Radha approaching Krishna tempura painting c 1750 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/radha-approaching-krishna-tempura-painting-c-1750-image268827722.html
RMWHA4E2–Radha approaching Krishna tempura painting c 1750
Krishna, Indian deity, half length, with the shepherd girl Radha, reverse glass painting, god, , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-krishna-indian-deity-half-length-with-the-shepherd-girl-radha-reverse-27956901.html
RMBHDF8N–Krishna, Indian deity, half length, with the shepherd girl Radha, reverse glass painting, god, ,
Hindu Lord Radha kishana texture wallpaper background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hindu-lord-radha-kishana-texture-wallpaper-background-image600930437.html
RF2WWJMW9–Hindu Lord Radha kishana texture wallpaper background
Krishna and Radha Krishna and Radha, late 19th-early 20th century. Watercolors on paper with polished tin accents, 16 x 10 1/2 in. (40.6 x 26.7 cm). This watercolor image is called a Kalighat painting, produced quickly and in multiples for sale in the markets around the Kali temple in Kolkata at the turn of the twentieth century. Common features of Kalighat paintings are the loose application of shading around the arms, legs, and faces of the figures and the rudimentary curtain at the top to suggest a stage or altar setting. Indian modernist artists of the early twentieth century would cite K Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-radha-krishna-and-radha-late-19th-early-20th-century-watercolors-on-paper-with-polished-tin-accents-16-x-10-12-in-406-x-267-cm-this-watercolor-image-is-called-a-kalighat-painting-produced-quickly-and-in-multiples-for-sale-in-the-markets-around-the-kali-temple-in-kolkata-at-the-turn-of-the-twentieth-century-common-features-of-kalighat-paintings-are-the-loose-application-of-shading-around-the-arms-legs-and-faces-of-the-figures-and-the-rudimentary-curtain-at-the-top-to-suggest-a-stage-or-altar-setting-indian-modernist-artists-of-the-early-twentieth-century-would-cite-k-image504706049.html
RM2M939M1–Krishna and Radha Krishna and Radha, late 19th-early 20th century. Watercolors on paper with polished tin accents, 16 x 10 1/2 in. (40.6 x 26.7 cm). This watercolor image is called a Kalighat painting, produced quickly and in multiples for sale in the markets around the Kali temple in Kolkata at the turn of the twentieth century. Common features of Kalighat paintings are the loose application of shading around the arms, legs, and faces of the figures and the rudimentary curtain at the top to suggest a stage or altar setting. Indian modernist artists of the early twentieth century would cite K
YouTube Thumbnail - Medical Academy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/youtube-thumbnail-medical-academy-image477989071.html
RM2JNJ7X7–YouTube Thumbnail - Medical Academy
Krishna with Radha -. Krishna is a deity worshipped across many traditions of Hinduism. He is usually depicted as a young cowherd boy playing a flute or a youthful prince giving philosophical direction.. Radha is the principle paramour of Krishna in the Srimad Bhagavatam, and the Gita Govinda of the Hindu religion. In many Vaishnava traditions of Hinduism, Radha is regarded as a primary deity,. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-with-radha-krishna-is-a-deity-worshipped-across-many-traditions-of-hinduism-he-is-usually-depicted-as-a-young-cowherd-boy-playing-a-flute-or-a-youthful-prince-giving-philosophical-direction-radha-is-the-principle-paramour-of-krishna-in-the-srimad-bhagavatam-and-the-gita-govinda-of-the-hindu-religion-in-many-vaishnava-traditions-of-hinduism-radha-is-regarded-as-a-primary-deity-image268851203.html
RMWHB6CK–Krishna with Radha -. Krishna is a deity worshipped across many traditions of Hinduism. He is usually depicted as a young cowherd boy playing a flute or a youthful prince giving philosophical direction.. Radha is the principle paramour of Krishna in the Srimad Bhagavatam, and the Gita Govinda of the Hindu religion. In many Vaishnava traditions of Hinduism, Radha is regarded as a primary deity,.
Khandita Nayika Indian. Khandita Nayika, ca. 1800-1820. Opaque watercolor and gold on paper, sheet: 10 3/8 x 7 1/2 in. (26.4 x 19.1 cm). Some traditions celebrate Radha as the more powerful half of the pair because she has captured the heart of God. This painting shows Radha physically elevated above Krishna. He kneels before her, begging forgiveness for a past indiscretion. Her posture and gesture indicate that she does not want to hear his pleas. This painting is from a series depicting generic types of lovers. Khandita is the wronged heroine (nayika) who must be wooed back carefully. By pl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/khandita-nayika-indian-khandita-nayika-ca-1800-1820-opaque-watercolor-and-gold-on-paper-sheet-10-38-x-7-12-in-264-x-191-cm-some-traditions-celebrate-radha-as-the-more-powerful-half-of-the-pair-because-she-has-captured-the-heart-of-god-this-painting-shows-radha-physically-elevated-above-krishna-he-kneels-before-her-begging-forgiveness-for-a-past-indiscretion-her-posture-and-gesture-indicate-that-she-does-not-want-to-hear-his-pleas-this-painting-is-from-a-series-depicting-generic-types-of-lovers-khandita-is-the-wronged-heroine-nayika-who-must-be-wooed-back-carefully-by-pl-image504705283.html
RM2M938MK–Khandita Nayika Indian. Khandita Nayika, ca. 1800-1820. Opaque watercolor and gold on paper, sheet: 10 3/8 x 7 1/2 in. (26.4 x 19.1 cm). Some traditions celebrate Radha as the more powerful half of the pair because she has captured the heart of God. This painting shows Radha physically elevated above Krishna. He kneels before her, begging forgiveness for a past indiscretion. Her posture and gesture indicate that she does not want to hear his pleas. This painting is from a series depicting generic types of lovers. Khandita is the wronged heroine (nayika) who must be wooed back carefully. By pl
YouTube Thumbnail - Medical Academy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/youtube-thumbnail-medical-academy-image477989070.html
RM2JNJ7X6–YouTube Thumbnail - Medical Academy
Swinging to purify the air and make the crops grow high. Swinging is also a central motif of the exemplary love between the Hundu god Krishna and his human beloved Radha. jaipur painting mid 17th century (detail). . love tale of the Hindu God Lord Krishna and his consort, Radha. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/swinging-to-purify-the-air-and-make-the-crops-grow-high-swinging-is-also-a-central-motif-of-the-exemplary-love-between-the-hundu-god-krishna-and-his-human-beloved-radha-jaipur-painting-mid-17th-century-detail-love-tale-of-the-hindu-god-lord-krishna-and-his-consort-radha-image268851904.html
RMWHB79M–Swinging to purify the air and make the crops grow high. Swinging is also a central motif of the exemplary love between the Hundu god Krishna and his human beloved Radha. jaipur painting mid 17th century (detail). . love tale of the Hindu God Lord Krishna and his consort, Radha.
Krishna and Radha under a Tree in a Storm Indian. Krishna and Radha under a Tree in a Storm, ca. 1790-early 19th century. Opaque watercolor and gold on paper, sheet: 9 x 6 3/4 in. (22.9 x 17.1 cm). This painting depicts the Hindu god Krishna sitting beneath a tree while his beloved, Radha, runs to join him, seeking shelter from an impending storm. The storm is emblematic of passion—dark and dangerous, yet bringing new life. The union of the lovers is echoed in the intertwining of vines with flowering creepers. Krishna’s love affair with Radha is used as an analogy for the relationship between Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-radha-under-a-tree-in-a-storm-indian-krishna-and-radha-under-a-tree-in-a-storm-ca-1790-early-19th-century-opaque-watercolor-and-gold-on-paper-sheet-9-x-6-34-in-229-x-171-cm-this-painting-depicts-the-hindu-god-krishna-sitting-beneath-a-tree-while-his-beloved-radha-runs-to-join-him-seeking-shelter-from-an-impending-storm-the-storm-is-emblematic-of-passiondark-and-dangerous-yet-bringing-new-life-the-union-of-the-lovers-is-echoed-in-the-intertwining-of-vines-with-flowering-creepers-krishnas-love-affair-with-radha-is-used-as-an-analogy-for-the-relationship-between-image504701677.html
RM2M9343W–Krishna and Radha under a Tree in a Storm Indian. Krishna and Radha under a Tree in a Storm, ca. 1790-early 19th century. Opaque watercolor and gold on paper, sheet: 9 x 6 3/4 in. (22.9 x 17.1 cm). This painting depicts the Hindu god Krishna sitting beneath a tree while his beloved, Radha, runs to join him, seeking shelter from an impending storm. The storm is emblematic of passion—dark and dangerous, yet bringing new life. The union of the lovers is echoed in the intertwining of vines with flowering creepers. Krishna’s love affair with Radha is used as an analogy for the relationship between
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