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Predominant metal Stock Photos and Images
Matteo di Andrea de'Pasti, Sigismondo Pandolfo Malatesta (1417-1468), 1450, bronze, 1 9/16 in. (4 cm.), In 1447, Sigismondo Pandolfo Malatesta, Lord of Rimini, began rebuilding the church of San Francesco into the newly named Tempio Malatestiano, which this medal memorializes on the reverse. According to a common practice in Renaissance Italy, builders placed specimens of this medal in the new foundations of the Temple during its reconstruction. Because bronze (copper and tin) is the predominant metal in this example, the surface quality is well preserved and the details on the sitter's hair a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-andrea-depasti-sigismondo-pandolfo-malatesta-1417-1468-1450-bronze-1-916-in-4-cm-in-1447-sigismondo-pandolfo-malatesta-lord-of-rimini-began-rebuilding-the-church-of-san-francesco-into-the-newly-named-tempio-malatestiano-which-this-medal-memorializes-on-the-reverse-according-to-a-common-practice-in-renaissance-italy-builders-placed-specimens-of-this-medal-in-the-new-foundations-of-the-temple-during-its-reconstruction-because-bronze-copper-and-tin-is-the-predominant-metal-in-this-example-the-surface-quality-is-well-preserved-and-the-details-on-the-sitters-hair-a-image344477257.htmlRM2B0C875–Matteo di Andrea de'Pasti, Sigismondo Pandolfo Malatesta (1417-1468), 1450, bronze, 1 9/16 in. (4 cm.), In 1447, Sigismondo Pandolfo Malatesta, Lord of Rimini, began rebuilding the church of San Francesco into the newly named Tempio Malatestiano, which this medal memorializes on the reverse. According to a common practice in Renaissance Italy, builders placed specimens of this medal in the new foundations of the Temple during its reconstruction. Because bronze (copper and tin) is the predominant metal in this example, the surface quality is well preserved and the details on the sitter's hair a
An close view of an industrial furnace being emptied with fire and flames predominant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-an-close-view-of-an-industrial-furnace-being-emptied-with-fire-and-166845021.htmlRFKKCCEN–An close view of an industrial furnace being emptied with fire and flames predominant
Bronze helmet of Corinthian type. Culture: Greek. Dimensions: 9 1/16 x 10 9/16 x 8 3/8in. (23 x 26.8 x 21.2cm). Date: ca. 650-600 B.C.. The historian Herodotos mentions the Corinthian helmet as part of the equipment of the Greek hoplite (foot soldier). As a result, the predominant type of helmet, with a rounded calotte, small openings for the eyes, and a distinct nose-piece has been identified as such. Thanks to the large number of examples excavated at Olympia, the typological variety and development are well understood. This example, said to be from Olympia, is quite early, as indicated by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bronze-helmet-of-corinthian-type-culture-greek-dimensions-9-116-x-10-916-x-8-38in-23-x-268-x-212cm-date-ca-650-600-bc-the-historian-herodotos-mentions-the-corinthian-helmet-as-part-of-the-equipment-of-the-greek-hoplite-foot-soldier-as-a-result-the-predominant-type-of-helmet-with-a-rounded-calotte-small-openings-for-the-eyes-and-a-distinct-nose-piece-has-been-identified-as-such-thanks-to-the-large-number-of-examples-excavated-at-olympia-the-typological-variety-and-development-are-well-understood-this-example-said-to-be-from-olympia-is-quite-early-as-indicated-by-image213210935.htmlRMPATGM7–Bronze helmet of Corinthian type. Culture: Greek. Dimensions: 9 1/16 x 10 9/16 x 8 3/8in. (23 x 26.8 x 21.2cm). Date: ca. 650-600 B.C.. The historian Herodotos mentions the Corinthian helmet as part of the equipment of the Greek hoplite (foot soldier). As a result, the predominant type of helmet, with a rounded calotte, small openings for the eyes, and a distinct nose-piece has been identified as such. Thanks to the large number of examples excavated at Olympia, the typological variety and development are well understood. This example, said to be from Olympia, is quite early, as indicated by
Rest on the Flight into Egypt, Jan Brueghel (I) (manner of), 1600 - 1699 painting Rest on the flight to Egypt. The Holy Family rests at the foot of two large trees. copper (metal). oil paint (paint) trees. forest, wood. rest on the flight into Egypt - BB - landscape predominant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rest-on-the-flight-into-egypt-jan-brueghel-i-manner-of-1600-1699-painting-rest-on-the-flight-to-egypt-the-holy-family-rests-at-the-foot-of-two-large-trees-copper-metal-oil-paint-paint-trees-forest-wood-rest-on-the-flight-into-egypt-bb-landscape-predominant-image595528119.htmlRM2WGTJ5B–Rest on the Flight into Egypt, Jan Brueghel (I) (manner of), 1600 - 1699 painting Rest on the flight to Egypt. The Holy Family rests at the foot of two large trees. copper (metal). oil paint (paint) trees. forest, wood. rest on the flight into Egypt - BB - landscape predominant
Backgrounds and backdrops. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-backgrounds-and-backdrops-163549039.htmlRFKE28D3–Backgrounds and backdrops.
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 2.0 200 240 280 WAVELENGTH IN Mill 320 36C Figure 6a. Ultraviolet spectra of fractions 5 (F - •-), 8 (G dash line). 17(H x x x), 21 (I OoO). 25 (J solid line), 29 (K dots), and 36 (L circles) from Sephadex LH-20 chromatography of blood plasma of Ascidia dispar. Discussion The analysis reported here should support the conclu- sion that P. chilensis is an iron and titanium accumula- tor, and that A. dispar is an iron, titanium, and vana- dium accumulator. In both species the predominant metal was iron, which in the case of P. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-20-200-240-280-wavelength-in-mill-320-36c-figure-6a-ultraviolet-spectra-of-fractions-5-f-8-g-dash-line-17h-x-x-x-21-i-ooo-25-j-solid-line-29-k-dots-and-36-l-circles-from-sephadex-lh-20-chromatography-of-blood-plasma-of-ascidia-dispar-discussion-the-analysis-reported-here-should-support-the-conclu-sion-that-p-chilensis-is-an-iron-and-titanium-accumula-tor-and-that-a-dispar-is-an-iron-titanium-and-vana-dium-accumulator-in-both-species-the-predominant-metal-was-iron-which-in-the-case-of-p-image234646568.htmlRMRHN22G–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 2.0 200 240 280 WAVELENGTH IN Mill 320 36C Figure 6a. Ultraviolet spectra of fractions 5 (F - •-), 8 (G dash line). 17(H x x x), 21 (I OoO). 25 (J solid line), 29 (K dots), and 36 (L circles) from Sephadex LH-20 chromatography of blood plasma of Ascidia dispar. Discussion The analysis reported here should support the conclu- sion that P. chilensis is an iron and titanium accumula- tor, and that A. dispar is an iron, titanium, and vana- dium accumulator. In both species the predominant metal was iron, which in the case of P.
Used flat decorator brush covered with dry cyan and wet yellow color. Closeup Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/used-flat-decorator-brush-covered-with-dry-cyan-and-wet-yellow-color-closeup-image382838637.htmlRF2D6RPGD–Used flat decorator brush covered with dry cyan and wet yellow color. Closeup
Arc de triomphe stairway Paris 2001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arc-de-triomphe-stairway-paris-2001-image4797931.htmlRMAJCNEC–Arc de triomphe stairway Paris 2001
Ostrich or common ostrich, in Latin called Struthio camelus. A young bird in lateral view with a lot of copy space on the background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ostrich-or-common-ostrich-in-latin-called-struthio-camelus-a-young-bird-in-lateral-view-with-a-lot-of-copy-space-on-the-background-image401700728.htmlRF2E9F1AG–Ostrich or common ostrich, in Latin called Struthio camelus. A young bird in lateral view with a lot of copy space on the background.
Ostrich or common ostrich, in Latin called Struthio camelus. A young bird in lateral view in a wooden shelter. The animal is living in captivity.There Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ostrich-or-common-ostrich-in-latin-called-struthio-camelus-a-young-bird-in-lateral-view-in-a-wooden-shelter-the-animal-is-living-in-captivitythere-image402552771.htmlRF2EAWT4K–Ostrich or common ostrich, in Latin called Struthio camelus. A young bird in lateral view in a wooden shelter. The animal is living in captivity.There
Shoes. Culture: British. Date: 1700-1729. Bold geometric wool canvas work, known as bargello or flame stitch, was an important embroidery style in the late 17th and 18th centuries. Used primarily for upholstery and small personal accessories such as purses (for example 2009.300.1782), it is seen here in a typical zigzag pattern on this pair of ladies' latchet shoes. It is notable that even the heel is covered with the needlework, as it is more typical to find a contrasting silk or leather used. The wide strip of metallic braid running up the center of the vamp was a predominant decorative Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shoes-culture-british-date-1700-1729-bold-geometric-wool-canvas-work-known-as-bargello-or-flame-stitch-was-an-important-embroidery-style-in-the-late-17th-and-18th-centuries-used-primarily-for-upholstery-and-small-personal-accessories-such-as-purses-for-example-20093001782-it-is-seen-here-in-a-typical-zigzag-pattern-on-this-pair-of-ladies-latchet-shoes-it-is-notable-that-even-the-heel-is-covered-with-the-needlework-as-it-is-more-typical-to-find-a-contrasting-silk-or-leather-used-the-wide-strip-of-metallic-braid-running-up-the-center-of-the-vamp-was-a-predominant-decorative-image213112490.htmlRMPAM34A–Shoes. Culture: British. Date: 1700-1729. Bold geometric wool canvas work, known as bargello or flame stitch, was an important embroidery style in the late 17th and 18th centuries. Used primarily for upholstery and small personal accessories such as purses (for example 2009.300.1782), it is seen here in a typical zigzag pattern on this pair of ladies' latchet shoes. It is notable that even the heel is covered with the needlework, as it is more typical to find a contrasting silk or leather used. The wide strip of metallic braid running up the center of the vamp was a predominant decorative
Hauberk, 1400s. European, 15th century. Riveted steel rings; diameter: 1.1 cm (7/16 in.); overall: 128.3 x 91.4 cm (50 1/2 x 36 in.). A hauberk is a mail shirt that generally reached to the knee and was the predominant form of metal body defense throughout Europe until about 1350. Knights wore mail over a padded undergarment known as an aketon and would have been supplemented by a metal helmet and a shield. After the development of full plate armor, mail continued to be a linking element or accessory well into the 1500s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hauberk-1400s-european-15th-century-riveted-steel-rings-diameter-11-cm-716-in-overall-1283-x-914-cm-50-12-x-36-in-a-hauberk-is-a-mail-shirt-that-generally-reached-to-the-knee-and-was-the-predominant-form-of-metal-body-defense-throughout-europe-until-about-1350-knights-wore-mail-over-a-padded-undergarment-known-as-an-aketon-and-would-have-been-supplemented-by-a-metal-helmet-and-a-shield-after-the-development-of-full-plate-armor-mail-continued-to-be-a-linking-element-or-accessory-well-into-the-1500s-image448089856.htmlRM2H10754–Hauberk, 1400s. European, 15th century. Riveted steel rings; diameter: 1.1 cm (7/16 in.); overall: 128.3 x 91.4 cm (50 1/2 x 36 in.). A hauberk is a mail shirt that generally reached to the knee and was the predominant form of metal body defense throughout Europe until about 1350. Knights wore mail over a padded undergarment known as an aketon and would have been supplemented by a metal helmet and a shield. After the development of full plate armor, mail continued to be a linking element or accessory well into the 1500s.
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 162 D. A. ROMAN ET AL 2 0.5 0.2. 2.0 200 240 280 WAVELENGTH IN Mill 320 36C Figure 6a. Ultraviolet spectra of fractions 5 (F - •-), 8 (G dash line). 17(H x x x), 21 (I OoO). 25 (J solid line), 29 (K dots), and 36 (L circles) from Sephadex LH-20 chromatography of blood plasma of Ascidia dispar. Discussion The analysis reported here should support the conclu- sion that P. chilensis is an iron and titanium accumula- tor, and that A. dispar is an iron, titanium, and vana- dium accumulator. In both species the predominant metal w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-162-d-a-roman-et-al-2-05-02-20-200-240-280-wavelength-in-mill-320-36c-figure-6a-ultraviolet-spectra-of-fractions-5-f-8-g-dash-line-17h-x-x-x-21-i-ooo-25-j-solid-line-29-k-dots-and-36-l-circles-from-sephadex-lh-20-chromatography-of-blood-plasma-of-ascidia-dispar-discussion-the-analysis-reported-here-should-support-the-conclu-sion-that-p-chilensis-is-an-iron-and-titanium-accumula-tor-and-that-a-dispar-is-an-iron-titanium-and-vana-dium-accumulator-in-both-species-the-predominant-metal-w-image234646590.htmlRMRHN23A–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 162 D. A. ROMAN ET AL 2 0.5 0.2. 2.0 200 240 280 WAVELENGTH IN Mill 320 36C Figure 6a. Ultraviolet spectra of fractions 5 (F - •-), 8 (G dash line). 17(H x x x), 21 (I OoO). 25 (J solid line), 29 (K dots), and 36 (L circles) from Sephadex LH-20 chromatography of blood plasma of Ascidia dispar. Discussion The analysis reported here should support the conclu- sion that P. chilensis is an iron and titanium accumula- tor, and that A. dispar is an iron, titanium, and vana- dium accumulator. In both species the predominant metal w
Gold box ring surmounted by a scarab. Culture: Greek. Dimensions: H.: 1 1/4 in. (3.2 cm). Date: ca.330-310 B.C.. On the underside of the box, kneeling Eros. From the end of the third millennium B.C., the scarab beetle served as an amulet in Egypt where it represented the sun god. In the Greek world, beginning in the sixth century B.C. it became the predominant type of gem, cut in carnelian and other hard stones. The scarab integrated into a gold ring appears in the fourth century B.C. The articulation of the insect and the embellishment of the box reveal craftsmanship of the highest order. M Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-box-ring-surmounted-by-a-scarab-culture-greek-dimensions-h-1-14-in-32-cm-date-ca330-310-bc-on-the-underside-of-the-box-kneeling-eros-from-the-end-of-the-third-millennium-bc-the-scarab-beetle-served-as-an-amulet-in-egypt-where-it-represented-the-sun-god-in-the-greek-world-beginning-in-the-sixth-century-bc-it-became-the-predominant-type-of-gem-cut-in-carnelian-and-other-hard-stones-the-scarab-integrated-into-a-gold-ring-appears-in-the-fourth-century-bc-the-articulation-of-the-insect-and-the-embellishment-of-the-box-reveal-craftsmanship-of-the-highest-order-m-image213149673.htmlRMPANPG9–Gold box ring surmounted by a scarab. Culture: Greek. Dimensions: H.: 1 1/4 in. (3.2 cm). Date: ca.330-310 B.C.. On the underside of the box, kneeling Eros. From the end of the third millennium B.C., the scarab beetle served as an amulet in Egypt where it represented the sun god. In the Greek world, beginning in the sixth century B.C. it became the predominant type of gem, cut in carnelian and other hard stones. The scarab integrated into a gold ring appears in the fourth century B.C. The articulation of the insect and the embellishment of the box reveal craftsmanship of the highest order. M
Ægean archæeology; an introduction to the archæeology of prehistoric Greece . Fig. 5.—Crete; Gourni.l. i, silvercup. 2 and 3, polychrome ware STONE AND METAL 55 the older pots of veined stone. This they did not somuch in their shape but in their colour. The varie-gated hues of the stone vases were imitated, and poly-chromy first appeared in the Aegean ceramic. This isthe predominant characteristic of the Middle Minoanpotters art. In M.M.I we see it first appear. At firstthe shapes of vases and their decoration are much likethose of the preceding period. But soon we see thatthe designs, always Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gean-archeology-an-introduction-to-the-archeology-of-prehistoric-greece-fig-5crete-gournil-i-silvercup-2-and-3-polychrome-ware-stone-and-metal-55-the-older-pots-of-veined-stone-this-they-did-not-somuch-in-their-shape-but-in-their-colour-the-varie-gated-hues-of-the-stone-vases-were-imitated-and-poly-chromy-first-appeared-in-the-aegean-ceramic-this-isthe-predominant-characteristic-of-the-middle-minoanpotters-art-in-mmi-we-see-it-first-appear-at-firstthe-shapes-of-vases-and-their-decoration-are-much-likethose-of-the-preceding-period-but-soon-we-see-thatthe-designs-always-image338375158.htmlRM2AJE8Y2–Ægean archæeology; an introduction to the archæeology of prehistoric Greece . Fig. 5.—Crete; Gourni.l. i, silvercup. 2 and 3, polychrome ware STONE AND METAL 55 the older pots of veined stone. This they did not somuch in their shape but in their colour. The varie-gated hues of the stone vases were imitated, and poly-chromy first appeared in the Aegean ceramic. This isthe predominant characteristic of the Middle Minoanpotters art. In M.M.I we see it first appear. At firstthe shapes of vases and their decoration are much likethose of the preceding period. But soon we see thatthe designs, always
Porringer and Spoon. Designer: Charles Robert Ashbee (British, Isleworth, Middlesex 1863-1942 Godden Green, Kent). Dimensions: H. 2-13/16, W. 10-5/8, D. 4-1/4 in. (7.1 x 27.0 x 10.8 cm). Maker: Guild of Handicraft (British). Date: 1902-4. An influential designer of the Arts and Crafts Movement in Britain, Ashbee founded the Guild of Handicraft in 1888 as a cooperative of self-taught craftsmen who made furniture, metalwork, leatherwork, and jewelry. Ashbee was the predominant designer of the guild, developing an elegant style that broke significantly from Victorian traditions. It was notable Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/porringer-and-spoon-designer-charles-robert-ashbee-british-isleworth-middlesex-1863-1942-godden-green-kent-dimensions-h-2-1316-w-10-58-d-4-14-in-71-x-270-x-108-cm-maker-guild-of-handicraft-british-date-1902-4-an-influential-designer-of-the-arts-and-crafts-movement-in-britain-ashbee-founded-the-guild-of-handicraft-in-1888-as-a-cooperative-of-self-taught-craftsmen-who-made-furniture-metalwork-leatherwork-and-jewelry-ashbee-was-the-predominant-designer-of-the-guild-developing-an-elegant-style-that-broke-significantly-from-victorian-traditions-it-was-notable-image212917111.htmlRMPAB5XF–Porringer and Spoon. Designer: Charles Robert Ashbee (British, Isleworth, Middlesex 1863-1942 Godden Green, Kent). Dimensions: H. 2-13/16, W. 10-5/8, D. 4-1/4 in. (7.1 x 27.0 x 10.8 cm). Maker: Guild of Handicraft (British). Date: 1902-4. An influential designer of the Arts and Crafts Movement in Britain, Ashbee founded the Guild of Handicraft in 1888 as a cooperative of self-taught craftsmen who made furniture, metalwork, leatherwork, and jewelry. Ashbee was the predominant designer of the guild, developing an elegant style that broke significantly from Victorian traditions. It was notable
Hardware merchandising September-December 1911 . Phila. and Reading Coal and Iron Co. Dickson and Eddy. This style made in two sizes, Nos. 60and 70, but for Chestnut Coal we stillmake Nos. 4, 5, 6 and 7. Stove Co.. Limited Calgary Saskatoon Vancouver 23 HARDWARE AND METAL A Profitable Line For The Coming Season! STANDARD SILVER TOILET WARE Toilet Ware will, from all indications, be predominant aspresents during the next months. Get your share in it. The Latest Designs in Standard Toilet Ware will help you to build up a trade, BECAUSE Customers prefer STANDARD MAKE for its reliability anddepend Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hardware-merchandising-september-december-1911-phila-and-reading-coal-and-iron-co-dickson-and-eddy-this-style-made-in-two-sizes-nos-60and-70-but-for-chestnut-coal-we-stillmake-nos-4-5-6-and-7-stove-co-limited-calgary-saskatoon-vancouver-23-hardware-and-metal-a-profitable-line-for-the-coming-season!-standard-silver-toilet-ware-toilet-ware-will-from-all-indications-be-predominant-aspresents-during-the-next-months-get-your-share-in-it-the-latest-designs-in-standard-toilet-ware-will-help-you-to-build-up-a-trade-because-customers-prefer-standard-make-for-its-reliability-anddepend-image342794650.htmlRM2AWKJ22–Hardware merchandising September-December 1911 . Phila. and Reading Coal and Iron Co. Dickson and Eddy. This style made in two sizes, Nos. 60and 70, but for Chestnut Coal we stillmake Nos. 4, 5, 6 and 7. Stove Co.. Limited Calgary Saskatoon Vancouver 23 HARDWARE AND METAL A Profitable Line For The Coming Season! STANDARD SILVER TOILET WARE Toilet Ware will, from all indications, be predominant aspresents during the next months. Get your share in it. The Latest Designs in Standard Toilet Ware will help you to build up a trade, BECAUSE Customers prefer STANDARD MAKE for its reliability anddepend
