Sixteenth century woodcut Stock Photos and Images
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Sixteenth century woodcut Stock Photos and Images
Strange phenomena - earthquake - sixteenth century woodcut illustrating the effects of an earthquake on a town. This is from De Terre Motu. Cap. XVII, which declares that plague always follows after an earthquake. - © /Charles Walker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strange-phenomena-earthquake-sixteenth-century-woodcut-illustrating-the-effects-of-an-earthquake-on-a-town-this-is-from-de-terre-motu-cap-xvii-which-declares-that-plague-always-follows-after-an-earthquake-charles-walker-image179153850.htmlRMMBD4FP–Strange phenomena - earthquake - sixteenth century woodcut illustrating the effects of an earthquake on a town. This is from De Terre Motu. Cap. XVII, which declares that plague always follows after an earthquake. - © /Charles Walker
The Cook: Sixteenth century woodcut by Jost Amman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cook-sixteenth-century-woodcut-by-jost-amman-image69824143.htmlRME1GNBB–The Cook: Sixteenth century woodcut by Jost Amman
A sixteenth century woodcut depicting the death of witches by hanging Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sixteenth-century-woodcut-depicting-the-death-of-witches-by-hanging-image268795829.htmlRMWH8KR1–A sixteenth century woodcut depicting the death of witches by hanging
Hell by Lucas Cranach . German sixteenth century woodcut depicting demons and the damned . Caption: 'Gehet hin von mir ihr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hell-by-lucas-cranach-german-sixteenth-century-woodcut-depicting-demons-83333115.htmlRMERG46K–Hell by Lucas Cranach . German sixteenth century woodcut depicting demons and the damned . Caption: 'Gehet hin von mir ihr
The Cook: Sixteenth century woodcut by Jost Amman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cook-sixteenth-century-woodcut-by-jost-amman-image225043701.htmlRMR23HF1–The Cook: Sixteenth century woodcut by Jost Amman
This German sixteenth century woodcut depicting demons and the damned was done by Lucas Cranach the Elder (1472-1553). The date is around 1510. It shows men and women tormented by fire and devels. Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-german-sixteenth-century-woodcut-depicting-demons-and-the-damned-was-done-by-lucas-cranach-the-elder-1472-1553-the-date-is-around-1510-it-shows-men-and-women-tormented-by-fire-and-devels-lucas-cranach-the-elder-was-a-german-renaissance-painter-and-printmaker-in-woodcut-and-engraving-he-was-court-painter-to-the-electors-of-saxony-for-most-of-his-career-and-is-known-for-his-portraits-image575955770.htmlRF2TD11CX–This German sixteenth century woodcut depicting demons and the damned was done by Lucas Cranach the Elder (1472-1553). The date is around 1510. It shows men and women tormented by fire and devels. Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits
Antique 1854 engraving, 'A German Carriage of the Sixteenth Century.' SOURCE: ORIGINAL ENGRAVING. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antique-1854-engraving-a-german-carriage-of-the-sixteenth-century-135920215.htmlRMHW3KHB–Antique 1854 engraving, 'A German Carriage of the Sixteenth Century.' SOURCE: ORIGINAL ENGRAVING.
Sebaldus of Nuernberg, circa 8th century, Saint, woodcut by Lienhart Beck, Deutschland, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sebaldus-of-nuernberg-circa-8th-century-saint-woodcut-by-lienhart-beck-deutschland-additional-rights-clearance-info-not-available-image604234395.htmlRM2X3173R–Sebaldus of Nuernberg, circa 8th century, Saint, woodcut by Lienhart Beck, Deutschland, ADDITIONAL-RIGHTS-CLEARANCE-INFO-NOT-AVAILABLE
An historic early woodcut engraving showing two men playing draughts in a tavern in the 16th / 17th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-historic-early-woodcut-engraving-showing-two-men-playing-draughts-in-a-tavern-in-the-16th-17th-century-image266333316.htmlRMWD8ET4–An historic early woodcut engraving showing two men playing draughts in a tavern in the 16th / 17th century
Quintilian, Institutionum Oratorium Libri XII (Paris: M. Vascosan, 1538), fol., Adams Q60; title-page within woodcut border, at Chirk Castle, Wrexham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-quintilian-institutionum-oratorium-libri-xii-paris-m-vascosan-1538-94468974.htmlRMFDKC3X–Quintilian, Institutionum Oratorium Libri XII (Paris: M. Vascosan, 1538), fol., Adams Q60; title-page within woodcut border, at Chirk Castle, Wrexham.
Sixteenth century woodcut showing a French baker and a French pastrycook Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sixteenth-century-woodcut-showing-a-french-baker-and-a-french-pastrycook-image565112341.htmlRM2RRB2FH–Sixteenth century woodcut showing a French baker and a French pastrycook
The mocking of Christ, depicting a church play at the beginning of the sixteenth century, Germany, a group of stones carved in stone in front of the cathedral in Xanten, the figures on the right and left in the foreground are Luther and Calvin, reproduction of an woodcut from the 19th century, 1885 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-mocking-of-christ-depicting-a-church-play-at-the-beginning-of-134891044.htmlRFHRCPW8–The mocking of Christ, depicting a church play at the beginning of the sixteenth century, Germany, a group of stones carved in stone in front of the cathedral in Xanten, the figures on the right and left in the foreground are Luther and Calvin, reproduction of an woodcut from the 19th century, 1885
16th century dutch hunting horn. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/16th-century-dutch-hunting-horn-black-and-white-illustration-from-the-connoisseur-an-illustrated-magazine-for-collectors-voll-3-may-aug-1902-published-in-london-image596359703.htmlRM2WJ6ETR–16th century dutch hunting horn. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.
The German woodcut from the 16th century shows a patient during phlebotomy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-german-woodcut-from-the-16th-century-shows-a-patient-during-phlebotomy-image247136635.htmlRMTA218B–The German woodcut from the 16th century shows a patient during phlebotomy.
Peasant with axe, bow and arrows, 16th century, Woodcut of unknown artist. Sweden, 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peasant-with-axe-bow-and-arrows-16th-century-woodcut-of-unknown-artist-sweden-16th-century-image558514580.htmlRM2RCJF18–Peasant with axe, bow and arrows, 16th century, Woodcut of unknown artist. Sweden, 16th century.
Woodcut from Praetorius's 'Syntagma Musicum' showing 1. Dulcimer (played with fingers), 2. Harp-lute, 3. 'Old Italian Instrument'. 16th century Renaissance. German musician, composer and theorist, 15 February 1571 - 15 February 1621. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woodcut-from-praetoriuss-syntagma-musicum-showing-1-dulcimer-played-image157816479.htmlRMK4N4ER–Woodcut from Praetorius's 'Syntagma Musicum' showing 1. Dulcimer (played with fingers), 2. Harp-lute, 3. 'Old Italian Instrument'. 16th century Renaissance. German musician, composer and theorist, 15 February 1571 - 15 February 1621.
The Lovers, after a 16th century woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lovers-after-a-16th-century-woodcut-image62645133.htmlRMDHWME5–The Lovers, after a 16th century woodcut.
16th century farming, 1582 woodcut illustration by Hans Burgmair (Burgkmair) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-16th-century-farming-1582-woodcut-illustration-by-hans-burgmair-burgkmair-84973579.htmlRMEX6TJK–16th century farming, 1582 woodcut illustration by Hans Burgmair (Burgkmair)
London customs house before the great fire of 1611 (from old print) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-london-customs-house-before-the-great-fire-of-1611-from-old-print-163392739.htmlRFKDR52Y–London customs house before the great fire of 1611 (from old print)
Zodiac Signs Taurus the bull image of the celestial bull of Taurus Early sixteenth century woodcut (German) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zodiac-signs-taurus-the-bull-image-of-the-celestial-bull-of-taurus-early-sixteenth-century-woodcut-german-image179625469.htmlRMMC6J39–Zodiac Signs Taurus the bull image of the celestial bull of Taurus Early sixteenth century woodcut (German)
The Astronomer: sixteenth century woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-astronomer-sixteenth-century-woodcut-57459680.htmlRMD9DEBC–The Astronomer: sixteenth century woodcut.
Woodcut of Rome as it was in the early sixteenth century , showing landmarks Calixtus passed on his ceremonial route through the city after his coronation in St Peter's . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woodcut-of-rome-as-it-was-in-the-early-sixteenth-century-showing-landmarks-calixtus-passed-on-his-ceremonial-route-through-the-city-after-his-coronation-in-st-peters-image268857337.htmlRMWHBE7N–Woodcut of Rome as it was in the early sixteenth century , showing landmarks Calixtus passed on his ceremonial route through the city after his coronation in St Peter's .
Hell by Lucas Cranach . German sixteenth century woodcut depicting demons and the damned . Caption: 'Gehet hin von mir ihr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hell-by-lucas-cranach-german-sixteenth-century-woodcut-depicting-demons-83331786.htmlRMERG2F6–Hell by Lucas Cranach . German sixteenth century woodcut depicting demons and the damned . Caption: 'Gehet hin von mir ihr
The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plates 38 - The fifteenth and sixteenth plates of the Muscles. The two figures of the present plate are preserved in that form in which the right leg, together with the foot is displayed in the more complete representation of the fourteenth plate. The sixteenth plate might have been placed immediately after the third plate of the muscles;but since it contains only a part of the body, it seemed better to place it here. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-plates-from-the-second-book-of-the-de-humani-corporis-fabrica-by-andreas-vesalius-1514-1564-plates-38-the-fifteenth-and-sixteenth-plates-of-the-muscles-the-two-figures-of-the-present-plate-are-preserved-in-that-form-in-which-the-right-leg-together-with-the-foot-is-displayed-in-the-more-complete-representation-of-the-fourteenth-plate-the-sixteenth-plate-might-have-been-placed-immediately-after-the-third-plate-of-the-musclesbut-since-it-contains-only-a-part-of-the-body-it-seemed-better-to-place-it-here-image210323850.htmlRMP65262–The Plates from the Second Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plates 38 - The fifteenth and sixteenth plates of the Muscles. The two figures of the present plate are preserved in that form in which the right leg, together with the foot is displayed in the more complete representation of the fourteenth plate. The sixteenth plate might have been placed immediately after the third plate of the muscles;but since it contains only a part of the body, it seemed better to place it here.
![CYMBELINE ACT III, SC. 6 Imogen : No Answer ! Then I will enter by R. WESTALL. R.A. (Engraved by T. Gaugain)from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR1WB3/cymbeline-act-iii-sc-6-imogen-no-answer-!-then-i-will-enter-by-r-westall-ra-engraved-by-t-gaugainfrom-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR1WB3.jpg "CYMBELINE ACT III, SC. 6 Imogen : No Answer ! Then I will enter by R. WESTALL. R.A. (Engraved by T. Gaugain)from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
CYMBELINE ACT III, SC. 6 Imogen : No Answer ! Then I will enter by R. WESTALL. R.A. (Engraved by T. Gaugain)from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cymbeline-act-iii-sc-6-imogen-no-answer-!-then-i-will-enter-by-r-westall-ra-engraved-by-t-gaugainfrom-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478858887.htmlRF2JR1WB3–CYMBELINE ACT III, SC. 6 Imogen : No Answer ! Then I will enter by R. WESTALL. R.A. (Engraved by T. Gaugain)from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
The sixteenth century North Gate (now demolished) which formed part of the Town Walls of Athlone. The town owes much to the location of a strategic ford (river crossing point) on the River Shannon. It straddles the border between County Westmeath and County Roscommon, Ireland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sixteenth-century-north-gate-now-demolished-which-formed-part-of-the-town-walls-of-athlone-the-town-owes-much-to-the-location-of-a-strategic-ford-river-crossing-point-on-the-river-shannon-it-straddles-the-border-between-county-westmeath-and-county-roscommon-ireland-image178544434.htmlRMMADB6X–The sixteenth century North Gate (now demolished) which formed part of the Town Walls of Athlone. The town owes much to the location of a strategic ford (river crossing point) on the River Shannon. It straddles the border between County Westmeath and County Roscommon, Ireland.
View of Venice, Woodcut, 1521. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-venice-woodcut-1521-artist-unknown-image262736247.htmlRMW7CJNB–View of Venice, Woodcut, 1521. Artist: Unknown
An old woodcut showing a 16th century wood and metal turner at work in his shop open to the street in a British market place. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-woodcut-showing-a-16th-century-wood-and-metal-turner-at-work-in-his-shop-open-to-the-street-in-a-british-market-place-image431543616.htmlRM2G22E80–An old woodcut showing a 16th century wood and metal turner at work in his shop open to the street in a British market place.
The Annunciation. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 34 x 31 1/2 in. (86.4 x 80 cm). Date: ca. 1525. Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. The altarpiece and the woodcut on the wall, for example, show Old Testament prophets as prefigurations of New Testament themes. Influenced by Italian art, Joos appropriated a new canon of beauty, a new repertory of rhetoric Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-artist-joos-van-cleve-netherlandish-cleve-ca-1485-154041-antwerp-dimensions-34-x-31-12-in-864-x-80-cm-date-ca-1525-gabriel-and-mary-are-presented-within-an-elaborately-furnished-interior-that-would-have-been-familiar-to-sixteenth-century-viewers-however-most-of-the-objects-arranged-unobtrusively-within-the-room-carry-symbolic-meaning-the-altarpiece-and-the-woodcut-on-the-wall-for-example-show-old-testament-prophets-as-prefigurations-of-new-testament-themes-influenced-by-italian-art-joos-appropriated-a-new-canon-of-beauty-a-new-repertory-of-rhetoric-image213150686.htmlRMPANRTE–The Annunciation. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 34 x 31 1/2 in. (86.4 x 80 cm). Date: ca. 1525. Gabriel and Mary are presented within an elaborately furnished interior that would have been familiar to sixteenth-century viewers. However, most of the objects, arranged unobtrusively within the room, carry symbolic meaning. The altarpiece and the woodcut on the wall, for example, show Old Testament prophets as prefigurations of New Testament themes. Influenced by Italian art, Joos appropriated a new canon of beauty, a new repertory of rhetoric
Sixteenth century Vienese playing card design, Man washing laundry while eife threatens him, role reversal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sixteenth-century-vienese-playing-card-design-man-washing-laundry-while-eife-threatens-him-role-reversal-image437906215.htmlRM2GCC9RK–Sixteenth century Vienese playing card design, Man washing laundry while eife threatens him, role reversal
Various weapon types of artillery around the middle of the sixteenth century, cannons, Germany, woodcut from the year 1885, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-various-weapon-types-of-artillery-around-the-middle-of-the-sixteenth-130224824.htmlRFHFT72G–Various weapon types of artillery around the middle of the sixteenth century, cannons, Germany, woodcut from the year 1885, digital improved
Illustration; Permanent Pillory of the 16th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-permanent-pillory-of-the-16th-century-27280558.htmlRMBGAMHJ–Illustration; Permanent Pillory of the 16th Century
![King Richard iii act v sc 4 By J. A. Atkinson from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR21AA/king-richard-iii-act-v-sc-4-by-j-a-atkinson-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR21AA.jpg "King Richard iii act v sc 4 By J. A. Atkinson from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
King Richard iii act v sc 4 By J. A. Atkinson from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-richard-iii-act-v-sc-4-by-j-a-atkinson-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478862002.htmlRF2JR21AA–King Richard iii act v sc 4 By J. A. Atkinson from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
A woodcut of a ship which is believed to be The Ark Royal, c1587. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-woodcut-of-a-ship-which-is-believed-to-be-the-ark-royal-c1587-artist-135250417.htmlRMHT1581–A woodcut of a ship which is believed to be The Ark Royal, c1587. Artist: Unknown.
Georg Rhau (1488-1548) Contemporary woodcut portrait. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-georg-rhau-1488-1548-contemporary-woodcut-portrait-164627314.htmlRMKFRBPX–Georg Rhau (1488-1548) Contemporary woodcut portrait.
Woman in a bathing costume, after a 16th century woodcut by Josh Aman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-in-a-bathing-costume-after-a-16th-century-woodcut-by-josh-aman-image62590868.htmlRMDHR784–Woman in a bathing costume, after a 16th century woodcut by Josh Aman.
Paris, France. Hotel de la Chambre des comptes, in the courtyard of the Palais. Engraving by Albert Coinchon after a woodcut in Sebastian Münster's 'Cosmographia universalis', published in Basel in 1552. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-france-hotel-de-la-chambre-des-comptes-in-the-courtyard-of-the-palais-engraving-by-albert-coinchon-after-a-woodcut-in-sebastian-mnsters-cosmographia-universalis-published-in-basel-in-1552-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image594018643.htmlRM2WEBTRF–Paris, France. Hotel de la Chambre des comptes, in the courtyard of the Palais. Engraving by Albert Coinchon after a woodcut in Sebastian Münster's 'Cosmographia universalis', published in Basel in 1552. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Geneva Protestant Bible, woodcut print, USA, New York, New York City, American Bible Society, 1560 A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geneva-protestant-bible-woodcut-print-usa-new-york-new-york-city-american-29565191.htmlRMBM2PKK–Geneva Protestant Bible, woodcut print, USA, New York, New York City, American Bible Society, 1560 A.D.
The planet Saturn in his dragon-drawn chariot, with his 'Children' below. After the sixteenth century woodcut by S H Beham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-planet-saturn-in-his-dragon-drawn-chariot-with-his-children-below-after-the-sixteenth-century-woodcut-by-s-h-beham-image179623812.htmlRMMC6G04–The planet Saturn in his dragon-drawn chariot, with his 'Children' below. After the sixteenth century woodcut by S H Beham.
Farmer or countryman observing the Moon and stars. Mid-sixteenth century woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-farmer-or-countryman-observing-the-moon-and-stars-mid-sixteenth-century-57461944.htmlRMD9DH88–Farmer or countryman observing the Moon and stars. Mid-sixteenth century woodcut.
The Ganda, woodcut by Albrecht Durer 1515 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ganda-woodcut-by-albrecht-durer-1515-image268810485.htmlRMWH9AED–The Ganda, woodcut by Albrecht Durer 1515
A witches coven working magic, brewing potions. German sixteenth century woodcut by Hans Baldung Grien - German artist 1480 - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-witches-coven-working-magic-brewing-potions-german-sixteenth-century-83333039.htmlRMERG43Y–A witches coven working magic, brewing potions. German sixteenth century woodcut by Hans Baldung Grien - German artist 1480 -
Woodcut from the first edition of John Foxe 'The Book of Martyrs', London 1563, depicting iconoclasm, centre top. In the top part of the image 'papists' are packing away their 'paltry,' while the church is purged of idols. At bottom left clerics receive t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woodcut-from-the-first-edition-of-john-foxe-the-book-of-martyrs-london-135676331.htmlRMHTMGF7–Woodcut from the first edition of John Foxe 'The Book of Martyrs', London 1563, depicting iconoclasm, centre top. In the top part of the image 'papists' are packing away their 'paltry,' while the church is purged of idols. At bottom left clerics receive t
![Macbeth act ii sc 2 Lady Macbeth : Had he not Resembled my Father as he selpt I had done't by George Cattermole from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR1WB4/macbeth-act-ii-sc-2-lady-macbeth-had-he-not-resembled-my-father-as-he-selpt-i-had-donet-by-george-cattermole-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR1WB4.jpg "Macbeth act ii sc 2 Lady Macbeth : Had he not Resembled my Father as he selpt I had done't by George Cattermole from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
Macbeth act ii sc 2 Lady Macbeth : Had he not Resembled my Father as he selpt I had done't by George Cattermole from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/macbeth-act-ii-sc-2-lady-macbeth-had-he-not-resembled-my-father-as-he-selpt-i-had-donet-by-george-cattermole-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478858888.htmlRF2JR1WB4–Macbeth act ii sc 2 Lady Macbeth : Had he not Resembled my Father as he selpt I had done't by George Cattermole from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
1870: Boatmen near the Old Weir Bridge believed to date back to the sixteenth century at the spot known as the 'Meeting of the Waters', where the three Killarney lakes meet. The waters from the Upper Lake flow into the Middle (or Muckross Lake) and Lough Leane. Killarney National Park, County Kerry, Ireland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1870-boatmen-near-the-old-weir-bridge-believed-to-date-back-to-the-image151659066.htmlRMJPMJK6–1870: Boatmen near the Old Weir Bridge believed to date back to the sixteenth century at the spot known as the 'Meeting of the Waters', where the three Killarney lakes meet. The waters from the Upper Lake flow into the Middle (or Muckross Lake) and Lough Leane. Killarney National Park, County Kerry, Ireland.
Production of cocoa, 16th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/production-of-cocoa-16th-century-artist-unknown-image262739351.htmlRMW7CPM7–Production of cocoa, 16th century. Artist: Unknown
A 16th century woodcut showing silver mines at Potosi. (Villa Imperial de Potosí), Bolivia, South America. It is one of the highest cities in the world and once served as the location of the Spanish colonial silver mint. As the woodcut shows Potosí lies at the foot of the silver-rich Cerro de Potosí or Cerro Rico (rich mountain), reputed to be 'made of silver ore'. It's been estimated that this one mountain produced 60% of all silver mined in the world during the second half of the 16th century. the pieces of eight coins, beloved of pirate films, were were produced at the Potosi mint. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-16th-century-woodcut-showing-silver-mines-at-potosi-villa-imperial-de-potos-bolivia-south-america-it-is-one-of-the-highest-cities-in-the-world-and-once-served-as-the-location-of-the-spanish-colonial-silver-mint-as-the-woodcut-shows-potos-lies-at-the-foot-of-the-silver-rich-cerro-de-potos-or-cerro-rico-rich-mountain-reputed-to-be-made-of-silver-ore-its-been-estimated-that-this-one-mountain-produced-60-of-all-silver-mined-in-the-world-during-the-second-half-of-the-16th-century-the-pieces-of-eight-coins-beloved-of-pirate-films-were-were-produced-at-the-potosi-mint-image348534566.htmlRM2B713B2–A 16th century woodcut showing silver mines at Potosi. (Villa Imperial de Potosí), Bolivia, South America. It is one of the highest cities in the world and once served as the location of the Spanish colonial silver mint. As the woodcut shows Potosí lies at the foot of the silver-rich Cerro de Potosí or Cerro Rico (rich mountain), reputed to be 'made of silver ore'. It's been estimated that this one mountain produced 60% of all silver mined in the world during the second half of the 16th century. the pieces of eight coins, beloved of pirate films, were were produced at the Potosi mint.
Madonna and Child. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-medium-woodcut-museum-national-gallery-of-art-washington-dc-author-german-16th-century-image225636699.htmlRMR32HWF–Madonna and Child. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.
Sixteenth century German playing card by Peter Flotner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sixteenth-century-german-playing-card-by-peter-flotner-image437906216.htmlRM2GCC9RM–Sixteenth century German playing card by Peter Flotner
The Turkish Lady - Various Styles of Clothing 16th Century Francois Desprez 1562 woodcut published by: Richard Breton ( 1524-1571 ) France French Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-turkish-lady-various-styles-of-clothing-16th-century-francois-88043839.htmlRMF36MPR–The Turkish Lady - Various Styles of Clothing 16th Century Francois Desprez 1562 woodcut published by: Richard Breton ( 1524-1571 ) France French Paris
English Market Women, 16th century; Black and White Illustration; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-english-market-women-16th-century-black-and-white-illustration-33628239.htmlRMBXKW4F–English Market Women, 16th century; Black and White Illustration;
![ROMEO AND JULIET act II. sc. 2 Juliet : O Romeo, Romeo] wherefore art thou Romeo ? by WILLIAM HATHERELL from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR21CX/romeo-and-juliet-act-ii-sc-2-juliet-o-romeo-romeo-wherefore-art-thou-romeo-by-william-hatherell-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR21CX.jpg "ROMEO AND JULIET act II. sc. 2 Juliet : O Romeo, Romeo] wherefore art thou Romeo ? by WILLIAM HATHERELL from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
ROMEO AND JULIET act II. sc. 2 Juliet : O Romeo, Romeo] wherefore art thou Romeo ? by WILLIAM HATHERELL from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/romeo-and-juliet-act-ii-sc-2-juliet-o-romeo-romeo-wherefore-art-thou-romeo-by-william-hatherell-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478862074.htmlRF2JR21CX–ROMEO AND JULIET act II. sc. 2 Juliet : O Romeo, Romeo] wherefore art thou Romeo ? by WILLIAM HATHERELL from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
Chatsworth House, from a coloured engraving published in 1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chatsworth-house-from-a-coloured-engraving-published-in-1870-image232273478.htmlRFRDTY5A–Chatsworth House, from a coloured engraving published in 1870
Georg Rhau (1488-1548) Contemporary woodcut portrait. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-georg-rhau-1488-1548-contemporary-woodcut-portrait-165540509.htmlRMKH90H1–Georg Rhau (1488-1548) Contemporary woodcut portrait.
The common spa of the poor and infirm in Plombiere, France. After the woodcut by Thomas Guinta De Balneis in 1553. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-common-spa-of-the-poor-and-infirm-in-plombiere-france-after-the-image62645649.htmlRMDHWN4H–The common spa of the poor and infirm in Plombiere, France. After the woodcut by Thomas Guinta De Balneis in 1553.
History of Latvia. Riga. View of the city in the mid-16th century. Woodcut. Cosmographia by Sebastian Münster (1488-1552). Basel, 1550. Latvian War Museum. Riga. Latvia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-latvia-riga-view-of-the-city-in-the-mid-16th-century-woodcut-cosmographia-by-sebastian-mnster-1488-1552-basel-1550-latvian-war-museum-riga-latvia-image558514577.htmlRM2RCJF15–History of Latvia. Riga. View of the city in the mid-16th century. Woodcut. Cosmographia by Sebastian Münster (1488-1552). Basel, 1550. Latvian War Museum. Riga. Latvia.
Saint Luke's Gospel, from Great Bible, woodcut print, USA, New York, New York City, American Bible Society, 1541 A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-lukes-gospel-from-great-bible-woodcut-print-usa-new-york-new-30433881.htmlRMBNEAM9–Saint Luke's Gospel, from Great Bible, woodcut print, USA, New York, New York City, American Bible Society, 1541 A.D.
Disasters Earthquake Sixteenth century woodcut illustrating the effects of an earthquake on a town. This is from De Terre Motu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/disasters-earthquake-sixteenth-century-woodcut-illustrating-the-effects-of-an-earthquake-on-a-town-this-is-from-de-terre-motu-image179628002.htmlRMMC6N9P–Disasters Earthquake Sixteenth century woodcut illustrating the effects of an earthquake on a town. This is from De Terre Motu
Map of the extent of the known world in Greek times. From a Sixteenth century woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-extent-of-the-known-world-in-greek-times-from-a-sixteenth-image68548987.htmlRMDYEJX3–Map of the extent of the known world in Greek times. From a Sixteenth century woodcut.
Leaf from a 1567 German language Bible, translated from the Greek and Hebrew by Martin Luther. Text shown is from the Old Testament book of II Kings. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-from-a-1567-german-language-bible-translated-from-the-greek-and-hebrew-by-martin-luther-text-shown-is-from-the-old-testament-book-of-ii-kings-image231960822.htmlRMRDAMB2–Leaf from a 1567 German language Bible, translated from the Greek and Hebrew by Martin Luther. Text shown is from the Old Testament book of II Kings.
A witches coven working magic, brewing potions. German sixteenth century woodcut by Hans Baldung Grien - German artist 1480 - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-witches-coven-working-magic-brewing-potions-german-sixteenth-century-83331788.htmlRMERG2F8–A witches coven working magic, brewing potions. German sixteenth century woodcut by Hans Baldung Grien - German artist 1480 -
Walter Raleigh (1552-1612) English courtier and navigator. Favourite of Elizabeth I. Half-brother of Humphrey Gilbert. Said to have introduced Tobacco and Potatoes into England. 19th century woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-walter-raleigh-1552-1612-english-courtier-and-navigator-favourite-135676357.htmlRMHTMGG5–Walter Raleigh (1552-1612) English courtier and navigator. Favourite of Elizabeth I. Half-brother of Humphrey Gilbert. Said to have introduced Tobacco and Potatoes into England. 19th century woodcut.
![Hamlet act iii sc 2 The Play Scene by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR1WAW/hamlet-act-iii-sc-2-the-play-scene-by-daniel-maclise-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR1WAW.jpg "Hamlet act iii sc 2 The Play Scene by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
Hamlet act iii sc 2 The Play Scene by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamlet-act-iii-sc-2-the-play-scene-by-daniel-maclise-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478858881.htmlRF2JR1WAW–Hamlet act iii sc 2 The Play Scene by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
The home-coming of the 9th Earl of Exeter in 1793 following his Grand Tour of Italy in which he added great treasures to complement those collected by the 5th Earl of Exeter (1648–1700) to decorate Burghley House, a grand sixteenth-century English country house near Stamford, Lincolnshire. It is a leading example of the Elizabethan prodigy house, built and still lived in by the Cecil family. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-home-coming-of-the-9th-earl-of-exeter-in-1793-following-his-grand-tour-of-italy-in-which-he-added-great-treasures-to-complement-those-collected-by-the-5th-earl-of-exeter-16481700-to-decorate-burghley-house-a-grand-sixteenth-century-english-country-house-near-stamford-lincolnshire-it-is-a-leading-example-of-the-elizabethan-prodigy-house-built-and-still-lived-in-by-the-cecil-family-image387280387.htmlRM2DE242B–The home-coming of the 9th Earl of Exeter in 1793 following his Grand Tour of Italy in which he added great treasures to complement those collected by the 5th Earl of Exeter (1648–1700) to decorate Burghley House, a grand sixteenth-century English country house near Stamford, Lincolnshire. It is a leading example of the Elizabethan prodigy house, built and still lived in by the Cecil family.
Children's games in the 16th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childrens-games-in-the-16th-century-artist-unknown-image262739605.htmlRMW7CR19–Children's games in the 16th century. Artist: Unknown
A 16th Century magical or alchemical woodcut full of occult meanings. It shows the scale of mortal existence in the form of steps representing stone or earth, flames,plants, animals,man,sky or heaven, angels and god. At the top of the steps is the house of God (built of wisdom) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-16th-century-magical-or-alchemical-woodcut-full-of-occult-meanings-it-shows-the-scale-of-mortal-existence-in-the-form-of-steps-representing-stone-or-earth-flamesplants-animalsmansky-or-heaven-angels-and-god-at-the-top-of-the-steps-is-the-house-of-god-built-of-wisdom-image402401797.htmlRM2EAJYGN–A 16th Century magical or alchemical woodcut full of occult meanings. It shows the scale of mortal existence in the form of steps representing stone or earth, flames,plants, animals,man,sky or heaven, angels and god. At the top of the steps is the house of God (built of wisdom)
Playing Card. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/playing-card-medium-woodcut-museum-national-gallery-of-art-washington-dc-author-german-16th-century-image225774193.htmlRMR38W81–Playing Card. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.
Sixteenth century German playing card by Peter Flötner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sixteenth-century-german-playing-card-by-peter-fltner-image437906220.htmlRM2GCC9RT–Sixteenth century German playing card by Peter Flötner
Le Turc - the Turk - Various Styles of Clothing 16th Century Francois Desprez 1562 woodcut published by: Richard Breton ( 1524-1571 ) France French Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-le-turc-the-turk-various-styles-of-clothing-16th-century-francois-88043835.htmlRMF36MPK–Le Turc - the Turk - Various Styles of Clothing 16th Century Francois Desprez 1562 woodcut published by: Richard Breton ( 1524-1571 ) France French Paris
'Diogenes', after 1527. Artist: Ugo da Carpi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diogenes-after-1527-artist-ugo-da-carpi-image60294585.htmlRMDE2JA1–'Diogenes', after 1527. Artist: Ugo da Carpi
![MUCH ADO ABOUT NOTHING. ACT III. SC. 1. Hero, Ursula and Beatrice from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR216M/much-ado-about-nothing-act-iii-sc-1-hero-ursula-and-beatrice-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR216M.jpg "MUCH ADO ABOUT NOTHING. ACT III. SC. 1. Hero, Ursula and Beatrice from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
MUCH ADO ABOUT NOTHING. ACT III. SC. 1. Hero, Ursula and Beatrice from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/much-ado-about-nothing-act-iii-sc-1-hero-ursula-and-beatrice-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478861900.htmlRF2JR216M–MUCH ADO ABOUT NOTHING. ACT III. SC. 1. Hero, Ursula and Beatrice from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
Art inspired by Hercules and Antaeus, 1510–30, Chiaroscuro woodcut printed from two blocks in green-blue and black ink, Sheet: 11 15/16 x 8 7/8 in. (30.3 x 22.6 cm), Prints, Ugo da Carpi (Italian, Carpi ca. 1480–1532 Bologna), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hercules-and-antaeus-151030-chiaroscuro-woodcut-printed-from-two-blocks-in-green-blue-and-black-ink-sheet-11-1516-x-8-78-in-303-x-226-cm-prints-ugo-da-carpi-italian-carpi-ca-14801532-bologna-after-raphael-raffaello-sanzio-or-santi-italian-urbino-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804513.htmlRF2HTXFTH–Art inspired by Hercules and Antaeus, 1510–30, Chiaroscuro woodcut printed from two blocks in green-blue and black ink, Sheet: 11 15/16 x 8 7/8 in. (30.3 x 22.6 cm), Prints, Ugo da Carpi (Italian, Carpi ca. 1480–1532 Bologna), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Franchino Gafori (Gafurius) among his pupils. Woodcut from 'Angelicum opus musicae', Milan, 1508, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-franchino-gafori-gafurius-among-his-pupils-woodcut-from-angelicum-164627342.htmlRMKFRBRX–Franchino Gafori (Gafurius) among his pupils. Woodcut from 'Angelicum opus musicae', Milan, 1508,
Measurers of Corn in Paris. After a woodcut from Royal Orders Concerning the Jurisdiction of the Company of Merchants and Shrievalty in the City of Paris, published 1528. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/measurers-of-corn-in-paris-after-a-woodcut-from-royal-orders-concerning-the-jurisdiction-of-the-company-of-merchants-and-shrievalty-in-the-city-of-paris-published-1528-image259256071.htmlRMW1P3NB–Measurers of Corn in Paris. After a woodcut from Royal Orders Concerning the Jurisdiction of the Company of Merchants and Shrievalty in the City of Paris, published 1528.
Degradation of a knight. 19th-century engraving after a woodcut attributed to Jost Amman in 1565. 'Vie Militaire et Religieuse au Moyen Age et à L'Epoque de la Renaissance'. Paris, 1877. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/degradation-of-a-knight-19th-century-engraving-after-a-woodcut-attributed-to-jost-amman-in-1565-vie-militaire-et-religieuse-au-moyen-age-et-lepoque-de-la-renaissance-paris-1877-image561008588.htmlRM2RGM450–Degradation of a knight. 19th-century engraving after a woodcut attributed to Jost Amman in 1565. 'Vie Militaire et Religieuse au Moyen Age et à L'Epoque de la Renaissance'. Paris, 1877.
MELANCHOLIA woodcut after Durer in the Study at Woolsthorpe Manor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-melancholia-woodcut-after-durer-in-the-study-at-woolsthorpe-manor-22742822.htmlRMB900KJ–MELANCHOLIA woodcut after Durer in the Study at Woolsthorpe Manor
![Sixteenth century woodcut [hand-coloured] of Venus with the activities over which she has rule, along with her two signs - Libra and Taurus. PLANETS - VENUS - 16TH CENTURY WOODCUT OF VENUS AND HER CHILDREN Stock Photo](https://c8.alamy.com/comp/MC6NTX/sixteenth-century-woodcut-hand-coloured-of-venus-with-the-activities-over-which-she-has-rule-along-with-her-two-signs-libra-and-taurus-planets-venus-16th-century-woodcut-of-venus-and-her-children-MC6NTX.jpg "Sixteenth century woodcut [hand-coloured] of Venus with the activities over which she has rule, along with her two signs - Libra and Taurus. PLANETS - VENUS - 16TH CENTURY WOODCUT OF VENUS AND HER CHILDREN Stock Photo")
Sixteenth century woodcut [hand-coloured] of Venus with the activities over which she has rule, along with her two signs - Libra and Taurus. PLANETS - VENUS - 16TH CENTURY WOODCUT OF VENUS AND HER CHILDREN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sixteenth-century-woodcut-hand-coloured-of-venus-with-the-activities-over-which-she-has-rule-along-with-her-two-signs-libra-and-taurus-planets-venus-16th-century-woodcut-of-venus-and-her-children-image179628426.htmlRMMC6NTX–Sixteenth century woodcut [hand-coloured] of Venus with the activities over which she has rule, along with her two signs - Libra and Taurus. PLANETS - VENUS - 16TH CENTURY WOODCUT OF VENUS AND HER CHILDREN
Woodcut of a sixteenth century astrologer/astronomer and his instruments. Sixteenth century woodcut. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woodcut-of-a-sixteenth-century-astrologerastronomer-and-his-instruments-57459556.htmlRMD9DE70–Woodcut of a sixteenth century astrologer/astronomer and his instruments. Sixteenth century woodcut.
Triumph of Fame procession, woodcut Illustration from 1516 Bayerisch Landornung Ingoldstadt, line drawing from 1893 Volume 1, The Studio an Illustrat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-fame-procession-woodcut-illustration-from-1516-bayerisch-landornung-ingoldstadt-line-drawing-from-1893-volume-1-the-studio-an-illustrat-image401785684.htmlRF2E9JWMM–Triumph of Fame procession, woodcut Illustration from 1516 Bayerisch Landornung Ingoldstadt, line drawing from 1893 Volume 1, The Studio an Illustrat
Egg seller by Cesare Vecellio, from a facsimile of a sixteenth century woodcut. The caption reads 'A dealer in eggs'. Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-egg-seller-by-cesare-vecellio-from-a-facsimile-of-a-sixteenth-century-83335820.htmlRMERG7K8–Egg seller by Cesare Vecellio, from a facsimile of a sixteenth century woodcut. The caption reads 'A dealer in eggs'. Italian
Nicolò Boldrini. The Milkmaid. 1512–1566. Italy. Woodcut printed in black on paper During the sixteenth century, the woodcut was elevated to an art form in itself and was no longer reserved solely for book illustration. In Venice, the popularity of the woodcut was heightened by numerous reproductions of the works of Titian and his circle, which were often commissioned by Titian himself. Boldrini made several woodcuts after drawings by the Venetian master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicol-boldrini-the-milkmaid-15121566-italy-woodcut-printed-in-black-on-paper-during-the-sixteenth-century-the-woodcut-was-elevated-to-an-art-form-in-itself-and-was-no-longer-reserved-solely-for-book-illustration-in-venice-the-popularity-of-the-woodcut-was-heightened-by-numerous-reproductions-of-the-works-of-titian-and-his-circle-which-were-often-commissioned-by-titian-himself-boldrini-made-several-woodcuts-after-drawings-by-the-venetian-master-image337922492.htmlRM2AHNKGC–Nicolò Boldrini. The Milkmaid. 1512–1566. Italy. Woodcut printed in black on paper During the sixteenth century, the woodcut was elevated to an art form in itself and was no longer reserved solely for book illustration. In Venice, the popularity of the woodcut was heightened by numerous reproductions of the works of Titian and his circle, which were often commissioned by Titian himself. Boldrini made several woodcuts after drawings by the Venetian master.
![Twelfth Night act iii sc 4 Malvolio and the Countess by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR1WAX/twelfth-night-act-iii-sc-4-malvolio-and-the-countess-by-daniel-maclise-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR1WAX.jpg "Twelfth Night act iii sc 4 Malvolio and the Countess by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
Twelfth Night act iii sc 4 Malvolio and the Countess by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twelfth-night-act-iii-sc-4-malvolio-and-the-countess-by-daniel-maclise-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478858882.htmlRF2JR1WAX–Twelfth Night act iii sc 4 Malvolio and the Countess by Daniel Maclise from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
Richard Hooker (1554-1600) was an English priest in the Church of England and one of the most important English theologians of the sixteenth century. His defence of the role of redeemed reason informed the theology of the seventeenth century Caroline Divines and later provided many members of the Church of England with a theological method which combined the claims of revelation, reason and tradition. Traditionally, he has been regarded as the originator of the Anglican via media between Protestantism and Catholicism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richard-hooker-1554-1600-was-an-english-priest-in-the-church-of-england-and-one-of-the-most-important-english-theologians-of-the-sixteenth-century-his-defence-of-the-role-of-redeemed-reason-informed-the-theology-of-the-seventeenth-century-caroline-divines-and-later-provided-many-members-of-the-church-of-england-with-a-theological-method-which-combined-the-claims-of-revelation-reason-and-tradition-traditionally-he-has-been-regarded-as-the-originator-of-the-anglican-via-media-between-protestantism-and-catholicism-image230374737.htmlRMRAPD95–Richard Hooker (1554-1600) was an English priest in the Church of England and one of the most important English theologians of the sixteenth century. His defence of the role of redeemed reason informed the theology of the seventeenth century Caroline Divines and later provided many members of the Church of England with a theological method which combined the claims of revelation, reason and tradition. Traditionally, he has been regarded as the originator of the Anglican via media between Protestantism and Catholicism.
Knight Templar in travelling dress, (c1119) 16th century. Artist: Jost Amman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/knight-templar-in-travelling-dress-c1119-16th-century-artist-jost-amman-image262736207.htmlRMW7CJKY–Knight Templar in travelling dress, (c1119) 16th century. Artist: Jost Amman
William Kempe ( aka Will Kemp circa1560 to circa 1603) who Morris danced from London to Norwich . Kempe was an English comic actor and dancer who is best known for being an original player in early dramas by William Shakespeare at the Globe Theatre. Kempe was one of Lord Strange's Men in 1592 and is also associated with the Lord Chamberlain's Men and with Leicester's Men at Leicester House Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-kempe-aka-will-kemp-circa1560-to-circa-1603-who-morris-danced-from-london-to-norwich-kempe-was-an-english-comic-actor-and-dancer-who-is-best-known-for-being-an-original-player-in-early-dramas-by-william-shakespeare-at-the-globe-theatre-kempe-was-one-of-lord-stranges-men-in-1592-and-is-also-associated-with-the-lord-chamberlains-men-and-with-leicesters-men-at-leicester-house-image477950731.htmlRM2JNGF0Y–William Kempe ( aka Will Kemp circa1560 to circa 1603) who Morris danced from London to Norwich . Kempe was an English comic actor and dancer who is best known for being an original player in early dramas by William Shakespeare at the Globe Theatre. Kempe was one of Lord Strange's Men in 1592 and is also associated with the Lord Chamberlain's Men and with Leicester's Men at Leicester House
Playing Card. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/playing-card-medium-woodcut-museum-national-gallery-of-art-washington-dc-author-german-16th-century-image225699494.htmlRMR35E06–Playing Card. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.
Woodcut of a sixteenth century puritan family. from The whole Psalms in four parts. 1563 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woodcut-of-a-sixteenth-century-puritan-family-from-the-whole-psalms-113608434.htmlRMGGR8M2–Woodcut of a sixteenth century puritan family. from The whole Psalms in four parts. 1563
L'Égyptienne - The Egyptian - - Various Styles of Clothing 16th Century Francois Desprez 1562 woodcut published by: Richard Breton ( 1524-1571 ) France French Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lgyptienne-the-egyptian-various-styles-of-clothing-16th-century-francois-88043834.htmlRMF36MPJ–L'Égyptienne - The Egyptian - - Various Styles of Clothing 16th Century Francois Desprez 1562 woodcut published by: Richard Breton ( 1524-1571 ) France French Paris
The Shepherd's Calendar; Illustration to the Poem of the same name by Edmund Spenser, 1579; Black and White Illustration; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-shepherds-calendar-illustration-to-the-poem-of-the-same-name-by-33600020.htmlRMBXJH4M–The Shepherd's Calendar; Illustration to the Poem of the same name by Edmund Spenser, 1579; Black and White Illustration;
![Miss Ellen Terry as Lady Macbeth 1888 by JOHN S. SARGENT from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo](https://c8.alamy.com/comp/2JR21B0/miss-ellen-terry-as-lady-macbeth-1888-by-john-s-sargent-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-2JR21B0.jpg "Miss Ellen Terry as Lady Macbeth 1888 by JOHN S. SARGENT from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photo")
Miss Ellen Terry as Lady Macbeth 1888 by JOHN S. SARGENT from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miss-ellen-terry-as-lady-macbeth-1888-by-john-s-sargent-from-the-book-shakespeare-in-pictorial-art-by-salaman-malcolm-charles-1855-1940-holme-charles-1848-1923-publication-date-1916-publisher-london-new-york-etc-the-studio-ltd-image478862020.htmlRF2JR21B0–Miss Ellen Terry as Lady Macbeth 1888 by JOHN S. SARGENT from the book ' Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : 'The Studio' ltd.
Art inspired by De gli habiti antichi et moderni di diversi parti del mondo, libri due ..., 1590, Woodcut, Overall: 6 9/16 x 4 15/16 x 2 1/16 in. (16.7 x 12.5 x 5.2 cm), After Cesare Vecellio (Italian, Pieve di Cadore 1521–1601 Venice), Christoph Krieger (German, born Nuremberg, died, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-de-gli-habiti-antichi-et-moderni-di-diversi-parti-del-mondo-libri-due-1590-woodcut-overall-6-916-x-4-1516-x-2-116-in-167-x-125-x-52-cm-after-cesare-vecellio-italian-pieve-di-cadore-15211601-venice-christoph-krieger-german-born-nuremberg-died-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961688.htmlRF2HW5MA0–Art inspired by De gli habiti antichi et moderni di diversi parti del mondo, libri due ..., 1590, Woodcut, Overall: 6 9/16 x 4 15/16 x 2 1/16 in. (16.7 x 12.5 x 5.2 cm), After Cesare Vecellio (Italian, Pieve di Cadore 1521–1601 Venice), Christoph Krieger (German, born Nuremberg, died, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Franchino Gafori (Gafurius) among his pupils. Woodcut from 'Angelicum opus musicae', Milan, 1508, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-franchino-gafori-gafurius-among-his-pupils-woodcut-from-angelicum-165540543.htmlRMKH90J7–Franchino Gafori (Gafurius) among his pupils. Woodcut from 'Angelicum opus musicae', Milan, 1508,
The Eighteen Virtues of a Young Maiden. After a 16th century woodcut on a poetical fly sheet by Hans Sachs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-eighteen-virtues-of-a-young-maiden-after-a-16th-century-woodcut-image62639820.htmlRMDHWDMC–The Eighteen Virtues of a Young Maiden. After a 16th century woodcut on a poetical fly sheet by Hans Sachs.
Interior of an hostelry. 19th century facsimile after a woodcut from an edition of Virgil's works published in Lyon in 1517. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-an-hostelry-19th-century-facsimile-after-a-woodcut-from-an-edition-of-virgils-works-published-in-lyon-in-1517-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image602277959.htmlRM2WYT3K3–Interior of an hostelry. 19th century facsimile after a woodcut from an edition of Virgil's works published in Lyon in 1517. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Vincennes Castle in the sixteenth century . After an engraving by Israel Silvestre, , (history book, 1902), Schloss Vincennes im sechzehnten Jahundert . Nach einem Kupferstich von Israel Silvestre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vincennes-castle-in-the-sixteenth-century-after-an-engraving-by-israel-silvestre-history-book-1902-schloss-vincennes-im-sechzehnten-jahundert-nach-einem-kupferstich-von-israel-silvestre-image453858679.htmlRM2HAB1AF–Vincennes Castle in the sixteenth century . After an engraving by Israel Silvestre, , (history book, 1902), Schloss Vincennes im sechzehnten Jahundert . Nach einem Kupferstich von Israel Silvestre
Gems and Stones The associations drawn in the astrological tradition between the zodiac and the twelve magical gems From a sixteenth century woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gems-and-stones-the-associations-drawn-in-the-astrological-tradition-between-the-zodiac-and-the-twelve-magical-gems-from-a-sixteenth-century-woodcut-image179626317.htmlRMMC6K5H–Gems and Stones The associations drawn in the astrological tradition between the zodiac and the twelve magical gems From a sixteenth century woodcut
Illustration showing Time shown holding a clock and also spectacles. From a late fifteenth or early sixteenth century woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-time-shown-holding-a-clock-and-also-spectacles-from-a-late-fifteenth-or-early-sixteenth-century-woodcut-image235248363.htmlRMRJMDK7–Illustration showing Time shown holding a clock and also spectacles. From a late fifteenth or early sixteenth century woodcut
Sixteenth century lying-in-room, Switzerland. A woman lies in bed recovering from childbirth, while a midwife washes the baby and another attendant looks after the mother. Woodcut, circa 1580, from the works of Jacob Rueff, a Swiss physician. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sixteenth-century-lying-in-room-switzerland-a-woman-lies-in-bed-recovering-from-childbirth-while-a-midwife-washes-the-baby-and-another-attendant-looks-after-the-mother-woodcut-circa-1580-from-the-works-of-jacob-rueff-a-swiss-physician-image560416743.htmlRM2RFN57K–Sixteenth century lying-in-room, Switzerland. A woman lies in bed recovering from childbirth, while a midwife washes the baby and another attendant looks after the mother. Woodcut, circa 1580, from the works of Jacob Rueff, a Swiss physician.
Egg seller by Cesare Vecellio, from a facsimile of a sixteenth century woodcut. The caption reads 'A dealer in eggs'. Italian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-egg-seller-by-cesare-vecellio-from-a-facsimile-of-a-sixteenth-century-83335021.htmlRMERG6JN–Egg seller by Cesare Vecellio, from a facsimile of a sixteenth century woodcut. The caption reads 'A dealer in eggs'. Italian
Ugo da Carpi. Diogenes. 1520–1530. Italy. Chiaroscuro woodcut from three blocks on ivory laid paper Renowned as one of the best prints of the sixteenth century, this masterpiece by the great woodcut artist not only reveals his absorption of Roman High Renaissance art but also paves the way for the dynamism of the Baroque. Diogenes, a fourth century B.C. Greek philosopher, chose the hardship of dwelling in a wooden tub, seen in the background. The plucked rooster reflects his ridicule of his contemporary, Plato, who defined man as a featherless biped. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ugo-da-carpi-diogenes-15201530-italy-chiaroscuro-woodcut-from-three-blocks-on-ivory-laid-paper-renowned-as-one-of-the-best-prints-of-the-sixteenth-century-this-masterpiece-by-the-great-woodcut-artist-not-only-reveals-his-absorption-of-roman-high-renaissance-art-but-also-paves-the-way-for-the-dynamism-of-the-baroque-diogenes-a-fourth-century-bc-greek-philosopher-chose-the-hardship-of-dwelling-in-a-wooden-tub-seen-in-the-background-the-plucked-rooster-reflects-his-ridicule-of-his-contemporary-plato-who-defined-man-as-a-featherless-biped-image337938238.htmlRM2AHPBJP–Ugo da Carpi. Diogenes. 1520–1530. Italy. Chiaroscuro woodcut from three blocks on ivory laid paper Renowned as one of the best prints of the sixteenth century, this masterpiece by the great woodcut artist not only reveals his absorption of Roman High Renaissance art but also paves the way for the dynamism of the Baroque. Diogenes, a fourth century B.C. Greek philosopher, chose the hardship of dwelling in a wooden tub, seen in the background. The plucked rooster reflects his ridicule of his contemporary, Plato, who defined man as a featherless biped.
