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Shakespeare scene paper Stock Photos and Images
MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm), banquet, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-banquet-scene-george-romney-17341802-british-undated-graphite-on-medium-moderately-textured-cream-wove-paper-sheet-5-58-x-8-38-inches-143-x-213-cm-banquet-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-image389821418.htmlRM2DJ5W5E–MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm), banquet, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare
Inspired by Photoreproduction of a print of a scene from Macbeth by William Shakespeare, Macbeth, Act I. Scene 5, Shown is Lady Macbeth., maker:, c. 1873 - in or before 1883, paper, height 117 mm × width 87 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-of-a-scene-from-macbeth-by-william-shakespeare-macbeth-act-i-scene-5-shown-is-lady-macbeth-maker-c-1873-in-or-before-1883-paper-height-117-mm-width-87-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449478.htmlRF2HKDMDX–Inspired by Photoreproduction of a print of a scene from Macbeth by William Shakespeare, Macbeth, Act I. Scene 5, Shown is Lady Macbeth., maker:, c. 1873 - in or before 1883, paper, height 117 mm × width 87 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
the scene in the temple garden The First Part of King Henry the Sixth is a history play by William Shakespeare, believed written Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-scene-in-the-temple-garden-the-first-part-of-king-henry-the-sixth-22799419.htmlRMB92GTY–the scene in the temple garden The First Part of King Henry the Sixth is a history play by William Shakespeare, believed written
Hamlet and Ophelia (Act III, Scene I). Dated: 1834/1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamlet-and-ophelia-act-iii-scene-i-dated-18341843-medium-lithograph-museum-national-gallery-of-art-washington-dc-author-eugene-delacroix-shakespeare-william-delacroix-eugene-image233211111.htmlRMRFBK47–Hamlet and Ophelia (Act III, Scene I). Dated: 1834/1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE.
Macbeth by Alexander Johnston William Shakespeare Scottish period costume dress kilt tartan theater tragedy knife murder scene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-macbeth-by-alexander-johnston-william-shakespeare-scottish-period-77584529.htmlRMEE67T1–Macbeth by Alexander Johnston William Shakespeare Scottish period costume dress kilt tartan theater tragedy knife murder scene
©Active Museu/MAXPPP - ActiveMuseum 0003746.jpg / John Philip Kemble dit Cato, 1812 - Sir Thomas Lawrence 1812 - / Thomas Lawrence / Peinture Active Museum / Le Pictorium 1 person ,Actors ,Armchair ,Blanche ,Brown ,Comedy ,Dramatic scene ,Fabric ,Footrest ,Green ,Man ,Manager ,Play (theater) ,Play (to) ,Portrait ,Profile ,Reading ,Sandals ,Script ,Sheet of paper ,Short-haired ,Sitting (to be) ,Stage (entertainment) ,Theater (place) ,tragedy (theatre -theater) ,Triumph ,Tunic ,Vertical ,Hamlet () ,John Philip Kemble as Cato ,SHAKESPEARE ,19th century ,Thomas Lawrence ,Painting , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0003746jpg-john-philip-kemble-dit-cato-1812-sir-thomas-lawrence-1812-thomas-lawrence-peinture-active-museum-le-pictorium-1-person-actors-armchair-blanche-brown-comedy-dramatic-scene-fabric-footrest-green-man-manager-play-theater-play-to-portrait-profile-reading-sandals-script-sheet-of-paper-short-haired-sitting-to-be-stage-entertainment-theater-place-tragedy-theatre-theater-triumph-tunic-vertical-hamlet-john-philip-kemble-as-cato-shakespeare-19th-century-thomas-lawrence-painting-image486530680.htmlRM2K7FARM– ©Active Museu/MAXPPP - ActiveMuseum 0003746.jpg / John Philip Kemble dit Cato, 1812 - Sir Thomas Lawrence 1812 - / Thomas Lawrence / Peinture Active Museum / Le Pictorium 1 person ,Actors ,Armchair ,Blanche ,Brown ,Comedy ,Dramatic scene ,Fabric ,Footrest ,Green ,Man ,Manager ,Play (theater) ,Play (to) ,Portrait ,Profile ,Reading ,Sandals ,Script ,Sheet of paper ,Short-haired ,Sitting (to be) ,Stage (entertainment) ,Theater (place) ,tragedy (theatre -theater) ,Triumph ,Tunic ,Vertical ,Hamlet () ,John Philip Kemble as Cato ,SHAKESPEARE ,19th century ,Thomas Lawrence ,Painting ,
Stratford church Shakespeare house upon Avon Warwickshire the midlands heritage history tourist UK GB England United Kingdom Gre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stratford-church-shakespeare-house-upon-avon-warwickshire-the-midlands-image6358012.htmlRMA4W9KD–Stratford church Shakespeare house upon Avon Warwickshire the midlands heritage history tourist UK GB England United Kingdom Gre
Richard Earlom. Lear Casting out his Daughter Cordelia. 1792. England. Stipple etching and engraving on ivory laid paper King Lear tells the tragic tale of a king driven to madness. Flattered and manipulated by his disingenuous older daughters into giving them his lands, Lear banishes his youngest daughter, the devoted Cordelia, in the scene depicted here. This print is based upon Henry Fuseli’s painting of the same subject, created for the Boydell Shakespeare Gallery in London, which the publisher had reproduced for the wider commercial audience of Shakespeare enthusiasts throughout Britain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-earlom-lear-casting-out-his-daughter-cordelia-1792-england-stipple-etching-and-engraving-on-ivory-laid-paper-king-lear-tells-the-tragic-tale-of-a-king-driven-to-madness-flattered-and-manipulated-by-his-disingenuous-older-daughters-into-giving-them-his-lands-lear-banishes-his-youngest-daughter-the-devoted-cordelia-in-the-scene-depicted-here-this-print-is-based-upon-henry-fuselis-painting-of-the-same-subject-created-for-the-boydell-shakespeare-gallery-in-london-which-the-publisher-had-reproduced-for-the-wider-commercial-audience-of-shakespeare-enthusiasts-throughout-britain-image337932304.htmlRM2AHP42T–Richard Earlom. Lear Casting out his Daughter Cordelia. 1792. England. Stipple etching and engraving on ivory laid paper King Lear tells the tragic tale of a king driven to madness. Flattered and manipulated by his disingenuous older daughters into giving them his lands, Lear banishes his youngest daughter, the devoted Cordelia, in the scene depicted here. This print is based upon Henry Fuseli’s painting of the same subject, created for the Boydell Shakespeare Gallery in London, which the publisher had reproduced for the wider commercial audience of Shakespeare enthusiasts throughout Britain.
William Shakespeare Shakspeare house Henley street Stratford on Avon 1868 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-shakespeare-shakspeare-house-henley-street-stratford-on-avon-73831998.htmlRME839D2–William Shakespeare Shakspeare house Henley street Stratford on Avon 1868
William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-shakespeare-image211206379.htmlRFP7H7TY–William Shakespeare
Francis Legat, 1755–1809, British, King Lear, Act V, Scene III, 1792. Engraving on thick, moderately textured, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francis-legat-17551809-british-king-lear-act-v-scene-iii-1792-engraving-on-thick-moderately-textured-cream-wove-paper-shakespeare-william-15641616-playwright-and-poet-image398429088.htmlRM2E460A8–Francis Legat, 1755–1809, British, King Lear, Act V, Scene III, 1792. Engraving on thick, moderately textured, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet
FUJEIRA - CIRCA 1969: a stamp printed in the Fujeira shows Scene from The Merry Wives of Windsor, Comedy Play by William Shakespeare, circa 1969 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fujeira-circa-1969-a-stamp-printed-in-the-fujeira-shows-scene-from-the-merry-wives-of-windsor-comedy-play-by-william-shakespeare-circa-1969-image465795202.htmlRF2J1PPEX–FUJEIRA - CIRCA 1969: a stamp printed in the Fujeira shows Scene from The Merry Wives of Windsor, Comedy Play by William Shakespeare, circa 1969
Thomas Webster, 1800–1886, British, Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs, 1853. India paper proof. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-webster-18001886-british-autolycus-song-a-winters-tale-act-4-scene-2-and-3-songs-1853-india-paper-proof-shakespeare-william-15641616-playwright-and-poet-image398360372.htmlRM2E42TM4–Thomas Webster, 1800–1886, British, Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs, 1853. India paper proof. Shakespeare, William (1564–1616), playwright and poet
Shakespeare, Macbeth Act IV, Scene I 1802 by Robert Thew Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeare-macbeth-act-iv-scene-i-1802-by-robert-thew-image559730231.htmlRM2REHWHB–Shakespeare, Macbeth Act IV, Scene I 1802 by Robert Thew
Richard Earlom, 1743–1822, British, Shakespeare, King Lear, Act I, Scene I, 1803. Engraving on wove paper, laid down on card. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-earlom-17431822-british-shakespeare-king-lear-act-i-scene-i-1803-engraving-on-wove-paper-laid-down-on-card-shakespeare-william-15641616-playwright-and-poet-image398430935.htmlRM2E462M7–Richard Earlom, 1743–1822, British, Shakespeare, King Lear, Act I, Scene I, 1803. Engraving on wove paper, laid down on card. Shakespeare, William (1564–1616), playwright and poet
Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3) MET DP812397 382875 Artist: Anonymous, French, 19th century, Former Attribution: Formerly attributed to Anonymous, German, 19th century, Subject: William Shakespeare, British, Stratford-upon-Avon 1564?1616 Stratford-upon-Avon, Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), 19th century, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper., sheet: 13 1/8 x 12 5/8 in. (33.3 x 32.1 c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-friar-lawrence-and-juliet-discover-the-bodies-of-romeo-and-paris-romeo-168352821.htmlRMKNW3MN–Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3) MET DP812397 382875 Artist: Anonymous, French, 19th century, Former Attribution: Formerly attributed to Anonymous, German, 19th century, Subject: William Shakespeare, British, Stratford-upon-Avon 1564?1616 Stratford-upon-Avon, Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), 19th century, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper., sheet: 13 1/8 x 12 5/8 in. (33.3 x 32.1 c
Peter Simon, 1750–1810, Taming of the Shrew, Act II Scene II, 1795. Stipple engraving on moderately thick, moderately textured, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-simon-17501810-taming-of-the-shrew-act-ii-scene-ii-1795-stipple-engraving-on-moderately-thick-moderately-textured-cream-wove-paper-shakespeare-william-15641616-playwright-and-poet-image398428959.htmlRM2E4605K–Peter Simon, 1750–1810, Taming of the Shrew, Act II Scene II, 1795. Stipple engraving on moderately thick, moderately textured, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet
![Scene from the play "King Henry VIII" by William Shakespeare. Private Collection. Stock Photo](https://c8.alamy.com/comp/2Y3C6A5/scene-from-the-play-quotking-henry-viiiquot-by-william-shakespeare-private-collection-2Y3C6A5.jpg "Scene from the play "King Henry VIII" by William Shakespeare. Private Collection. Stock Photo")
Scene from the play "King Henry VIII" by William Shakespeare. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-the-play-quotking-henry-viiiquot-by-william-shakespeare-private-collection-image621685629.htmlRM2Y3C6A5–Scene from the play "King Henry VIII" by William Shakespeare. Private Collection.
Samuel Middiman, ca. 1750–1831, British, Shakespeare's Winter Tale Act III Scene III, 1794. Engraving on thick, rough, cream, laid paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-middiman-ca-17501831-british-shakespeares-winter-tale-act-iii-scene-iii-1794-engraving-on-thick-rough-cream-laid-paper-shakespeare-william-15641616-playwright-and-poet-image398409354.htmlRM2E4535E–Samuel Middiman, ca. 1750–1831, British, Shakespeare's Winter Tale Act III Scene III, 1794. Engraving on thick, rough, cream, laid paper. Shakespeare, William (1564–1616), playwright and poet
MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 6 3/4 inches (14.3 x 17.1 cm), banquet, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-banquet-scene-george-romney-17341802-british-undated-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-5-58-x-6-34-inches-143-x-171-cm-banquet-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-image389821433.htmlRM2DJ5W61–MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 6 3/4 inches (14.3 x 17.1 cm), banquet, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare
Inspired by Photoreproduction of a print of a scene from Cymbeline by William Shakespeare, Cymbeline, Act III. Scene 6, Shown is Imogen in boys' clothes., maker:, c. 1873 - in or before 1883, paper, height 117 mm × width 85 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-of-a-scene-from-cymbeline-by-william-shakespeare-cymbeline-act-iii-scene-6-shown-is-imogen-in-boys-clothes-maker-c-1873-in-or-before-1883-paper-height-117-mm-width-85-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449414.htmlRF2HKDMBJ–Inspired by Photoreproduction of a print of a scene from Cymbeline by William Shakespeare, Cymbeline, Act III. Scene 6, Shown is Imogen in boys' clothes., maker:, c. 1873 - in or before 1883, paper, height 117 mm × width 85 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
George Romney, 1734–1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, moderately textured, cream wove paper. banquet , literary theme , Macbeth, play by William Shakespeare , plays by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-romney-17341802-british-macbeth-banquet-scene-undated-graphite-on-medium-moderately-textured-cream-wove-paper-banquet-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-image398455216.htmlRM2E475KC–George Romney, 1734–1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, moderately textured, cream wove paper. banquet , literary theme , Macbeth, play by William Shakespeare , plays by William Shakespeare
The Song of Ophelia (Act IV, Scene V). Dated: 1834. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-song-of-ophelia-act-iv-scene-v-dated-1834-medium-lithograph-museum-national-gallery-of-art-washington-dc-author-eugene-delacroix-shakespeare-william-delacroix-eugene-image233076424.htmlRMRF5FA0–The Song of Ophelia (Act IV, Scene V). Dated: 1834. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE.
Literacy theater . Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/literacy-theater-image475415354.htmlRF2JHD13P–Literacy theater .
Print of The Scene in the Temple Garden from Shakespeare's play 'King Henry VI First Part'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-of-the-scene-in-the-temple-garden-from-shakespeares-play-king-henry-vi-first-part-image264871108.htmlRFWAWWPC–Print of The Scene in the Temple Garden from Shakespeare's play 'King Henry VI First Part'.
shylock after the trial merchant of venice The Merchant of Venice is a play by William Shakespeare, believed to have been writte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shylock-after-the-trial-merchant-of-venice-the-merchant-of-venice-23005297.htmlRMB9BYDN–shylock after the trial merchant of venice The Merchant of Venice is a play by William Shakespeare, believed to have been writte
Fotoreproductie van een prent van een scene uit Macbeth door William Shakespeare Macbeth, Act I Scene 5 (titel op object) seen Lady Macbeth. Manufacturer : creator: anonymous to print by: anonymous date: ca. 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 117 mm × W 87 mmToelichtingPrent front page 170. Subject: theater, theatrical performance lady Macbeth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-van-een-scene-uit-macbeth-door-william-shakespeare-macbeth-act-i-scene-5-titel-op-object-seen-lady-macbeth-manufacturer-creator-anonymous-to-print-by-anonymous-date-ca-1873-or-for-1883-material-paper-technique-woodburytypie-dimensions-print-h-117-mm-w-87-mmtoelichtingprent-front-page-170-subject-theater-theatrical-performance-lady-macbeth-image348355054.htmlRM2B6MXBX–Fotoreproductie van een prent van een scene uit Macbeth door William Shakespeare Macbeth, Act I Scene 5 (titel op object) seen Lady Macbeth. Manufacturer : creator: anonymous to print by: anonymous date: ca. 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 117 mm × W 87 mmToelichtingPrent front page 170. Subject: theater, theatrical performance lady Macbeth
Anne Hathaway house Stratford upon Avon Warwickshire UK GB England Great Britain United Kingdom Shakespeare thatch garden child Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anne-hathaway-house-stratford-upon-avon-warwickshire-uk-gb-england-image6428279.htmlRMA5ABK8–Anne Hathaway house Stratford upon Avon Warwickshire UK GB England Great Britain United Kingdom Shakespeare thatch garden child
UNITED KINGDOM - CIRCA 2011: a stamp printed in Great Britain shows a scene of the movie King Lear, in his 50 years in the story Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-united-kingdom-circa-2011-a-stamp-printed-in-great-britain-shows-a-108526772.htmlRMG8FR04–UNITED KINGDOM - CIRCA 2011: a stamp printed in Great Britain shows a scene of the movie King Lear, in his 50 years in the story
Frightful scene in the dressing room of the Continental Theatre, Philadelphia, Pennsylvania, on the evening of September 14th, 1861 - Accidental burning of a portion of the Ballet Corps while preparing for the dance in Shakespeare's play of the 'Tempest,' resulting in the death of seven of the dancers. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frightful-scene-in-the-dressing-room-of-the-continental-theatre-philadelphia-pennsylvania-on-the-evening-of-september-14th-1861-accidental-burning-of-a-portion-of-the-ballet-corps-while-preparing-for-the-dance-in-shakespeares-play-of-the-tempest-resulting-in-the-death-of-seven-of-the-dancers-19th-century-american-civil-war-illustration-from-frank-leslies-illustrated-newspaper-image482368324.htmlRF2K0NNM4–Frightful scene in the dressing room of the Continental Theatre, Philadelphia, Pennsylvania, on the evening of September 14th, 1861 - Accidental burning of a portion of the Ballet Corps while preparing for the dance in Shakespeare's play of the 'Tempest,' resulting in the death of seven of the dancers. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper
FUJEIRA - CIRCA 1969: a stamp printed in the Fujeira shows Scene from Midsummer Night's Dream, Comedy Play by William Shakespeare, circa 1969 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fujeira-circa-1969-a-stamp-printed-in-the-fujeira-shows-scene-from-midsummer-nights-dream-comedy-play-by-william-shakespeare-circa-1969-image465795199.htmlRF2J1PPER–FUJEIRA - CIRCA 1969: a stamp printed in the Fujeira shows Scene from Midsummer Night's Dream, Comedy Play by William Shakespeare, circa 1969
John Philip Kemble dit Cato, 1812 - Sir Thomas Lawrence 22/01/2014 - / 19th century Collection / Active Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-john-philip-kemble-dit-cato-1812-sir-thomas-lawrence-22012014-19th-76111003.htmlRMEBR4A3–John Philip Kemble dit Cato, 1812 - Sir Thomas Lawrence 22/01/2014 - / 19th century Collection / Active Museum
Scene from Shakespeare's, Romeo and Juliet by Robert Smirke Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-shakespeares-romeo-and-juliet-by-robert-smirke-image560009123.htmlRM2RF2H9R–Scene from Shakespeare's, Romeo and Juliet by Robert Smirke
Ophelia, the blue cape on the waters, death of Ophelia painting by Odilon Redon, 1900-1905 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ophelia-the-blue-cape-on-the-waters-death-of-ophelia-painting-by-odilon-redon-1900-1905-image459409934.htmlRM2HKBX1J–Ophelia, the blue cape on the waters, death of Ophelia painting by Odilon Redon, 1900-1905
O Mistress Mine, Where Are You Roaming? by Edwin A. Abbey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/o-mistress-mine-where-are-you-roaming-by-edwin-a-abbey-image434092108.htmlRF2G66GWG–O Mistress Mine, Where Are You Roaming? by Edwin A. Abbey.
Lovers wishes wall at the Juliet famous house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lovers-wishes-wall-at-the-juliet-famous-house-165487662.htmlRFKH6H5J–Lovers wishes wall at the Juliet famous house
Ophelia, from Twelve Characters from Shakespeare, May 20, 1775 (originally published); published 1809. 'There's Fennel for you and Columbines, There's Rue for you, and some for me'. (Hamlet, Act IV, Scene 7). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ophelia-from-twelve-characters-from-shakespeare-may-20-1775-originally-published-published-1809-theres-fennel-for-you-and-columbines-theres-rue-for-you-and-some-for-me-hamlet-act-iv-scene-7-image491537513.htmlRM2KFKD35–Ophelia, from Twelve Characters from Shakespeare, May 20, 1775 (originally published); published 1809. 'There's Fennel for you and Columbines, There's Rue for you, and some for me'. (Hamlet, Act IV, Scene 7).
Othello outline vector icon. Thin line black othello icon, flat vector simple element illustration from editable literature concept isolated on white Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/othello-outline-vector-icon-thin-line-black-othello-icon-flat-vector-simple-element-illustration-from-editable-literature-concept-isolated-on-white-image397569900.htmlRF2E2PTD0–Othello outline vector icon. Thin line black othello icon, flat vector simple element illustration from editable literature concept isolated on white
MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 7 3/8 inches (13 x 18.7 cm), banquet, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-banquet-scene-george-romney-17341802-british-undated-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-5-18-x-7-38-inches-13-x-187-cm-banquet-feast-food-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-image389821435.htmlRM2DJ5W63–MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 7 3/8 inches (13 x 18.7 cm), banquet, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare
Inspired by Photoreproduction of a print of a scene from Romeo and Juliet by William Shakespeare, Romeo and Juliet, Act V. Scene 3, Showing the dying of Juliet., maker:, c. 1873 - in or before 1883, paper, height 86 mm × width 116 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-of-a-scene-from-romeo-and-juliet-by-william-shakespeare-romeo-and-juliet-act-v-scene-3-showing-the-dying-of-juliet-maker-c-1873-in-or-before-1883-paper-height-86-mm-width-116-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449368.htmlRF2HKDMA0–Inspired by Photoreproduction of a print of a scene from Romeo and Juliet by William Shakespeare, Romeo and Juliet, Act V. Scene 3, Showing the dying of Juliet., maker:, c. 1873 - in or before 1883, paper, height 86 mm × width 116 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Unidentified Shakespeare scene (two men), 19th century, Watercolor and gouache on board, Overall: 53.658 × 36.83 cm (21 1/8 × 14 1/2in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-edwin-austin-abbey-american-18521911-ma-1897-unidentified-shakespeare-scene-twomen-19thcentury-watercolor-and-gouache-on-board-overall-53658-3683-cm-21-18-1412in-made-in-united-states-american-19thcentury-works-on-paper-drawings-andwatercolors-image393027932.htmlRM2DRBY3T–Artist: Edwin Austin Abbey, American, 1852–1911, M.A., 1897, Unidentified Shakespeare scene (two men), 19th century, Watercolor and gouache on board, Overall: 53.658 × 36.83 cm (21 1/8 × 14 1/2in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors
The Return of Othello, from 'Othello,' Act II, Scene ii. Date/Period: Ca. 1799. Painting. Oil on paper mounted on canvas. Height: 210 mm (8.26 in); Width: 254 mm (10 in). Author: THOMAS STOTHARD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-return-of-othello-from-othello-act-ii-scene-ii-dateperiod-ca-1799-painting-oil-on-paper-mounted-on-canvas-height-210-mm-826-in-width-254-mm-10-in-author-thomas-stothard-image233251715.htmlRMRFDEXB–The Return of Othello, from 'Othello,' Act II, Scene ii. Date/Period: Ca. 1799. Painting. Oil on paper mounted on canvas. Height: 210 mm (8.26 in); Width: 254 mm (10 in). Author: THOMAS STOTHARD.
MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm), banquet, drama, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare, stage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-banquet-scene-george-romney-17341802-british-undated-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-4-58-x-7-58-inches-117-x-194-cm-banquet-drama-feast-food-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-stage-image389821291.htmlRM2DJ5W0Y–MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm), banquet, drama, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare, stage
George Romney, 1734–1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, slightly textured, cream wove paper. banquet , literary theme , Macbeth, play by William Shakespeare , plays by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-romney-17341802-british-macbeth-banquet-scene-undated-graphite-on-medium-slightly-textured-cream-wove-paper-banquet-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-image398455212.htmlRM2E475K8–George Romney, 1734–1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, slightly textured, cream wove paper. banquet , literary theme , Macbeth, play by William Shakespeare , plays by William Shakespeare
SWEDEN - CIRCA 1975: A stamp printed in Sweden shows Sergei Prokofiev's ballet Romeo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sweden-circa-1975-a-stamp-printed-in-sweden-shows-sergei-prokofievs-108464300.htmlRMG8CY90–SWEDEN - CIRCA 1975: A stamp printed in Sweden shows Sergei Prokofiev's ballet Romeo
Fotoreproductie van een prent van een scene uit Cymbeline door William Shakespeare Cymbeline, Act III Scene 6 (titel op object) It can be seen in Imogen jongenskleren. Manufacturer : manufacturer: anonymously to print by: anonymous date: ca. 1873 - or in for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 117 mm × W 85 mmToelichtingPrent front page 136. Subject: theater, theatrical performance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-van-een-scene-uit-cymbeline-door-william-shakespeare-cymbeline-act-iii-scene-6-titel-op-object-it-can-be-seen-in-imogen-jongenskleren-manufacturer-manufacturer-anonymously-to-print-by-anonymous-date-ca-1873-or-in-for-1883-material-paper-technique-woodburytypie-dimensions-print-h-117-mm-w-85-mmtoelichtingprent-front-page-136-subject-theater-theatrical-performance-image348355043.htmlRM2B6MXBF–Fotoreproductie van een prent van een scene uit Cymbeline door William Shakespeare Cymbeline, Act III Scene 6 (titel op object) It can be seen in Imogen jongenskleren. Manufacturer : manufacturer: anonymously to print by: anonymous date: ca. 1873 - or in for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 117 mm × W 85 mmToelichtingPrent front page 136. Subject: theater, theatrical performance
Photo production of a print of a scene from Romeo and Julia by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print You can see the dying of Julia. paper theatre, theatrical performance. Juliet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-production-of-a-print-of-a-scene-from-romeo-and-julia-by-william-shakespeare-anonymous-c-1873-in-or-before-1883-photomechanical-print-you-can-see-the-dying-of-julia-paper-theatre-theatrical-performance-juliet-image591420350.htmlRM2WA5EKA–Photo production of a print of a scene from Romeo and Julia by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print You can see the dying of Julia. paper theatre, theatrical performance. Juliet
Cawdor Castle Nairn Inverness-shire Scotland Scottish Scot Shakespeare Macbeth UK United Kingdom GB Great Britain tree forest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cawdor-castle-nairn-inverness-shire-scotland-scottish-scot-shakespeare-image6597457.htmlRMA6DTN2–Cawdor Castle Nairn Inverness-shire Scotland Scottish Scot Shakespeare Macbeth UK United Kingdom GB Great Britain tree forest
Robert Thew, 1758–1802, British, Shakespeare, Macbeth Act IV, Scene I, 1802. Stipple engraving on moderately thick, moderately texture, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-thew-17581802-british-shakespeare-macbeth-act-iv-scene-i-1802-stipple-engraving-on-moderately-thick-moderately-texture-cream-wove-paper-shakespeare-william-15641616-playwright-and-poet-image398440526.htmlRM2E46EXP–Robert Thew, 1758–1802, British, Shakespeare, Macbeth Act IV, Scene I, 1802. Stipple engraving on moderately thick, moderately texture, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet
Verona, Italy Casa di Giulieta letters wall. Juliets house courtyard paper notes with attached love messages and locks. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/verona-italy-casa-di-giulieta-letters-wall-juliets-house-courtyard-paper-notes-with-attached-love-messages-and-locks-image210486319.htmlRFP6CDCF–Verona, Italy Casa di Giulieta letters wall. Juliets house courtyard paper notes with attached love messages and locks.
Samuel Middiman, ca. 1750–1831, British, Winter's Tale, Act III, Scene III, 1794. Engraving on moderately thick, slightly textured, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-middiman-ca-17501831-british-winters-tale-act-iii-scene-iii-1794-engraving-on-moderately-thick-slightly-textured-cream-wove-paper-shakespeare-william-15641616-playwright-and-poet-image398409370.htmlRM2E45362–Samuel Middiman, ca. 1750–1831, British, Winter's Tale, Act III, Scene III, 1794. Engraving on moderately thick, slightly textured, cream, wove paper. Shakespeare, William (1564–1616), playwright and poet
Scene of Three Witches from Shakespeare's Macbeth 1840 by George Cattermole Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-of-three-witches-from-shakespeares-macbeth-1840-by-george-cattermole-image559691693.htmlRM2REG4D1–Scene of Three Witches from Shakespeare's Macbeth 1840 by George Cattermole
Photo production of a print of a scene from Macbeth by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print Te zien is Lady Macbeth. paper theatre, theatrical performance. Lady Macbeth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-production-of-a-print-of-a-scene-from-macbeth-by-william-shakespeare-anonymous-c-1873-in-or-before-1883-photomechanical-print-te-zien-is-lady-macbeth-paper-theatre-theatrical-performance-lady-macbeth-image591952130.htmlRM2WB1MYE–Photo production of a print of a scene from Macbeth by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print Te zien is Lady Macbeth. paper theatre, theatrical performance. Lady Macbeth
Talbot and the Countess of Auvergne by Sir W. Q. Orchardson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/talbot-and-the-countess-of-auvergne-by-sir-w-q-orchardson-image434091985.htmlRF2G66GN5–Talbot and the Countess of Auvergne by Sir W. Q. Orchardson.
Lovers wishes wall at the Juliet famous house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lovers-wishes-wall-at-the-juliet-famous-house-165487676.htmlRFKH6H64–Lovers wishes wall at the Juliet famous house
Cassandra, from Twelve Characters from Shakespeare, originally published March 15, 1776, published 1809. 'Cry Trojans cry, practice your eyes with tears, Troy must not be, nor goodly Ilion stand'. (Troilus and Cressida, Act II, Scene 4). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cassandra-from-twelve-characters-from-shakespeare-originally-published-march-15-1776-published-1809-cry-trojans-cry-practice-your-eyes-with-tears-troy-must-not-be-nor-goodly-ilion-stand-troilus-and-cressida-act-ii-scene-4-image491537503.htmlRM2KFKD2R–Cassandra, from Twelve Characters from Shakespeare, originally published March 15, 1776, published 1809. 'Cry Trojans cry, practice your eyes with tears, Troy must not be, nor goodly Ilion stand'. (Troilus and Cressida, Act II, Scene 4).
Inspired by Photoreproduction of a print of a scene from Othello by William Shakespeare, Othello, Act II. Scene I, Shown is a group of people with Othello and Desdemona in the middle., maker:, c. 1873 - in or before 1883, paper, height 87 mm × width 116 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-of-a-scene-from-othello-by-william-shakespeare-othello-act-ii-scene-i-shown-is-a-group-of-people-with-othello-and-desdemona-in-the-middle-maker-c-1873-in-or-before-1883-paper-height-87-mm-width-116-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449409.htmlRF2HKDMBD–Inspired by Photoreproduction of a print of a scene from Othello by William Shakespeare, Othello, Act II. Scene I, Shown is a group of people with Othello and Desdemona in the middle., maker:, c. 1873 - in or before 1883, paper, height 87 mm × width 116 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Prospero, Miranda and Ariel, from 'The Tempest,' Act I, scene ii. Date/Period: Ca. 1799. Painting. Oil on paper laid on canvas. Height: 210 mm (8.26 in); Width: 260 mm (10.23 in). Author: THOMAS STOTHARD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospero-miranda-and-ariel-from-the-tempest-act-i-scene-ii-dateperiod-ca-1799-painting-oil-on-paper-laid-on-canvas-height-210-mm-826-in-width-260-mm-1023-in-author-thomas-stothard-image233254842.htmlRMRFDJX2–Prospero, Miranda and Ariel, from 'The Tempest,' Act I, scene ii. Date/Period: Ca. 1799. Painting. Oil on paper laid on canvas. Height: 210 mm (8.26 in); Width: 260 mm (10.23 in). Author: THOMAS STOTHARD.
MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 1/8 inches (14.3 x 20.6 cm), banquet, drama, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare, stage, theater Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-banquet-scene-george-romney-17341802-british-undated-graphite-on-medium-slightly-textured-cream-wove-paper-sheet-5-58-x-8-18-inches-143-x-206-cm-banquet-drama-feast-food-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-stage-theater-image389821297.htmlRM2DJ5W15–MacBeth: Banquet Scene, George Romney, 1734–1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 1/8 inches (14.3 x 20.6 cm), banquet, drama, feast, food, literary theme, Macbeth, play by William Shakespeare, plays by William Shakespeare, stage, theater
Fotoreproductie van een prent van een scene uit Othello door William Shakespeare Othello, Act II Scene I (titel op object) It will be seen a group of people with Othello and Desdemona in the midden. Manufacturer : manufacturer: anonymously to print by: anonymous dating : about 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 87 mm × W 116 mmToelichtingPrent front page 349. Subject: theater, theatrical performance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-van-een-scene-uit-othello-door-william-shakespeare-othello-act-ii-scene-i-titel-op-object-it-will-be-seen-a-group-of-people-with-othello-and-desdemona-in-the-midden-manufacturer-manufacturer-anonymously-to-print-by-anonymous-dating-about-1873-or-for-1883-material-paper-technique-woodburytypie-dimensions-print-h-87-mm-w-116-mmtoelichtingprent-front-page-349-subject-theater-theatrical-performance-image348355061.htmlRM2B6MXC5–Fotoreproductie van een prent van een scene uit Othello door William Shakespeare Othello, Act II Scene I (titel op object) It will be seen a group of people with Othello and Desdemona in the midden. Manufacturer : manufacturer: anonymously to print by: anonymous dating : about 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 87 mm × W 116 mmToelichtingPrent front page 349. Subject: theater, theatrical performance
house Henley Street Stratford upon Avon born William Shakespeare interior inside bust desk chair manuscript UK GB Great Britain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/house-henley-street-stratford-upon-avon-born-william-shakespeare-interior-image6428787.htmlRMA5ADY4–house Henley Street Stratford upon Avon born William Shakespeare interior inside bust desk chair manuscript UK GB Great Britain
Shakespeare's Winter Tale Act III Scene III 1794 by Samuel Middiman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-winter-tale-act-iii-scene-iii-1794-by-samuel-middiman-image559723328.htmlRM2REHGPT–Shakespeare's Winter Tale Act III Scene III 1794 by Samuel Middiman
Photo production of a print of a scene from cymbeline by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print Imogen can be seen in boys' clothes. paper theatre, theatrical performance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-production-of-a-print-of-a-scene-from-cymbeline-by-william-shakespeare-anonymous-c-1873-in-or-before-1883-photomechanical-print-imogen-can-be-seen-in-boys-clothes-paper-theatre-theatrical-performance-image591952603.htmlRM2WB1NGB–Photo production of a print of a scene from cymbeline by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print Imogen can be seen in boys' clothes. paper theatre, theatrical performance
Lovers wishes wall at the Juliet famous house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lovers-wishes-wall-at-the-juliet-famous-house-165487706.htmlRFKH6H76–Lovers wishes wall at the Juliet famous house
York, from Twelve Characters from Shakespeare, originally published March 15, 1776, published 1809. 'See ruthless Queen a hapless Father's tears, This cloth thou dip'd'st in blood of my sweet boy, And I with tears do wash the blood away'. (Henry IV Part Two, Act V, Scene 4). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/york-from-twelve-characters-from-shakespeare-originally-published-march-15-1776-published-1809-see-ruthless-queen-a-hapless-fathers-tears-this-cloth-thou-dipdst-in-blood-of-my-sweet-boy-and-i-with-tears-do-wash-the-blood-away-henry-iv-part-two-act-v-scene-4-image491537435.htmlRM2KFKD0B–York, from Twelve Characters from Shakespeare, originally published March 15, 1776, published 1809. 'See ruthless Queen a hapless Father's tears, This cloth thou dip'd'st in blood of my sweet boy, And I with tears do wash the blood away'. (Henry IV Part Two, Act V, Scene 4).
Inspired by Photoreproduction of a print after a painting by Francis Wheatley, depicting a scene from The Tamed Shrew by William Shakespeare, The Taming of the Shrew, Act II. Scene 2, maker:, c. 1873 - in or before 1883, paper, height 86 mm × width 119 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-francis-wheatley-depicting-a-scene-from-the-tamed-shrew-by-william-shakespeare-the-taming-of-the-shrew-act-ii-scene-2-maker-c-1873-in-or-before-1883-paper-height-86-mm-width-119-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449419.htmlRF2HKDMBR–Inspired by Photoreproduction of a print after a painting by Francis Wheatley, depicting a scene from The Tamed Shrew by William Shakespeare, The Taming of the Shrew, Act II. Scene 2, maker:, c. 1873 - in or before 1883, paper, height 86 mm × width 119 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Hamlet and the Queen (Act III, Scene IV). Dated: 1834. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamlet-and-the-queen-act-iii-scene-iv-dated-1834-medium-lithograph-museum-national-gallery-of-art-washington-dc-author-eugene-delacroix-shakespeare-william-delacroix-eugene-image233225028.htmlRMRFC8W8–Hamlet and the Queen (Act III, Scene IV). Dated: 1834. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE.
The Banquet Scene, George Romney, 1734–1802, British, ca. 1792, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 8 3/16 inches (14 x 20.8 cm), bench, cloak, dress, figure study, ghosts, literary theme, Macbeth, Act III, Scene IV, men, plays by William Shakespeare, The Tragedy of Macbeth, theater, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-banquet-scene-george-romney-17341802-british-ca-1792-graphite-on-moderately-thick-slightly-textured-cream-wove-paper-sheet-5-12-x-8-316-inches-14-x-208-cm-bench-cloak-dress-figure-study-ghosts-literary-theme-macbeth-act-iii-scene-iv-men-plays-by-william-shakespeare-the-tragedy-of-macbeth-theater-women-image389821293.htmlRM2DJ5W11–The Banquet Scene, George Romney, 1734–1802, British, ca. 1792, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 8 3/16 inches (14 x 20.8 cm), bench, cloak, dress, figure study, ghosts, literary theme, Macbeth, Act III, Scene IV, men, plays by William Shakespeare, The Tragedy of Macbeth, theater, women
Fotoreproductie van een prent van een scene uit Romeo en Julia door William Shakespeare Romeo and Juliet, Act V Scene 3 (titel op object) it is seen dying Julia. Manufacturer : manufacturer: anonymous to print by: anonymous date: ca. 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 86 mm × W 116 mmToelichtingPrent front page 317. Subject : theater, theatrical performance juliet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-van-een-scene-uit-romeo-en-julia-door-william-shakespeare-romeo-and-juliet-act-v-scene-3-titel-op-object-it-is-seen-dying-julia-manufacturer-manufacturer-anonymous-to-print-by-anonymous-date-ca-1873-or-for-1883-material-paper-technique-woodburytypie-dimensions-print-h-86-mm-w-116-mmtoelichtingprent-front-page-317-subject-theater-theatrical-performance-juliet-image348355074.htmlRM2B6MXCJ–Fotoreproductie van een prent van een scene uit Romeo en Julia door William Shakespeare Romeo and Juliet, Act V Scene 3 (titel op object) it is seen dying Julia. Manufacturer : manufacturer: anonymous to print by: anonymous date: ca. 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 86 mm × W 116 mmToelichtingPrent front page 317. Subject : theater, theatrical performance juliet
Desdemona house Venice Venezia veneto Italy Italian Shakespeare palazzo moor gondola gondolier boat water grand canal row oar pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/desdemona-house-venice-venezia-veneto-italy-italian-shakespeare-palazzo-image6476958.htmlRMA5KCWF–Desdemona house Venice Venezia veneto Italy Italian Shakespeare palazzo moor gondola gondolier boat water grand canal row oar pa
Shakespeare's Tempest Act IV Scene I. Prospero's Cell. 1800 by Robert Thew Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tempest-act-iv-scene-i-prosperos-cell-1800-by-robert-thew-image559730251.htmlRM2REHWJ3–Shakespeare's Tempest Act IV Scene I. Prospero's Cell. 1800 by Robert Thew
The Jew Shylock, walking through the streets, Jac van Looij, 1865 - 1930 drawing Scene from Merchant or Venice from Shakespeare. paper. chalk Shylock. (SHAKESPEARE, Merchant of Venice) specific works of literature (with AUTHOR, Title) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-jew-shylock-walking-through-the-streets-jac-van-looij-1865-1930-drawing-scene-from-merchant-or-venice-from-shakespeare-paper-chalk-shylock-shakespeare-merchant-of-venice-specific-works-of-literature-with-author-title-image595612950.htmlRM2WH0EB2–The Jew Shylock, walking through the streets, Jac van Looij, 1865 - 1930 drawing Scene from Merchant or Venice from Shakespeare. paper. chalk Shylock. (SHAKESPEARE, Merchant of Venice) specific works of literature (with AUTHOR, Title)
![The Death, published June 1, 1825. Fox hunting scene in England. 'Leicestershire. "Gaudet equis canibusque", (he delights in horses and dogs). "He feels uneasy at his future journey, And wishes his boots off again" - Dryden. "Till they have run down the fox and kill'd him" - Luttrel. "Flamina propriore calesco". "And their poor jades. Lob down their heads dropping their hides and hips" - Shakespeare', (Henry V, Act IV, Scene 2). Published by Thomas McLean. Stock Photo](https://c8.alamy.com/comp/2KFKMNC/the-death-published-june-1-1825-fox-hunting-scene-in-england-leicestershire-quotgaudet-equis-canibusquequot-he-delights-in-horses-and-dogs-quothe-feels-uneasy-at-his-future-journey-and-wishes-his-boots-off-againquot-dryden-quottill-they-have-run-down-the-fox-and-killd-himquot-luttrel-quotflamina-propriore-calescoquot-quotand-their-poor-jades-lob-down-their-heads-dropping-their-hides-and-hipsquot-shakespeare-henry-v-act-iv-scene-2-published-by-thomas-mclean-2KFKMNC.jpg "The Death, published June 1, 1825. Fox hunting scene in England. 'Leicestershire. "Gaudet equis canibusque", (he delights in horses and dogs). "He feels uneasy at his future journey, And wishes his boots off again" - Dryden. "Till they have run down the fox and kill'd him" - Luttrel. "Flamina propriore calesco". "And their poor jades. Lob down their heads dropping their hides and hips" - Shakespeare', (Henry V, Act IV, Scene 2). Published by Thomas McLean. Stock Photo")
The Death, published June 1, 1825. Fox hunting scene in England. 'Leicestershire. "Gaudet equis canibusque", (he delights in horses and dogs). "He feels uneasy at his future journey, And wishes his boots off again" - Dryden. "Till they have run down the fox and kill'd him" - Luttrel. "Flamina propriore calesco". "And their poor jades. Lob down their heads dropping their hides and hips" - Shakespeare', (Henry V, Act IV, Scene 2). Published by Thomas McLean. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-published-june-1-1825-fox-hunting-scene-in-england-leicestershire-quotgaudet-equis-canibusquequot-he-delights-in-horses-and-dogs-quothe-feels-uneasy-at-his-future-journey-and-wishes-his-boots-off-againquot-dryden-quottill-they-have-run-down-the-fox-and-killd-himquot-luttrel-quotflamina-propriore-calescoquot-quotand-their-poor-jades-lob-down-their-heads-dropping-their-hides-and-hipsquot-shakespeare-henry-v-act-iv-scene-2-published-by-thomas-mclean-image491543512.htmlRM2KFKMNC–The Death, published June 1, 1825. Fox hunting scene in England. 'Leicestershire. "Gaudet equis canibusque", (he delights in horses and dogs). "He feels uneasy at his future journey, And wishes his boots off again" - Dryden. "Till they have run down the fox and kill'd him" - Luttrel. "Flamina propriore calesco". "And their poor jades. Lob down their heads dropping their hides and hips" - Shakespeare', (Henry V, Act IV, Scene 2). Published by Thomas McLean.
Inspired by Photoreproduction of a print after a painting by Angelica Kauffmann, depicting a scene from The Two Veronese by William Shakespeare, The Two Gentlemen of Verona, Act V. Scene 3, maker:, c. 1873 - in or before 1883, paper, height 94 mm × width 125 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-angelica-kauffmann-depicting-a-scene-from-the-two-veronese-by-william-shakespeare-the-two-gentlemen-of-verona-act-v-scene-3-maker-c-1873-in-or-before-1883-paper-height-94-mm-width-125-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449415.htmlRF2HKDMBK–Inspired by Photoreproduction of a print after a painting by Angelica Kauffmann, depicting a scene from The Two Veronese by William Shakespeare, The Two Gentlemen of Verona, Act V. Scene 3, maker:, c. 1873 - in or before 1883, paper, height 94 mm × width 125 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Hamlet and the Body of Polonius (Act III, Scene IV). Dated: 1835. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamlet-and-the-body-of-polonius-act-iii-scene-iv-dated-1835-medium-lithograph-museum-national-gallery-of-art-washington-dc-author-eugene-delacroix-shakespeare-william-delacroix-eugene-image233225200.htmlRMRFC93C–Hamlet and the Body of Polonius (Act III, Scene IV). Dated: 1835. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE.
Shakespeare, King Lear, Act I, Scene I, Richard Earlom, 1743–1822, British, after Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1803, Engraving on wove paper, laid down on card, Plate: 19 3/8 x 25in. (49.2 x 63.5cm) and Sheet: 22 3/4 x 28 1/2in. (57.8 x 72.4cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeare-king-lear-act-i-scene-i-richard-earlom-17431822-british-after-henry-fuseli-17411825-swiss-active-in-britain-176670-1779-on-1803-engraving-on-wove-paper-laid-down-on-card-plate-19-38-x-25in-492-x-635cm-and-sheet-22-34-x-28-12in-578-x-724cm-image389884382.htmlRM2DJ8NE6–Shakespeare, King Lear, Act I, Scene I, Richard Earlom, 1743–1822, British, after Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), 1803, Engraving on wove paper, laid down on card, Plate: 19 3/8 x 25in. (49.2 x 63.5cm) and Sheet: 22 3/4 x 28 1/2in. (57.8 x 72.4cm
Fotoreproductie van een prent van een scene uit Wintersprookje door William Shakespeare The Winter's Tale, Act V Scene 3 (titel op object) to see the scene A Chapel in Paulina's House. Manufacturer : creator: anonymous to print by: anonymous date: ca. 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 90 mm × W 121 mmToelichtingPrent opposite page 47. Subject: theater, theatrical performance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-van-een-scene-uit-wintersprookje-door-william-shakespeare-the-winters-tale-act-v-scene-3-titel-op-object-to-see-the-scene-a-chapel-in-paulinas-house-manufacturer-creator-anonymous-to-print-by-anonymous-date-ca-1873-or-for-1883-material-paper-technique-woodburytypie-dimensions-print-h-90-mm-w-121-mmtoelichtingprent-opposite-page-47-subject-theater-theatrical-performance-image348355064.htmlRM2B6MXC8–Fotoreproductie van een prent van een scene uit Wintersprookje door William Shakespeare The Winter's Tale, Act V Scene 3 (titel op object) to see the scene A Chapel in Paulina's House. Manufacturer : creator: anonymous to print by: anonymous date: ca. 1873 - or for 1883 Material: paper Technique: Woodburytypie Dimensions: print: h 90 mm × W 121 mmToelichtingPrent opposite page 47. Subject: theater, theatrical performance
shakespeare cliff south coast coastal downs chalk beach headland channel marine fossil edge steep erode erosion UK GB United Kin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeare-cliff-south-coast-coastal-downs-chalk-beach-headland-channel-image6358008.htmlRMA4W9K9–shakespeare cliff south coast coastal downs chalk beach headland channel marine fossil edge steep erode erosion UK GB United Kin
Rosalind surprised Orlando in the forest, 1791 print Deed 5, scene 4, written from the play by William Shakespeare entitled 'As You Like It'. paper etching / engraving (SHAKESPEARE, As you like it) specific works of literature (with AUTHOR, Title) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rosalind-surprised-orlando-in-the-forest-1791-print-deed-5-scene-4-written-from-the-play-by-william-shakespeare-entitled-as-you-like-it-paper-etching-engraving-shakespeare-as-you-like-it-specific-works-of-literature-with-author-title-image594248339.htmlRM2WEP9PY–Rosalind surprised Orlando in the forest, 1791 print Deed 5, scene 4, written from the play by William Shakespeare entitled 'As You Like It'. paper etching / engraving (SHAKESPEARE, As you like it) specific works of literature (with AUTHOR, Title)
Edward Scriven, 1775–1841, British, Julius Caesar: Act IV Scene III: Brutus' Tent .., 1802. Engraving on moderately thick, moderately textured, cream, laid paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edward-scriven-17751841-british-julius-caesar-act-iv-scene-iii-brutus-tent-1802-engraving-on-moderately-thick-moderately-textured-cream-laid-paper-shakespeare-william-15641616-playwright-and-poet-image398428958.htmlRM2E4605J–Edward Scriven, 1775–1841, British, Julius Caesar: Act IV Scene III: Brutus' Tent .., 1802. Engraving on moderately thick, moderately textured, cream, laid paper. Shakespeare, William (1564–1616), playwright and poet
Richard II, from Twelve Characters from Shakespeare, May 20, 1775 (originally published), published 1809. 'For within the hollow crown, That rounds the mortal temples of a King, Keeps Death his court; & there the antick sits, Scoffing his State and grinning at his pomp; Allowing him a breath, a little scene, To monarchize, be fear'd, and kill with looks; Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable; and, humour'd thus, Comes at last, & with a little pin Bores thro' his castle wall, and farewell, King!'. (Richard II, Act 3, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-ii-from-twelve-characters-from-shakespeare-may-20-1775-originally-published-published-1809-for-within-the-hollow-crown-that-rounds-the-mortal-temples-of-a-king-keeps-death-his-court-amp-there-the-antick-sits-scoffing-his-state-and-grinning-at-his-pomp-allowing-him-a-breath-a-little-scene-to-monarchize-be-feard-and-kill-with-looks-infusing-him-with-self-and-vain-conceit-as-if-this-flesh-which-walls-about-our-life-were-brass-impregnable-and-humourd-thus-comes-at-last-amp-with-a-little-pin-bores-thro-his-castle-wall-and-farewell-king!-richard-ii-act-3-image491537444.htmlRM2KFKD0M–Richard II, from Twelve Characters from Shakespeare, May 20, 1775 (originally published), published 1809. 'For within the hollow crown, That rounds the mortal temples of a King, Keeps Death his court; & there the antick sits, Scoffing his State and grinning at his pomp; Allowing him a breath, a little scene, To monarchize, be fear'd, and kill with looks; Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable; and, humour'd thus, Comes at last, & with a little pin Bores thro' his castle wall, and farewell, King!'. (Richard II, Act 3,
George Romney, 1734–1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, slightly textured, cream wove paper. banquet , feast , food , literary theme , Macbeth, play by William Shakespeare , plays by William Shakespeare Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-romney-17341802-british-macbeth-banquet-scene-undated-graphite-on-medium-slightly-textured-cream-wove-paper-banquet-feast-food-literary-theme-macbeth-play-by-william-shakespeare-plays-by-william-shakespeare-image398455277.htmlRM2E475NH–George Romney, 1734–1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, slightly textured, cream wove paper. banquet , feast , food , literary theme , Macbeth, play by William Shakespeare , plays by William Shakespeare
Inspired by Photoreproduction of a print of a scene from Winter's Tale by William Shakespeare, The Winter's Tale, Act V. Scene 3, Shown is the scene A Chapel in Paulina's House., maker:, c. 1873 - in or before 1883, paper, height 90 mm × width 121 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-of-a-scene-from-winters-tale-by-william-shakespeare-the-winters-tale-act-v-scene-3-shown-is-the-scene-a-chapel-in-paulinas-house-maker-c-1873-in-or-before-1883-paper-height-90-mm-width-121-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449411.htmlRF2HKDMBF–Inspired by Photoreproduction of a print of a scene from Winter's Tale by William Shakespeare, The Winter's Tale, Act V. Scene 3, Shown is the scene A Chapel in Paulina's House., maker:, c. 1873 - in or before 1883, paper, height 90 mm × width 121 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Photo production from a print to a painting by Angelica Kauffmann, representing a scene from the two Veronians by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print paper theatre, theatrical performance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-production-from-a-print-to-a-painting-by-angelica-kauffmann-representing-a-scene-from-the-two-veronians-by-william-shakespeare-anonymous-c-1873-in-or-before-1883-photomechanical-print-paper-theatre-theatrical-performance-image591779239.htmlRM2WANTCR–Photo production from a print to a painting by Angelica Kauffmann, representing a scene from the two Veronians by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print paper theatre, theatrical performance
The Ghost on the Terrace (Act I, Scene V). Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ghost-on-the-terrace-act-i-scene-v-dated-1843-medium-lithograph-museum-national-gallery-of-art-washington-dc-author-eugene-delacroix-shakespeare-william-delacroix-eugene-image233191590.htmlRMRFAP72–The Ghost on the Terrace (Act I, Scene V). Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX. SHAKESPEARE, WILLIAM. DELACROIX, EUGENE.
Shakespeare, Macbeth Act IV, Scene I, Robert Thew, 1758–1802, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1802, Stipple engraving on moderately thick, moderately texture, cream, wove paper, Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm), Plate: 19 5/8 × 24 7/8 inches (49.8 × 63.2 cm), and Image: 17 5/16 × 23 3/8 inches (44 × 59.4 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeare-macbeth-act-iv-scene-i-robert-thew-17581802-british-after-sir-joshua-reynolds-ra-17231792-british-1802-stipple-engraving-on-moderately-thick-moderately-texture-cream-wove-paper-sheet-19-1516-25-116-inches-506-637-cm-plate-19-58-24-78-inches-498-632-cm-and-image-17-516-23-38-inches-44-594-cm-image389659972.htmlRM2DHXF7G–Shakespeare, Macbeth Act IV, Scene I, Robert Thew, 1758–1802, British, after Sir Joshua Reynolds RA, 1723–1792, British, 1802, Stipple engraving on moderately thick, moderately texture, cream, wove paper, Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm), Plate: 19 5/8 × 24 7/8 inches (49.8 × 63.2 cm), and Image: 17 5/16 × 23 3/8 inches (44 × 59.4 cm
Scene from Merchant of Venice by Shakespeare, The Jew Shylock, walking through the streets, draughtsman: Jac van Looij, 1865 - 1930, paper, h 330 mm × w 230 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-merchant-of-venice-by-shakespeare-the-jew-shylock-walking-through-the-streets-draughtsman-jac-van-looij-1865-1930-paper-h-330-mm-w-230-mm-image472078051.htmlRM2JC10AB–Scene from Merchant of Venice by Shakespeare, The Jew Shylock, walking through the streets, draughtsman: Jac van Looij, 1865 - 1930, paper, h 330 mm × w 230 mm
be seen Act I, Scene 2: On the left are the sorcerer Prospero and his daughter Miranda, Ariel and right are Caliban. Manufacturer : Photographer: Stephen Aylingnaar picture of: Peter Simon (possible) to painting: Henry Fuseli (listed property) Place manufacture: London Dating: ca. 1854 - or for 1867 Material: paper Technique: albumen print dimensions: photo: h 73 mm × W 100 mmToelichtingFoto page 7. Subject (scenes from) specific works of literature: Shakespeare, Tempest Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/be-seen-act-i-scene-2-on-the-left-are-the-sorcerer-prospero-and-his-daughter-miranda-ariel-and-right-are-caliban-manufacturer-photographer-stephen-aylingnaar-picture-of-peter-simon-possible-to-painting-henry-fuseli-listed-property-place-manufacture-london-dating-ca-1854-or-for-1867-material-paper-technique-albumen-print-dimensions-photo-h-73-mm-w-100-mmtoelichtingfoto-page-7-subject-scenes-from-specific-works-of-literature-shakespeare-tempest-image348353929.htmlRM2B6MTYN–be seen Act I, Scene 2: On the left are the sorcerer Prospero and his daughter Miranda, Ariel and right are Caliban. Manufacturer : Photographer: Stephen Aylingnaar picture of: Peter Simon (possible) to painting: Henry Fuseli (listed property) Place manufacture: London Dating: ca. 1854 - or for 1867 Material: paper Technique: albumen print dimensions: photo: h 73 mm × W 100 mmToelichtingFoto page 7. Subject (scenes from) specific works of literature: Shakespeare, Tempest
The Infant Shakespeare Nursed by Comedy and Tragedy, 1783. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-infant-shakespeare-nursed-by-comedy-and-tragedy-1783-image485239658.htmlRM2K5CG3P–The Infant Shakespeare Nursed by Comedy and Tragedy, 1783.
Inspired by Photoreproduction of a print after a painting by Robert Smirke, depicting a scene from Much ado about nothing by William Shakespeare, Much Ado About Nothing, Act IV. Scene 2, Shown is the examination of Conrade and Borachio., maker:, c. 1873 - in or before 1883, paper, height 86 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-robert-smirke-depicting-a-scene-from-much-ado-about-nothing-by-william-shakespeare-much-ado-about-nothing-act-iv-scene-2-shown-is-the-examination-of-conrade-and-borachio-maker-c-1873-in-or-before-1883-paper-height-86-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449408.htmlRF2HKDMBC–Inspired by Photoreproduction of a print after a painting by Robert Smirke, depicting a scene from Much ado about nothing by William Shakespeare, Much Ado About Nothing, Act IV. Scene 2, Shown is the examination of Conrade and Borachio., maker:, c. 1873 - in or before 1883, paper, height 86 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Photo production from a print to a painting by Francis Wheatley, representing a scene from the tamed feeks by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print paper theatre, theatrical performance Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photo-production-from-a-print-to-a-painting-by-francis-wheatley-representing-a-scene-from-the-tamed-feeks-by-william-shakespeare-anonymous-c-1873-in-or-before-1883-photomechanical-print-paper-theatre-theatrical-performance-image591747392.htmlRM2WAMBRC–Photo production from a print to a painting by Francis Wheatley, representing a scene from the tamed feeks by William Shakespeare, Anonymous, c. 1873 - In or Before 1883 photomechanical print paper theatre, theatrical performance
Hamlet and Laertes at the Tomb of Ophelia. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 9 3/16 x 12 1/16 in. (23.3 x 30.6 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: ca. 1843. This design relates to Delacroix's series of lithographs devoted to Shakespeare's Hamlet. Here, late in the play (act 5, scene 1), the prince has returned unannounced to Denmark and stumbles upon the funeral for Ophelia, his spurned lover. The girl's brother, Laertes, blames Hamlet for causing her madness and subs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamlet-and-laertes-at-the-tomb-of-ophelia-artist-eugne-delacroix-french-charenton-saint-maurice-1798-1863-paris-dimensions-sheet-9-316-x-12-116-in-233-x-306-cm-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-ca-1843-this-design-relates-to-delacroixs-series-of-lithographs-devoted-to-shakespeares-hamlet-here-late-in-the-play-act-5-scene-1-the-prince-has-returned-unannounced-to-denmark-and-stumbles-upon-the-funeral-for-ophelia-his-spurned-lover-the-girls-brother-laertes-blames-hamlet-for-causing-her-madness-and-subs-image213311324.htmlRMPB14NG–Hamlet and Laertes at the Tomb of Ophelia. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 9 3/16 x 12 1/16 in. (23.3 x 30.6 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: ca. 1843. This design relates to Delacroix's series of lithographs devoted to Shakespeare's Hamlet. Here, late in the play (act 5, scene 1), the prince has returned unannounced to Denmark and stumbles upon the funeral for Ophelia, his spurned lover. The girl's brother, Laertes, blames Hamlet for causing her madness and subs
Scene from Merchant of Venice by Shakespeare, The Jew Shylock, walking through the streets, draughtsman: Jac van Looij, 1865 - 1930, paper, pen, h 347 mm × w 252 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-merchant-of-venice-by-shakespeare-the-jew-shylock-walking-through-the-streets-draughtsman-jac-van-looij-1865-1930-paper-pen-h-347-mm-w-252-mm-image472078010.htmlRM2JC108X–Scene from Merchant of Venice by Shakespeare, The Jew Shylock, walking through the streets, draughtsman: Jac van Looij, 1865 - 1930, paper, pen, h 347 mm × w 252 mm
Fotoreproductie van een prent naar een schilderij door James Northcote, voorstellend een scene uit Richard III door William Shakespeare It is seen act IV, scene 3 with the murder prinses. Manufacturer : Photographer: Stephen Aylingnaar picture of Francis Legat (listed property) to painting by James Northcote (listed property) Place manufacture: London Date : about 1854 - or for 1867 Material: paper Technique: albumen print dimensions: photo: h 102 mm × W 75 mmToelichtingFoto page 251. Subject: specific literary work Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-naar-een-schilderij-door-james-northcote-voorstellend-een-scene-uit-richard-iii-door-william-shakespeare-it-is-seen-act-iv-scene-3-with-the-murder-prinses-manufacturer-photographer-stephen-aylingnaar-picture-of-francis-legat-listed-property-to-painting-by-james-northcote-listed-property-place-manufacture-london-date-about-1854-or-for-1867-material-paper-technique-albumen-print-dimensions-photo-h-102-mm-w-75-mmtoelichtingfoto-page-251-subject-specific-literary-work-image348353902.htmlRM2B6MTXP–Fotoreproductie van een prent naar een schilderij door James Northcote, voorstellend een scene uit Richard III door William Shakespeare It is seen act IV, scene 3 with the murder prinses. Manufacturer : Photographer: Stephen Aylingnaar picture of Francis Legat (listed property) to painting by James Northcote (listed property) Place manufacture: London Date : about 1854 - or for 1867 Material: paper Technique: albumen print dimensions: photo: h 102 mm × W 75 mmToelichtingFoto page 251. Subject: specific literary work
Scene from A Midsummer Night's Dream , 1873. Private Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-a-midsummer-nights-dream-1873-private-collection-image415223281.htmlRM2F3F1EW–Scene from A Midsummer Night's Dream , 1873. Private Collection.
Inspired by Photoreproduction of a print after a painting by Joseph Wright of Derby, depicting a scene from The Tempest by William Shakespeare, The Tempest, Act IV. Scene I, Shown are Prospero, Ferdinand and Miranda., maker:, c. 1873 - in or before 1883, paper, height 87 mm × width 117 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-joseph-wright-of-derby-depicting-a-scene-from-the-tempest-by-william-shakespeare-the-tempest-act-iv-scene-i-shown-are-prospero-ferdinand-and-miranda-maker-c-1873-in-or-before-1883-paper-height-87-mm-width-117-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449410.htmlRF2HKDMBE–Inspired by Photoreproduction of a print after a painting by Joseph Wright of Derby, depicting a scene from The Tempest by William Shakespeare, The Tempest, Act IV. Scene I, Shown are Prospero, Ferdinand and Miranda., maker:, c. 1873 - in or before 1883, paper, height 87 mm × width 117 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Coriolan, Francesco Bartolluize It For Lovelica kauuffmann, 1785 print Scene from the play Coriolanus by William Shakespeare, with the military gaius Marcius Coriolanus a child and three women. English fresh under the show. London paper etching (story of) Coriolanus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coriolan-francesco-bartolluize-it-for-lovelica-kauuffmann-1785-print-scene-from-the-play-coriolanus-by-william-shakespeare-with-the-military-gaius-marcius-coriolanus-a-child-and-three-women-english-fresh-under-the-show-london-paper-etching-story-of-coriolanus-image594877684.htmlRM2WFR0FG–Coriolan, Francesco Bartolluize It For Lovelica kauuffmann, 1785 print Scene from the play Coriolanus by William Shakespeare, with the military gaius Marcius Coriolanus a child and three women. English fresh under the show. London paper etching (story of) Coriolanus
'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: Image: 12 3/8 x 9 3/4 in. (31.4 x 24.8 cm) Plate: 14 7/16 x 10 7/16 in. (36.7 x 26.5 cm) Sheet: 21 3/4 × 15 3/16 in. (55.3 × 38.5 cm). Series/Portfolio: Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: etched 1844, reprinted 1900. After Delacroix's successful Ham Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oh!-oh!-oh!-plate-14-from-othello-act-5-scene-2-artist-thodore-chassriau-french-le-limon-saint-domingue-west-indies-1819-1856-paris-dimensions-image-12-38-x-9-34-in-314-x-248-cm-plate-14-716-x-10-716-in-367-x-265-cm-sheet-21-34-15-316-in-553-385-cm-seriesportfolio-suite-of-fifteen-prints-shakespeares-othello-quinze-esquisses-leau-forte-dessines-et-graves-par-thodore-chasseriau-subject-william-shakespeare-british-stratford-upon-avon-1564-1616-stratford-upon-avon-date-etched-1844-reprinted-1900-after-delacroixs-successful-ham-image233302309.htmlRMRFFRD9–'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: Image: 12 3/8 x 9 3/4 in. (31.4 x 24.8 cm) Plate: 14 7/16 x 10 7/16 in. (36.7 x 26.5 cm) Sheet: 21 3/4 × 15 3/16 in. (55.3 × 38.5 cm). Series/Portfolio: Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: etched 1844, reprinted 1900. After Delacroix's successful Ham
John Hamilton Mortimer, 1740–1779, British, Lear, from King Lear, Act III, Scene ii, 1776. Etching, published state on medium, slightly textured, cream wove paper. Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-hamilton-mortimer-17401779-british-lear-from-king-lear-act-iii-scene-ii-1776-etching-published-state-on-medium-slightly-textured-cream-wove-paper-shakespeare-william-15641616-playwright-and-poet-image398366711.htmlRM2E434PF–John Hamilton Mortimer, 1740–1779, British, Lear, from King Lear, Act III, Scene ii, 1776. Etching, published state on medium, slightly textured, cream wove paper. Shakespeare, William (1564–1616), playwright and poet
Photoreproduction of a print of a scene from Macbeth by William Shakespeare, Macbeth, Act I. Scene 5, Shown is Lady Macbeth., maker: anonymous, anonymous, c. 1873 - in or before 1883, paper, height 117 mm × width 87 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photoreproduction-of-a-print-of-a-scene-from-macbeth-by-william-shakespeare-macbeth-act-i-scene-5-shown-is-lady-macbeth-maker-anonymous-anonymous-c-1873-in-or-before-1883-paper-height-117-mm-width-87-mm-image454392414.htmlRM2HB7A4E–Photoreproduction of a print of a scene from Macbeth by William Shakespeare, Macbeth, Act I. Scene 5, Shown is Lady Macbeth., maker: anonymous, anonymous, c. 1873 - in or before 1883, paper, height 117 mm × width 87 mm
