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Regency era painting Stock Photos and Images
Elegant lady’s work table, Regency era. Alternatively, a reading desk or drawing table for the boudoir or drawing-room. The frame is in rosewood and gilt, and it has a fold-up top decorated with a landscape painting, and a silk bag to hold needlework equipment. Handcoloured copperplate engraving from Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1823. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elegant-ladys-work-table-regency-era-alternatively-a-reading-desk-or-drawing-table-for-the-boudoir-or-drawing-room-the-frame-is-in-rosewood-and-gilt-and-it-has-a-fold-up-top-decorated-with-a-landscape-painting-and-a-silk-bag-to-hold-needlework-equipment-handcoloured-copperplate-engraving-from-rudolph-ackermanns-repository-of-arts-literature-fashions-manufactures-etc-strand-london-1823-image366843587.htmlRM2C8R4MK–Elegant lady’s work table, Regency era. Alternatively, a reading desk or drawing table for the boudoir or drawing-room. The frame is in rosewood and gilt, and it has a fold-up top decorated with a landscape painting, and a silk bag to hold needlework equipment. Handcoloured copperplate engraving from Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1823.
Elegant ladys work table, Regency era. Alternatively, a reading desk or drawing table for the boudoir or drawing-room. The frame is in rosewood and gilt, and it has a fold-up top decorated with a landscape painting, and a silk bag to hold needlework equipment. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1823. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elegant-ladys-work-table-regency-era-alternatively-a-reading-desk-or-drawing-table-for-the-boudoir-or-drawing-room-the-frame-is-in-rosewood-and-gilt-and-it-has-a-fold-up-top-decorated-with-a-landscape-painting-and-a-silk-bag-to-hold-needlework-equipment-handcoloured-copperplate-engraving-from-rudolph-ackermanns-repository-of-arts-literature-fashions-manufactures-etc-strand-london-1823-image571832552.htmlRM2T69674–Elegant ladys work table, Regency era. Alternatively, a reading desk or drawing table for the boudoir or drawing-room. The frame is in rosewood and gilt, and it has a fold-up top decorated with a landscape painting, and a silk bag to hold needlework equipment. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1823.
English society portraitist and his client, Regency era. Tom Takeall painting a flattering portrait of Mrs Bosky in Margate. Tom with palette and brush in a studio with easel, bust and portfolio. Taking Likenesses. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-society-portraitist-and-his-client-regency-era-tom-takeall-painting-a-flattering-portrait-of-mrs-bosky-in-margate-tom-with-palette-and-brush-in-a-studio-with-easel-bust-and-portfolio-taking-likenesses-handcoloured-copperplate-engraving-drawn-and-engraved-by-richard-dagley-from-takings-or-the-life-of-a-collegian-john-warren-london-1821-image492017078.htmlRM2KGD8PE–English society portraitist and his client, Regency era. Tom Takeall painting a flattering portrait of Mrs Bosky in Margate. Tom with palette and brush in a studio with easel, bust and portfolio. Taking Likenesses. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.
London Bridge, painting, before 1831, David Cox Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-bridge-painting-before-1831-david-cox-image238859039.htmlRMRTGY3Y–London Bridge, painting, before 1831, David Cox
Portrait of the artist’s dog, Pincher. Copperplate engraving by J. Scott after a painting by Abraham Cooper from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-artists-dog-pincher-copperplate-engraving-by-j-scott-after-a-painting-by-abraham-cooper-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1812-image362876977.htmlRM2C2AD81–Portrait of the artist’s dog, Pincher. Copperplate engraving by J. Scott after a painting by Abraham Cooper from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812.
JMW Turner, landscape painting, Barnard Castle, England, circa 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-landscape-painting-barnard-castle-england-circa-1825-image393902504.htmlRM2DTRPJG–JMW Turner, landscape painting, Barnard Castle, England, circa 1825
Probolinggo Regency 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/probolinggo-regency-19th-century-image598999588.htmlRM2WPEP2C–Probolinggo Regency 19th Century
Harwich Lighthouse, landscape painting by John Constable, 1820-1822 UK, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harwich-lighthouse-landscape-painting-by-john-constable-1820-1822-uk-image438171596.htmlRM2GCTC9G–Harwich Lighthouse, landscape painting by John Constable, 1820-1822 UK,
Henry Tufton, eleventh and last Earl of Thanet (1775-1849) by Richard Cosway (1742-1821), a leading English portrait painter of the Regency era, noted for his miniatures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henry-tufton-eleventh-and-last-earl-of-thanet-1775-1849-by-richard-104967509.htmlRMG2NK3H–Henry Tufton, eleventh and last Earl of Thanet (1775-1849) by Richard Cosway (1742-1821), a leading English portrait painter of the Regency era, noted for his miniatures.
Somerset House, London, landscape painting by Frederick Nash, circa 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/somerset-house-london-landscape-painting-by-frederick-nash-circa-1825-image363199401.htmlRM2C2W4F5–Somerset House, London, landscape painting by Frederick Nash, circa 1825
The Sisters, Eleanor and Rosalba Peale, Rembrandt Peale, American, 1778-1860, Oil on canvas, 1826, 42 1/8 x 32 11/16 in., 107 x 83 cm, book, brush, curls, drawing tool, female beauty, female figures, Gaze, holding, interior, intimacy, painter, painting, paints, portait, portrait, Regency, Regency Era, sisters, soeurs, two women, women, women and books Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sisters-eleanor-and-rosalba-peale-rembrandt-peale-american-1778-1860-oil-on-canvas-1826-42-18-x-32-1116-in-107-x-83-cm-book-brush-curls-drawing-tool-female-beauty-female-figures-gaze-holding-interior-intimacy-painter-painting-paints-portait-portrait-regency-regency-era-sisters-soeurs-two-women-women-women-and-books-image454279193.htmlRM2HB25MW–The Sisters, Eleanor and Rosalba Peale, Rembrandt Peale, American, 1778-1860, Oil on canvas, 1826, 42 1/8 x 32 11/16 in., 107 x 83 cm, book, brush, curls, drawing tool, female beauty, female figures, Gaze, holding, interior, intimacy, painter, painting, paints, portait, portrait, Regency, Regency Era, sisters, soeurs, two women, women, women and books
Inspired by Frances Kemble Butler, Henry Inman, American, 1801-1846, Oil on canvas, ca. 1834, 34 1/4 x 27 3/16 in., 87 x 69 cm, 19th century, american, American Painting, brown hair, chair, curtains, dress, lady, oil on canvas, painting, pin curls, portrait, posed, puffy sleeves, Regency, Regency Era, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-frances-kemble-butler-henry-inman-american-1801-1846-oil-on-canvas-ca-1834-34-14-x-27-316-in-87-x-69-cm-19th-century-american-american-painting-brown-hair-chair-curtains-dress-lady-oil-on-canvas-painting-pin-curls-portrait-posed-puffy-sleeves-regency-regency-era-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459243795.htmlRF2HK4A43–Inspired by Frances Kemble Butler, Henry Inman, American, 1801-1846, Oil on canvas, ca. 1834, 34 1/4 x 27 3/16 in., 87 x 69 cm, 19th century, american, American Painting, brown hair, chair, curtains, dress, lady, oil on canvas, painting, pin curls, portrait, posed, puffy sleeves, Regency, Regency Era, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sir Thomas Lawrence, Isabella Wolff, 1803/15 - A pensive lady adorned in a luxurious gown and turban contemplates an image, evoking classical wisdom and serene introspection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-isabella-wolff-180315-a-pensive-lady-adorned-in-a-luxurious-gown-and-turban-contemplates-an-image-evoking-classical-wisdom-and-serene-introspection-image597750982.htmlRF2WMDWDA–Sir Thomas Lawrence, Isabella Wolff, 1803/15 - A pensive lady adorned in a luxurious gown and turban contemplates an image, evoking classical wisdom and serene introspection
The Happiness of the Regency 1625 by Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-happiness-of-the-regency-1625-by-peter-paul-rubens-image558247900.htmlRM2RC6AW0–The Happiness of the Regency 1625 by Peter Paul Rubens
In May 1610, Marie de Médicis was invested with regency in the name of her son Louis XIII. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-in-may-1610-marie-de-mdicis-was-invested-with-regency-in-the-name-29128609.htmlRMBKAWRD–In May 1610, Marie de Médicis was invested with regency in the name of her son Louis XIII.
Edmund Burke (1729-1797). Anglo-Irish statesman and philosopher. Studio of Sir Joshua Reynolds (1723-1792). Oil on canvas (75,6 x 62,9 cm), c. 1769 or later. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edmund-burke-1729-1797-anglo-irish-statesman-and-philosopher-studio-of-sir-joshua-reynolds-1723-1792-oil-on-canvas-756-x-629-cm-c-1769-or-later-national-portrait-gallery-london-england-united-kingdom-image384881965.htmlRM2DA4TTD–Edmund Burke (1729-1797). Anglo-Irish statesman and philosopher. Studio of Sir Joshua Reynolds (1723-1792). Oil on canvas (75,6 x 62,9 cm), c. 1769 or later. National Portrait Gallery. London, England, United Kingdom.
'The Death of Henry IV and the Proclamation of the Regency', 1622. Artist: Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-henry-iv-and-the-proclamation-of-the-regency-1622-artist-image60250368.htmlRMDE0HXT–'The Death of Henry IV and the Proclamation of the Regency', 1622. Artist: Peter Paul Rubens
Potrait of Josephine of Beauharnais painted by Jean-Lous Victor Viger du Vigneau from 1819-1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/potrait-of-josephine-of-beauharnais-painted-by-jean-lous-victor-viger-du-vigneau-from-1819-1879-image592278226.htmlRF2WBGGWP–Potrait of Josephine of Beauharnais painted by Jean-Lous Victor Viger du Vigneau from 1819-1879
The Waning Honeymoon, 1878. Boughton was the son of a Norwich farmer who was taken to America while still an infant. He initially opened a studio in Albany, New York, listing himself as a landscape painter. He eventually settled in London where he produced historical genre scenes, many of which were set in New England. This painting is set in the English Regency period. A young couple is seated at the fork of diverging paths. As noted by the artist, this is an ominous sign for their furture: Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-waning-honeymoon-1878-boughton-was-the-son-of-a-norwich-farmer-who-was-taken-to-america-while-still-an-infant-he-initially-opened-a-studio-in-albany-new-york-listing-himself-as-a-landscape-painter-he-eventually-settled-in-london-where-he-produced-historical-genre-scenes-many-of-which-were-set-in-new-england-this-painting-is-set-in-the-english-regency-period-a-young-couple-is-seated-at-the-fork-of-diverging-paths-as-noted-by-the-artist-this-is-an-ominous-sign-for-their-furture-image575141545.htmlRM2TBKXWD–The Waning Honeymoon, 1878. Boughton was the son of a Norwich farmer who was taken to America while still an infant. He initially opened a studio in Albany, New York, listing himself as a landscape painter. He eventually settled in London where he produced historical genre scenes, many of which were set in New England. This painting is set in the English Regency period. A young couple is seated at the fork of diverging paths. As noted by the artist, this is an ominous sign for their furture:
Anne MacKenzie Robertson the mother of William Ewart Gladstone British Prime Minister in the Victorian era. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anne-mackenzie-robertson-the-mother-of-william-ewart-gladstone-british-31515970.htmlRMBR7JXA–Anne MacKenzie Robertson the mother of William Ewart Gladstone British Prime Minister in the Victorian era.
English society portraitist and his client, Regency era. Tom Takeall painting a flattering portrait of Mrs Bosky in Margate. Tom with palette and brush in a studio with easel, bust and portfolio. Taking Likenesses. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-society-portraitist-and-his-client-regency-era-tom-takeall-painting-a-flattering-portrait-of-mrs-bosky-in-margate-tom-with-palette-and-brush-in-a-studio-with-easel-bust-and-portfolio-taking-likenesses-handcoloured-copperplate-engraving-drawn-and-engraved-by-richard-dagley-from-takings-or-the-life-of-a-collegian-john-warren-london-1821-image571827007.htmlRM2T68Y53–English society portraitist and his client, Regency era. Tom Takeall painting a flattering portrait of Mrs Bosky in Margate. Tom with palette and brush in a studio with easel, bust and portfolio. Taking Likenesses. Handcoloured copperplate engraving drawn and engraved by Richard Dagley from Takings, or the Life of A Collegian, John Warren, London, 1821.
Interior view of the west ante-room in Carlton House, Westminster, London, 1818. Creator: Richard Gilson Reeve. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-view-of-the-west-ante-room-in-carlton-house-westminster-london-image60161538.htmlRMDDTGJA–Interior view of the west ante-room in Carlton House, Westminster, London, 1818. Creator: Richard Gilson Reeve.
Charles Brockden Brown (1771-1810) American novelist, wrote 'Wieland' (1798), a tale of human experience of religion and the supernatural. Painting by James Sharples. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-brockden-brown-1771-1810-american-novelist-wrote-wieland-1798-32378019.htmlRMBTJXDR–Charles Brockden Brown (1771-1810) American novelist, wrote 'Wieland' (1798), a tale of human experience of religion and the supernatural. Painting by James Sharples.
A hunting hound with a dead hare. Spaniel and Hare. Copperplate engraving by J. Scott after a painting by Benjamin Marshall from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1797. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-hunting-hound-with-a-dead-hare-spaniel-and-hare-copperplate-engraving-by-j-scott-after-a-painting-by-benjamin-marshall-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1797-image362876791.htmlRM2C2AD1B–A hunting hound with a dead hare. Spaniel and Hare. Copperplate engraving by J. Scott after a painting by Benjamin Marshall from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1797.
Painting Book, 'The Marigold Painting BookKate Greenaway', c1900. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-book-the-marigold-painting-bookkate-greenaway-c1900-image608958864.htmlRM2XAMD6T–Painting Book, 'The Marigold Painting BookKate Greenaway', c1900.
Groom with thoroughbred racehorse Waxey by Pot80’s. Owned by Sir Ferdinand Poole. Copperplate engraving by Cook after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1795. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/groom-with-thoroughbred-racehorse-waxey-by-pot80s-owned-by-sir-ferdinand-poole-copperplate-engraving-by-cook-after-a-painting-by-john-nost-sartorius-jr-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1795-image362875843.htmlRM2C2ABRF–Groom with thoroughbred racehorse Waxey by Pot80’s. Owned by Sir Ferdinand Poole. Copperplate engraving by Cook after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1795.
Chinese Liutenant Garden House in Surabaya 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chinese-liutenant-garden-house-in-surabaya-19th-century-image598999596.htmlRM2WPEP2M–Chinese Liutenant Garden House in Surabaya 19th Century
Portrait of the champion racehorse Buzzard got by Woodpecker. As a stud stallion, he cost 10 guineas to cover a mare at Mr. Glenton’s, Boroughbridge. Copperplate engraving by J. Scott after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-champion-racehorse-buzzard-got-by-woodpecker-as-a-stud-stallion-he-cost-10-guineas-to-cover-a-mare-at-mr-glentons-boroughbridge-copperplate-engraving-by-j-scott-after-a-painting-by-john-nost-sartorius-jr-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1796-image362876327.htmlRM2C2ACCR–Portrait of the champion racehorse Buzzard got by Woodpecker. As a stud stallion, he cost 10 guineas to cover a mare at Mr. Glenton’s, Boroughbridge. Copperplate engraving by J. Scott after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796.
Westminster Abbey from Tothill Fields, landscape painting by John Varley, 1832 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/westminster-abbey-from-tothill-fields-landscape-painting-by-john-varley-1832-image363199383.htmlRM2C2W4EF–Westminster Abbey from Tothill Fields, landscape painting by John Varley, 1832
Sofa, monopodium with sculpture of the Three Graces, urns, painting, footstool and draperies in the classical Greek style. Grecian furniture designed by George Bullock, 1777-1818, marble sculptor and furniture designer of Tenterden Street, Hanover Square, London. Handcoloured copperplate engraving from Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sofa-monopodium-with-sculpture-of-the-three-graces-urns-painting-footstool-and-draperies-in-the-classical-greek-style-grecian-furniture-designed-by-george-bullock-1777-1818-marble-sculptor-and-furniture-designer-of-tenterden-street-hanover-square-london-handcoloured-copperplate-engraving-from-rudolph-ackermanns-repository-of-arts-literature-fashions-manufactures-etc-strand-london-1816-image366843500.htmlRM2C8R4HG–Sofa, monopodium with sculpture of the Three Graces, urns, painting, footstool and draperies in the classical Greek style. Grecian furniture designed by George Bullock, 1777-1818, marble sculptor and furniture designer of Tenterden Street, Hanover Square, London. Handcoloured copperplate engraving from Rudolph Ackermann’s Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1816.
JMW Turner, landscape painting, Dartmoor: The Source of the Tamar and the Torridge, circa 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-landscape-painting-dartmoor-the-source-of-the-tamar-and-the-torridge-circa-1813-image393902507.htmlRM2DTRPJK–JMW Turner, landscape painting, Dartmoor: The Source of the Tamar and the Torridge, circa 1813
Portrait of the racehorse Grey Diomed with jockey and grooms. Famous horse bred by Sir Charles Dunbury got by Diomed, his dam by Dorimant, out of Dizzy, the dam of Pilot. Owned by the Duke of Bedford. Copperplate engraving by J. Walker after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-racehorse-grey-diomed-with-jockey-and-grooms-famous-horse-bred-by-sir-charles-dunbury-got-by-diomed-his-dam-by-dorimant-out-of-dizzy-the-dam-of-pilot-owned-by-the-duke-of-bedford-copperplate-engraving-by-j-walker-after-a-painting-by-john-nost-sartorius-jr-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1796-image362876077.htmlRM2C2AC3W–Portrait of the racehorse Grey Diomed with jockey and grooms. Famous horse bred by Sir Charles Dunbury got by Diomed, his dam by Dorimant, out of Dizzy, the dam of Pilot. Owned by the Duke of Bedford. Copperplate engraving by J. Walker after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796.
Viscountess St. Asaph (nee Lady Charlotte Percy) second wife of George, Viscount St. Asaph, afterwards third Earl of Ashburnham by Richard Cosway (1742-1821), a leading English portrait painter of the Regency era, noted for his miniatures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-viscountess-st-asaph-nee-lady-charlotte-percy-second-wife-of-george-104967504.htmlRMG2NK3C–Viscountess St. Asaph (nee Lady Charlotte Percy) second wife of George, Viscount St. Asaph, afterwards third Earl of Ashburnham by Richard Cosway (1742-1821), a leading English portrait painter of the Regency era, noted for his miniatures.
Frances Kemble Butler, Henry Inman, American, 1801-1846, Oil on canvas, ca. 1834, 34 1/4 x 27 3/16 in., 87 x 69 cm, 19th century, american, American Painting, brown hair, chair, curtains, dress, lady, oil on canvas, painting, pin curls, portrait, posed, puffy sleeves, Regency, Regency Era, sash, seated, sitting, white dress, window, woman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frances-kemble-butler-henry-inman-american-1801-1846-oil-on-canvas-ca-1834-34-14-x-27-316-in-87-x-69-cm-19th-century-american-american-painting-brown-hair-chair-curtains-dress-lady-oil-on-canvas-painting-pin-curls-portrait-posed-puffy-sleeves-regency-regency-era-sash-seated-sitting-white-dress-window-woman-image454266785.htmlRM2HB1HWN–Frances Kemble Butler, Henry Inman, American, 1801-1846, Oil on canvas, ca. 1834, 34 1/4 x 27 3/16 in., 87 x 69 cm, 19th century, american, American Painting, brown hair, chair, curtains, dress, lady, oil on canvas, painting, pin curls, portrait, posed, puffy sleeves, Regency, Regency Era, sash, seated, sitting, white dress, window, woman
9. The Consignment of the Regency 1625 by Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/9-the-consignment-of-the-regency-1625-by-peter-paul-rubens-image558247875.htmlRM2RC6AT3–9. The Consignment of the Regency 1625 by Peter Paul Rubens
Inspired by The Sisters, Eleanor and Rosalba Peale, Rembrandt Peale, American, 1778-1860, Oil on canvas, 1826, 42 1/8 x 32 11/16 in., 107 x 83 cm, book, brush, curls, drawing tool, female beauty, female figures, Gaze, holding, interior, intimacy, painter, painting, paints, portait, portrait, Regency, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-sisters-eleanor-and-rosalba-peale-rembrandt-peale-american-1778-1860-oil-on-canvas-1826-42-18-x-32-1116-in-107-x-83-cm-book-brush-curls-drawing-tool-female-beauty-female-figures-gaze-holding-interior-intimacy-painter-painting-paints-portait-portrait-regency-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459258200.htmlRF2HK50EG–Inspired by The Sisters, Eleanor and Rosalba Peale, Rembrandt Peale, American, 1778-1860, Oil on canvas, 1826, 42 1/8 x 32 11/16 in., 107 x 83 cm, book, brush, curls, drawing tool, female beauty, female figures, Gaze, holding, interior, intimacy, painter, painting, paints, portait, portrait, Regency, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Beau Brummel. The Beaux and the Dandies: Nash; Brummell, and D:O. Stanley Paul & Co.: London, 1910. George Bryan Brummel, known as Beau Brummel (1778-1840). English dandy. Portrait, 'from the painting in the National Portrait Gallery'. Image taken from The Beaux and the Dandies: Nash; Brummell, and D:Orsay, withtheir courts With frontispiece and sixteen illustrations. Originally published/produced in Stanley Paul & Co.: London, 1910. . Source: 10804.h.3, frontispiece. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beau-brummel-the-beaux-and-the-dandies-nash-brummell-and-do-stanley-paul-co-london-1910-george-bryan-brummel-known-as-beau-brummel-1778-1840-english-dandy-portrait-from-the-painting-in-the-national-portrait-gallery-image-taken-from-the-beaux-and-the-dandies-nash-brummell-and-dorsay-withtheir-courts-with-frontispiece-and-sixteen-illustrations-originally-publishedproduced-in-stanley-paul-co-london-1910-source-10804h3-frontispiece-language-english-image227197478.htmlRMR5HMKJ–Beau Brummel. The Beaux and the Dandies: Nash; Brummell, and D:O. Stanley Paul & Co.: London, 1910. George Bryan Brummel, known as Beau Brummel (1778-1840). English dandy. Portrait, 'from the painting in the National Portrait Gallery'. Image taken from The Beaux and the Dandies: Nash; Brummell, and D:Orsay, withtheir courts With frontispiece and sixteen illustrations. Originally published/produced in Stanley Paul & Co.: London, 1910. . Source: 10804.h.3, frontispiece. Language: English.
Portrait of Josephine de Beauharnais, french empress, and wife of Napoleon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-josephine-de-beauharnais-french-empress-and-wife-of-napoleon-image615914083.htmlRM2XP18KF–Portrait of Josephine de Beauharnais, french empress, and wife of Napoleon
Portrait of Caroline Amelia Elizabeth of Brunswick Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-caroline-amelia-elizabeth-of-brunswick-image595987896.htmlRM2WHHGJ0–Portrait of Caroline Amelia Elizabeth of Brunswick
Hunting scene. Two mounted hunters in scarlet jackets with hounds, Regency Era. Color print after a painting by Benjamin Marshall in Ralph Nevills Old Sporting Prints, The Connoisseur Magazine, London, 1908. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hunting-scene-two-mounted-hunters-in-scarlet-jackets-with-hounds-regency-era-color-print-after-a-painting-by-benjamin-marshall-in-ralph-nevills-old-sporting-prints-the-connoisseur-magazine-london-1908-image359087122.htmlRM2BT5R82–Hunting scene. Two mounted hunters in scarlet jackets with hounds, Regency Era. Color print after a painting by Benjamin Marshall in Ralph Nevills Old Sporting Prints, The Connoisseur Magazine, London, 1908.
The dress is neoclassicism. Age of George. Simple dress for madam. Lady of england image. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-dress-is-neoclassicism-age-of-george-simple-dress-for-madam-lady-of-england-image-image412523770.htmlRF2EY427P–The dress is neoclassicism. Age of George. Simple dress for madam. Lady of england image.
Portrait of Caroline Amelia Elizabeth of Brunswick, Thomas Lawrence, 1804, Oil on canvas, National Gallery, London, England, Great Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-caroline-amelia-elizabeth-of-brunswick-thomas-lawrence-1804-oil-on-canvas-national-gallery-london-england-great-britain-image463423573.htmlRM2HWXNDW–Portrait of Caroline Amelia Elizabeth of Brunswick, Thomas Lawrence, 1804, Oil on canvas, National Gallery, London, England, Great Britain
Piano Practice Interrupted, 1813. A native of Friesland, artist Van der Kooi specialised in painting children. The children in this painting are shown in a playful, spontaneous pose. It could almost be a snapshot. Yet appearances are deceptive. The artist arranged the children deliberately to form a triangular composition. And we no longer know if this is a genuine portrait or an imaginary scene. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/piano-practice-interrupted-1813-a-native-of-friesland-artist-van-der-kooi-specialised-in-painting-children-the-children-in-this-painting-are-shown-in-a-playful-spontaneous-pose-it-could-almost-be-a-snapshot-yet-appearances-are-deceptive-the-artist-arranged-the-children-deliberately-to-form-a-triangular-composition-and-we-no-longer-know-if-this-is-a-genuine-portrait-or-an-imaginary-scene-image556258558.htmlRM2R8YND2–Piano Practice Interrupted, 1813. A native of Friesland, artist Van der Kooi specialised in painting children. The children in this painting are shown in a playful, spontaneous pose. It could almost be a snapshot. Yet appearances are deceptive. The artist arranged the children deliberately to form a triangular composition. And we no longer know if this is a genuine portrait or an imaginary scene.
Javanese Traditional Weapons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/javanese-traditional-weapons-image598999579.htmlRM2WPEP23–Javanese Traditional Weapons
JMW Turner, painting, Folkestone Harbour and Coast to Dover, circa 1829 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-painting-folkestone-harbour-and-coast-to-dover-circa-1829-image393902928.htmlRM2DTRR5M–JMW Turner, painting, Folkestone Harbour and Coast to Dover, circa 1829
Portrait of the celebrated thoroughbred racer Escape with jockey and trainer. Owned by the Prince of Wales, George Augustus Frederick, later King George IV. He was got by Highflyer out of a sister to Sir James Lowther’s Babraham. Copperplate engraving by J. Walker after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-celebrated-thoroughbred-racer-escape-with-jockey-and-trainer-owned-by-the-prince-of-wales-george-augustus-frederick-later-king-george-iv-he-was-got-by-highflyer-out-of-a-sister-to-sir-james-lowthers-babraham-copperplate-engraving-by-j-walker-after-a-painting-by-john-nost-sartorius-jr-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1796-image362876073.htmlRM2C2AC3N–Portrait of the celebrated thoroughbred racer Escape with jockey and trainer. Owned by the Prince of Wales, George Augustus Frederick, later King George IV. He was got by Highflyer out of a sister to Sir James Lowther’s Babraham. Copperplate engraving by J. Walker after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796.
The Monument and London Bridge, oil on panel painting circa 1825 by Frederick Nash Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-monument-and-london-bridge-oil-on-panel-painting-circa-1825-by-frederick-nash-image238858986.htmlRMRTGY22–The Monument and London Bridge, oil on panel painting circa 1825 by Frederick Nash
HRH Princess Charlotte of Wales (1796-1817). Princess Charlotte Augusta of Wales was the only child of George, Prince of Wales and Caroline of Brunswick. By Richard Cosway (1742-1821) a leading English portrait painter of the Regency era, noted for his miniatures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hrh-princess-charlotte-of-wales-1796-1817-princess-charlotte-augusta-104967505.htmlRMG2NK3D–HRH Princess Charlotte of Wales (1796-1817). Princess Charlotte Augusta of Wales was the only child of George, Prince of Wales and Caroline of Brunswick. By Richard Cosway (1742-1821) a leading English portrait painter of the Regency era, noted for his miniatures.
Mail Coaches on the Road: The Louth-London Royal Mail progressing at speed, painting by Charles Cooper Henderson, 1820-1830 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mail-coaches-on-the-road-the-louth-london-royal-mail-progressing-at-speed-painting-by-charles-cooper-henderson-1820-1830-image398182779.htmlRM2E3PP5F–Mail Coaches on the Road: The Louth-London Royal Mail progressing at speed, painting by Charles Cooper Henderson, 1820-1830
Portrait of Elizabeth Stirling Foote, Thomas Seir Cummings, American, born England, 1804-1894, Watercolor on ivory portrait in brass locket with glass lenses on both sides, 1832, Image, sight: 2 11/16 x 2 3/16 in., 6.8 x 5.6 cm, American artist, Brass, Brass locket, cameo, Case, cummings, curls, early 19th century art, earring, elizabeth, Elizabeth Stirling Foote, enland, Female, frame, Ivory, jewelry, Locket, medaillon, miniature, neck, neck ribbon, painting, Portrait, Portrait of Elizabeth Stirling Foote, puff sleeve, regency, Regency era, ringlets, shoulder, up-do, Watercolor, Watercolour Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-elizabeth-stirling-foote-thomas-seir-cummings-american-born-england-1804-1894-watercolor-on-ivory-portrait-in-brass-locket-with-glass-lenses-on-both-sides-1832-image-sight-2-1116-x-2-316-in-68-x-56-cm-american-artist-brass-brass-locket-cameo-case-cummings-curls-early-19th-century-art-earring-elizabeth-elizabeth-stirling-foote-enland-female-frame-ivory-jewelry-locket-medaillon-miniature-neck-neck-ribbon-painting-portrait-portrait-of-elizabeth-stirling-foote-puff-sleeve-regency-regency-era-ringlets-shoulder-up-do-watercolor-watercolour-image454267061.htmlRM2HB1J7H–Portrait of Elizabeth Stirling Foote, Thomas Seir Cummings, American, born England, 1804-1894, Watercolor on ivory portrait in brass locket with glass lenses on both sides, 1832, Image, sight: 2 11/16 x 2 3/16 in., 6.8 x 5.6 cm, American artist, Brass, Brass locket, cameo, Case, cummings, curls, early 19th century art, earring, elizabeth, Elizabeth Stirling Foote, enland, Female, frame, Ivory, jewelry, Locket, medaillon, miniature, neck, neck ribbon, painting, Portrait, Portrait of Elizabeth Stirling Foote, puff sleeve, regency, Regency era, ringlets, shoulder, up-do, Watercolor, Watercolour
JMW Turner, Leeds, landscape painting, 1816 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-leeds-landscape-painting-1816-image334634100.htmlRM2ACBW5T–JMW Turner, Leeds, landscape painting, 1816
15. The Felicity of the Regency of Marie De' Medici 1625 by Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/15-the-felicity-of-the-regency-of-marie-de-medici-1625-by-peter-paul-rubens-image558247870.htmlRM2RC6ARX–15. The Felicity of the Regency of Marie De' Medici 1625 by Peter Paul Rubens
Art inspired by The Sisters, Eleanor and Rosalba Peale, Rembrandt Peale, American, 1778-1860, Oil on canvas, 1826, 42 1/8 x 32 11/16 in., 107 x 83 cm, book, brush, curls, drawing tool, female beauty, female figures, Gaze, holding, interior, intimacy, painter, painting, paints, portait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-sisters-eleanor-and-rosalba-peale-rembrandt-peale-american-1778-1860-oil-on-canvas-1826-42-18-x-32-1116-in-107-x-83-cm-book-brush-curls-drawing-tool-female-beauty-female-figures-gaze-holding-interior-intimacy-painter-painting-paints-portait-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570471.htmlRF2HKK6R3–Art inspired by The Sisters, Eleanor and Rosalba Peale, Rembrandt Peale, American, 1778-1860, Oil on canvas, 1826, 42 1/8 x 32 11/16 in., 107 x 83 cm, book, brush, curls, drawing tool, female beauty, female figures, Gaze, holding, interior, intimacy, painter, painting, paints, portait, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Charles III (1716-1788). King of Spain. Peace between the spanish king Charles III and the Tripoli Regency. Painting by Pere Pau Muntanya (1749-1803). Hall of Charles III in the ancient Customs Palace. Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-iii-1716-1788-king-of-spain-peace-between-the-spanish-king-charles-iii-and-the-tripoli-regency-painting-by-pere-pau-muntanya-1749-1803-hall-of-charles-iii-in-the-ancient-customs-palace-barcelona-catalonia-spain-image211346160.htmlRMP7RJ54–Charles III (1716-1788). King of Spain. Peace between the spanish king Charles III and the Tripoli Regency. Painting by Pere Pau Muntanya (1749-1803). Hall of Charles III in the ancient Customs Palace. Barcelona. Catalonia. Spain.
Exhibition Room. The Microcosm of London. R. Ackermann: London, 1808 - 1811. Source: 190.e.1, 2. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/exhibition-room-the-microcosm-of-london-r-ackermann-london-1808-1811-source-190e1-2-image231690243.htmlRMRCXB7F–Exhibition Room. The Microcosm of London. R. Ackermann: London, 1808 - 1811. Source: 190.e.1, 2.
Portrait of Josephine de Beauharnais, french empress, and wife of Napoleon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-josephine-de-beauharnais-french-empress-and-wife-of-napoleon-image615914082.htmlRM2XP18KE–Portrait of Josephine de Beauharnais, french empress, and wife of Napoleon
Portrait of Caroline Amelia Elizabeth of Brunswick, Thomas Lawrence, 1804, Oil on canvas, National Gallery, London, England, Great Britain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-caroline-amelia-elizabeth-of-brunswick-thomas-lawrence-1804-oil-on-canvas-national-gallery-london-england-great-britain-image595829253.htmlRM2WHAA85–Portrait of Caroline Amelia Elizabeth of Brunswick, Thomas Lawrence, 1804, Oil on canvas, National Gallery, London, England, Great Britain
Portrait of Gertrud Hage, née Heitmann, 1798-1801. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-gertrud-hage-nxe9e-heitmann-1798-1801-image534455519.htmlRM2P1EFD3–Portrait of Gertrud Hage, née Heitmann, 1798-1801.
De Thuyn van den Captayn Chinees Hanjanpit te Sourabaya (Garden of the Chinese Captain in Surabaya) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-thuyn-van-den-captayn-chinees-hanjanpit-te-sourabaya-garden-of-the-chinese-captain-in-surabaya-image598999589.htmlRM2WPEP2D–De Thuyn van den Captayn Chinees Hanjanpit te Sourabaya (Garden of the Chinese Captain in Surabaya)
Portrait of Colonel Thornton’s pointer Dash. Copperplate engraving by J. Scott after a painting by Sawrey Gilpin from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-colonel-thorntons-pointer-dash-copperplate-engraving-by-j-scott-after-a-painting-by-sawrey-gilpin-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1796-image362876089.htmlRM2C2AC49–Portrait of Colonel Thornton’s pointer Dash. Copperplate engraving by J. Scott after a painting by Sawrey Gilpin from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1796.
Two leverets, young hares, raised as pets by a Somersetshire gentleman. Copperplate engraving by J. Scott after a painting by James Barenger from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-leverets-young-hares-raised-as-pets-by-a-somersetshire-gentleman-copperplate-engraving-by-j-scott-after-a-painting-by-james-barenger-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1812-image362877302.htmlRM2C2ADKJ–Two leverets, young hares, raised as pets by a Somersetshire gentleman. Copperplate engraving by J. Scott after a painting by James Barenger from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812.
Madame Du Barry (1746-1793) Jeanne Becu, comtesse du Barry, was the final mistress of Louis XV and one of the victims of the Reign of Terror during the French Revolution. By Richard Cosway (1742-1821) a leading English portrait painter of the Regency era, noted for his miniatures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madame-du-barry-1746-1793-jeanne-becu-comtesse-du-barry-was-the-final-104967498.htmlRMG2NK36–Madame Du Barry (1746-1793) Jeanne Becu, comtesse du Barry, was the final mistress of Louis XV and one of the victims of the Reign of Terror during the French Revolution. By Richard Cosway (1742-1821) a leading English portrait painter of the Regency era, noted for his miniatures.
JMW Turner, High Street, Edinburgh, painting, circa 1818 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-high-street-edinburgh-painting-circa-1818-image334634020.htmlRM2ACBW30–JMW Turner, High Street, Edinburgh, painting, circa 1818
11. The Death of Henry IV and the Proclamation of the Regency 1625 by Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/11-the-death-of-henry-iv-and-the-proclamation-of-the-regency-1625-by-peter-paul-rubens-image558247853.htmlRM2RC6AR9–11. The Death of Henry IV and the Proclamation of the Regency 1625 by Peter Paul Rubens
The Colonnade of Queen Mary Court, Greenwich, painting by James Holland, 1833 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-colonnade-of-queen-mary-court-greenwich-painting-by-james-holland-1833-image361480706.htmlRM2C02T96–The Colonnade of Queen Mary Court, Greenwich, painting by James Holland, 1833
Portrait of the artists dog, Pincher. Copperplate engraving by J. Scott after a painting by Abraham Cooper from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-artists-dog-pincher-copperplate-engraving-by-j-scott-after-a-painting-by-abraham-cooper-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1812-image571837614.htmlRM2T69CKX–Portrait of the artists dog, Pincher. Copperplate engraving by J. Scott after a painting by Abraham Cooper from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812.
JMW Turner, Wolf's Hope, Eyemouth, landscape painting, circa 1835 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-wolfs-hope-eyemouth-landscape-painting-circa-1835-image334110298.htmlRM2ABG12J–JMW Turner, Wolf's Hope, Eyemouth, landscape painting, circa 1835
Art inspired by Frances Kemble Butler, Henry Inman, American, 1801-1846, Oil on canvas, ca. 1834, 34 1/4 x 27 3/16 in., 87 x 69 cm, 19th century, american, American Painting, brown hair, chair, curtains, dress, lady, oil on canvas, painting, pin curls, portrait, posed, puffy sleeves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-frances-kemble-butler-henry-inman-american-1801-1846-oil-on-canvas-ca-1834-34-14-x-27-316-in-87-x-69-cm-19th-century-american-american-painting-brown-hair-chair-curtains-dress-lady-oil-on-canvas-painting-pin-curls-portrait-posed-puffy-sleeves-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459561796.htmlRF2HKJRN8–Art inspired by Frances Kemble Butler, Henry Inman, American, 1801-1846, Oil on canvas, ca. 1834, 34 1/4 x 27 3/16 in., 87 x 69 cm, 19th century, american, American Painting, brown hair, chair, curtains, dress, lady, oil on canvas, painting, pin curls, portrait, posed, puffy sleeves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sir Thomas Lawrence, Miss Rosamond Croker, portrait painting, 1827 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-miss-rosamond-croker-portrait-painting-1827-image402602002.htmlRM2EB02XX–Sir Thomas Lawrence, Miss Rosamond Croker, portrait painting, 1827
Christie's Auction Room. The Microcosm of London. R. Ackermann: London, 1808 - 1811. Source: 190.e.1 volume I, 6. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christies-auction-room-the-microcosm-of-london-r-ackermann-london-1808-1811-source-190e1-volume-i-6-language-english-image231319514.htmlRMRC9EB6–Christie's Auction Room. The Microcosm of London. R. Ackermann: London, 1808 - 1811. Source: 190.e.1 volume I, 6. Language: English.
Godstow Bridge near Oxford, landscape painting by Edward William Cooke, 1835 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/godstow-bridge-near-oxford-landscape-painting-by-edward-william-cooke-1835-image363200083.htmlRM2C2W5BF–Godstow Bridge near Oxford, landscape painting by Edward William Cooke, 1835
Grap van de Pate Mangoen (Patih Mangun's grave in Gunung Asta, Sumenep, Madura) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grap-van-de-pate-mangoen-patih-manguns-grave-in-gunung-asta-sumenep-madura-image598999582.htmlRM2WPEP26–Grap van de Pate Mangoen (Patih Mangun's grave in Gunung Asta, Sumenep, Madura)
Sir Thomas Lawrence, Mrs Jens Wolff, portrait painting, 1803-1815 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-mrs-jens-wolff-portrait-painting-1803-1815-image402601918.htmlRM2EB02RX–Sir Thomas Lawrence, Mrs Jens Wolff, portrait painting, 1803-1815
Male portrait, 1828. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/male-portrait-1828-image565258959.htmlRM2RRHNFY–Male portrait, 1828.
London Bridge with St. Paul's Cathedral in the distance, painting, 1815, William Anderson Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-bridge-with-st-pauls-cathedral-in-the-distance-painting-1815-william-anderson-image238859024.htmlRMRTGY3C–London Bridge with St. Paul's Cathedral in the distance, painting, 1815, William Anderson
Portrait of the celebrated hunter Madcap. Owned by John Moore of Bicester, got by Sir Peter Teazle out of a well-bred mare. Copperplate engraving by J. Scott after a painting by Abraham Cooper from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-celebrated-hunter-madcap-owned-by-john-moore-of-bicester-got-by-sir-peter-teazle-out-of-a-well-bred-mare-copperplate-engraving-by-j-scott-after-a-painting-by-abraham-cooper-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1812-image362877017.htmlRM2C2AD9D–Portrait of the celebrated hunter Madcap. Owned by John Moore of Bicester, got by Sir Peter Teazle out of a well-bred mare. Copperplate engraving by J. Scott after a painting by Abraham Cooper from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812.
Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medici 1624 by Peter Paul Rubens Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apotheosis-of-henry-iv-and-the-proclamation-of-the-regency-of-marie-de-medici-1624-by-peter-paul-rubens-image558247774.htmlRM2RC6AME–Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medici 1624 by Peter Paul Rubens
A hunting hound with a dead hare. Spaniel and Hare. Copperplate engraving by J. Scott after a painting by Benjamin Marshall from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1797. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-hunting-hound-with-a-dead-hare-spaniel-and-hare-copperplate-engraving-by-j-scott-after-a-painting-by-benjamin-marshall-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1797-image571834944.htmlRM2T6998G–A hunting hound with a dead hare. Spaniel and Hare. Copperplate engraving by J. Scott after a painting by Benjamin Marshall from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1797.
!['A shilling well laid out. Tom and Jerry at the Exhibition of Pictures at the Royal Academy'. Tom and Jerry. Life in London, etc. [Edited by J. C. Hotten.] With illustrations by I. R. and G. Cruikshank.]. London, 1823. Source: 838.i.2, opposite 341. Language: English. Stock Photo](https://c8.alamy.com/comp/RCY8WM/a-shilling-well-laid-out-tom-and-jerry-at-the-exhibition-of-pictures-at-the-royal-academy-tom-and-jerry-life-in-london-etc-edited-by-j-c-hotten-with-illustrations-by-i-r-and-g-cruikshank-london-1823-source-838i2-opposite-341-language-english-RCY8WM.jpg "'A shilling well laid out. Tom and Jerry at the Exhibition of Pictures at the Royal Academy'. Tom and Jerry. Life in London, etc. [Edited by J. C. Hotten.] With illustrations by I. R. and G. Cruikshank.]. London, 1823. Source: 838.i.2, opposite 341. Language: English. Stock Photo")
'A shilling well laid out. Tom and Jerry at the Exhibition of Pictures at the Royal Academy'. Tom and Jerry. Life in London, etc. [Edited by J. C. Hotten.] With illustrations by I. R. and G. Cruikshank.]. London, 1823. Source: 838.i.2, opposite 341. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-shilling-well-laid-out-tom-and-jerry-at-the-exhibition-of-pictures-at-the-royal-academy-tom-and-jerry-life-in-london-etc-edited-by-j-c-hotten-with-illustrations-by-i-r-and-g-cruikshank-london-1823-source-838i2-opposite-341-language-english-image231710352.htmlRMRCY8WM–'A shilling well laid out. Tom and Jerry at the Exhibition of Pictures at the Royal Academy'. Tom and Jerry. Life in London, etc. [Edited by J. C. Hotten.] With illustrations by I. R. and G. Cruikshank.]. London, 1823. Source: 838.i.2, opposite 341. Language: English.
Figures sitting in Front of The Principal Ones at Artjoe Domas (Arca Domas) April 1813 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figures-sitting-in-front-of-the-principal-ones-at-artjoe-domas-arca-domas-april-1813-image598999606.htmlRM2WPEP32–Figures sitting in Front of The Principal Ones at Artjoe Domas (Arca Domas) April 1813
Jacoba Vetter (1796-1830), Wife of Pieter Meijer Warnars, Amsterdam Bookseller, c.1821-c.1825. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacoba-vetter-1796-1830-wife-of-pieter-meijer-warnars-amsterdam-bookseller-c1821-c1825-image556254869.htmlRM2R8YGN9–Jacoba Vetter (1796-1830), Wife of Pieter Meijer Warnars, Amsterdam Bookseller, c.1821-c.1825.
The Opening of the New London Bridge on 1st August 1831, painting, 1831 by David Cox Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-opening-of-the-new-london-bridge-on-1st-august-1831-painting-1831-by-david-cox-image238859042.htmlRMRTGY42–The Opening of the New London Bridge on 1st August 1831, painting, 1831 by David Cox
JMW Turner, View of London from Greenwich, landscape painting, 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-view-of-london-from-greenwich-landscape-painting-1825-image334110385.htmlRM2ABG15N–JMW Turner, View of London from Greenwich, landscape painting, 1825
Portrait of an arabian thoroughbred racehorse. An Arabian, the Property of Mr. Strange. Bought from Arabia at a cost of 2,000 guineas. Copperplate engraving by J. Scott after a painting by Benjamin Marshall from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1797. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-an-arabian-thoroughbred-racehorse-an-arabian-the-property-of-mr-strange-bought-from-arabia-at-a-cost-of-2000-guineas-copperplate-engraving-by-j-scott-after-a-painting-by-benjamin-marshall-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1797-image362876561.htmlRM2C2ACN5–Portrait of an arabian thoroughbred racehorse. An Arabian, the Property of Mr. Strange. Bought from Arabia at a cost of 2,000 guineas. Copperplate engraving by J. Scott after a painting by Benjamin Marshall from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1797.
JMW Turner, Ingleborough from Chapel-Le-Dale, landscape painting, 1810-1815 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jmw-turner-ingleborough-from-chapel-le-dale-landscape-painting-1810-1815-image393902902.htmlRM2DTRR4P–JMW Turner, Ingleborough from Chapel-Le-Dale, landscape painting, 1810-1815
Sir Thomas Lawrence, Lady Maria Conyngham (d. 1843), portrait painting, 1824-1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-lady-maria-conyngham-d-1843-portrait-painting-1824-1825-image402601893.htmlRM2EB02R1–Sir Thomas Lawrence, Lady Maria Conyngham (d. 1843), portrait painting, 1824-1825
Charles B. Newhouse, The London-Dover Royal Mail coach and horses, painting, 1830-1840 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-b-newhouse-the-london-dover-royal-mail-coach-and-horses-painting-1830-1840-image398182818.htmlRM2E3PP6X–Charles B. Newhouse, The London-Dover Royal Mail coach and horses, painting, 1830-1840
Groom with thoroughbred racehorse Waxey by Pot80s. Owned by Sir Ferdinand Poole. Copperplate engraving by Cook after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1795. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/groom-with-thoroughbred-racehorse-waxey-by-pot80s-owned-by-sir-ferdinand-poole-copperplate-engraving-by-cook-after-a-painting-by-john-nost-sartorius-jr-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1795-image571917332.htmlRM2T6D2B0–Groom with thoroughbred racehorse Waxey by Pot80s. Owned by Sir Ferdinand Poole. Copperplate engraving by Cook after a painting by John Nost Sartorius Jr. from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1795.
John Constable, Waterloo Bridge seen from Whitehall Stairs, landscape painting, circa 1829 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-constable-waterloo-bridge-seen-from-whitehall-stairs-landscape-painting-circa-1829-image344163379.htmlRM2AYWYW7–John Constable, Waterloo Bridge seen from Whitehall Stairs, landscape painting, circa 1829
The London-Dumphries (sic) Royal Mail coach and horses, painting by Charles B. Newhouse, 1830-1840 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-london-dumphries-sic-royal-mail-coach-and-horses-painting-by-charles-b-newhouse-1830-1840-image398182919.htmlRM2E3PPAF–The London-Dumphries (sic) Royal Mail coach and horses, painting by Charles B. Newhouse, 1830-1840
People viewing paintings and drawings. The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics. London : printed, for R. Ackermann, by L. Harrison, 1809-1815. Source: C.119.f.1, plate 2 between pages 52-53. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/people-viewing-paintings-and-drawings-the-repository-of-arts-literature-commerce-manufactures-fashions-and-politics-london-printed-for-r-ackermann-by-l-harrison-1809-1815-source-c119f1-plate-2-between-pages-52-53-image231379387.htmlRMRCC6NF–People viewing paintings and drawings. The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics. London : printed, for R. Ackermann, by L. Harrison, 1809-1815. Source: C.119.f.1, plate 2 between pages 52-53.
Frederick Nash, The Thames and Waterloo Bridge from Somerset House, landscape painting in oil on artists board, circa 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frederick-nash-the-thames-and-waterloo-bridge-from-somerset-house-landscape-painting-in-oil-on-artists-board-circa-1825-image461519770.htmlRM2HPT14X–Frederick Nash, The Thames and Waterloo Bridge from Somerset House, landscape painting in oil on artists board, circa 1825
Het Fortres van Pannaroekan (The Fortress of Panarukan) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/het-fortres-van-pannaroekan-the-fortress-of-panarukan-image598999591.htmlRM2WPEP2F–Het Fortres van Pannaroekan (The Fortress of Panarukan)
First Grand Match of Cricket, played by members of the Royal Amateur Society on Hampton Court Green, August 3rd 1836, painting by HJ Aveling, 1836 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-grand-match-of-cricket-played-by-members-of-the-royal-amateur-society-on-hampton-court-green-august-3rd-1836-painting-by-hj-aveling-1836-image347944641.htmlRM2B626X9–First Grand Match of Cricket, played by members of the Royal Amateur Society on Hampton Court Green, August 3rd 1836, painting by HJ Aveling, 1836
Portrait of Maria Petronella Mann, Wife of Heinrich Gottfried Theodor Crone, 1810-1838. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-maria-petronella-mann-wife-of-heinrich-gottfried-theodor-crone-1810-1838-image556255677.htmlRM2R8YHP5–Portrait of Maria Petronella Mann, Wife of Heinrich Gottfried Theodor Crone, 1810-1838.
Sir Thomas Lawrence, Frederick John Robinson (1782-1859), 1st Earl of Ripon, Prime Minister of the United Kingdom (1827-1828), portrait painting, circa 1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-thomas-lawrence-frederick-john-robinson-1782-1859-1st-earl-of-ripon-prime-minister-of-the-united-kingdom-1827-1828-portrait-painting-circa-1820-image402602186.htmlRM2EB035E–Sir Thomas Lawrence, Frederick John Robinson (1782-1859), 1st Earl of Ripon, Prime Minister of the United Kingdom (1827-1828), portrait painting, circa 1820
Mail Coaches on the Road:, The 'Quicksilver' Devonport-London Royal Mail about to start with a new team (The Devonshire to London Coach), painting by Charles Cooper Henderson, 1820-1830 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mail-coaches-on-the-road-the-quicksilver-devonport-london-royal-mail-about-to-start-with-a-new-team-the-devonshire-to-london-coach-painting-by-charles-cooper-henderson-1820-1830-image398182764.htmlRM2E3PP50–Mail Coaches on the Road:, The 'Quicksilver' Devonport-London Royal Mail about to start with a new team (The Devonshire to London Coach), painting by Charles Cooper Henderson, 1820-1830
Portrait of the last remaining Otter Hound in Britain in 1812, owned by the Hon. Mr. Leslie, son of Sir Lucas Pepys. Copperplate engraving by H. R. Cook after a painting by Henry Bernard Chalon from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-last-remaining-otter-hound-in-britain-in-1812-owned-by-the-hon-mr-leslie-son-of-sir-lucas-pepys-copperplate-engraving-by-h-r-cook-after-a-painting-by-henry-bernard-chalon-from-the-sporting-magazine-or-monthly-calendar-of-the-transactions-of-the-turf-and-the-chace-john-wheble-london-1812-image362877292.htmlRM2C2ADK8–Portrait of the last remaining Otter Hound in Britain in 1812, owned by the Hon. Mr. Leslie, son of Sir Lucas Pepys. Copperplate engraving by H. R. Cook after a painting by Henry Bernard Chalon from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf and the Chace, John Wheble, London, 1812.
The Hay Wain, John Constable, 1821, landscape painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-hay-wain-john-constable-1821-landscape-painting-image238416733.htmlRMRRTPY9–The Hay Wain, John Constable, 1821, landscape painting
John Windham Dalling, Midshipman, RN, 1789-1853, portrait painting, after 1805 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-windham-dalling-midshipman-rn-1789-1853-portrait-painting-after-1805-image256567237.htmlRMTWBJ3H–John Windham Dalling, Midshipman, RN, 1789-1853, portrait painting, after 1805
Search Results for Regency era painting Stock Photos and Images (183)
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