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Repentance engraved Stock Photos and Images
the Latin word poenitentia meaning repentance engraved on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-latin-word-poenitentia-meaning-repentance-engraved-on-a-wooden-130464091.htmlRFHG747R–the Latin word poenitentia meaning repentance engraved on a wooden confessional
Lord Riverdale's Repentance: George Rescuing His Grandfather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lord-riverdales-repentance-george-rescuing-his-grandfather-image240512162.htmlRMRY87M2–Lord Riverdale's Repentance: George Rescuing His Grandfather
Penitence (Poenitentia). Artist: Engraved by Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: sheet: 3 1/8 x 3 1/16 in. (8 x 7.8 cm) trimmed just outside platemark. Date: ca. 1545-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitence-poenitentia-artist-engraved-by-enea-vico-italian-parma-1523-1567-ferrara-dimensions-sheet-3-18-x-3-116-in-8-x-78-cm-trimmed-just-outside-platemark-date-ca-1545-50-museum-metropolitan-museum-of-art-new-york-usa-image212873678.htmlRMPA96FA–Penitence (Poenitentia). Artist: Engraved by Enea Vico (Italian, Parma 1523-1567 Ferrara). Dimensions: sheet: 3 1/8 x 3 1/16 in. (8 x 7.8 cm) trimmed just outside platemark. Date: ca. 1545-50. Museum: Metropolitan Museum of Art, New York, USA.
Flesh mortification: I am a flagellate penitent, by Albrecht Dürer, year 1510 engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flesh-mortification-i-am-a-flagellate-penitent-by-albrecht-drer-year-1510-engraving-image178805179.htmlRFMAW7R7–Flesh mortification: I am a flagellate penitent, by Albrecht Dürer, year 1510 engraving
Antique 1904 illustration from The Rubaiyat of Omar Khayyam. 'Come, fill the Cup, and in the Fire of Spring, The Winter Garment of Repentance fling.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antique-1904-illustration-from-the-rubaiyat-of-omar-khayyam-come-fill-88183595.htmlRMF3D323–Antique 1904 illustration from The Rubaiyat of Omar Khayyam. 'Come, fill the Cup, and in the Fire of Spring, The Winter Garment of Repentance fling.'
Armenia. Sacrament of reconciliation. Armenian bishop confessing to a faithful. Engraving drawn by Vernier. Engraved by Pigeot. Lemaitre direxit. Engraving. 'Panorama Universal. Historia de Armenia', 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armenia-sacrament-of-reconciliation-armenian-bishop-confessing-to-a-faithful-engraving-drawn-by-vernier-engraved-by-pigeot-lemaitre-direxit-engraving-panorama-universal-historia-de-armenia-1838-image473939536.htmlRM2JF1PM0–Armenia. Sacrament of reconciliation. Armenian bishop confessing to a faithful. Engraving drawn by Vernier. Engraved by Pigeot. Lemaitre direxit. Engraving. 'Panorama Universal. Historia de Armenia', 1838.
The repentant sinful woman, painting by A Eichtler. Old 19th century engraved illustration from La Ilustración Artística 1882 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-repentant-sinful-woman-painting-by-a-eichtler-old-19th-century-engraved-illustration-from-la-ilustracin-artstica-1882-image442908466.htmlRM2GMG67E–The repentant sinful woman, painting by A Eichtler. Old 19th century engraved illustration from La Ilustración Artística 1882
Sculpture is a group of figures that represent repentance, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sculpture-is-a-group-of-figures-that-represent-repentance-vintage-line-drawing-or-engraving-illustration-image244607264.htmlRFT5XR1M–Sculpture is a group of figures that represent repentance, vintage line drawing or engraving illustration.
John begins to preach repentance to the people. John the predecessor of Jesus. Matthew book, New Testament Sacred biblical history. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-begins-to-preach-repentance-to-the-people-john-the-predecessor-of-jesus-matthew-book-new-testament-sacred-biblical-history-old-engraving-from-the-book-historia-sagrada-1920-juan-lagui-lliteras-image436239174.htmlRM2G9MBEE–John begins to preach repentance to the people. John the predecessor of Jesus. Matthew book, New Testament Sacred biblical history. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras
The Great Plague. London. Solomon Eagle exhorting the people to repentance 1665 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-great-plague-london-solomon-eagle-exhorting-the-people-to-repentance-image66215665.htmlRMDRMAN5–The Great Plague. London. Solomon Eagle exhorting the people to repentance 1665
John begins to preach repentance to the people. John the predecessor of Jesus. Matthew book, New Testament Sacred biblical history. Old engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-begins-to-preach-repentance-to-the-people-john-the-predecessor-of-jesus-matthew-book-new-testament-sacred-biblical-history-old-engraving-image342953594.htmlRM2AWXTPJ–John begins to preach repentance to the people. John the predecessor of Jesus. Matthew book, New Testament Sacred biblical history. Old engraving
Latin word on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/latin-word-on-a-wooden-confessional-image567615423.htmlRF2RYD37B–Latin word on a wooden confessional
BIBLE: Genesis 5:24 Enoch walked with God & he was not:for God took him, 1752 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bible-genesis-524-enoch-walked-with-god-he-was-notfor-god-took-him-94091723.htmlRFFD26XK–BIBLE: Genesis 5:24 Enoch walked with God & he was not:for God took him, 1752
Engraving of men addressing an audience at a formal gospel meeting in Victorian England, circa 1890 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-men-addressing-an-audience-at-a-formal-gospel-meeting-in-victorian-england-circa-1890-image438131927.htmlRM2GCPHMR–Engraving of men addressing an audience at a formal gospel meeting in Victorian England, circa 1890
Mary Magdalene on the Clouds. Mary Magdalene rubbed Jesus’ feet with salve, and thus can be recognized from her attribute, the ointment jar. While spending a long period in repentance in the desert she was lifted up to heaven by angels several times a day. Lucas’ portrayal of this event is fairly unconventional. She ascends entirely under her own steam without the angels’ help. This small print must have been widely popular early on as there are five different engraved copies of it. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-on-the-clouds-mary-magdalene-rubbed-jesus-feet-with-salve-and-thus-can-be-recognized-from-her-attribute-the-ointment-jar-while-spending-a-long-period-in-repentance-in-the-desert-she-was-lifted-up-to-heaven-by-angels-several-times-a-day-lucas-portrayal-of-this-event-is-fairly-unconventional-she-ascends-entirely-under-her-own-steam-without-the-angels-help-this-small-print-must-have-been-widely-popular-early-on-as-there-are-five-different-engraved-copies-of-it-image430952825.htmlRM2G13GM9–Mary Magdalene on the Clouds. Mary Magdalene rubbed Jesus’ feet with salve, and thus can be recognized from her attribute, the ointment jar. While spending a long period in repentance in the desert she was lifted up to heaven by angels several times a day. Lucas’ portrayal of this event is fairly unconventional. She ascends entirely under her own steam without the angels’ help. This small print must have been widely popular early on as there are five different engraved copies of it.
Engraving of the return of the prodigal son, a parable of Jesus teaching about forgiveness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-the-return-of-the-prodigal-son-a-parable-of-jesus-teaching-about-forgiveness-image491279155.htmlRM2KF7KG3–Engraving of the return of the prodigal son, a parable of Jesus teaching about forgiveness
Table of Life, designed by Merian, vintage engraved illustration. Magasin Pittoresque 1844. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-of-life-designed-by-merian-vintage-engraved-illustration-magasin-pittoresque-1844-image363141500.htmlRF2C2PEK8–Table of Life, designed by Merian, vintage engraved illustration. Magasin Pittoresque 1844.
Engraving of Nehemiah preaching to the Jews in Jerusalem about their sin of mixed marriages Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-nehemiah-preaching-to-the-jews-in-jerusalem-about-their-sin-of-mixed-marriages-image426107172.htmlRM2FN6T18–Engraving of Nehemiah preaching to the Jews in Jerusalem about their sin of mixed marriages
Micah Exhorts the Israelites to Repent Micah 6:7-8 From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/micah-exhorts-the-israelites-to-repent-micah-67-8-from-the-book-bible-gallery-illustrated-by-gustave-dore-with-memoir-of-dore-and-descriptive-letter-press-by-talbot-w-chambers-dd-published-by-cassell-company-limited-in-london-and-simultaneously-by-mame-in-tours-france-in-1866-image360900347.htmlRM2BY4C23–Micah Exhorts the Israelites to Repent Micah 6:7-8 From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866
the Latin word poenitentia meaning repentance engraved on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-latin-word-poenitentia-meaning-repentance-engraved-on-a-wooden-161169638.htmlRFKA5WEE–the Latin word poenitentia meaning repentance engraved on a wooden confessional
Lord Riverdale's Repentance: The Last Home of the Riverdales 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lord-riverdales-repentance-the-last-home-of-the-riverdales-1862-image240512173.htmlRMRY87MD–Lord Riverdale's Repentance: The Last Home of the Riverdales 1862
EL DELINCUENTE HONRADO 1787. Author: JOVELLANOS GASPAR. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/el-delincuente-honrado-1787-author-jovellanos-gaspar-location-biblioteca-nacional-coleccion-madrid-spain-image209060224.htmlRMP43ECG–EL DELINCUENTE HONRADO 1787. Author: JOVELLANOS GASPAR. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.
!["The Remorse of Judas," by E. Armitage, A.R.A., 1870. Engraving of a painting in the South Kensington Museum. '"Then Judas, which had betrayed him, when he saw that he was condemned, repented himself, and brought again the thirty pieces of silver to the chief priests and elders, saying, I have sinned in that I have betrayed the innocent blood"...very few English painters could have treated the difficult subject with the intense dramatic force, and extraordinary power of modelling, chiaroscuro, and colour which Mr. Armitage has displayed. The largeness of style characterisin Stock Photo](https://c8.alamy.com/comp/2XT31CX/quotthe-remorse-of-judasquot-by-e-armitage-ara-1870-engraving-of-a-painting-in-the-south-kensington-museum-quotthen-judas-which-had-betrayed-him-when-he-saw-that-he-was-condemned-repented-himself-and-brought-again-the-thirty-pieces-of-silver-to-the-chief-priests-and-elders-saying-i-have-sinned-in-that-i-have-betrayed-the-innocent-bloodquotvery-few-english-painters-could-have-treated-the-difficult-subject-with-the-intense-dramatic-force-and-extraordinary-power-of-modelling-chiaroscuro-and-colour-which-mr-armitage-has-displayed-the-largeness-of-style-characterisin-2XT31CX.jpg ""The Remorse of Judas," by E. Armitage, A.R.A., 1870. Engraving of a painting in the South Kensington Museum. '"Then Judas, which had betrayed him, when he saw that he was condemned, repented himself, and brought again the thirty pieces of silver to the chief priests and elders, saying, I have sinned in that I have betrayed the innocent blood"...very few English painters could have treated the difficult subject with the intense dramatic force, and extraordinary power of modelling, chiaroscuro, and colour which Mr. Armitage has displayed. The largeness of style characterisin Stock Photo")
"The Remorse of Judas," by E. Armitage, A.R.A., 1870. Engraving of a painting in the South Kensington Museum. '"Then Judas, which had betrayed him, when he saw that he was condemned, repented himself, and brought again the thirty pieces of silver to the chief priests and elders, saying, I have sinned in that I have betrayed the innocent blood"...very few English painters could have treated the difficult subject with the intense dramatic force, and extraordinary power of modelling, chiaroscuro, and colour which Mr. Armitage has displayed. The largeness of style characterisin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-remorse-of-judasquot-by-e-armitage-ara-1870-engraving-of-a-painting-in-the-south-kensington-museum-quotthen-judas-which-had-betrayed-him-when-he-saw-that-he-was-condemned-repented-himself-and-brought-again-the-thirty-pieces-of-silver-to-the-chief-priests-and-elders-saying-i-have-sinned-in-that-i-have-betrayed-the-innocent-bloodquotvery-few-english-painters-could-have-treated-the-difficult-subject-with-the-intense-dramatic-force-and-extraordinary-power-of-modelling-chiaroscuro-and-colour-which-mr-armitage-has-displayed-the-largeness-of-style-characterisin-image617181626.htmlRM2XT31CX–"The Remorse of Judas," by E. Armitage, A.R.A., 1870. Engraving of a painting in the South Kensington Museum. '"Then Judas, which had betrayed him, when he saw that he was condemned, repented himself, and brought again the thirty pieces of silver to the chief priests and elders, saying, I have sinned in that I have betrayed the innocent blood"...very few English painters could have treated the difficult subject with the intense dramatic force, and extraordinary power of modelling, chiaroscuro, and colour which Mr. Armitage has displayed. The largeness of style characterisin
confession sins Eastern Orthodoxy religious practice smoking pipe shisha talking interior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-confession-sins-eastern-orthodoxy-religious-practice-smoking-pipe-22000377.htmlRMB7P5KN–confession sins Eastern Orthodoxy religious practice smoking pipe shisha talking interior
Jona is thrown overboard by the sailors, Crispijn van de Passe (I), after Maerten de Vos, 1574 - 1637 The ship on which Jona is sailing is ravaged by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jona-is-thrown-overboard-by-the-sailors-crispijn-van-de-passe-i-after-maerten-de-vos-1574-1637-the-ship-on-which-jona-is-sailing-is-ravaged-by-image570301602.htmlRF2T3RDEA–Jona is thrown overboard by the sailors, Crispijn van de Passe (I), after Maerten de Vos, 1574 - 1637 The ship on which Jona is sailing is ravaged by
Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-and-white-engraving-cut-out-isolated-on-white-illustration-of-29903702.htmlRFBMJ6DA–Black and white engraving cut out isolated on white. Illustration of an art item exhibited at the Great London Exhibition 1851.
In a wooded landscape, in the foreground right, the prodigal son kneels at the pigs feeder. Front left two birds. A city in the distance on the far ri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-a-wooded-landscape-in-the-foreground-right-the-prodigal-son-kneels-at-the-pigs-feeder-front-left-two-birds-a-city-in-the-distance-on-the-far-ri-image488048500.htmlRF2KA0ERG–In a wooded landscape, in the foreground right, the prodigal son kneels at the pigs feeder. Front left two birds. A city in the distance on the far ri
The fish spews out Jonah on the land, Crispijn van de Passe (I), after Maerten de Vos, 1574 - 1637 After surviving three days and nights in the belly Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fish-spews-out-jonah-on-the-land-crispijn-van-de-passe-i-after-maerten-de-vos-1574-1637-after-surviving-three-days-and-nights-in-the-belly-image570296248.htmlRF2T3R6K4–The fish spews out Jonah on the land, Crispijn van de Passe (I), after Maerten de Vos, 1574 - 1637 After surviving three days and nights in the belly
Latin word on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/latin-word-on-a-wooden-confessional-image567615516.htmlRF2RYD3AM–Latin word on a wooden confessional
the Latin word poenitentia meaning repentance engraved on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-latin-word-poenitentia-meaning-repentance-engraved-on-a-wooden-130464159.htmlRFHG74A7–the Latin word poenitentia meaning repentance engraved on a wooden confessional
ALEGORIA DEL CORTESANO AMBICIOSO - GRABADO POR IOAN ANTONIO DE PAULIS - ROMA 1594. Author: GATTI ALITTENIO. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alegoria-del-cortesano-ambicioso-grabado-por-ioan-antonio-de-paulis-roma-1594-author-gatti-alittenio-location-congreso-de-los-diputados-biblioteca-madrid-spain-image219986898.htmlRMPNW7EX–ALEGORIA DEL CORTESANO AMBICIOSO - GRABADO POR IOAN ANTONIO DE PAULIS - ROMA 1594. Author: GATTI ALITTENIO. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.
MARTIN LUTHER German Christian church reformer founder Protestantism protestant 1483 1546 monk, theologian, university professor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-martin-luther-german-christian-church-reformer-founder-protestantism-15264449.htmlRFAMH4GJ–MARTIN LUTHER German Christian church reformer founder Protestantism protestant 1483 1546 monk, theologian, university professor
Homecoming of the prodigal son, Nicolaes de Bruyn, 1581 - 1656 The prodigal son kneels in rags before his father who embraces him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homecoming-of-the-prodigal-son-nicolaes-de-bruyn-1581-1656-the-prodigal-son-kneels-in-rags-before-his-father-who-embraces-him-image570304448.htmlRF2T3RH40–Homecoming of the prodigal son, Nicolaes de Bruyn, 1581 - 1656 The prodigal son kneels in rags before his father who embraces him.
Latin word on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/latin-word-on-a-wooden-confessional-image567615425.htmlRF2RYD37D–Latin word on a wooden confessional
the Latin word poenitentia meaning repentance engraved on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-latin-word-poenitentia-meaning-repentance-engraved-on-a-wooden-130464088.htmlRFHG747M–the Latin word poenitentia meaning repentance engraved on a wooden confessional
Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at 'La Ilustracion Espanola y Americana', 1885. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-or-mary-of-magdala-sometimes-the-magdalene-saint-repentant-mary-magdalene-engraving-by-perez-at-la-ilustracion-espanola-y-americana-1885-colored-image211033744.htmlRMP79BKC–Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at 'La Ilustracion Espanola y Americana', 1885. Colored.
Gad, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Gad in a Roman robe, in oval with Latin inscription. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gad-cornelis-galle-i-after-jan-van-der-straet-1613-the-prophet-gad-in-a-roman-robe-in-oval-with-latin-inscription-image570306697.htmlRF2T3RM09–Gad, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Gad in a Roman robe, in oval with Latin inscription.
Latin word on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/latin-word-on-a-wooden-confessional-image567615430.htmlRF2RYD37J–Latin word on a wooden confessional
the Latin word poenitentia meaning repentance engraved on a wooden confessional Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-latin-word-poenitentia-meaning-repentance-engraved-on-a-wooden-130464155.htmlRFHG74A3–the Latin word poenitentia meaning repentance engraved on a wooden confessional
Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at 'La Ilustracion Espanola y Americana', 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-or-mary-of-magdala-sometimes-the-magdalene-saint-repentant-mary-magdalene-engraving-by-perez-at-la-ilustracion-espanola-y-americana-1885-image210641635.htmlRMP6KFFF–Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at 'La Ilustracion Espanola y Americana', 1885.
Baptism of Christ, Abraham de Bruyn, after Gerard van Groeningen, 1583 Book illustration for the story of the baptism of Christ (Mark 1:9). Christ is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baptism-of-christ-abraham-de-bruyn-after-gerard-van-groeningen-1583-book-illustration-for-the-story-of-the-baptism-of-christ-mark-19-christ-is-image570293915.htmlRF2T3R3KR–Baptism of Christ, Abraham de Bruyn, after Gerard van Groeningen, 1583 Book illustration for the story of the baptism of Christ (Mark 1:9). Christ is
Saint Jerome in Penitence. Dated: c. 1500/1515. Dimensions: sheet (trimmed to plate mark): 21.4 x 17 cm (8 7/16 x 6 11/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-jerome-in-penitence-dated-c-15001515-dimensions-sheet-trimmed-to-plate-mark-214-x-17-cm-8-716-x-6-1116-in-medium-engraving-museum-national-gallery-of-art-washington-dc-author-italian-16th-century-image225705600.htmlRMR35NP8–Saint Jerome in Penitence. Dated: c. 1500/1515. Dimensions: sheet (trimmed to plate mark): 21.4 x 17 cm (8 7/16 x 6 11/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.
Hananiah, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Hananiah seen from his back, in oval with Latin inscription. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hananiah-cornelis-galle-i-after-jan-van-der-straet-1613-the-prophet-hananiah-seen-from-his-back-in-oval-with-latin-inscription-image570302503.htmlRF2T3REJF–Hananiah, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Hananiah seen from his back, in oval with Latin inscription.
Joan Serra, conocido como 'La Pera' (m.1815). Bandolero catalán. El bandido Serra rezando después de sus asesinatos, en la Iglesia del Carmen de Valls, Cataluña. Grabado. Historia de las Escuadras de Cataluña, intercalada con la vida y hechos de los más célebres ladrones y bandoleros. Por José Ortega y Espinós. Barcelona, 1876. Biblioteca Histórico Militar de Barcelona. Cataluña. España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joan-serra-conocido-como-la-pera-m1815-bandolero-cataln-el-bandido-serra-rezando-despus-de-sus-asesinatos-en-la-iglesia-del-carmen-de-valls-catalua-grabado-historia-de-las-escuadras-de-catalua-intercalada-con-la-vida-y-hechos-de-los-ms-clebres-ladrones-y-bandoleros-por-jos-ortega-y-espins-barcelona-1876-biblioteca-histrico-militar-de-barcelona-catalua-espaa-image243109508.htmlRMT3EGJC–Joan Serra, conocido como 'La Pera' (m.1815). Bandolero catalán. El bandido Serra rezando después de sus asesinatos, en la Iglesia del Carmen de Valls, Cataluña. Grabado. Historia de las Escuadras de Cataluña, intercalada con la vida y hechos de los más célebres ladrones y bandoleros. Por José Ortega y Espinós. Barcelona, 1876. Biblioteca Histórico Militar de Barcelona. Cataluña. España.
The Prodigal Son Comes Home, Abraham de Bruyn, after Crispijn van den Broeck, 1583 Book illustration accompanying the story of the parable of the Prod Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prodigal-son-comes-home-abraham-de-bruyn-after-crispijn-van-den-broeck-1583-book-illustration-accompanying-the-story-of-the-parable-of-the-prod-image570297135.htmlRF2T3R7PR–The Prodigal Son Comes Home, Abraham de Bruyn, after Crispijn van den Broeck, 1583 Book illustration accompanying the story of the parable of the Prod
John the Baptist. Itinerant preacher. San Juan taking leave of his family to do penance in the desert. Engraving taken from a tapestry of the Teatro Real in Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-the-baptist-itinerant-preacher-san-juan-taking-leave-of-his-family-to-do-penance-in-the-desert-engraving-taken-from-a-tapestry-of-the-teatro-real-in-madrid-spain-image220196203.htmlRMPP6PE3–John the Baptist. Itinerant preacher. San Juan taking leave of his family to do penance in the desert. Engraving taken from a tapestry of the Teatro Real in Madrid. Spain.
Jeremiah, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Jeremiah in oval with Latin edge writing. He has folded his hands in prayer, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeremiah-cornelis-galle-i-after-jan-van-der-straet-1613-the-prophet-jeremiah-in-oval-with-latin-edge-writing-he-has-folded-his-hands-in-prayer-image570301387.htmlRF2T3RD6K–Jeremiah, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Jeremiah in oval with Latin edge writing. He has folded his hands in prayer,
Un Auto de Fe. Grabado a partir de un cuadro de F. Reiff. La Ilustración. Revista Hispano-Americana,1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/un-auto-de-fe-grabado-a-partir-de-un-cuadro-de-f-reiff-la-ilustracin-revista-hispano-americana1884-image362241068.htmlRM2C19E50–Un Auto de Fe. Grabado a partir de un cuadro de F. Reiff. La Ilustración. Revista Hispano-Americana,1884.
Zefanja, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Zefanja, in oval with Latin edge writing. Zephaniah wears a turban. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zefanja-cornelis-galle-i-after-jan-van-der-straet-1613-the-prophet-zefanja-in-oval-with-latin-edge-writing-zephaniah-wears-a-turban-image570300781.htmlRF2T3RCD1–Zefanja, Cornelis Galle (I), after Jan van der Straet, 1613 The prophet Zefanja, in oval with Latin edge writing. Zephaniah wears a turban.
Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Dore. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-or-mary-of-magdala-sometimes-the-magdalene-saint-repentant-mary-magdalene-engraving-by-dore-image210641634.htmlRMP6KFFE–Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Dore.
Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Dore. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-or-mary-of-magdala-sometimes-the-magdalene-saint-repentant-mary-magdalene-engraving-by-dore-colored-image211033742.htmlRMP79BKA–Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Dore. Colored.
Armenia. Sacramento de la reconciliación. Obispo armenio confesando a un fiel. Grabado por Vernier. Lemaitre Direxit. Panorama Universal. Historia de Armenia, 1838. Biblioteca Histórico Militar de Barcelona. Cataluña. España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armenia-sacramento-de-la-reconciliacin-obispo-armenio-confesando-a-un-fiel-grabado-por-vernier-lemaitre-direxit-panorama-universal-historia-de-armenia-1838-biblioteca-histrico-militar-de-barcelona-catalua-espaa-image331677963.htmlRM2A7H6HF–Armenia. Sacramento de la reconciliación. Obispo armenio confesando a un fiel. Grabado por Vernier. Lemaitre Direxit. Panorama Universal. Historia de Armenia, 1838. Biblioteca Histórico Militar de Barcelona. Cataluña. España.
St. Jerome in Penitence. Unknown Artist; Italian, 15th-16th centuries. Date: 1495-1505. Dimensions: 219 x 168 mm. Engraving printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-jerome-in-penitence-unknown-artist-italian-15th-16th-centuries-date-1495-1505-dimensions-219-x-168-mm-engraving-printed-in-black-on-paper-origin-italy-museum-the-chicago-art-institute-image239874220.htmlRMRX760C–St. Jerome in Penitence. Unknown Artist; Italian, 15th-16th centuries. Date: 1495-1505. Dimensions: 219 x 168 mm. Engraving printed in black on paper. Origin: Italy. Museum: The Chicago Art Institute.
![Saint Jerome in Penitence, with Two Ships in a Harbor. Dated: c. 1480/1500. Dimensions: sheet: 20.1 x 28 cm (7 15/16 x 11 in.). Medium: engraving [restrike, probably late 18th century impression]. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century. Stock Photo](https://c8.alamy.com/comp/R307P0/saint-jerome-in-penitence-with-two-ships-in-a-harbor-dated-c-14801500-dimensions-sheet-201-x-28-cm-7-1516-x-11-in-medium-engraving-restrike-probably-late-18th-century-impression-museum-national-gallery-of-art-washington-dc-author-italian-15th-century-R307P0.jpg "Saint Jerome in Penitence, with Two Ships in a Harbor. Dated: c. 1480/1500. Dimensions: sheet: 20.1 x 28 cm (7 15/16 x 11 in.). Medium: engraving [restrike, probably late 18th century impression]. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century. Stock Photo")
Saint Jerome in Penitence, with Two Ships in a Harbor. Dated: c. 1480/1500. Dimensions: sheet: 20.1 x 28 cm (7 15/16 x 11 in.). Medium: engraving [restrike, probably late 18th century impression]. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-jerome-in-penitence-with-two-ships-in-a-harbor-dated-c-14801500-dimensions-sheet-201-x-28-cm-7-1516-x-11-in-medium-engraving-restrike-probably-late-18th-century-impression-museum-national-gallery-of-art-washington-dc-author-italian-15th-century-image225584856.htmlRMR307P0–Saint Jerome in Penitence, with Two Ships in a Harbor. Dated: c. 1480/1500. Dimensions: sheet: 20.1 x 28 cm (7 15/16 x 11 in.). Medium: engraving [restrike, probably late 18th century impression]. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century.
Convicted heretic before the Inquisition wearing a sambenito. Engraving. 1692. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/convicted-heretic-before-the-inquisition-wearing-a-sambenito-engraving-1692-image211066825.htmlRMP7AWTW–Convicted heretic before the Inquisition wearing a sambenito. Engraving. 1692.
Convicted heretic before the Inquisition wearing a samarra. Engraving. 1692. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/convicted-heretic-before-the-inquisition-wearing-a-samarra-engraving-1692-image211066798.htmlRMP7AWRX–Convicted heretic before the Inquisition wearing a samarra. Engraving. 1692.
The Penitence of Saint Peter. Artist: Jacob Männl (German, Carlsbad 1654-1712 Vienna); After Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples); Intermediary draughtsman Christoph Lauch (Austrian, 1618-1702). Dimensions: Sheet: 12 1/2 × 16 1/4 in. (31.7 × 41.2 cm). Date: 1675-1700. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-penitence-of-saint-peter-artist-jacob-mnnl-german-carlsbad-1654-1712-vienna-after-jusepe-de-ribera-called-lo-spagnoletto-spanish-jtiva-1591-1652-naples-intermediary-draughtsman-christoph-lauch-austrian-1618-1702-dimensions-sheet-12-12-16-14-in-317-412-cm-date-1675-1700-museum-metropolitan-museum-of-art-new-york-usa-image213150594.htmlRMPANRN6–The Penitence of Saint Peter. Artist: Jacob Männl (German, Carlsbad 1654-1712 Vienna); After Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples); Intermediary draughtsman Christoph Lauch (Austrian, 1618-1702). Dimensions: Sheet: 12 1/2 × 16 1/4 in. (31.7 × 41.2 cm). Date: 1675-1700. Museum: Metropolitan Museum of Art, New York, USA.
Nuevo Testamento. Jesús en la casa del fariseo. Grabado a partir de un cuadro de W. Lawson. La Ilustración Española y Americana, 22 de marzo de 1882. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nuevo-testamento-jess-en-la-casa-del-fariseo-grabado-a-partir-de-un-cuadro-de-w-lawson-la-ilustracin-espaola-y-americana-22-de-marzo-de-1882-image248737747.htmlRMTCJYEY–Nuevo Testamento. Jesús en la casa del fariseo. Grabado a partir de un cuadro de W. Lawson. La Ilustración Española y Americana, 22 de marzo de 1882.
Joseph's banquet in honor of his brothers. Book of Genesis. Chapter 43. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josephs-banquet-in-honor-of-his-brothers-book-of-genesis-chapter-43-engraving-image211067462.htmlRMP7AXKJ–Joseph's banquet in honor of his brothers. Book of Genesis. Chapter 43. Engraving.
Convicted heretic before the Inquisition wearing a Fuego Revolto. Engraving. 1692. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/convicted-heretic-before-the-inquisition-wearing-a-fuego-revolto-engraving-1692-image211066861.htmlRMP7AWX5–Convicted heretic before the Inquisition wearing a Fuego Revolto. Engraving. 1692.
Joseph's banquet in honor of his brothers. Book of Genesis. Chapter 43. Engraving. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josephs-banquet-in-honor-of-his-brothers-book-of-genesis-chapter-43-engraving-colored-image211443469.htmlRMP8028D–Joseph's banquet in honor of his brothers. Book of Genesis. Chapter 43. Engraving. Colored.
Convicted heretic before the Inquisition wearing a Fuego Revolto. Engraving. 1692. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/convicted-heretic-before-the-inquisition-wearing-a-fuego-revolto-engraving-1692-colored-image211199035.htmlRMP7GXEK–Convicted heretic before the Inquisition wearing a Fuego Revolto. Engraving. 1692. Colored.
Louis II of Flanders (1330-1384). Count of Flanders. Deputies of the Burghers of Ghent in revolt against their sovereign, Louis II of Flanders, come to beg him to pardon them and to return to their town, 1379. Engraving after a miniature from 'Froissart'. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-ii-of-flanders-1330-1384-count-of-flanders-deputies-of-the-burghers-of-ghent-in-revolt-against-their-sovereign-louis-ii-of-flanders-come-to-beg-him-to-pardon-them-and-to-return-to-their-town-1379-engraving-after-a-miniature-from-froissart-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image603029141.htmlRM2X129R1–Louis II of Flanders (1330-1384). Count of Flanders. Deputies of the Burghers of Ghent in revolt against their sovereign, Louis II of Flanders, come to beg him to pardon them and to return to their town, 1379. Engraving after a miniature from 'Froissart'. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
The Hour of Death. The sinner, at the point of death, with his sins staring him in the face, turns away from then to listen, but too late, to the advice of his good angel. His conscience, black by his faults, reminds him of the whole number of them. Remorse, like a serpent, devours his heart. Suspended in the midst of hell, a monster spewing flames and waiting to seize him, and God who with his right hand threatens with his righteousness and with his left hand testifies his desire to show mercy. Engraving after an allegorical miniature at the beginning of the 'Service for the Dead' in a 'Liber Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hour-of-death-the-sinner-at-the-point-of-death-with-his-sins-staring-him-in-the-face-turns-away-from-then-to-listen-but-too-late-to-the-advice-of-his-good-angel-his-conscience-black-by-his-faults-reminds-him-of-the-whole-number-of-them-remorse-like-a-serpent-devours-his-heart-suspended-in-the-midst-of-hell-a-monster-spewing-flames-and-waiting-to-seize-him-and-god-who-with-his-right-hand-threatens-with-his-righteousness-and-with-his-left-hand-testifies-his-desire-to-show-mercy-engraving-after-an-allegorical-miniature-at-the-beginning-of-the-service-for-the-dead-in-a-liber-image593301106.htmlRM2WD75H6–The Hour of Death. The sinner, at the point of death, with his sins staring him in the face, turns away from then to listen, but too late, to the advice of his good angel. His conscience, black by his faults, reminds him of the whole number of them. Remorse, like a serpent, devours his heart. Suspended in the midst of hell, a monster spewing flames and waiting to seize him, and God who with his right hand threatens with his righteousness and with his left hand testifies his desire to show mercy. Engraving after an allegorical miniature at the beginning of the 'Service for the Dead' in a 'Liber
New Testament. Gospel of Luke. Chapter XVIII. Parable of the Pharisee and the Publican. Gustave Dore's drawing. Engraving 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-testament-gospel-of-luke-chapter-xviii-parable-of-the-pharisee-and-the-publican-gustave-dores-drawing-engraving-19th-century-image220155654.htmlRMPP4XNX–New Testament. Gospel of Luke. Chapter XVIII. Parable of the Pharisee and the Publican. Gustave Dore's drawing. Engraving 19th century.
New Testament. Gospel of Luke. Chapter XVIII. Parable of the Pharisee and the Publican. Gustave Dore's drawing. Engraving 19th century. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-testament-gospel-of-luke-chapter-xviii-parable-of-the-pharisee-and-the-publican-gustave-dores-drawing-engraving-19th-century-colored-image220197108.htmlRMPP6RJC–New Testament. Gospel of Luke. Chapter XVIII. Parable of the Pharisee and the Publican. Gustave Dore's drawing. Engraving 19th century. Colored.
España. Toledo. Semana Santa. Procesión del Jueves Santo: El Cristo de las Aguas. Grabado. La Ilustración Española y Americana, 8 de abril de 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/espaa-toledo-semana-santa-procesin-del-jueves-santo-el-cristo-de-las-aguas-grabado-la-ilustracin-espaola-y-americana-8-de-abril-de-1884-image328228732.htmlRM2A2032M–España. Toledo. Semana Santa. Procesión del Jueves Santo: El Cristo de las Aguas. Grabado. La Ilustración Española y Americana, 8 de abril de 1884.
The Return of the Prodigal Son. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1505-1515. Dimensions: 179 x 244 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-return-of-the-prodigal-son-lucas-van-leyden-netherlandish-1494-1533-date-1505-1515-dimensions-179-x-244-mm-imagesheet-trimmed-within-plate-mark-engraving-in-black-on-cream-laid-paper-origin-netherlands-museum-the-chicago-art-institute-image239740543.htmlRMRX13E7–The Return of the Prodigal Son. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1505-1515. Dimensions: 179 x 244 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute.
United States, Pennsylvania, Philadelphia. The State Penitentiary. It was built between 1823-1836 after the designs of the architect John Haviland (1792-1852) and opened in an unfinished state in 1829. Engraving by Traversier. Panorama Universal. History of the United States of America, from 1st edition of Jean B.G. Roux de Rochelle's Etats-Unis d'Amérique in 1837. Spanish edition, printed in Barcelona, 1850. Later colouration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-states-pennsylvania-philadelphia-the-state-penitentiary-it-was-built-between-1823-1836-after-the-designs-of-the-architect-john-haviland-1792-1852-and-opened-in-an-unfinished-state-in-1829-engraving-by-traversier-panorama-universal-history-of-the-united-states-of-america-from-1st-edition-of-jean-bg-roux-de-rochelles-etats-unis-damrique-in-1837-spanish-edition-printed-in-barcelona-1850-later-colouration-image437275725.htmlRM2GBBHJ5–United States, Pennsylvania, Philadelphia. The State Penitentiary. It was built between 1823-1836 after the designs of the architect John Haviland (1792-1852) and opened in an unfinished state in 1829. Engraving by Traversier. Panorama Universal. History of the United States of America, from 1st edition of Jean B.G. Roux de Rochelle's Etats-Unis d'Amérique in 1837. Spanish edition, printed in Barcelona, 1850. Later colouration.
Spain. Siege of Zaragoza, also called First Siege of Zaragoza (542) by the Frankish king Childebert I (496-558) with the help of his brother Chlothar I (c. 497-561), the Old. He was forced to retreat. Engraving by Rafael del Castillo. 'Historia de Espana Ilustrada', 1871. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-siege-of-zaragoza-also-called-first-siege-of-zaragoza-542-by-the-frankish-king-childebert-i-496-558-with-the-help-of-his-brother-chlothar-i-c-497-561-the-old-he-was-forced-to-retreat-engraving-by-rafael-del-castillo-historia-de-espana-ilustrada-1871-image211163137.htmlRMP7F8MH–Spain. Siege of Zaragoza, also called First Siege of Zaragoza (542) by the Frankish king Childebert I (496-558) with the help of his brother Chlothar I (c. 497-561), the Old. He was forced to retreat. Engraving by Rafael del Castillo. 'Historia de Espana Ilustrada', 1871.
Joan of Arc or The Maid of Orleans. Folk heroine of France and a Roman Catholic saint. She led the French army to several important victories against England during the Hundred Years' War, which paved the way for the coronation of Charles VII of France. She was burned at the stake for heresy. Engraving by R. Brend'Amour. 'La Ilustracion Iberica', 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joan-of-arc-or-the-maid-of-orleans-folk-heroine-of-france-and-a-roman-catholic-saint-she-led-the-french-army-to-several-important-victories-against-england-during-the-hundred-years-war-which-paved-the-way-for-the-coronation-of-charles-vii-of-france-she-was-burned-at-the-stake-for-heresy-engraving-by-r-brendamour-la-ilustracion-iberica-1885-image220196447.htmlRMPP6PPR–Joan of Arc or The Maid of Orleans. Folk heroine of France and a Roman Catholic saint. She led the French army to several important victories against England during the Hundred Years' War, which paved the way for the coronation of Charles VII of France. She was burned at the stake for heresy. Engraving by R. Brend'Amour. 'La Ilustracion Iberica', 1885.
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence. Artist: Anonymous, Netherlandish, 15th century; Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); Anonymous, German, Cologne, 15th century. Dimensions: Overall: 10 1/4 x 8 1/16 x 1/2 in. (26 x 20.4 x 1.3 cm). Date: late 15th century. This fascinating album provides vivid testimony to the way in which prints were used in the fifteenth century. Twelve outstanding early impressions of Israhel van Meckenem's engravings of the Passion are interleaved wi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-artist-anonymous-netherlandish-15th-century-israhel-van-meckenem-german-meckenem-ca-144045-1503-bocholt-anonymous-german-cologne-15th-century-dimensions-overall-10-14-x-8-116-x-12-in-26-x-204-x-13-cm-date-late-15th-century-this-fascinating-album-provides-vivid-testimony-to-the-way-in-which-prints-were-used-in-the-fifteenth-century-twelve-outstanding-early-impressions-of-israhel-van-meckenems-engravings-of-the-passion-are-interleaved-wi-image213167028.htmlRMPAPGM4–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence. Artist: Anonymous, Netherlandish, 15th century; Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); Anonymous, German, Cologne, 15th century. Dimensions: Overall: 10 1/4 x 8 1/16 x 1/2 in. (26 x 20.4 x 1.3 cm). Date: late 15th century. This fascinating album provides vivid testimony to the way in which prints were used in the fifteenth century. Twelve outstanding early impressions of Israhel van Meckenem's engravings of the Passion are interleaved wi
