Pottery of the early 18th century hi-res stock photography and images

Pottery of the early 18th century on display in the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK Stock Photo

RM2JDWHHG–Pottery of the early 18th century on display in the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK

Plate, Dutch, Delft, early 18th century, Dutch, Delft, Tin-glazed earthenware, Diameter: 7 in. (17.8 cm), Ceramics-Pottery Stock Photo

RM2B0J314–Plate, Dutch, Delft, early 18th century, Dutch, Delft, Tin-glazed earthenware, Diameter: 7 in. (17.8 cm), Ceramics-Pottery

Art inspired by Seated peasant woman, early 18th century, German, Höchst, Tin-glazed earthenware, Height: 9 3/4 in. (24.8 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW76W–Art inspired by Seated peasant woman, early 18th century, German, Höchst, Tin-glazed earthenware, Height: 9 3/4 in. (24.8 cm), Ceramics-Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dish with quails, 17th century - early 18th century. Artist: Unknown. Stock Photo

RMMPTK80–Dish with quails, 17th century - early 18th century. Artist: Unknown.

Pitcher or ewer from Rouen, France, early 18th century. Decorated with holy figures in enamel and the names Anne-Marie Cassaigne et Nicolas Hautecoeur, 1733. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874. Stock Photo

RMF7CKH1–Pitcher or ewer from Rouen, France, early 18th century. Decorated with holy figures in enamel and the names Anne-Marie Cassaigne et Nicolas Hautecoeur, 1733. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Japanese Bizen Ware Sacred Horse and Attendants - earthenware item dating back to the early 18th century, when ovens were established at Korakuen for firing pottery. There is a sense of movement in the piece, with the attendants trying to control the boisterous young horse. Stock Photo

RM2M9B9AP–Japanese Bizen Ware Sacred Horse and Attendants - earthenware item dating back to the early 18th century, when ovens were established at Korakuen for firing pottery. There is a sense of movement in the piece, with the attendants trying to control the boisterous young horse.

Raised Savona manufacture by ( Bernardo Ferro - Nicolò Guidobono ), late 17th - early 18th century Italy, Italian, Stock Photo

RM2HTJ1RC–Raised Savona manufacture by ( Bernardo Ferro - Nicolò Guidobono ), late 17th - early 18th century Italy, Italian,

An 18th Century Toby jug by potter Thomas Whieldon aka Wheldon (1719-1794) pioneer in the development of Staffordshire pottery, UK. it The piece is named named 'The Squire'. He married (1) Anne Shaw . (2) Alice Parrot; (3) Sarah Turner. In 1774 Thomas Whieldon took Josiah Wedgwood Thomas as his partner and later was appointed High Sheriff of Staffordshire in 1786 Stock Photo

RM2XXJHCJ–An 18th Century Toby jug by potter Thomas Whieldon aka Wheldon (1719-1794) pioneer in the development of Staffordshire pottery, UK. it The piece is named named 'The Squire'. He married (1) Anne Shaw . (2) Alice Parrot; (3) Sarah Turner. In 1774 Thomas Whieldon took Josiah Wedgwood Thomas as his partner and later was appointed High Sheriff of Staffordshire in 1786

. English: Portrait of Josiah Wedgwood (1730-1795), English businessman and early industrial producer of pottery . 18th century. 744 JosiahWedgwood Stock Photo

RMMP8J06–. English: Portrait of Josiah Wedgwood (1730-1795), English businessman and early industrial producer of pottery . 18th century. 744 JosiahWedgwood

Lady by a colonnade, Bristol about 1740-1770. (Tin glazed tiles were used in England from the early 16th century. They were widely used to decorate living room hearths as well as keeping damp out of unheated rooms such as dairies. Stock Photo

RMEC7N32–Lady by a colonnade, Bristol about 1740-1770. (Tin glazed tiles were used in England from the early 16th century. They were widely used to decorate living room hearths as well as keeping damp out of unheated rooms such as dairies.

RMP7EXN5–Pitcher or ewer from Rouen, France, early 18th century. Decorated with holy figures in enamel and the names Anne-Marie Cassaigne et Nicolas Hautecoeur, 1733. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Old English Pottery and Porcelain: No. 6 Derby. Postcard c. 1900s. Pictured: Cup, fluted cover and saucer with rare Duesbury Stock Photo

RMERGG1M–Old English Pottery and Porcelain: No. 6 Derby. Postcard c. 1900s. Pictured: Cup, fluted cover and saucer with rare Duesbury

France, Doubs, Arc et Senans, Saline Royale listed as World Heritage by UNESCO, Director's House, Salt Stories exhibition Stock Photo

RM2RFF0CE–France, Doubs, Arc et Senans, Saline Royale listed as World Heritage by UNESCO, Director's House, Salt Stories exhibition

Beginnings of the festoon style. From a pitcher dated 1707 and an oil cruet jug from 1710. Commencements du Style Rayonnant: Echantillon primitif, Burette d'huilier. Chromolithograph after an illustration by Emilie Pottier from Andre Pottier's Histoire de la Faience de Rouen, Auguste le Brument, Rouen, 1870. Stock Photo

RM2EYEYTW–Beginnings of the festoon style. From a pitcher dated 1707 and an oil cruet jug from 1710. Commencements du Style Rayonnant: Echantillon primitif, Burette d'huilier. Chromolithograph after an illustration by Emilie Pottier from Andre Pottier's Histoire de la Faience de Rouen, Auguste le Brument, Rouen, 1870.

Sotheby’s, London, UK. 18th October 2019. Middle Easten Art Week presents over 1,200 years of artistic works with rare, historic objects and Modern & Contemporary canvases. Image: Handler holding a Kashan Lustre pottery vessel in the form of a Seated Female Ruler, Persia, 12th/13th century, estimate: £10,000-15,000 in front of an Ottoman Silk and Metal-Thread Brocade Panel (Kemha), Turkey, probably Bursa, early 17th century, estimate: £60,000-80,000. Credit: Malcolm Park/Alamy Live News. Stock Photo

RM2A55YJX–Sotheby’s, London, UK. 18th October 2019. Middle Easten Art Week presents over 1,200 years of artistic works with rare, historic objects and Modern & Contemporary canvases. Image: Handler holding a Kashan Lustre pottery vessel in the form of a Seated Female Ruler, Persia, 12th/13th century, estimate: £10,000-15,000 in front of an Ottoman Silk and Metal-Thread Brocade Panel (Kemha), Turkey, probably Bursa, early 17th century, estimate: £60,000-80,000. Credit: Malcolm Park/Alamy Live News.

Plate early 18th century Possibly Adriaen Kocks. Plate. Dutch, Delft. early 18th century. Tin-glazed earthenware. Ceramics-Pottery Stock Photo

RM2HHP3FT–Plate early 18th century Possibly Adriaen Kocks. Plate. Dutch, Delft. early 18th century. Tin-glazed earthenware. Ceramics-Pottery

An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high. Stock Photo

RFBA305G–An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high.

Posset pot with cover early 18th century British, Bristol. Posset pot with cover. British, Bristol. early 18th century. Tin-glazed earthenware (delftware). Ceramics-Pottery Stock Photo

RM2HGYAEE–Posset pot with cover early 18th century British, Bristol. Posset pot with cover. British, Bristol. early 18th century. Tin-glazed earthenware (delftware). Ceramics-Pottery

Eggshell pink vase (Hua P’ing) 9 inches high, of egg-shell thinness, invested with a soft monochrome glaze of pink color, belonging to the Yung-cheng (1722-1735) or early Ch’ien-lung (1736-1795) period From the book ' ORIENTAL CERAMIC ART COLLECTION OF William Thompson Walters ' Published in 1897 Stock Photo

RF2PP0F2A–Eggshell pink vase (Hua P’ing) 9 inches high, of egg-shell thinness, invested with a soft monochrome glaze of pink color, belonging to the Yung-cheng (1722-1735) or early Ch’ien-lung (1736-1795) period From the book ' ORIENTAL CERAMIC ART COLLECTION OF William Thompson Walters ' Published in 1897

Dragomiresti, Maramures, Romania. Interior of an early 18th century wooden house, today the Museum of the Romanian Woman. Stock Photo

RM2DB1HYR–Dragomiresti, Maramures, Romania. Interior of an early 18th century wooden house, today the Museum of the Romanian Woman.

Vase, Dutch, Delft, early 18th century, Dutch, Delft, Tin-glazed earthenware, Height: 5 1/2 in. (14 cm), Ceramics-Pottery Stock Photo

RM2B0J2NW–Vase, Dutch, Delft, early 18th century, Dutch, Delft, Tin-glazed earthenware, Height: 5 1/2 in. (14 cm), Ceramics-Pottery

Art inspired by Ceramic Horn, late 18th or early 19th century, France, French, Glazed pottery, 16 × 21 1/2 × 10 1/2 in. (40.6 × 54.6 × 26.7 cm), Aerophone-Lip Vibrated-horn, This hunting horn of glazed earthenware was intended for decorative display and bears an unidentified coat of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0F5E–Art inspired by Ceramic Horn, late 18th or early 19th century, France, French, Glazed pottery, 16 × 21 1/2 × 10 1/2 in. (40.6 × 54.6 × 26.7 cm), Aerophone-Lip Vibrated-horn, This hunting horn of glazed earthenware was intended for decorative display and bears an unidentified coat of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Bowl, Qing dynasty (1644-1911), Kangxi period (1662-1722), early 18th century. Stock Photo

RM2HFFG3M–Bowl, Qing dynasty (1644-1911), Kangxi period (1662-1722), early 18th century.

Standing Buddha from Burma late 18th early 19th century in the Victoria and Albert Museum Kensington London Stock Photo

RMA1M7GN–Standing Buddha from Burma late 18th early 19th century in the Victoria and Albert Museum Kensington London

Annual report, 1918 . and with cut glass cruets and salts.Silver coaster with chased and openwork decoration.Sheffield candlestick with snuffers and extinguisher.Sheffield tray and snuffers. Warner, Mr. Langdon Twenty pieces of pottery. Korean, Kori period, 1392.Chinese carpet. Chien-Lung period or earlier, 18th century. MUSEUM LIBRARY Books Added By Purchase Bigelow, Mr. Francis Hill. Historic Silver of the Colonies and ItsMakers. French, Hollis. A List of Early American Silversmiths and Their Marks. Gordon, George Byron. In the Alaskan Wilderness. Jackson, Margaret Talbot. The Museum. Minns, Stock Photo

RM2AN34D6–Annual report, 1918 . and with cut glass cruets and salts.Silver coaster with chased and openwork decoration.Sheffield candlestick with snuffers and extinguisher.Sheffield tray and snuffers. Warner, Mr. Langdon Twenty pieces of pottery. Korean, Kori period, 1392.Chinese carpet. Chien-Lung period or earlier, 18th century. MUSEUM LIBRARY Books Added By Purchase Bigelow, Mr. Francis Hill. Historic Silver of the Colonies and ItsMakers. French, Hollis. A List of Early American Silversmiths and Their Marks. Gordon, George Byron. In the Alaskan Wilderness. Jackson, Margaret Talbot. The Museum. Minns,

Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam Stock Photo

RF2D8BYJW–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Josiah Wedgwood (1730-1795) at work in his Etruria Works near Hanley Staffordshire. Stock Photo

RMAF7E0H–Josiah Wedgwood (1730-1795) at work in his Etruria Works near Hanley Staffordshire.

Paradise Square, Sheffield in June 1968 Stock Photo

RMPXXC7T–Paradise Square, Sheffield in June 1968

The 'Niglett' Dish, Bristol, dated 1733. This piece is the basis for much early chinoiserie decoration on delftware being ascribed to John Niglett, since the initials have been assumed to be those of Niglett and his wife Esther. John Niglett was apprenticed to Thomas Dixon of the Brislington Pottery in 1714. Stock Photo

RMEC7NJM–The 'Niglett' Dish, Bristol, dated 1733. This piece is the basis for much early chinoiserie decoration on delftware being ascribed to John Niglett, since the initials have been assumed to be those of Niglett and his wife Esther. John Niglett was apprenticed to Thomas Dixon of the Brislington Pottery in 1714.

Water Jar (Mizusashi) in the Shape of a Bamboo Basket. Culture: Japan. Dimensions: H. 8 1/4 in. (21 cm); Diam. 7 1/2 in. (19.1 cm); Diam. of rim 5 in. (12.7 cm); Diam. of base 6 in. (15.2 cm). Date: second half of the 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1BRK–Water Jar (Mizusashi) in the Shape of a Bamboo Basket. Culture: Japan. Dimensions: H. 8 1/4 in. (21 cm); Diam. 7 1/2 in. (19.1 cm); Diam. of rim 5 in. (12.7 cm); Diam. of base 6 in. (15.2 cm). Date: second half of the 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Paradise Square, Sheffield in 1964 Stock Photo

RMR4D0M8–Paradise Square, Sheffield in 1964

France, Doubs, Arc et Senans, the Saline Royale listed as World Heritage by UNESCO, the Director's House, salt exhibition Stock Photo

RM2DFC7KB–France, Doubs, Arc et Senans, the Saline Royale listed as World Heritage by UNESCO, the Director's House, salt exhibition

RM2A55WR1–Sotheby’s, London, UK. 18th October 2019. Middle Easten Art Week presents over 1,200 years of artistic works with rare, historic objects and Modern & Contemporary canvases. Image: Handler holding a Kashan Lustre pottery vessel in the form of a Seated Female Ruler, Persia, 12th/13th century, estimate: £10,000-15,000 in front of an Ottoman Silk and Metal-Thread Brocade Panel (Kemha), Turkey, probably Bursa, early 17th century, estimate: £60,000-80,000. Credit: Malcolm Park/Alamy Live News.

RFBA308M–An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high.

Dish dated 1664 British, Lambeth This dish is based on a French model of the early 18th century.. Dish. British, Lambeth. dated 1664. Tin-glazed earthenware. Ceramics-Pottery Stock Photo

RM2HH0028–Dish dated 1664 British, Lambeth This dish is based on a French model of the early 18th century.. Dish. British, Lambeth. dated 1664. Tin-glazed earthenware. Ceramics-Pottery

Meditating Rakan, A Principle Disciple of the Buddha. Aoki Mokubei (Japan, 1767-1833). Japan, late 18th-early 19th century. Costumes; Accessories. Kyoto ware; black pottery, rosary glazed gold Stock Photo

RM2J04CJB–Meditating Rakan, A Principle Disciple of the Buddha. Aoki Mokubei (Japan, 1767-1833). Japan, late 18th-early 19th century. Costumes; Accessories. Kyoto ware; black pottery, rosary glazed gold

Dish, Dutch, Delft, early 18th century, Dutch, Delft, Tin-glazed earthenware, Diameter: 12 1/4 in. (31.1 cm), Ceramics-Pottery Stock Photo

RM2B0H2A9–Dish, Dutch, Delft, early 18th century, Dutch, Delft, Tin-glazed earthenware, Diameter: 12 1/4 in. (31.1 cm), Ceramics-Pottery

Art inspired by Tankard, early 18th century, German, Nuremberg, Tin-glazed earthenware with engraved and gilt metal mounts, H. 9 3/4 in. (24.8 cm), Ceramics-Pottery, M. Schmid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW775–Art inspired by Tankard, early 18th century, German, Nuremberg, Tin-glazed earthenware with engraved and gilt metal mounts, H. 9 3/4 in. (24.8 cm), Ceramics-Pottery, M. Schmid, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Dish, Qing dynasty (1636-1912), Kangxi period (1662-1722), early 18th century. Stock Photo

RM2HFFG2R–Dish, Qing dynasty (1636-1912), Kangxi period (1662-1722), early 18th century.

Tile second half 17th–early 18th century possibly Dutch, Utrecht. Tile. possibly Dutch, Utrecht. second half 17th–early 18th century. Delftware (tin-glazed earthenware). Ceramics-Pottery Stock Photo

RM2HHTMGJ–Tile second half 17th–early 18th century possibly Dutch, Utrecht. Tile. possibly Dutch, Utrecht. second half 17th–early 18th century. Delftware (tin-glazed earthenware). Ceramics-Pottery

RMA1M7GY–Standing Buddha from Burma late 18th early 19th century in the Victoria and Albert Museum Kensington London

Pair of 'triple-gourd' vases late 17th–early 18th century Dutch, Delft. Pair of 'triple-gourd' vases. Dutch, Delft. late 17th–early 18th century. Tin-glazed earthenware. Ceramics-Pottery Stock Photo

RM2HH7CGE–Pair of 'triple-gourd' vases late 17th–early 18th century Dutch, Delft. Pair of 'triple-gourd' vases. Dutch, Delft. late 17th–early 18th century. Tin-glazed earthenware. Ceramics-Pottery

RF2D8BYM1–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

. Annual report of the Philadelphia Museum of Art . ^ County, Pa., c. 1830. Flower pot and tray; pottery; sgraffito decoration. Made by AbrahamJames, Westtown, Pa., 1826. Muhlenberg, Dr. Henry E. Christening bowl; pottery; slip decorated. Germany, e. 1820. NuTTALL, Mrs. Zelia Thirteen pieces of brocade; early 16th to 18th centuries. Pell, Rev. A. Duane Cup and saucer; porcelain. Loosdrecht, Holland, 1772-1784.Cup with cover; porcelain; Napoleonic. Sevres, France, 1854. Porter, Mrs. John Biddle Five examples of lace; Lille, Mechlin, Honiton and Point dAlencon,18th century. Rathbone, Mr, Frederi Stock Photo

RM2CHYRW0–. Annual report of the Philadelphia Museum of Art . ^ County, Pa., c. 1830. Flower pot and tray; pottery; sgraffito decoration. Made by AbrahamJames, Westtown, Pa., 1826. Muhlenberg, Dr. Henry E. Christening bowl; pottery; slip decorated. Germany, e. 1820. NuTTALL, Mrs. Zelia Thirteen pieces of brocade; early 16th to 18th centuries. Pell, Rev. A. Duane Cup and saucer; porcelain. Loosdrecht, Holland, 1772-1784.Cup with cover; porcelain; Napoleonic. Sevres, France, 1854. Porter, Mrs. John Biddle Five examples of lace; Lille, Mechlin, Honiton and Point dAlencon,18th century. Rathbone, Mr, Frederi

RMEC7NJK–The 'Niglett' Dish, Bristol, dated 1733. This piece is the basis for much early chinoiserie decoration on delftware being ascribed to John Niglett, since the initials have been assumed to be those of Niglett and his wife Esther. John Niglett was apprenticed to Thomas Dixon of the Brislington Pottery in 1714.

Dower Chest. Culture: American. Dimensions: 28 5/8 x 52 1/2 x 23 in. (72.7 x 133.4 x 58.4 cm). Date: ca. 1780. Twentieth-century American collectors prized the distinctive eighteenth-and early-nineteenth-century pottery, fraktur, and furniture made by immigrants of Switzerland, the Palatinate, and the Upper Rhine Valley of Germany, who had settled throughout southeastern Pennsylvania. A sampling of this Pennsylvania German 'folk art' later appeared in the Index of American Design, a Federal Arts Project of the New Deal era, which helped to popularize aesthetics among modern collectors and art Stock Photo

RMPAKXXF–Dower Chest. Culture: American. Dimensions: 28 5/8 x 52 1/2 x 23 in. (72.7 x 133.4 x 58.4 cm). Date: ca. 1780. Twentieth-century American collectors prized the distinctive eighteenth-and early-nineteenth-century pottery, fraktur, and furniture made by immigrants of Switzerland, the Palatinate, and the Upper Rhine Valley of Germany, who had settled throughout southeastern Pennsylvania. A sampling of this Pennsylvania German 'folk art' later appeared in the Index of American Design, a Federal Arts Project of the New Deal era, which helped to popularize aesthetics among modern collectors and art

RFBA2MAM–An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high.

Pair of 'triple-gourd' vases, Dutch, Delft, late 17th–early 18th century, Dutch, Delft, Tin-glazed earthenware, Height (each): 20 in. (50.8 cm), Ceramics-Pottery Stock Photo

RM2B0N3KT–Pair of 'triple-gourd' vases, Dutch, Delft, late 17th–early 18th century, Dutch, Delft, Tin-glazed earthenware, Height (each): 20 in. (50.8 cm), Ceramics-Pottery

Bowl with Medallions of Flowers, Qing dynasty (1644-1911), Kangxi (1662-1722) or Yongzheng period (1723-1735), late 17th / early 18th century. Stock Photo

RM2HFFG1R–Bowl with Medallions of Flowers, Qing dynasty (1644-1911), Kangxi (1662-1722) or Yongzheng period (1723-1735), late 17th / early 18th century.

RMA1M7HJ–Standing Buddha from Burma late 18th early 19th century in the Victoria and Albert Museum Kensington London

Ceramic Horn late 18th or early 19th century French This hunting horn of glazed earthenware was intended for decorative display and bears an unidentified coat of arms.. Ceramic Horn. French. late 18th or early 19th century. Glazed pottery. France. Aerophone-Lip Vibrated-horn Stock Photo

RM2HH3TEW–Ceramic Horn late 18th or early 19th century French This hunting horn of glazed earthenware was intended for decorative display and bears an unidentified coat of arms.. Ceramic Horn. French. late 18th or early 19th century. Glazed pottery. France. Aerophone-Lip Vibrated-horn

RF2D8BYG8–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

. Bulletin - United States National Museum. Science. Figure 6.—Gravel-tempered oven of the 17th or early i8th century, acquired in Bideford. {USNM 3945°5-) Figure 7.—Gravel-tempered oven from 17th-century house on Bideford Quay. Borough of Bideford Public Library and Museum. {Photo by A. C. Littlejohm.) Not only was coastwise trade in earthenware main- tained throughout the 18th century but it was con- tinued, in fact, until the final decline of the potteries at the turn of the present century. Although great antiquity attaches to the origins of North Devon pottery manufacture—Barnstaple has h Stock Photo

RMRG7GNB–. Bulletin - United States National Museum. Science. Figure 6.—Gravel-tempered oven of the 17th or early i8th century, acquired in Bideford. {USNM 3945°5-) Figure 7.—Gravel-tempered oven from 17th-century house on Bideford Quay. Borough of Bideford Public Library and Museum. {Photo by A. C. Littlejohm.) Not only was coastwise trade in earthenware main- tained throughout the 18th century but it was con- tinued, in fact, until the final decline of the potteries at the turn of the present century. Although great antiquity attaches to the origins of North Devon pottery manufacture—Barnstaple has h

Posset pot with cover. Culture: British, Bristol. Dimensions: Overall: 10 1/2 × 11 in. (26.7 × 27.9 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB64FE–Posset pot with cover. Culture: British, Bristol. Dimensions: Overall: 10 1/2 × 11 in. (26.7 × 27.9 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

RFBA2MKH–An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high.

Dish, British, Bristol, early 18th century, British, Bristol, Tin-glazed earthenware, 2 1/4 × 11 5/8 in. (5.7 × 29.5 cm), Ceramics-Pottery Stock Photo

RM2B0NAJW–Dish, British, Bristol, early 18th century, British, Bristol, Tin-glazed earthenware, 2 1/4 × 11 5/8 in. (5.7 × 29.5 cm), Ceramics-Pottery

Melon-Shaped Jar with Butterflies, Gourds, and Scrolling Vines, Qing dynasty (1644-1911), Yongzheng (1723-35) or early Qianlong period (1736-95), 18th century. Stock Photo

RM2HFFFH0–Melon-Shaped Jar with Butterflies, Gourds, and Scrolling Vines, Qing dynasty (1644-1911), Yongzheng (1723-35) or early Qianlong period (1736-95), 18th century.

RMA1M7GR–Standing Buddha from Burma late 18th early 19th century in the Victoria and Albert Museum Kensington London

RF2D8BYGE–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Ishizara Plate with Kitchenware and Character for Sake. Culture: Japan. Dimensions: H. 2 3/8 in. (6 cm); Diam. 10 5/8 in. (27 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAJR40–Ishizara Plate with Kitchenware and Character for Sake. Culture: Japan. Dimensions: H. 2 3/8 in. (6 cm); Diam. 10 5/8 in. (27 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

RFBA2M87–An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high.

Tile, Dutch, early 18th century, Dutch, Tin-glazed earthenware, 5 1/2 × 5 1/2 × 5/16 in. (14 × 14 × 0.8 cm), Ceramics-Pottery Stock Photo

RM2B0J37M–Tile, Dutch, early 18th century, Dutch, Tin-glazed earthenware, 5 1/2 × 5 1/2 × 5/16 in. (14 × 14 × 0.8 cm), Ceramics-Pottery

Imari dish, Japan, early 18th century. Artist: Unknown Stock Photo

RMDDP968–Imari dish, Japan, early 18th century. Artist: Unknown

RF2D8BYJ3–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Posset pot with cover. Culture: British, Bristol. Dimensions: Height: 7 in. (17.8 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB0NX7–Posset pot with cover. Culture: British, Bristol. Dimensions: Height: 7 in. (17.8 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

RFBA2MDA–An English hand painted pottery figure of Diana (Artemis), goddess of the hunt. Late 18th to early 19th century. 29.5cm high.

Dish, British, probably Bristol, late 17th–early 18th century, British, probably Bristol, Tin-glazed earthenware, 2 5/8 × 13 3/4 in. (6.7 × 34.9 cm), Ceramics-Pottery Stock Photo

RM2B0J46M–Dish, British, probably Bristol, late 17th–early 18th century, British, probably Bristol, Tin-glazed earthenware, 2 5/8 × 13 3/4 in. (6.7 × 34.9 cm), Ceramics-Pottery

Dish, Delft, Early 18th century. Stock Photo

RM2GPPM7R–Dish, Delft, Early 18th century.

RF2D8BYFB–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Seated Karako (Chinese boy) with a Child. Culture: Japan. Dimensions: H. 8 7/8 in. (22.5 cm); W. 7 1/2 in. (19.1 cm); D. 7 in. (17.8 cm). Date: 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB565C–Seated Karako (Chinese boy) with a Child. Culture: Japan. Dimensions: H. 8 7/8 in. (22.5 cm); W. 7 1/2 in. (19.1 cm); D. 7 in. (17.8 cm). Date: 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Ceramic Horn, French, late 18th or early 19th century, France, French, Glazed pottery, 16 × 21 1/2 × 10 1/2 in. (40.6 × 54.6 × 26.7 cm), Aerophone-Lip Vibrated-horn Stock Photo

RM2B0MR9D–Ceramic Horn, French, late 18th or early 19th century, France, French, Glazed pottery, 16 × 21 1/2 × 10 1/2 in. (40.6 × 54.6 × 26.7 cm), Aerophone-Lip Vibrated-horn

Seated peasant woman, early 18th century, German, Höchst, Tin-glazed earthenware, Height: 9 3/4 in. (24.8 cm), Ceramics-Pottery Stock Photo

RMKCE3BP–Seated peasant woman, early 18th century, German, Höchst, Tin-glazed earthenware, Height: 9 3/4 in. (24.8 cm), Ceramics-Pottery

Tazza, Castelli, Early 18th century. Stock Photo

RM2H6APAJ–Tazza, Castelli, Early 18th century.

Posset pot with cover, British, Bristol, early 18th century, British, Bristol, Tin-glazed earthenware (delftware), Height: 7 in. (17.8 cm), Ceramics-Pottery Stock Photo

RM2B0MW81–Posset pot with cover, British, Bristol, early 18th century, British, Bristol, Tin-glazed earthenware (delftware), Height: 7 in. (17.8 cm), Ceramics-Pottery

RF2D8BYK1–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Pair of hyacinth pots. Culture: French, Rouen. Dimensions: Overall (each): 3 3/4 × 6 3/4 in. (9.5 × 17.1 cm). Date: late 18th century. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated in Stock Photo

RMPA9EKF–Pair of hyacinth pots. Culture: French, Rouen. Dimensions: Overall (each): 3 3/4 × 6 3/4 in. (9.5 × 17.1 cm). Date: late 18th century. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated in

Vase, called "The Flame", early 18th century. Stock Photo

RM2KFGD1F–Vase, called "The Flame", early 18th century.

Inkwell in the form of an owl, French, Rouen, early 18th century, French, Rouen, Faience (tn-glazed earthenware), Height: 7 1/4 in. (18.4 cm), Ceramics-Pottery Stock Photo

RM2B0KGFP–Inkwell in the form of an owl, French, Rouen, early 18th century, French, Rouen, Faience (tn-glazed earthenware), Height: 7 1/4 in. (18.4 cm), Ceramics-Pottery

RF2D8BYHK–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Dish with cover (Écuelle). Culture: French, Moustiers. Dimensions: Width: 11 in. (27.9 cm). Maker: Olérys Factory (French, established Moustiers, 1738). Date: ca. 1745-50. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, wit Stock Photo

RMPB1AD4–Dish with cover (Écuelle). Culture: French, Moustiers. Dimensions: Width: 11 in. (27.9 cm). Maker: Olérys Factory (French, established Moustiers, 1738). Date: ca. 1745-50. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, wit

RM2KFJN3G–Vase, called "The Flame", early 18th century.

Dish on a low foot (Tazza), Italian, Deruta, early 18th century, Italian, Deruta, Coarse ware, enameled, 2 3/8 × 10 in. (6 × 25.4 cm), Ceramics-Pottery Stock Photo

RM2B0KJB6–Dish on a low foot (Tazza), Italian, Deruta, early 18th century, Italian, Deruta, Coarse ware, enameled, 2 3/8 × 10 in. (6 × 25.4 cm), Ceramics-Pottery

Ceramic Horn, late 18th or early 19th century, France, French, Glazed pottery, 16 × 21 1/2 × 10 1/2 in. (40.6 × 54.6 × 26.7 cm Stock Photo

RMKCDA6Y–Ceramic Horn, late 18th or early 19th century, France, French, Glazed pottery, 16 × 21 1/2 × 10 1/2 in. (40.6 × 54.6 × 26.7 cm

RF2D8BYM7–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Dammas Hofdijck, Plate, Dutch, Delft, Dammas Hofdijck, Probably by Star Factory, early 18th century, Dutch, Delft, Tin-glazed earthenware, Overall: 1 1/2 × 12 in. (3.8 × 30.5 cm), Ceramics-Pottery Stock Photo

RM2B0J4H7–Dammas Hofdijck, Plate, Dutch, Delft, Dammas Hofdijck, Probably by Star Factory, early 18th century, Dutch, Delft, Tin-glazed earthenware, Overall: 1 1/2 × 12 in. (3.8 × 30.5 cm), Ceramics-Pottery

Plate. Culture: French, Sceaux. Dimensions: Diameter: 9 1/8 in. (23.2 cm). Date: ca. 1765-70. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versaill Stock Photo

RMPAARRC–Plate. Culture: French, Sceaux. Dimensions: Diameter: 9 1/8 in. (23.2 cm). Date: ca. 1765-70. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versaill

Polychrome Bowl with Cloud Decoration, Iran, late 17th-early 18th century. Stock Photo

RM2F3D1WC–Polychrome Bowl with Cloud Decoration, Iran, late 17th-early 18th century.

RF2D8BYGH–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Possibly Adriaen Kocks, Plate, Dutch, Delft, Possibly Adriaen Kocks (died 1701), Possibly The 'Greek A' Factory, early 18th century, Dutch, Delft, Tin-glazed earthenware, Overall: 1 × 10 3/8 in. (2.5 × 26.4 cm), Ceramics-Pottery Stock Photo

RM2B0N4GC–Possibly Adriaen Kocks, Plate, Dutch, Delft, Possibly Adriaen Kocks (died 1701), Possibly The 'Greek A' Factory, early 18th century, Dutch, Delft, Tin-glazed earthenware, Overall: 1 × 10 3/8 in. (2.5 × 26.4 cm), Ceramics-Pottery

Plate. Culture: French, Sceaux. Dimensions: Diameter: 9 1/2 in. (24.1 cm). Date: ca. 1769. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Stock Photo

RMPAPPRA–Plate. Culture: French, Sceaux. Dimensions: Diameter: 9 1/2 in. (24.1 cm). Date: ca. 1769. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles.

Tankard, early 18th century, German, Nuremberg, Tin-glazed earthenware with engraved and gilt metal mounts, H. 9 3/4 in. (24.8 Stock Photo

RMKCC6F0–Tankard, early 18th century, German, Nuremberg, Tin-glazed earthenware with engraved and gilt metal mounts, H. 9 3/4 in. (24.8

Platter with fishnet design, late 18th-early 19th century, Unknown Japanese, 3 3/8 × 18 3/16 × 18 1/4 in. (8.57 × 46.2 × 46.36 cm), Imari ware; porcelain with underglaze blue, Japan, 18th–19th century, The striking, curvilinear design of this large platter is inspired by the most mundane of daily tools: a fishnet. Potters in the Arita region of far southwestern Japan (where Imari pottery was produced beginning around 1615) painted fishnet designs, some relatively naturalistically and others, like this one, highly stylized, on a wide range of porcelain vessels. Stock Photo

RM2T90FYN–Platter with fishnet design, late 18th-early 19th century, Unknown Japanese, 3 3/8 × 18 3/16 × 18 1/4 in. (8.57 × 46.2 × 46.36 cm), Imari ware; porcelain with underglaze blue, Japan, 18th–19th century, The striking, curvilinear design of this large platter is inspired by the most mundane of daily tools: a fishnet. Potters in the Arita region of far southwestern Japan (where Imari pottery was produced beginning around 1615) painted fishnet designs, some relatively naturalistically and others, like this one, highly stylized, on a wide range of porcelain vessels.

Handscreen, Printed silk leaf, turned and gilded wood handle, Handscreen with wide octogonal silk leaf leaf printed with a still life of pottery, birds and instruments in the late 18th century style. Turned and gilded wood handle., possibly France, early 19th century, costume & accessories, Handscreen Stock Photo

RM2DN2Y9D–Handscreen, Printed silk leaf, turned and gilded wood handle, Handscreen with wide octogonal silk leaf leaf printed with a still life of pottery, birds and instruments in the late 18th century style. Turned and gilded wood handle., possibly France, early 19th century, costume & accessories, Handscreen

I-hsing ware, c. 1800, Hsu Shun-fang, 7-3/16 x 7-3/4 x 4-1/2 in. (18.3 x 19.7 x 11.4 cm), I-hsing stoneware with slip-painted décor, China, 18th-19th century, The shape of this elegant teapot is unique to I-hsing pottery and is likely inspired by the square fang hu storage vessels of the Han dynasty (206 b.c.-a.d. 220). The teapot is decorated with a solitary fisherman standing on rocks from which trees grow next to a pavilion. There are mountains in the far distance. This pictorial scene of nature, undoubtedly inspired by ink landscape paintings, would have appealed directly to scholars Stock Photo

RM2T91GE4–I-hsing ware, c. 1800, Hsu Shun-fang, 7-3/16 x 7-3/4 x 4-1/2 in. (18.3 x 19.7 x 11.4 cm), I-hsing stoneware with slip-painted décor, China, 18th-19th century, The shape of this elegant teapot is unique to I-hsing pottery and is likely inspired by the square fang hu storage vessels of the Han dynasty (206 b.c.-a.d. 220). The teapot is decorated with a solitary fisherman standing on rocks from which trees grow next to a pavilion. There are mountains in the far distance. This pictorial scene of nature, undoubtedly inspired by ink landscape paintings, would have appealed directly to scholars

After a composition by Cornelis van Daten the Younger, America (part of a set of four), German, Frankfurt, After a composition by Cornelis van Daten the Younger (1638–1664), late 17th–early 18th century, German, Frankfurt, Tin-glazed earthenware, 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm), Ceramics-Pottery Stock Photo

RM2B0H9E0–After a composition by Cornelis van Daten the Younger, America (part of a set of four), German, Frankfurt, After a composition by Cornelis van Daten the Younger (1638–1664), late 17th–early 18th century, German, Frankfurt, Tin-glazed earthenware, 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm), Ceramics-Pottery

Plate, Marseille, Late 17th/early 18th century. Stock Photo

RM2H95NKD–Plate, Marseille, Late 17th/early 18th century.

RF2D8BYHG–Antique polychrome ceramics china 18th century and early 19th century. The items were decorated in the rich feudalism at that time in Vietnam

Plate. Culture: French, Rouen. Dimensions: Diameter: 9 3/4 in. (24.8 cm). Date: ca. 1750-60. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versaille Stock Photo

RMPAM1KY–Plate. Culture: French, Rouen. Dimensions: Diameter: 9 3/4 in. (24.8 cm). Date: ca. 1750-60. Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versaille

After a composition by Cornelis van Daten the Younger, Asia (part of a set of four), German, Frankfurt, After a composition by Cornelis van Daten the Younger (1638–1664), late 17th–early 18th century, German, Frankfurt, Tin-glazed earthenware, 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm), Ceramics-Pottery Stock Photo

RM2B0H9C0–After a composition by Cornelis van Daten the Younger, Asia (part of a set of four), German, Frankfurt, After a composition by Cornelis van Daten the Younger (1638–1664), late 17th–early 18th century, German, Frankfurt, Tin-glazed earthenware, 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm), Ceramics-Pottery

Censer (koro) in the Form of Hotei with His Bag, Late 18th-early 19th century. Stock Photo

RM2T1DYFB–Censer (koro) in the Form of Hotei with His Bag, Late 18th-early 19th century.

Pottery of the early 18th century Stock Photos and Images

Pottery of the early 18th century Stock Photos and Images

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