Roman noblewoman - female costume from 14th century, shown wearing white headdress, long pink dress and light blue coat. c. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-noblewoman-female-costume-from-14th-century-shown-wearing-white-83330781.html
RMERG179–Roman noblewoman - female costume from 14th century, shown wearing white headdress, long pink dress and light blue coat. c.
Cenci, Beatrice (Rome, 1577-1599). Roman noblewoman. Murdered his father and she was sentenced to the gallows by Clemente VIII. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cenci-beatrice-rome-1577-1599-roman-noblewoman-murdered-his-father-34008514.html
RMBY965P–Cenci, Beatrice (Rome, 1577-1599). Roman noblewoman. Murdered his father and she was sentenced to the gallows by Clemente VIII.
Cecily, circa 200 - 22.11.230, Roman noblewoman, saint, allegory, steel engraving by Fohrberg after painting by Raphael (1483 - 1520), , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cecily-circa-200-2211230-roman-noblewoman-saint-allegory-steel-engraving-27952121.html
RMBHD961–Cecily, circa 200 - 22.11.230, Roman noblewoman, saint, allegory, steel engraving by Fohrberg after painting by Raphael (1483 - 1520), , Artist's Copyright has not to be cleared
Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-agrippina-the-elder-14-bc-33-ad-roman-noblewoman-bust-marble-1st-century-70210432.html
RME26A3C–Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey).
Agripina the Elder (Vipsania Arippina), 14 B.C. - 33 A.D., Roman noblewoman, portrait, bust, 1st century BC, marble, Museo Capitolino, Rome, Albani Collection, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-agripina-the-elder-vipsania-arippina-14-bc-33-ad-roman-noblewoman-19851539.html
RMB488RF–Agripina the Elder (Vipsania Arippina), 14 B.C. - 33 A.D., Roman noblewoman, portrait, bust, 1st century BC, marble, Museo Capitolino, Rome, Albani Collection,
Beatrice Cenci, 1577 – 1599. Young Roman noblewoman who murdered her father, Count Francesco Cenci. She was condemned and beheaded for the crime in 1599. From International Library of Famous Literature, published c.1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beatrice-cenci-1577-1599-young-roman-noblewoman-who-murdered-her-father-image156170148.html
RMK224H8–Beatrice Cenci, 1577 – 1599. Young Roman noblewoman who murdered her father, Count Francesco Cenci. She was condemned and beheaded for the crime in 1599. From International Library of Famous Literature, published c.1900
Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, woodcut after Antonio da Trento, 16th century, religion, christianity, music, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cecily-circa-200-2211230-roman-noblewoman-saint-woodcut-after-antonio-image8036086.html
RMAG1DK7–Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, woodcut after Antonio da Trento, 16th century, religion, christianity, music, ,
Statue of Hispano-Roman noblewoman Palliata. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-hispano-roman-noblewoman-palliata-image352824332.html
RM2BE0F10–Statue of Hispano-Roman noblewoman Palliata.
Cecilia, circa 200 - 22.11.230, Roman noblewoman, Saint, at the organ, stained glass painting, Kaufbeuren, circa 1800, Bavarian National Museum, Munich, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cecilia-circa-200-2211230-roman-noblewoman-saint-at-the-organ-stained-11918412.html
RMA7WE3W–Cecilia, circa 200 - 22.11.230, Roman noblewoman, Saint, at the organ, stained glass painting, Kaufbeuren, circa 1800, Bavarian National Museum, Munich, ,
Portrait of the Roman noblewoman Beatrice Cenci, print maker: Charles Louis Bazin, (mentioned on object), after: Guido Reni, (mentioned on object), printer: François Jean Villain, (mentioned on object), Paris, 1833, paper, h 500 mm × w 368 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-roman-noblewoman-beatrice-cenci-print-maker-charles-louis-bazin-mentioned-on-object-after-guido-reni-mentioned-on-object-printer-franois-jean-villain-mentioned-on-object-paris-1833-paper-h-500-mm-w-368-mm-image473369928.html
RM2JE3T4T–Portrait of the Roman noblewoman Beatrice Cenci, print maker: Charles Louis Bazin, (mentioned on object), after: Guido Reni, (mentioned on object), printer: François Jean Villain, (mentioned on object), Paris, 1833, paper, h 500 mm × w 368 mm
Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, playing the spinet, engraving after Carlo Dolce (1616 - 1686), religion, christianity, music, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cecily-circa-200-2211230-roman-noblewoman-saint-playing-the-spinet-image8036102.html
RMAG1DM7–Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, playing the spinet, engraving after Carlo Dolce (1616 - 1686), religion, christianity, music, ,
Beatrice Cenci, 1577 – 1599. Roman noblewoman who along with other members of her family was executed for the murder of her abusive father, Count Francesco Cenci. After an engraving by Giovita Garavaglia from a painting, by Guido Reni. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beatrice-cenci-1577-1599-roman-noblewoman-who-along-with-other-members-of-her-family-was-executed-for-the-murder-of-her-abusive-father-count-francesco-cenci-after-an-engraving-by-giovita-garavaglia-from-a-painting-by-guido-reni-image428930663.html
RM2FWRDC7–Beatrice Cenci, 1577 – 1599. Roman noblewoman who along with other members of her family was executed for the murder of her abusive father, Count Francesco Cenci. After an engraving by Giovita Garavaglia from a painting, by Guido Reni.
Julia 39bc 14ad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/julia-39bc-14ad-image6565223.html
RMA67TP8–Julia 39bc 14ad
Costume of an ancient Roman noblewoman. She wears a hyacinth or red tunic, long toga, pallium or small cape, and sandals. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-an-ancient-roman-noblewoman-she-wears-a-hyacinth-or-red-tunic-long-toga-pallium-or-small-cape-and-sandals-within-a-decorative-frame-engraved-by-h-catenacci-and-fellmann-woodblock-engraving-by-gerard-seguin-and-ef-huyot-after-a-woodcut-by-christoph-krieger-from-cesare-vecellios-16th-century-costumes-anciens-et-modernes-habiti-antichi-et-moderni-di-tutto-il-mondo-firman-didot-ferris-fils-paris-1859-1860-image571823105.html
RM2T68P5N–Costume of an ancient Roman noblewoman. She wears a hyacinth or red tunic, long toga, pallium or small cape, and sandals. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.
Costume of Perna Savelli, Roman noblewoman, 14th century. Wife of Luc Savelli, she was mother to Pope Honorius. In white veil, blue mantle, plain long robe, black shoes. From her effigy in the Basilica of Santa Sabina, Rome, 1315. Dame Noble Romaine, XIVe siecle. Handcoloured woodcut engraving by At. Pannemaker from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-perna-savelli-roman-noblewoman-14th-century-wife-of-luc-savelli-she-was-mother-to-pope-honorius-in-white-veil-blue-mantle-plain-long-robe-black-shoes-from-her-effigy-in-the-basilica-of-santa-sabina-rome-1315-dame-noble-romaine-xive-siecle-handcoloured-woodcut-engraving-by-at-pannemaker-from-jacques-joseph-van-beverens-costume-du-moyen-age-medieval-costume-librairie-historique-artistique-brussels-1847-image575922295.html
RM2TCYENB–Costume of Perna Savelli, Roman noblewoman, 14th century. Wife of Luc Savelli, she was mother to Pope Honorius. In white veil, blue mantle, plain long robe, black shoes. From her effigy in the Basilica of Santa Sabina, Rome, 1315. Dame Noble Romaine, XIVe siecle. Handcoloured woodcut engraving by At. Pannemaker from Jacques Joseph van Beveren’s Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
Beatrice Cenci; 6 February 1577 – 11 September 1599 was a young Roman noblewoman who murdered her father, Count Francesco Cenci, / Beatrice Cenci; 6. Februar 1577 - 11. September 1599 war eine junge römische Adlige, die ihren Vater, Graf Francesco Cenci, ermordete, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beatrice-cenci-6-february-1577-11-september-1599-was-a-young-roman-noblewoman-who-murdered-her-father-count-francesco-cenci-beatrice-cenci-6-februar-1577-11-september-1599-war-eine-junge-rmische-adlige-die-ihren-vater-graf-francesco-cenci-ermordete-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image339957864.html
RF2AN2BM8–Beatrice Cenci; 6 February 1577 – 11 September 1599 was a young Roman noblewoman who murdered her father, Count Francesco Cenci, / Beatrice Cenci; 6. Februar 1577 - 11. September 1599 war eine junge römische Adlige, die ihren Vater, Graf Francesco Cenci, ermordete, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
Costume of an ancient Roman noblewoman. She wears a hyacinth or red tunic, long toga, pallium or small cape, and sandals. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellio’s 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-an-ancient-roman-noblewoman-she-wears-a-hyacinth-or-red-tunic-long-toga-pallium-or-small-cape-and-sandals-within-a-decorative-frame-engraved-by-h-catenacci-and-fellmann-woodblock-engraving-by-gerard-seguin-and-ef-huyot-after-a-woodcut-by-christoph-krieger-from-cesare-vecellios-16th-century-costumes-anciens-et-modernes-habiti-antichi-et-moderni-di-tutto-il-mondo-firman-didot-ferris-fils-paris-1859-1860-image383385698.html
RM2D7MMAA–Costume of an ancient Roman noblewoman. She wears a hyacinth or red tunic, long toga, pallium or small cape, and sandals. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellio’s 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.
Beatrice Cenci; 6 February 1577 – 11 September 1599 was a young Roman noblewoman who murdered her father, Count Francesco Cenci, digital improved reproduction of an original print from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beatrice-cenci-6-february-1577-11-september-1599-was-a-young-roman-noblewoman-who-murdered-her-father-count-francesco-cenci-digital-improved-reproduction-of-an-original-print-from-the-year-1900-image212343024.html
RFP9D1KC–Beatrice Cenci; 6 February 1577 – 11 September 1599 was a young Roman noblewoman who murdered her father, Count Francesco Cenci, digital improved reproduction of an original print from the year 1900
The Story of Lucretia, c. 1530. The tribulations of the Roman noblewoman Lucretia, a well-known story from classical antiquity, is represented here in a northern setting. Assaulted in the background by Tarquinius, she is sorrowful in the foreground. At her side are her two brothers who will seek revenge. The style is closely related to panel paintings by a distinct yet anonymous master whose best-known work is the triptych commissioned around 1526 by Jacob Kanis of Nijmegen and now housed in the museum Commanderie van Sint Jan of that city. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-story-of-lucretia-c-1530-the-tribulations-of-the-roman-noblewoman-lucretia-a-well-known-story-from-classical-antiquity-is-represented-here-in-a-northern-setting-assaulted-in-the-background-by-tarquinius-she-is-sorrowful-in-the-foreground-at-her-side-are-her-two-brothers-who-will-seek-revenge-the-style-is-closely-related-to-panel-paintings-by-a-distinct-yet-anonymous-master-whose-best-known-work-is-the-triptych-commissioned-around-1526-by-jacob-kanis-of-nijmegen-and-now-housed-in-the-museum-commanderie-van-sint-jan-of-that-city-image330130519.html
RM2A52MRK–The Story of Lucretia, c. 1530. The tribulations of the Roman noblewoman Lucretia, a well-known story from classical antiquity, is represented here in a northern setting. Assaulted in the background by Tarquinius, she is sorrowful in the foreground. At her side are her two brothers who will seek revenge. The style is closely related to panel paintings by a distinct yet anonymous master whose best-known work is the triptych commissioned around 1526 by Jacob Kanis of Nijmegen and now housed in the museum Commanderie van Sint Jan of that city.
Halftone of the Roman noblewoman Cornelia (daughter of statesman Publius Cornelius Scipio and the mother of Tiberius and Caius Gracchi) explaining to a visitor that her sons were her jewels. Both boys grew up to be statesmen who fought for more rights for the people. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halftone-of-the-roman-noblewoman-cornelia-daughter-of-statesman-publius-cornelius-scipio-and-the-mother-of-tiberius-and-caius-gracchi-explaining-to-a-visitor-that-her-sons-were-her-jewels-both-boys-grew-up-to-be-statesmen-who-fought-for-more-rights-for-the-people-image491537718.html
RM2KFKDAE–Halftone of the Roman noblewoman Cornelia (daughter of statesman Publius Cornelius Scipio and the mother of Tiberius and Caius Gracchi) explaining to a visitor that her sons were her jewels. Both boys grew up to be statesmen who fought for more rights for the people.
The death of Sophonisba. Sophonisba, Carthaginian noblewoman who poisoned herself rather than be humiliated in a Roman triumph. From Cassell's Illustrated Universal History, published 1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-sophonisba-sophonisba-carthaginian-noblewoman-who-poisoned-herself-rather-than-be-humiliated-in-a-roman-triumph-from-cassells-illustrated-universal-history-published-1883-image443172553.html
RM2GN0735–The death of Sophonisba. Sophonisba, Carthaginian noblewoman who poisoned herself rather than be humiliated in a Roman triumph. From Cassell's Illustrated Universal History, published 1883.
Sophonisba, Sophonisbe, Sophoniba, a Carthaginian noblewoman who lived during the Second Punic War, the story of the ancient Rome, roman Empire, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sophonisba-sophonisbe-sophoniba-a-carthaginian-noblewoman-who-lived-128461683.html
RFHCYX57–Sophonisba, Sophonisbe, Sophoniba, a Carthaginian noblewoman who lived during the Second Punic War, the story of the ancient Rome, roman Empire, Italy
Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-agrippina-the-elder-14-bc-33-ad-roman-noblewoman-bust-marble-1st-century-70210074.html
RME269JJ–Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey).
Roman Noblewoman 1542-45 by Lambert Sustris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-noblewoman-1542-45-by-lambert-sustris-image574101091.html
RM2TA0FPB–Roman Noblewoman 1542-45 by Lambert Sustris
Palliata. Hispano-Roman noblewoman. Late 1st-early 2nd century AD. Marble. From the Forum of Medina Sidona (Cadiz province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palliata-hispano-roman-noblewoman-late-1st-early-2nd-century-ad-marble-from-the-forum-of-medina-sidona-cadiz-province-andalusia-spain-national-archaeological-museum-madrid-spain-image245407249.html
RMT777CH–Palliata. Hispano-Roman noblewoman. Late 1st-early 2nd century AD. Marble. From the Forum of Medina Sidona (Cadiz province, Andalusia, Spain). National Archaeological Museum. Madrid. Spain.
Portrait of Vittoria Colonna, marchioness of Pescara, was an Italian noblewoman and poet. By Sebastiano del Piombo (1485-1547) Italian painter of the High Renaissance and early Mannerist periods famous for his combination of the colours of the Venetian school and the monumental forms of the Roman school. Dated 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-vittoria-colonna-marchioness-of-pescara-was-an-italian-noblewoman-and-poet-by-sebastiano-del-piombo-1485-1547-italian-painter-of-the-high-renaissance-and-early-mannerist-periods-famous-for-his-combination-of-the-colours-of-the-venetian-school-and-the-monumental-forms-of-the-roman-school-dated-16th-century-image257287658.html
RMTXGD0X–Portrait of Vittoria Colonna, marchioness of Pescara, was an Italian noblewoman and poet. By Sebastiano del Piombo (1485-1547) Italian painter of the High Renaissance and early Mannerist periods famous for his combination of the colours of the Venetian school and the monumental forms of the Roman school. Dated 16th Century
Agrippina the Elder (14 BC-33). Roman noblewoman, granddaughter of Augustus. Wife of General Germanicus and mother of Emperor Caligula. Bust of Agrippina as hellenistic deity but with fashionable hairstyle. Marble. Early of the Roman Empire. Roman-Germanic Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-agrippina-the-elder-14-bc-33-roman-noblewoman-granddaughter-of-augustus-175616213.html
RMM5M07H–Agrippina the Elder (14 BC-33). Roman noblewoman, granddaughter of Augustus. Wife of General Germanicus and mother of Emperor Caligula. Bust of Agrippina as hellenistic deity but with fashionable hairstyle. Marble. Early of the Roman Empire. Roman-Germanic Museum. Cologne. Germany.
Inspired by Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-noblewoman-encaustic-on-wood-egypt-ca-150-ce-roman-period-17-516-x-11-516-x-18-in-44-x-287-x-03-cm-earrings-egyptian-encaustic-encaustic-on-wood-fayoum-portrait-fayum-portrait-female-funerary-mummy-portrait-nobility-part-portrait-roman-woman-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459262819.html
RF2HK56BF–Inspired by Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Noblewoman from the time of the reign of Emperor Frederick Barbarossa (1155-1199). Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noblewoman-from-the-time-of-the-reign-of-emperor-frederick-barbarossa-1155-1199-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417067.html
RM2WTRA2K–Noblewoman from the time of the reign of Emperor Frederick Barbarossa (1155-1199). Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, engraving after painting by Domenichino (1581 - 1641), Louvre Paris, religion, christianity, music, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cecily-circa-200-2211230-roman-noblewoman-saint-engraving-after-painting-image8036087.html
RMAG1DK8–Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, engraving after painting by Domenichino (1581 - 1641), Louvre Paris, religion, christianity, music, ,
Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noblewoman-encaustic-on-wood-egypt-ca-150-ce-roman-period-17-516-x-11-516-x-18-in-44-x-287-x-03-cm-earrings-egyptian-encaustic-encaustic-on-wood-fayoum-portrait-fayum-portrait-female-funerary-mummy-portrait-nobility-part-portrait-roman-woman-image454281715.html
RM2HB28XY–Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman
Vintage colour lithograph of a Roman lady surrounded by her slaves Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-colour-lithograph-of-a-roman-lady-surrounded-by-her-slaves-34626743.html
RMC09ANB–Vintage colour lithograph of a Roman lady surrounded by her slaves
Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey). Archaeological Museum. Istanbul. Turkey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agrippina-the-elder-14-bc-33-ad-roman-noblewoman-bust-marble-1st-century-ad-from-pergamum-turkey-archaeological-museum-istanbul-turkey-image210569590.html
RMP6G7JE–Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey). Archaeological Museum. Istanbul. Turkey.
Tondo: Portrait of a Young Noblewoman, 2nd century, 32 in. (81.28 cm), Marble, Roman, 2nd century, The half-figure relief was a common form used for Roman funerary sculpture. Here the deceased is depicted with a veil over her head signifying piety. Holes drilled in her ear lobes show that this figure once wore earrings which, together with the large size of the relief, indicate that the deceased came from a wealthy family Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tondo-portrait-of-a-young-noblewoman-2nd-century-32-in-8128-cm-marble-roman-2nd-century-the-half-figure-relief-was-a-common-form-used-for-roman-funerary-sculpture-here-the-deceased-is-depicted-with-a-veil-over-her-head-signifying-piety-holes-drilled-in-her-ear-lobes-show-that-this-figure-once-wore-earrings-which-together-with-the-large-size-of-the-relief-indicate-that-the-deceased-came-from-a-wealthy-family-image573492558.html
RM2T90RH2–Tondo: Portrait of a Young Noblewoman, 2nd century, 32 in. (81.28 cm), Marble, Roman, 2nd century, The half-figure relief was a common form used for Roman funerary sculpture. Here the deceased is depicted with a veil over her head signifying piety. Holes drilled in her ear lobes show that this figure once wore earrings which, together with the large size of the relief, indicate that the deceased came from a wealthy family
young Roman noblewoman Beatrice Cenci tortured Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-roman-noblewoman-beatrice-cenci-tortured-image353845582.html
RM2BFK1J6–young Roman noblewoman Beatrice Cenci tortured
Italy: Holy Roman Emperor Henry IV Begging Countess Matilda of Tuscany (1046-1115) and Abbot Hugh of Cluny to intercede for Him with Pope Gregory VII. Miniature painting, Vatican Codex 4922, 1115 CE. Matilda of Tuscany (Italian: Matilde, Latin: Mathilda) (1046-24 July 1115) was an Italian noblewoman, the principal Italian supporter of Pope Gregory VII during the Investiture Controversy. She is one of the few medieval women to be remembered for her military accomplishments. She is sometimes called la Gran Contessa (the Great Countess) or Matilda of Canossa after her ancestral castle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-holy-roman-emperor-henry-iv-begging-countess-matilda-of-tuscany-1046-1115-and-abbot-hugh-of-cluny-to-intercede-for-him-with-pope-gregory-vii-miniature-painting-vatican-codex-4922-1115-ce-matilda-of-tuscany-italian-matilde-latin-mathilda-1046-24-july-1115-was-an-italian-noblewoman-the-principal-italian-supporter-of-pope-gregory-vii-during-the-investiture-controversy-she-is-one-of-the-few-medieval-women-to-be-remembered-for-her-military-accomplishments-she-is-sometimes-called-la-gran-contessa-the-great-countess-or-matilda-of-canossa-after-her-ancestral-castle-image344240187.html
RM2B01DTB–Italy: Holy Roman Emperor Henry IV Begging Countess Matilda of Tuscany (1046-1115) and Abbot Hugh of Cluny to intercede for Him with Pope Gregory VII. Miniature painting, Vatican Codex 4922, 1115 CE. Matilda of Tuscany (Italian: Matilde, Latin: Mathilda) (1046-24 July 1115) was an Italian noblewoman, the principal Italian supporter of Pope Gregory VII during the Investiture Controversy. She is one of the few medieval women to be remembered for her military accomplishments. She is sometimes called la Gran Contessa (the Great Countess) or Matilda of Canossa after her ancestral castle.
The figures represent Roman Catholic popes between 1000 and 1200 and Venetian nobles around A.D. 1200. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-figures-represent-roman-catholic-popes-between-1000-and-1200-and-30517163.html
RFBNJ4XK–The figures represent Roman Catholic popes between 1000 and 1200 and Venetian nobles around A.D. 1200.
Sophonisba, Carthaginian noblewoman who lived during the Second Punic War and poisoned herself. Engraved on sardonyx from the collection of Captain Philips. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sophonisba-carthaginian-noblewoman-who-lived-during-the-second-punic-war-and-poisoned-herself-engraved-on-sardonyx-from-the-collection-of-captain-philips-mezzotint-copperplate-engraving-by-john-spilsbury-from-his-collection-of-fifty-prints-from-antique-gems-john-boydell-london-1785-image440113072.html
RM2GG0TM0–Sophonisba, Carthaginian noblewoman who lived during the Second Punic War and poisoned herself. Engraved on sardonyx from the collection of Captain Philips. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.
Halftone of the Roman noblewoman Cornelia (daughter of statesman Publius Cornelius Scipio and the mother of Tiberius and Caius Gracchi) explaining to a visitor that her sons were her jewels. Both boys grew up to be statesmen who fought for more rights for the people. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/halftone-of-the-roman-noblewoman-cornelia-daughter-of-statesman-publius-cornelius-scipio-and-the-mother-of-tiberius-and-caius-gracchi-explaining-to-a-visitor-that-her-sons-were-her-jewels-both-boys-grew-up-to-be-statesmen-who-fought-for-more-rights-for-the-people-image491537721.html
RM2KFKDAH–Halftone of the Roman noblewoman Cornelia (daughter of statesman Publius Cornelius Scipio and the mother of Tiberius and Caius Gracchi) explaining to a visitor that her sons were her jewels. Both boys grew up to be statesmen who fought for more rights for the people.
Italian women from Rome (left) and Siena, 1500s. Hand-colored print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italian-women-from-rome-left-and-siena-1500s-hand-colored-print-59664359.html
RMDD1XDY–Italian women from Rome (left) and Siena, 1500s. Hand-colored print
Line engraving of Livia Drusilla, wife of Augustus Caesar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/line-engraving-of-livia-drusilla-wife-of-augustus-caesar-image622965813.html
RM2Y5EF71–Line engraving of Livia Drusilla, wife of Augustus Caesar.
Portrait of Vittoria Colonna, marchioness of Pescara, was an Italian noblewoman and poet. By Sebastiano del Piombo (1485-1547) Italian painter of the High Renaissance and early Mannerist periods famous for his combination of the colours of the Venetian school and the monumental forms of the Roman school. Dated 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-vittoria-colonna-marchioness-of-pescara-was-an-italian-90839271.html
RMF7P2BK–Portrait of Vittoria Colonna, marchioness of Pescara, was an Italian noblewoman and poet. By Sebastiano del Piombo (1485-1547) Italian painter of the High Renaissance and early Mannerist periods famous for his combination of the colours of the Venetian school and the monumental forms of the Roman school. Dated 16th Century
Sophonisba Drinking the Poison by Giovanni Francesco Caroto (1480 – 1555 or 1558) Italian Italy ( Sophonisba 203 BC was a Carthaginian noblewoman who lived in the Second Punic War, and the daughter of Hasdrubal Gisco Gisgonis, Sophonisba poisoned herself rather than humiliated in a Roman triumph. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sophonisba-drinking-the-poison-by-giovanni-francesco-caroto-1480-1555-or-1558-italian-italy-sophonisba-203-bc-was-a-carthaginian-noblewoman-who-lived-in-the-second-punic-war-and-the-daughter-of-hasdrubal-gisco-gisgonis-sophonisba-poisoned-herself-rather-than-humiliated-in-a-roman-triumph-image211784290.html
RMP8FH0J–Sophonisba Drinking the Poison by Giovanni Francesco Caroto (1480 – 1555 or 1558) Italian Italy ( Sophonisba 203 BC was a Carthaginian noblewoman who lived in the Second Punic War, and the daughter of Hasdrubal Gisco Gisgonis, Sophonisba poisoned herself rather than humiliated in a Roman triumph. )
Roman statue of a German woman,Thusnelda statue in Loggia dei Lanzi, Florence, Italy. Thusnelda, born 10 BC, was a Germanic noblewoman captured by Germanicus, the grandson of Augustus and leader of an army that invaded Germania, reproduction of an woodcut from the 19th century, 1885 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roman-statue-of-a-german-womanthusnelda-statue-in-loggia-dei-lanzi-134927725.html
RFHREDK9–Roman statue of a German woman,Thusnelda statue in Loggia dei Lanzi, Florence, Italy. Thusnelda, born 10 BC, was a Germanic noblewoman captured by Germanicus, the grandson of Augustus and leader of an army that invaded Germania, reproduction of an woodcut from the 19th century, 1885
Italian fashions of the late 15th century. A noblewoman from a carpet now in Corpus Domini, Rome. A Roman soldier with pike from a fresco in the library of the Basilica of Siena. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-fashions-of-the-late-15th-century-a-noblewoman-from-a-carpet-now-in-corpus-domini-rome-a-roman-soldier-with-pike-from-a-fresco-in-the-library-of-the-basilica-of-siena-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image333000136.html
RM2A9ND20–Italian fashions of the late 15th century. A noblewoman from a carpet now in Corpus Domini, Rome. A Roman soldier with pike from a fresco in the library of the Basilica of Siena. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
A Roman Princess Washing the Feet of Pilgrims. Engraving after an original 19th-century oil painting by Sir David Wilkie. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-roman-princess-washing-the-feet-of-pilgrims-engraving-after-an-original-19th-century-oil-painting-by-sir-david-wilkie-image615250160.html
RM2XMY1T0–A Roman Princess Washing the Feet of Pilgrims. Engraving after an original 19th-century oil painting by Sir David Wilkie.
Art inspired by Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-noblewoman-encaustic-on-wood-egypt-ca-150-ce-roman-period-17-516-x-11-516-x-18-in-44-x-287-x-03-cm-earrings-egyptian-encaustic-encaustic-on-wood-fayoum-portrait-fayum-portrait-female-funerary-mummy-portrait-nobility-part-portrait-roman-woman-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459572760.html
RF2HKK9MT–Art inspired by Noblewoman, Encaustic on wood, Egypt, ca. 150 C.E., Roman Period, 17 5/16 x 11 5/16 x 1/8 in., 44 x 28.7 x 0.3 cm, earrings, Egyptian, Encaustic, Encaustic on wood, fayoum portrait, Fayum Portrait, female, funerary, Mummy Portrait, nobility, part, portrait, Roman, woman, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Holy Roman Empire, 1000-1100. From left to right, 2: warrior, 3-4-5-6-7: prince, princess and nobles of the 12th century. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-roman-empire-1000-1100-from-left-to-right-2-warrior-3-4-5-6-7-prince-princess-and-nobles-of-the-12th-century-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417060.html
RM2WTRA2C–Holy Roman Empire, 1000-1100. From left to right, 2: warrior, 3-4-5-6-7: prince, princess and nobles of the 12th century. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, engraving after painting by Peter Paul Rubens (1577 - 1640), religion, christianity, music, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cecily-circa-200-2211230-roman-noblewoman-saint-engraving-after-painting-image8036088.html
RMAG1DK9–Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, engraving after painting by Peter Paul Rubens (1577 - 1640), religion, christianity, music, ,
Noblewoman from the time of the reign of Emperor Frederick Barbarossa (1155-1199). Chromolithography. 'Historia Universal', by Cesar Canto. Volume V, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noblewoman-from-the-time-of-the-reign-of-emperor-frederick-barbarossa-1155-1199-chromolithography-historia-universal-by-cesar-canto-volume-v-1884-image608950078.html
RM2XAM212–Noblewoman from the time of the reign of Emperor Frederick Barbarossa (1155-1199). Chromolithography. 'Historia Universal', by Cesar Canto. Volume V, 1884.
Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, copper engraving by Jan (Hans) Witdoeck, (1615 - after 1642), after pain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cecily-circa-200-2211230-roman-noblewoman-saint-copper-engraving-by-11637466.html
RMA6RHYR–Cecily, circa 200 - 22.11.230, Roman noblewoman, Saint, copper engraving by Jan (Hans) Witdoeck, (1615 - after 1642), after pain
Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey). Archaeological Museum. Istanbul. Turkey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agrippina-the-elder-14-bc-33-ad-roman-noblewoman-bust-marble-1st-century-ad-from-pergamum-turkey-archaeological-museum-istanbul-turkey-image210569587.html
RMP6G7JB–Agrippina the Elder (14 BC-33 AD). Roman noblewoman. Bust. Marble. 1st century AD. From Pergamum (Turkey). Archaeological Museum. Istanbul. Turkey.
Middle Ages, mediaeval life, A festival at the court of Burgundy: The Prize of the Tournament, wood engraving, 19th century, Bourgogne, courtly, society, societies, nobility, noblewoman, noble woman, noble women, nobles, women, men, man, contender, contenders, medieval, mediaeval, France, Holy Roman Empire, historic, historical, people, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-middle-ages-mediaeval-life-a-festival-at-the-court-of-burgundy-the-47985447.html
RMCP1WWY–Middle Ages, mediaeval life, A festival at the court of Burgundy: The Prize of the Tournament, wood engraving, 19th century, Bourgogne, courtly, society, societies, nobility, noblewoman, noble woman, noble women, nobles, women, men, man, contender, contenders, medieval, mediaeval, France, Holy Roman Empire, historic, historical, people, Additional-Rights-Clearences-Not Available
Classical portrait of Poppaea Sabina a Roman Empress as the second wife of the Emperor Nero. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-classical-portrait-of-poppaea-sabina-a-roman-empress-as-the-second-37197959.html
RMC4EEAF–Classical portrait of Poppaea Sabina a Roman Empress as the second wife of the Emperor Nero.
Pole, Margaret, Countes of Salisbury, 14.8.1473 - 27.5.1541, English noblewoman, death, execution in the Tower of London, copper engraving, 'Review of Fox's Book of Martyrs' by William Andrews, 1826, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pole-margaret-countes-of-salisbury-1481473-2751541-english-noblewoman-47944023.html
RMCP012F–Pole, Margaret, Countes of Salisbury, 14.8.1473 - 27.5.1541, English noblewoman, death, execution in the Tower of London, copper engraving, 'Review of Fox's Book of Martyrs' by William Andrews, 1826, Artist's Copyright has not to be cleared
Pala Santa Giustina by Romani Girolamo called Romanino (1484-1487 / 1559-1561) Italy Italian ( On October 7th of the year 304 it is the day of the martyrdom of Santa Giustina. While the famous Venetian noblewoman is in Padua, her homeland, the cruel emperor Maximian arrives there, who had a court set up in Campo Marzio to execute the believers. Giustina, while hurrying to visit the servants of God, is surprised by the Roman soldiers at Pontecorvo and brought before Massimiano. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pala-santa-giustina-by-romani-girolamo-called-romanino-1484-1487-1559-1561-italy-italian-on-october-7th-of-the-year-304-it-is-the-day-of-the-martyrdom-of-santa-giustina-while-the-famous-venetian-noblewoman-is-in-padua-her-homeland-the-cruel-emperor-maximian-arrives-there-who-had-a-court-set-up-in-campo-marzio-to-execute-the-believers-giustina-while-hurrying-to-visit-the-servants-of-god-is-surprised-by-the-roman-soldiers-at-pontecorvo-and-brought-before-massimiano-image212263266.html
RMP99BXX–Pala Santa Giustina by Romani Girolamo called Romanino (1484-1487 / 1559-1561) Italy Italian ( On October 7th of the year 304 it is the day of the martyrdom of Santa Giustina. While the famous Venetian noblewoman is in Padua, her homeland, the cruel emperor Maximian arrives there, who had a court set up in Campo Marzio to execute the believers. Giustina, while hurrying to visit the servants of God, is surprised by the Roman soldiers at Pontecorvo and brought before Massimiano. )
Sophonisba was a Carthaginian noblewoman who lived during the Second Punic War, and the daughter of Hasdrubal Gisco Gisgonis. In an act that became legendary, Sophonisba poisoned herself rather than be humiliated in a Roman triumph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sophonisba-was-a-carthaginian-noblewoman-who-lived-during-the-second-punic-war-and-the-daughter-of-hasdrubal-gisco-gisgonis-in-an-act-that-became-legendary-sophonisba-poisoned-herself-rather-than-be-humiliated-in-a-roman-triumph-image261256859.html
RMW517P3–Sophonisba was a Carthaginian noblewoman who lived during the Second Punic War, and the daughter of Hasdrubal Gisco Gisgonis. In an act that became legendary, Sophonisba poisoned herself rather than be humiliated in a Roman triumph
Thusnelda, the wife of Arminius at the Triumph of Germanicus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thusnelda-the-wife-of-arminius-at-the-triumph-of-germanicus-image182932973.html
RMMHH8TD–Thusnelda, the wife of Arminius at the Triumph of Germanicus
Saint Catherine, c. 1450–60, 63 x 23 1/2 x 13 1/4in. (160 x 59.7 x 33.7cm), Wood, pigment, gold, Austria, 15th century, The epitome of an intellectual Christian saint, Catherine of Alexandria is said to have debated the foremost philosophers of her age and converted them to Christianity with her brilliant logic. Her legend recounts that she was a learned young noblewoman of the 4th century who lived in Alexandria, Egypt. Shown here under Catherine’s feet is the Roman emperor Maxentius, a persecutor of Christians, who had her tortured on a wheel and then beheaded Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-catherine-c-145060-63-x-23-12-x-13-14in-160-x-597-x-337cm-wood-pigment-gold-austria-15th-century-the-epitome-of-an-intellectual-christian-saint-catherine-of-alexandria-is-said-to-have-debated-the-foremost-philosophers-of-her-age-and-converted-them-to-christianity-with-her-brilliant-logic-her-legend-recounts-that-she-was-a-learned-young-noblewoman-of-the-4th-century-who-lived-in-alexandria-egypt-shown-here-under-catherines-feet-is-the-roman-emperor-maxentius-a-persecutor-of-christians-who-had-her-tortured-on-a-wheel-and-then-beheaded-image573489193.html
RM2T90K8W–Saint Catherine, c. 1450–60, 63 x 23 1/2 x 13 1/4in. (160 x 59.7 x 33.7cm), Wood, pigment, gold, Austria, 15th century, The epitome of an intellectual Christian saint, Catherine of Alexandria is said to have debated the foremost philosophers of her age and converted them to Christianity with her brilliant logic. Her legend recounts that she was a learned young noblewoman of the 4th century who lived in Alexandria, Egypt. Shown here under Catherine’s feet is the Roman emperor Maxentius, a persecutor of Christians, who had her tortured on a wheel and then beheaded
Maria Anna of Spain, 1606 – 1646, was a Holy Roman Empress and Queen of Hungary and Bohemia by marriage to Ferdinand III, Holy Roman Emperor, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maria-anna-of-spain-1606-1646-was-a-holy-roman-empress-and-queen-of-hungary-and-bohemia-by-marriage-to-ferdinand-iii-holy-roman-emperor-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image340403912.html
RM2ANPMJG–Maria Anna of Spain, 1606 – 1646, was a Holy Roman Empress and Queen of Hungary and Bohemia by marriage to Ferdinand III, Holy Roman Emperor, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Catholic Saints. Catherine of Sweden (1332-1381) was a Swedish noblewoman. She is venerated as a saint in the Roman Catholic Church. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catholic-saints-catherine-of-sweden-1332-1381-was-a-swedish-noblewoman-she-is-venerated-as-a-saint-in-the-roman-catholic-church-image552389924.html
RF2R2KEYG–Catholic Saints. Catherine of Sweden (1332-1381) was a Swedish noblewoman. She is venerated as a saint in the Roman Catholic Church.
Sophonisba, a Carthaginian noblewoman, daughter of Hasdrubal Gisco Gisgonis, takes poison when her husband Syphax, King of the Masaesyli (or western) Numidians, is defeated by Massinissa, leader of the Massylian (or eastern) Numidians. Massinissa marries her, but she wishes to avoid the humiliation of being forced to take part in a triumphal procession in Rome, so she accepts the poison from Massinissa himself, whose fear of the Romans is stronger than his love for her. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sophonisba-a-carthaginian-noblewoman-daughter-of-hasdrubal-gisco-gisgonis-takes-poison-when-her-husband-syphax-king-of-the-masaesyli-or-western-numidians-is-defeated-by-massinissa-leader-of-the-massylian-or-eastern-numidians-massinissa-marries-her-but-she-wishes-to-avoid-the-humiliation-of-being-forced-to-take-part-in-a-triumphal-procession-in-rome-so-she-accepts-the-poison-from-massinissa-himself-whose-fear-of-the-romans-is-stronger-than-his-love-for-her-image560829322.html
RM2RGBYEJ–Sophonisba, a Carthaginian noblewoman, daughter of Hasdrubal Gisco Gisgonis, takes poison when her husband Syphax, King of the Masaesyli (or western) Numidians, is defeated by Massinissa, leader of the Massylian (or eastern) Numidians. Massinissa marries her, but she wishes to avoid the humiliation of being forced to take part in a triumphal procession in Rome, so she accepts the poison from Massinissa himself, whose fear of the Romans is stronger than his love for her.
Thusnelda at the Triumphal Entry of Germanicus into Rome, ca. 1875. Germanic noblewoman captured by Roman general Germanicus during his invasion of Germania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thusnelda-at-the-triumphal-entry-of-germanicus-into-rome-ca-1875-germanic-noblewoman-captured-by-roman-general-germanicus-during-his-invasion-of-germania-image343012499.html
RM2AX1FXB–Thusnelda at the Triumphal Entry of Germanicus into Rome, ca. 1875. Germanic noblewoman captured by Roman general Germanicus during his invasion of Germania.
Portrait of Beatrice Cenci (1577-1599) an Italian noblewoman. Painted by Guido Reni (1575-1642) an Italian painter of high-Baroque style. Dated 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-beatrice-cenci-1577-1599-an-italian-noblewoman-painted-104172927.html
RMG1DDHK–Portrait of Beatrice Cenci (1577-1599) an Italian noblewoman. Painted by Guido Reni (1575-1642) an Italian painter of high-Baroque style. Dated 16th Century
ZAGREB, CROATIA – SEPTEMBER 11, 2011: A noblewoman in her litter carried by slaves during Roman show in Andautonia (todays Scitarjevo) near Zagreb, C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zagreb-croatia-september-11-2011-a-noblewoman-in-her-litter-carried-by-slaves-during-roman-show-in-andautonia-todays-scitarjevo-near-zagreb-c-image267156895.html
RMWEJ19K–ZAGREB, CROATIA – SEPTEMBER 11, 2011: A noblewoman in her litter carried by slaves during Roman show in Andautonia (todays Scitarjevo) near Zagreb, C
Holy Roman Empire, 1000-1100. From left to right, 1-2: warriors, 3-4-5-6-7: prince, princess and nobles of the 12th century. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-roman-empire-1000-1100-from-left-to-right-1-2-warriors-3-4-5-6-7-prince-princess-and-nobles-of-the-12th-century-chromolithography-historia-universal-by-csar-cant-volume-v-1884-image600417003.html
RM2WTRA0B–Holy Roman Empire, 1000-1100. From left to right, 1-2: warriors, 3-4-5-6-7: prince, princess and nobles of the 12th century. Chromolithography. 'Historia Universal', by César Cantú. Volume V, 1884.
Death of Lucretia, noblewoman raped by Tarquin, and cause of a rebellion against Roman monarchy. Painted by Eduardo Rosales Gallina in 1871. Museo del Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-of-lucretia-noblewoman-raped-by-tarquin-and-cause-of-a-rebellion-against-roman-monarchy-painted-by-eduardo-rosales-gallina-in-1871-museo-del-image448475676.html
RM2H1HR8C–Death of Lucretia, noblewoman raped by Tarquin, and cause of a rebellion against Roman monarchy. Painted by Eduardo Rosales Gallina in 1871. Museo del
Saint Cecilia of Rome. 2nd century A.C. Roman martyr. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-cecilia-of-rome-2nd-century-ac-roman-martyr-engraving-57050806.html
RMD8PTTP–Saint Cecilia of Rome. 2nd century A.C. Roman martyr. Engraving.
Europe. Early Middle Ages. 8th-9th centuries. Frankish Kingdom. Carolingian dynasty. From left to right. 9: Empress of 800, 19: Warrior, 11: Princess, 12: Charlemagne. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume IV. Published in Barcelona, 1881. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-early-middle-ages-8th-9th-centuries-frankish-kingdom-carolingian-dynasty-from-left-to-right-9-empress-of-800-19-warrior-11-princess-12-charlemagne-chromolithography-historia-universal-universal-history-by-cesar-cantu-volume-iv-published-in-barcelona-1881-image561318046.html
RM2RH66W2–Europe. Early Middle Ages. 8th-9th centuries. Frankish Kingdom. Carolingian dynasty. From left to right. 9: Empress of 800, 19: Warrior, 11: Princess, 12: Charlemagne. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume IV. Published in Barcelona, 1881.
Agrippina the Elder (14 BC-33). Roman noblewoman, granddaughter of Augustus. Wife of General Germanicus and mother of Emperor Caligula. Bust of Agrippina as hellenistic deity but with fashionable hairstyle. Marble. Early of the Roman Empire. Roman-Germanic Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agrippina-the-elder-14-bc-33-roman-noblewoman-granddaughter-of-augustus-wife-of-general-germanicus-and-mother-of-emperor-caligula-bust-of-agrippina-as-hellenistic-deity-but-with-fashionable-hairstyle-marble-early-of-the-roman-empire-roman-germanic-museum-cologne-germany-image212803949.html
RMPA61H1–Agrippina the Elder (14 BC-33). Roman noblewoman, granddaughter of Augustus. Wife of General Germanicus and mother of Emperor Caligula. Bust of Agrippina as hellenistic deity but with fashionable hairstyle. Marble. Early of the Roman Empire. Roman-Germanic Museum. Cologne. Germany.
Italy, Pompeii. Villa of the Mysteries. Ancient Roman suburban Villa. Frescoes depicting a bride initiating into a Bacchian Mysteries in preparation for marriage, 1st century AD. Detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-pompeii-villa-of-the-mysteries-ancient-roman-suburban-villa-frescoes-depicting-a-bride-initiating-into-a-bacchian-mysteries-in-preparation-for-marriage-1st-century-ad-detail-image342263665.html
RM2ATRCP9–Italy, Pompeii. Villa of the Mysteries. Ancient Roman suburban Villa. Frescoes depicting a bride initiating into a Bacchian Mysteries in preparation for marriage, 1st century AD. Detail.
Classical portrait of a lady Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-classical-portrait-of-a-lady-37197025.html
RMC4ED55–Classical portrait of a lady
Julia Avita Mamaea (180-235). Regent of Rome, mother of Emperor Alexander Severus. Bust, probably to be put in a niche. Dated between 222 and 235. Roman-Germanic Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-julia-avita-mamaea-180-235-regent-of-rome-mother-of-emperor-alexander-175616215.html
RMM5M07K–Julia Avita Mamaea (180-235). Regent of Rome, mother of Emperor Alexander Severus. Bust, probably to be put in a niche. Dated between 222 and 235. Roman-Germanic Museum. Cologne. Germany.
02 September 2020, Saxony-Anhalt, Halle (Saale): Grave goods of a Juthung noblewoman from Osterwieck, about 230 - 260 AD, are shown in the extended permanent exhibition of the Landesmuseum für Vorgeschichte in Halle. The show opens in the evening under the title 'Barbarian Power'. Around 500 objects from the third to fifth centuries can be seen in the new part. Finds of Germanic tribes at the end of Roman rule in Central Germany show how they took over the luxury of the Romans, but remained independent. Photo: Hendrik Schmidt/dpa-Zentralbild/ZB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/02-september-2020-saxony-anhalt-halle-saale-grave-goods-of-a-juthung-noblewoman-from-osterwieck-about-230-260-ad-are-shown-in-the-extended-permanent-exhibition-of-the-landesmuseum-fr-vorgeschichte-in-halle-the-show-opens-in-the-evening-under-the-title-barbarian-power-around-500-objects-from-the-third-to-fifth-centuries-can-be-seen-in-the-new-part-finds-of-germanic-tribes-at-the-end-of-roman-rule-in-central-germany-show-how-they-took-over-the-luxury-of-the-romans-but-remained-independent-photo-hendrik-schmidtdpa-zentralbildzb-image268873028.html
RMWHC684–02 September 2020, Saxony-Anhalt, Halle (Saale): Grave goods of a Juthung noblewoman from Osterwieck, about 230 - 260 AD, are shown in the extended permanent exhibition of the Landesmuseum für Vorgeschichte in Halle. The show opens in the evening under the title 'Barbarian Power'. Around 500 objects from the third to fifth centuries can be seen in the new part. Finds of Germanic tribes at the end of Roman rule in Central Germany show how they took over the luxury of the Romans, but remained independent. Photo: Hendrik Schmidt/dpa-Zentralbild/ZB
History of Germany. Middle Ages. 1200. From left to right, 1: knight, 2: physician, 3: falconer, 4: knight, 5-6: Jews, 7: Knight of the Teutonic Order, 8: noblewoman. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-germany-middle-ages-1200-from-left-to-right-1-knight-2-physician-3-falconer-4-knight-5-6-jews-7-knight-of-the-teutonic-order-8-noblewoman-chromolithography-historia-universal-by-csar-cant-volume-x-1881-image592832739.html
RM2WCDT5R–History of Germany. Middle Ages. 1200. From left to right, 1: knight, 2: physician, 3: falconer, 4: knight, 5-6: Jews, 7: Knight of the Teutonic Order, 8: noblewoman. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881.
Re-enactors in costume celebrate the 2769th anniversary of the founding of Rome on 21st April 753 B.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-re-enactors-in-costume-celebrate-the-2769th-anniversary-of-the-founding-102901296.html
RMFYBFJ8–Re-enactors in costume celebrate the 2769th anniversary of the founding of Rome on 21st April 753 B.C.
Reproduction of a sculpture depicting Julia (Roman lady). By unidentified author, publ. on Magasin Pittoresque, Paris, 1846 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reproduction-of-a-sculpture-depicting-julia-roman-lady-by-unidentified-author-publ-on-magasin-pittoresque-paris-1846-image225546198.html
RFR2XEDA–Reproduction of a sculpture depicting Julia (Roman lady). By unidentified author, publ. on Magasin Pittoresque, Paris, 1846
JULIA (39BC - 14AD) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-julia-39bc-14ad-105361007.html
RMG3BH13–JULIA (39BC - 14AD)
A noblewoman on a brown horse during the Procession of the Holy Blood in Bruges, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-noblewoman-on-a-brown-horse-during-the-procession-of-the-holy-blood-143054984.html
RMJ8MM2G–A noblewoman on a brown horse during the Procession of the Holy Blood in Bruges, Belgium
Thusnelda, the wife of Arminius at the Triumph of Germanicus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thusnelda-the-wife-of-arminius-at-the-triumph-of-germanicus-image262626280.html
RMW77JE0–Thusnelda, the wife of Arminius at the Triumph of Germanicus
Pompeii. Villa of the Mysteries. Ancient Roman suburban Villa. Frescoes depicting a bride initiating into a Bacchian Mysteries in preparation for marr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pompeii-villa-of-the-mysteries-ancient-roman-suburban-villa-frescoes-depicting-a-bride-initiating-into-a-bacchian-mysteries-in-preparation-for-marr-image447937396.html
RM2H0N8M4–Pompeii. Villa of the Mysteries. Ancient Roman suburban Villa. Frescoes depicting a bride initiating into a Bacchian Mysteries in preparation for marr
Thusnelda, the wife of Arminius, is handed over to Germanicus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thusnelda-the-wife-of-arminius-is-handed-over-to-germanicus-image264565650.html
RMWAC056–Thusnelda, the wife of Arminius, is handed over to Germanicus
Coronation of Holy Roman Empress Eleanor Gonzaga 19th-century engraving. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonograp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coronation-of-holy-roman-empress-eleanor-gonzaga-19th-century-engraving-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-ikonograp-image413426268.html
RF2F0H5BT–Coronation of Holy Roman Empress Eleanor Gonzaga 19th-century engraving. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonograp
ZAGREB, CROATIA – SEPTEMBER 11, 2011: A noblewoman in her litter carried by slaves during Roman show in Andautonia (todays Scitarjevo) near Zagreb, C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zagreb-croatia-september-11-2011-a-noblewoman-in-her-litter-carried-by-slaves-during-roman-show-in-andautonia-todays-scitarjevo-near-zagreb-c-image268977364.html
RMWHGYAC–ZAGREB, CROATIA – SEPTEMBER 11, 2011: A noblewoman in her litter carried by slaves during Roman show in Andautonia (todays Scitarjevo) near Zagreb, C
Portrait of a Noblewoman 150 by Fayum portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-noblewoman-150-by-fayum-portrait-image557399801.html
RM2RARN3N–Portrait of a Noblewoman 150 by Fayum portrait
Sophonisba, a Carthaginian noblewoman, daughter of Hasdrubal Gisco Gisgonis, takes poison when her husband Syphax, King of the Masaesyli (or western) Numidians, is defeated by Massinissa, leader of the Massylian (or eastern) Numidians. Massinissa marries her, but she wishes to avoid the humiliation of being forced to take part in a triumphal procession in Rome, so she accepts the poison from Massinissa himself, whose fear of the Romans is stronger than his love for her. Colourised version of : 10006638 Date: 203 BC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sophonisba-a-carthaginian-noblewoman-daughter-of-hasdrubal-gisco-gisgonis-takes-poison-when-her-husband-syphax-king-of-the-masaesyli-or-western-numidians-is-defeated-by-massinissa-leader-of-the-massylian-or-eastern-numidians-massinissa-marries-her-but-she-wishes-to-avoid-the-humiliation-of-being-forced-to-take-part-in-a-triumphal-procession-in-rome-so-she-accepts-the-poison-from-massinissa-himself-whose-fear-of-the-romans-is-stronger-than-his-love-for-her-colourised-version-of-10006638-date-203-bc-image472807312.html
RM2JD66FC–Sophonisba, a Carthaginian noblewoman, daughter of Hasdrubal Gisco Gisgonis, takes poison when her husband Syphax, King of the Masaesyli (or western) Numidians, is defeated by Massinissa, leader of the Massylian (or eastern) Numidians. Massinissa marries her, but she wishes to avoid the humiliation of being forced to take part in a triumphal procession in Rome, so she accepts the poison from Massinissa himself, whose fear of the Romans is stronger than his love for her. Colourised version of : 10006638 Date: 203 BC
Detail of the Renaissance-style marble sarcophagus of Ilaria del Caretto at the Cathedral of San Martino in Lucca (Tuscany), Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-renaissance-style-marble-sarcophagus-of-ilaria-del-caretto-at-the-cathedral-of-san-martino-in-lucca-tuscany-italy-image479695136.html
RM2JTC014–Detail of the Renaissance-style marble sarcophagus of Ilaria del Caretto at the Cathedral of San Martino in Lucca (Tuscany), Italy
The Alcobaça Monastery (Mosteiro de Santa Maria de Alcobaça) is a Roman Catholic church located in the town of Alcobaça, in Oeste Subregion. The tomb of Ines de Castro, Inês de Castro was a Galician noblewoman born of a Portuguese mother. She is best known as lover and posthumously-recognized wife of King Peter I of Portugal. The dramatic circumstances of her relationship with Peter I, which was forbidden by his father King Afonso IV, her murder at the orders of Afonso, Peter's bloody revenge on her killers, and the legend of the coronation of her exhumed corpse by Peter, have made Inês de Cas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-alcobaa-monastery-mosteiro-de-santa-maria-de-alcobaa-is-a-roman-149190056.html
RMJJM5C8–The Alcobaça Monastery (Mosteiro de Santa Maria de Alcobaça) is a Roman Catholic church located in the town of Alcobaça, in Oeste Subregion. The tomb of Ines de Castro, Inês de Castro was a Galician noblewoman born of a Portuguese mother. She is best known as lover and posthumously-recognized wife of King Peter I of Portugal. The dramatic circumstances of her relationship with Peter I, which was forbidden by his father King Afonso IV, her murder at the orders of Afonso, Peter's bloody revenge on her killers, and the legend of the coronation of her exhumed corpse by Peter, have made Inês de Cas
Cenci, Beatrice (Rome, 1577-1599). Roman noblewoman, daughter of Count Francesco Cenci. Murdered his father, to whom suffered abuse, and she was sentenced to the gallows by Clement VIII. Portrait of Beatrice Cenci for illustration of 'The Cenci' of the English poet Percy Bysshe Shelley (1792-1822). Engraving by Cellini, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cenci-beatrice-rome-1577-1599-roman-noblewoman-daughter-of-count-francesco-cenci-murdered-his-father-to-whom-suffered-abuse-and-she-was-sentenced-to-the-gallows-by-clement-viii-portrait-of-beatrice-cenci-for-illustration-of-the-cenci-of-the-english-poet-percy-bysshe-shelley-1792-1822-engraving-by-cellini-1898-image219992447.html
RMPNWEH3–Cenci, Beatrice (Rome, 1577-1599). Roman noblewoman, daughter of Count Francesco Cenci. Murdered his father, to whom suffered abuse, and she was sentenced to the gallows by Clement VIII. Portrait of Beatrice Cenci for illustration of 'The Cenci' of the English poet Percy Bysshe Shelley (1792-1822). Engraving by Cellini, 1898.
The Maryland Medal: Anne Arundell of Wardour, c. 1610-1649, Countess of the Holy Roman Empire, Wife of Lord Cecil Calvert 1628, Baroness of Baltimore 1632 [reverse], 1644. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-maryland-medal-anne-arundell-of-wardour-c-1610-1649-countess-of-the-holy-roman-empire-wife-of-lord-cecil-calvert-1628-baroness-of-baltimore-1632-reverse-1644-image426154038.html
RM2FN8YR2–The Maryland Medal: Anne Arundell of Wardour, c. 1610-1649, Countess of the Holy Roman Empire, Wife of Lord Cecil Calvert 1628, Baroness of Baltimore 1632 [reverse], 1644.
Ancient portrait of a woman with long hair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ancient-portrait-of-a-woman-with-long-hair-37196658.html
RMC4ECM2–Ancient portrait of a woman with long hair
Lucretia by Rembrandt van Rijn (1606-1669), oil on canvas, 1664 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucretia-by-rembrandt-van-rijn-1606-1669-oil-on-canvas-1664-image451096627.html
RM2H5W69R–Lucretia by Rembrandt van Rijn (1606-1669), oil on canvas, 1664
Sophonisba taking poison to avoid humiliation by Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sophonisba-taking-poison-to-avoid-humiliation-by-rome-105255350.html
RMG36P7J–Sophonisba taking poison to avoid humiliation by Rome
History of Germany. Middle Ages. 1200. From left to right, knight, Jews, Knight of the Teutonic Order and noblewomen. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-germany-middle-ages-1200-from-left-to-right-knight-jews-knight-of-the-teutonic-order-and-noblewomen-chromolithography-historia-universal-by-csar-cant-volume-x-1881-image592832754.html
RM2WCDT6A–History of Germany. Middle Ages. 1200. From left to right, knight, Jews, Knight of the Teutonic Order and noblewomen. Chromolithography. 'Historia Universal', by César Cantú. Volume X, 1881.
Flora', by Rembrandt Harmensz van Rijn 1634. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flora-by-rembrandt-harmensz-van-rijn-1634-image377037756.html
RM2CWBFE4–Flora', by Rembrandt Harmensz van Rijn 1634.
'Death of Sophonisba', 1890. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/death-of-sophonisba-1890-creator-unknown-image259688720.html
RMW2DRH4–'Death of Sophonisba', 1890. Creator: Unknown.
A young woman wearing the costume of a 14th or 15th century Italian lady or noblewoman in a velvet overgown or surcoat trimmed with jewelled brocade, stares resolutely ahead as she walks through Piazza Guglielmo Marconi at Anagni, Lazio, Italy, in an historical August pageant recalling its past as the summer retreat of several medieval popes. The event also honours San Magno di Anagni, a 3rd century AD martyred bishop who became the town’s patron saint. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-woman-wearing-the-costume-of-a-14th-or-15th-century-italian-lady-or-noblewoman-in-a-velvet-overgown-or-surcoat-trimmed-with-jewelled-brocade-stares-resolutely-ahead-as-she-walks-through-piazza-guglielmo-marconi-at-anagni-lazio-italy-in-an-historical-august-pageant-recalling-its-past-as-the-summer-retreat-of-several-medieval-popes-the-event-also-honours-san-magno-di-anagni-a-3rd-century-ad-martyred-bishop-who-became-the-towns-patron-saint-image434530551.html
RF2G6XG47–A young woman wearing the costume of a 14th or 15th century Italian lady or noblewoman in a velvet overgown or surcoat trimmed with jewelled brocade, stares resolutely ahead as she walks through Piazza Guglielmo Marconi at Anagni, Lazio, Italy, in an historical August pageant recalling its past as the summer retreat of several medieval popes. The event also honours San Magno di Anagni, a 3rd century AD martyred bishop who became the town’s patron saint.
'Megulia - La Bien Dotee',1403, (1939). Artist: Master of Berry's Cleres Femmes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/megulia-la-bien-dotee1403-1939-artist-master-of-berrys-cleres-femmes-image262796052.html
RMW7FB18–'Megulia - La Bien Dotee',1403, (1939). Artist: Master of Berry's Cleres Femmes.
Chieftain of the Germanic Cherusci tribe Arminius (17 BC-21 AD) abducted and married with Thusnelda (c.10 AC-17 DC). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chieftain-of-the-germanic-cherusci-tribe-arminius-17-bc-21-ad-abducted-and-married-with-thusnelda-c10-ac-17-dc-image206873441.html
RMP0FW55–Chieftain of the Germanic Cherusci tribe Arminius (17 BC-21 AD) abducted and married with Thusnelda (c.10 AC-17 DC).
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