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Sheet 168 Stock Photos and Images
Map of Yorkshire Sheet 168, Ordnance Survey, 1848-1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-yorkshire-sheet-168-ordnance-survey-1848-1857-image398166708.htmlRM2E3P1KG–Map of Yorkshire Sheet 168, Ordnance Survey, 1848-1857.
BOOK CYPERACEAS-SHEET 168. Author: MUTIS CELESTINO. Location: JARDIN BOTANICO-DIBUJOS. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-cyperaceas-sheet-168-author-mutis-celestino-location-jardin-botanico-dibujos-madrid-spain-image220241621.htmlRMPP8TC5–BOOK CYPERACEAS-SHEET 168. Author: MUTIS CELESTINO. Location: JARDIN BOTANICO-DIBUJOS. MADRID. SPAIN.
CARL THEODOR REIFFENSTEIN, Esslingen, August 13, 1868, sheet, 168 x 243 mm, pencil on paper, Esslingen, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 28, page 11, part number / total, 1 / 2, ESSLINGEN AM NECKAR, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Esslingen 13 Aug 1868., Numbered on the page below the drawing, with pencil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-esslingen-august-13-1868-sheet-168-x-243-mm-pencil-on-paper-esslingen-carl-theodor-reiffenstein-page-adhesive-tapes-volume-28-page-11-part-number-total-1-2-esslingen-am-neckar-19th-century-drawing-pencil-on-paper-graphite-clay-mixture-paper-pencil-drawing-german-architectural-study-travel-study-dated-and-inscribed-lower-right-in-pencil-esslingen-13-aug-1868-numbered-on-the-page-below-the-drawing-with-pencil-image573238600.htmlRM2T8H7K4–CARL THEODOR REIFFENSTEIN, Esslingen, August 13, 1868, sheet, 168 x 243 mm, pencil on paper, Esslingen, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 28, page 11, part number / total, 1 / 2, ESSLINGEN AM NECKAR, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Esslingen 13 Aug 1868., Numbered on the page below the drawing, with pencil
Gezicht op een boerderij View of a farm property type: picture Item number: RP-P-OB-25.575Catalogusreferentie: De Groot (Witsen) 1-1 (2) Manufacture Creator: printmaker Willem Witsenplein Place manufacture: Amsterdam Date: ca. 1882 - ca. . 1884 Material: paper Technique: etching dimensions: sheet: 168 mm × h 114 b mm Subject: farm (building) plantation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gezicht-op-een-boerderij-view-of-a-farm-property-type-picture-item-number-rp-p-ob-25575catalogusreferentie-de-groot-witsen-1-1-2-manufacture-creator-printmaker-willem-witsenplein-place-manufacture-amsterdam-date-ca-1882-ca-1884-material-paper-technique-etching-dimensions-sheet-168-mm-h-114-b-mm-subject-farm-building-plantation-image348402151.htmlRM2B6R2DY–Gezicht op een boerderij View of a farm property type: picture Item number: RP-P-OB-25.575Catalogusreferentie: De Groot (Witsen) 1-1 (2) Manufacture Creator: printmaker Willem Witsenplein Place manufacture: Amsterdam Date: ca. 1882 - ca. . 1884 Material: paper Technique: etching dimensions: sheet: 168 mm × h 114 b mm Subject: farm (building) plantation
ITALY : ANZIO REVISITED - The centre of the famous 'Factory Area'. Rfn. Dewhurst L.I.R., examined the statue of San Michele. (Map ref : 1:50,000 Sheet 168 875330), British Army Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-anzio-revisited-the-centre-of-the-famous-factory-area-rfn-dewhurst-lir-examined-the-statue-of-san-michele-map-ref-150000-sheet-168-875330-british-army-image603443640.htmlRM2X1N6EG–ITALY : ANZIO REVISITED - The centre of the famous 'Factory Area'. Rfn. Dewhurst L.I.R., examined the statue of San Michele. (Map ref : 1:50,000 Sheet 168 875330), British Army
Metropolitan Water Works, Wachusett Reservoir, land surveys, sheet 168, index plan to photographs of real estate, Boylston, Mass., June 1896 , waterworks, real estate, land surveys, blueprints reprographic copies. Massachusetts Metropolitan Water Works Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metropolitan-water-works-wachusett-reservoir-land-surveys-sheet-168-index-plan-to-photographs-of-real-estate-boylston-mass-june-1896-waterworks-real-estate-land-surveys-blueprints-reprographic-copies-massachusetts-metropolitan-water-works-image501318462.htmlRM2M3H0PP–Metropolitan Water Works, Wachusett Reservoir, land surveys, sheet 168, index plan to photographs of real estate, Boylston, Mass., June 1896 , waterworks, real estate, land surveys, blueprints reprographic copies. Massachusetts Metropolitan Water Works
Agricultural Land Classification 168 Hampshire Downs Winchester Andover 1975 map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/agricultural-land-classification-168-hampshire-downs-winchester-andover-1975-map-image599879295.htmlRF2WRXT4F–Agricultural Land Classification 168 Hampshire Downs Winchester Andover 1975 map
168 Austin Nelson charge sheet, May 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/168-austin-nelson-charge-sheet-may-1911-image212514119.htmlRMP9MRWY–168 Austin Nelson charge sheet, May 1911
Joe's Dope Sheet (Issue 168 1966 page032 page033) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joes-dope-sheet-issue-168-1966-page032-page033-80489209.htmlRMEJXGPH–Joe's Dope Sheet (Issue 168 1966 page032 page033)
Europa, Frankreich , Deutschland, Deutsch-Französischer Krieg, Extrablatt der Goth. Zeitung vom 27. Jan. 1871 , No. 168 , ' Officielle Kriegs-Nachrichten , Versailles , den 26. Januar ' , aktuelle Darstellungen der Kriegshandlungen, hier über den Rückzug der Armee des französischen Generals Bourbaki , über die französischen Verluste und die Entscheidungen von General von Manteuffel , Größe des Blattes : 15,5 cm x 23,5 cm , gedruckt in der Perthes`Buchdruckerei in Gotha . / Europe, France, Germany, Franco-Prussion War, information sheet of the Gothaischen newspaper, from 27. January 1871 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europa-frankreich-deutschland-deutsch-franzsischer-krieg-extrablatt-der-goth-zeitung-vom-27-jan-1871-no-168-officielle-kriegs-nachrichten-versailles-den-26-januar-aktuelle-darstellungen-der-kriegshandlungen-hier-ber-den-rckzug-der-armee-des-franzsischen-generals-bourbaki-ber-die-franzsischen-verluste-und-die-entscheidungen-von-general-von-manteuffel-gre-des-blattes-155-cm-x-235-cm-gedruckt-in-der-perthes`buchdruckerei-in-gotha-europe-france-germany-franco-prussion-war-information-sheet-of-the-gothaischen-newspaper-from-27-january-1871-image362915786.htmlRM2C2C6P2–Europa, Frankreich , Deutschland, Deutsch-Französischer Krieg, Extrablatt der Goth. Zeitung vom 27. Jan. 1871 , No. 168 , ' Officielle Kriegs-Nachrichten , Versailles , den 26. Januar ' , aktuelle Darstellungen der Kriegshandlungen, hier über den Rückzug der Armee des französischen Generals Bourbaki , über die französischen Verluste und die Entscheidungen von General von Manteuffel , Größe des Blattes : 15,5 cm x 23,5 cm , gedruckt in der Perthes`Buchdruckerei in Gotha . / Europe, France, Germany, Franco-Prussion War, information sheet of the Gothaischen newspaper, from 27. January 1871
Preparatory and after treatment in operative cases . Fig. 120.—Operative Field Isolated by Celiotomy Sheet.. Fig. 121.—Side View of Arrangement of Celiotomy Sheet.168 THE OPERATING ROOM IN PRIVATE PRACTICE 169 DISPOSITION OF OPERATOR, ASSISTANTS AND NURSES DURING THE OPERATION The relationship of the assistants during the operation to thefield of operation should be considered from the view point ofexpediency and with the view of forestalling infection. The prime consideration is that of not permitting any of theassistants or the apparatus to interfere with the source of light.In operations on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/preparatory-and-after-treatment-in-operative-cases-fig-120operative-field-isolated-by-celiotomy-sheet-fig-121side-view-of-arrangement-of-celiotomy-sheet168-the-operating-room-in-private-practice-169-disposition-of-operator-assistants-and-nurses-during-the-operation-the-relationship-of-the-assistants-during-the-operation-to-thefield-of-operation-should-be-considered-from-the-view-point-ofexpediency-and-with-the-view-of-forestalling-infection-the-prime-consideration-is-that-of-not-permitting-any-of-theassistants-or-the-apparatus-to-interfere-with-the-source-of-lightin-operations-on-image338343411.htmlRM2AJCTD7–Preparatory and after treatment in operative cases . Fig. 120.—Operative Field Isolated by Celiotomy Sheet.. Fig. 121.—Side View of Arrangement of Celiotomy Sheet.168 THE OPERATING ROOM IN PRIVATE PRACTICE 169 DISPOSITION OF OPERATOR, ASSISTANTS AND NURSES DURING THE OPERATION The relationship of the assistants during the operation to thefield of operation should be considered from the view point ofexpediency and with the view of forestalling infection. The prime consideration is that of not permitting any of theassistants or the apparatus to interfere with the source of light.In operations on
Sheet (paper). DL*006791.05.168. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-paper-dl00679105168-image566753118.htmlRM2RX1RAP–Sheet (paper). DL*006791.05.168.
Broadsheet relating to the plight of an orphan, young boy mourning in a cemetery MET DP868499 736902 Artist: Jos? Guadalupe Posada, Mexican, 1851?1913, Publisher: Antonio Vanegas Arroyo, 1850?1917, Mexican, Broadsheet relating to the plight of an orphan, young boy mourning in a cemetery, ca. 1900?1913, Photo-relief and letterpress on tan paper, Sheet: 11 5/8 ? 7 9/16 in. (29.5 ? 19.2 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946 (46.46.168) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-broadsheet-relating-to-the-plight-of-an-orphan-young-boy-mourning-168091947.htmlRMKND6YR–Broadsheet relating to the plight of an orphan, young boy mourning in a cemetery MET DP868499 736902 Artist: Jos? Guadalupe Posada, Mexican, 1851?1913, Publisher: Antonio Vanegas Arroyo, 1850?1917, Mexican, Broadsheet relating to the plight of an orphan, young boy mourning in a cemetery, ca. 1900?1913, Photo-relief and letterpress on tan paper, Sheet: 11 5/8 ? 7 9/16 in. (29.5 ? 19.2 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1946 (46.46.168)
'Joseph-Marie Vien, Portico of the Palazzo Nuovo, on the Campidoglio, 1744/1750, graphite on laid paper, sheet: 18.7 x 12.9 cm (7 3/8 x 5 1/16 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.), Mark J. Millard Architectural Collection, 1983.49.168' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-marie-vien-portico-of-the-palazzo-nuovo-on-the-campidoglio-17441750-graphite-on-laid-paper-sheet-187-x-129-cm-7-38-x-5-116-in-page-size-425-x-277-cm-16-34-x-10-78-in-mark-j-millard-architectural-collection-198349168-image557987668.htmlRM2RBPEY0–'Joseph-Marie Vien, Portico of the Palazzo Nuovo, on the Campidoglio, 1744/1750, graphite on laid paper, sheet: 18.7 x 12.9 cm (7 3/8 x 5 1/16 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.), Mark J. Millard Architectural Collection, 1983.49.168'
Card Number 128, Lillie Howard, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes MET DP866391 645037 Publisher: Issued by W. Duke, Sons & Co., New York and Durham, N.C., Card Number 128, Lillie Howard, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 ? 1 7/16 in. (6.6 ? 3.7 cm). The Metropolitan Museum of Art, New York. The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.350.207.145.2.168) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-card-number-128-lillie-howard-from-the-actors-and-actresses-series-168000222.htmlRMKN91YX–Card Number 128, Lillie Howard, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes MET DP866391 645037 Publisher: Issued by W. Duke, Sons & Co., New York and Durham, N.C., Card Number 128, Lillie Howard, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 ? 1 7/16 in. (6.6 ? 3.7 cm). The Metropolitan Museum of Art, New York. The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.350.207.145.2.168)
Selection of Ordnance Survey maps of East Anglia displayed on map of the area, England, Britain UK. Price £1.15. Editorial use only Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/selection-of-ordnance-survey-maps-of-east-anglia-displayed-on-map-of-the-area-england-britain-uk-price-115-editorial-use-only-image352397427.htmlRM2BD92EB–Selection of Ordnance Survey maps of East Anglia displayed on map of the area, England, Britain UK. Price £1.15. Editorial use only
CHINA - CIRCA 2013: A stamp printed in China shows 2013-23 Literators of Ancient China Jia Yi (B.C. 200 - B.C. 168), circa 2013. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-circa-2013-a-stamp-printed-in-china-shows-2013-23-literators-of-ancient-china-jia-yi-bc-200-bc-168-circa-2013-image482373642.htmlRF2K0P0E2–CHINA - CIRCA 2013: A stamp printed in China shows 2013-23 Literators of Ancient China Jia Yi (B.C. 200 - B.C. 168), circa 2013.
The Lonely Tower, c. 1879, Samuel Palmer, English, 1805-1881, England, Etching on paper, 168 × 234 mm (image), 191 × 253 mm (plate), 337 × 442 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lonely-tower-c-1879-samuel-palmer-english-1805-1881-england-etching-on-paper-168-234-mm-image-191-253-mm-plate-337-442-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349708992.htmlRF2B8XHAT–The Lonely Tower, c. 1879, Samuel Palmer, English, 1805-1881, England, Etching on paper, 168 × 234 mm (image), 191 × 253 mm (plate), 337 × 442 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Gaza City, Gaza Strip, Palestinian Territory. 7th Jan, 2015. A Palestinian boy covers himself by a plastic sheet at a United Nations (UN) run school sheltering Palestinians, whose houses were destroyed in the most recent Israeli offensive on Gaza Strip, during a heavy winter storm in Gaza City on January 7, 2015. A storm buffeted the Middle East with blizzards, rain and strong winds on Wednesday, keeping people at home across much of the region and raising concerns for Syrian refugees facing freezing temperatures in flimsy shelters. The storm is forecast to last several days, threatening furt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gaza-city-gaza-strip-palestinian-territory-7th-jan-2015-a-palestinian-77270677.htmlRMEDKYF1–Gaza City, Gaza Strip, Palestinian Territory. 7th Jan, 2015. A Palestinian boy covers himself by a plastic sheet at a United Nations (UN) run school sheltering Palestinians, whose houses were destroyed in the most recent Israeli offensive on Gaza Strip, during a heavy winter storm in Gaza City on January 7, 2015. A storm buffeted the Middle East with blizzards, rain and strong winds on Wednesday, keeping people at home across much of the region and raising concerns for Syrian refugees facing freezing temperatures in flimsy shelters. The storm is forecast to last several days, threatening furt
Map of Argyllshire Sheet 168, Ordnance Survey, 1868-1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-argyllshire-sheet-168-ordnance-survey-1868-1883-image398200319.htmlRM2E3RGFY–Map of Argyllshire Sheet 168, Ordnance Survey, 1868-1883.
Study sheet with six sheep heads. Draughtsman: Franciscus Andreas Milatz (attributed to). Dating: 1800. Measurements: h 248 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-sheet-with-six-sheep-heads-draughtsman-franciscus-andreas-milatz-attributed-to-dating-1800-measurements-h-248-mm-w-168-mm-museum-rijksmuseum-amsterdam-image233107799.htmlRMRF6YAF–Study sheet with six sheep heads. Draughtsman: Franciscus Andreas Milatz (attributed to). Dating: 1800. Measurements: h 248 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.
CARL THEODOR REIFFENSTEIN, Nassau, July 16, 1867, sheet, 168 x 261 mm, pencil on paper, Nassau, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 27, page 9, part number / total, 1 / 2, NASSAU, LAHN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, LANDSCAPE STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Nassau 16 July 1867., Numbered on the page above of the drawing, with pen in black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-nassau-july-16-1867-sheet-168-x-261-mm-pencil-on-paper-nassau-carl-theodor-reiffenstein-page-adhesive-tapes-volume-27-page-9-part-number-total-1-2-nassau-lahn-19th-century-drawing-pencil-on-paper-graphite-clay-mixture-paper-pencil-drawing-german-architectural-study-landscape-study-travel-study-dated-and-inscribed-lower-right-in-pencil-nassau-16-july-1867-numbered-on-the-page-above-of-the-drawing-with-pen-in-black-image573238245.htmlRM2T8H76D–CARL THEODOR REIFFENSTEIN, Nassau, July 16, 1867, sheet, 168 x 261 mm, pencil on paper, Nassau, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 27, page 9, part number / total, 1 / 2, NASSAU, LAHN, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, LANDSCAPE STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Nassau 16 July 1867., Numbered on the page above of the drawing, with pen in black
Illustration for 9 Eclogue of Virgil. Three nymphs bathe in a lake in an Arcadian landschap. Manufacturer : printmaker Jan van Call (I) Editor: Peter Schenk (I) (listed building) provider of privilege unknown (listed property) Place manufacture: Amsterdam Date: 1666 - 1706 Physical characteristics: etching à la poupée Material: paper Technique: etching / à la poupée Dimensions: sheet: 168 mm × h 200 b mm Subject: (story of) Galatea; 'Galatea' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-for-9-eclogue-of-virgil-three-nymphs-bathe-in-a-lake-in-an-arcadian-landschap-manufacturer-printmaker-jan-van-call-i-editor-peter-schenk-i-listed-building-provider-of-privilege-unknown-listed-property-place-manufacture-amsterdam-date-1666-1706-physical-characteristics-etching-la-poupe-material-paper-technique-etching-la-poupe-dimensions-sheet-168-mm-h-200-b-mm-subject-story-of-galatea-galatea-ripa-image348319604.htmlRM2B6K95T–Illustration for 9 Eclogue of Virgil. Three nymphs bathe in a lake in an Arcadian landschap. Manufacturer : printmaker Jan van Call (I) Editor: Peter Schenk (I) (listed building) provider of privilege unknown (listed property) Place manufacture: Amsterdam Date: 1666 - 1706 Physical characteristics: etching à la poupée Material: paper Technique: etching / à la poupée Dimensions: sheet: 168 mm × h 200 b mm Subject: (story of) Galatea; 'Galatea' (Ripa)
Sheet music cover image of the song '3rd Production Black Crook', with original authorship notes reading 'Words by Philip Stoner Music Composed by S Operri, Musical Director, Niblo's Garden', United States, 1872. The publisher is listed as 'Wm. A. Pond and Co., 547 Broadway', the form of composition is 'strophic with chorus (with dance interlude)', the instrumentation is 'piano and voice', the first line reads 'The afternoon's the time to see, the fashionable gent or belle', and the illustration artist is listed as 'N.J. Mayer and D.B. Cannon, Genl. Lith's, 166, 168, 170 and 172 Broadway, N.Y. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sheet-music-cover-image-of-the-song-3rd-production-black-crook-with-135189581.htmlRMHRXBK9–Sheet music cover image of the song '3rd Production Black Crook', with original authorship notes reading 'Words by Philip Stoner Music Composed by S Operri, Musical Director, Niblo's Garden', United States, 1872. The publisher is listed as 'Wm. A. Pond and Co., 547 Broadway', the form of composition is 'strophic with chorus (with dance interlude)', the instrumentation is 'piano and voice', the first line reads 'The afternoon's the time to see, the fashionable gent or belle', and the illustration artist is listed as 'N.J. Mayer and D.B. Cannon, Genl. Lith's, 166, 168, 170 and 172 Broadway, N.Y.
De DierenWereld, 1842 - 1857 text sheet Title page for 168 prints from the series: Print-warehouse for the youth, with the theme of the animal world. Numbered: No. 7. Leaf printed on one side. Purmerend paper letterpress printing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/de-dierenwereld-1842-1857-text-sheet-title-page-for-168-prints-from-the-series-print-warehouse-for-the-youth-with-the-theme-of-the-animal-world-numbered-no-7-leaf-printed-on-one-side-purmerend-paper-letterpress-printing-image594785777.htmlRM2WFJR95–De DierenWereld, 1842 - 1857 text sheet Title page for 168 prints from the series: Print-warehouse for the youth, with the theme of the animal world. Numbered: No. 7. Leaf printed on one side. Purmerend paper letterpress printing
![. English: Master L.C.Z., German, active 1480-1505, engraving Christ's Entry into Jerusalem, c. 1500 Engraving on ivory laid paper, 221 x 168 mm (sheet) Art Institute of Chicago Clarence Buckingham Collection, 1979.284 [1] Bartsch VI.361.2; Lehrs VI.329.3 . 6 February 2008. Master L.Cz. - 15th century 795 LczChicago Stock Photo](https://c8.alamy.com/comp/MPAWG0/english-master-lcz-german-active-1480-1505-engraving-christs-entry-into-jerusalem-c-1500-engraving-on-ivory-laid-paper-221-x-168-mm-sheet-art-institute-of-chicago-clarence-buckingham-collection-1979284-1-bartsch-vi3612-lehrs-vi3293-6-february-2008-master-lcz-15th-century-795-lczchicago-MPAWG0.jpg ". English: Master L.C.Z., German, active 1480-1505, engraving Christ's Entry into Jerusalem, c. 1500 Engraving on ivory laid paper, 221 x 168 mm (sheet) Art Institute of Chicago Clarence Buckingham Collection, 1979.284 [1] Bartsch VI.361.2; Lehrs VI.329.3 . 6 February 2008. Master L.Cz. - 15th century 795 LczChicago Stock Photo")
. English: Master L.C.Z., German, active 1480-1505, engraving Christ's Entry into Jerusalem, c. 1500 Engraving on ivory laid paper, 221 x 168 mm (sheet) Art Institute of Chicago Clarence Buckingham Collection, 1979.284 [1] Bartsch VI.361.2; Lehrs VI.329.3 . 6 February 2008. Master L.Cz. - 15th century 795 LczChicago Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-master-lcz-german-active-1480-1505-engraving-christs-entry-into-jerusalem-c-1500-engraving-on-ivory-laid-paper-221-x-168-mm-sheet-art-institute-of-chicago-clarence-buckingham-collection-1979284-1-bartsch-vi3612-lehrs-vi3293-6-february-2008-master-lcz-15th-century-795-lczchicago-image185865680.htmlRMMPAWG0–. English: Master L.C.Z., German, active 1480-1505, engraving Christ's Entry into Jerusalem, c. 1500 Engraving on ivory laid paper, 221 x 168 mm (sheet) Art Institute of Chicago Clarence Buckingham Collection, 1979.284 [1] Bartsch VI.361.2; Lehrs VI.329.3 . 6 February 2008. Master L.Cz. - 15th century 795 LczChicago
The interior of the Turkish palace for the audience. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-of-the-turkish-palace-for-the-audience-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416239169.htmlRM2F5598H–The interior of the Turkish palace for the audience. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Train of prisoners in the second courtyard of the Turkish palace in Constantinople. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/train-of-prisoners-in-the-second-courtyard-of-the-turkish-palace-in-constantinople-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416238369.htmlRM2F55881–Train of prisoners in the second courtyard of the Turkish palace in Constantinople. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . STEEL WORK DESIGNED, FURNISHED AND ERECTED BY MILLIKKN 168 HROTEERS. Edison Elfxtric III. Co., New York City.. STEEL M^ORK DESIGNED, FURNISHED AND ERECTED BY MILLTKEN BROTHFRS 169 Edison Electric III. Co., New York City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-useful-information-and-tables-relative-to-iron-sheet-and-other-products-manufactured-by-milliken-brothers-arranged-for-the-use-of-engineers-architects-and-builders-steel-work-designed-furnished-and-erected-by-millikkn-168-hroteers-edison-elfxtric-iii-co-new-york-city-steel-mork-designed-furnished-and-erected-by-milltken-brothfrs-169-edison-electric-iii-co-new-york-city-image339352570.htmlRM2AM2RJJ–Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . STEEL WORK DESIGNED, FURNISHED AND ERECTED BY MILLIKKN 168 HROTEERS. Edison Elfxtric III. Co., New York City.. STEEL M^ORK DESIGNED, FURNISHED AND ERECTED BY MILLTKEN BROTHFRS 169 Edison Electric III. Co., New York City.
Door holders wear gifts in the palace, the interior of the Turkish palace in Constantinople. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/door-holders-wear-gifts-in-the-palace-the-interior-of-the-turkish-palace-in-constantinople-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416238811.htmlRM2F558RR–Door holders wear gifts in the palace, the interior of the Turkish palace in Constantinople. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes MET DP866378 645024 Publisher: Issued by W. Duke, Sons & Co., New York and Durham, N.C., Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 ? 1 7/16 in. (6.6 ? 3.7 cm). The Metropolitan Museum of Art, New York. The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.350.207.145.2.155) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-card-number-168-pauline-hall-from-the-actors-and-actresses-series-168000489.htmlRMKN929D–Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes MET DP866378 645024 Publisher: Issued by W. Duke, Sons & Co., New York and Durham, N.C., Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 ? 1 7/16 in. (6.6 ? 3.7 cm). The Metropolitan Museum of Art, New York. The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.350.207.145.2.155)
Card Number 132, Rose Temple, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes MET DP866456 643775 Publisher: Issued by W. Duke, Sons & Co., New York and Durham, N.C., Card Number 132, Rose Temple, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 1/2 ? 1 3/8 in. (6.4 ? 3.5 cm). The Metropolitan Museum of Art, New York. The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.350.207.145.1.168) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-card-number-132-rose-temple-from-the-actors-and-actresses-series-n145-167905673.htmlRMKN4NB5–Card Number 132, Rose Temple, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes MET DP866456 643775 Publisher: Issued by W. Duke, Sons & Co., New York and Durham, N.C., Card Number 132, Rose Temple, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 1/2 ? 1 3/8 in. (6.4 ? 3.5 cm). The Metropolitan Museum of Art, New York. The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick (63.350.207.145.1.168)
Landscape with Cowherd, c. 1865, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory laid paper, 168 × 125 mm (image), 197 × 149 mm (plate), 447 × 343 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-cowherd-c-1865-charles-mile-jacque-french-1813-1894-france-etching-on-ivory-laid-paper-168-125-mm-image-197-149-mm-plate-447-343-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349698149.htmlRF2B8X3FH–Landscape with Cowherd, c. 1865, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory laid paper, 168 × 125 mm (image), 197 × 149 mm (plate), 447 × 343 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Archive image from page 168 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 (a) Nozzle (b) Nozzle with straight lip Figure C4. Photographs of 9- x 15-cm nozzle (Sheet 1 of 5) C9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-168-of-development-of-a-portable-sand-development-of-a-portable-sand-trap-for-use-in-the-nearshore-developmentofpor00rosa-year-1989-a-nozzle-b-nozzle-with-straight-lip-figure-c4-photographs-of-9-x-15-cm-nozzle-sheet-1-of-5-c9-image258896472.htmlRMW15N2G–Archive image from page 168 of Development of a portable sand. Development of a portable sand trap for use in the nearshore . developmentofpor00rosa Year: 1989 (a) Nozzle (b) Nozzle with straight lip Figure C4. Photographs of 9- x 15-cm nozzle (Sheet 1 of 5) C9
Pilate Washing His Hands, from The Passion. Lucas Cranach the Elder; German, 1472-1553. Date: 1509-1517. Dimensions: 246 x 168 mm (image/sheet, trimmed within block). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pilate-washing-his-hands-from-the-passion-lucas-cranach-the-elder-german-1472-1553-date-1509-1517-dimensions-246-x-168-mm-imagesheet-trimmed-within-block-woodcut-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-image239876194.htmlRMRX78EX–Pilate Washing His Hands, from The Passion. Lucas Cranach the Elder; German, 1472-1553. Date: 1509-1517. Dimensions: 246 x 168 mm (image/sheet, trimmed within block). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
CARL THEODOR REIFFENSTEIN, piece of lawn, August 14, 1882, sheet, 168 x 273 mm, pencil on paper, piece of lawn, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 15, part number / total, 3 / 3, BAD HOMBURG-DORNHOLZHAUSENumkreis, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, PLANT STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Dornholzhausen. 14 Aug. 1882., Numbered on the page below the drawing, with pen in black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-piece-of-lawn-august-14-1882-sheet-168-x-273-mm-pencil-on-paper-piece-of-lawn-carl-theodor-reiffenstein-page-adhesive-tapes-volume-38-page-15-part-number-total-3-3-bad-homburg-dornholzhausenumkreis-19th-century-drawing-pencil-on-paper-graphite-clay-mixture-paper-pencil-drawing-german-plant-study-travel-study-dated-and-inscribed-lower-right-in-pencil-dornholzhausen-14-aug-1882-numbered-on-the-page-below-the-drawing-with-pen-in-black-image573243277.htmlRM2T8HDJ5–CARL THEODOR REIFFENSTEIN, piece of lawn, August 14, 1882, sheet, 168 x 273 mm, pencil on paper, piece of lawn, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 15, part number / total, 3 / 3, BAD HOMBURG-DORNHOLZHAUSENumkreis, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, PLANT STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Dornholzhausen. 14 Aug. 1882., Numbered on the page below the drawing, with pen in black
The Three Graces carrying a basket of flowers overhead object type: picture Item number: RP-P-1892-A-16764 Manufacturer : printmaker: anonymous to design: Joos de Momper (II) (rejected attribution) Date: 1600 - 1650 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: 168 mm × h 127 b mmToelichtingEen drawing in pencil of a cartridge with deer on verso. Subject: Graces (Charites), gene rally three in number; 'Grace' (Ripa) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-three-graces-carrying-a-basket-of-flowers-overhead-object-type-picture-item-number-rp-p-1892-a-16764-manufacturer-printmaker-anonymous-to-design-joos-de-momper-ii-rejected-attribution-date-1600-1650-physical-characteristics-etching-material-paper-technique-etching-dimensions-sheet-168-mm-h-127-b-mmtoelichtingeen-drawing-in-pencil-of-a-cartridge-with-deer-on-verso-subject-graces-charites-gene-rally-three-in-number-grace-ripa-image348289076.htmlRM2B6HX7G–The Three Graces carrying a basket of flowers overhead object type: picture Item number: RP-P-1892-A-16764 Manufacturer : printmaker: anonymous to design: Joos de Momper (II) (rejected attribution) Date: 1600 - 1650 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: 168 mm × h 127 b mmToelichtingEen drawing in pencil of a cartridge with deer on verso. Subject: Graces (Charites), gene rally three in number; 'Grace' (Ripa)
. English: Lucas Franchoys (II), Penitent Saint Jerome, drawing, black chalk, heightened with white chalk Dimensions: sheet: 5 13/16 x 3 7/8 in. (14.7 x 9.9 cm), The Metropolitan Museum of Art . 17th century. Lucas Franchoys the Younger (1616–1681) Alternative names Lucas Franchois (II), Lucas François (II), Louis Franchoys Description Flemish painter and draughtsman Date of birth/death 28 June 1616 (baptised) 3 April 1681 Location of birth/death Mechelen Mechelen Work location Antwerp (....-1640), Paris (1640-1649), Mechelen (1649), Tournai (1649-1654), Mechelen (1654-1663) Author Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-lucas-franchoys-ii-penitent-saint-jerome-drawing-black-chalk-heightened-with-white-chalk-dimensions-sheet-5-1316-x-3-78-in-147-x-99-cm-the-metropolitan-museum-of-art-17th-century-lucas-franchoys-the-younger-16161681-alternative-names-lucas-franchois-ii-lucas-franois-ii-louis-franchoys-description-flemish-painter-and-draughtsman-date-of-birthdeath-28-june-1616-baptised-3-april-1681-location-of-birthdeath-mechelen-mechelen-work-location-antwerp-1640-paris-1640-1649-mechelen-1649-tournai-1649-1654-mechelen-1654-1663-author-image185841515.htmlRMMP9PMY–. English: Lucas Franchoys (II), Penitent Saint Jerome, drawing, black chalk, heightened with white chalk Dimensions: sheet: 5 13/16 x 3 7/8 in. (14.7 x 9.9 cm), The Metropolitan Museum of Art . 17th century. Lucas Franchoys the Younger (1616–1681) Alternative names Lucas Franchois (II), Lucas François (II), Louis Franchoys Description Flemish painter and draughtsman Date of birth/death 28 June 1616 (baptised) 3 April 1681 Location of birth/death Mechelen Mechelen Work location Antwerp (....-1640), Paris (1640-1649), Mechelen (1649), Tournai (1649-1654), Mechelen (1654-1663) Author
United States Court of Appeals For the Ninth Circuit . WITNESSES: ,..^^^,^^4^^-<-««-<---^?^ INVENTOR ATTORNEY No. 895,168. PATENTED AUG. 4, 1608.E. DEISTER.ORE CONCENTRATING TABLE. APPIIOITIOI riLED KAB. 3, 1909.. IVITI/£SS£S: ATrORtiif (No Model.) 4 Sheets—Sheet 4 J. CHERNEY & W. C. DAVIS. ORE CONCENTRATOR. No. 311.863. Patented Feb. 3, 1885. i^.t»^».t.ci....t..y...>.c»^>T.^ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/united-states-court-of-appeals-for-the-ninth-circuit-witnesses-4-lt-lt-inventor-attorney-no-895168-patented-aug-4-1608e-deisterore-concentrating-table-appiioitioi-riled-kab-3-1909-ivitisss-atrortiif-no-model-4-sheetssheet-4-j-cherney-w-c-davis-ore-concentrator-no-311863-patented-feb-3-1885-ittcitygtcgtt-image338273134.htmlRM2AJ9JRA–United States Court of Appeals For the Ninth Circuit . WITNESSES: ,..^^^,^^4^^-<-««-<---^?^ INVENTOR ATTORNEY No. 895,168. PATENTED AUG. 4, 1608.E. DEISTER.ORE CONCENTRATING TABLE. APPIIOITIOI riLED KAB. 3, 1909.. IVITI/£SS£S: ATrORtiif (No Model.) 4 Sheets—Sheet 4 J. CHERNEY & W. C. DAVIS. ORE CONCENTRATOR. No. 311.863. Patented Feb. 3, 1885. i^.t»^».t.ci....t..y...>.c»^>T.^
Door holders wear gifts in the palace, the Großwesir and the Wesir on the way to the palace. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/door-holders-wear-gifts-in-the-palace-the-growesir-and-the-wesir-on-the-way-to-the-palace-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416238265.htmlRM2F55849–Door holders wear gifts in the palace, the Großwesir and the Wesir on the way to the palace. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Kensington Gardens, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on grayish ivory wove paper, 168 x 148 mm (image), 291 x 212 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kensington-gardens-1896-james-mcneill-whistler-american-1834-1903-united-states-transfer-lithograph-in-black-on-grayish-ivory-wove-paper-168-x-148-mm-image-291-x-212-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349749350.htmlRF2B90CT6–Kensington Gardens, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on grayish ivory wove paper, 168 x 148 mm (image), 291 x 212 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Painter. Adriaen van Ostade; Dutch, 1610-1685. Date: 1642-1652. Dimensions: 210 x 168 mm (image); 235 x 173 mm (plate); 246 x 186 mm (sheet). Etching in black on buff laid paper. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-painter-adriaen-van-ostade-dutch-1610-1685-date-1642-1652-dimensions-210-x-168-mm-image-235-x-173-mm-plate-246-x-186-mm-sheet-etching-in-black-on-buff-laid-paper-origin-holland-museum-the-chicago-art-institute-image239998066.htmlRMRXCRYE–The Painter. Adriaen van Ostade; Dutch, 1610-1685. Date: 1642-1652. Dimensions: 210 x 168 mm (image); 235 x 173 mm (plate); 246 x 186 mm (sheet). Etching in black on buff laid paper. Origin: Holland. Museum: The Chicago Art Institute.
CARL THEODOR REIFFENSTEIN, rock spur near Filsen, July 25, 1886, sheet, 168 x 247 mm, pencil on paper, rock spur near Filsen, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 41, page 12, part number / total, 1 / 3, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, NATURE STUDY, LANDSCAPE STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Near Filsen. July 25th. 1886, Numbered on the page above the drawing, in black pen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-rock-spur-near-filsen-july-25-1886-sheet-168-x-247-mm-pencil-on-paper-rock-spur-near-filsen-carl-theodor-reiffenstein-page-adhesive-tapes-volume-41-page-12-part-number-total-1-3-19th-century-drawing-pencil-on-paper-graphite-clay-mixture-paper-pencil-drawing-german-nature-study-landscape-study-travel-study-dated-and-inscribed-lower-right-in-pencil-near-filsen-july-25th-1886-numbered-on-the-page-above-the-drawing-in-black-pen-image573244523.htmlRM2T8HF6K–CARL THEODOR REIFFENSTEIN, rock spur near Filsen, July 25, 1886, sheet, 168 x 247 mm, pencil on paper, rock spur near Filsen, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 41, page 12, part number / total, 1 / 3, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, NATURE STUDY, LANDSCAPE STUDY, TRAVEL STUDY, Dated and inscribed lower right, in pencil, Near Filsen. July 25th. 1886, Numbered on the page above the drawing, in black pen
Interieur met moeder die haar twee kinderen in armen sluit Boekillustratie voor Fenna Mastenbroek, Zedelijke verhalen en Dichtstukjes voor Meisjes, Deventer, 1832 Interior with mother closes her son and daughter in the arms. Below the representation is a quote from the boek. Manufacturer : print maker: Antonie van der Beek (indicated on object) to drawing of: H.P. Oosterhuis (listed building) publisher: A.J. van den SigtenhorstPlaats manufacture: Deventer Date: 1793 - 1832 and / or 1832 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: 168 mm × H 110 b mmT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interieur-met-moeder-die-haar-twee-kinderen-in-armen-sluit-boekillustratie-voor-fenna-mastenbroek-zedelijke-verhalen-en-dichtstukjes-voor-meisjes-deventer-1832-interior-with-mother-closes-her-son-and-daughter-in-the-arms-below-the-representation-is-a-quote-from-the-boek-manufacturer-print-maker-antonie-van-der-beek-indicated-on-object-to-drawing-of-hp-oosterhuis-listed-building-publisher-aj-van-den-sigtenhorstplaats-manufacture-deventer-date-1793-1832-and-or-1832-physical-characteristics-etching-material-paper-technique-etching-dimensions-sheet-168-mm-h-110-b-mmt-image348453496.htmlRM2B6WBYM–Interieur met moeder die haar twee kinderen in armen sluit Boekillustratie voor Fenna Mastenbroek, Zedelijke verhalen en Dichtstukjes voor Meisjes, Deventer, 1832 Interior with mother closes her son and daughter in the arms. Below the representation is a quote from the boek. Manufacturer : print maker: Antonie van der Beek (indicated on object) to drawing of: H.P. Oosterhuis (listed building) publisher: A.J. van den SigtenhorstPlaats manufacture: Deventer Date: 1793 - 1832 and / or 1832 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: 168 mm × H 110 b mmT
. American stationary engineering; a practical work which begins at the boiler room and takes in the whole power plant. Maxims and Instructions. J07 PLUMBERS TOOLS. Fig. 167. Fig. 168. Fig. 169. Fig. 170. Fig. 171.. Fig-173. Fig. 167 represents*the round nosechisel. Fig. 168 is thewood chisel usedin cutting away woodwork. Fig. J 69 is the well-known • cape chisel. Fig. 170 is the halfround chisel. Fig. 171 is theequally well-knownflat cold chisel. Fig. 172 is the diamond point chis-el.Fig. 173 shows a rivet seifor small work connected withplumbing and sheet metalAvork. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-stationary-engineering-a-practical-work-which-begins-at-the-boiler-room-and-takes-in-the-whole-power-plant-maxims-and-instructions-j07-plumbers-tools-fig-167-fig-168-fig-169-fig-170-fig-171-fig-173-fig-167-representsthe-round-nosechisel-fig-168-is-thewood-chisel-usedin-cutting-away-woodwork-fig-j-69-is-the-well-known-cape-chisel-fig-170-is-the-halfround-chisel-fig-171-is-theequally-well-knownflat-cold-chisel-fig-172-is-the-diamond-point-chis-elfig-173-shows-a-rivet-seifor-small-work-connected-withplumbing-and-sheet-metalavork-image336714697.htmlRM2AFPK0W–. American stationary engineering; a practical work which begins at the boiler room and takes in the whole power plant. Maxims and Instructions. J07 PLUMBERS TOOLS. Fig. 167. Fig. 168. Fig. 169. Fig. 170. Fig. 171.. Fig-173. Fig. 167 represents*the round nosechisel. Fig. 168 is thewood chisel usedin cutting away woodwork. Fig. J 69 is the well-known • cape chisel. Fig. 170 is the halfround chisel. Fig. 171 is theequally well-knownflat cold chisel. Fig. 172 is the diamond point chis-el.Fig. 173 shows a rivet seifor small work connected withplumbing and sheet metalAvork.
The exterior of the Turkish palace with the top door counters in front of the garbage of the Turkish emperor. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-exterior-of-the-turkish-palace-with-the-top-door-counters-in-front-of-the-garbage-of-the-turkish-emperor-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416237322.htmlRM2F556XJ–The exterior of the Turkish palace with the top door counters in front of the garbage of the Turkish emperor. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Enclosure of prisoners in the first courtyard of the Turkish palace in Constantinople, insight into the torture chamber. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/enclosure-of-prisoners-in-the-first-courtyard-of-the-turkish-palace-in-constantinople-insight-into-the-torture-chamber-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416237160.htmlRM2F556MT–Enclosure of prisoners in the first courtyard of the Turkish palace in Constantinople, insight into the torture chamber. Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Entry of the prisoners in the first courtyard of the Turkish palace in Constantinople (Topkapı Palace, 1453 started). Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entry-of-the-prisoners-in-the-first-courtyard-of-the-turkish-palace-in-constantinople-topkap-palace-1453-started-sheet-6-of-the-picture-sequence-about-the-customs-of-the-turks-of-zacharias-wehhe-1581-1582-copy-of-a-contemporary-originals-from-constantinople-ink-water-and-top-colors-z-t-silver-and-gold-habit-36-x-168-cm-dresden-slub-mscrdresdj2a-image416237475.htmlRM2F55743–Entry of the prisoners in the first courtyard of the Turkish palace in Constantinople (Topkapı Palace, 1453 started). Sheet 6 of the picture sequence about the customs of the Turks of Zacharias Wehhe, 1581-1582 (copy of a contemporary. Originals from Constantinople). Ink, water and top colors, z. T. silver and gold habit; 36 x 168 cm. Dresden: Slub mscr.dresd.j.2.a
Caterpillars, Rispen / Chenilles (title on object), Sheet with thirteen hairy caterpillars, numbered 1-13. Numbered top right: 15. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanations in Dutch, Latin and French, insects: caterpillar, Anselmus Boetius de Boodt, Praag, 1596 - 1610, paper, pencil, chalk, watercolor (paint), deck paint, ink, pen, h 270 mm × w 168 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caterpillars-rispen-chenilles-title-on-object-sheet-with-thirteen-hairy-caterpillars-numbered-1-13-numbered-top-right-15-part-of-the-sixth-album-with-drawings-of-fish-shells-and-insects-sixth-of-twelve-albums-with-drawings-of-animals-birds-and-plants-known-around-1600-commissioned-by-emperor-rudolf-ii-with-explanations-in-dutch-latin-and-french-insects-caterpillar-anselmus-boetius-de-boodt-praag-1596-1610-paper-pencil-chalk-watercolor-paint-deck-paint-ink-pen-h-270-mm-w-168-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-image350011169.htmlRF2B9CAPW–Caterpillars, Rispen / Chenilles (title on object), Sheet with thirteen hairy caterpillars, numbered 1-13. Numbered top right: 15. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanations in Dutch, Latin and French, insects: caterpillar, Anselmus Boetius de Boodt, Praag, 1596 - 1610, paper, pencil, chalk, watercolor (paint), deck paint, ink, pen, h 270 mm × w 168 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays
![Supplicant before king. unknown c. 1590 Tapestry Dimensions: H 10'8' x W 16'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Miss J. Seutter, n.d. [probably 1928]; returned 3/1/1928. Supplicant before enthroned king wearing turban, in landscape setting (BRD) vine scroll inhabited by figures & centered by landscape vignettes French & Co. stock sheet in archive, 16043 Stock Photo](https://c8.alamy.com/comp/2WTGC5C/supplicant-before-king-unknown-c-1590-tapestry-dimensions-h-108-x-w-168-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-unknown-ownership-history-french-co-received-from-miss-j-seutter-nd-probably-1928-returned-311928-supplicant-before-enthroned-king-wearing-turban-in-landscape-setting-brd-vine-scroll-inhabited-by-figures-centered-by-landscape-vignettes-french-co-stock-sheet-in-archive-16043-2WTGC5C.jpg "Supplicant before king. unknown c. 1590 Tapestry Dimensions: H 10'8' x W 16'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Miss J. Seutter, n.d. [probably 1928]; returned 3/1/1928. Supplicant before enthroned king wearing turban, in landscape setting (BRD) vine scroll inhabited by figures & centered by landscape vignettes French & Co. stock sheet in archive, 16043 Stock Photo")
Supplicant before king. unknown c. 1590 Tapestry Dimensions: H 10'8' x W 16'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Miss J. Seutter, n.d. [probably 1928]; returned 3/1/1928. Supplicant before enthroned king wearing turban, in landscape setting (BRD) vine scroll inhabited by figures & centered by landscape vignettes French & Co. stock sheet in archive, 16043 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/supplicant-before-king-unknown-c-1590-tapestry-dimensions-h-108-x-w-168-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-unknown-ownership-history-french-co-received-from-miss-j-seutter-nd-probably-1928-returned-311928-supplicant-before-enthroned-king-wearing-turban-in-landscape-setting-brd-vine-scroll-inhabited-by-figures-centered-by-landscape-vignettes-french-co-stock-sheet-in-archive-16043-image600265048.htmlRM2WTGC5C–Supplicant before king. unknown c. 1590 Tapestry Dimensions: H 10'8' x W 16'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Miss J. Seutter, n.d. [probably 1928]; returned 3/1/1928. Supplicant before enthroned king wearing turban, in landscape setting (BRD) vine scroll inhabited by figures & centered by landscape vignettes French & Co. stock sheet in archive, 16043
Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 165 × 115 mm (image); 168 × 118 mm (plate); 316 × 205 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designs-for-locksmiths-jean-brain-i-french-1640-1711-after-hugues-bris-e-ville-french-date-1660-1711-dimensions-165-115-mm-image-168-118-mm-plate-316-205-mm-sheet-etching-on-paper-origin-france-museum-the-chicago-art-institute-image240101624.htmlRMRXHG20–Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 165 × 115 mm (image); 168 × 118 mm (plate); 316 × 205 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute.
CARL THEODOR REIFFENSTEIN, Alter Baum, August 16, 1882, sheet, 168 x 123 mm, pencil on paper, Alter Baum, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 7, part number / total, 4 / 4, BAD HOMBURG -DORNHOLZHAUSEN circle, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, TREE STUDY, TRAVEL STUDY, STUDY, Dated and inscribed lower right, in pencil, At Dornholzhaus. 16 Aug. 1882, numbered on the page below the drawing, with pen in black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-alter-baum-august-16-1882-sheet-168-x-123-mm-pencil-on-paper-alter-baum-carl-theodor-reiffenstein-page-adhesive-tapes-volume-38-page-7-part-number-total-4-4-bad-homburg-dornholzhausen-circle-19th-century-drawing-pencil-on-paper-graphite-clay-mixture-paper-pencil-drawing-german-tree-study-travel-study-study-dated-and-inscribed-lower-right-in-pencil-at-dornholzhaus-16-aug-1882-numbered-on-the-page-below-the-drawing-with-pen-in-black-image573243249.htmlRM2T8HDH5–CARL THEODOR REIFFENSTEIN, Alter Baum, August 16, 1882, sheet, 168 x 123 mm, pencil on paper, Alter Baum, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 7, part number / total, 4 / 4, BAD HOMBURG -DORNHOLZHAUSEN circle, 19TH CENTURY, DRAWING, pencil on paper, GRAPHITE-CLAY MIXTURE, PAPER, PENCIL DRAWING, GERMAN, TREE STUDY, TRAVEL STUDY, STUDY, Dated and inscribed lower right, in pencil, At Dornholzhaus. 16 Aug. 1882, numbered on the page below the drawing, with pen in black
Photocopy of construction drawing (from Nevada Dept. of Transportation) ELEVATION, PLAN, AND SHEET PILE SECTION DETAILS - Muddy River Bridge, Spanning Muddy River northeast of I-15 and State Route 168, Glendale, Clark County, NV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photocopy-of-construction-drawing-from-nevada-dept-of-transportation-elevation-plan-and-sheet-pile-section-details-muddy-river-bridge-spanning-muddy-river-northeast-of-i-15-and-state-route-168-glendale-clark-county-nv-image249426320.htmlRMTDP9PT–Photocopy of construction drawing (from Nevada Dept. of Transportation) ELEVATION, PLAN, AND SHEET PILE SECTION DETAILS - Muddy River Bridge, Spanning Muddy River northeast of I-15 and State Route 168, Glendale, Clark County, NV
. American stationary engineering; a practical work which begins at the boiler room and takes in the whole power plant. Fig-173. Fig. 167 represents*the round nosechisel. Fig. 168 is thewood chisel usedin cutting away woodwork. Fig. J 69 is the well-known • cape chisel. Fig. 170 is the halfround chisel. Fig. 171 is theequally well-knownflat cold chisel. Fig. 172 is the diamond point chis-el.Fig. 173 shows a rivet seifor small work connected withplumbing and sheet metalAvork. . Fig. 174. Fig. 174 exhibits the plumbers torch; thisis also used by engineers to explore interiorsof boilers, chimney Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-stationary-engineering-a-practical-work-which-begins-at-the-boiler-room-and-takes-in-the-whole-power-plant-fig-173-fig-167-representsthe-round-nosechisel-fig-168-is-thewood-chisel-usedin-cutting-away-woodwork-fig-j-69-is-the-well-known-cape-chisel-fig-170-is-the-halfround-chisel-fig-171-is-theequally-well-knownflat-cold-chisel-fig-172-is-the-diamond-point-chis-elfig-173-shows-a-rivet-seifor-small-work-connected-withplumbing-and-sheet-metalavork-fig-174-fig-174-exhibits-the-plumbers-torch-thisis-also-used-by-engineers-to-explore-interiorsof-boilers-chimney-image336714562.htmlRM2AFPJT2–. American stationary engineering; a practical work which begins at the boiler room and takes in the whole power plant. Fig-173. Fig. 167 represents*the round nosechisel. Fig. 168 is thewood chisel usedin cutting away woodwork. Fig. J 69 is the well-known • cape chisel. Fig. 170 is the halfround chisel. Fig. 171 is theequally well-knownflat cold chisel. Fig. 172 is the diamond point chis-el.Fig. 173 shows a rivet seifor small work connected withplumbing and sheet metalAvork. . Fig. 174. Fig. 174 exhibits the plumbers torch; thisis also used by engineers to explore interiorsof boilers, chimney
Sheet of Sketches: Beheading of a Saint (recto), Several Slight Figure Sketches (verso), 1605/44, Giovanni (Antonio) Bilivert (Italian, 1585-1644), or Jacques Callot (French, 1592-1635), Italy, Red chalk, with brush and red chalk wash (recto), and red chalk (verso), on ivory laid paper, 292 x 168 mm, Woman with a High Headdress Wrapped Around the Chin: Bust, c. 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 62 x 56 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-sketches-beheading-of-a-saint-recto-several-slight-figure-sketches-verso-160544-giovanni-antonio-bilivert-italian-1585-1644-or-jacques-callot-french-1592-1635-italy-red-chalk-with-brush-and-red-chalk-wash-recto-and-red-chalk-verso-on-ivory-laid-paper-292-x-168-mm-woman-with-a-high-headdress-wrapped-around-the-chin-bust-c-1630-rembrandt-van-rijn-dutch-1606-1669-holland-etching-on-paper-62-x-56-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspi-image349719351.htmlRF2B8Y2GR–Sheet of Sketches: Beheading of a Saint (recto), Several Slight Figure Sketches (verso), 1605/44, Giovanni (Antonio) Bilivert (Italian, 1585-1644), or Jacques Callot (French, 1592-1635), Italy, Red chalk, with brush and red chalk wash (recto), and red chalk (verso), on ivory laid paper, 292 x 168 mm, Woman with a High Headdress Wrapped Around the Chin: Bust, c. 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 62 x 56 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspi
Children playing in garden park. unknown c. 1700 Tapestry Dimensions: H 8'11' x W 16'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Mrs. Shirley Ford, received 3/20/1946; returned 9/24/1957. Children dancing as 1 plays horns next to architectural ruin with herm; classical structure in distance (BRD) picture-frame border repeating volute motif French & Co. stock sheet in archive, 77999 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/children-playing-in-garden-park-unknown-c-1700-tapestry-dimensions-h-811-x-w-168-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-unknown-ownership-history-french-co-received-from-mrs-shirley-ford-received-3201946-returned-9241957-children-dancing-as-1-plays-horns-next-to-architectural-ruin-with-herm-classical-structure-in-distance-brd-picture-frame-border-repeating-volute-motif-french-co-stock-sheet-in-archive-77999-image600267384.htmlRM2WTGF4T–Children playing in garden park. unknown c. 1700 Tapestry Dimensions: H 8'11' x W 16'8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Mrs. Shirley Ford, received 3/20/1946; returned 9/24/1957. Children dancing as 1 plays horns next to architectural ruin with herm; classical structure in distance (BRD) picture-frame border repeating volute motif French & Co. stock sheet in archive, 77999
Christ Driving the Money Changers from the Temple. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1635. Dimensions: 136 x 168 mm (image/plate); 139 x 174 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute. Author: REMBRANDT HARMENSZOON VAN RIJN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-driving-the-money-changers-from-the-temple-rembrandt-van-rijn-dutch-1606-1669-date-1635-dimensions-136-x-168-mm-imageplate-139-x-174-mm-sheet-etching-on-ivory-laid-paper-origin-holland-museum-the-chicago-art-institute-author-rembrandt-harmenszoon-van-rijn-image239918401.htmlRMRX96A9–Christ Driving the Money Changers from the Temple. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1635. Dimensions: 136 x 168 mm (image/plate); 139 x 174 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute. Author: REMBRANDT HARMENSZOON VAN RIJN.
CARL THEODOR REIFFENSTEIN, garden party in Michelstadt, August 7, 1875 - August 10, 1875, sheet, 168 x 165 mm, watercolor over pencil on paper, garden party in Michelstadt, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 33, page 3, part number / overall, 1 / 1, 19TH CENTURY, DRAWING, watercolor over pencil on paper, WATERCOLOR PAINT, GRAPHITE CLAY MIXTURE, PAPER, WATERCOLOR, BRUSH DRAWING, PENCIL DRAWING, GERMAN, PICTURE DRAWING, Dated and inscribed lower left, in pencil, Michelstadt. 7. 8 Aug. 1875. 9. 10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-garden-party-in-michelstadt-august-7-1875-august-10-1875-sheet-168-x-165-mm-watercolor-over-pencil-on-paper-garden-party-in-michelstadt-carl-theodor-reiffenstein-page-adhesive-tapes-volume-33-page-3-part-number-overall-1-1-19th-century-drawing-watercolor-over-pencil-on-paper-watercolor-paint-graphite-clay-mixture-paper-watercolor-brush-drawing-pencil-drawing-german-picture-drawing-dated-and-inscribed-lower-left-in-pencil-michelstadt-7-8-aug-1875-9-10-image573241176.htmlRM2T8HAY4–CARL THEODOR REIFFENSTEIN, garden party in Michelstadt, August 7, 1875 - August 10, 1875, sheet, 168 x 165 mm, watercolor over pencil on paper, garden party in Michelstadt, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 33, page 3, part number / overall, 1 / 1, 19TH CENTURY, DRAWING, watercolor over pencil on paper, WATERCOLOR PAINT, GRAPHITE CLAY MIXTURE, PAPER, WATERCOLOR, BRUSH DRAWING, PENCIL DRAWING, GERMAN, PICTURE DRAWING, Dated and inscribed lower left, in pencil, Michelstadt. 7. 8 Aug. 1875. 9. 10
Top Right numbered: No. 8; top left scene 8. Manufacturer : printmaker: anonymous publisher Benjamin Pollock (listed property) Date: ca. 1880 - ca. 1937 Physical features: lithography material: paper Technique: lithography (technique) Dimensions: sheet: H 168 mm × W 216 mmToelichting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-right-numbered-no-8-top-left-scene-8-manufacturer-printmaker-anonymous-publisher-benjamin-pollock-listed-property-date-ca-1880-ca-1937-physical-features-lithography-material-paper-technique-lithography-technique-dimensions-sheet-h-168-mm-w-216-mmtoelichting-image348336489.htmlRM2B6M2MW–Top Right numbered: No. 8; top left scene 8. Manufacturer : printmaker: anonymous publisher Benjamin Pollock (listed property) Date: ca. 1880 - ca. 1937 Physical features: lithography material: paper Technique: lithography (technique) Dimensions: sheet: H 168 mm × W 216 mmToelichting
![Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photo](https://c8.alamy.com/comp/2G459YJ/entertainment-o-youth!-your-eye-and-mind-if-you-see-deez-prints-and-reads-sheet-with-8-performances-of-professions-including-a-skipper-a-farmer-and-fishermen-under-each-image-a-two-legged-fresh-in-dutch-and-in-french-numbered-in-the-middle-above-n-168-b-2G459YJ.jpg "Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photo")
Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entertainment-o-youth!-your-eye-and-mind-if-you-see-deez-prints-and-reads-sheet-with-8-performances-of-professions-including-a-skipper-a-farmer-and-fishermen-under-each-image-a-two-legged-fresh-in-dutch-and-in-french-numbered-in-the-middle-above-n-168-b-image432835414.htmlRM2G459YJ–Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.).
Catalogue R2 illustrating and describing metallic building materials for outside use, 1912 / Metallic Roofing Coof Canada. . Shows One single Sheet of EurekaSpanish Tile. Starter, for First or Eave Course ofEureka Spanish Tiles.Code Word—Bicuda Covering size lUx7i inches, 174 Sheets per Square of 100 square feet. Made in Galvanized Steel, Painted Terne-Plate and Soft Sheet Copper, 14 or 16 ounce. Material. Approximate Weight per Square, without Crate. Approximate Weight perSquare, including Crate. Code Word. Galvanized 100 lbs. 85 lbs. 168 lbs. 148 lbs. 120 lbs.105 lbs.190 lbs.170 lbs. Bedelry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-r2-illustrating-and-describing-metallic-building-materials-for-outside-use-1912-metallic-roofing-coof-canada-shows-one-single-sheet-of-eurekaspanish-tile-starter-for-first-or-eave-course-ofeureka-spanish-tilescode-wordbicuda-covering-size-lux7i-inches-174-sheets-per-square-of-100-square-feet-made-in-galvanized-steel-painted-terne-plate-and-soft-sheet-copper-14-or-16-ounce-material-approximate-weight-per-square-without-crate-approximate-weight-persquare-including-crate-code-word-galvanized-100-lbs-85-lbs-168-lbs-148-lbs-120-lbs105-lbs190-lbs170-lbs-bedelry-image339083515.htmlRM2AKJGDF–Catalogue R2 illustrating and describing metallic building materials for outside use, 1912 / Metallic Roofing Coof Canada. . Shows One single Sheet of EurekaSpanish Tile. Starter, for First or Eave Course ofEureka Spanish Tiles.Code Word—Bicuda Covering size lUx7i inches, 174 Sheets per Square of 100 square feet. Made in Galvanized Steel, Painted Terne-Plate and Soft Sheet Copper, 14 or 16 ounce. Material. Approximate Weight per Square, without Crate. Approximate Weight perSquare, including Crate. Code Word. Galvanized 100 lbs. 85 lbs. 168 lbs. 148 lbs. 120 lbs.105 lbs.190 lbs.170 lbs. Bedelry
Alphabet, 1627, Lucas Kilian, German, 1579-1637, Germany, Book with 24 etchings, bound in crimson levant with marbled endpapers, outer slip case, 168 x 142 mm (sheet), 170 x 150 (binding closed), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alphabet-1627-lucas-kilian-german-1579-1637-germany-book-with-24-etchings-bound-in-crimson-levant-with-marbled-endpapers-outer-slip-case-168-x-142-mm-sheet-170-x-150-binding-closed-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349693099.htmlRF2B8WW37–Alphabet, 1627, Lucas Kilian, German, 1579-1637, Germany, Book with 24 etchings, bound in crimson levant with marbled endpapers, outer slip case, 168 x 142 mm (sheet), 170 x 150 (binding closed), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
A Scholar in His Study (Faust). Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1657. Dimensions: 209 x 161 mm (plate); 217 x 168 mm (sheet). Etching, drypoint, and engraving, on ivory Japanese paper. Origin: Holland. Museum: The Chicago Art Institute. Author: REMBRANDT HARMENSZOON VAN RIJN. Rembrandt van Rhijn. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-scholar-in-his-study-faust-rembrandt-van-rijn-dutch-1606-1669-date-1647-1657-dimensions-209-x-161-mm-plate-217-x-168-mm-sheet-etching-drypoint-and-engraving-on-ivory-japanese-paper-origin-holland-museum-the-chicago-art-institute-author-rembrandt-harmenszoon-van-rijn-rembrandt-van-rhijn-image239743246.htmlRMRX16XP–A Scholar in His Study (Faust). Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1657. Dimensions: 209 x 161 mm (plate); 217 x 168 mm (sheet). Etching, drypoint, and engraving, on ivory Japanese paper. Origin: Holland. Museum: The Chicago Art Institute. Author: REMBRANDT HARMENSZOON VAN RIJN. Rembrandt van Rhijn.
CARL THEODOR REIFFENSTEIN, Star-vaulted room of the chapel in the Brömserhof in Rüdesheim, July 31, 1883, sheet, 168 x 227 mm, watercolor over pencil on paper, Star-vaulted room of the chapel in the Brömserhof in Rüdesheim, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 43, part number / total, 2 / 2, BRÖMSERBURG, RÜDESHEIM AM RHEIN, 19TH CENTURY, DRAWING, watercolor over pencil on paper, WATERCOLOR PAINT, GRAPHITE-CLAY MIXTURE, PAPER, WATERCOLOR, BRUSH DRAWING, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, LIGHT STUDY, COLOR STUDY, TRAVEL STUDY, Dated and inscribed lower Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carl-theodor-reiffenstein-star-vaulted-room-of-the-chapel-in-the-brmserhof-in-rdesheim-july-31-1883-sheet-168-x-227-mm-watercolor-over-pencil-on-paper-star-vaulted-room-of-the-chapel-in-the-brmserhof-in-rdesheim-carl-theodor-reiffenstein-page-adhesive-tapes-volume-38-page-43-part-number-total-2-2-brmserburg-rdesheim-am-rhein-19th-century-drawing-watercolor-over-pencil-on-paper-watercolor-paint-graphite-clay-mixture-paper-watercolor-brush-drawing-pencil-drawing-german-architectural-study-light-study-color-study-travel-study-dated-and-inscribed-lower-image573243532.htmlRM2T8HDY8–CARL THEODOR REIFFENSTEIN, Star-vaulted room of the chapel in the Brömserhof in Rüdesheim, July 31, 1883, sheet, 168 x 227 mm, watercolor over pencil on paper, Star-vaulted room of the chapel in the Brömserhof in Rüdesheim, CARL THEODOR REIFFENSTEIN, page, adhesive tapes, volume 38, page 43, part number / total, 2 / 2, BRÖMSERBURG, RÜDESHEIM AM RHEIN, 19TH CENTURY, DRAWING, watercolor over pencil on paper, WATERCOLOR PAINT, GRAPHITE-CLAY MIXTURE, PAPER, WATERCOLOR, BRUSH DRAWING, PENCIL DRAWING, GERMAN, ARCHITECTURAL STUDY, LIGHT STUDY, COLOR STUDY, TRAVEL STUDY, Dated and inscribed lower
Drawing from the album 'Voyage en Italie, and Sicile et à Malte '1778. Manufacturer : artist: Louis Ducros Dating: 1778 Physical features: black chalk, pen and brush in gray in gray material : chalk paper Technique: pen / brush dimensions: sheet: h 168 mm × W 370 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-from-the-album-voyage-en-italie-and-sicile-et-malte-1778-manufacturer-artist-louis-ducros-dating-1778-physical-features-black-chalk-pen-and-brush-in-gray-in-gray-material-chalk-paper-technique-pen-brush-dimensions-sheet-h-168-mm-w-370-mm-image348413273.htmlRM2B6RGK5–Drawing from the album 'Voyage en Italie, and Sicile et à Malte '1778. Manufacturer : artist: Louis Ducros Dating: 1778 Physical features: black chalk, pen and brush in gray in gray material : chalk paper Technique: pen / brush dimensions: sheet: h 168 mm × W 370 mm
![Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photo](https://c8.alamy.com/comp/2G44XE3/entertainment-o-youth!-your-eye-and-mind-if-you-see-deez-prints-and-reads-sheet-with-8-performances-of-professions-including-a-skipper-a-farmer-and-fishermen-under-each-image-a-two-legged-fresh-in-dutch-and-in-french-numbered-in-the-middle-above-n-168-b-2G44XE3.jpg "Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photo")
Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entertainment-o-youth!-your-eye-and-mind-if-you-see-deez-prints-and-reads-sheet-with-8-performances-of-professions-including-a-skipper-a-farmer-and-fishermen-under-each-image-a-two-legged-fresh-in-dutch-and-in-french-numbered-in-the-middle-above-n-168-b-image432826411.htmlRM2G44XE3–Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.).
Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . mi>r:-+fH 1111 i.H-hhm-i 1111 ih-hh-n n i i ih 105 Table No. 38. Dimensions ofCiiimney Stdcl<s forBoiiers of d/fferenf Horse Poiyer(£n^iish). I- SOfr. soft. Id7876^ 21-3366^- 70ff. eofr. 2^-3836 Height of Chimney Stack in metres and feet 90ft. lOOfr.22^3i5^A3047an- /iOfr.33-527-^^ /26ft.38-099 •J^ /SOfr.fS-7/9^- J 8 ^/, ¥ 33 3S 39 4-2 48 54 60 66 7Z 78 84 90 96 102 108 J/4 /20 /Z6 132 /38 /44 /SO JS6 162 168 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-useful-information-and-tables-relative-to-iron-sheet-and-other-products-manufactured-by-milliken-brothers-arranged-for-the-use-of-engineers-architects-and-builders-migtr-fh-1111-ih-hhm-i-1111-ih-hh-n-n-i-i-ih-105-table-no-38-dimensions-ofciiimney-stdcllts-forboiiers-of-dfferenf-horse-poiyerniish-i-sofr-soft-id7876-21-3366-70ff-eofr-2-3836-height-of-chimney-stack-in-metres-and-feet-90ft-loofr223i5a3047an-iofr33-527-26ft38-099-j-sofrfs-79-j-8-33-3s-39-4-2-48-54-60-66-7z-78-84-90-96-102-108-j4-20-z6-132-38-44-so-js6-162-168-image339354636.htmlRM2AM2X8C–Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . mi>r:-+fH 1111 i.H-hhm-i 1111 ih-hh-n n i i ih 105 Table No. 38. Dimensions ofCiiimney Stdcl<s forBoiiers of d/fferenf Horse Poiyer(£n^iish). I- SOfr. soft. Id7876^ 21-3366^- 70ff. eofr. 2^-3836 Height of Chimney Stack in metres and feet 90ft. lOOfr.22^3i5^A3047an- /iOfr.33-527-^^ /26ft.38-099 •J^ /SOfr.fS-7/9^- J 8 ^/, ¥ 33 3S 39 4-2 48 54 60 66 7Z 78 84 90 96 102 108 J/4 /20 /Z6 132 /38 /44 /SO JS6 162 168
The Way to Billancourt, 1894, Louis Auguste Lepère, French, 1849-1918, France, Etching in warm black on cream laid Japanese paper, 168 × 253 mm (image), 178 × 263 mm (plate), 210 × 276 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-way-to-billancourt-1894-louis-auguste-lepre-french-1849-1918-france-etching-in-warm-black-on-cream-laid-japanese-paper-168-253-mm-image-178-263-mm-plate-210-276-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349698367.htmlRF2B8X3RB–The Way to Billancourt, 1894, Louis Auguste Lepère, French, 1849-1918, France, Etching in warm black on cream laid Japanese paper, 168 × 253 mm (image), 178 × 263 mm (plate), 210 × 276 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Sketch sheet. Draughtsman: Jan Brandes. Dating: 1770 - 1808. Measurements: h 105 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-sheet-draughtsman-jan-brandes-dating-1770-1808-measurements-h-105-mm-w-168-mm-museum-rijksmuseum-amsterdam-image233105009.htmlRMRF6RPW–Sketch sheet. Draughtsman: Jan Brandes. Dating: 1770 - 1808. Measurements: h 105 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.
VENETIAN, 18TH CENTURY, Male and female head, sheet, min. 168 x min. 263 mm, height max, 180 mm, width max, 277 mm, red chalk on laid paper, Male and female head, Venetian, 18th century, King, warrior and two women, The wives of Darius before Alexander?, part number / total, 22 / 126, 18TH CENTURY, BAROQUE, DRAWING, red chalk on laid paper, RED COLOR, RED COLOR PAPER, CLOTHED PAPER, RED COLOR DRAWING, VENETIAN, STUDY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venetian-18th-century-male-and-female-head-sheet-min-168-x-min-263-mm-height-max-180-mm-width-max-277-mm-red-chalk-on-laid-paper-male-and-female-head-venetian-18th-century-king-warrior-and-two-women-the-wives-of-darius-before-alexander-part-number-total-22-126-18th-century-baroque-drawing-red-chalk-on-laid-paper-red-color-red-color-paper-clothed-paper-red-color-drawing-venetian-study-image573246291.htmlRM2T8HHDR–VENETIAN, 18TH CENTURY, Male and female head, sheet, min. 168 x min. 263 mm, height max, 180 mm, width max, 277 mm, red chalk on laid paper, Male and female head, Venetian, 18th century, King, warrior and two women, The wives of Darius before Alexander?, part number / total, 22 / 126, 18TH CENTURY, BAROQUE, DRAWING, red chalk on laid paper, RED COLOR, RED COLOR PAPER, CLOTHED PAPER, RED COLOR DRAWING, VENETIAN, STUDY
Knitting woman sitting at the table Standing on the table a cup and schotel. Manufacturer : printmaker: Frederika Henriette Pants Smit (personally signed) Date: 1885 - 1931 Material: paper technique: etching / lithography (technique) Dimensions: sheet: h 168 mm × W 127 mm Subject: knitting sitting figure - AA - female human figurecup and saucer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knitting-woman-sitting-at-the-table-standing-on-the-table-a-cup-and-schotel-manufacturer-printmaker-frederika-henriette-pants-smit-personally-signed-date-1885-1931-material-paper-technique-etching-lithography-technique-dimensions-sheet-h-168-mm-w-127-mm-subject-knitting-sitting-figure-aa-female-human-figurecup-and-saucer-image348235010.htmlRM2B6FD8J–Knitting woman sitting at the table Standing on the table a cup and schotel. Manufacturer : printmaker: Frederika Henriette Pants Smit (personally signed) Date: 1885 - 1931 Material: paper technique: etching / lithography (technique) Dimensions: sheet: h 168 mm × W 127 mm Subject: knitting sitting figure - AA - female human figurecup and saucer
Issued by W. Duke, Sons & Co., Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 × 1 7/16 in. (6.6 × 3.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/issued-by-w-duke-sons-co-card-number-168-pauline-hall-from-the-actors-and-actresses-series-n145-2-issued-by-duke-sons-co-to-promote-cross-cut-cigarettes-1880s-albumen-photograph-sheet-2-58-1-716-in-66-37-cm-image344621924.htmlRM2B0JTNT–Issued by W. Duke, Sons & Co., Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 5/8 × 1 7/16 in. (6.6 × 3.7 cm
![Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photo](https://c8.alamy.com/comp/2G4587N/entertainment-o-youth!-your-eye-and-mind-if-you-see-deez-prints-and-reads-sheet-with-8-performances-of-professions-including-a-skipper-a-farmer-and-fishermen-under-each-image-a-two-legged-fresh-in-dutch-and-in-french-numbered-in-the-middle-above-n-168-b-2G4587N.jpg "Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photo")
Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entertainment-o-youth!-your-eye-and-mind-if-you-see-deez-prints-and-reads-sheet-with-8-performances-of-professions-including-a-skipper-a-farmer-and-fishermen-under-each-image-a-two-legged-fresh-in-dutch-and-in-french-numbered-in-the-middle-above-n-168-b-image432834073.htmlRM2G4587N–Entertainment, o Youth! Your eye and mind, / if you see Deez 'prints and reads [(...)]. Sheet with 8 performances of professions, including a skipper, a farmer and fishermen. Under each image a two-legged fresh in Dutch and in French. Numbered in the middle above: N. 168. B.).
Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . 35 519 263 580 e (9-686 137 301 168 369 197 43 4 225 497 252 556 66 21-326 131 289 161 354 189 41 7 216 477 242 534 1 22-966 125 275 153 337 180 397 206 454 230 508 76 24606 119 263 147 323 172 373 196 433 220 485 a 26247 114 250 139 307 164 360 187 413 210 462 8-6 27887 108 238 133 292 156 344 178 393 200 440 l s? Allowed stresses in Kilos per sf cm.factor of Safety 8. a- diam. in metres.L- length in metres. ^ * Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/catalogue-of-useful-information-and-tables-relative-to-iron-sheet-and-other-products-manufactured-by-milliken-brothers-arranged-for-the-use-of-engineers-architects-and-builders-35-519-263-580-e-9-686-137-301-168-369-197-43-4-225-497-252-556-66-21-326-131-289-161-354-189-41-7-216-477-242-534-1-22-966-125-275-153-337-180-397-206-454-230-508-76-24606-119-263-147-323-172-373-196-433-220-485-a-26247-114-250-139-307-164-360-187-413-210-462-8-6-27887-108-238-133-292-156-344-178-393-200-440-l-s-allowed-stresses-in-kilos-per-sf-cmfactor-of-safety-8-a-diam-in-metresl-length-in-metres-image339406157.htmlRM2AM580D–Catalogue of useful information and tables relative to iron, sheet and other products manufactured by Milliken Brothers, arranged for the use of engineers, architects and builders . 35 519 263 580 e (9-686 137 301 168 369 197 43 4 225 497 252 556 66 21-326 131 289 161 354 189 41 7 216 477 242 534 1 22-966 125 275 153 337 180 397 206 454 230 508 76 24606 119 263 147 323 172 373 196 433 220 485 a 26247 114 250 139 307 164 360 187 413 210 462 8-6 27887 108 238 133 292 156 344 178 393 200 440 l s? Allowed stresses in Kilos per sf cm.factor of Safety 8. a- diam. in metres.L- length in metres. ^ *
Saturn, plate 47 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 168 x 98 mm (image), 179 x 101 mm (plate), 185 x 105 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saturn-plate-47-from-planets-and-spheres-c-1465-master-of-the-e-series-tarocchi-italian-active-c-1465-italy-engraving-on-paper-168-x-98-mm-image-179-x-101-mm-plate-185-x-105-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687372.htmlRF2B8WHPM–Saturn, plate 47 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 168 x 98 mm (image), 179 x 101 mm (plate), 185 x 105 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Study sheet with four chickens. Draughtsman: Aert Schouman. Dating: 1720 - 1792. Measurements: h 204 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-sheet-with-four-chickens-draughtsman-aert-schouman-dating-1720-1792-measurements-h-204-mm-w-168-mm-museum-rijksmuseum-amsterdam-image232981448.htmlRMRF1660–Study sheet with four chickens. Draughtsman: Aert Schouman. Dating: 1720 - 1792. Measurements: h 204 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.
Grafmonument en altaar Sketches of front views and plans of a tomb and a altaar. Manufacturer : artist: Hendrik Frans Verbruggen (possible) Dated: 1665 - 1724 Physical features: pen in brown over pencil material: paper ink pencil Technique: pen Dimensions: sheet: h 147 mm × W 168 mm Subject: grave-building, monumental tomb altar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grafmonument-en-altaar-sketches-of-front-views-and-plans-of-a-tomb-and-a-altaar-manufacturer-artist-hendrik-frans-verbruggen-possible-dated-1665-1724-physical-features-pen-in-brown-over-pencil-material-paper-ink-pencil-technique-pen-dimensions-sheet-h-147-mm-w-168-mm-subject-grave-building-monumental-tomb-altar-image348417473.htmlRM2B6RP15–Grafmonument en altaar Sketches of front views and plans of a tomb and a altaar. Manufacturer : artist: Hendrik Frans Verbruggen (possible) Dated: 1665 - 1724 Physical features: pen in brown over pencil material: paper ink pencil Technique: pen Dimensions: sheet: h 147 mm × W 168 mm Subject: grave-building, monumental tomb altar
Issued by W. Duke, Sons & Co., Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 1/2 × 1 3/8 in. (6.4 × 3.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/issued-by-w-duke-sons-co-card-number-168-pauline-hall-from-the-actors-and-actresses-series-n145-1-issued-by-duke-sons-co-to-promote-cross-cut-cigarettes-1880s-albumen-photograph-sheet-2-12-1-38-in-64-35-cm-image344621390.htmlRM2B0JT2P–Issued by W. Duke, Sons & Co., Card Number 168, Pauline Hall, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes, 1880s, Albumen photograph, Sheet: 2 1/2 × 1 3/8 in. (6.4 × 3.5 cm
. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . InVentdr No. 168,117. I. UHR.Portable-Engine. 2 Sheets--Sheet2 Patented Sept. 28,1875.. No. 168,600. ). H. BANGE.Road Engine. 3 St)eets--Sheet I. Patented Oct. It , 1875. n^.i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digest-of-united-states-automobile-patents-from-1789-to-july-1-1899-including-all-patents-officially-classed-as-traction-engines-for-the-same-period-chronologically-arranged-together-with-lists-of-patents-in-the-classes-of-portable-engines-traction-wheels-electric-locomotivs-and-electric-railway-battery-systems-inventdr-no-168117-i-uhrportable-engine-2-sheets-sheet2-patented-sept-281875-no-168600-h-bangeroad-engine-3-steets-sheet-i-patented-oct-it-1875-ni-image370042371.htmlRM2CE0TPY–. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . InVentdr No. 168,117. I. UHR.Portable-Engine. 2 Sheets--Sheet2 Patented Sept. 28,1875.. No. 168,600. ). H. BANGE.Road Engine. 3 St)eets--Sheet I. Patented Oct. It , 1875. n^.i
The Early Ploughman, c. 1861, Samuel Palmer, English, 1805-1881, England, Etching on paper, 131 × 198 mm (image), 168 × 244 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-early-ploughman-c-1861-samuel-palmer-english-1805-1881-england-etching-on-paper-131-198-mm-image-168-244-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349707863.htmlRF2B8XFXF–The Early Ploughman, c. 1861, Samuel Palmer, English, 1805-1881, England, Etching on paper, 131 × 198 mm (image), 168 × 244 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Sketch sheet with national figures. Draughtsman: Henk Henriët. Dating: 1913 - 1945. Measurements: h 92 mm; w 168 mm; h 132 mm; w 242 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sketch-sheet-with-national-figures-draughtsman-henk-henrit-dating-1913-1945-measurements-h-92-mm-w-168-mm-h-132-mm-w-242-mm-museum-rijksmuseum-amsterdam-image232948233.htmlRMREYKRN–Sketch sheet with national figures. Draughtsman: Henk Henriët. Dating: 1913 - 1945. Measurements: h 92 mm; w 168 mm; h 132 mm; w 242 mm. Museum: Rijksmuseum, Amsterdam.
![Koperen lampvoet Copper lamp base object type: Sketchbook sheet Item number: RP-T-1949-168-2 Inscriptions / Brands: annotation, handwritten 'copper / shiny / [...] 'Description: Page 2 from a sketchbook with 23 blades . Manufacturer : artist George Hendrik Breitner manufacture Place: Amsterdam Date: 1908 Physical features: pencil material: paper pencil Subject: gas-lamp and Stock Photo](https://c8.alamy.com/comp/2B70K33/koperen-lampvoet-copper-lamp-base-object-type-sketchbook-sheet-item-number-rp-t-1949-168-2-inscriptions-brands-annotation-handwritten-copper-shiny-description-page-2-from-a-sketchbook-with-23-blades-manufacturer-artist-george-hendrik-breitner-manufacture-place-amsterdam-date-1908-physical-features-pencil-material-paper-pencil-subject-gas-lamp-and-2B70K33.jpg "Koperen lampvoet Copper lamp base object type: Sketchbook sheet Item number: RP-T-1949-168-2 Inscriptions / Brands: annotation, handwritten 'copper / shiny / [...] 'Description: Page 2 from a sketchbook with 23 blades . Manufacturer : artist George Hendrik Breitner manufacture Place: Amsterdam Date: 1908 Physical features: pencil material: paper pencil Subject: gas-lamp and Stock Photo")
Koperen lampvoet Copper lamp base object type: Sketchbook sheet Item number: RP-T-1949-168-2 Inscriptions / Brands: annotation, handwritten 'copper / shiny / [...] 'Description: Page 2 from a sketchbook with 23 blades . Manufacturer : artist George Hendrik Breitner manufacture Place: Amsterdam Date: 1908 Physical features: pencil material: paper pencil Subject: gas-lamp and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/koperen-lampvoet-copper-lamp-base-object-type-sketchbook-sheet-item-number-rp-t-1949-168-2-inscriptions-brands-annotation-handwritten-copper-shiny-description-page-2-from-a-sketchbook-with-23-blades-manufacturer-artist-george-hendrik-breitner-manufacture-place-amsterdam-date-1908-physical-features-pencil-material-paper-pencil-subject-gas-lamp-and-image348524935.htmlRM2B70K33–Koperen lampvoet Copper lamp base object type: Sketchbook sheet Item number: RP-T-1949-168-2 Inscriptions / Brands: annotation, handwritten 'copper / shiny / [...] 'Description: Page 2 from a sketchbook with 23 blades . Manufacturer : artist George Hendrik Breitner manufacture Place: Amsterdam Date: 1908 Physical features: pencil material: paper pencil Subject: gas-lamp and
The Lonely Tower, c. 1879, Samuel Palmer, English, 1805-1881, England, Etching on paper, 168 × 234 mm (image), 191 × 253 mm (plate), 337 × 442 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lonely-tower-c-1879-samuel-palmer-english-1805-1881-england-etching-on-paper-168-234-mm-image-191-253-mm-plate-337-442-mm-sheet-image328639534.htmlRM2A2JR26–The Lonely Tower, c. 1879, Samuel Palmer, English, 1805-1881, England, Etching on paper, 168 × 234 mm (image), 191 × 253 mm (plate), 337 × 442 mm (sheet
. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . ^^/ii^ No. 168,117. J. UHR.Portable-Engine. 2 Stieets--Sheet I, Patented Sept. 28, 1875. iTtJ. InVentdr No. 168,117. I. UHR.Portable-Engine. 2 Sheets--Sheet2 Patented Sept. 28,1875. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digest-of-united-states-automobile-patents-from-1789-to-july-1-1899-including-all-patents-officially-classed-as-traction-engines-for-the-same-period-chronologically-arranged-together-with-lists-of-patents-in-the-classes-of-portable-engines-traction-wheels-electric-locomotivs-and-electric-railway-battery-systems-ii-no-168117-j-uhrportable-engine-2-stieets-sheet-i-patented-sept-28-1875-ittj-inventdr-no-168117-i-uhrportable-engine-2-sheets-sheet2-patented-sept-281875-image370042417.htmlRM2CE0TTH–. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . ^^/ii^ No. 168,117. J. UHR.Portable-Engine. 2 Stieets--Sheet I, Patented Sept. 28, 1875. iTtJ. InVentdr No. 168,117. I. UHR.Portable-Engine. 2 Sheets--Sheet2 Patented Sept. 28,1875.
The Holy Family at Table, c. 1628, Jacques Callot, French, 1592-1635, France, Etching on paper, 161 × 161 mm (image), 178 × 168 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-holy-family-at-table-c-1628-jacques-callot-french-1592-1635-france-etching-on-paper-161-161-mm-image-178-168-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349708639.htmlRF2B8XGX7–The Holy Family at Table, c. 1628, Jacques Callot, French, 1592-1635, France, Etching on paper, 161 × 161 mm (image), 178 × 168 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Study sheet with a few female half-figures. Draughtsman: Gerard ter Borch (I). Dating: 1617 - 1619. Place: Zwolle. Measurements: h 148 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-sheet-with-a-few-female-half-figures-draughtsman-gerard-ter-borch-i-dating-1617-1619-place-zwolle-measurements-h-148-mm-w-168-mm-museum-rijksmuseum-amsterdam-image233007505.htmlRMRF2BCH–Study sheet with a few female half-figures. Draughtsman: Gerard ter Borch (I). Dating: 1617 - 1619. Place: Zwolle. Measurements: h 148 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.
Costume from California Manufacture creator: printmaker: Due (listed property) to drawing: Fleury (listed on object) Date: 1853 - 1858 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: h 271 mm × W 168 mm Subject: folk costume, regional costume landscapes with water, water capes, seascapes (in the temperate zone) spinning-wheel where: 1875 - 1899 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-from-california-manufacture-creator-printmaker-due-listed-property-to-drawing-fleury-listed-on-object-date-1853-1858-physical-characteristics-etching-material-paper-technique-etching-dimensions-sheet-h-271-mm-w-168-mm-subject-folk-costume-regional-costume-landscapes-with-water-water-capes-seascapes-in-the-temperate-zone-spinning-wheel-where-1875-1899-image348365468.htmlRM2B6NBKT–Costume from California Manufacture creator: printmaker: Due (listed property) to drawing: Fleury (listed on object) Date: 1853 - 1858 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: h 271 mm × W 168 mm Subject: folk costume, regional costume landscapes with water, water capes, seascapes (in the temperate zone) spinning-wheel where: 1875 - 1899
The Late Mrs. Morris, 1828, David Claypoole Johnston, American, 1798–1865, United States, Engraving and stipple on ivory wove paper, 168 x 106 mm (plate), 235 x 161 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-late-mrs-morris-1828-david-claypoole-johnston-american-17981865-united-states-engraving-and-stipple-on-ivory-wove-paper-168-x-106-mm-plate-235-x-161-mm-sheet-image328663783.htmlRM2A2KX07–The Late Mrs. Morris, 1828, David Claypoole Johnston, American, 1798–1865, United States, Engraving and stipple on ivory wove paper, 168 x 106 mm (plate), 235 x 161 mm (sheet
. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . MISCELLANEOUS 4^7 Cf^ , /) / • 2 Sheels-Sheel 2 Patented Nov, 7, 1871. No. 120,611. ^^/ii^ No. 168,117. J. UHR.Portable-Engine. 2 Stieets--Sheet I, Patented Sept. 28, 1875. iTtJ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digest-of-united-states-automobile-patents-from-1789-to-july-1-1899-including-all-patents-officially-classed-as-traction-engines-for-the-same-period-chronologically-arranged-together-with-lists-of-patents-in-the-classes-of-portable-engines-traction-wheels-electric-locomotivs-and-electric-railway-battery-systems-miscellaneous-47-cf-2-sheels-sheel-2-patented-nov-7-1871-no-120611-ii-no-168117-j-uhrportable-engine-2-stieets-sheet-i-patented-sept-28-1875-ittj-image370042497.htmlRM2CE0TYD–. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . MISCELLANEOUS 4^7 Cf^ , /) / • 2 Sheels-Sheel 2 Patented Nov, 7, 1871. No. 120,611. ^^/ii^ No. 168,117. J. UHR.Portable-Engine. 2 Stieets--Sheet I, Patented Sept. 28, 1875. iTtJ
Repose, 1890, Mary Cassatt, American, 1844-1926, United States, Etching on ivory laid paper, 231 x 168 mm (image/plate), 307 x 239 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/repose-1890-mary-cassatt-american-1844-1926-united-states-etching-on-ivory-laid-paper-231-x-168-mm-imageplate-307-x-239-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349707152.htmlRF2B8XF14–Repose, 1890, Mary Cassatt, American, 1844-1926, United States, Etching on ivory laid paper, 231 x 168 mm (image/plate), 307 x 239 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Washington Arch. Dated: 1909. Dimensions: Image: 254 x 168 mm Sheet: 330 x 244 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles Frederick William Mielatz. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/washington-arch-dated-1909-dimensions-image-254-x-168-mm-sheet-330-x-244-mm-medium-etching-museum-national-gallery-of-art-washington-dc-author-charles-frederick-william-mielatz-image225634250.htmlRMR32EP2–Washington Arch. Dated: 1909. Dimensions: Image: 254 x 168 mm Sheet: 330 x 244 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles Frederick William Mielatz.
Grafmonument met obelisk en medaillon A monument with an obelisk, an oval medallion, flags, weapons and a rookvat. Manufacturer : artist: anonymous date: 1650 - 1800 Physical features: brush in gray over pencil material: paper ink pencil Technique: pen / brush dimensions: sheet: h 260 mm × W 168 mm Subject: grave, tomb needle obelisk (marking grave) ornament medallion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grafmonument-met-obelisk-en-medaillon-a-monument-with-an-obelisk-an-oval-medallion-flags-weapons-and-a-rookvat-manufacturer-artist-anonymous-date-1650-1800-physical-features-brush-in-gray-over-pencil-material-paper-ink-pencil-technique-pen-brush-dimensions-sheet-h-260-mm-w-168-mm-subject-grave-tomb-needle-obelisk-marking-grave-ornament-medallion-image348417576.htmlRM2B6RP4T–Grafmonument met obelisk en medaillon A monument with an obelisk, an oval medallion, flags, weapons and a rookvat. Manufacturer : artist: anonymous date: 1650 - 1800 Physical features: brush in gray over pencil material: paper ink pencil Technique: pen / brush dimensions: sheet: h 260 mm × W 168 mm Subject: grave, tomb needle obelisk (marking grave) ornament medallion
Kensington Gardens, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on grayish ivory wove paper, 168 x 148 mm (image), 291 x 212 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kensington-gardens-1896-james-mcneill-whistler-american-1834-1903-united-states-transfer-lithograph-in-black-on-grayish-ivory-wove-paper-168-x-148-mm-image-291-x-212-mm-sheet-image328660397.htmlRM2A2KNK9–Kensington Gardens, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on grayish ivory wove paper, 168 x 148 mm (image), 291 x 212 mm (sheet
. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . 448 M/SCELLANEOUS^ i. H. BANGE.Road Engine. No. 168,600. 3 SheelE-Sheet 2 Palenlucl Oct. U, IB7S. No. 168,600. ). H. BANGE.Road Engine. SSheelS-ShesI 3 Palenled Oct. II. 1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digest-of-united-states-automobile-patents-from-1789-to-july-1-1899-including-all-patents-officially-classed-as-traction-engines-for-the-same-period-chronologically-arranged-together-with-lists-of-patents-in-the-classes-of-portable-engines-traction-wheels-electric-locomotivs-and-electric-railway-battery-systems-448-mscellaneous-i-h-bangeroad-engine-no-168600-3-sheele-sheet-2-palenlucl-oct-u-ib7s-no-168600-h-bangeroad-engine-ssheels-shesi-3-palenled-oct-ii-1675-image370042380.htmlRM2CE0TR8–. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . 448 M/SCELLANEOUS^ i. H. BANGE.Road Engine. No. 168,600. 3 SheelE-Sheet 2 Palenlucl Oct. U, IB7S. No. 168,600. ). H. BANGE.Road Engine. SSheelS-ShesI 3 Palenled Oct. II. 1675.
The Artist, n.d., Achille Devéria, French, 1800-1857, France, Crayon and tusche lithograph on ivory wove paper, 213 × 168 mm (image), 242 × 195 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-artist-nd-achille-devria-french-1800-1857-france-crayon-and-tusche-lithograph-on-ivory-wove-paper-213-168-mm-image-242-195-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349734884.htmlRF2B8YPBG–The Artist, n.d., Achille Devéria, French, 1800-1857, France, Crayon and tusche lithograph on ivory wove paper, 213 × 168 mm (image), 242 × 195 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Early Ploughman. Samuel Palmer; English, 1805-1881. Date: 1856-1866. Dimensions: 131 × 198 mm (image); 168 × 244 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-early-ploughman-samuel-palmer-english-1805-1881-date-1856-1866-dimensions-131-198-mm-image-168-244-mm-sheet-etching-on-paper-origin-england-museum-the-chicago-art-institute-image240177336.htmlRMRXN0J0–The Early Ploughman. Samuel Palmer; English, 1805-1881. Date: 1856-1866. Dimensions: 131 × 198 mm (image); 168 × 244 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute.
The fall Adam and Eve standing by the tree of knowledge of good and evil. Eva Adam offers a fruit of the boom. Manufacturer : printmaker Pieter van der Plas (II) Place manufacture: Northern Netherlands Date: 1687 - 1708 Physical features: engra and etching material: paper Technique: engra (printing process) / etch dimensions: sheet: H 168 mm × W 128 mm Subject: Eve offering the fruit to Adam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fall-adam-and-eve-standing-by-the-tree-of-knowledge-of-good-and-evil-eva-adam-offers-a-fruit-of-the-boom-manufacturer-printmaker-pieter-van-der-plas-ii-place-manufacture-northern-netherlands-date-1687-1708-physical-features-engra-and-etching-material-paper-technique-engra-printing-process-etch-dimensions-sheet-h-168-mm-w-128-mm-subject-eve-offering-the-fruit-to-adam-image348302963.htmlRM2B6JFYF–The fall Adam and Eve standing by the tree of knowledge of good and evil. Eva Adam offers a fruit of the boom. Manufacturer : printmaker Pieter van der Plas (II) Place manufacture: Northern Netherlands Date: 1687 - 1708 Physical features: engra and etching material: paper Technique: engra (printing process) / etch dimensions: sheet: H 168 mm × W 128 mm Subject: Eve offering the fruit to Adam
Landscape with Cowherd, c. 1865, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory laid paper, 168 × 125 mm (image), 197 × 149 mm (plate), 447 × 343 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-cowherd-c-1865-charles-mile-jacque-french-1813-1894-france-etching-on-ivory-laid-paper-168-125-mm-image-197-149-mm-plate-447-343-mm-sheet-image328633327.htmlRM2A2JF4F–Landscape with Cowherd, c. 1865, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory laid paper, 168 × 125 mm (image), 197 × 149 mm (plate), 447 × 343 mm (sheet
. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . 448 M/SCELLANEOUS^ i. H. BANGE.Road Engine. No. 168,600. 3 SheelE-Sheet 2 Palenlucl Oct. U, IB7S. No. 168,600. ). H. BANGE.Road Engine. SSheelS-ShesI 3 Palenled Oct. II. 1675.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digest-of-united-states-automobile-patents-from-1789-to-july-1-1899-including-all-patents-officially-classed-as-traction-engines-for-the-same-period-chronologically-arranged-together-with-lists-of-patents-in-the-classes-of-portable-engines-traction-wheels-electric-locomotivs-and-electric-railway-battery-systems-448-mscellaneous-i-h-bangeroad-engine-no-168600-3-sheele-sheet-2-palenlucl-oct-u-ib7s-no-168600-h-bangeroad-engine-ssheels-shesi-3-palenled-oct-ii-1675-image370042390.htmlRM2CE0TRJ–. Digest of United States automobile patents from 1789 to July 1, 1899, including all patents officially classed as traction-engines for the same period. Chronologically arranged ... together with lists of patents in the classes of portable-engines, traction-wheels, electric locomotivs, and electric railway battery systems ... . 448 M/SCELLANEOUS^ i. H. BANGE.Road Engine. No. 168,600. 3 SheelE-Sheet 2 Palenlucl Oct. U, IB7S. No. 168,600. ). H. BANGE.Road Engine. SSheelS-ShesI 3 Palenled Oct. II. 1675..
Autumn Morning, 1875, Félix Hilaire Buhot, French, 1847-1898, France, Etching, aquatint and drypoint on cream wove paper, 108 × 168 mm (plate), 164 × 250 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/autumn-morning-1875-flix-hilaire-buhot-french-1847-1898-france-etching-aquatint-and-drypoint-on-cream-wove-paper-108-168-mm-plate-164-250-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349735798.htmlRF2B8YRG6–Autumn Morning, 1875, Félix Hilaire Buhot, French, 1847-1898, France, Etching, aquatint and drypoint on cream wove paper, 108 × 168 mm (plate), 164 × 250 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
