The Orator, Etruscan Bronze, detail, 1st century BC. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-orator-etruscan-bronze-detail-1st-century-bc-artist-unknown-image186098502.html
RMMPNEF2–The Orator, Etruscan Bronze, detail, 1st century BC. Artist: Unknown.
Florence. Italy. Bronze statue of the Arringatore 'The Orator', from Sanguineto (Perugia), end of 2nd - early 1st century BCE. The statue depicts the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florence-italy-bronze-statue-of-the-arringatore-the-orator-from-sanguineto-perugia-end-of-2nd-early-1st-century-bce-the-statue-depicts-the-image485833887.html
RM2K6BJ27–Florence. Italy. Bronze statue of the Arringatore 'The Orator', from Sanguineto (Perugia), end of 2nd - early 1st century BCE. The statue depicts the
Antique illustration depicting sculpture of Etruscan orator. Engraving published in Systematischer Bilder Atlas - Bauwesen, Ikonographische Encyklopae Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-illustration-depicting-sculpture-of-etruscan-orator-engraving-published-in-systematischer-bilder-atlas-bauwesen-ikonographische-encyklopae-image383510691.html
RF2D7XBPB–Antique illustration depicting sculpture of Etruscan orator. Engraving published in Systematischer Bilder Atlas - Bauwesen, Ikonographische Encyklopae
A dictionary of Greek and Roman antiquities.. . the left shoulder, in such a manner as to cover thegreater part of the arm. By this arrangement theright arm is covered by the garment, a circumstancenoticed by Quintilian (§ 138) ; but it was occa-sionally released by throwing the toga off the right,shoulder, and leaving it to be supported on the leftalone. This arrangement is seen in many ancientstatues ; an example is shown in the following cut,which represents the celebrated statue of Aulus Me-tellus (commonly called the Etruscan orator) in theFlorence Gallery. (Muller, Denkmdler, vol. i. pi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-greek-and-roman-antiquities-the-left-shoulder-in-such-a-manner-as-to-cover-thegreater-part-of-the-arm-by-this-arrangement-theright-arm-is-covered-by-the-garment-a-circumstancenoticed-by-quintilian-138-but-it-was-occa-sionally-released-by-throwing-the-toga-off-the-rightshoulder-and-leaving-it-to-be-supported-on-the-leftalone-this-arrangement-is-seen-in-many-ancientstatues-an-example-is-shown-in-the-following-cutwhich-represents-the-celebrated-statue-of-aulus-me-tellus-commonly-called-the-etruscan-orator-in-theflorence-gallery-muller-denkmdler-vol-i-pi-image339166835.html
RM2AKPAN7–A dictionary of Greek and Roman antiquities.. . the left shoulder, in such a manner as to cover thegreater part of the arm. By this arrangement theright arm is covered by the garment, a circumstancenoticed by Quintilian (§ 138) ; but it was occa-sionally released by throwing the toga off the right,shoulder, and leaving it to be supported on the leftalone. This arrangement is seen in many ancientstatues ; an example is shown in the following cut,which represents the celebrated statue of Aulus Me-tellus (commonly called the Etruscan orator) in theFlorence Gallery. (Muller, Denkmdler, vol. i. pi.
Florence. Italy. Bronze statue of the Arringatore 'The Orator', from Sanguineto (Perugia), end of 2nd - early 1st century BCE. The statue depicts the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florence-italy-bronze-statue-of-the-arringatore-the-orator-from-sanguineto-perugia-end-of-2nd-early-1st-century-bce-the-statue-depicts-the-image485833881.html
RM2K6BJ21–Florence. Italy. Bronze statue of the Arringatore 'The Orator', from Sanguineto (Perugia), end of 2nd - early 1st century BCE. The statue depicts the
A dictionary of Greek and Roman antiquities.. . the left shoulder, in such a manner as to cover thegreater part of the arm. By this arrangement theright arm is covered by the garment, a circumstancenoticed by Quintilian (§ 138) ; but it was occa-sionally released by throwing the toga off the rightshoulder, and leaving it to be supported on the leftalone. This arrangement is seen in many ancientstatues ; an example is shown in the following cut,which represents the celebrated statue of Aulus Me-tellus (commonly called the Etruscan orator) in theFlorence Gallery. (Miiller, Denkmdler, vol. i. pi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dictionary-of-greek-and-roman-antiquities-the-left-shoulder-in-such-a-manner-as-to-cover-thegreater-part-of-the-arm-by-this-arrangement-theright-arm-is-covered-by-the-garment-a-circumstancenoticed-by-quintilian-138-but-it-was-occa-sionally-released-by-throwing-the-toga-off-the-rightshoulder-and-leaving-it-to-be-supported-on-the-leftalone-this-arrangement-is-seen-in-many-ancientstatues-an-example-is-shown-in-the-following-cutwhich-represents-the-celebrated-statue-of-aulus-me-tellus-commonly-called-the-etruscan-orator-in-theflorence-gallery-miiller-denkmdler-vol-i-pi-image340282256.html
RM2ANH5DM–A dictionary of Greek and Roman antiquities.. . the left shoulder, in such a manner as to cover thegreater part of the arm. By this arrangement theright arm is covered by the garment, a circumstancenoticed by Quintilian (§ 138) ; but it was occa-sionally released by throwing the toga off the rightshoulder, and leaving it to be supported on the leftalone. This arrangement is seen in many ancientstatues ; an example is shown in the following cut,which represents the celebrated statue of Aulus Me-tellus (commonly called the Etruscan orator) in theFlorence Gallery. (Miiller, Denkmdler, vol. i. pi.
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