative plate from The Naval Cadet by Gordon Stables Circa 1898. Illustration by William Rainey. Depicts sailors clinging to an upturned boat.

View on the Old Bourse of Saint Petersburg, Russia, 09 September 2007. The memorial plate in the foreground depicts the pre-revolution situation. Photo: Uwe Anspach Stock Photo

RMDB0XMG–View on the Old Bourse of Saint Petersburg, Russia, 09 September 2007. The memorial plate in the foreground depicts the pre-revolution situation. Photo: Uwe Anspach

Perleberg, Germany. 25th July, 2024. The Perleberg Roland stands in the center of the Grosser Markt. The 5.50 meter high Roland figure made of sandstone is located on the north-eastern side of the Großer Markt in front of the former library. It depicts a knight in decorated plate armor with a sword and shield. The Brandenburg eagle is depicted on the shield. The Brandenburg Day will take place in Perleberg in 2025. Credit: Jens Kalaene/dpa/Alamy Live News Stock Photo

RM2XMJ3JN–Perleberg, Germany. 25th July, 2024. The Perleberg Roland stands in the center of the Grosser Markt. The 5.50 meter high Roland figure made of sandstone is located on the north-eastern side of the Großer Markt in front of the former library. It depicts a knight in decorated plate armor with a sword and shield. The Brandenburg eagle is depicted on the shield. The Brandenburg Day will take place in Perleberg in 2025. Credit: Jens Kalaene/dpa/Alamy Live News

This 1/6 plate tintype photograph depicts a man from the waist up leaning against a wall with his left arm. He wears a coat and vest. A chain visible under the jacket suggests he carries a pocket watch. Photographer unknown. Stock Photo

RM2RXTGRB–This 1/6 plate tintype photograph depicts a man from the waist up leaning against a wall with his left arm. He wears a coat and vest. A chain visible under the jacket suggests he carries a pocket watch. Photographer unknown.

RFRG3PX5–Pasta italian food.Vector logo which depicts a plate with pasta and sauce.

RF2GF37NT–'Moon Plate'. 4th century AD. Marble plaque (60 x 50 cm) that depicts an aediculae, partly engraved and partly in bas-relief, framing the figure of a

Porcelain plate paintingBarnyardgrass bucket Jiangxi Jingdezhen Ceramic History Museum Depicts the scrawl line (now the packaging industry) wrapping p Stock Photo

RF2BF6MKX–Porcelain plate paintingBarnyardgrass bucket Jiangxi Jingdezhen Ceramic History Museum Depicts the scrawl line (now the packaging industry) wrapping p

George Lambart's Book Plate, A.M. Ireland, William Hogarth, English, 1697 - 1764, Etching on paper, The bookplate depicts the coat-of-arms of George Lambart with the inscription of the name below it., England, 1794, Print Stock Photo

RM2DM8YJW–George Lambart's Book Plate, A.M. Ireland, William Hogarth, English, 1697 - 1764, Etching on paper, The bookplate depicts the coat-of-arms of George Lambart with the inscription of the name below it., England, 1794, Print

Phiale (offering-dish) made in Athens. The plate depicts a black-figure and white-ground, with friezes of a hare hunt, animals and birds. Dated 5th Century BC Stock Photo

RMG1CX33–Phiale (offering-dish) made in Athens. The plate depicts a black-figure and white-ground, with friezes of a hare hunt, animals and birds. Dated 5th Century BC

Rainy Night, Charing Cross Shops. Artist: Joseph Pennell (American, Philadelphia, Pennsylvania 1857-1926 New York). Dimensions: plate: 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm) sheet: 12 1/2 x 8 3/8 in. (31.8 x 21.3 cm). Date: 1903. Pennell, a Philadelphia-born Quaker, spent the first two decades of his career abroad, living primarily in London, where he became a close associate of Whistler. Here, he depicts the Strand on a rainy night with figures beneath umbrellas and in horsedrawn carriages hurrying past the Chairing Cross Hotel and railway station entrance. Densely laid slanted lines suggest f Stock Photo

RMRGDDTX–Rainy Night, Charing Cross Shops. Artist: Joseph Pennell (American, Philadelphia, Pennsylvania 1857-1926 New York). Dimensions: plate: 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm) sheet: 12 1/2 x 8 3/8 in. (31.8 x 21.3 cm). Date: 1903. Pennell, a Philadelphia-born Quaker, spent the first two decades of his career abroad, living primarily in London, where he became a close associate of Whistler. Here, he depicts the Strand on a rainy night with figures beneath umbrellas and in horsedrawn carriages hurrying past the Chairing Cross Hotel and railway station entrance. Densely laid slanted lines suggest f

Art inspired by Abraham and Isaac, 1645, Etching and burin; only state, Plate: 6 1/8 x 5 1/8 in. (15.5 x 13 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Among Rembrandt's most moving prints, this etching depicts the story of Abraham, who, as a test, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXDDN–Art inspired by Abraham and Isaac, 1645, Etching and burin; only state, Plate: 6 1/8 x 5 1/8 in. (15.5 x 13 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Among Rembrandt's most moving prints, this etching depicts the story of Abraham, who, as a test, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. This image depicts the god Zhurong (祝融) who is riding two dragons and one of his divine subordinates who is bearing fire. . 1597. Classic of Mountains and Seas, 1597, plate XLIII Stock Photo

RMMMMPCE–. This image depicts the god Zhurong (祝融) who is riding two dragons and one of his divine subordinates who is bearing fire. . 1597. Classic of Mountains and Seas, 1597, plate XLIII

Still Life with Bread, Salami, and Nuts, about 1750-1760. Additional Info: Ceruti depicts the ingredients of a meal arranged on a wooden table. The painter includes a piece of bread and salami, some nuts, a knife and pewter plate, accompanied by a glass and wine carafe. The shadowed side of the carafe bears the initials of the artist (G.C.). Stock Photo

RM2YBDGNX–Still Life with Bread, Salami, and Nuts, about 1750-1760. Additional Info: Ceruti depicts the ingredients of a meal arranged on a wooden table. The painter includes a piece of bread and salami, some nuts, a knife and pewter plate, accompanied by a glass and wine carafe. The shadowed side of the carafe bears the initials of the artist (G.C.).

3c Abraham Lincoln plate proof. Also from the Lincoln sesquicentennial series, this 3¢ purple stamp depicts a marble bust by Gutzon Borglum, the monumental sculptor best known for creating Mount Rushmore National Memorial in South Dakota. 3c Abraham Lincoln plate proof Stock Photo

RM2BCYCTK–3c Abraham Lincoln plate proof. Also from the Lincoln sesquicentennial series, this 3¢ purple stamp depicts a marble bust by Gutzon Borglum, the monumental sculptor best known for creating Mount Rushmore National Memorial in South Dakota. 3c Abraham Lincoln plate proof

RMA50Y63–Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 nostalgia nostalgic retro,visitors travel traveling tour touri

Theodore Roosevelt Portrait Plate, ca. 1901 Stock Photo

RMD5AJTG–Theodore Roosevelt Portrait Plate, ca. 1901

This image depicts five Petri dish culture plates that had been filled with an agar-based medium of yeast extract, cysteine, and ferric pyrophosphate, to which high concentrations of D- or L-tyrosine, or D- or L-phenylalanine had been added. These plates had been inoculated with cultures of various strains of Legionella pneumophila . Note that ?browning? of the medium had occurred when L. pneumophila had been grown in the presence of high concentrations of L-tyrosine, and to a certain extent L-phenylalanine, but no browning when the D-isomers were included in the mixture. Note PHIL 2136, 15259 Stock Photo

RMKW1023–This image depicts five Petri dish culture plates that had been filled with an agar-based medium of yeast extract, cysteine, and ferric pyrophosphate, to which high concentrations of D- or L-tyrosine, or D- or L-phenylalanine had been added. These plates had been inoculated with cultures of various strains of Legionella pneumophila . Note that ?browning? of the medium had occurred when L. pneumophila had been grown in the presence of high concentrations of L-tyrosine, and to a certain extent L-phenylalanine, but no browning when the D-isomers were included in the mixture. Note PHIL 2136, 15259

Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege]. Stock Photo

RF2HBR6DH–Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege].

Muzikant in Pierrot, Benoît Audran (II), After Jean Antoine Watteau, 1708 - 1729 print The top plate depicts a man with a hat who plays for two sites and a standing pierrot figure on his string instrument. On the bottom plate there is a woman in Akimbo attitude with a walking stick and a seated couple and a standing pier rot figure. Both scenes take place in the open air. print maker: Francepublisher: Paris paper etching making music; musician with instrument - CC - out of doors. types in 'commedia dell'arte': Pierrot. adventurer Stock Photo

RM2WFTNPR–Muzikant in Pierrot, Benoît Audran (II), After Jean Antoine Watteau, 1708 - 1729 print The top plate depicts a man with a hat who plays for two sites and a standing pierrot figure on his string instrument. On the bottom plate there is a woman in Akimbo attitude with a walking stick and a seated couple and a standing pier rot figure. Both scenes take place in the open air. print maker: Francepublisher: Paris paper etching making music; musician with instrument - CC - out of doors. types in 'commedia dell'arte': Pierrot. adventurer

Illustrative plate from The Naval Cadet by Gordon Stables Circa 1898. Illustration by William Rainey. Depicts an old man and boy rescuing survivors. Stock Photo

RF2X3JT43–Illustrative plate from The Naval Cadet by Gordon Stables Circa 1898. Illustration by William Rainey. Depicts an old man and boy rescuing survivors.

The photo depicts an architectural detail of the inner mourning courtyard with 29 circular columns, just as much circular ceiling openings, and a dark, circular ground plate sculpture at Baumschulenweg crematorium in Berlin Treptow, Berlin, 6 June 2007. Every coffin is labeled with the person's birth and death date, the date of delivery to the crematorium and the undertaker's ident Stock Photo

RMDB04XH–The photo depicts an architectural detail of the inner mourning courtyard with 29 circular columns, just as much circular ceiling openings, and a dark, circular ground plate sculpture at Baumschulenweg crematorium in Berlin Treptow, Berlin, 6 June 2007. Every coffin is labeled with the person's birth and death date, the date of delivery to the crematorium and the undertaker's ident

scarecrow at kettlewell festival depicting a man in the churchyard with collection plate Stock Photo

RMCWKA3X–scarecrow at kettlewell festival depicting a man in the churchyard with collection plate

Reproduction of an old postcard, easter postcard depicts flowers, basket, beautiful plates and painted eggs, circa 1970 Stock Photo

RMCERTBE–Reproduction of an old postcard, easter postcard depicts flowers, basket, beautiful plates and painted eggs, circa 1970

The image from the Nazi Propaganda! depicts a base of the British army secured with fences and trenches in Marsa Matruh in Egypt, published 10 July 1042. Fotoarchiv für Zeitgeschichte Stock Photo

RMDF3M6R–The image from the Nazi Propaganda! depicts a base of the British army secured with fences and trenches in Marsa Matruh in Egypt, published 10 July 1042. Fotoarchiv für Zeitgeschichte

RF2HBMD04–Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series III – Surrender of Cornwallis [The Surrender of Lord Cornwallis is an oil painting by John Trumbull. The painting was completed in 1820, and hangs in the rotunda of the United States Capitol in Washington, D.C. The painting depicts the surrender of British Lieutenant General Charles, Earl Cornwallis at Yorktown, Virginia, on October 19, 1781, ending the siege of Yorktown, and virtually guaranteeing American independence. Included in the depiction are many leaders of the American troops that took part in the siege]. from the ' W

the girl on a white background holds in her hand a white plate without inscriptions and points to it with her finger, drawing the attention of the vie Stock Photo

RFM0PKR5–the girl on a white background holds in her hand a white plate without inscriptions and points to it with her finger, drawing the attention of the vie

Stove plate with the fall, Stove plate of cast iron, divided into two zones. The upper zone, in an oval cartouche, depicts the fall with Adam and Eve on either side of a tree, in which a snake coils around the trunk. Eva is standing on the right, raising an arm to the tree. On the left, Adam is standing in the middle with an apple in his hand. The lower zone is largely lost, but appears to have an angel head in the middle at the top, Temptation and Fall (Genesis 3: 1-7), Adam and Eve holding the fruit, the tree of knowledge of good and evil (whose fruit, usually apples or figs, brings death Stock Photo

RMW55H55–Stove plate with the fall, Stove plate of cast iron, divided into two zones. The upper zone, in an oval cartouche, depicts the fall with Adam and Eve on either side of a tree, in which a snake coils around the trunk. Eva is standing on the right, raising an arm to the tree. On the left, Adam is standing in the middle with an apple in his hand. The lower zone is largely lost, but appears to have an angel head in the middle at the top, Temptation and Fall (Genesis 3: 1-7), Adam and Eve holding the fruit, the tree of knowledge of good and evil (whose fruit, usually apples or figs, brings death

Gold mouth plate for a dead person to be entombed with. It depicts the tree of life. Greek, Mycenaean 800-700 BC Stock Photo

RMD98B75–Gold mouth plate for a dead person to be entombed with. It depicts the tree of life. Greek, Mycenaean 800-700 BC

The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Giovanni Battista Bertano (Mantua 1516-1576 Mantua). Dimensions: Plate: 16 1/8 x 26 1/2 in. (41 x 67.3 cm) Sheet: 16 13/16 x 26 1/2 in. (42.7 x 67.3 cm). Date: 1554. Large and dramatic, this engraving depicts the prophet Ezekiel's vision in the Valley of the Dead when he saw vast numbers of the people brought back to life. As recorded in the Book of Ezekiel from the Old Testament, the prophet was b Stock Photo

RMRENNKW–The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Giovanni Battista Bertano (Mantua 1516-1576 Mantua). Dimensions: Plate: 16 1/8 x 26 1/2 in. (41 x 67.3 cm) Sheet: 16 13/16 x 26 1/2 in. (42.7 x 67.3 cm). Date: 1554. Large and dramatic, this engraving depicts the prophet Ezekiel's vision in the Valley of the Dead when he saw vast numbers of the people brought back to life. As recorded in the Book of Ezekiel from the Old Testament, the prophet was b

Art inspired by Weary, 1863, Drypoint; fourth state of six (Glasgow); printed in black ink on tissue weight ivory Japan, Plate: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), Whistler depicts the celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXGAN–Art inspired by Weary, 1863, Drypoint; fourth state of six (Glasgow); printed in black ink on tissue weight ivory Japan, Plate: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), Whistler depicts the celebrated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Reproduction of an image that appeared in The Botanical Magazine vol. 1, plate no. 3 (1790). The title is Helleborus hyemalis . Winter Hellebore, or Aconite. It depicts aspecies in the family Ranunculaceae. 1787. Sydenham Edwards 1170 The Botanical Magazine-Vol I Pl. 3 Stock Photo

RMMNXMT9–. Reproduction of an image that appeared in The Botanical Magazine vol. 1, plate no. 3 (1790). The title is Helleborus hyemalis . Winter Hellebore, or Aconite. It depicts aspecies in the family Ranunculaceae. 1787. Sydenham Edwards 1170 The Botanical Magazine-Vol I Pl. 3

The Wedding Feast at Cana, about 1575-1580. Additional Info: Depicts an episode from the life of Christ from the Gospel of John (2:1-11) in which Jesus, his mother Mary, and his disciples are invited to a wedding. When Mary notices that the wine has run out, Christ delivers a sign of his divinity by turning water into wine at her request. Here, Christ and Mary are seated at the center of the table, with the bridegroom on their right and the bride seated at the head of the table. Other guests, some standing and some seated, are assembled around the table. Behind them servants arrive with plate Stock Photo

RM2YBDFX8–The Wedding Feast at Cana, about 1575-1580. Additional Info: Depicts an episode from the life of Christ from the Gospel of John (2:1-11) in which Jesus, his mother Mary, and his disciples are invited to a wedding. When Mary notices that the wine has run out, Christ delivers a sign of his divinity by turning water into wine at her request. Here, Christ and Mary are seated at the center of the table, with the bridegroom on their right and the bride seated at the head of the table. Other guests, some standing and some seated, are assembled around the table. Behind them servants arrive with plate

Sense of Sight plate from Quinque sensum typi in usum aurifabroru exarati Images of the Five Senses Engraved for the Benefit of the Goldsmith. Horizontal oval within horizontal rectangle. In an animal-grotesque field the medallion depicts a seated women looks into a handmirror in a landscape. Stock Photo

RM2BF2YA1–Sense of Sight plate from Quinque sensum typi in usum aurifabroru exarati Images of the Five Senses Engraved for the Benefit of the Goldsmith. Horizontal oval within horizontal rectangle. In an animal-grotesque field the medallion depicts a seated women looks into a handmirror in a landscape.

RMA50Y65–Miami Beach Florida,Collins Avenue Victory Garden,ceramic plate depicts World War two 2 nostalgia nostalgic retro,visitors travel traveling tour touri

1977 Queens Silver Jubilee Commemorative Crown Coin. In 1977 to commemorate the Silver Jubilee of Her Majesty Queen Elizabeth II, the Royal Mint released a very special Limited Issue commemorative Crown Coin. Designed by Arnold Machin the reverse depicts Her Majesty Queen Elizabeth II on horse back while the obverse features Ampulla and an Anointing Spoon encircled by a floral border with the Royal Crown. Stock Photo

RMDDPNDB–1977 Queens Silver Jubilee Commemorative Crown Coin. In 1977 to commemorate the Silver Jubilee of Her Majesty Queen Elizabeth II, the Royal Mint released a very special Limited Issue commemorative Crown Coin. Designed by Arnold Machin the reverse depicts Her Majesty Queen Elizabeth II on horse back while the obverse features Ampulla and an Anointing Spoon encircled by a floral border with the Royal Crown.

RMKW101R–This image depicts five Petri dish culture plates that had been filled with an agar-based medium of yeast extract, cysteine, and ferric pyrophosphate, to which high concentrations of D- or L-tyrosine, or D- or L-phenylalanine had been added. These plates had been inoculated with cultures of various strains of Legionella pneumophila . Note that ?browning? of the medium had occurred when L. pneumophila had been grown in the presence of high concentrations of L-tyrosine, and to a certain extent L-phenylalanine, but no browning when the D-isomers were included in the mixture. Note PHIL 2135, 15259

Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series II – Surrender of Burgoyne [The Surrender of General Burgoyne is an oil painting by John Trumbull. The painting was completed in 1821, and hangs in the rotunda of the United States Capitol in Washington, D. C. The painting depicts the surrender of British Lieutenant General John Burgoyne at Saratoga, New York on October 17, 1777, ten days after the Second Battle of Saratoga. Included in the depiction are many leaders of the American Continental Army and militia forces that took part in the battle as well as the Hessian commande Stock Photo

RF2HBR6D9–Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series II – Surrender of Burgoyne [The Surrender of General Burgoyne is an oil painting by John Trumbull. The painting was completed in 1821, and hangs in the rotunda of the United States Capitol in Washington, D. C. The painting depicts the surrender of British Lieutenant General John Burgoyne at Saratoga, New York on October 17, 1777, ten days after the Second Battle of Saratoga. Included in the depiction are many leaders of the American Continental Army and militia forces that took part in the battle as well as the Hessian commande

Plate Depicting a Female Figure Riding a Fantastic Winged Beast probably 8th century Like Sasanian examples, this plate depicts a female figure riding a fantastic winged beast with a feline head, feathered body, and canine legs. Her figure is unnaturalistically twisted, a quality seen on late seventh? and early eighth?century Central Asian wall paintings from Panjikent. The lower part of the plate contains a symbolic representation of earth, water, and sky.. Plate Depicting a Female Figure Riding a Fantastic Winged Beast. probably 8th century. Silver; gilded, chased, and engraved, with applied Stock Photo

RM2HHTH7T–Plate Depicting a Female Figure Riding a Fantastic Winged Beast probably 8th century Like Sasanian examples, this plate depicts a female figure riding a fantastic winged beast with a feline head, feathered body, and canine legs. Her figure is unnaturalistically twisted, a quality seen on late seventh? and early eighth?century Central Asian wall paintings from Panjikent. The lower part of the plate contains a symbolic representation of earth, water, and sky.. Plate Depicting a Female Figure Riding a Fantastic Winged Beast. probably 8th century. Silver; gilded, chased, and engraved, with applied

Illustrative plate from The Naval Cadet by Gordon Stables Circa 1898. Illustration by William Rainey. Depicts sailors rescuing a cadet from the sea. Stock Photo

RF2X3JT47–Illustrative plate from The Naval Cadet by Gordon Stables Circa 1898. Illustration by William Rainey. Depicts sailors rescuing a cadet from the sea.

The photo depicts a general view of the inner mourning courtyard with 29 circular columns, just as much circular ceiling openings, and a dark, circular ground plate sculpture at Baumschulenweg crematorium in Berlin Treptow, Berlin, 6 June 2007. Every coffin is labeled with the person's birth and death date, the date of delivery to the crematorium and the undertaker's ident number. Stock Photo

RMDB04XF–The photo depicts a general view of the inner mourning courtyard with 29 circular columns, just as much circular ceiling openings, and a dark, circular ground plate sculpture at Baumschulenweg crematorium in Berlin Treptow, Berlin, 6 June 2007. Every coffin is labeled with the person's birth and death date, the date of delivery to the crematorium and the undertaker's ident number.

scarecrow at kettlewell festival depicting a man with collection plate in churchyard Stock Photo

RMCWKA5K–scarecrow at kettlewell festival depicting a man with collection plate in churchyard

This illustration depicts a male chef love his food Stock Photo

RF2C11JFA–This illustration depicts a male chef love his food

A visual artwork that depicts animals using oil-based paints Stock Vector

RF2T7AG5B–A visual artwork that depicts animals using oil-based paints

RF2HBMCW1–Trumbull (John Trumbull (June 6, 1756 – November 10, 1843)) Series II – Surrender of Burgoyne [The Surrender of General Burgoyne is an oil painting by John Trumbull. The painting was completed in 1821, and hangs in the rotunda of the United States Capitol in Washington, D. C. The painting depicts the surrender of British Lieutenant General John Burgoyne at Saratoga, New York on October 17, 1777, ten days after the Second Battle of Saratoga. Included in the depiction are many leaders of the American Continental Army and militia forces that took part in the battle as well as the Hessian commande

RFM0TF29–the girl on a white background holds in her hand a white plate without inscriptions and points to it with her finger, drawing the attention of the vie

Waistcoat, Medium: silk fronts, linen back Technique: printed by engraved copper plate on 7&1 satin foundation, Yellow silk waistcoat printed in black, with and elaborate neo-classical framing device containing scenes from mythology, portrait miniatures, and statues. The medallion on the left pocket depicts Narcissus., Paris, France, 1795, costume & accessories, Waistcoat Stock Photo

RM2DM7K09–Waistcoat, Medium: silk fronts, linen back Technique: printed by engraved copper plate on 7&1 satin foundation, Yellow silk waistcoat printed in black, with and elaborate neo-classical framing device containing scenes from mythology, portrait miniatures, and statues. The medallion on the left pocket depicts Narcissus., Paris, France, 1795, costume & accessories, Waistcoat

Mayan plate, made from terracotta. From Calakmul, Mexico, 600-1000 AD, depicts a dignitary with marine themes suggested Stock Photo

RMEX6W30–Mayan plate, made from terracotta. From Calakmul, Mexico, 600-1000 AD, depicts a dignitary with marine themes suggested

The Perilous Situation of Major Mony, When He Fell into the Sea with His Balloon on the 23rd of July, 1785, Off the Coast of Yarmouth; Most Providentially Discovered and Taken Up by the Argus Sloop, After Having Remained in the Water During Five Hours. Artist: After Philip Reinagle (British, Edinburgh or Dover 1749-1833 Chelsea). Dimensions: plate: 19 15/16 x 23 7/8 in. (50.7 x 60.7 cm) sheet: 21 1/4 x 25 9/16 in. (54 x 65 cm). Engraver: John Murphy (British, Ireland ca. 1748-after 1820, active London). Date: June 24, 1789. This mezzotint depicts a dramatic incident of 1785, when Major Mony, Stock Photo

RMPAAM4A–The Perilous Situation of Major Mony, When He Fell into the Sea with His Balloon on the 23rd of July, 1785, Off the Coast of Yarmouth; Most Providentially Discovered and Taken Up by the Argus Sloop, After Having Remained in the Water During Five Hours. Artist: After Philip Reinagle (British, Edinburgh or Dover 1749-1833 Chelsea). Dimensions: plate: 19 15/16 x 23 7/8 in. (50.7 x 60.7 cm) sheet: 21 1/4 x 25 9/16 in. (54 x 65 cm). Engraver: John Murphy (British, Ireland ca. 1748-after 1820, active London). Date: June 24, 1789. This mezzotint depicts a dramatic incident of 1785, when Major Mony,

Art inspired by Plate with scene from 'Les Oies de Frère Philippe', ca. 1745, Chinese, made for export, Porcelain, Overall (confirmed): 7/8 × 9 × 9 in. (2.2 × 22.9 × 22.9 cm), Ceramics-Porcelain-Export, Decoration after Nicolas Lancret (French, Paris 1690–1743 Paris), This plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9E25–Art inspired by Plate with scene from 'Les Oies de Frère Philippe', ca. 1745, Chinese, made for export, Porcelain, Overall (confirmed): 7/8 × 9 × 9 in. (2.2 × 22.9 × 22.9 cm), Ceramics-Porcelain-Export, Decoration after Nicolas Lancret (French, Paris 1690–1743 Paris), This plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Reproduction of an image that appeared in The Botanical Magazine vol. 19, plate no. 697 (1792). The title is Protea Anemonifolia. Fork-Leaved Protea. It depicts the Australian plant Isopogon anemonifolia. 1803. Sydenham Edwards, Sansum 1170 The Botanical Magazine-Vol 19 Pl. 698 Stock Photo

RMMNXMT3–. Reproduction of an image that appeared in The Botanical Magazine vol. 19, plate no. 697 (1792). The title is Protea Anemonifolia. Fork-Leaved Protea. It depicts the Australian plant Isopogon anemonifolia. 1803. Sydenham Edwards, Sansum 1170 The Botanical Magazine-Vol 19 Pl. 698

Plate depicts Stock Photos and Images

Plate depicts Stock Photos and Images

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