Landscape Watanabe Shiko (Japanese, 1683-1755). Landscape, 18th century. Hanging scroll, ink on paper, Image: 13 x 17 1/2 in. (33 x 44.5 cm). Asian Art 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-watanabe-shiko-japanese-1683-1755-landscape-18th-century-hanging-scroll-ink-on-paper-image-13-x-17-12-in-33-x-445-cm-asian-art-18th-century-image504698785.html
RM2M930CH–Landscape Watanabe Shiko (Japanese, 1683-1755). Landscape, 18th century. Hanging scroll, ink on paper, Image: 13 x 17 1/2 in. (33 x 44.5 cm). Asian Art 18th century
Burma . lf clad in a plain loin-cloth,offering his robes and the rest of the partikaya for acceptance as before. Therecluse will now accept the robes on behalf of the Assembly, and deliver themto the candidate, who retires to robe himself Invested with the thingdn, hereturns as accepted probationer, to make obeisance (shiko) to his instructor.The novice takes no vow and owes no formal obedience. Like the full memberof the Assembly, he is always free to abandon the religious rule of life(lu-twH—to become a layman again). The goyin (jnaimg-yin, Pali samanera,chinthamani) or gentle-brother, as th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/burma-lf-clad-in-a-plain-loin-clothoffering-his-robes-and-the-rest-of-the-partikaya-for-acceptance-as-before-therecluse-will-now-accept-the-robes-on-behalf-of-the-assembly-and-deliver-themto-the-candidate-who-retires-to-robe-himself-invested-with-the-thingdn-hereturns-as-accepted-probationer-to-make-obeisance-shiko-to-his-instructorthe-novice-takes-no-vow-and-owes-no-formal-obedience-like-the-full-memberof-the-assembly-he-is-always-free-to-abandon-the-religious-rule-of-lifelu-twhto-become-a-layman-again-the-goyin-jnaimg-yin-pali-samanerachinthamani-or-gentle-brother-as-th-image342778921.html
RM2AWJX09–Burma . lf clad in a plain loin-cloth,offering his robes and the rest of the partikaya for acceptance as before. Therecluse will now accept the robes on behalf of the Assembly, and deliver themto the candidate, who retires to robe himself Invested with the thingdn, hereturns as accepted probationer, to make obeisance (shiko) to his instructor.The novice takes no vow and owes no formal obedience. Like the full memberof the Assembly, he is always free to abandon the religious rule of life(lu-twH—to become a layman again). The goyin (jnaimg-yin, Pali samanera,chinthamani) or gentle-brother, as th
. Chats on Japanese prints. ongthese prints are a few splendid pillar-prints; one ofthese, the two singers with the black box, illustratedin Plate 46, seems to me almostthe finest pillar-print post-dating1795 that I have ever seen. Ofthis form Choki was a consummatemaster. But M. Koechlin regardsthese Shiko prints as mere imita-tions of Utamaros period of de-cadence, and rejoices in the factthat they are so rare. Mr. ArthurMorrison, on the other hand, whopoints out correctly that Shiko isChokis late, not his early name(a matter on which most writershave inexplicably gone astray)feels that the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chats-on-japanese-prints-ongthese-prints-are-a-few-splendid-pillar-prints-one-ofthese-the-two-singers-with-the-black-box-illustratedin-plate-46-seems-to-me-almostthe-finest-pillar-print-post-dating1795-that-i-have-ever-seen-ofthis-form-choki-was-a-consummatemaster-but-m-koechlin-regardsthese-shiko-prints-as-mere-imita-tions-of-utamaros-period-of-de-cadence-and-rejoices-in-the-factthat-they-are-so-rare-mr-arthurmorrison-on-the-other-hand-whopoints-out-correctly-that-shiko-ischokis-late-not-his-early-namea-matter-on-which-most-writershave-inexplicably-gone-astrayfeels-that-the-image336830405.html
RM2AFYXH9–. Chats on Japanese prints. ongthese prints are a few splendid pillar-prints; one ofthese, the two singers with the black box, illustratedin Plate 46, seems to me almostthe finest pillar-print post-dating1795 that I have ever seen. Ofthis form Choki was a consummatemaster. But M. Koechlin regardsthese Shiko prints as mere imita-tions of Utamaros period of de-cadence, and rejoices in the factthat they are so rare. Mr. ArthurMorrison, on the other hand, whopoints out correctly that Shiko isChokis late, not his early name(a matter on which most writershave inexplicably gone astray)feels that the
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