Cornelis Saftleven - 'Who sues for a cow' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cornelis-saftleven-who-sues-for-a-cow-108446781.html
RMG8C4Y9–Cornelis Saftleven - 'Who sues for a cow'
Herman Saftleven the Younger, 1609 - 1685. Dutch painter of the Baroque period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-saftleven-the-younger-1609-1685-dutch-painter-of-the-baroque-52130054.html
RMD0PMBJ–Herman Saftleven the Younger, 1609 - 1685. Dutch painter of the Baroque period.
Sailing boat at sea, painting by Dutch artist Herman Saftleven, 1930s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sailing-boat-at-sea-painting-by-dutch-artist-herman-saftleven-1930s-image329677558.html
RM2A4A32E–Sailing boat at sea, painting by Dutch artist Herman Saftleven, 1930s
Figures before a Village Inn 1642 Cornelis Saftleven 1607 - 1681 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-figures-before-a-village-inn-1642-cornelis-saftleven-1607-1681-dutch-88205814.html
RMF3E3BJ–Figures before a Village Inn 1642 Cornelis Saftleven 1607 - 1681 Dutch Netherlands
Cornelis Saftleven, Satire on Litigious Farmers 1629 Oil on panel. Museum Boijmans Van Beuningen, Rotterdam, Netherlands. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-satire-on-litigious-farmers-1629-oil-on-panel-museum-image67161262.html
RMDW7CTE–Cornelis Saftleven, Satire on Litigious Farmers 1629 Oil on panel. Museum Boijmans Van Beuningen, Rotterdam, Netherlands.
Flowering prickly pear cactus - by Herman Saftleven, 1683 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flowering-prickly-pear-cactus-by-herman-saftleven-1683-73231457.html
RME73YD5–Flowering prickly pear cactus - by Herman Saftleven, 1683
Greyhound', 1644. Artist: Cornelis Saftleven. Cornelis Saftleven (1607-1681) was a Dutch painter known for his Genre scenes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greyhound-1644-artist-cornelis-saftleven-cornelis-saftleven-1607-1681-was-a-dutch-painter-known-for-his-genre-scenes-image377037536.html
RM2CWBF68–Greyhound', 1644. Artist: Cornelis Saftleven. Cornelis Saftleven (1607-1681) was a Dutch painter known for his Genre scenes.
Portrait of Herman Saftleven, Herman Saftleven, 1660 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-herman-saftleven-herman-saftleven-1660-image240612395.html
RMRYCRFR–Portrait of Herman Saftleven, Herman Saftleven, 1660
Lithographic print engraving of two winged mythical creatures. Studies for the Figuration of Haunted Houses (Studies voor de figuratie van spokerijen) - series title)). A flying, skinny demonic creature approaches a another, with his legs spread apart and his arms and wings spread out, waiting for him. Cornelis Saftleven, Dutch, 1617 - 1681 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lithographic-print-engraving-of-two-winged-mythical-creatures-studies-for-the-figuration-of-haunted-houses-studies-voor-de-figuratie-van-spokerijen-series-title-a-flying-skinny-demonic-creature-approaches-a-another-with-his-legs-spread-apart-and-his-arms-and-wings-spread-out-waiting-for-him-cornelis-saftleven-dutch-1617-1681-image601444885.html
RM2WXE52D–Lithographic print engraving of two winged mythical creatures. Studies for the Figuration of Haunted Houses (Studies voor de figuratie van spokerijen) - series title)). A flying, skinny demonic creature approaches a another, with his legs spread apart and his arms and wings spread out, waiting for him. Cornelis Saftleven, Dutch, 1617 - 1681
Herman Saftleven (Dutch, 1609 - 1685 ), Village with Figures in an Extensive Landscape, c. 1648, black chalk with gray wash on l Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-saftleven-dutch-1609-1685-village-with-figures-in-an-extensive-50440717.html
RFCX1NJ5–Herman Saftleven (Dutch, 1609 - 1685 ), Village with Figures in an Extensive Landscape, c. 1648, black chalk with gray wash on l
Inspired by View of the Rhine at Reineck, Herman Saftleven, 1654, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-of-the-rhine-at-reineck-herman-saftleven-1654-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459271374.html
RF2HK5H92–Inspired by View of the Rhine at Reineck, Herman Saftleven, 1654, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A Witches’ Sabbath Date: c. 1650 Artist: Cornelis Saftleven Dutch, 1607-1681 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-witches-sabbath-date-c-1650-artist-cornelis-saftleven-dutch-1607-1681-image551197222.html
A Witches' Sabbath, Cornelis Saftleven, circa 1640, Art Institute of Chicago, Chicago, Illinois, USA, North America, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-witches-sabbath-cornelis-saftleven-circa-1640-art-institute-of-chicago-chicago-illinois-usa-north-america-image218249845.html
RMPK23W9–A Witches' Sabbath, Cornelis Saftleven, circa 1640, Art Institute of Chicago, Chicago, Illinois, USA, North America,
A Hollyhock; Herman Saftleven the Younger (Dutch, 1609 - 1685); Holland, Europe; September 21, 1682; Watercolor, gouache and black chalk framing lines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hollyhock-herman-saftleven-the-younger-dutch-1609-1685-holland-europe-september-21-1682-watercolor-gouache-and-black-chalk-framing-lines-image239408618.html
RMRWE03P–A Hollyhock; Herman Saftleven the Younger (Dutch, 1609 - 1685); Holland, Europe; September 21, 1682; Watercolor, gouache and black chalk framing lines
''Who sues for a cow'', 1629. Artist: Saftleven, Cornelis Hermansz. (ca. 1607-1681) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/who-sues-for-a-cow-1629-artist-saftleven-cornelis-hermansz-ca-1607-image60393294.html
RMDE747A–''Who sues for a cow'', 1629. Artist: Saftleven, Cornelis Hermansz. (ca. 1607-1681)
. Liegende Kuh, Gouache auf Büttenpapier, 8,5 x 14 cm. 17th century. Cornelis Saftleven (1607–1681) 143 Cornelis Saftleven Liegende Kuh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liegende-kuh-gouache-auf-bttenpapier-85-x-14-cm-17th-century-cornelis-saftleven-16071681-143-cornelis-saftleven-liegende-kuh-image188250339.html
RMMX7F6B–. Liegende Kuh, Gouache auf Büttenpapier, 8,5 x 14 cm. 17th century. Cornelis Saftleven (1607–1681) 143 Cornelis Saftleven Liegende Kuh
A Boy resting on a Basket, 17th century, (1929). Artist: Cornelis Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-boy-resting-on-a-basket-17th-century-1929-artist-cornelis-saftleven-image262780447.html
RMW7EK3Y–A Boy resting on a Basket, 17th century, (1929). Artist: Cornelis Saftleven
White dodo head by Cornelis Saftleven, male, 1637, after a painting in the Museum Boijmans of Rotterdam (25), and white dodo head by Jan Goeimare, male, 1853 (26). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-white-dodo-head-by-cornelis-saftleven-male-1637-after-a-painting-in-165639471.html
RMKHDERB–White dodo head by Cornelis Saftleven, male, 1637, after a painting in the Museum Boijmans of Rotterdam (25), and white dodo head by Jan Goeimare, male, 1853 (26). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Cornelis SAFTLEVEN - Cattle market - 1663 - Museum of Fine Arts - Budapest, Hungary. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-cattle-market-1663-museum-of-fine-arts-budapest-image61431814.html
RMDFXCWA–Cornelis SAFTLEVEN - Cattle market - 1663 - Museum of Fine Arts - Budapest, Hungary.
Cat Concert. After a work possibly by Cornelis Saftleven in the collection of the Rijksmuseum, Amsterdam, Holland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cat-concert-after-a-work-possibly-by-cornelis-saftleven-in-the-collection-of-the-rijksmuseum-amsterdam-holland-image337912460.html
RM2AHN6P4–Cat Concert. After a work possibly by Cornelis Saftleven in the collection of the Rijksmuseum, Amsterdam, Holland.
Herman Saftleven 1609-1685 holländischer Maler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herman-saftleven-1609-1685-hollndischer-maler-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593866494.html
RF2WE4XNJ–Herman Saftleven 1609-1685 holländischer Maler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Figures before a Village Inn 1642 Cornelis Saftleven 1607 - 1681 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-figures-before-a-village-inn-1642-cornelis-saftleven-1607-1681-dutch-88205824.html
RMF3E3C0–Figures before a Village Inn 1642 Cornelis Saftleven 1607 - 1681 Dutch Netherlands
Herman Saftleven, View on the Rhine 1656 Oil on canvas. Dulwich Picture Gallery, London, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-saftleven-view-on-the-rhine-1656-oil-on-canvas-dulwich-picture-84995084.html
RMEX7T2M–Herman Saftleven, View on the Rhine 1656 Oil on canvas. Dulwich Picture Gallery, London, England.
Figures before a Village Inn - by Cornelis Saftleven, 1642 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-figures-before-a-village-inn-by-cornelis-saftleven-1642-73231419.html
RME73YBR–Figures before a Village Inn - by Cornelis Saftleven, 1642
Prickly Pear in Bloom by Herman Saftleven (1609-1685) watercolour and gouache, over graphite, 1683. Herman Saftleven was a highly productive draughtsman of landscapes, city views, genre scenes and animals. Late in life, between 1680-1684, on commission for Agneta Block, he produced a magnificent series of images of the flowers in her collection. She owned Vijverhof, a country manor on the River Vecht and employed various artists to draw her flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prickly-pear-in-bloom-by-herman-saftleven-1609-1685-watercolour-and-image68542891.html
RMDYEB4B–Prickly Pear in Bloom by Herman Saftleven (1609-1685) watercolour and gouache, over graphite, 1683. Herman Saftleven was a highly productive draughtsman of landscapes, city views, genre scenes and animals. Late in life, between 1680-1684, on commission for Agneta Block, he produced a magnificent series of images of the flowers in her collection. She owned Vijverhof, a country manor on the River Vecht and employed various artists to draw her flowers.
Drinking man next to a barrel, Herman Saftleven, 1647 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drinking-man-next-to-a-barrel-herman-saftleven-1647-image240637691.html
RMRYDYR7–Drinking man next to a barrel, Herman Saftleven, 1647
The Duet c1635 by Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-duet-c1635-by-saftleven-134793335.html
RMHR8A7K–The Duet c1635 by Saftleven
Inspired by Landscape with shepherds and cattle, Cornelis Saftleven, 1660, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-landscape-with-shepherds-and-cattle-cornelis-saftleven-1660-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459270092.html
RF2HK5FK8–Inspired by Landscape with shepherds and cattle, Cornelis Saftleven, 1660, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
College of Animals by Cornelis Saftleven. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/college-of-animals-by-cornelis-saftleven-image260482763.html
RMW3P0BR–College of Animals by Cornelis Saftleven.
A Witches' Sabbath, Cornelis Saftleven, circa 1640, Art Institute of Chicago, Chicago, Illinois, USA, North America, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-witches-sabbath-cornelis-saftleven-circa-1640-art-institute-of-chicago-chicago-illinois-usa-north-america-image538059073.html
RM2P7AKRD–A Witches' Sabbath, Cornelis Saftleven, circa 1640, Art Institute of Chicago, Chicago, Illinois, USA, North America,
Cornelis Saftleven , Self-Portrait with Easel, 1629, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-self-portrait-with-easel-1629-image566417799.html
RF2RWEFK3–Cornelis Saftleven , Self-Portrait with Easel, 1629,
Rocky landscape with ruins, forming the profile of a man's face, c. 1650. Artist: Saftleven, Herman (1609-1685) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rocky-landscape-with-ruins-forming-the-profile-of-a-mans-face-c-1650-image60393299.html
RMDE747F–Rocky landscape with ruins, forming the profile of a man's face, c. 1650. Artist: Saftleven, Herman (1609-1685)
. Liegende Kuh, Gouache auf Büttenpapier, 8,5 x 14 cm. 17th century. Cornelis Saftleven (1607–1681) 123 Cornelis Saftleven Liegende Kuh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liegende-kuh-gouache-auf-bttenpapier-85-x-14-cm-17th-century-cornelis-saftleven-16071681-123-cornelis-saftleven-liegende-kuh-image188964501.html
RMMYC245–. Liegende Kuh, Gouache auf Büttenpapier, 8,5 x 14 cm. 17th century. Cornelis Saftleven (1607–1681) 123 Cornelis Saftleven Liegende Kuh
Self-Portrait with Easel. Museum: Musee du Louvre, Paris. Author: Cornelis Hermansz. Saftleven. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-with-easel-museum-musee-du-louvre-paris-author-cornelis-hermansz-saftleven-image440566920.html
RM2GGNFGT–Self-Portrait with Easel. Museum: Musee du Louvre, Paris. Author: Cornelis Hermansz. Saftleven.
White dodo head by Cornelis Saftleven, male, 1637, after a painting in the Museum Boijmans of Rotterdam (25), and white dodo head by Jan Goeimare, male, 1853 (26). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-white-dodo-head-by-cornelis-saftleven-male-1637-after-a-painting-in-162813757.html
RMKCTPH1–White dodo head by Cornelis Saftleven, male, 1637, after a painting in the Museum Boijmans of Rotterdam (25), and white dodo head by Jan Goeimare, male, 1853 (26). Heliotype by Van Leer from Dr. Anthonie Cornelis Oudemans' Dodo Studies, Amsterdam, Johannes Muller, 1917.
Saftleven (Hollstein 88) Antoine Van Dyck (1599-1641). Saftleven (Hollstein 88). Eau-forte sur papier, burin, 1634-1636. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saftleven-hollstein-88-antoine-van-dyck-1599-1641-saftleven-hollstein-88-eau-forte-sur-papier-burin-1634-1636-image349523864.html
RM2B8J574–Saftleven (Hollstein 88) Antoine Van Dyck (1599-1641). Saftleven (Hollstein 88). Eau-forte sur papier, burin, 1634-1636.
Herman Saftleven the Younger, 1609 - 1685 (buried). Dutch painter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-saftleven-the-younger-1609-1685-buried-dutch-painter-13767507.html
RMAEX1BG–Herman Saftleven the Younger, 1609 - 1685 (buried). Dutch painter
Monstrous Witch on a Broom, by Cornelis Saftleven, ca 1665, Historic, digitally restored reproduction from an 18th or 19th century original / Ungeheuerliche Hexe auf einem Besen, von Cornelis Saftleven, ca 1665, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 18. oder 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monstrous-witch-on-a-broom-by-cornelis-saftleven-ca-1665-historic-digitally-restored-reproduction-from-an-18th-or-19th-century-original-ungeheuerliche-hexe-auf-einem-besen-von-cornelis-saftleven-ca-1665-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-18-oder-19-jahrhundert-image551892769.html
RF2R1TTT1–Monstrous Witch on a Broom, by Cornelis Saftleven, ca 1665, Historic, digitally restored reproduction from an 18th or 19th century original / Ungeheuerliche Hexe auf einem Besen, von Cornelis Saftleven, ca 1665, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 18. oder 19. Jahrhundert
Figures before a Village Inn 1642 Cornelis Saftleven 1607 - 1681 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-figures-before-a-village-inn-1642-cornelis-saftleven-1607-1681-dutch-79014307.html
RMEGFBFF–Figures before a Village Inn 1642 Cornelis Saftleven 1607 - 1681 Dutch Netherlands
Annunciation to the Shepherds - by Cornelis Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annunciation-to-the-shepherds-by-cornelis-saftleven-image574048102.html
RM2T9X45X–Annunciation to the Shepherds - by Cornelis Saftleven
River Landscape with Travelers, Jan van Aken, after Herman Saftleven, 1681 - 1700 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/river-landscape-with-travelers-jan-van-aken-after-herman-saftleven-1681-1700-image488030991.html
RF2K9YME7–River Landscape with Travelers, Jan van Aken, after Herman Saftleven, 1681 - 1700
River view with ferry, Herman Saftleven, 1655 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-river-view-with-ferry-herman-saftleven-1655-77350772.html
RMEDRHKG–River view with ferry, Herman Saftleven, 1655
Herman Saftleven 001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-saftleven-001-134884046.html
RMHRCDYA–Herman Saftleven 001
Art inspired by Landscape with shepherds and cattle, Cornelis Saftleven, 1660, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-landscape-with-shepherds-and-cattle-cornelis-saftleven-1660-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459580567.html
RF2HKKKKK–Art inspired by Landscape with shepherds and cattle, Cornelis Saftleven, 1660, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
HERMAN SAFTLEVEN - Woodcut portrait and short biography (old french language) - Engraving 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herman-saftleven-woodcut-portrait-and-short-biography-old-french-language-170797126.html
RMKWTDDA–HERMAN SAFTLEVEN - Woodcut portrait and short biography (old french language) - Engraving 17th century
A Company of Country Folk, Cornelis Saftleven, Rijksmuseum, Amsterdam, Holland, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-company-of-country-folk-cornelis-saftleven-rijksmuseum-amsterdam-holland-image605191105.html
RF2X4GRC1–A Company of Country Folk, Cornelis Saftleven, Rijksmuseum, Amsterdam, Holland,
Christ teaching from Saint Peter's Boat on the Lake of Gennesaret, 1667. Artist: Saftleven, Herman (1609-1685) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-teaching-from-saint-peters-boat-on-the-lake-of-gennesaret-1667-image60394259.html
RMDE75DR–Christ teaching from Saint Peter's Boat on the Lake of Gennesaret, 1667. Artist: Saftleven, Herman (1609-1685)
. Liegende Kuh, Gouache auf Büttenpapier, 8,5 x 14 cm. 17th century. Cornelis Saftleven (1607–1681) 143 Cornelis Saftleven Liegende Kuh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liegende-kuh-gouache-auf-bttenpapier-85-x-14-cm-17th-century-cornelis-saftleven-16071681-143-cornelis-saftleven-liegende-kuh-image187686898.html
RMMW9TFE–. Liegende Kuh, Gouache auf Büttenpapier, 8,5 x 14 cm. 17th century. Cornelis Saftleven (1607–1681) 143 Cornelis Saftleven Liegende Kuh
'View of the Rhine'. Holland, 1647. Dimensions: 164,5x193 cm. Museum: State Hermitage, St. Petersburg. Author: Saftleven, Herman, the younger. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-rhine-holland-1647-dimensions-1645x193-cm-museum-state-hermitage-st-petersburg-author-saftleven-herman-the-younger-image241155846.html
RMT09GMP–'View of the Rhine'. Holland, 1647. Dimensions: 164,5x193 cm. Museum: State Hermitage, St. Petersburg. Author: Saftleven, Herman, the younger.
River View with Landing Stage, Herman Saftleven, 1678 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/river-view-with-landing-stage-herman-saftleven-1678-image566554229.html
RF2RWMNKH–River View with Landing Stage, Herman Saftleven, 1678
Herman Saftleven the Younger, 1609-1685, Dutch painter of the Baroque period. Herman Sachtleven, landscape painter. Tinted etching within a decorative border by John Girtin after a self-portrait by Saftleven from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herman-saftleven-the-younger-1609-1685-dutch-painter-of-the-baroque-period-herman-sachtleven-landscape-painter-tinted-etching-within-a-decorative-border-by-john-girtin-after-a-self-portrait-by-saftleven-from-john-girtins-seventy-five-portraits-of-celebrated-painters-from-authentic-originals-j-mcreery-london-1817-image454590660.html
RM2HBGB0M–Herman Saftleven the Younger, 1609-1685, Dutch painter of the Baroque period. Herman Sachtleven, landscape painter. Tinted etching within a decorative border by John Girtin after a self-portrait by Saftleven from John Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
THE Porcher Herman Saftleven (1609-1685). 'Le Porcher'. Eau-forte, 1649. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-porcher-herman-saftleven-1609-1685-le-porcher-eau-forte-1649-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349518837.html
RM2B8HXRH–THE Porcher Herman Saftleven (1609-1685). 'Le Porcher'. Eau-forte, 1649. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Cornelis Saftleven - Who sues for a cow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-who-sues-for-a-cow-image457741261.html
RF2HGKWJ5–Cornelis Saftleven - Who sues for a cow
Figures before a Village Inn, Cornelis Saftleven, oil on panel, 1642, Amsterdam, Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figures-before-a-village-inn-cornelis-saftleven-oil-on-panel-1642-amsterdam-netherlands-image604735601.html
RM2X3T2C1–Figures before a Village Inn, Cornelis Saftleven, oil on panel, 1642, Amsterdam, Netherlands
The shoulder surgery 1636 Cornelis Saftleven 1607 - 1681 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-shoulder-surgery-1636-cornelis-saftleven-1607-1681-dutch-netherlands-image67182789.html
A Dog 2003 by Cornelis Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-dog-2003-by-cornelis-saftleven-image577112377.html
RM2TEWMM9–A Dog 2003 by Cornelis Saftleven
A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . 383 Saftleven.] CATALOGUE OF PICTURES 177 SAFTLEVEN. CORNELIS Saftleven. Dutch School, 1606—1681. Landscape, figure, and genre painter: son of Herman Saftleven the elder, and brotherof the younger, born at Rotterdam in 1606 and buried there July 4, 1681. Worked chieflyin Rotterdam, but also at Utrecht, where he is known to have been in 1634. At first a pupilof his father, he seems later to have been influenced by Adriaen Brouwer and DavidRyckaert. The pictures most char Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-descriptive-catalogue-of-the-pictures-in-the-fitzwilliam-museum-comp-largely-from-materials-supplied-by-sidney-colvin-383-saftleven-catalogue-of-pictures-177-saftleven-cornelis-saftleven-dutch-school-16061681-landscape-figure-and-genre-painter-son-of-herman-saftleven-the-elder-and-brotherof-the-younger-born-at-rotterdam-in-1606-and-buried-there-july-4-1681-worked-chieflyin-rotterdam-but-also-at-utrecht-where-he-is-known-to-have-been-in-1634-at-first-a-pupilof-his-father-he-seems-later-to-have-been-influenced-by-adriaen-brouwer-and-davidryckaert-the-pictures-most-char-image338244472.html
RM2AJ8A7M–A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . 383 Saftleven.] CATALOGUE OF PICTURES 177 SAFTLEVEN. CORNELIS Saftleven. Dutch School, 1606—1681. Landscape, figure, and genre painter: son of Herman Saftleven the elder, and brotherof the younger, born at Rotterdam in 1606 and buried there July 4, 1681. Worked chieflyin Rotterdam, but also at Utrecht, where he is known to have been in 1634. At first a pupilof his father, he seems later to have been influenced by Adriaen Brouwer and DavidRyckaert. The pictures most char
The annunciation to the shepherd, Cornelis Saftleven, 1630 - 1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-annunciation-to-the-shepherd-cornelis-saftleven-1630-1650-77352220.html
RMEDRKF8–The annunciation to the shepherd, Cornelis Saftleven, 1630 - 1650
Huis te Linschoten Herman Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-huis-te-linschoten-herman-saftleven-142879211.html
RMJ8CKTY–Huis te Linschoten Herman Saftleven
Saftleven Selfportrait with Easel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saftleven-selfportrait-with-easel-134833431.html
RMHRA5BK–Saftleven Selfportrait with Easel
Art inspired by View of the Rhine at Reineck, Herman Saftleven, 1654, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-view-of-the-rhine-at-reineck-herman-saftleven-1654-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459582923.html
RF2HKKPKR–Art inspired by View of the Rhine at Reineck, Herman Saftleven, 1654, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
MOSCOW, RUSSIA - AUGUST 22, 2019: Postage stamp printed in Germany, Democratic Republic, shows Seated Youth Cutting Bread by Cornelis Saftleven, Drawi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moscow-russia-august-22-2019-postage-stamp-printed-in-germany-democratic-republic-shows-seated-youth-cutting-bread-by-cornelis-saftleven-drawi-image429812096.html
RF2FY7HM0–MOSCOW, RUSSIA - AUGUST 22, 2019: Postage stamp printed in Germany, Democratic Republic, shows Seated Youth Cutting Bread by Cornelis Saftleven, Drawi
A Boy resting on a Basket, 17th century, (1929). Artist: Cornelis Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-boy-resting-on-a-basket-17th-century-1929-artist-cornelis-saftleven-135268361.html
RMHT204W–A Boy resting on a Basket, 17th century, (1929). Artist: Cornelis Saftleven
Sitting at the table. Draughtsman: Cornelis Saftleven. Dating: 1658. Measurements: h 227 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sitting-at-the-table-draughtsman-cornelis-saftleven-dating-1658-measurements-h-227-mm-w-215-mm-museum-rijksmuseum-amsterdam-image233226294.html
RMRFCAEE–Sitting at the table. Draughtsman: Cornelis Saftleven. Dating: 1658. Measurements: h 227 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.
River View with Landing Stage, Herman Saftleven, 1678 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/river-view-with-landing-stage-herman-saftleven-1678-image596908468.html
RF2WK3ERG–River View with Landing Stage, Herman Saftleven, 1678
Portrait of Herman Saftleven, Dutch painter of the Baroque period 1609-1685. Herman Zacht-Leeven. Copperplate engraving by M. Aubert after a self portrait by Herman Saftleven from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-herman-saftleven-dutch-painter-of-the-baroque-period-1609-1685-herman-zacht-leeven-copperplate-engraving-by-m-aubert-after-a-self-portrait-by-herman-saftleven-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241684271.html
RMT15JN3–Portrait of Herman Saftleven, Dutch painter of the Baroque period 1609-1685. Herman Zacht-Leeven. Copperplate engraving by M. Aubert after a self portrait by Herman Saftleven from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
Autumn Herman Saftleven II (1609-1685) (ou Herman Saftleven le Jeune). L'Automne. Pierre noire et lavis de bistre. 1650. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/autumn-herman-saftleven-ii-1609-1685-ou-herman-saftleven-le-jeune-lautomne-pierre-noire-et-lavis-de-bistre-1650-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350198028.html
RM2B9MW4C–Autumn Herman Saftleven II (1609-1685) (ou Herman Saftleven le Jeune). L'Automne. Pierre noire et lavis de bistre. 1650. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Cornelis Saftleven - Who sues for a cow (1629) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-who-sues-for-a-cow-1629-image452183791.html
RF2H7JN13–Cornelis Saftleven - Who sues for a cow (1629)
Satire on the Trial of Johan van Oldenbarnevelt, Cornelis Saftleven, oil on canvas, 1663, Amsterdam, Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/satire-on-the-trial-of-johan-van-oldenbarnevelt-cornelis-saftleven-oil-on-canvas-1663-amsterdam-netherlands-image603834039.html
RM2X2B0DB–Satire on the Trial of Johan van Oldenbarnevelt, Cornelis Saftleven, oil on canvas, 1663, Amsterdam, Netherlands
Cornelis Saftleven. From Icones principum virorum ('The Iconography'), before 1641, by Lucas Vorsterman the Elder, Sir Anthony van Dyck, Maarten van den Enden. Gift of Bishop Monrad, 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-from-icones-principum-virorum-the-iconography-before-1641-by-lucas-vorsterman-the-elder-sir-anthony-van-dyck-maarten-van-den-enden-gift-of-bishop-monrad-1869-image479266881.html
RM2JRMDP9–Cornelis Saftleven. From Icones principum virorum ('The Iconography'), before 1641, by Lucas Vorsterman the Elder, Sir Anthony van Dyck, Maarten van den Enden. Gift of Bishop Monrad, 1869.
Two Pigs 1657 by Cornelis Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-pigs-1657-by-cornelis-saftleven-image562332273.html
RM2RJTCFD–Two Pigs 1657 by Cornelis Saftleven
Katalog der königlichen Gemäldegalerie zu Dresden, (and supplement) . (A. Brou-wer). Erst 1860 aus dem Vorrat und von H. richtig als Cornelis Saftleven bestimmt. Ludolf (Leuff) de Jongh. Geb. 1616 zu Overschie; gest. 1697 zu Hillegersberg. Schülerdes Corn. Saftleven zu Rotterdam, des Ant. Palamedes zu Delft,des Jan van Bviert zu Utrecht. Er lebte von 1635—1642in Frankreich, später stets in der Umgegend von Rotterdam(Bredius, Catalogus, 1886, p. 40). Bildniss einer jungen Frau mit ihrem Töchterchen. Knie- 1805.stück nach links auf grauem Grunde. Rechts eine Säule mit (1280.)olivgrünem A^orhange Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/katalog-der-kniglichen-gemldegalerie-zu-dresden-and-supplement-a-brou-wer-erst-1860-aus-dem-vorrat-und-von-h-richtig-als-cornelis-saftleven-bestimmt-ludolf-leuff-de-jongh-geb-1616-zu-overschie-gest-1697-zu-hillegersberg-schlerdes-corn-saftleven-zu-rotterdam-des-ant-palamedes-zu-delftdes-jan-van-bviert-zu-utrecht-er-lebte-von-16351642in-frankreich-spter-stets-in-der-umgegend-von-rotterdambredius-catalogus-1886-p-40-bildniss-einer-jungen-frau-mit-ihrem-tchterchen-knie-1805stck-nach-links-auf-grauem-grunde-rechts-eine-sule-mit-1280olivgrnem-aorhange-image343277660.html
RM2AXDJ4C–Katalog der königlichen Gemäldegalerie zu Dresden, (and supplement) . (A. Brou-wer). Erst 1860 aus dem Vorrat und von H. richtig als Cornelis Saftleven bestimmt. Ludolf (Leuff) de Jongh. Geb. 1616 zu Overschie; gest. 1697 zu Hillegersberg. Schülerdes Corn. Saftleven zu Rotterdam, des Ant. Palamedes zu Delft,des Jan van Bviert zu Utrecht. Er lebte von 1635—1642in Frankreich, später stets in der Umgegend von Rotterdam(Bredius, Catalogus, 1886, p. 40). Bildniss einer jungen Frau mit ihrem Töchterchen. Knie- 1805.stück nach links auf grauem Grunde. Rechts eine Säule mit (1280.)olivgrünem A^orhange
Peasant with Child, Herman Saftleven II, 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-peasant-with-child-herman-saftleven-ii-17th-century-162457087.html
RMKC8FJR–Peasant with Child, Herman Saftleven II, 17th century
Saftleven 1660 Heeswijkerpoort met muurtoren Montfoort Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saftleven-1660-heeswijkerpoort-met-muurtoren-montfoort-143332212.html
RMJ959KG–Saftleven 1660 Heeswijkerpoort met muurtoren Montfoort
Saftleven Selfportrait with Easel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saftleven-selfportrait-with-easel-134863392.html
RMHRBFHM–Saftleven Selfportrait with Easel
Art inspired by A Dog, 17th century, Black chalk and gray wash, 3 1/4 x 6 in. (8.3 x 15.2 cm), Drawings, Cornelis Saftleven (Dutch, Gorinchem 1607–1681 Rotterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-dog-17th-century-black-chalk-and-gray-wash-3-14-x-6-in-83-x-152-cm-drawings-cornelis-saftleven-dutch-gorinchem-16071681-rotterdam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804622.html
RF2HTXG0E–Art inspired by A Dog, 17th century, Black chalk and gray wash, 3 1/4 x 6 in. (8.3 x 15.2 cm), Drawings, Cornelis Saftleven (Dutch, Gorinchem 1607–1681 Rotterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cornelis Saftleven - The Duet - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-the-duet-image261182738.html
RMW4WW6X–Cornelis Saftleven - The Duet -
Landscape, 17th century? Attributed to Herman Saftleven. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-17th-century-attributed-to-herman-saftleven-image426150536.html
RM2FN8RA0–Landscape, 17th century? Attributed to Herman Saftleven.
The egg dance.. 1637. Saftleven Egg dance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-egg-dance-1637-saftleven-egg-dance-image184869339.html
The proclamation to the shepherds. Draughtsman: Cornelis Saftleven. Dating: 1677. Measurements: h 396 mm × w 316 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-proclamation-to-the-shepherds-draughtsman-cornelis-saftleven-dating-1677-measurements-h-396-mm-w-316-mm-museum-rijksmuseum-amsterdam-image233228414.html
RMRFCD66–The proclamation to the shepherds. Draughtsman: Cornelis Saftleven. Dating: 1677. Measurements: h 396 mm × w 316 mm. Museum: Rijksmuseum, Amsterdam.
View of the Rhine River near Andernach, Herman Saftleven, 1655 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-rhine-river-near-andernach-herman-saftleven-1655-image596908465.html
RF2WK3ERD–View of the Rhine River near Andernach, Herman Saftleven, 1655
Portrait of Herman Saftleven the Younger, Dutch painter of the Baroque period, 1609-1685. Herman Sachtleven, Painted Landscape. Born at Rotterdam 1609. Died 1685. Tinted etching within a decorative border by James Girtin after a self-portrait by Herman Saftleven from James Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-herman-saftleven-the-younger-dutch-painter-of-the-baroque-period-1609-1685-herman-sachtleven-painted-landscape-born-at-rotterdam-1609-died-1685-tinted-etching-within-a-decorative-border-by-james-girtin-after-a-self-portrait-by-herman-saftleven-from-james-girtins-seventy-five-portraits-of-celebrated-painters-from-authentic-originals-j-mcreery-london-1817-image358259024.html
RM2BPT314–Portrait of Herman Saftleven the Younger, Dutch painter of the Baroque period, 1609-1685. Herman Sachtleven, Painted Landscape. Born at Rotterdam 1609. Died 1685. Tinted etching within a decorative border by James Girtin after a self-portrait by Herman Saftleven from James Girtin’s Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. M’Creery, London, 1817.
Summer Herman Saftleven II (1609-1685) (ou Herman Saftleven le Jeune). L'Eté. Pierre noire et lavis de bistre. 1650. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/summer-herman-saftleven-ii-1609-1685-ou-herman-saftleven-le-jeune-let-pierre-noire-et-lavis-de-bistre-1650-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349583016.html
RM2B8MTKM–Summer Herman Saftleven II (1609-1685) (ou Herman Saftleven le Jeune). L'Eté. Pierre noire et lavis de bistre. 1650. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Cornelis Saftleven - De verkondiging aan de herders (c.1650) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelis-saftleven-de-verkondiging-aan-de-herders-c1650-image452183794.html
RF2H7JN16–Cornelis Saftleven - De verkondiging aan de herders (c.1650)
An Enchanted Cellar with Animals. Cornelis Saftleven (Dutch, 1607 - 1681) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-enchanted-cellar-with-animals-cornelis-saftleven-dutch-1607-1681-image416597523.html
Mountainous Landscape 1646 by Herman Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountainous-landscape-1646-by-herman-saftleven-image574048126.html
RM2T9X46P–Mountainous Landscape 1646 by Herman Saftleven
A selection of drawings by old masters in the Museum collections . dt van Rijn, 100—108. Reynolds, Sir Joshua, P.R.A., 185, 186. RiBERA, JuSEFE, 36. Richardson, Jonathan, the Elder, 164.RoBusTi, Jacopo, 27.roghman, roeland, i i 8.Romano, Giulio, i6.Rubens, Peter Paul, 68—72.RuisDAEL, Jacob, 95, 96.Saftleven, Cornelis, 94.Savery, Jacob, 52. Seghers, Gerard, 84. Silvestre, Israel, 137. Spagnoletto, II, 36. Swart, Jan, 50. Tillemans, Peter, 163. Tintoretto, 24—27. Titian, 19. Titian, School of, 20—22. Uden, Lucas van, 77—79. Uytewael, Joachim, 57. Vaga, Perino del, 17. Van den Eeckhout, Gerbrand, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-selection-of-drawings-by-old-masters-in-the-museum-collections-dt-van-rijn-100108-reynolds-sir-joshua-pra-185-186-ribera-jusefe-36-richardson-jonathan-the-elder-164robusti-jacopo-27roghman-roeland-i-i-8romano-giulio-i6rubens-peter-paul-6872ruisdael-jacob-95-96saftleven-cornelis-94savery-jacob-52-seghers-gerard-84-silvestre-israel-137-spagnoletto-ii-36-swart-jan-50-tillemans-peter-163-tintoretto-2427-titian-19-titian-school-of-2022-uden-lucas-van-7779-uytewael-joachim-57-vaga-perino-del-17-van-den-eeckhout-gerbrand-image340298731.html
RM2ANHXE3–A selection of drawings by old masters in the Museum collections . dt van Rijn, 100—108. Reynolds, Sir Joshua, P.R.A., 185, 186. RiBERA, JuSEFE, 36. Richardson, Jonathan, the Elder, 164.RoBusTi, Jacopo, 27.roghman, roeland, i i 8.Romano, Giulio, i6.Rubens, Peter Paul, 68—72.RuisDAEL, Jacob, 95, 96.Saftleven, Cornelis, 94.Savery, Jacob, 52. Seghers, Gerard, 84. Silvestre, Israel, 137. Spagnoletto, II, 36. Swart, Jan, 50. Tillemans, Peter, 163. Tintoretto, 24—27. Titian, 19. Titian, School of, 20—22. Uden, Lucas van, 77—79. Uytewael, Joachim, 57. Vaga, Perino del, 17. Van den Eeckhout, Gerbrand,
Pear Cactus in Bloom, Herman Saftleven, 1683 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pear-cactus-in-bloom-herman-saftleven-1683-77348437.html
RMEDREM5–Pear Cactus in Bloom, Herman Saftleven, 1683
Wittevrouwenpoort te Utrecht door Herman Saftleven in 1646 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wittevrouwenpoort-te-utrecht-door-herman-saftleven-in-1646-143361709.html
RMJ96K91–Wittevrouwenpoort te Utrecht door Herman Saftleven in 1646
College of Animals by Cornelis Saftleven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-college-of-animals-by-cornelis-saftleven-135613487.html
RMHTHMAR–College of Animals by Cornelis Saftleven
Art inspired by A Boy Sleeping in the Outdoors, 17th century, Black chalk, sheet: 6 5/16 x 10 1/2 in. (16 x 26.7 cm), Drawings, Cornelis Saftleven (Dutch, Gorinchem 1607–1681 Rotterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-boy-sleeping-in-the-outdoors-17th-century-black-chalk-sheet-6-516-x-10-12-in-16-x-267-cm-drawings-cornelis-saftleven-dutch-gorinchem-16071681-rotterdam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462978373.html
RF2HW6DHW–Art inspired by A Boy Sleeping in the Outdoors, 17th century, Black chalk, sheet: 6 5/16 x 10 1/2 in. (16 x 26.7 cm), Drawings, Cornelis Saftleven (Dutch, Gorinchem 1607–1681 Rotterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
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