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63-year-old retired Chinese teacher Yuan Xihe shows his tools used to create skin paintings at home in Changchun city, northeast China's Jilin provinc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/63-year-old-retired-chinese-teacher-yuan-xihe-shows-his-tools-used-to-create-skin-paintings-at-home-in-changchun-city-northeast-chinas-jilin-provinc-image262586347.htmlRMW75RFR–63-year-old retired Chinese teacher Yuan Xihe shows his tools used to create skin paintings at home in Changchun city, northeast China's Jilin provinc
Chiang Rai, Thailand. 19th Jan, 2024. Tourists take picture by animal skin paintings in the Black House's Garden. The 'Baan Dam Museum', also known as the 'Black House' and often referred to as the 'Black Temple' is not really a temple but more like an art museum and studio featuring various artists artworks. The 'Black House' is also the world's largest collection of animal remains made into furniture. It was designed by famous Thai artist Thawan Duchanee mixing traditional northern Thai buildings with unconventional and contemporary architecture. Credit: SOPA Images Limited/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chiang-rai-thailand-19th-jan-2024-tourists-take-picture-by-animal-skin-paintings-in-the-black-houses-garden-the-baan-dam-museum-also-known-as-the-black-house-and-often-referred-to-as-the-black-temple-is-not-really-a-temple-but-more-like-an-art-museum-and-studio-featuring-various-artists-artworks-the-black-house-is-also-the-worlds-largest-collection-of-animal-remains-made-into-furniture-it-was-designed-by-famous-thai-artist-thawan-duchanee-mixing-traditional-northern-thai-buildings-with-unconventional-and-contemporary-architecture-credit-sopa-images-limitedalamy-live-news-image594742145.htmlRM2WFGRJW–Chiang Rai, Thailand. 19th Jan, 2024. Tourists take picture by animal skin paintings in the Black House's Garden. The 'Baan Dam Museum', also known as the 'Black House' and often referred to as the 'Black Temple' is not really a temple but more like an art museum and studio featuring various artists artworks. The 'Black House' is also the world's largest collection of animal remains made into furniture. It was designed by famous Thai artist Thawan Duchanee mixing traditional northern Thai buildings with unconventional and contemporary architecture. Credit: SOPA Images Limited/Alamy Live News
Tourists take picture by animal skin paintings in the Black House's Garden. The 'Baan Dam Museum', also known as the 'Black House' and often referred to as the 'Black Temple' is not really a temple but more like an art museum and studio featuring various artists artworks. The 'Black House' is also the world's largest collection of animal remains made into furniture. It was designed by famous Thai artist Thawan Duchanee mixing traditional northern Thai buildings with unconventional and contemporary architecture. (Photo by Guillaume Payen/SOPA Images/Sipa USA) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tourists-take-picture-by-animal-skin-paintings-in-the-black-houses-garden-the-baan-dam-museum-also-known-as-the-black-house-and-often-referred-to-as-the-black-temple-is-not-really-a-temple-but-more-like-an-art-museum-and-studio-featuring-various-artists-artworks-the-black-house-is-also-the-worlds-largest-collection-of-animal-remains-made-into-furniture-it-was-designed-by-famous-thai-artist-thawan-duchanee-mixing-traditional-northern-thai-buildings-with-unconventional-and-contemporary-architecture-photo-by-guillaume-payensopa-imagessipa-usa-image594741739.htmlRM2WFGR4B–Tourists take picture by animal skin paintings in the Black House's Garden. The 'Baan Dam Museum', also known as the 'Black House' and often referred to as the 'Black Temple' is not really a temple but more like an art museum and studio featuring various artists artworks. The 'Black House' is also the world's largest collection of animal remains made into furniture. It was designed by famous Thai artist Thawan Duchanee mixing traditional northern Thai buildings with unconventional and contemporary architecture. (Photo by Guillaume Payen/SOPA Images/Sipa USA)
Chiang Rai, Thailand. 19th Jan, 2024. Tourists take picture by animal skin paintings in the Black House's Garden. The ''Baan Dam Museum'', also known as the ''Black House'' and often referred to as the ''Black Temple'' is not really a temple but more like an art museum and studio featuring various artists artworks. The ''Black House'' is also the world's largest collection of animal remains made into furniture. It was designed by famous Thai artist Thawan Duchanee mixing traditional northern Thai buildings with unconventional and contemporary architecture. (Credit Image: © Guillaume Payen/ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chiang-rai-thailand-19th-jan-2024-tourists-take-picture-by-animal-skin-paintings-in-the-black-houses-garden-the-baan-dam-museum-also-known-as-the-black-house-and-often-referred-to-as-the-black-temple-is-not-really-a-temple-but-more-like-an-art-museum-and-studio-featuring-various-artists-artworks-the-black-house-is-also-the-worlds-largest-collection-of-animal-remains-made-into-furniture-it-was-designed-by-famous-thai-artist-thawan-duchanee-mixing-traditional-northern-thai-buildings-with-unconventional-and-contemporary-architecture-credit-image-guillaume-payen-image594851281.htmlRM2WFNPTH–Chiang Rai, Thailand. 19th Jan, 2024. Tourists take picture by animal skin paintings in the Black House's Garden. The ''Baan Dam Museum'', also known as the ''Black House'' and often referred to as the ''Black Temple'' is not really a temple but more like an art museum and studio featuring various artists artworks. The ''Black House'' is also the world's largest collection of animal remains made into furniture. It was designed by famous Thai artist Thawan Duchanee mixing traditional northern Thai buildings with unconventional and contemporary architecture. (Credit Image: © Guillaume Payen/
Apollo skinning Marsyas - Apollo Flaying Marsyas by Filippo LAURI Rome, 1623 - Rome, 1694, Italian, Italy. ( The mythological subject is told in particular in Ovid's Metamorphoses (VI, 382-400): winner of a musical competition which opposed him to the satyr Marsyas, inventor of the flute with two pipes, Apollo won the law of skin. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apollo-skinning-marsyas-apollo-flaying-marsyas-by-filippo-lauri-rome-1623-rome-1694-italian-italy-the-mythological-subject-is-told-in-particular-in-ovids-metamorphoses-vi-382-400-winner-of-a-musical-competition-which-opposed-him-to-the-satyr-marsyas-inventor-of-the-flute-with-two-pipes-apollo-won-the-law-of-skin-image357271427.htmlRM2BN739R–Apollo skinning Marsyas - Apollo Flaying Marsyas by Filippo LAURI Rome, 1623 - Rome, 1694, Italian, Italy. ( The mythological subject is told in particular in Ovid's Metamorphoses (VI, 382-400): winner of a musical competition which opposed him to the satyr Marsyas, inventor of the flute with two pipes, Apollo won the law of skin. )
Lord Shiva sitting on tiger skin and meditating Miniature Painting on Paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lord-shiva-sitting-on-tiger-skin-and-meditating-miniature-painting-43219347.htmlRMCE8PM3–Lord Shiva sitting on tiger skin and meditating Miniature Painting on Paper
A Skin Lodge of an Assiniboin Chief (Assiniboine Chief) - Karl Bodmer aquatint from Travels in the Interior of North America/Voyage dans l’intérieur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-skin-lodge-of-an-assiniboin-chief-assiniboine-chief-karl-bodmer-aquatint-from-travels-in-the-interior-of-north-americavoyage-dans-linterieur-image258635697.htmlRFW0NTD5–A Skin Lodge of an Assiniboin Chief (Assiniboine Chief) - Karl Bodmer aquatint from Travels in the Interior of North America/Voyage dans l’intérieur
Himalaya ; tiger skin ; mountain stream ; yoga ; nandi ; cosmic rhythm ; drum ; devotees ; mridanga ; dance ; dancing with siva Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-himalaya-tiger-skin-mountain-stream-yoga-nandi-cosmic-rhythm-drum-88244787.htmlRMF3FW3F–Himalaya ; tiger skin ; mountain stream ; yoga ; nandi ; cosmic rhythm ; drum ; devotees ; mridanga ; dance ; dancing with siva
William Barak - Figures in Possum Skin Cloaks - 1898 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-barak-figures-in-possum-skin-cloaks-1898-image566546344.htmlRF2RWMBJ0–William Barak - Figures in Possum Skin Cloaks - 1898
UNESCO World Heritage, Thebes in Egypt, Valley of the Nobles, tomb of Userhat (number 51). Detail of a costume : Bracelet, collar and a panther skin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unesco-world-heritage-thebes-in-egypt-valley-of-the-nobles-tomb-of-userhat-number-51-detail-of-a-costume-bracelet-collar-and-a-panther-skin-image337670099.htmlRM2AHA5JB–UNESCO World Heritage, Thebes in Egypt, Valley of the Nobles, tomb of Userhat (number 51). Detail of a costume : Bracelet, collar and a panther skin.
Bacchante by the Sea. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm). Date: 1865. This cabinet picture was almost certainly created to satisfy the growing market for Corot's figure paintings in the 1860s. The figure lies on a leopard or tiger skin; the accessory is responsible for the nymph's traditional identification as a follower of the Roman god of wine, Bacchus. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacchante-by-the-sea-artist-camille-corot-french-paris-1796-1875-paris-dimensions-15-14-x-23-38-in-387-x-594-cm-date-1865-this-cabinet-picture-was-almost-certainly-created-to-satisfy-the-growing-market-for-corots-figure-paintings-in-the-1860s-the-figure-lies-on-a-leopard-or-tiger-skin-the-accessory-is-responsible-for-the-nymphs-traditional-identification-as-a-follower-of-the-roman-god-of-wine-bacchus-museum-metropolitan-museum-of-art-new-york-usa-image212875195.htmlRMPA98DF–Bacchante by the Sea. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm). Date: 1865. This cabinet picture was almost certainly created to satisfy the growing market for Corot's figure paintings in the 1860s. The figure lies on a leopard or tiger skin; the accessory is responsible for the nymph's traditional identification as a follower of the Roman god of wine, Bacchus. Museum: Metropolitan Museum of Art, New York, USA.
Himba woman mixing ocher-coloured earth with skin cream, Purros, Kaokoveld, Namibia, Africa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-himba-woman-mixing-ocher-coloured-earth-with-skin-cream-purros-kaokoveld-25668657.htmlRMBDN8HN–Himba woman mixing ocher-coloured earth with skin cream, Purros, Kaokoveld, Namibia, Africa
India: 'Above: Nat Ragini on horseback and holding a sword above decapitated body, about to attack a second enemy; Below: Kedara Ragini, wearing cape and culottes with a crescent moon on her forehead and sitting on tiger-skin, with female attendant'. Ragamala miniature painting, c. 1800. Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the 'Garland of Ragas', depicting various Indian musical nodes, Ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-above-nat-ragini-on-horseback-and-holding-a-sword-above-decapitated-body-about-to-attack-a-second-enemy-below-kedara-ragini-wearing-cape-and-culottes-with-a-crescent-moon-on-her-forehead-and-sitting-on-tiger-skin-with-female-attendant-ragamala-miniature-painting-c-1800-ragamala-paintings-are-a-series-of-illustrative-paintings-from-medieval-india-based-on-ragamala-or-the-garland-of-ragas-depicting-various-indian-musical-nodes-ragas-they-stand-as-a-classical-example-of-the-amalgamation-of-art-poetry-and-classical-music-in-medieval-india-image344234920.htmlRM2B01748–India: 'Above: Nat Ragini on horseback and holding a sword above decapitated body, about to attack a second enemy; Below: Kedara Ragini, wearing cape and culottes with a crescent moon on her forehead and sitting on tiger-skin, with female attendant'. Ragamala miniature painting, c. 1800. Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the 'Garland of Ragas', depicting various Indian musical nodes, Ragas. They stand as a classical example of the amalgamation of art, poetry and classical music in medieval India.
Black and Brown Henna Drawings on Woman Leg and Feet for African Wedding Ceremony Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-brown-henna-drawings-on-woman-leg-and-feet-for-african-wedding-ceremony-image212134718.htmlRFP93FYX–Black and Brown Henna Drawings on Woman Leg and Feet for African Wedding Ceremony
art colour animal fish painting skin design shaping formation shape model Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-art-colour-animal-fish-painting-skin-design-shaping-formation-shape-141617677.htmlRFJ6B6P5–art colour animal fish painting skin design shaping formation shape model
Art inspired by The Grape Harvest, 1884, Oil on canvas, 99 x 82 5/8 in. (251.5 x 209.9 cm), Paintings, Léon-Augustin Lhermitte (French, Mont Saint-Père 1844–1925 Paris), The figures have the healthy, strong beauty of the land on which they live; warm blood runs through their veins and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-grape-harvest-1884-oil-on-canvas-99-x-82-58-in-2515-x-2099-cm-paintings-lon-augustin-lhermitte-french-mont-saint-pre-18441925-paris-the-figures-have-the-healthy-strong-beauty-of-the-land-on-which-they-live-warm-blood-runs-through-their-veins-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462815879.htmlRF2HTY2AF–Art inspired by The Grape Harvest, 1884, Oil on canvas, 99 x 82 5/8 in. (251.5 x 209.9 cm), Paintings, Léon-Augustin Lhermitte (French, Mont Saint-Père 1844–1925 Paris), The figures have the healthy, strong beauty of the land on which they live; warm blood runs through their veins and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kamchadal or Koryak people inside a yurt, Kamchatka, 1800s. A man in reindeer-skin clothes starts a fire, watched by a woman with child. Two dog carcasses hang from a wall. Interieur d'une habitation Kamtschadale. Handcoloured copperplate engraving from A. Antoine de Saint-Gervais’s Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Hocquart, 1811. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kamchadal-or-koryak-people-inside-a-yurt-kamchatka-1800s-a-man-in-reindeer-skin-clothes-starts-a-fire-watched-by-a-woman-with-child-two-dog-carcasses-hang-from-a-wall-interieur-dune-habitation-kamtschadale-handcoloured-copperplate-engraving-from-a-antoine-de-saint-gervaiss-album-des-peuples-ou-collection-de-tableaux-album-of-peoples-or-collection-of-paintings-j-langlume-et-peltier-paris-1835-reprinted-from-moeurs-et-coutumes-des-peuples-hocquart-1811-image563846877.htmlRM2RN9CCD–Kamchadal or Koryak people inside a yurt, Kamchatka, 1800s. A man in reindeer-skin clothes starts a fire, watched by a woman with child. Two dog carcasses hang from a wall. Interieur d'une habitation Kamtschadale. Handcoloured copperplate engraving from A. Antoine de Saint-Gervais’s Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Hocquart, 1811.
. Dhanyashri Ragini Page from an illustrated Ragamala series . In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again. Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping tha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dhanyashri-ragini-page-from-an-illustrated-ragamala-series-in-the-fifteenth-or-sixteenth-century-a-new-genre-of-painting-developed-that-attempted-to-capture-in-imagery-the-moods-of-famous-passages-of-classical-music-the-music-known-as-ragas-or-raginis-inspired-artists-to-create-little-scenarioshappy-or-sad-fierce-or-quiet-taking-place-in-the-daytime-or-nighttime-the-summer-or-winterthat-were-illustrated-over-and-over-again-like-many-ragini-paintings-dhayashri-shows-a-woman-who-misses-her-beloved-here-the-woman-with-green-skin-paints-a-picture-of-her-absent-lover-hoping-tha-image188269358.htmlRMMX8BDJ–. Dhanyashri Ragini Page from an illustrated Ragamala series . In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again. Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping tha
Abstract portrait of a girl. Digital structure of painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-portrait-of-a-girl-digital-structure-of-painting-image388657565.htmlRF2DG8TK9–Abstract portrait of a girl. Digital structure of painting.
63-year-old retired Chinese teacher Yuan Xihe shows fish skin paintings at home in Changchun city, northeast China's Jilin province, 13 November 2017. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/63-year-old-retired-chinese-teacher-yuan-xihe-shows-fish-skin-paintings-at-home-in-changchun-city-northeast-chinas-jilin-province-13-november-2017-image262586378.htmlRMW75RGX–63-year-old retired Chinese teacher Yuan Xihe shows fish skin paintings at home in Changchun city, northeast China's Jilin province, 13 November 2017.
reptile skin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reptile-skin-71959161.htmlRFE520J1–reptile skin
texture red skin backgrounds leather pattern brown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-texture-red-skin-backgrounds-leather-pattern-brown-101056146.htmlRFFTBE42–texture red skin backgrounds leather pattern brown
![Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020). This spectacular painting, both lyrical and fierce, comes from one of the greatest Iranian manuscripts ever produced. The royal copy of the national Iranian epic, the Shahnama, or Book of Kings, was made for Shah Tahmasp during the 1520s and 1540s. The book was even acclaimed in its own day for "the colouring and the portraiture" found in its 258 paintings. The lengendary hero Rustam, identified by his tiger-skin clothing, kills the savage chief of the de Stock Photo](https://c8.alamy.com/comp/2A530N0/rustams-seventh-course-he-kills-the-white-div-folio-124-from-a-shah-nama-book-of-kings-of-firdausi-persian-about-934-1020-this-spectacular-painting-both-lyrical-and-fierce-comes-from-one-of-the-greatest-iranian-manuscripts-ever-produced-the-royal-copy-of-the-national-iranian-epic-the-shahnama-or-book-of-kings-was-made-for-shah-tahmasp-during-the-1520s-and-1540s-the-book-was-even-acclaimed-in-its-own-day-for-quotthe-colouring-and-the-portraiturequot-found-in-its-258-paintings-the-lengendary-hero-rustam-identified-by-his-tiger-skin-clothing-kills-the-savage-chief-of-the-de-2A530N0.jpg "Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020). This spectacular painting, both lyrical and fierce, comes from one of the greatest Iranian manuscripts ever produced. The royal copy of the national Iranian epic, the Shahnama, or Book of Kings, was made for Shah Tahmasp during the 1520s and 1540s. The book was even acclaimed in its own day for "the colouring and the portraiture" found in its 258 paintings. The lengendary hero Rustam, identified by his tiger-skin clothing, kills the savage chief of the de Stock Photo")
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020). This spectacular painting, both lyrical and fierce, comes from one of the greatest Iranian manuscripts ever produced. The royal copy of the national Iranian epic, the Shahnama, or Book of Kings, was made for Shah Tahmasp during the 1520s and 1540s. The book was even acclaimed in its own day for "the colouring and the portraiture" found in its 258 paintings. The lengendary hero Rustam, identified by his tiger-skin clothing, kills the savage chief of the de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rustams-seventh-course-he-kills-the-white-div-folio-124-from-a-shah-nama-book-of-kings-of-firdausi-persian-about-934-1020-this-spectacular-painting-both-lyrical-and-fierce-comes-from-one-of-the-greatest-iranian-manuscripts-ever-produced-the-royal-copy-of-the-national-iranian-epic-the-shahnama-or-book-of-kings-was-made-for-shah-tahmasp-during-the-1520s-and-1540s-the-book-was-even-acclaimed-in-its-own-day-for-quotthe-colouring-and-the-portraiturequot-found-in-its-258-paintings-the-lengendary-hero-rustam-identified-by-his-tiger-skin-clothing-kills-the-savage-chief-of-the-de-image330136716.htmlRM2A530N0–Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020). This spectacular painting, both lyrical and fierce, comes from one of the greatest Iranian manuscripts ever produced. The royal copy of the national Iranian epic, the Shahnama, or Book of Kings, was made for Shah Tahmasp during the 1520s and 1540s. The book was even acclaimed in its own day for "the colouring and the portraiture" found in its 258 paintings. The lengendary hero Rustam, identified by his tiger-skin clothing, kills the savage chief of the de
Apollo skinning Marsyas - Apollo Flaying Marsyas by Filippo LAURI Rome, 1623 - Rome, 1694, Italian, Italy. ( The mythological subject is told in particular in Ovid's Metamorphoses (VI, 382-400): winner of a musical competition which opposed him to the satyr Marsyas, inventor of the flute with two pipes, Apollo won the law of skin. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apollo-skinning-marsyas-apollo-flaying-marsyas-by-filippo-lauri-rome-1623-rome-1694-italian-italy-the-mythological-subject-is-told-in-particular-in-ovids-metamorphoses-vi-382-400-winner-of-a-musical-competition-which-opposed-him-to-the-satyr-marsyas-inventor-of-the-flute-with-two-pipes-apollo-won-the-law-of-skin-image357271437.htmlRM2BN73A5–Apollo skinning Marsyas - Apollo Flaying Marsyas by Filippo LAURI Rome, 1623 - Rome, 1694, Italian, Italy. ( The mythological subject is told in particular in Ovid's Metamorphoses (VI, 382-400): winner of a musical competition which opposed him to the satyr Marsyas, inventor of the flute with two pipes, Apollo won the law of skin. )
Mixed Striped Design with Flowers and Animals Skin Ready for Textile Prints. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mixed-striped-design-with-flowers-and-animals-skin-ready-for-textile-prints-image461105474.htmlRF2HP54MJ–Mixed Striped Design with Flowers and Animals Skin Ready for Textile Prints.
Wall painting from Neolithic city of Catalhoyuk on the Konya plain, of a figure with superimposed leopard's skin, c. 6000 BC. Museum of Anatolian Civilizations, Ankara, Turkey Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wall-painting-from-neolithic-city-of-catalhoyuk-on-the-konya-plain-of-a-figure-with-superimposed-leopards-skin-c-6000-bc-museum-of-anatolian-civilizations-ankara-turkey-image260405889.htmlRMW3JEA9–Wall painting from Neolithic city of Catalhoyuk on the Konya plain, of a figure with superimposed leopard's skin, c. 6000 BC. Museum of Anatolian Civilizations, Ankara, Turkey
Amsterdam, Netherlands. 7th June, 2015. Body painting models pose during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-amsterdam-netherlands-7th-june-2015-body-painting-models-pose-during-83495649.htmlRMERRFFD–Amsterdam, Netherlands. 7th June, 2015. Body painting models pose during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News
Bengali girl smiles in front of a wall full with paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bengali-girl-smiles-in-front-of-a-wall-full-with-paintings-176850308.htmlRFM7M6AC–Bengali girl smiles in front of a wall full with paintings
UNESCO World Heritage, Thebes in Egypt, Valley of the Nobles, tomb of Userhat (TT 51). A priest wearing bracelets, a collar and a panther skin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unesco-world-heritage-thebes-in-egypt-valley-of-the-nobles-tomb-of-userhat-tt-51-a-priest-wearing-bracelets-a-collar-and-a-panther-skin-image337669954.htmlRM2AHA5D6–UNESCO World Heritage, Thebes in Egypt, Valley of the Nobles, tomb of Userhat (TT 51). A priest wearing bracelets, a collar and a panther skin.
Kamchadal or Koryak people inside a yurt, Kamchatka, 1800s. A man in reindeer-skin clothes starts a fire, watched by a woman with child. Two dog carcasses hang from a wall. Interieur d'une habitation Kamtschadale. Handcoloured copperplate engraving from A. Antoine de Saint-Gervaiss Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Hocquart, 1811. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kamchadal-or-koryak-people-inside-a-yurt-kamchatka-1800s-a-man-in-reindeer-skin-clothes-starts-a-fire-watched-by-a-woman-with-child-two-dog-carcasses-hang-from-a-wall-interieur-dune-habitation-kamtschadale-handcoloured-copperplate-engraving-from-a-antoine-de-saint-gervaiss-album-des-peuples-ou-collection-de-tableaux-album-of-peoples-or-collection-of-paintings-j-langlume-et-peltier-paris-1835-reprinted-from-moeurs-et-coutumes-des-peuples-hocquart-1811-image571916531.htmlRM2T6D1AB–Kamchadal or Koryak people inside a yurt, Kamchatka, 1800s. A man in reindeer-skin clothes starts a fire, watched by a woman with child. Two dog carcasses hang from a wall. Interieur d'une habitation Kamtschadale. Handcoloured copperplate engraving from A. Antoine de Saint-Gervaiss Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Hocquart, 1811.
Retro photo on brown skin texture with decorative frame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-retro-photo-on-brown-skin-texture-with-decorative-frame-49888170.htmlRFCW4GTA–Retro photo on brown skin texture with decorative frame
Middle Egypt, Beni Hasan, the tomb of Khnumhotep II dates from the Middle Kingdom. Religious rites. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/middle-egypt-beni-hasan-the-tomb-of-khnumhotep-ii-dates-from-the-middle-kingdom-religious-rites-image337911408.htmlRM2AHN5CG–Middle Egypt, Beni Hasan, the tomb of Khnumhotep II dates from the Middle Kingdom. Religious rites.
Black and Brown Henna Hands Drawings on Women for African Wedding Ceremony with Gold Ring Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-brown-henna-hands-drawings-on-women-for-african-wedding-ceremony-with-gold-ring-image212134730.htmlRFP93G0A–Black and Brown Henna Hands Drawings on Women for African Wedding Ceremony with Gold Ring
girl with a golden skin bodypainting on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-girl-with-a-golden-skin-bodypainting-on-white-background-174799741.htmlRFM4APRW–girl with a golden skin bodypainting on white background
Art inspired by Saint John the Baptist Preaching, ca. 1650, Oil on canvas, 68 x 47 3/4 in. (172.7 x 121.3 cm), Paintings, Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613–1699 Valletta), Saint John the Baptist is shown seated in the wilderness exhorting the viewer to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-john-the-baptist-preaching-ca-1650-oil-on-canvas-68-x-47-34-in-1727-x-1213-cm-paintings-mattia-preti-il-cavalier-calabrese-italian-taverna-16131699-valletta-saint-john-the-baptist-is-shown-seated-in-the-wilderness-exhorting-the-viewer-to-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463026744.htmlRF2HW8K9C–Art inspired by Saint John the Baptist Preaching, ca. 1650, Oil on canvas, 68 x 47 3/4 in. (172.7 x 121.3 cm), Paintings, Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613–1699 Valletta), Saint John the Baptist is shown seated in the wilderness exhorting the viewer to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A young warrior or brave paints a crossed arrows in red paint on a tree trunk. He wears a feather headdress and buck-skin robe, and is armed with musket, bow and quiver. A warclub (casse-tete) lies on the ground. Declaration of war by the Quapaw Nation (Arkansas or Ugahxpa) of Louisiana. Declaration de guerre de la nation des Akancas de la Louisiane. Handcoloured copperplate engraving from A. Antoine de Saint-Gervais’s Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, H Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-warrior-or-brave-paints-a-crossed-arrows-in-red-paint-on-a-tree-trunk-he-wears-a-feather-headdress-and-buck-skin-robe-and-is-armed-with-musket-bow-and-quiver-a-warclub-casse-tete-lies-on-the-ground-declaration-of-war-by-the-quapaw-nation-arkansas-or-ugahxpa-of-louisiana-declaration-de-guerre-de-la-nation-des-akancas-de-la-louisiane-handcoloured-copperplate-engraving-from-a-antoine-de-saint-gervaiss-album-des-peuples-ou-collection-de-tableaux-album-of-peoples-or-collection-of-paintings-j-langlume-et-peltier-paris-1835-reprinted-from-moeurs-et-coutumes-des-peuples-h-image563847035.htmlRM2RN9CJ3–A young warrior or brave paints a crossed arrows in red paint on a tree trunk. He wears a feather headdress and buck-skin robe, and is armed with musket, bow and quiver. A warclub (casse-tete) lies on the ground. Declaration of war by the Quapaw Nation (Arkansas or Ugahxpa) of Louisiana. Declaration de guerre de la nation des Akancas de la Louisiane. Handcoloured copperplate engraving from A. Antoine de Saint-Gervais’s Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, H
Art inspired by Sgra-Snyan, 14th–16th century, Tibet, Tibetan, Carved wood, skin, gesso, gilding, Height: 42 15/16 in. (109 cm), Chordophone-Lute-plucked-unfretted, The ancient 'silk route', running from the Mediterranean to Sian in east central China, made Central Asia a meeting place, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-sgra-snyan-14th16th-century-tibet-tibetan-carved-wood-skin-gesso-gilding-height-42-1516-in-109-cm-chordophone-lute-plucked-unfretted-the-ancient-silk-route-running-from-the-mediterranean-to-sian-in-east-central-china-made-central-asia-a-meeting-place-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462848519.htmlRF2HW0G07–Art inspired by Sgra-Snyan, 14th–16th century, Tibet, Tibetan, Carved wood, skin, gesso, gilding, Height: 42 15/16 in. (109 cm), Chordophone-Lute-plucked-unfretted, The ancient 'silk route', running from the Mediterranean to Sian in east central China, made Central Asia a meeting place, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Dhanyashri Ragini Page from an illustrated Ragamala series . In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again. Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping tha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dhanyashri-ragini-page-from-an-illustrated-ragamala-series-in-the-fifteenth-or-sixteenth-century-a-new-genre-of-painting-developed-that-attempted-to-capture-in-imagery-the-moods-of-famous-passages-of-classical-music-the-music-known-as-ragas-or-raginis-inspired-artists-to-create-little-scenarioshappy-or-sad-fierce-or-quiet-taking-place-in-the-daytime-or-nighttime-the-summer-or-winterthat-were-illustrated-over-and-over-again-like-many-ragini-paintings-dhayashri-shows-a-woman-who-misses-her-beloved-here-the-woman-with-green-skin-paints-a-picture-of-her-absent-lover-hoping-tha-image187741098.htmlRMMWC9K6–. Dhanyashri Ragini Page from an illustrated Ragamala series . In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again. Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping tha
63-year-old retired Chinese teacher Yuan Xihe shows fish skin paintings at home in Changchun city, northeast China's Jilin province, 13 November 2017. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/63-year-old-retired-chinese-teacher-yuan-xihe-shows-fish-skin-paintings-at-home-in-changchun-city-northeast-chinas-jilin-province-13-november-2017-image262586401.htmlRMW75RHN–63-year-old retired Chinese teacher Yuan Xihe shows fish skin paintings at home in Changchun city, northeast China's Jilin province, 13 November 2017.
Art inspired by Head of a Young Woman, possibly 1780s, Oil on canvas, 16 1/8 x 12 3/4 in. (41 x 32.4 cm), Paintings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris), The model’s head is slightly thrown back and her lips are parted to suggest high emotion. Her loose gown and dark, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-head-of-a-young-woman-possibly-1780s-oil-on-canvas-16-18-x-12-34-in-41-x-324-cm-paintings-jean-baptiste-greuze-french-tournus-17251805-paris-the-models-head-is-slightly-thrown-back-and-her-lips-are-parted-to-suggest-high-emotion-her-loose-gown-and-dark-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024839.htmlRF2HW8GWB–Art inspired by Head of a Young Woman, possibly 1780s, Oil on canvas, 16 1/8 x 12 3/4 in. (41 x 32.4 cm), Paintings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris), The model’s head is slightly thrown back and her lips are parted to suggest high emotion. Her loose gown and dark, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Léon Maxime Faivre , Two Mothers, Prehistoric cavewoman mother, clad in animal skin and clutching a club, shields her two children against a beast. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lon-maxime-faivre-two-mothers-prehistoric-cavewoman-mother-clad-in-animal-skin-and-clutching-a-club-shields-her-two-children-against-a-beast-image555751701.htmlRF2R84JY1–Léon Maxime Faivre , Two Mothers, Prehistoric cavewoman mother, clad in animal skin and clutching a club, shields her two children against a beast.
Art inspired by Bacchante by the Sea, 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This cabinet picture was almost certainly created to satisfy the growing market for Corot’s figure paintings in the 1860s. The figure, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bacchante-by-the-sea-1865-oil-on-wood-15-14-x-23-38-in-387-x-594-cm-paintings-camille-corot-french-paris-17961875-paris-this-cabinet-picture-was-almost-certainly-created-to-satisfy-the-growing-market-for-corots-figure-paintings-in-the-1860s-the-figure-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814497.htmlRF2HTY0H5–Art inspired by Bacchante by the Sea, 1865, Oil on wood, 15 1/4 x 23 3/8 in. (38.7 x 59.4 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This cabinet picture was almost certainly created to satisfy the growing market for Corot’s figure paintings in the 1860s. The figure, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A closeup of a woman's face with paintings during the Day of the Dead celebration in Florida Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-closeup-of-a-womans-face-with-paintings-during-the-day-of-the-dead-celebration-in-florida-image490624482.htmlRF2KE5TEX–A closeup of a woman's face with paintings during the Day of the Dead celebration in Florida
Art inspired by Painted limestone funerary slab with a soldier taking a kantharos from his attendant, Hellenistic, 2nd half of 3rd century B.C., Greek, Limestone, paint, Other: 14 13/16 × 9 5/8 × 3 3/8 in. (37.6 × 24.4 × 8.6 cm), Miscellaneous-Paintings, A boy with dark brown skin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-painted-limestone-funerary-slab-with-a-soldier-taking-a-kantharos-from-his-attendant-hellenistic-2nd-half-of-3rd-century-bc-greek-limestone-paint-other-14-1316-9-58-3-38-in-376-244-86-cm-miscellaneous-paintings-a-boy-with-dark-brown-skin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462929209.htmlRF2HW46X1–Art inspired by Painted limestone funerary slab with a soldier taking a kantharos from his attendant, Hellenistic, 2nd half of 3rd century B.C., Greek, Limestone, paint, Other: 14 13/16 × 9 5/8 × 3 3/8 in. (37.6 × 24.4 × 8.6 cm), Miscellaneous-Paintings, A boy with dark brown skin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
India: Shiva seated on a tiger skin, the Ganges falling from his hair. Parvati seated in an attitude of worship, with a lotus. Rajput painting, 19th Century. The story of the River Ganga's descent from heaven is told in the Ramayana, the Mahabharata and several Puranas. It begins with the sage, Kapila, whose intense meditation has been disturbed by the sixty thousand sons of King Sagara. Livid at being disturbed, Kapila sears them with his angry gaze, reduces them to ashes, and dispatches them to the netherworld. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-shiva-seated-on-a-tiger-skin-the-ganges-falling-from-his-hair-parvati-seated-in-an-attitude-of-worship-with-a-lotus-rajput-painting-19th-century-the-story-of-the-river-gangas-descent-from-heaven-is-told-in-the-ramayana-the-mahabharata-and-several-puranas-it-begins-with-the-sage-kapila-whose-intense-meditation-has-been-disturbed-by-the-sixty-thousand-sons-of-king-sagara-livid-at-being-disturbed-kapila-sears-them-with-his-angry-gaze-reduces-them-to-ashes-and-dispatches-them-to-the-netherworld-image344240458.htmlRM2B01E62–India: Shiva seated on a tiger skin, the Ganges falling from his hair. Parvati seated in an attitude of worship, with a lotus. Rajput painting, 19th Century. The story of the River Ganga's descent from heaven is told in the Ramayana, the Mahabharata and several Puranas. It begins with the sage, Kapila, whose intense meditation has been disturbed by the sixty thousand sons of King Sagara. Livid at being disturbed, Kapila sears them with his angry gaze, reduces them to ashes, and dispatches them to the netherworld.
Amsterdam, Netherlands. 7th June, 2015. Body painting models parade during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-amsterdam-netherlands-7th-june-2015-body-painting-models-parade-during-83495651.htmlRMERRFFF–Amsterdam, Netherlands. 7th June, 2015. Body painting models parade during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News
Art inspired by Portrait of a Man, ca. 1470, Oil on wood, Overall 12 x 8 1/2 in. (30.5 x 21.6 cm); painted surface 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Paintings, Dieric Bouts (Netherlandish, Haarlem, active by 1457–died 1475), Carefully observed details, such as the loose skin beneath, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-man-ca-1470-oil-on-wood-overall-12-x-8-12-in-305-x-216-cm-painted-surface-11-58-x-8-18-in-295-x-206-cm-paintings-dieric-bouts-netherlandish-haarlem-active-by-1457died-1475-carefully-observed-details-such-as-the-loose-skin-beneath-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462814256.htmlRF2HTY08G–Art inspired by Portrait of a Man, ca. 1470, Oil on wood, Overall 12 x 8 1/2 in. (30.5 x 21.6 cm); painted surface 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm), Paintings, Dieric Bouts (Netherlandish, Haarlem, active by 1457–died 1475), Carefully observed details, such as the loose skin beneath, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Beautiful artist woman with various tattoos and paintings on her body against black background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beautiful-artist-woman-with-various-tattoos-and-paintings-on-her-body-against-black-background-image574702164.htmlRF2TAYXD8–Beautiful artist woman with various tattoos and paintings on her body against black background
A young warrior or brave paints a crossed arrows in red paint on a tree trunk. He wears a feather headdress and buck-skin robe, and is armed with musket, bow and quiver. A warclub (casse-tete) lies on the ground. Declaration of war by the Quapaw Nation (Arkansas or Ugahxpa) of Louisiana. Declaration de guerre de la nation des Akancas de la Louisiane. Handcoloured copperplate engraving from A. Antoine de Saint-Gervaiss Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Ho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-warrior-or-brave-paints-a-crossed-arrows-in-red-paint-on-a-tree-trunk-he-wears-a-feather-headdress-and-buck-skin-robe-and-is-armed-with-musket-bow-and-quiver-a-warclub-casse-tete-lies-on-the-ground-declaration-of-war-by-the-quapaw-nation-arkansas-or-ugahxpa-of-louisiana-declaration-de-guerre-de-la-nation-des-akancas-de-la-louisiane-handcoloured-copperplate-engraving-from-a-antoine-de-saint-gervaiss-album-des-peuples-ou-collection-de-tableaux-album-of-peoples-or-collection-of-paintings-j-langlume-et-peltier-paris-1835-reprinted-from-moeurs-et-coutumes-des-peuples-ho-image571826865.htmlRM2T68Y01–A young warrior or brave paints a crossed arrows in red paint on a tree trunk. He wears a feather headdress and buck-skin robe, and is armed with musket, bow and quiver. A warclub (casse-tete) lies on the ground. Declaration of war by the Quapaw Nation (Arkansas or Ugahxpa) of Louisiana. Declaration de guerre de la nation des Akancas de la Louisiane. Handcoloured copperplate engraving from A. Antoine de Saint-Gervaiss Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Ho
Brown skin сover a photo album on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-brown-skin-over-a-photo-album-on-white-background-49888141.htmlRFCW4GR9–Brown skin сover a photo album on white background
Illustration and Painting Paintings Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-and-painting-paintings-127166646.htmlRFHATX9X–Illustration and Painting Paintings
Black and Brown Henna Hands Drawings on Women for African Wedding Ceremony Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-brown-henna-hands-drawings-on-women-for-african-wedding-ceremony-image212134724.htmlRFP93G04–Black and Brown Henna Hands Drawings on Women for African Wedding Ceremony
Jean Baptiste Blaise Simonet. La soiree des Thuileries. 1762–1813. France. Etching on cream laid paper The prolific reproductive printmaker Jean Baptiste Blaise Simonet frequently etched paintings by Pierre Antoine Baudouin. This frothy confection lacks Baudouin’s pastel colors and gauzy glazes, but substitutes an ethereal sense of moonlight. Two stylish lovers share a knowing glance—and a glimpse of skin—on a park bench partially concealed behind a monumental column. This early state of Simonet’s print lacks a title or signature, but the couple’s elegant meeting place is specified in the fina Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-blaise-simonet-la-soiree-des-thuileries-17621813-france-etching-on-cream-laid-paper-the-prolific-reproductive-printmaker-jean-baptiste-blaise-simonet-frequently-etched-paintings-by-pierre-antoine-baudouin-this-frothy-confection-lacks-baudouins-pastel-colors-and-gauzy-glazes-but-substitutes-an-ethereal-sense-of-moonlight-two-stylish-lovers-share-a-knowing-glanceand-a-glimpse-of-skinon-a-park-bench-partially-concealed-behind-a-monumental-column-this-early-state-of-simonets-print-lacks-a-title-or-signature-but-the-couples-elegant-meeting-place-is-specified-in-the-fina-image337963375.htmlRM2AHRFMF–Jean Baptiste Blaise Simonet. La soiree des Thuileries. 1762–1813. France. Etching on cream laid paper The prolific reproductive printmaker Jean Baptiste Blaise Simonet frequently etched paintings by Pierre Antoine Baudouin. This frothy confection lacks Baudouin’s pastel colors and gauzy glazes, but substitutes an ethereal sense of moonlight. Two stylish lovers share a knowing glance—and a glimpse of skin—on a park bench partially concealed behind a monumental column. This early state of Simonet’s print lacks a title or signature, but the couple’s elegant meeting place is specified in the fina
Adoration of the Magi Domenico Ghirlandaio (Florence 1449 - 1494), Florence, Italy. ( Wise Men are kneeling before them, recognizable by the crowns that they have placed at the feet of the Saviour. A servant, whose dark skin emphasizes that the kings and their large following have come from the East, is removing the diadem from the head of the youngest Magi. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-domenico-ghirlandaio-florence-1449-1494-florence-italy-wise-men-are-kneeling-before-them-recognizable-by-the-crowns-that-they-have-placed-at-the-feet-of-the-saviour-a-servant-whose-dark-skin-emphasizes-that-the-kings-and-their-large-following-have-come-from-the-east-is-removing-the-diadem-from-the-head-of-the-youngest-magi-image486861964.htmlRM2K82DB8–Adoration of the Magi Domenico Ghirlandaio (Florence 1449 - 1494), Florence, Italy. ( Wise Men are kneeling before them, recognizable by the crowns that they have placed at the feet of the Saviour. A servant, whose dark skin emphasizes that the kings and their large following have come from the East, is removing the diadem from the head of the youngest Magi. )
asian elephant with hand symbol ornate, Laos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-asian-elephant-with-hand-symbol-ornate-laos-49221474.htmlRFCT26DP–asian elephant with hand symbol ornate, Laos
young woman in paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-young-woman-in-paint-31228581.htmlRFBPPGAD–young woman in paint
. Dhanyashri Ragini Page from an illustrated Ragamala series . In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again. Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping tha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dhanyashri-ragini-page-from-an-illustrated-ragamala-series-in-the-fifteenth-or-sixteenth-century-a-new-genre-of-painting-developed-that-attempted-to-capture-in-imagery-the-moods-of-famous-passages-of-classical-music-the-music-known-as-ragas-or-raginis-inspired-artists-to-create-little-scenarioshappy-or-sad-fierce-or-quiet-taking-place-in-the-daytime-or-nighttime-the-summer-or-winterthat-were-illustrated-over-and-over-again-like-many-ragini-paintings-dhayashri-shows-a-woman-who-misses-her-beloved-here-the-woman-with-green-skin-paints-a-picture-of-her-absent-lover-hoping-tha-image188967760.htmlRMMYC68G–. Dhanyashri Ragini Page from an illustrated Ragamala series . In the fifteenth or sixteenth century, a new genre of painting developed that attempted to capture in imagery the moods of famous passages of classical music. The music, known as ragas or raginis, inspired artists to create little scenarios—happy or sad, fierce or quiet, taking place in the daytime or nighttime, the summer or winter—that were illustrated over and over again. Like many ragini paintings, Dhayashri shows a woman who misses her beloved. Here, the woman (with green skin) paints a picture of her absent lover, hoping tha
London, UK. 26th Sep, 2017. Saatchi Gallery Iconoclasts Exhibition: Art out the mainstream. New exhibition featuring the work of thirteen contemporary artists. Credit: Guy Corbishley/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-london-uk-26th-sep-2017-saatchi-gallery-iconoclasts-exhibition-art-161430901.htmlRMKAHPN9–London, UK. 26th Sep, 2017. Saatchi Gallery Iconoclasts Exhibition: Art out the mainstream. New exhibition featuring the work of thirteen contemporary artists. Credit: Guy Corbishley/Alamy Live News
Portrait image of colorful body painting model in Salon Look Madrid 2017. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-image-of-colorful-body-painting-model-in-salon-look-madrid-166313250.htmlRMKJG66X–Portrait image of colorful body painting model in Salon Look Madrid 2017.
RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) Woman with a Veil (La Donna Velata) 1516 Oil on canvas, 82 x 60,5 cm Galleria Palatina (Palazzo Pitti), Florence Tradition identifies the subject with 'la Fornarina', the woman whom the painter loved in his last years and whose face reappeared in both his paintings (e.g. in the Sistine Madonna) and those of his followers. However, the woman, has never been decisively identified. She seems to represent Raphael's ideal of beauty at this time. The painting shows greater attention to colour and to the rendering of skin and clothes in respect to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzio-b-1483-urbino-d-1520-roma-woman-with-a-veil-la-donna-velata-1516-oil-on-canvas-82-x-605-cm-galleria-palatina-palazzo-pitti-florence-tradition-identifies-the-subject-with-la-fornarina-the-woman-whom-the-painter-loved-in-his-last-years-and-whose-face-reappeared-in-both-his-paintings-eg-in-the-sistine-madonna-and-those-of-his-followers-however-the-woman-has-never-been-decisively-identified-she-seems-to-represent-raphaels-ideal-of-beauty-at-this-time-the-painting-shows-greater-attention-to-colour-and-to-the-rendering-of-skin-and-clothes-in-respect-to-image604798734.htmlRM2X3XXXP–RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) Woman with a Veil (La Donna Velata) 1516 Oil on canvas, 82 x 60,5 cm Galleria Palatina (Palazzo Pitti), Florence Tradition identifies the subject with 'la Fornarina', the woman whom the painter loved in his last years and whose face reappeared in both his paintings (e.g. in the Sistine Madonna) and those of his followers. However, the woman, has never been decisively identified. She seems to represent Raphael's ideal of beauty at this time. The painting shows greater attention to colour and to the rendering of skin and clothes in respect to
Recontructed fresco of an original found at Catalhoyuk. The men are hunting a boar. The hunters are believed by scholors to be wearing leopard skin co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/recontructed-fresco-of-an-original-found-at-catalhoyuk-the-men-are-hunting-a-boar-the-hunters-are-believed-by-scholors-to-be-wearing-leopard-skin-co-image235180865.htmlRFRJHBGH–Recontructed fresco of an original found at Catalhoyuk. The men are hunting a boar. The hunters are believed by scholors to be wearing leopard skin co
POLAND - SPYTKOWO - INDIAN MUSEUM - CIRCA MAY 2013 - Reproduction of an old Indian writing calendar on cowhide. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poland-spytkowo-indian-museum-circa-may-2013-reproduction-of-an-old-indian-writing-calendar-on-cowhide-image179824516.htmlRFMCFM04–POLAND - SPYTKOWO - INDIAN MUSEUM - CIRCA MAY 2013 - Reproduction of an old Indian writing calendar on cowhide.
Body Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-body-art-103522731.htmlRFG0BT8B–Body Art
Red rosy apple watercolour painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-rosy-apple-watercolour-painting-image177807190.htmlRFM97PTP–Red rosy apple watercolour painting
Amsterdam, Netherlands. 7th June, 2015. Body painting models pose during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-amsterdam-netherlands-7th-june-2015-body-painting-models-pose-during-83495657.htmlRMERRFFN–Amsterdam, Netherlands. 7th June, 2015. Body painting models pose during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News
Souvenirs made out of crocodilian species are sold at the Hanoi Airport in Vietnam; Hanoi, Vietnam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/souvenirs-made-out-of-crocodilian-species-are-sold-at-the-hanoi-airport-in-vietnam-hanoi-vietnam-image522494404.htmlRM2NA1JXC–Souvenirs made out of crocodilian species are sold at the Hanoi Airport in Vietnam; Hanoi, Vietnam
The Source by Pierre-Auguste Renoir. Original from Barnes Foundation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-source-by-pierre-auguste-renoir-original-from-barnes-foundation-image553083415.htmlRF2R3R3F3–The Source by Pierre-Auguste Renoir. Original from Barnes Foundation.
Study of a Young Woman. Artist: Johannes Vermeer (Dutch, Delft 1632-1675 Delft). Dimensions: 17 1/2 x 15 3/4 in. (44.5 x 40 cm). Date: ca. 1665-67. This may be one of the three paintings by Vermeer that were described in an Amsterdam auction of 1696 as 'A 'face' in an antique dress, uncommonly artful.' Although a live model must have been employed, the artist's goal was not portraiture but a study of character and expression. Dutch pictures of this type, called <i>tronies</i>, often feature curious costumes and artistic effects, such as the fall of light on fine fabrics, soft skin, or a pearl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-young-woman-artist-johannes-vermeer-dutch-delft-1632-1675-delft-dimensions-17-12-x-15-34-in-445-x-40-cm-date-ca-1665-67-this-may-be-one-of-the-three-paintings-by-vermeer-that-were-described-in-an-amsterdam-auction-of-1696-as-a-face-in-an-antique-dress-uncommonly-artful-although-a-live-model-must-have-been-employed-the-artists-goal-was-not-portraiture-but-a-study-of-character-and-expression-dutch-pictures-of-this-type-called-itroniesi-often-feature-curious-costumes-and-artistic-effects-such-as-the-fall-of-light-on-fine-fabrics-soft-skin-or-a-pearl-image213170828.htmlRMPAPNFT–Study of a Young Woman. Artist: Johannes Vermeer (Dutch, Delft 1632-1675 Delft). Dimensions: 17 1/2 x 15 3/4 in. (44.5 x 40 cm). Date: ca. 1665-67. This may be one of the three paintings by Vermeer that were described in an Amsterdam auction of 1696 as 'A 'face' in an antique dress, uncommonly artful.' Although a live model must have been employed, the artist's goal was not portraiture but a study of character and expression. Dutch pictures of this type, called <i>tronies</i>, often feature curious costumes and artistic effects, such as the fall of light on fine fabrics, soft skin, or a pearl
Realistic illustration the ancient shabby manuscript Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-realistic-illustration-the-ancient-shabby-manuscript-87564457.htmlRFF2CWA1–Realistic illustration the ancient shabby manuscript
Illustration and Painting Paintings Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-and-painting-paintings-127166624.htmlRFHATX94–Illustration and Painting Paintings
Black and Brown Henna Hands Drawings on Women for African Wedding Ceremony Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-brown-henna-hands-drawings-on-women-for-african-wedding-ceremony-image212134726.htmlRFP93G06–Black and Brown Henna Hands Drawings on Women for African Wedding Ceremony
Bedroom with zebra skin pattern bedding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bedroom-with-zebra-skin-pattern-bedding-image151788958.htmlRMJPXGA6–Bedroom with zebra skin pattern bedding
Adoration of the Magi Domenico Ghirlandaio (Florence 1449 - 1494), Florence, Italy. ( Wise Men are kneeling before them, recognizable by the crowns that they have placed at the feet of the Saviour. A servant, whose dark skin emphasizes that the kings and their large following have come from the East, is removing the diadem from the head of the youngest Magi. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-domenico-ghirlandaio-florence-1449-1494-florence-italy-wise-men-are-kneeling-before-them-recognizable-by-the-crowns-that-they-have-placed-at-the-feet-of-the-saviour-a-servant-whose-dark-skin-emphasizes-that-the-kings-and-their-large-following-have-come-from-the-east-is-removing-the-diadem-from-the-head-of-the-youngest-magi-image486861930.htmlRM2K82DA2–Adoration of the Magi Domenico Ghirlandaio (Florence 1449 - 1494), Florence, Italy. ( Wise Men are kneeling before them, recognizable by the crowns that they have placed at the feet of the Saviour. A servant, whose dark skin emphasizes that the kings and their large following have come from the East, is removing the diadem from the head of the youngest Magi. )
Arab woman applies Henna paste on a hand to draw a Henna tattoo, Yemen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arab-woman-applies-henna-paste-on-a-hand-to-draw-a-henna-tattoo-yemen-27318477.htmlRMBGCCYW–Arab woman applies Henna paste on a hand to draw a Henna tattoo, Yemen
young woman in paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-young-woman-in-paint-31227957.htmlRFBPPFG5–young woman in paint
impending kobra,illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/impending-kobraillustration-image225972368.htmlRFR3HX1M–impending kobra,illustration
Abstract grunge decorative beige stucco like a snake skin wall background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-grunge-decorative-beige-stucco-like-a-snake-skin-wall-background-image333349617.htmlRF2AA9ARD–Abstract grunge decorative beige stucco like a snake skin wall background
Portrait image of a body painting model hiding her mouth in Salon Look Madrid 2017. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-image-of-a-body-painting-model-hiding-her-mouth-in-salon-166313259.htmlRMKJG677–Portrait image of a body painting model hiding her mouth in Salon Look Madrid 2017.
RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) Woman with a Veil (La Donna Velata) 1516 Oil on canvas, 82 x 60,5 cm Galleria Palatina (Palazzo Pitti), Florence Tradition identifies the subject with 'la Fornarina', the woman whom the painter loved in his last years and whose face reappeared in both his paintings (e.g. in the Sistine Madonna) and those of his followers. However, the woman, has never been decisively identified. She seems to represent Raphael's ideal of beauty at this time. The painting shows greater attention to colour and to the rendering of skin and clothes in respect to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzio-b-1483-urbino-d-1520-roma-woman-with-a-veil-la-donna-velata-1516-oil-on-canvas-82-x-605-cm-galleria-palatina-palazzo-pitti-florence-tradition-identifies-the-subject-with-la-fornarina-the-woman-whom-the-painter-loved-in-his-last-years-and-whose-face-reappeared-in-both-his-paintings-eg-in-the-sistine-madonna-and-those-of-his-followers-however-the-woman-has-never-been-decisively-identified-she-seems-to-represent-raphaels-ideal-of-beauty-at-this-time-the-painting-shows-greater-attention-to-colour-and-to-the-rendering-of-skin-and-clothes-in-respect-to-image604797950.htmlRM2X3XWXP–RAFFAELLO Sanzio (b. 1483, Urbino, d. 1520, Roma) Woman with a Veil (La Donna Velata) 1516 Oil on canvas, 82 x 60,5 cm Galleria Palatina (Palazzo Pitti), Florence Tradition identifies the subject with 'la Fornarina', the woman whom the painter loved in his last years and whose face reappeared in both his paintings (e.g. in the Sistine Madonna) and those of his followers. However, the woman, has never been decisively identified. She seems to represent Raphael's ideal of beauty at this time. The painting shows greater attention to colour and to the rendering of skin and clothes in respect to
Recontructed fresco of an original found at Catalhoyuk depicting two animals being hunted. The men are wearing what scolars believe were leopard skin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/recontructed-fresco-of-an-original-found-at-catalhoyuk-depicting-two-animals-being-hunted-the-men-are-wearing-what-scolars-believe-were-leopard-skin-image235180882.htmlRFRJHBH6–Recontructed fresco of an original found at Catalhoyuk depicting two animals being hunted. The men are wearing what scolars believe were leopard skin
Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/-image225647493.htmlRFR333K1–
Holy Bartholomeus, Petrus Clouwet, After Peter Paul Rubens, 1639 - 1670 print The print shows the Holy Bartholomeus. In his left hand the knife with which he was skinned. The series consists of prints based on paintings by Peter Paul Rubens. Antwerp paper engraving the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-bartholomeus-petrus-clouwet-after-peter-paul-rubens-1639-1670-print-the-print-shows-the-holy-bartholomeus-in-his-left-hand-the-knife-with-which-he-was-skinned-the-series-consists-of-prints-based-on-paintings-by-peter-paul-rubens-antwerp-paper-engraving-the-apostle-bartholomew-possible-attributes-book-devil-or-dragon-at-feet-knife-scroll-flayed-skin-staff-image593926958.htmlRM2WE7KW2–Holy Bartholomeus, Petrus Clouwet, After Peter Paul Rubens, 1639 - 1670 print The print shows the Holy Bartholomeus. In his left hand the knife with which he was skinned. The series consists of prints based on paintings by Peter Paul Rubens. Antwerp paper engraving the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Body painting models pose during Under Your Skin , an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. ) NETHERLANDS-AMSTERDAM-ART-BODY PAINTING-EXHIBITION SylviaxLederer PUBLICATIONxNOTxINxCHN Body Painting Models Pose during Under Your Skin to Exhibition featuring anatomical Body Paintings AT Dam Square in Downtown Amsterdam Netherlands June 7 2015 Netherlands Amsterdam Art Body Painting Exhibition SylviaxLederer PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/body-painting-models-pose-during-under-your-skin-an-exhibition-featuring-anatomical-body-paintings-at-dam-square-in-downtown-amsterdam-netherlands-june-7-2015-netherlands-amsterdam-art-body-painting-exhibition-sylviaxlederer-publicationxnotxinxchn-body-painting-models-pose-during-under-your-skin-to-exhibition-featuring-anatomical-body-paintings-at-dam-square-in-downtown-amsterdam-netherlands-june-7-2015-netherlands-amsterdam-art-body-painting-exhibition-sylviaxlederer-publicationxnotxinxchn-image563750265.htmlRM2RN5161–Body painting models pose during Under Your Skin , an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. ) NETHERLANDS-AMSTERDAM-ART-BODY PAINTING-EXHIBITION SylviaxLederer PUBLICATIONxNOTxINxCHN Body Painting Models Pose during Under Your Skin to Exhibition featuring anatomical Body Paintings AT Dam Square in Downtown Amsterdam Netherlands June 7 2015 Netherlands Amsterdam Art Body Painting Exhibition SylviaxLederer PUBLICATIONxNOTxINxCHN
Amsterdam, Netherlands. 7th June, 2015. Children pose with a body painting model during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-amsterdam-netherlands-7th-june-2015-children-pose-with-a-body-painting-83495652.htmlRMERRFFG–Amsterdam, Netherlands. 7th June, 2015. Children pose with a body painting model during 'Under Your Skin', an exhibition featuring anatomical body paintings, at Dam Square in downtown Amsterdam, Netherlands, June 7, 2015. © Sylvia Lederer/Xinhua/Alamy Live News
Souvenirs made out of crocodilian species are sold at the Hanoi Airport in Vietnam; Hanoi, Vietnam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/souvenirs-made-out-of-crocodilian-species-are-sold-at-the-hanoi-airport-in-vietnam-hanoi-vietnam-image522494396.htmlRM2NA1JX4–Souvenirs made out of crocodilian species are sold at the Hanoi Airport in Vietnam; Hanoi, Vietnam
The ancient ritual paintings in an abandoned provincial temple. India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ancient-ritual-paintings-in-an-abandoned-provincial-temple-india-image62108599.htmlRFDH1847–The ancient ritual paintings in an abandoned provincial temple. India
MADEMOISELLE RIVIERE - 1805 - O/L - 100x70 - NEOCLASICISMO FRANCES. Author: Jean Auguste Dominique Ingres (1780-1867). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mademoiselle-riviere-1805-ol-100x70-neoclasicismo-frances-author-jean-auguste-dominique-ingres-1780-1867-location-louvre-museum-paintings-france-image209023930.htmlRMP41T4A–MADEMOISELLE RIVIERE - 1805 - O/L - 100x70 - NEOCLASICISMO FRANCES. Author: Jean Auguste Dominique Ingres (1780-1867). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE.
Japan: The Dōmo-kōmo is a two-headed creature with gray skin. From the Bakemono Zukushi Monster Scroll, Edo Period (1603-1868), 18th-19th century. The Bakemono Zukushi handscroll, painted in the Edo period (18th-19th century) by an unknown artist, depicts 24 traditional monsters that traditionally haunt people and localities in Japan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-the-dmo-kmo-is-a-two-headed-creature-with-gray-skin-from-the-bakemono-zukushi-monster-scroll-edo-period-1603-1868-18th-19th-century-the-bakemono-zukushi-handscroll-painted-in-the-edo-period-18th-19th-century-by-an-unknown-artist-depicts-24-traditional-monsters-that-traditionally-haunt-people-and-localities-in-japan-image344235742.htmlRM2B0185J–Japan: The Dōmo-kōmo is a two-headed creature with gray skin. From the Bakemono Zukushi Monster Scroll, Edo Period (1603-1868), 18th-19th century. The Bakemono Zukushi handscroll, painted in the Edo period (18th-19th century) by an unknown artist, depicts 24 traditional monsters that traditionally haunt people and localities in Japan.
Illustration and Painting Paintings Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-and-painting-paintings-127166627.htmlRFHATX97–Illustration and Painting Paintings
Black Henna Hands Drawings on Women for African Wedding Ceremony with Big Rings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-henna-hands-drawings-on-women-for-african-wedding-ceremony-with-big-rings-image212134742.htmlRFP93G0P–Black Henna Hands Drawings on Women for African Wedding Ceremony with Big Rings
Thailand: 19th century mural of a white elephant. In Thailand, white elephants (chang phueak) are sacred and a symbol of royal power; all those discovered are presented to the king (usually this is ceremonial — they are not taken into captivity) and the more white elephants the king has, the greater his standing. The previous monarch, King Bhumibol Adulyadej, owned 10 — considered a sign of great attainment and prestige. A white elephant in Thailand is not necessarily albino, although it must have pale skin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thailand-19th-century-mural-of-a-white-elephant-in-thailand-white-elephants-chang-phueak-are-sacred-and-a-symbol-of-royal-power-all-those-discovered-are-presented-to-the-king-usually-this-is-ceremonial-they-are-not-taken-into-captivity-and-the-more-white-elephants-the-king-has-the-greater-his-standing-the-previous-monarch-king-bhumibol-adulyadej-owned-10-considered-a-sign-of-great-attainment-and-prestige-a-white-elephant-in-thailand-is-not-necessarily-albino-although-it-must-have-pale-skin-image344223931.htmlRM2B00N3R–Thailand: 19th century mural of a white elephant. In Thailand, white elephants (chang phueak) are sacred and a symbol of royal power; all those discovered are presented to the king (usually this is ceremonial — they are not taken into captivity) and the more white elephants the king has, the greater his standing. The previous monarch, King Bhumibol Adulyadej, owned 10 — considered a sign of great attainment and prestige. A white elephant in Thailand is not necessarily albino, although it must have pale skin.
Adoration of the Magi Domenico Ghirlandaio (Florence 1449 - 1494), Florence, Italy. ( Wise Men are kneeling before them, recognizable by the crowns that they have placed at the feet of the Saviour. A servant, whose dark skin emphasizes that the kings and their large following have come from the East, is removing the diadem from the head of the youngest Magi. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-domenico-ghirlandaio-florence-1449-1494-florence-italy-wise-men-are-kneeling-before-them-recognizable-by-the-crowns-that-they-have-placed-at-the-feet-of-the-saviour-a-servant-whose-dark-skin-emphasizes-that-the-kings-and-their-large-following-have-come-from-the-east-is-removing-the-diadem-from-the-head-of-the-youngest-magi-image486861962.htmlRM2K82DB6–Adoration of the Magi Domenico Ghirlandaio (Florence 1449 - 1494), Florence, Italy. ( Wise Men are kneeling before them, recognizable by the crowns that they have placed at the feet of the Saviour. A servant, whose dark skin emphasizes that the kings and their large following have come from the East, is removing the diadem from the head of the youngest Magi. )
Arab woman applies Henna paste on a hand to draw a Henna tattoo, Yemen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arab-woman-applies-henna-paste-on-a-hand-to-draw-a-henna-tattoo-yemen-27318484.htmlRMBGCD04–Arab woman applies Henna paste on a hand to draw a Henna tattoo, Yemen
young woman in paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-young-woman-in-paint-31229224.htmlRFBPPH5C–young woman in paint
impending kobra,illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/impending-kobraillustration-image225972370.htmlRFR3HX1P–impending kobra,illustration
Irezumi (入れ墨, 入墨, 紋身, 刺花, 剳青, 黥 or 刺青) is a Japanese word that refers to the insertion of ink under the skin to leave a permanent, usually decorative mark; a form of tattooing. The word can be written in several ways, each with slightly different connotations. The most common way of writing irezumi is with the Chinese characters 入れ墨 or 入墨, literally meaning to 'insert ink'. The characters 紋身 (also pronounced bunshin) suggest 'decorating the body'. 剳青 is more esoteric, being written with the characters for 'stay' or 'remain' and 'blue' or 'green', and probably refers to the appearance of the m Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/irezumi-or-is-a-japanese-word-that-refers-to-the-insertion-of-ink-under-the-skin-to-leave-a-permanent-usually-decorative-mark-a-form-of-tattooing-the-word-can-be-written-in-several-ways-each-with-slightly-different-connotations-the-most-common-way-of-writing-irezumi-is-with-the-chinese-characters-or-literally-meaning-to-insert-ink-the-characters-also-pronounced-bunshin-suggest-decorating-the-body-is-more-esoteric-being-written-with-the-characters-for-stay-or-remain-and-blue-or-green-and-probably-refers-to-the-appearance-of-the-m-image344264400.htmlRM2B02GN4–Irezumi (入れ墨, 入墨, 紋身, 刺花, 剳青, 黥 or 刺青) is a Japanese word that refers to the insertion of ink under the skin to leave a permanent, usually decorative mark; a form of tattooing. The word can be written in several ways, each with slightly different connotations. The most common way of writing irezumi is with the Chinese characters 入れ墨 or 入墨, literally meaning to 'insert ink'. The characters 紋身 (also pronounced bunshin) suggest 'decorating the body'. 剳青 is more esoteric, being written with the characters for 'stay' or 'remain' and 'blue' or 'green', and probably refers to the appearance of the m
Modern paintings above sofa in living room Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/modern-paintings-above-sofa-in-living-room-image433951234.htmlRM2G6056A–Modern paintings above sofa in living room
China: Detail of a hanging scroll painting of the Bodhisattva Manjusri from the Mogao Caves, Dunhuang, 9th century CE. Mañjuśrī is depicted as a male bodhisattva wielding a flaming sword in his right hand, representing the realisation of transcendent wisdom which cuts down ignorance and duality. The scripture supported by the lotus held in his left hand is a Prajñāpāramitā sūtra, representing his attainment of ultimate realization from the blossoming of wisdom. Mañjuśrī is often depicted as riding on a blue lion, or sitting on the skin of a lion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-detail-of-a-hanging-scroll-painting-of-the-bodhisattva-manjusri-from-the-mogao-caves-dunhuang-9th-century-ce-majur-is-depicted-as-a-male-bodhisattva-wielding-a-flaming-sword-in-his-right-hand-representing-the-realisation-of-transcendent-wisdom-which-cuts-down-ignorance-and-duality-the-scripture-supported-by-the-lotus-held-in-his-left-hand-is-a-prajpramit-stra-representing-his-attainment-of-ultimate-realization-from-the-blossoming-of-wisdom-majur-is-often-depicted-as-riding-on-a-blue-lion-or-sitting-on-the-skin-of-a-lion-image344235364.htmlRM2B017M4–China: Detail of a hanging scroll painting of the Bodhisattva Manjusri from the Mogao Caves, Dunhuang, 9th century CE. Mañjuśrī is depicted as a male bodhisattva wielding a flaming sword in his right hand, representing the realisation of transcendent wisdom which cuts down ignorance and duality. The scripture supported by the lotus held in his left hand is a Prajñāpāramitā sūtra, representing his attainment of ultimate realization from the blossoming of wisdom. Mañjuśrī is often depicted as riding on a blue lion, or sitting on the skin of a lion.
Sgra-Snyan, 14th–16th century, Tibet, Tibetan, Carved wood, skin, gesso, gilding, Height: 42 15/16 in. (109 cm), Chordophone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sgra-snyan-14th16th-century-tibet-tibetan-carved-wood-skin-gesso-gilding-162443099.htmlRMKC7WR7–Sgra-Snyan, 14th–16th century, Tibet, Tibetan, Carved wood, skin, gesso, gilding, Height: 42 15/16 in. (109 cm), Chordophone
