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S volutes Stock Photos and Images
Baluster with stabbed C and S volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 83 cm × w 21 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-stabbed-c-and-s-volutes-s-shaped-baluster-with-stabbed-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-83-cm-w-21-cm-image261331085.htmlRMW54JD1–Baluster with stabbed C and S volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 83 cm × w 21 cm
Inspired by Chair of walnut decorated with S-volutes, acanthus leaf and a heart-shaped shield in the Rijksmuseum in Amsterdam, Rijksmuseum Amsterdam, c. 1875 - c. 1900, height 150 mm × width 82 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-chair-of-walnut-decorated-with-s-volutes-acanthus-leaf-and-a-heart-shaped-shield-in-the-rijksmuseum-in-amsterdam-rijksmuseum-amsterdam-c-1875-c-1900-height-150-mm-width-82-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459436452.htmlRF2HKD3TM–Inspired by Chair of walnut decorated with S-volutes, acanthus leaf and a heart-shaped shield in the Rijksmuseum in Amsterdam, Rijksmuseum Amsterdam, c. 1875 - c. 1900, height 150 mm × width 82 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden'. Artist and engraver: Jeremias Wachsmuth (German, 1712-1771). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56. Ornament print with designs for rocaille ornaments for various applications, on the left side 2 ornaments form S and double S volutes, which may be meant to line the railing of a staircase. This print is bound in an album containing 27 series with a t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-designs-for-rocaille-ornaments-plate-4-from-fortsezung-von-unterschielichen-auszierungen-zu-allerleij-nzlich-anzuwenden-artist-and-engraver-jeremias-wachsmuth-german-1712-1771-dimensions-overall-8-716-13-34-in-215-35-cm-publisher-martin-engelbrecht-german-augsburg-1684-1756-augsburg-date-printed-ca-1750-56-ornament-print-with-designs-for-rocaille-ornaments-for-various-applications-on-the-left-side-2-ornaments-form-s-and-double-s-volutes-which-may-be-meant-to-line-the-railing-of-a-staircase-this-print-is-bound-in-an-album-containing-27-series-with-a-t-image213180066.htmlRMPAR59P–Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden'. Artist and engraver: Jeremias Wachsmuth (German, 1712-1771). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56. Ornament print with designs for rocaille ornaments for various applications, on the left side 2 ornaments form S and double S volutes, which may be meant to line the railing of a staircase. This print is bound in an album containing 27 series with a t
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 83 cm. × b 21 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-83-cm-b-21-cm-image348158492.htmlRM2B6BYKT–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 83 cm. × b 21 cm.
Standard of iron, with S -Voluten ,, 1700 - 1800 The standard consists of three large S-volutes of which the lower curls are placed inwards and the upper, the smaller ones, outwards. Coming from the collection of Dr. F. Mannheimer. Italy iron (metal) The standard consists of three large S-volutes of which the lower curls are placed inwards and the upper, the smaller ones, outwards. Coming from the collection of Dr. F. Mannheimer. Italy iron (metal) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standard-of-iron-with-s-voluten-1700-1800-the-standard-consists-of-three-large-s-volutes-of-which-the-lower-curls-are-placed-inwards-and-the-upper-the-smaller-ones-outwards-coming-from-the-collection-of-dr-f-mannheimer-italy-iron-metal-the-standard-consists-of-three-large-s-volutes-of-which-the-lower-curls-are-placed-inwards-and-the-upper-the-smaller-ones-outwards-coming-from-the-collection-of-dr-f-mannheimer-italy-iron-metal-image576300075.htmlRM2TDGMHF–Standard of iron, with S -Voluten ,, 1700 - 1800 The standard consists of three large S-volutes of which the lower curls are placed inwards and the upper, the smaller ones, outwards. Coming from the collection of Dr. F. Mannheimer. Italy iron (metal) The standard consists of three large S-volutes of which the lower curls are placed inwards and the upper, the smaller ones, outwards. Coming from the collection of Dr. F. Mannheimer. Italy iron (metal)
SECONDE REPUBLIQUE ET SECOND EMPIRE 1848-1870, Casque au modèle troupe de l'escadron des Cent Gardes de l'Empereur Napoléon III, Ensemble bombe, visière et couvre-nuque en tôle d'acier, bordure de la visière, du couvre-nuque et rivets en laiton. Porte-plumet en cuivre doré et ciselé de feuillage. Bandeau souligné de volutes et orné au centre du 'N' impérial couronné brochant sur feuillage de laurier, le tout sur fond sablé. Cimier constitué d'ailes à caissons carrés, sablés et ornées d'une frise de laurier sur la partie supérieure, masque à caissons s, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seconde-republique-et-second-empire-1848-1870-casque-au-modle-troupe-de-lescadron-des-cent-gardes-de-lempereur-napolon-iii-ensemble-bombe-visire-et-couvre-nuque-en-tle-dacier-bordure-de-la-visire-du-couvre-nuque-et-rivets-en-laiton-porte-plumet-en-cuivre-dor-et-cisel-de-feuillage-bandeau-soulign-de-volutes-et-orn-au-centre-du-n-imprial-couronn-brochant-sur-feuillage-de-laurier-le-tout-sur-fond-sabl-cimier-constitu-dailes-caissons-carrs-sabls-et-ornes-dune-frise-de-laurier-sur-la-partie-suprieure-masque-caissons-s-artists-copyright-has-not-to-be-cleared-image243299356.htmlRMT3R6PM–SECONDE REPUBLIQUE ET SECOND EMPIRE 1848-1870, Casque au modèle troupe de l'escadron des Cent Gardes de l'Empereur Napoléon III, Ensemble bombe, visière et couvre-nuque en tôle d'acier, bordure de la visière, du couvre-nuque et rivets en laiton. Porte-plumet en cuivre doré et ciselé de feuillage. Bandeau souligné de volutes et orné au centre du 'N' impérial couronné brochant sur feuillage de laurier, le tout sur fond sablé. Cimier constitué d'ailes à caissons carrés, sablés et ornées d'une frise de laurier sur la partie supérieure, masque à caissons s, Artist's Copyright has not to be cleared
Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden' Printed ca. 1750–56 Jeremias Wachsmuth Ornament print with designs for rocaille ornaments for various applications, on the left side 2 ornaments form S and double S volutes, which may be meant to line the railing of a staircase. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von untersch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/various-designs-for-rocaille-ornaments-plate-4-from-fortsezung-von-unterschielichen-auszierungen-zu-allerleij-nzlich-anzuwenden-printed-ca-175056-jeremias-wachsmuth-ornament-print-with-designs-for-rocaille-ornaments-for-various-applications-on-the-left-side-2-ornaments-form-s-and-double-s-volutes-which-may-be-meant-to-line-the-railing-of-a-staircase-this-print-is-bound-in-an-album-containing-27-series-with-a-total-of-122-ornament-prints-from-the-fund-of-the-prominent-augsburg-publisher-martin-engelbrecht-various-designs-for-rocaille-ornaments-plate-4-from-fortsezung-von-untersch-image457821478.htmlRM2HGRFY2–Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden' Printed ca. 1750–56 Jeremias Wachsmuth Ornament print with designs for rocaille ornaments for various applications, on the left side 2 ornaments form S and double S volutes, which may be meant to line the railing of a staircase. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von untersch
The façade of Santa Maria Novella completed by Leon Battista Alberti in 1470, in Florence, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-faade-of-santa-maria-novella-completed-by-leon-battista-alberti-in-1470-in-florence-italy-image217115900.htmlRFPH6DF8–The façade of Santa Maria Novella completed by Leon Battista Alberti in 1470, in Florence, Italy.
Strip of machine side with hanging chalice of loose S-Voluten, anonymous, c. 1890 - c. 1914 Strip of natural -colored machine side: Machine Flanders side. The repeating pattern consists along the bottom half of the strip of a hanging chalice, flanked and crowned by loose S-volutes. Openwork edges run around the closed motifs. The motifs are connected by a machine soil that suggests a braid ground. Top and bottom of the strip are straight finished, with the bottom with picots. Nottingham (possibly) cotton (textile) Strip of natural -colored machine side: Machine Flanders side. The repeating pat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-machine-side-with-hanging-chalice-of-loose-s-voluten-anonymous-c-1890-c-1914-strip-of-natural-colored-machine-side-machine-flanders-side-the-repeating-pattern-consists-along-the-bottom-half-of-the-strip-of-a-hanging-chalice-flanked-and-crowned-by-loose-s-volutes-openwork-edges-run-around-the-closed-motifs-the-motifs-are-connected-by-a-machine-soil-that-suggests-a-braid-ground-top-and-bottom-of-the-strip-are-straight-finished-with-the-bottom-with-picots-nottingham-possibly-cotton-textile-strip-of-natural-colored-machine-side-machine-flanders-side-the-repeating-pat-image576545965.htmlRM2TDYX79–Strip of machine side with hanging chalice of loose S-Voluten, anonymous, c. 1890 - c. 1914 Strip of natural -colored machine side: Machine Flanders side. The repeating pattern consists along the bottom half of the strip of a hanging chalice, flanked and crowned by loose S-volutes. Openwork edges run around the closed motifs. The motifs are connected by a machine soil that suggests a braid ground. Top and bottom of the strip are straight finished, with the bottom with picots. Nottingham (possibly) cotton (textile) Strip of natural -colored machine side: Machine Flanders side. The repeating pat
The Bow Bridge with reflection at sunrise in Central Park, New York City. The largest pedestrian bridge in the park decorated by planting urns looks s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-bow-bridge-with-reflection-at-sunrise-in-central-park-new-york-172003314.htmlRFKYRBYE–The Bow Bridge with reflection at sunrise in Central Park, New York City. The largest pedestrian bridge in the park decorated by planting urns looks s
Ionic capital. Close-up detail of the Neo-classical white marble columns, pillars of the Jefferson Memorial in Washington DC US Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ionic-capital-close-up-detail-of-the-neo-classical-white-marble-columns-image8660616.htmlRMAM5JG9–Ionic capital. Close-up detail of the Neo-classical white marble columns, pillars of the Jefferson Memorial in Washington DC US
Byzantine and Romanesque architecture . of animals or menalmost as religiously as the Moslem, and that in the fewcases when they attempted it their efforts were rarelysuccessful. An exception must be made in favour of some finecapitals at S. Marks with figures of rams at the anglesinstead of volutes (Plate LXII c). The completion of the decoration with marble liningsand mosaic was slowly effected during the next 200 years ;the present domes date from the 13th century, and it wasnot till the 14th century that the gables were crownedwith those splendid riotous crockettings which offend thePurist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-and-romanesque-architecture-of-animals-or-menalmost-as-religiously-as-the-moslem-and-that-in-the-fewcases-when-they-attempted-it-their-efforts-were-rarelysuccessful-an-exception-must-be-made-in-favour-of-some-finecapitals-at-s-marks-with-figures-of-rams-at-the-anglesinstead-of-volutes-plate-lxii-c-the-completion-of-the-decoration-with-marble-liningsand-mosaic-was-slowly-effected-during-the-next-200-years-the-present-domes-date-from-the-13th-century-and-it-wasnot-till-the-14th-century-that-the-gables-were-crownedwith-those-splendid-riotous-crockettings-which-offend-thepurist-image343350086.htmlRM2AXGXF2–Byzantine and Romanesque architecture . of animals or menalmost as religiously as the Moslem, and that in the fewcases when they attempted it their efforts were rarelysuccessful. An exception must be made in favour of some finecapitals at S. Marks with figures of rams at the anglesinstead of volutes (Plate LXII c). The completion of the decoration with marble liningsand mosaic was slowly effected during the next 200 years ;the present domes date from the 13th century, and it wasnot till the 14th century that the gables were crownedwith those splendid riotous crockettings which offend thePurist
. Description des Cancellaires fossiles des terrains tertiaires du Piémont. Cancellariidae, Fossil; Mollusks, Fossil. :;1. 225 DESCRIPTION DES CANCELLAIRES FOSSILES DES TERRAINS TERTIAIRES DU PIEMONT tMsâon oï MbEÅta L. BELLARDI Lue dans la séance du 8 juin 1840.. JLies Cancellaires, qui avaient été confondues avec les Volutes par Linné , et par tous les auteurs, qui ont suivi la classification de ce savant, forment un des genres les plus beaux et les plus intéressants de coquilles établis par Lamarck , soit à l'état frais, soit à l'état fossile. Ce n'est que d'après les découver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/description-des-cancellaires-fossiles-des-terrains-tertiaires-du-pimont-cancellariidae-fossil-mollusks-fossil-1-225-description-des-cancellaires-fossiles-des-terrains-tertiaires-du-piemont-tmson-o-mbeta-l-bellardi-lue-dans-la-sance-du-8-juin-1840-jlies-cancellaires-qui-avaient-t-confondues-avec-les-volutes-par-linn-et-par-tous-les-auteurs-qui-ont-suivi-la-classification-de-ce-savant-forment-un-des-genres-les-plus-beaux-et-les-plus-intressants-de-coquilles-tablis-par-lamarck-soit-ltat-frais-soit-ltat-fossile-ce-nest-que-daprs-les-dcouver-image215963469.htmlRMPF9YH1–. Description des Cancellaires fossiles des terrains tertiaires du Piémont. Cancellariidae, Fossil; Mollusks, Fossil. :;1. 225 DESCRIPTION DES CANCELLAIRES FOSSILES DES TERRAINS TERTIAIRES DU PIEMONT tMsâon oï MbEÅta L. BELLARDI Lue dans la séance du 8 juin 1840.. JLies Cancellaires, qui avaient été confondues avec les Volutes par Linné , et par tous les auteurs, qui ont suivi la classification de ce savant, forment un des genres les plus beaux et les plus intéressants de coquilles établis par Lamarck , soit à l'état frais, soit à l'état fossile. Ce n'est que d'après les découver
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869390.htmlRMGCAF12–Venice, Italy, Church of Santa Maria della Salute
Baluster with inserted C and S volutes, S-shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 106 cm × w 49 cm × d 14 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-106-cm-w-49-cm-d-14-cm-image261331106.htmlRMW54JDP–Baluster with inserted C and S volutes, S-shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 106 cm × w 49 cm × d 14 cm
Art inspired by Chair of walnut decorated with S-volutes, acanthus leaf and a heart-shaped shield in the Rijksmuseum in Amsterdam, Rijksmuseum Amsterdam, c. 1875 - c. 1900, photographic support, height 150 mm × width 82 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chair-of-walnut-decorated-with-s-volutes-acanthus-leaf-and-a-heart-shaped-shield-in-the-rijksmuseum-in-amsterdam-rijksmuseum-amsterdam-c-1875-c-1900-photographic-support-height-150-mm-width-82-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459749537.htmlRF2HKYB69–Art inspired by Chair of walnut decorated with S-volutes, acanthus leaf and a heart-shaped shield in the Rijksmuseum in Amsterdam, Rijksmuseum Amsterdam, c. 1875 - c. 1900, photographic support, height 150 mm × width 82 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Design for a Clock, from 'Disegni Diversi'. Artist: Giovanni Giardini (Italian, Forlì 1646-1722 Rome). Dimensions: Plate: 10 11/16 × 6 7/8 in. (27.1 × 17.4 cm). Engraver: Maximilian Joseph Limpach (Czech, active Rome ca. 1700-1730). Date: 1714 or 1750. Design for a standing clock, characterized by two birds resting on one leg, on the left and right side of the base. The base consists of four S-shaped scrolls supporting a crowned coat of arms. Above it a mirror is placed. The round clock plate is held in place by two C-volutes and is decorated with leaf-shaped ornaments. Museum: Metropolitan M Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-clock-from-disegni-diversi-artist-giovanni-giardini-italian-forl-1646-1722-rome-dimensions-plate-10-1116-6-78-in-271-174-cm-engraver-maximilian-joseph-limpach-czech-active-rome-ca-1700-1730-date-1714-or-1750-design-for-a-standing-clock-characterized-by-two-birds-resting-on-one-leg-on-the-left-and-right-side-of-the-base-the-base-consists-of-four-s-shaped-scrolls-supporting-a-crowned-coat-of-arms-above-it-a-mirror-is-placed-the-round-clock-plate-is-held-in-place-by-two-c-volutes-and-is-decorated-with-leaf-shaped-ornaments-museum-metropolitan-m-image213316507.htmlRMPB1BAK–Design for a Clock, from 'Disegni Diversi'. Artist: Giovanni Giardini (Italian, Forlì 1646-1722 Rome). Dimensions: Plate: 10 11/16 × 6 7/8 in. (27.1 × 17.4 cm). Engraver: Maximilian Joseph Limpach (Czech, active Rome ca. 1700-1730). Date: 1714 or 1750. Design for a standing clock, characterized by two birds resting on one leg, on the left and right side of the base. The base consists of four S-shaped scrolls supporting a crowned coat of arms. Above it a mirror is placed. The round clock plate is held in place by two C-volutes and is decorated with leaf-shaped ornaments. Museum: Metropolitan M
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 23 cm. × d 6 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-91-cm-b-23-cm-d-6-cm-image348158469.htmlRM2B6BYK1–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 23 cm. × d 6 cm.
The facade of Santa Maria Novella completed by Leon Battista Alberti in 1470, in Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-facade-of-santa-maria-novella-completed-by-leon-battista-alberti-in-1470-in-florence-image217115906.htmlRFPH6DFE–The facade of Santa Maria Novella completed by Leon Battista Alberti in 1470, in Florence
Strip of machine side with hanging chalice of loose S-Voluten, anonymous, c. 1890 - c. 1914 Strip of natural -colored machine side: Machine Flanders side. The repeating pattern consists along the bottom half of the strip of a hanging chalice, flanked and crowned by loose S-volutes. Openwork edges run around the closed motifs. The motifs are connected by a machine soil that suggests a braid ground. Top and bottom of the strip are straight finished, with the bottom with picots. Nottingham (possibly) cotton (textile) Strip of natural -colored machine side: Machine Flanders side. The repeating pat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-machine-side-with-hanging-chalice-of-loose-s-voluten-anonymous-c-1890-c-1914-strip-of-natural-colored-machine-side-machine-flanders-side-the-repeating-pattern-consists-along-the-bottom-half-of-the-strip-of-a-hanging-chalice-flanked-and-crowned-by-loose-s-volutes-openwork-edges-run-around-the-closed-motifs-the-motifs-are-connected-by-a-machine-soil-that-suggests-a-braid-ground-top-and-bottom-of-the-strip-are-straight-finished-with-the-bottom-with-picots-nottingham-possibly-cotton-textile-strip-of-natural-colored-machine-side-machine-flanders-side-the-repeating-pat-image576527043.htmlRM2TDY23F–Strip of machine side with hanging chalice of loose S-Voluten, anonymous, c. 1890 - c. 1914 Strip of natural -colored machine side: Machine Flanders side. The repeating pattern consists along the bottom half of the strip of a hanging chalice, flanked and crowned by loose S-volutes. Openwork edges run around the closed motifs. The motifs are connected by a machine soil that suggests a braid ground. Top and bottom of the strip are straight finished, with the bottom with picots. Nottingham (possibly) cotton (textile) Strip of natural -colored machine side: Machine Flanders side. The repeating pat
Ionic capitals. Close-up detail of the Neo-classical white marble columns, pillars of the Jefferson Memorial in Washington DC US Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ionic-capitals-close-up-detail-of-the-neo-classical-white-marble-columns-image8660611.htmlRMAM5JG4–Ionic capitals. Close-up detail of the Neo-classical white marble columns, pillars of the Jefferson Memorial in Washington DC US
Byzantine and Romanesque architecture . TON6 or Fig. 8i. animals, while in the naves they are treated more simplywith volutes and leaves descended remotely from theCorinthian type, and sometimes of great excellence.Fig. 79 shows one from the fa9ade of Angouleme, andFig. 80 another from Poitiers. The shrine of S. Junienin the church at the town that bears his name has aninteresting series of niches and figures {Fig. 81). Plate CI y It <4 11;. I* -v < Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-and-romanesque-architecture-ton6-or-fig-8i-animals-while-in-the-naves-they-are-treated-more-simplywith-volutes-and-leaves-descended-remotely-from-thecorinthian-type-and-sometimes-of-great-excellencefig-79-shows-one-from-the-fa9ade-of-angouleme-andfig-80-another-from-poitiers-the-shrine-of-s-junienin-the-church-at-the-town-that-bears-his-name-has-aninteresting-series-of-niches-and-figures-fig-81-plate-ci-y-it-lt4-11-i-v-lt-image339224508.htmlRM2AKW090–Byzantine and Romanesque architecture . TON6 or Fig. 8i. animals, while in the naves they are treated more simplywith volutes and leaves descended remotely from theCorinthian type, and sometimes of great excellence.Fig. 79 shows one from the fa9ade of Angouleme, andFig. 80 another from Poitiers. The shrine of S. Junienin the church at the town that bears his name has aninteresting series of niches and figures {Fig. 81). Plate CI y It <4 11;. I* -v <
. Des divers styles de jardins, modèles de grandes et petites résidences, sur l'art décoratif des jardins; jardins européens et jardins orientaux. Gardens; Gardens. avec volutes, pièces de gazon découpé et motifs de buis au centre de la comparti- mentation. Il a composé aussi de très beaux parterres carrés avec bassin dans les angles, miroir central et compartimentations remplies de dessins de buis. Il n'a pas craint de faire des parterres triangulaires et en forme de trapèze. Malgré ces formes de fantaisies, Le Nôtre arri- vait toujours à faire des compositions originales, claire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/des-divers-styles-de-jardins-modles-de-grandes-et-petites-rsidences-sur-lart-dcoratif-des-jardins-jardins-europens-et-jardins-orientaux-gardens-gardens-avec-volutes-pices-de-gazon-dcoup-et-motifs-de-buis-au-centre-de-la-comparti-mentation-il-a-compos-aussi-de-trs-beaux-parterres-carrs-avec-bassin-dans-les-angles-miroir-central-et-compartimentations-remplies-de-dessins-de-buis-il-na-pas-craint-de-faire-des-parterres-triangulaires-et-en-forme-de-trapze-malgr-ces-formes-de-fantaisies-le-ntre-arri-vait-toujours-faire-des-compositions-originales-claire-image215979173.htmlRMPFAKHW–. Des divers styles de jardins, modèles de grandes et petites résidences, sur l'art décoratif des jardins; jardins européens et jardins orientaux. Gardens; Gardens. avec volutes, pièces de gazon découpé et motifs de buis au centre de la comparti- mentation. Il a composé aussi de très beaux parterres carrés avec bassin dans les angles, miroir central et compartimentations remplies de dessins de buis. Il n'a pas craint de faire des parterres triangulaires et en forme de trapèze. Malgré ces formes de fantaisies, Le Nôtre arri- vait toujours à faire des compositions originales, claire
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869411.htmlRMGCAF1R–Venice, Italy, Church of Santa Maria della Salute
Baluster with stabbed C and S-volutes, S-shaped baluster with stabbed C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 21 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-stabbed-c-and-s-volutes-s-shaped-baluster-with-stabbed-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-90-cm-w-21-cm-d-5-cm-image261331099.htmlRMW54JDF–Baluster with stabbed C and S-volutes, S-shaped baluster with stabbed C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 21 cm × d 5 cm
Inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is straight with a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-strip-of-needlepoint-lace-with-asymmetrical-acanthus-leaves-strip-of-natural-colored-needlepoint-lace-venetian-relief-lace-pattern-with-asymmetrical-acanthus-leaves-in-s-and-c-volutes-ending-in-palmetto-flowers-irregular-bar-ground-with-picots-the-upper-edge-is-straight-with-a-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459386420.htmlRF2HKAT1T–Inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is straight with a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![Lamp. Culture: Roman, Cypriot. Dimensions: Overall: 1 1/8 x 4 1/4 in. (2.9 x 10.8 cm). Date: 2nd century A.D.. Discus: portrait head of a bearded, laureate man, facing right. Shoulder: continuous band of lines and grooves. Volutes flanking nozzle. Incised base ring, with incised Greek letters: ROMA[NE]SI/S and circle below. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PB0H6K/lamp-culture-roman-cypriot-dimensions-overall-1-18-x-4-14-in-29-x-108-cm-date-2nd-century-ad-discus-portrait-head-of-a-bearded-laureate-man-facing-right-shoulder-continuous-band-of-lines-and-grooves-volutes-flanking-nozzle-incised-base-ring-with-incised-greek-letters-roma-ne-sis-and-circle-below-museum-metropolitan-museum-of-art-new-york-usa-PB0H6K.jpg "Lamp. Culture: Roman, Cypriot. Dimensions: Overall: 1 1/8 x 4 1/4 in. (2.9 x 10.8 cm). Date: 2nd century A.D.. Discus: portrait head of a bearded, laureate man, facing right. Shoulder: continuous band of lines and grooves. Volutes flanking nozzle. Incised base ring, with incised Greek letters: ROMA[NE]SI/S and circle below. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
Lamp. Culture: Roman, Cypriot. Dimensions: Overall: 1 1/8 x 4 1/4 in. (2.9 x 10.8 cm). Date: 2nd century A.D.. Discus: portrait head of a bearded, laureate man, facing right. Shoulder: continuous band of lines and grooves. Volutes flanking nozzle. Incised base ring, with incised Greek letters: ROMA[NE]SI/S and circle below. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lamp-culture-roman-cypriot-dimensions-overall-1-18-x-4-14-in-29-x-108-cm-date-2nd-century-ad-discus-portrait-head-of-a-bearded-laureate-man-facing-right-shoulder-continuous-band-of-lines-and-grooves-volutes-flanking-nozzle-incised-base-ring-with-incised-greek-letters-roma-ne-sis-and-circle-below-museum-metropolitan-museum-of-art-new-york-usa-image213299147.htmlRMPB0H6K–Lamp. Culture: Roman, Cypriot. Dimensions: Overall: 1 1/8 x 4 1/4 in. (2.9 x 10.8 cm). Date: 2nd century A.D.. Discus: portrait head of a bearded, laureate man, facing right. Shoulder: continuous band of lines and grooves. Volutes flanking nozzle. Incised base ring, with incised Greek letters: ROMA[NE]SI/S and circle below. Museum: Metropolitan Museum of Art, New York, USA.
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 20 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-90-cm-b-20-cm-d-5-cm-image348158307.htmlRM2B6BYD7–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 20 cm. × d 5 cm.
The facade of Santa Maria Novella completed by Leon Battista Alberti in 1470, in Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-facade-of-santa-maria-novella-completed-by-leon-battista-alberti-in-1470-in-florence-image217115904.htmlRFPH6DFC–The facade of Santa Maria Novella completed by Leon Battista Alberti in 1470, in Florence
Strip of machine side with hanging chalice of loose S-Voluten, anonymous, c. 1890 - c. 1914 Strip of natural -colored machine side: Machine Flanders side. The repeating pattern consists along the bottom half of the strip of a hanging chalice, flanked and crowned by loose S-volutes. Openwork edges run around the closed motifs. The motifs are connected by a machine soil that suggests a braid ground. Top and bottom of the strip are straight finished, with the bottom with picots. Nottingham (possibly) cotton (textile) Strip of natural -colored machine side: Machine Flanders side. The repeating pat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strip-of-machine-side-with-hanging-chalice-of-loose-s-voluten-anonymous-c-1890-c-1914-strip-of-natural-colored-machine-side-machine-flanders-side-the-repeating-pattern-consists-along-the-bottom-half-of-the-strip-of-a-hanging-chalice-flanked-and-crowned-by-loose-s-volutes-openwork-edges-run-around-the-closed-motifs-the-motifs-are-connected-by-a-machine-soil-that-suggests-a-braid-ground-top-and-bottom-of-the-strip-are-straight-finished-with-the-bottom-with-picots-nottingham-possibly-cotton-textile-strip-of-natural-colored-machine-side-machine-flanders-side-the-repeating-pat-image576525481.htmlRM2TDY03N–Strip of machine side with hanging chalice of loose S-Voluten, anonymous, c. 1890 - c. 1914 Strip of natural -colored machine side: Machine Flanders side. The repeating pattern consists along the bottom half of the strip of a hanging chalice, flanked and crowned by loose S-volutes. Openwork edges run around the closed motifs. The motifs are connected by a machine soil that suggests a braid ground. Top and bottom of the strip are straight finished, with the bottom with picots. Nottingham (possibly) cotton (textile) Strip of natural -colored machine side: Machine Flanders side. The repeating pat
Ionic capital. Close-up detail of the Neo-classical white marble columns, pillars of the Jefferson Memorial in Washington DC US Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ionic-capital-close-up-detail-of-the-neo-classical-white-marble-columns-image8660613.htmlRFAM5JG6–Ionic capital. Close-up detail of the Neo-classical white marble columns, pillars of the Jefferson Memorial in Washington DC US
Byzantine and Romanesque architecture . 55-5rK€l!U5^BACCHU5. Fig. 21. which occurs also at Ravenna, Salonica, and Parenzo.Those of the upper storey have a quasi-pulvino (Fig. 21)which has descended and become merged in an Ioniccapital with rude and almost barbarous volutes. Thegallery runs all round, except where interrupted on theeast side by the opening to the apse which occupies bothstoreys. The aisle and gallery above it are each ceiledwith an annular vault, like the aisle of S. Costanza atRome, and in this way the awkwardness of the pro-trusion of the exedrae into the aisle is avoided, wh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-and-romanesque-architecture-55-5rkl!u5bacchu5-fig-21-which-occurs-also-at-ravenna-salonica-and-parenzothose-of-the-upper-storey-have-a-quasi-pulvino-fig-21which-has-descended-and-become-merged-in-an-ioniccapital-with-rude-and-almost-barbarous-volutes-thegallery-runs-all-round-except-where-interrupted-on-theeast-side-by-the-opening-to-the-apse-which-occupies-bothstoreys-the-aisle-and-gallery-above-it-are-each-ceiledwith-an-annular-vault-like-the-aisle-of-s-costanza-atrome-and-in-this-way-the-awkwardness-of-the-pro-trusion-of-the-exedrae-into-the-aisle-is-avoided-wh-image343391010.htmlRM2AXJPMJ–Byzantine and Romanesque architecture . 55-5rK€l!U5^BACCHU5. Fig. 21. which occurs also at Ravenna, Salonica, and Parenzo.Those of the upper storey have a quasi-pulvino (Fig. 21)which has descended and become merged in an Ioniccapital with rude and almost barbarous volutes. Thegallery runs all round, except where interrupted on theeast side by the opening to the apse which occupies bothstoreys. The aisle and gallery above it are each ceiledwith an annular vault, like the aisle of S. Costanza atRome, and in this way the awkwardness of the pro-trusion of the exedrae into the aisle is avoided, wh
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869349.htmlRMGCAEYH–Venice, Italy, Church of Santa Maria della Salute
Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 79 cm × w 21 cm × d 4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-79-cm-w-21-cm-d-4-cm-image261331093.htmlRMW54JD9–Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 79 cm × w 21 cm × d 4 cm
Inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is straight with a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-strip-of-needlepoint-lace-with-asymmetrical-acanthus-leaves-strip-of-natural-colored-needlepoint-lace-venetian-relief-lace-pattern-with-asymmetrical-acanthus-leaves-in-s-and-c-volutes-ending-in-palmetto-flowers-irregular-bar-ground-with-picots-the-upper-edge-is-straight-with-a-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459386426.htmlRF2HKAT22–Inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is straight with a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Terracotta oil lamp. Culture: Roman, Cypriot. Dimensions: 1 3/16 x 4 9/16 in. (3.0 x 11.6 cm). Date: ca. A.D. 70-120. Loeschcke Type 4. Mold-made. Discus: at bottom, acanthus wreath with tendrils, spreading up and around toward back; a single central filling hole, surrounded by two raised circles and with a band of raised lines and grooves towards edge. Shortened, stylized volutes flanking nozzle, with large wick hole. Within impressed base ring, a slight concave base with the incised marker's mark: ROMANESIS (both S retrograde). Intact. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-oil-lamp-culture-roman-cypriot-dimensions-1-316-x-4-916-in-30-x-116-cm-date-ca-ad-70-120-loeschcke-type-4-mold-made-discus-at-bottom-acanthus-wreath-with-tendrils-spreading-up-and-around-toward-back-a-single-central-filling-hole-surrounded-by-two-raised-circles-and-with-a-band-of-raised-lines-and-grooves-towards-edge-shortened-stylized-volutes-flanking-nozzle-with-large-wick-hole-within-impressed-base-ring-a-slight-concave-base-with-the-incised-markers-mark-romanesis-both-s-retrograde-intact-museum-metropolitan-museum-of-art-new-york-usa-image213210100.htmlRMPATFJC–Terracotta oil lamp. Culture: Roman, Cypriot. Dimensions: 1 3/16 x 4 9/16 in. (3.0 x 11.6 cm). Date: ca. A.D. 70-120. Loeschcke Type 4. Mold-made. Discus: at bottom, acanthus wreath with tendrils, spreading up and around toward back; a single central filling hole, surrounded by two raised circles and with a band of raised lines and grooves towards edge. Shortened, stylized volutes flanking nozzle, with large wick hole. Within impressed base ring, a slight concave base with the incised marker's mark: ROMANESIS (both S retrograde). Intact. Museum: Metropolitan Museum of Art, New York, USA.
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 106 cm. × b 49 cm. × d 14 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-106-cm-b-49-cm-d-14-cm-image348158292.htmlRM2B6BYCM–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 106 cm. × b 49 cm. × d 14 cm.
Arm chair of black lacquered and chopped walnut, anonymous, c. 1675 - c. 1700 Arm chair of black -lacked and black -chopped walnut. The furniture has a covered seat and peace on overhoeks placed legs in the form of S-Voluten. There is a vase at the intersection of the X-shaped cross. The armrest stars are S-shaped. The armrests turn outside and end in a volute, which is decorated with Acanthus and clock cords as well as the back. The high back shows a chain scale motif on a ribbed ground in the middle, flanked by flared colonets and s-volutes. Netherlands wood (plant material). walnut (hardwoo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arm-chair-of-black-lacquered-and-chopped-walnut-anonymous-c-1675-c-1700-arm-chair-of-black-lacked-and-black-chopped-walnut-the-furniture-has-a-covered-seat-and-peace-on-overhoeks-placed-legs-in-the-form-of-s-voluten-there-is-a-vase-at-the-intersection-of-the-x-shaped-cross-the-armrest-stars-are-s-shaped-the-armrests-turn-outside-and-end-in-a-volute-which-is-decorated-with-acanthus-and-clock-cords-as-well-as-the-back-the-high-back-shows-a-chain-scale-motif-on-a-ribbed-ground-in-the-middle-flanked-by-flared-colonets-and-s-volutes-netherlands-wood-plant-material-walnut-hardwoo-image576355703.htmlRM2TDK7G7–Arm chair of black lacquered and chopped walnut, anonymous, c. 1675 - c. 1700 Arm chair of black -lacked and black -chopped walnut. The furniture has a covered seat and peace on overhoeks placed legs in the form of S-Voluten. There is a vase at the intersection of the X-shaped cross. The armrest stars are S-shaped. The armrests turn outside and end in a volute, which is decorated with Acanthus and clock cords as well as the back. The high back shows a chain scale motif on a ribbed ground in the middle, flanked by flared colonets and s-volutes. Netherlands wood (plant material). walnut (hardwoo
Cyclopedia of architecture, carpentry, and building : a general reference work . 9 £. I—I u S; 5 M SrtJDY OP THE ORDERS 121 Arrangement of Volutes at Corners of Buildings. This arrange-ment is perfectly adaptable to a long colonnade; but when we reachthe corner of the building, a difficulty at once presents itself. On oneside or the other this capital must show a roil, which v/ould not agreewith the capitals beside it. The volute which distinguishes the Ioniccapital almost prevents its use at the angles of a building, inasmuch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cyclopedia-of-architecture-carpentry-and-building-a-general-reference-work-9-ii-u-s-5-m-srtjdy-op-the-orders-121-arrangement-of-volutes-at-corners-of-buildings-this-arrange-ment-is-perfectly-adaptable-to-a-long-colonnade-but-when-we-reachthe-corner-of-the-building-a-difficulty-at-once-presents-itself-on-oneside-or-the-other-this-capital-must-show-a-roil-which-vould-not-agreewith-the-capitals-beside-it-the-volute-which-distinguishes-the-ioniccapital-almost-prevents-its-use-at-the-angles-of-a-building-inasmuch-image339938466.htmlRM2AN1EYE–Cyclopedia of architecture, carpentry, and building : a general reference work . 9 £. I—I u S; 5 M SrtJDY OP THE ORDERS 121 Arrangement of Volutes at Corners of Buildings. This arrange-ment is perfectly adaptable to a long colonnade; but when we reachthe corner of the building, a difficulty at once presents itself. On oneside or the other this capital must show a roil, which v/ould not agreewith the capitals beside it. The volute which distinguishes the Ioniccapital almost prevents its use at the angles of a building, inasmuch
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869369.htmlRMGCAF09–Venice, Italy, Church of Santa Maria della Salute
Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-91-cm-w-21-cm-d-5-cm-image261331096.htmlRMW54JDC–Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 5 cm
Inspired by Spice Pot, The arched lid is surmounted by an acorn-shaped knob, which is supported by three s-shaped volutes. Along the rim of the lid and on the top of the lid also a continuous row of smooth, convex studs., maker:, Delft, c. 1660 - c. 1680, height 21 cm × diameter 10 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-spice-pot-the-arched-lid-is-surmounted-by-an-acorn-shaped-knob-which-is-supported-by-three-s-shaped-volutes-along-the-rim-of-the-lid-and-on-the-top-of-the-lid-also-a-continuous-row-of-smooth-convex-studs-maker-delft-c-1660-c-1680-height-21-cm-diameter-10-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459393216.htmlRF2HKB4MG–Inspired by Spice Pot, The arched lid is surmounted by an acorn-shaped knob, which is supported by three s-shaped volutes. Along the rim of the lid and on the top of the lid also a continuous row of smooth, convex studs., maker:, Delft, c. 1660 - c. 1680, height 21 cm × diameter 10 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Circular urn with plant volutes. Late 1st century BC - early 1st century AD. National Archaeological Museum. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/circular-urn-with-plant-volutes-late-1st-century-bc-early-1st-century-ad-national-archaeological-museum-naples-italy-image212363982.htmlRMP9E0BX–Circular urn with plant volutes. Late 1st century BC - early 1st century AD. National Archaeological Museum. Naples. Italy.
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 21 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-91-cm-b-21-cm-d-5-cm-image348158287.htmlRM2B6BYCF–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 21 cm. × d 5 cm.
Side panel of fencing and hazard, decorated with heart -shaped composite volutes. Housing in the form of point with S-Voluten. OFF. Mannheimer., 1600 - 1699 A four -part fence consisting of two doors and two side panels; The frame is composed of vertical and horizontally placed rules, the latter allocation over the entire width in two wide between three narrow jobs. In the large lanes there are vertically placed eight-sided bars with above and below one row and in the middle a double row of composite S-volutes that form heart-shaped motifs. Each part of the fence is crowned by a pointed motif Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-panel-of-fencing-and-hazard-decorated-with-heart-shaped-composite-volutes-housing-in-the-form-of-point-with-s-voluten-off-mannheimer-1600-1699-a-four-part-fence-consisting-of-two-doors-and-two-side-panels-the-frame-is-composed-of-vertical-and-horizontally-placed-rules-the-latter-allocation-over-the-entire-width-in-two-wide-between-three-narrow-jobs-in-the-large-lanes-there-are-vertically-placed-eight-sided-bars-with-above-and-below-one-row-and-in-the-middle-a-double-row-of-composite-s-volutes-that-form-heart-shaped-motifs-each-part-of-the-fence-is-crowned-by-a-pointed-motif-image576322635.htmlRM2TDHNB7–Side panel of fencing and hazard, decorated with heart -shaped composite volutes. Housing in the form of point with S-Voluten. OFF. Mannheimer., 1600 - 1699 A four -part fence consisting of two doors and two side panels; The frame is composed of vertical and horizontally placed rules, the latter allocation over the entire width in two wide between three narrow jobs. In the large lanes there are vertically placed eight-sided bars with above and below one row and in the middle a double row of composite S-volutes that form heart-shaped motifs. Each part of the fence is crowned by a pointed motif
Principles of decorative design . s Kgure, that the interstices between certain portions of thecreature are tilled by a knot.This is well — the wholething being an ornament,and not a naturalistic repre-sentation. Fig. IS is a Siamesegrotesque head, and a finesample it is of the curiousform of ornament which itrepresents. IMark, it is inno way a copy of a humanhead, but is a true orna-ment, with its parts so ar-ranged as to call up the ideao£ a face, and nothing more.Notice the volutes formingthe chin ; the grotesque, yethighly ornamental, linesforming the mouth and theupper boundary of the for Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/principles-of-decorative-design-s-kgure-that-the-interstices-between-certain-portions-of-thecreature-are-tilled-by-a-knotthis-is-well-the-wholething-being-an-ornamentand-not-a-naturalistic-repre-sentation-fig-is-is-a-siamesegrotesque-head-and-a-finesample-it-is-of-the-curiousform-of-ornament-which-itrepresents-imark-it-is-inno-way-a-copy-of-a-humanhead-but-is-a-true-orna-ment-with-its-parts-so-ar-ranged-as-to-call-up-the-ideao-a-face-and-nothing-morenotice-the-volutes-formingthe-chin-the-grotesque-yethighly-ornamental-linesforming-the-mouth-and-theupper-boundary-of-the-for-image342824032.htmlRM2AWMYFC–Principles of decorative design . s Kgure, that the interstices between certain portions of thecreature are tilled by a knot.This is well — the wholething being an ornament,and not a naturalistic repre-sentation. Fig. IS is a Siamesegrotesque head, and a finesample it is of the curiousform of ornament which itrepresents. IMark, it is inno way a copy of a humanhead, but is a true orna-ment, with its parts so ar-ranged as to call up the ideao£ a face, and nothing more.Notice the volutes formingthe chin ; the grotesque, yethighly ornamental, linesforming the mouth and theupper boundary of the for
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869291.htmlRMGCAEWF–Venice, Italy, Church of Santa Maria della Salute
Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 22 cm × d 6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-90-cm-w-22-cm-d-6-cm-image261331098.htmlRMW54JDE–Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 22 cm × d 6 cm
Inspired by Table top of wall table, Wooden table top of table of walnut with four transverse S-shaped legs, ending in volutes., furniture worker:, Netherlands, c. 1655 - c. 1675, wood (plant material), width 100 cm × depth 68 cm × height 2.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-table-top-of-wall-table-wooden-table-top-of-table-of-walnut-with-four-transverse-s-shaped-legs-ending-in-volutes-furniture-worker-netherlands-c-1655-c-1675-wood-plant-material-width-100-cm-depth-68-cm-height-25-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459392083.htmlRF2HKB383–Inspired by Table top of wall table, Wooden table top of table of walnut with four transverse S-shaped legs, ending in volutes., furniture worker:, Netherlands, c. 1655 - c. 1675, wood (plant material), width 100 cm × depth 68 cm × height 2.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier'. Artist: Juste Aurèle Meissonnier (French, Turin 1695-1750 Paris). Dimensions: Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.4 cm) Sheet: 22 3/4 × 17 in. (57.8 × 43.2 cm). Engraver: Gabriel Huquier (French, Orléans 1695-1772 Paris). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Date: ca. 1742-48. Design for a canape executed for the interior of the palace of the Duke Bielenski (1735). The canape is characterized by heavily patterned upholstery with a palmette motif in the center. The canape is s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canap-execut-pour-mr-le-comte-de-bielenski-from-oeuvre-de-juste-aurele-meissonnier-artist-juste-aurle-meissonnier-french-turin-1695-1750-paris-dimensions-plate-12-12-14-516-in-317-364-cm-sheet-22-34-17-in-578-432-cm-engraver-gabriel-huquier-french-orlans-1695-1772-paris-publisher-gabriel-huquier-french-orlans-1695-1772-paris-date-ca-1742-48-design-for-a-canape-executed-for-the-interior-of-the-palace-of-the-duke-bielenski-1735-the-canape-is-characterized-by-heavily-patterned-upholstery-with-a-palmette-motif-in-the-center-the-canape-is-s-image213205692.htmlRMPATA10–Canapé executé pour Mr. le Comte de Bielenski, from 'Oeuvre de Juste Aurele Meissonnier'. Artist: Juste Aurèle Meissonnier (French, Turin 1695-1750 Paris). Dimensions: Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.4 cm) Sheet: 22 3/4 × 17 in. (57.8 × 43.2 cm). Engraver: Gabriel Huquier (French, Orléans 1695-1772 Paris). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Date: ca. 1742-48. Design for a canape executed for the interior of the palace of the Duke Bielenski (1735). The canape is characterized by heavily patterned upholstery with a palmette motif in the center. The canape is s
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 79 cm. × b 21 cm. × d 4 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-79-cm-b-21-cm-d-4-cm-image348158306.htmlRM2B6BYD6–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 79 cm. × b 21 cm. × d 4 cm.
Key, c. 1400 - c. 1950 Key of which the handle consists of two S-Voluten, an oval and which are crowned together by a crossbar on which two small S-volutes cut tilted together and wear a final piece with point. The handle rests on a Doric capital under which there is a round capital with vertical grooved lines. iron (metal) Key of which the handle consists of two S-Voluten, an oval and which are crowned together by a crossbar on which two small S-volutes cut tilted together and wear a final piece with point. The handle rests on a Doric capital under which there is a round capital with vertica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-c-1400-c-1950-key-of-which-the-handle-consists-of-two-s-voluten-an-oval-and-which-are-crowned-together-by-a-crossbar-on-which-two-small-s-volutes-cut-tilted-together-and-wear-a-final-piece-with-point-the-handle-rests-on-a-doric-capital-under-which-there-is-a-round-capital-with-vertical-grooved-lines-iron-metal-key-of-which-the-handle-consists-of-two-s-voluten-an-oval-and-which-are-crowned-together-by-a-crossbar-on-which-two-small-s-volutes-cut-tilted-together-and-wear-a-final-piece-with-point-the-handle-rests-on-a-doric-capital-under-which-there-is-a-round-capital-with-vertica-image576315625.htmlRM2TDHCCW–Key, c. 1400 - c. 1950 Key of which the handle consists of two S-Voluten, an oval and which are crowned together by a crossbar on which two small S-volutes cut tilted together and wear a final piece with point. The handle rests on a Doric capital under which there is a round capital with vertical grooved lines. iron (metal) Key of which the handle consists of two S-Voluten, an oval and which are crowned together by a crossbar on which two small S-volutes cut tilted together and wear a final piece with point. The handle rests on a Doric capital under which there is a round capital with vertica
Byzantine and Romanesque architecture . maybe regarded as especially a Norman feature. It appearsS.Georges also in the fine church of S. Georges de Boscherville,cherviiie which was founded between 1050 and 1066. The archi-tecture seems too advanced in its style for so early a date,and Sign. Rivoira^ believes it to have been re-built about1116 in its present form, which has remained almostuntouched by later work. Here, among cushion capitals,are others rudely carved with angle volutes distantlyderived from ancient example, though barbarous enoughin design and execution. But in the entrance to t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-and-romanesque-architecture-maybe-regarded-as-especially-a-norman-feature-it-appearssgeorges-also-in-the-fine-church-of-s-georges-de-boschervillecherviiie-which-was-founded-between-1050-and-1066-the-archi-tecture-seems-too-advanced-in-its-style-for-so-early-a-dateand-sign-rivoira-believes-it-to-have-been-re-built-about1116-in-its-present-form-which-has-remained-almostuntouched-by-later-work-here-among-cushion-capitalsare-others-rudely-carved-with-angle-volutes-distantlyderived-from-ancient-example-though-barbarous-enoughin-design-and-execution-but-in-the-entrance-to-t-image339191112.htmlRM2AKRDM8–Byzantine and Romanesque architecture . maybe regarded as especially a Norman feature. It appearsS.Georges also in the fine church of S. Georges de Boscherville,cherviiie which was founded between 1050 and 1066. The archi-tecture seems too advanced in its style for so early a date,and Sign. Rivoira^ believes it to have been re-built about1116 in its present form, which has remained almostuntouched by later work. Here, among cushion capitals,are others rudely carved with angle volutes distantlyderived from ancient example, though barbarous enoughin design and execution. But in the entrance to t
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869331.htmlRMGCAEXY–Venice, Italy, Church of Santa Maria della Salute
Baluster with stabbed C and S volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 20 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-stabbed-c-and-s-volutes-s-shaped-baluster-with-stabbed-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-90-cm-w-20-cm-d-5-cm-image261331104.htmlRMW54JDM–Baluster with stabbed C and S volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 20 cm × d 5 cm
Art inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-strip-of-needlepoint-lace-with-asymmetrical-acanthus-leaves-strip-of-natural-colored-needlepoint-lace-venetian-relief-lace-pattern-with-asymmetrical-acanthus-leaves-in-s-and-c-volutes-ending-in-palmetto-flowers-irregular-bar-ground-with-picots-the-upper-edge-is-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459727328.htmlRF2HKXAW4–Art inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 20 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-90-cm-b-20-cm-d-5-cm-image348158299.htmlRM2B6BYCY–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 20 cm. × d 5 cm.
Hek door of fencing and hazard, decorated with heart -shaped composite volutes. Housing in the form of point with S-Voluten. OFF. Mannheimer., 1600 - 1699 A four -part fence consisting of two doors and two side panels; The frame is composed of vertical and horizontally placed rules, the latter allocation over the entire width in two wide between three narrow jobs. In the large lanes there are vertically placed eight-sided bars with above and below one row and in the middle a double row of composite S-volutes that form heart-shaped motifs. Each part of the fence is crowned by a pointed motif of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hek-door-of-fencing-and-hazard-decorated-with-heart-shaped-composite-volutes-housing-in-the-form-of-point-with-s-voluten-off-mannheimer-1600-1699-a-four-part-fence-consisting-of-two-doors-and-two-side-panels-the-frame-is-composed-of-vertical-and-horizontally-placed-rules-the-latter-allocation-over-the-entire-width-in-two-wide-between-three-narrow-jobs-in-the-large-lanes-there-are-vertically-placed-eight-sided-bars-with-above-and-below-one-row-and-in-the-middle-a-double-row-of-composite-s-volutes-that-form-heart-shaped-motifs-each-part-of-the-fence-is-crowned-by-a-pointed-motif-of-image576413107.htmlRM2TDNTPB–Hek door of fencing and hazard, decorated with heart -shaped composite volutes. Housing in the form of point with S-Voluten. OFF. Mannheimer., 1600 - 1699 A four -part fence consisting of two doors and two side panels; The frame is composed of vertical and horizontally placed rules, the latter allocation over the entire width in two wide between three narrow jobs. In the large lanes there are vertically placed eight-sided bars with above and below one row and in the middle a double row of composite S-volutes that form heart-shaped motifs. Each part of the fence is crowned by a pointed motif of
Handbook for architects and builders . may, ofcourse, lie substituted for the capital withangle volute.s at 45°, though the latter hasusually a much more graceful effect, partic-ularly in small compositions. Of course,the geometrical method for setting out thevolutes cannot be used in drawing such cap-itals in ordinary elevation. It should benoticed that the height of the capital tnthis Order is measured from the soffit ofthe volutes. The centre of the eye is one-third of theheight of the capital from its bottom and isin elevation placed just outside the topcircumference of the shaft, while th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/handbook-for-architects-and-builders-may-ofcourse-lie-substituted-for-the-capital-withangle-volutes-at-45-though-the-latter-hasusually-a-much-more-graceful-effect-partic-ularly-in-small-compositions-of-coursethe-geometrical-method-for-setting-out-thevolutes-cannot-be-used-in-drawing-such-cap-itals-in-ordinary-elevation-it-should-benoticed-that-the-height-of-the-capital-tnthis-order-is-measured-from-the-soffit-ofthe-volutes-the-centre-of-the-eye-is-one-third-of-theheight-of-the-capital-from-its-bottom-and-isin-elevation-placed-just-outside-the-topcircumference-of-the-shaft-while-th-image342660004.htmlRM2AWDE98–Handbook for architects and builders . may, ofcourse, lie substituted for the capital withangle volute.s at 45°, though the latter hasusually a much more graceful effect, partic-ularly in small compositions. Of course,the geometrical method for setting out thevolutes cannot be used in drawing such cap-itals in ordinary elevation. It should benoticed that the height of the capital tnthis Order is measured from the soffit ofthe volutes. The centre of the eye is one-third of theheight of the capital from its bottom and isin elevation placed just outside the topcircumference of the shaft, while th
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869376.htmlRMGCAF0G–Venice, Italy, Church of Santa Maria della Salute
Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 23 cm × d 6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-91-cm-w-23-cm-d-6-cm-image261331108.htmlRMW54JDT–Baluster with inserted C and S-volutes, S-shaped baluster with inserted C and S-volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 23 cm × d 6 cm
Art inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-strip-of-needlepoint-lace-with-asymmetrical-acanthus-leaves-strip-of-natural-colored-needlepoint-lace-venetian-relief-lace-pattern-with-asymmetrical-acanthus-leaves-in-s-and-c-volutes-ending-in-palmetto-flowers-irregular-bar-ground-with-picots-the-upper-edge-is-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459727333.htmlRF2HKXAW9–Art inspired by Strip of needlepoint lace with asymmetrical acanthus leaves, Strip of natural-colored needlepoint lace, Venetian relief lace. Pattern with asymmetrical acanthus leaves in s- and c-volutes ending in palmetto flowers. Irregular bar ground with picots. The upper edge is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 21 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-90-cm-b-21-cm-d-5-cm-image348158297.htmlRM2B6BYCW–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 21 cm. × d 5 cm.
Stand with flowering plants and foliate scrolls, anonymous, c. 1750 Porselein grab on three feet with three modeled buttons at the top and three s-volutes on which the boiler rests. Painted in underlaze blue. On the wall leaf vines and lambrequins. Blue White. Japan Porcelain. Glaze. Cobalt (Mineral). handle: Balene painting / vitrification Porselein grab on three feet with three modeled buttons at the top and three s-volutes on which the boiler rests. Painted in underlaze blue. On the wall leaf vines and lambrequins. Blue White. Japan Porcelain. Glaze. Cobalt (Mineral). handle: Balene paintin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stand-with-flowering-plants-and-foliate-scrolls-anonymous-c-1750-porselein-grab-on-three-feet-with-three-modeled-buttons-at-the-top-and-three-s-volutes-on-which-the-boiler-rests-painted-in-underlaze-blue-on-the-wall-leaf-vines-and-lambrequins-blue-white-japan-porcelain-glaze-cobalt-mineral-handle-balene-painting-vitrification-porselein-grab-on-three-feet-with-three-modeled-buttons-at-the-top-and-three-s-volutes-on-which-the-boiler-rests-painted-in-underlaze-blue-on-the-wall-leaf-vines-and-lambrequins-blue-white-japan-porcelain-glaze-cobalt-mineral-handle-balene-paintin-image576340623.htmlRM2TDJG9K–Stand with flowering plants and foliate scrolls, anonymous, c. 1750 Porselein grab on three feet with three modeled buttons at the top and three s-volutes on which the boiler rests. Painted in underlaze blue. On the wall leaf vines and lambrequins. Blue White. Japan Porcelain. Glaze. Cobalt (Mineral). handle: Balene painting / vitrification Porselein grab on three feet with three modeled buttons at the top and three s-volutes on which the boiler rests. Painted in underlaze blue. On the wall leaf vines and lambrequins. Blue White. Japan Porcelain. Glaze. Cobalt (Mineral). handle: Balene paintin
A treatise on malacology; or, Shells and shell fish . hells are readily distinguished by theexperienced malacologist at the first glance, it is not soeasy to define them by words. Their true characters,we apprehend, will be found in the animal. Theydiffer from all other known volutes, by being alwayswithout sculpture, and generally polished like the Mar-ginellce. The apex of the spire varies precisely in thesame way as in the genus Harpula : in the chief type,represented by S. undulata, it is small, and obtuselypointed. In fusiformis, it is decidedly thick; andin papulosa, it becomes exceeding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-treatise-on-malacology-or-shells-and-shell-fish-hells-are-readily-distinguished-by-theexperienced-malacologist-at-the-first-glance-it-is-not-soeasy-to-define-them-by-words-their-true-characterswe-apprehend-will-be-found-in-the-animal-theydiffer-from-all-other-known-volutes-by-being-alwayswithout-sculpture-and-generally-polished-like-the-mar-ginellce-the-apex-of-the-spire-varies-precisely-in-thesame-way-as-in-the-genus-harpula-in-the-chief-typerepresented-by-s-undulata-it-is-small-and-obtuselypointed-in-fusiformis-it-is-decidedly-thick-andin-papulosa-it-becomes-exceeding-image339118779.htmlRM2AKM5CY–A treatise on malacology; or, Shells and shell fish . hells are readily distinguished by theexperienced malacologist at the first glance, it is not soeasy to define them by words. Their true characters,we apprehend, will be found in the animal. Theydiffer from all other known volutes, by being alwayswithout sculpture, and generally polished like the Mar-ginellce. The apex of the spire varies precisely in thesame way as in the genus Harpula : in the chief type,represented by S. undulata, it is small, and obtuselypointed. In fusiformis, it is decidedly thick; andin papulosa, it becomes exceeding
Venice, Italy, Church of Santa Maria della Salute Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-venice-italy-church-of-santa-maria-della-salute-110869319.htmlRMGCAEXF–Venice, Italy, Church of Santa Maria della Salute
Baluster with stabbed C and S volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-stabbed-c-and-s-volutes-s-shaped-baluster-with-stabbed-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-91-cm-w-21-cm-d-5-cm-image261331095.htmlRMW54JDB–Baluster with stabbed C and S volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 5 cm
Art inspired by Spice Pot, The arched lid is surmounted by an acorn-shaped knob, which is supported by three s-shaped volutes. Along the rim of the lid and on the top of the lid also a continuous row of smooth, convex studs., maker:, Delft, c. 1660 - c. 1680, height 21 cm × diameter 10, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-spice-pot-the-arched-lid-is-surmounted-by-an-acorn-shaped-knob-which-is-supported-by-three-s-shaped-volutes-along-the-rim-of-the-lid-and-on-the-top-of-the-lid-also-a-continuous-row-of-smooth-convex-studs-maker-delft-c-1660-c-1680-height-21-cm-diameter-10-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459729977.htmlRF2HKXE7N–Art inspired by Spice Pot, The arched lid is surmounted by an acorn-shaped knob, which is supported by three s-shaped volutes. Along the rim of the lid and on the top of the lid also a continuous row of smooth, convex studs., maker:, Delft, c. 1660 - c. 1680, height 21 cm × diameter 10, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 21 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-91-cm-b-21-cm-d-5-cm-image348158288.htmlRM2B6BYCG–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 21 cm. × d 5 cm.
Scarf of black bobbin with eight-pointed rosette in the middle and a border with strashed octagon and s-volutes, anonymous, c. 1875 - c. 1899 Black bobbin scarf: Chantilly side. Square model. In the middle fills a rosette with eight pointed -dull 'petals' the tuler land strewn with mosjes. The circumference of each 'petal' is formed by a leaf garland that ends in the point with a bouquet. The circular rosette heart consists of eight rosette flowers, one flower at the start of each 'petal'. Two zigzag lines emerge from each flower, which together form a checkered leaf grain. A very wide and ric Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scarf-of-black-bobbin-with-eight-pointed-rosette-in-the-middle-and-a-border-with-strashed-octagon-and-s-volutes-anonymous-c-1875-c-1899-black-bobbin-scarf-chantilly-side-square-model-in-the-middle-fills-a-rosette-with-eight-pointed-dull-petals-the-tuler-land-strewn-with-mosjes-the-circumference-of-each-petal-is-formed-by-a-leaf-garland-that-ends-in-the-point-with-a-bouquet-the-circular-rosette-heart-consists-of-eight-rosette-flowers-one-flower-at-the-start-of-each-petal-two-zigzag-lines-emerge-from-each-flower-which-together-form-a-checkered-leaf-grain-a-very-wide-and-ric-image589044285.htmlRM2W697YW–Scarf of black bobbin with eight-pointed rosette in the middle and a border with strashed octagon and s-volutes, anonymous, c. 1875 - c. 1899 Black bobbin scarf: Chantilly side. Square model. In the middle fills a rosette with eight pointed -dull 'petals' the tuler land strewn with mosjes. The circumference of each 'petal' is formed by a leaf garland that ends in the point with a bouquet. The circular rosette heart consists of eight rosette flowers, one flower at the start of each 'petal'. Two zigzag lines emerge from each flower, which together form a checkered leaf grain. A very wide and ric
Cyclopedia of architecture, carpentry, and building : a general reference work . I—I u S; 5 M SrtJDY OP THE ORDERS 121 Arrangement of Volutes at Corners of Buildings. This arrange-ment is perfectly adaptable to a long colonnade; but when we reachthe corner of the building, a difficulty at once presents itself. On oneside or the other this capital must show a roil, which v/ould not agreewith the capitals beside it. The volute which distinguishes the Ioniccapital almost prevents its use at the angles of a building, inasmuch. Fig. 60. View Showing Two Faces of Ionic Capital. as the principal face Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cyclopedia-of-architecture-carpentry-and-building-a-general-reference-work-ii-u-s-5-m-srtjdy-op-the-orders-121-arrangement-of-volutes-at-corners-of-buildings-this-arrange-ment-is-perfectly-adaptable-to-a-long-colonnade-but-when-we-reachthe-corner-of-the-building-a-difficulty-at-once-presents-itself-on-oneside-or-the-other-this-capital-must-show-a-roil-which-vould-not-agreewith-the-capitals-beside-it-the-volute-which-distinguishes-the-ioniccapital-almost-prevents-its-use-at-the-angles-of-a-building-inasmuch-fig-60-view-showing-two-faces-of-ionic-capital-as-the-principal-face-image339937641.htmlRM2AN1DX1–Cyclopedia of architecture, carpentry, and building : a general reference work . I—I u S; 5 M SrtJDY OP THE ORDERS 121 Arrangement of Volutes at Corners of Buildings. This arrange-ment is perfectly adaptable to a long colonnade; but when we reachthe corner of the building, a difficulty at once presents itself. On oneside or the other this capital must show a roil, which v/ould not agreewith the capitals beside it. The volute which distinguishes the Ioniccapital almost prevents its use at the angles of a building, inasmuch. Fig. 60. View Showing Two Faces of Ionic Capital. as the principal face
Baluster with stabbed C- and S-volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-stabbed-c-and-s-volutes-s-shaped-baluster-with-stabbed-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-91-cm-w-21-cm-d-5-cm-image261331102.htmlRMW54JDJ–Baluster with stabbed C- and S-volutes, S-shaped baluster with stabbed C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 5 cm
Art inspired by Table top of wall table, Wooden table top of table of walnut with four transverse S-shaped legs, ending in volutes., furniture worker:, Netherlands, c. 1655 - c. 1675, wood (plant material), width 100 cm × depth 68 cm × height 2.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-table-top-of-wall-table-wooden-table-top-of-table-of-walnut-with-four-transverse-s-shaped-legs-ending-in-volutes-furniture-worker-netherlands-c-1655-c-1675-wood-plant-material-width-100-cm-depth-68-cm-height-25-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459729252.htmlRF2HKXD9T–Art inspired by Table top of wall table, Wooden table top of table of walnut with four transverse S-shaped legs, ending in volutes., furniture worker:, Netherlands, c. 1655 - c. 1675, wood (plant material), width 100 cm × depth 68 cm × height 2.5 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 22 cm. × d 6 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-90-cm-b-22-cm-d-6-cm-image348158301.htmlRM2B6BYD1–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 22 cm. × d 6 cm.
Vijzel with inscription: Lof Godt van Al AO 1622, Henrick ter Horst (Attributed to), 1622 The cast round auger extends upwards, has a high protruding edge, a flared profiled base and two dolphin ears. On the edge in Latin Majuskels the inscription Lof Godt of Al AO 1622 with punctuations consisting of a lying diamond (five times). The upper Frisian consists of a tantal work in the form of two symmetrically placed s-volutes of each other (almost five times). The lower frieze consists of a symmetrically built ornament with, among other things, a rolling work placed. It is closed at the bottom by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vijzel-with-inscription-lof-godt-van-al-ao-1622-henrick-ter-horst-attributed-to-1622-the-cast-round-auger-extends-upwards-has-a-high-protruding-edge-a-flared-profiled-base-and-two-dolphin-ears-on-the-edge-in-latin-majuskels-the-inscription-lof-godt-of-al-ao-1622-with-punctuations-consisting-of-a-lying-diamond-five-times-the-upper-frisian-consists-of-a-tantal-work-in-the-form-of-two-symmetrically-placed-s-volutes-of-each-other-almost-five-times-the-lower-frieze-consists-of-a-symmetrically-built-ornament-with-among-other-things-a-rolling-work-placed-it-is-closed-at-the-bottom-by-image576298462.htmlRM2TDGJFX–Vijzel with inscription: Lof Godt van Al AO 1622, Henrick ter Horst (Attributed to), 1622 The cast round auger extends upwards, has a high protruding edge, a flared profiled base and two dolphin ears. On the edge in Latin Majuskels the inscription Lof Godt of Al AO 1622 with punctuations consisting of a lying diamond (five times). The upper Frisian consists of a tantal work in the form of two symmetrically placed s-volutes of each other (almost five times). The lower frieze consists of a symmetrically built ornament with, among other things, a rolling work placed. It is closed at the bottom by
Sleutel.Key with handle consisting of sheets S volutes. The capital is bullet-shaped and the key chest a round high disk. A S-shaped beard is located on the clover-plate-shaped short shaft. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleutelkey-with-handle-consisting-of-sheets-s-volutes-the-capital-is-bullet-shaped-and-the-key-chest-a-round-high-disk-a-s-shaped-beard-is-located-on-the-clover-plate-shaped-short-shaft-image414371494.htmlRM2F2471X–Sleutel.Key with handle consisting of sheets S volutes. The capital is bullet-shaped and the key chest a round high disk. A S-shaped beard is located on the clover-plate-shaped short shaft.
Handbook of archaeology, Egyptian - Greek - Etruscan - Roman . GRECIAN DORIC. GRECIAN IONIC. haps, hoops of metal around the wooden capital); 3.plinthus s. abacus (in Eoman edifices with a cymatium.) B. The Ionic :—1. hypotraclielium (only in the richer form) ; COLUMNS. 43 2. echinus with an astragalus lesbius beneath (a torusabove it in the richer kind) ; 3. canalis, the canal, andthe volutes with the oculi and axes on two sides, on thetwo others the pulvini, cushions, with the baltei,straps; 4. abacus and cymatium. C. The Corinthian. Two main parts :—I. calathus, the vaseor bell of the capit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/handbook-of-archaeology-egyptian-greek-etruscan-roman-grecian-doric-grecian-ionic-haps-hoops-of-metal-around-the-wooden-capital-3plinthus-s-abacus-in-eoman-edifices-with-a-cymatium-b-the-ionic-1-hypotraclielium-only-in-the-richer-form-columns-43-2-echinus-with-an-astragalus-lesbius-beneath-a-torusabove-it-in-the-richer-kind-3-canalis-the-canal-andthe-volutes-with-the-oculi-and-axes-on-two-sides-on-thetwo-others-the-pulvini-cushions-with-the-balteistraps-4-abacus-and-cymatium-c-the-corinthian-two-main-parts-i-calathus-the-vaseor-bell-of-the-capit-image340086140.htmlRM2AN879G–Handbook of archaeology, Egyptian - Greek - Etruscan - Roman . GRECIAN DORIC. GRECIAN IONIC. haps, hoops of metal around the wooden capital); 3.plinthus s. abacus (in Eoman edifices with a cymatium.) B. The Ionic :—1. hypotraclielium (only in the richer form) ; COLUMNS. 43 2. echinus with an astragalus lesbius beneath (a torusabove it in the richer kind) ; 3. canalis, the canal, andthe volutes with the oculi and axes on two sides, on thetwo others the pulvini, cushions, with the baltei,straps; 4. abacus and cymatium. C. The Corinthian. Two main parts :—I. calathus, the vaseor bell of the capit
Baluster with inserted C- and S-volutes, S -shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 20 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-90-cm-w-20-cm-d-5-cm-image261331105.htmlRMW54JDN–Baluster with inserted C- and S-volutes, S -shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 90 cm × w 20 cm × d 5 cm
Inspired by Lambrekine or strip of applique embroidery, Lambrekine or strip of applique embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lambrekine-or-strip-of-applique-embroidery-lambrekine-or-strip-of-applique-embroidery-on-a-wine-red-velvet-fond-the-pattern-has-symmetrical-reclining-s-tendrils-tied-together-in-the-center-with-a-lily-and-a-rose-the-richly-branched-tendril-is-set-with-leaf-rosettes-and-ends-in-volutes-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459385948.htmlRF2HKARD0–Inspired by Lambrekine or strip of applique embroidery, Lambrekine or strip of applique embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 21 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-91-cm-b-21-cm-d-5-cm-image348158293.htmlRM2B6BYCN–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 91 cm. × b 21 cm. × d 5 cm.
Sleutel.Key whose handle consists of an upwardly controlled C-volt on which two S volutes are containing a smaller volute in the bottom. The capital is formed from a tonus between two discs. The shaft ends past the beard in a profiling. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleutelkey-whose-handle-consists-of-an-upwardly-controlled-c-volt-on-which-two-s-volutes-are-containing-a-smaller-volute-in-the-bottom-the-capital-is-formed-from-a-tonus-between-two-discs-the-shaft-ends-past-the-beard-in-a-profiling-image414368054.htmlRM2F242K2–Sleutel.Key whose handle consists of an upwardly controlled C-volt on which two S volutes are containing a smaller volute in the bottom. The capital is formed from a tonus between two discs. The shaft ends past the beard in a profiling.
![Byzantine and Romanesque architecture . ^^ - .. ? ^^s 1 ( South Porch—LE PUY Plate CXXII. -. ^is- s» Kin- .1 :.-4:, r jc^./SJf// Capitals of South Porch—LE PUY CH. xxiii] FRANCE—AUVERGNE 141 of scroll work below the stage of the volutes ; and in acapital from the cloister at Le Puy (Fig. 108) with itsByzantinesque birds dipping into a cup, and its leavesthrown sideways, is it too fanciful to detect a suggestionfrom the blown leaf capitals of S. Apollinare in Classeat Ravenna, and those in S. Demetrius and S. Sophiaat Salonica ? (Plate III, vol. i. p. 52). One of the most remarkable features Stock Photo](https://c8.alamy.com/comp/2AKRKK3/byzantine-and-romanesque-architecture-s-1-south-porchle-puy-plate-cxxii-is-s-kin-1-4-r-jcsjf-capitals-of-south-porchle-puy-ch-xxiii-franceauvergne-141-of-scroll-work-below-the-stage-of-the-volutes-and-in-acapital-from-the-cloister-at-le-puy-fig-108-with-itsbyzantinesque-birds-dipping-into-a-cup-and-its-leavesthrown-sideways-is-it-too-fanciful-to-detect-a-suggestionfrom-the-blown-leaf-capitals-of-s-apollinare-in-classeat-ravenna-and-those-in-s-demetrius-and-s-sophiaat-salonica-plate-iii-vol-i-p-52-one-of-the-most-remarkable-features-2AKRKK3.jpg "Byzantine and Romanesque architecture . ^^ - .. ? ^^s 1 ( South Porch—LE PUY Plate CXXII. -. ^is- s» Kin- .1 :.-4:, r jc^./SJf// Capitals of South Porch—LE PUY CH. xxiii] FRANCE—AUVERGNE 141 of scroll work below the stage of the volutes ; and in acapital from the cloister at Le Puy (Fig. 108) with itsByzantinesque birds dipping into a cup, and its leavesthrown sideways, is it too fanciful to detect a suggestionfrom the blown leaf capitals of S. Apollinare in Classeat Ravenna, and those in S. Demetrius and S. Sophiaat Salonica ? (Plate III, vol. i. p. 52). One of the most remarkable features Stock Photo")
Byzantine and Romanesque architecture . ^^ - .. ? ^^s 1 ( South Porch—LE PUY Plate CXXII. -. ^is- s» Kin- .1 :.-4:, r jc^./SJf// Capitals of South Porch—LE PUY CH. xxiii] FRANCE—AUVERGNE 141 of scroll work below the stage of the volutes ; and in acapital from the cloister at Le Puy (Fig. 108) with itsByzantinesque birds dipping into a cup, and its leavesthrown sideways, is it too fanciful to detect a suggestionfrom the blown leaf capitals of S. Apollinare in Classeat Ravenna, and those in S. Demetrius and S. Sophiaat Salonica ? (Plate III, vol. i. p. 52). One of the most remarkable features Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-and-romanesque-architecture-s-1-south-porchle-puy-plate-cxxii-is-s-kin-1-4-r-jcsjf-capitals-of-south-porchle-puy-ch-xxiii-franceauvergne-141-of-scroll-work-below-the-stage-of-the-volutes-and-in-acapital-from-the-cloister-at-le-puy-fig-108-with-itsbyzantinesque-birds-dipping-into-a-cup-and-its-leavesthrown-sideways-is-it-too-fanciful-to-detect-a-suggestionfrom-the-blown-leaf-capitals-of-s-apollinare-in-classeat-ravenna-and-those-in-s-demetrius-and-s-sophiaat-salonica-plate-iii-vol-i-p-52-one-of-the-most-remarkable-features-image339195783.htmlRM2AKRKK3–Byzantine and Romanesque architecture . ^^ - .. ? ^^s 1 ( South Porch—LE PUY Plate CXXII. -. ^is- s» Kin- .1 :.-4:, r jc^./SJf// Capitals of South Porch—LE PUY CH. xxiii] FRANCE—AUVERGNE 141 of scroll work below the stage of the volutes ; and in acapital from the cloister at Le Puy (Fig. 108) with itsByzantinesque birds dipping into a cup, and its leavesthrown sideways, is it too fanciful to detect a suggestionfrom the blown leaf capitals of S. Apollinare in Classeat Ravenna, and those in S. Demetrius and S. Sophiaat Salonica ? (Plate III, vol. i. p. 52). One of the most remarkable features
Baluster with stabbed C- and S-volutes, S-shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 93 cm × w 23 cm × d 5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-stabbed-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-93-cm-w-23-cm-d-5-cm-image261331097.htmlRMW54JDD–Baluster with stabbed C- and S-volutes, S-shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 93 cm × w 23 cm × d 5 cm
Inspired by Lambrekine or strip of appliqué embroidery, Lambrekine or strip of appliqué embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lambrekine-or-strip-of-appliqu-embroidery-lambrekine-or-strip-of-appliqu-embroidery-on-a-wine-red-velvet-fond-the-pattern-has-symmetrical-reclining-s-tendrils-tied-together-in-the-center-with-a-lily-and-a-rose-the-richly-branched-tendril-is-set-with-leaf-rosettes-and-ends-in-volutes-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459385933.htmlRF2HKARCD–Inspired by Lambrekine or strip of appliqué embroidery, Lambrekine or strip of appliqué embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 93 cm. × b 23 cm. × d 5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-93-cm-b-23-cm-d-5-cm-image348158468.htmlRM2B6BYK0–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 93 cm. × b 23 cm. × d 5 cm.
Sleutel.Key whose handle consists of two S volutes, an oval in collaboration and that can be crowned together by a crossbar on which two small S-voltages cut diagonally and wear a closing piece with tip. The handle rests on a doric capital, which is a round capiteel with vertical grooved lines. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sleutelkey-whose-handle-consists-of-two-s-volutes-an-oval-in-collaboration-and-that-can-be-crowned-together-by-a-crossbar-on-which-two-small-s-voltages-cut-diagonally-and-wear-a-closing-piece-with-tip-the-handle-rests-on-a-doric-capital-which-is-a-round-capiteel-with-vertical-grooved-lines-image414371587.htmlRM2F24757–Sleutel.Key whose handle consists of two S volutes, an oval in collaboration and that can be crowned together by a crossbar on which two small S-voltages cut diagonally and wear a closing piece with tip. The handle rests on a doric capital, which is a round capiteel with vertical grooved lines.
Anatomy of the Indian elephant . e.tf. Transverse muscular fibres of alinasal pouch. Fig. 2. Front view. Plate III. Section through nasal passages, pharynx, and larynx. fs. Frontal sinus. cc. Cranial cavity. e. Eustachian tube. pli.p. Pharyngeal pouch. jc. Jacobsons canal. bs. Basi-sphenoid. mx. Maxilla. pmx. Premaxilla. mn. Mandible. hy. Hyoid. an. Alinasal cartilage. as. Aliseptal cartilage. ae. Aliethmoidal volutes. fh. Thyroid cartilage. cr. Cricoid cartilage. Kp. Constrictor pharyngis. s. Hind edge of nasal septum. *^* The proportions, especially of the bony parts, will be foundto differ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anatomy-of-the-indian-elephant-etf-transverse-muscular-fibres-of-alinasal-pouch-fig-2-front-view-plate-iii-section-through-nasal-passages-pharynx-and-larynx-fs-frontal-sinus-cc-cranial-cavity-e-eustachian-tube-plip-pharyngeal-pouch-jc-jacobsons-canal-bs-basi-sphenoid-mx-maxilla-pmx-premaxilla-mn-mandible-hy-hyoid-an-alinasal-cartilage-as-aliseptal-cartilage-ae-aliethmoidal-volutes-fh-thyroid-cartilage-cr-cricoid-cartilage-kp-constrictor-pharyngis-s-hind-edge-of-nasal-septum-the-proportions-especially-of-the-bony-parts-will-be-foundto-differ-image339377667.htmlRM2AM3YJY–Anatomy of the Indian elephant . e.tf. Transverse muscular fibres of alinasal pouch. Fig. 2. Front view. Plate III. Section through nasal passages, pharynx, and larynx. fs. Frontal sinus. cc. Cranial cavity. e. Eustachian tube. pli.p. Pharyngeal pouch. jc. Jacobsons canal. bs. Basi-sphenoid. mx. Maxilla. pmx. Premaxilla. mn. Mandible. hy. Hyoid. an. Alinasal cartilage. as. Aliseptal cartilage. ae. Aliethmoidal volutes. fh. Thyroid cartilage. cr. Cricoid cartilage. Kp. Constrictor pharyngis. s. Hind edge of nasal septum. *^* The proportions, especially of the bony parts, will be foundto differ
Vest van kloskant met hangende tros in symmetrische omlijsting.Triangular vest of natural colosside, Flemish guipure. In a symmetrical frame of S volutes, rosettes and C volutes, an asymmetrical bunch with round-shaped fruits or flowers hangs. Braiding ground. Finish on all sides with uneven slot, which arise from the pattern. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vest-van-kloskant-met-hangende-tros-in-symmetrische-omlijstingtriangular-vest-of-natural-colosside-flemish-guipure-in-a-symmetrical-frame-of-s-volutes-rosettes-and-c-volutes-an-asymmetrical-bunch-with-round-shaped-fruits-or-flowers-hangs-braiding-ground-finish-on-all-sides-with-uneven-slot-which-arise-from-the-pattern-image414400106.htmlRM2F25FFP–Vest van kloskant met hangende tros in symmetrische omlijsting.Triangular vest of natural colosside, Flemish guipure. In a symmetrical frame of S volutes, rosettes and C volutes, an asymmetrical bunch with round-shaped fruits or flowers hangs. Braiding ground. Finish on all sides with uneven slot, which arise from the pattern.
Manchet van kloskant met hangende tros in symmetrische omlijsting.Cuff from natural colosside: Flemish Guipure. In a symmetrical frame of S volutes, rosettes and C volutes, an asymmetrical bunch with round-shaped fruits or flowers hangs. Braiding ground. Finish on all sides with uneven slot, which arise from the pattern. The cuff is rectangular with a raised center. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manchet-van-kloskant-met-hangende-tros-in-symmetrische-omlijstingcuff-from-natural-colosside-flemish-guipure-in-a-symmetrical-frame-of-s-volutes-rosettes-and-c-volutes-an-asymmetrical-bunch-with-round-shaped-fruits-or-flowers-hangs-braiding-ground-finish-on-all-sides-with-uneven-slot-which-arise-from-the-pattern-the-cuff-is-rectangular-with-a-raised-center-image414422639.htmlRM2F26G8F–Manchet van kloskant met hangende tros in symmetrische omlijsting.Cuff from natural colosside: Flemish Guipure. In a symmetrical frame of S volutes, rosettes and C volutes, an asymmetrical bunch with round-shaped fruits or flowers hangs. Braiding ground. Finish on all sides with uneven slot, which arise from the pattern. The cuff is rectangular with a raised center.
Vase-shaped part, On the belly, which is sanded, three lion heads, interconnected by three 'cloth garlands'. Above three ears, formed from crushed, band-shaped S-volutes., Venice, 1575 - 1600, bronze (metal), h 12 cm × w 12 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-shaped-part-on-the-belly-which-is-sanded-three-lion-heads-interconnected-by-three-cloth-garlands-above-three-ears-formed-from-crushed-band-shaped-s-volutes-venice-1575-1600-bronze-metal-h-12-cm-w-12-cm-image261328768.htmlRMW54FE8–Vase-shaped part, On the belly, which is sanded, three lion heads, interconnected by three 'cloth garlands'. Above three ears, formed from crushed, band-shaped S-volutes., Venice, 1575 - 1600, bronze (metal), h 12 cm × w 12 cm
Inspired by Lambrekine or strip of appliqué embroidery, Lambrekine or strip of appliqué embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lambrekine-or-strip-of-appliqu-embroidery-lambrekine-or-strip-of-appliqu-embroidery-on-a-wine-red-velvet-fond-the-pattern-has-symmetrical-reclining-s-tendrils-tied-together-in-the-center-with-a-lily-and-a-rose-the-richly-branched-tendril-is-set-with-leaf-rosettes-and-ends-in-volutes-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459385942.htmlRF2HKARCP–Inspired by Lambrekine or strip of appliqué embroidery, Lambrekine or strip of appliqué embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 21 cm. × d 4 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-90-cm-b-21-cm-d-4-cm-image348158458.htmlRM2B6BYJJ–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 90 cm. × b 21 cm. × d 4 cm.
![. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the human Stock Photo](https://c8.alamy.com/comp/2AGAH1P/a-history-of-architecture-in-italy-from-the-time-of-constantine-to-the-dawn-of-the-renaissance-lliiiiiliii-fig-rjl-s-ainlngtli-miliiiicapital-in-nartliev-rill-lomiiaki-kmaksle-18-itjil-ly-aiiiiikil-foiins-ol-uliicli-tlic-licads-arr-mniiinoiily-inado-tlti-sltvijin-lacc-of-volutes-as-in-san-anibroio-at-milan-fijs-110-1201-1-unman-riiures-beasts-birds-and-combinations-of-tlnse-areavailed-of-and-the-variety-both-of-snbject-and-treatment-is-well-niih-inlinitt-but-the-fiinres-are-without-exctption-ill-foiined-andltrtesjue-the-human-2AGAH1P.jpg ". A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the human Stock Photo")
. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the human Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-history-of-architecture-in-italy-from-the-time-of-constantine-to-the-dawn-of-the-renaissance-lliiiiiliii-fig-rjl-s-ainlngtli-miliiiicapital-in-nartliev-rill-lomiiaki-kmaksle-18-itjil-ly-aiiiiikil-foiins-ol-uliicli-tlic-licads-arr-mniiinoiily-inado-tlti-sltvijin-lacc-of-volutes-as-in-san-anibroio-at-milan-fijs-110-1201-1-unman-riiures-beasts-birds-and-combinations-of-tlnse-areavailed-of-and-the-variety-both-of-snbject-and-treatment-is-well-niih-inlinitt-but-the-fiinres-are-without-exctption-ill-foiined-andltrtesjue-the-human-image337064386.htmlRM2AGAH1P–. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the human
Manchet van kloskant met hangende tros in symmetrische omlijsting.Cuff from natural colosside: Flemish Guipure. In a symmetrical frame of S volutes, rosettes and C volutes, an asymmetrical bunch with round-shaped fruits or flowers hangs. Braiding ground. Finish on all sides with uneven slot, which arise from the pattern. The cuff is rectangular with a raised center. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manchet-van-kloskant-met-hangende-tros-in-symmetrische-omlijstingcuff-from-natural-colosside-flemish-guipure-in-a-symmetrical-frame-of-s-volutes-rosettes-and-c-volutes-an-asymmetrical-bunch-with-round-shaped-fruits-or-flowers-hangs-braiding-ground-finish-on-all-sides-with-uneven-slot-which-arise-from-the-pattern-the-cuff-is-rectangular-with-a-raised-center-image414409755.htmlRM2F25YTB–Manchet van kloskant met hangende tros in symmetrische omlijsting.Cuff from natural colosside: Flemish Guipure. In a symmetrical frame of S volutes, rosettes and C volutes, an asymmetrical bunch with round-shaped fruits or flowers hangs. Braiding ground. Finish on all sides with uneven slot, which arise from the pattern. The cuff is rectangular with a raised center.
Armchair from Nuthout. Window armchair, covered by removable window. The S-shaped legs, ending in Acanthus sheet, go into the scalloped rules. The legs, front seat, armrests and armrest struts, the back framework and back fragrances are decorated with pelleted leaf and floral motifs; Striking on the upper sprinkle is the stained robocone pigeon with flour branches. The seating frame is trapezoidal. The contour emphasizes profile lists, continuous or with C and S volutes. See also: BK-15591. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armchair-from-nuthout-window-armchair-covered-by-removable-window-the-s-shaped-legs-ending-in-acanthus-sheet-go-into-the-scalloped-rules-the-legs-front-seat-armrests-and-armrest-struts-the-back-framework-and-back-fragrances-are-decorated-with-pelleted-leaf-and-floral-motifs-striking-on-the-upper-sprinkle-is-the-stained-robocone-pigeon-with-flour-branches-the-seating-frame-is-trapezoidal-the-contour-emphasizes-profile-lists-continuous-or-with-c-and-s-volutes-see-also-bk-15591-image414459462.htmlRM2F2877J–Armchair from Nuthout. Window armchair, covered by removable window. The S-shaped legs, ending in Acanthus sheet, go into the scalloped rules. The legs, front seat, armrests and armrest struts, the back framework and back fragrances are decorated with pelleted leaf and floral motifs; Striking on the upper sprinkle is the stained robocone pigeon with flour branches. The seating frame is trapezoidal. The contour emphasizes profile lists, continuous or with C and S volutes. See also: BK-15591.
Strook machinale kant met hangende kelkbloem tussen losse s-voluten.Stretch natural-colored side: machining fir heater. The repeating pattern exists along the lower half of the strip from a hanging chalis flour, flanked and crowned by loose S volutes. There are openworked edges around the closed motifs. The motifs are connected by a machining soil that suggests a braid soil. Upper and bottom of the strip are straight finished, the underside with picots. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strook-machinale-kant-met-hangende-kelkbloem-tussen-losse-s-volutenstretch-natural-colored-side-machining-fir-heater-the-repeating-pattern-exists-along-the-lower-half-of-the-strip-from-a-hanging-chalis-flour-flanked-and-crowned-by-loose-s-volutes-there-are-openworked-edges-around-the-closed-motifs-the-motifs-are-connected-by-a-machining-soil-that-suggests-a-braid-soil-upper-and-bottom-of-the-strip-are-straight-finished-the-underside-with-picots-image414389366.htmlRM2F251T6–Strook machinale kant met hangende kelkbloem tussen losse s-voluten.Stretch natural-colored side: machining fir heater. The repeating pattern exists along the lower half of the strip from a hanging chalis flour, flanked and crowned by loose S volutes. There are openworked edges around the closed motifs. The motifs are connected by a machining soil that suggests a braid soil. Upper and bottom of the strip are straight finished, the underside with picots.
Baluster with inserted C and S volutes, S-shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 4.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-with-inserted-c-and-s-volutes-s-shaped-baluster-with-inserted-c-and-s-volutes-with-rocaille-shells-anonymous-northern-netherlands-c-1740-c-1760-wood-plant-material-h-91-cm-w-21-cm-d-41-cm-image261331112.htmlRMW54JE0–Baluster with inserted C and S volutes, S-shaped baluster with inserted C and S volutes with rocaille shells., anonymous, Northern Netherlands, c. 1740 - c. 1760, wood (plant material), h 91 cm × w 21 cm × d 4.1 cm
Inspired by Lambrekine or strip of applique embroidery, Lambrekine or strip of applique embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lambrekine-or-strip-of-applique-embroidery-lambrekine-or-strip-of-applique-embroidery-on-a-wine-red-velvet-fond-the-pattern-has-symmetrical-reclining-s-tendrils-tied-together-in-the-center-with-a-lily-and-a-rose-the-richly-branched-tendril-is-set-with-leaf-rosettes-and-ends-in-volutes-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459386126.htmlRF2HKARKA–Inspired by Lambrekine or strip of applique embroidery, Lambrekine or strip of applique embroidery on a wine red velvet fond. The pattern has symmetrical reclining S tendrils, tied together in the center with a lily and a rose. The richly branched tendril is set with leaf rosettes and ends in volutes, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 94 cm. × b 21 cm. × d 4,5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baluster-inserted-with-c-and-s-volutes-s-vormige-baluster-met-gestoken-c-en-s-voluten-met-rocaille-schelpen-manufacturer-anoniemanoniemplaats-manufacture-noordelijke-nederlanden-dating-ca-1740-ca-1760-material-hout-dimensions-h-94-cm-b-21-cm-d-45-cm-image348158466.htmlRM2B6BYJX–Baluster inserted with C- and S-volutes S-vormige baluster met gestoken C- en S-voluten met rocaille-schelpen. Manufacturer : anoniemanoniemPlaats manufacture: Noordelijke Nederlanden Dating: ca. 1740 - ca. 1760 Material: hout Dimensions: h 94 cm. × b 21 cm. × d 4,5 cm.
![. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. •;}l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the hum Stock Photo](https://c8.alamy.com/comp/2AGAHE9/a-history-of-architecture-in-italy-from-the-time-of-constantine-to-the-dawn-of-the-renaissance-lliiiiiliii-fig-rjl-s-ainlngtli-miliiiicapital-in-nartliev-rill-lomiiaki-kmaksle-18-itjil-ly-aiiiiikil-foiins-ol-uliicli-tlic-licads-arr-mniiinoiily-inado-tlti-sltvijin-lacc-of-volutes-as-in-san-anibroio-at-milan-fijs-110-1201-1-unman-riiures-beasts-birds-and-combinations-of-tlnse-areavailed-of-and-the-variety-both-of-snbject-and-treatment-is-well-niih-inlinitt-but-the-fiinres-are-without-exctption-ill-foiined-andltrtesjue-the-hum-2AGAHE9.jpg ". A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. •;}l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the hum Stock Photo")
. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. •;}l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the hum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-history-of-architecture-in-italy-from-the-time-of-constantine-to-the-dawn-of-the-renaissance-lliiiiiliii-fig-rjl-s-ainlngtli-miliiiicapital-in-nartliev-rill-lomiiaki-kmaksle-18-itjil-ly-aiiiiikil-foiins-ol-uliicli-tlic-licads-arr-mniiinoiily-inado-tlti-sltvijin-lacc-of-volutes-as-in-san-anibroio-at-milan-fijs-110-1201-1-unman-riiures-beasts-birds-and-combinations-of-tlnse-areavailed-of-and-the-variety-both-of-snbject-and-treatment-is-well-niih-inlinitt-but-the-fiinres-are-without-exctption-ill-foiined-andltrtesjue-the-hum-image337064737.htmlRM2AGAHE9–. A history of architecture in Italy from the time of Constantine to the dawn of the renaissance. •;}l|liiiiiliii- Fig. rJl. S. Ainl)n>L;i(). Miliiii.Capital in Nartlie.v. rill-: LO.MIIAKI) K().MAKS(^lE 18., itjil l)y aiiiiiKil foiins, ol uliicli tlic licads arr (Mniiinoiily inado t<i sltvijin ])lacc of volutes, as in San Anibro^io at Milan. ( Fij^s. 110, 120,1-1.) Unman rii;ures, beasts, birds, and combinations of tlnse areavailed of, and the variety both of snbjec^t and treatment is well-nii^h inlinitt^ : but the fii;nres are without exct^ption ill-foiined and<;r()tes(jue, —the hum
