This is probably the Town Hall Square in Copenhagen. Det här är antagligen rådhustorget i Köpenhamn. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-probably-the-town-hall-square-in-copenhagen-det-hr-r-antagligen-rdhustorget-i-kpenhamn-image480574126.html
RM2JWT15J–This is probably the Town Hall Square in Copenhagen. Det här är antagligen rådhustorget i Köpenhamn.
Factory Welfare Work- Welfare at Pilkington's Glass Factory, St Helens, Lancashire, England, UK, 1944 Women do stretching exercises in the gymnasium at the factory rehabilitation centre, (probably at Pilkington's glass works at St Helens), as part of their recovery after an injury. They are kneeling on the floor, with one leg and the opposite arm outstretched. According to the original caption 'the aim of [the centre] is to prevent men and women from becoming permanently disabled. By exercises and massage under the guidance of a physio-therapist trained in modern methods the injured persons ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/factory-welfare-work-welfare-at-pilkingtons-glass-factory-st-helens-lancashire-england-uk-1944-women-do-stretching-exercises-in-the-gymnasium-at-the-factory-rehabilitation-centre-probably-at-pilkingtons-glass-works-at-st-helens-as-part-of-their-recovery-after-an-injury-they-are-kneeling-on-the-floor-with-one-leg-and-the-opposite-arm-outstretched-according-to-the-original-caption-the-aim-of-the-centre-is-to-prevent-men-and-women-from-becoming-permanently-disabled-by-exercises-and-massage-under-the-guidance-of-a-physio-therapist-trained-in-modern-methods-the-injured-persons-ar-image568988977.html
RM2T1KK6W–Factory Welfare Work- Welfare at Pilkington's Glass Factory, St Helens, Lancashire, England, UK, 1944 Women do stretching exercises in the gymnasium at the factory rehabilitation centre, (probably at Pilkington's glass works at St Helens), as part of their recovery after an injury. They are kneeling on the floor, with one leg and the opposite arm outstretched. According to the original caption 'the aim of [the centre] is to prevent men and women from becoming permanently disabled. By exercises and massage under the guidance of a physio-therapist trained in modern methods the injured persons ar
Unknown family, probably the host people in Ytterharnäs are included. Okänd familj, troligen är värdfolket i Ytterharnäs med. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-family-probably-the-host-people-in-ytterharns-are-included-oknd-familj-troligen-r-vrdfolket-i-ytterharns-med-image480572344.html
RM2JWRXX0–Unknown family, probably the host people in Ytterharnäs are included. Okänd familj, troligen är värdfolket i Ytterharnäs med.
Venice, the city of the sea . THE CAFFE ORIENTALE THECAFFE IN ITSELF IS IN MANY RESPECTS A SPECIAL-ITY OF VENETIAN LIFE, AND HAS BEEN SO SINCE THEDAYS OF GOLDONI. THE READERS OF HIS COMEDIES.SOABUNDANTLY RICH IN LOCAL COLOURING, WILL NOTHAVE FAILED TO OBSERVE THAT THE CAFFE PLAYS ALARGER PART IN THE LIFE OF VENICE THAN IS THECASE IN ANY OTHER CITY. PROBABLY NO VENETIANPASSES A SINGLE DAY WITHOUT VISITING ONCE ATLEAST, IF NOT OFTENER, HIS ACCUSTOMED CAFFE.MEN OF BUSINESS WRITE THEIR LETTERS AND AR-RANGE THEIR MEETINGS THERE. MEN OF PLEASUREKNOW THAT THEY SHALL FIND THEIR TEERS THERE.MERE LOAFER Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venice-the-city-of-the-sea-the-caffe-orientale-thecaffe-in-itself-is-in-many-respects-a-special-ity-of-venetian-life-and-has-been-so-since-thedays-of-goldoni-the-readers-of-his-comediessoabundantly-rich-in-local-colouring-will-nothave-failed-to-observe-that-the-caffe-plays-alarger-part-in-the-life-of-venice-than-is-thecase-in-any-other-city-probably-no-venetianpasses-a-single-day-without-visiting-once-atleast-if-not-oftener-his-accustomed-caffemen-of-business-write-their-letters-and-ar-range-their-meetings-there-men-of-pleasureknow-that-they-shall-find-their-teers-theremere-loafer-image338166966.html
RM2AJ4RBJ–Venice, the city of the sea . THE CAFFE ORIENTALE THECAFFE IN ITSELF IS IN MANY RESPECTS A SPECIAL-ITY OF VENETIAN LIFE, AND HAS BEEN SO SINCE THEDAYS OF GOLDONI. THE READERS OF HIS COMEDIES.SOABUNDANTLY RICH IN LOCAL COLOURING, WILL NOTHAVE FAILED TO OBSERVE THAT THE CAFFE PLAYS ALARGER PART IN THE LIFE OF VENICE THAN IS THECASE IN ANY OTHER CITY. PROBABLY NO VENETIANPASSES A SINGLE DAY WITHOUT VISITING ONCE ATLEAST, IF NOT OFTENER, HIS ACCUSTOMED CAFFE.MEN OF BUSINESS WRITE THEIR LETTERS AND AR-RANGE THEIR MEETINGS THERE. MEN OF PLEASUREKNOW THAT THEY SHALL FIND THEIR TEERS THERE.MERE LOAFER
. Botany for agricultural students . Botany. 314 THALLOPHYTES special cells and often on different plants. Also in the higher forms, the introduction of a case around the oospore, and a new structural stage between fertilization and the formation of new plants, suggests a relationship to the higher plants. On the other hand, the simpler forms resemble some of the Protococcales from which the Confervales have probably been evolved. Conjugating Algae (Conjugales).—This group is so named because of the peculiar conjugating habit, in which the contents of two cells fuse to form zygospores. Some ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/botany-for-agricultural-students-botany-314-thallophytes-special-cells-and-often-on-different-plants-also-in-the-higher-forms-the-introduction-of-a-case-around-the-oospore-and-a-new-structural-stage-between-fertilization-and-the-formation-of-new-plants-suggests-a-relationship-to-the-higher-plants-on-the-other-hand-the-simpler-forms-resemble-some-of-the-protococcales-from-which-the-confervales-have-probably-been-evolved-conjugating-algae-conjugalesthis-group-is-so-named-because-of-the-peculiar-conjugating-habit-in-which-the-contents-of-two-cells-fuse-to-form-zygospores-some-ar-image216455649.html
RMPG4BAW–. Botany for agricultural students . Botany. 314 THALLOPHYTES special cells and often on different plants. Also in the higher forms, the introduction of a case around the oospore, and a new structural stage between fertilization and the formation of new plants, suggests a relationship to the higher plants. On the other hand, the simpler forms resemble some of the Protococcales from which the Confervales have probably been evolved. Conjugating Algae (Conjugales).—This group is so named because of the peculiar conjugating habit, in which the contents of two cells fuse to form zygospores. Some ar
THE POLISH ARMY IN BRITAIN, 1940-1947 - Trainee tank crews listening to a Polish officer explaining electrical circuits of the Covenanter tank. Photograph probably taken at the 1st Corps tank training centre in the Alyth area. Mr Don Sutton representing American Newspaper Enterprise Association visited some of the 1st Polish Corps units in Scotland in July 1942. During his visit he witnessed some of the daily activities of Polish troops. Mr Sutton' visit (and below photographs) intended to raise the profile of the Polish war effort in the United States. Black and white , Polish Army, Polish Ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-polish-army-in-britain-1940-1947-trainee-tank-crews-listening-to-a-polish-officer-explaining-electrical-circuits-of-the-covenanter-tank-photograph-probably-taken-at-the-1st-corps-tank-training-centre-in-the-alyth-area-mr-don-sutton-representing-american-newspaper-enterprise-association-visited-some-of-the-1st-polish-corps-units-in-scotland-in-july-1942-during-his-visit-he-witnessed-some-of-the-daily-activities-of-polish-troops-mr-sutton-visit-and-below-photographs-intended-to-raise-the-profile-of-the-polish-war-effort-in-the-united-states-black-and-white-polish-army-polish-ar-image603441170.html
RM2X1N3AA–THE POLISH ARMY IN BRITAIN, 1940-1947 - Trainee tank crews listening to a Polish officer explaining electrical circuits of the Covenanter tank. Photograph probably taken at the 1st Corps tank training centre in the Alyth area. Mr Don Sutton representing American Newspaper Enterprise Association visited some of the 1st Polish Corps units in Scotland in July 1942. During his visit he witnessed some of the daily activities of Polish troops. Mr Sutton' visit (and below photographs) intended to raise the profile of the Polish war effort in the United States. Black and white , Polish Army, Polish Ar
Unknown family, probably the host people in Ytterharnäs are included. Okänd familj, troligen är värdfolket i Ytterharnäs med. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-family-probably-the-host-people-in-ytterharns-are-included-oknd-familj-troligen-r-vrdfolket-i-ytterharns-med-image480572355.html
RM2JWRXXB–Unknown family, probably the host people in Ytterharnäs are included. Okänd familj, troligen är värdfolket i Ytterharnäs med.
. The birds of Wyoming . SPHYRAPICUS THYROIDEUS. Williamsons Sapsmker. The Birds of Wyoming. 95 lowstone park, 1875. Williston makes the following note:Not common in the vicinity of Como, owing probably to thescarcity of timber (very abundant in the mountains). Jesur-un finds them abundant at Douglas; Bond states that they ar-rive at Cheyenne the last week in March. On the Laramie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-birds-of-wyoming-sphyrapicus-thyroideus-williamsons-sapsmker-the-birds-of-wyoming-95-lowstone-park-1875-williston-makes-the-following-notenot-common-in-the-vicinity-of-como-owing-probably-to-thescarcity-of-timber-very-abundant-in-the-mountains-jesur-un-finds-them-abundant-at-douglas-bond-states-that-they-ar-rive-at-cheyenne-the-last-week-in-march-on-the-laramie-image374854389.html
RM2CNT2GN–. The birds of Wyoming . SPHYRAPICUS THYROIDEUS. Williamsons Sapsmker. The Birds of Wyoming. 95 lowstone park, 1875. Williston makes the following note:Not common in the vicinity of Como, owing probably to thescarcity of timber (very abundant in the mountains). Jesur-un finds them abundant at Douglas; Bond states that they ar-rive at Cheyenne the last week in March. On the Laramie
This is probably the fisherman who rented the cottage in Harnäs. Det här är förmodligen fiskaren som hyrde ut stugan i Harnäs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-probably-the-fisherman-who-rented-the-cottage-in-harns-det-hr-r-frmodligen-fiskaren-som-hyrde-ut-stugan-i-harns-image480570302.html
RM2JWRT92–This is probably the fisherman who rented the cottage in Harnäs. Det här är förmodligen fiskaren som hyrde ut stugan i Harnäs.
. Beginners' botany. Botany. and the plant straightens and the cotyledons expand. These coty- ledons, or " halves of the bean," persist for some time {h, Fig. 19). They often become green and probably perform some function of foliage. Because of its large size, the Lima bean shows all these parts well. Germination of Castor Bean. — In the castor bean the hilum and micropyle are at the smaller end (Fig. 20). The bean " comes up" with a loop, which indicates that the hypocotyl greatly elongates. On examining germi- nating seed, however, it will be found that the cotyledons ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beginners-botany-botany-and-the-plant-straightens-and-the-cotyledons-expand-these-coty-ledons-or-quot-halves-of-the-beanquot-persist-for-some-time-h-fig-19-they-often-become-green-and-probably-perform-some-function-of-foliage-because-of-its-large-size-the-lima-bean-shows-all-these-parts-well-germination-of-castor-bean-in-the-castor-bean-the-hilum-and-micropyle-are-at-the-smaller-end-fig-20-the-bean-quot-comes-upquot-with-a-loop-which-indicates-that-the-hypocotyl-greatly-elongates-on-examining-germi-nating-seed-however-it-will-be-found-that-the-cotyledons-ar-image216408597.html
RMPG27AD–. Beginners' botany. Botany. and the plant straightens and the cotyledons expand. These coty- ledons, or " halves of the bean," persist for some time {h, Fig. 19). They often become green and probably perform some function of foliage. Because of its large size, the Lima bean shows all these parts well. Germination of Castor Bean. — In the castor bean the hilum and micropyle are at the smaller end (Fig. 20). The bean " comes up" with a loop, which indicates that the hypocotyl greatly elongates. On examining germi- nating seed, however, it will be found that the cotyledons ar
Probably Adelsö. The man at the tree on the left is Mårar-Erhard (Nilsson). Troligen Adelsö. Mannen vid trädet till vänster är Målar-Erhard (Nilsson). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/probably-adels-the-man-at-the-tree-on-the-left-is-mrar-erhard-nilsson-troligen-adels-mannen-vid-trdet-till-vnster-r-mlar-erhard-nilsson-image480575685.html
RM2JWT359–Probably Adelsö. The man at the tree on the left is Mårar-Erhard (Nilsson). Troligen Adelsö. Mannen vid trädet till vänster är Målar-Erhard (Nilsson).
Probably it is the Lingan that can be seen in the background, the lake in Lingbo. Antagligen är det Lingan som syns i bakgrunden, sjön i Lingbo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/probably-it-is-the-lingan-that-can-be-seen-in-the-background-the-lake-in-lingbo-antagligen-r-det-lingan-som-syns-i-bakgrunden-sjn-i-lingbo-image480573521.html
RM2JWT0C1–Probably it is the Lingan that can be seen in the background, the lake in Lingbo. Antagligen är det Lingan som syns i bakgrunden, sjön i Lingbo.
THE POLISH ARMY IN THE WESTERN DESERT CAMPAIGN, 1940-1942 - Troops of (probably) the Carpathian Anti-tank Artillery Squadron firing a captured German PaK 38 gun from an advanced post. These pictures taken at the extreme forward positions around Carmuset er Regem (Karmusat ar Rijam) area near Gazala, show infantry and artillery units of the Polish Independent Carpathian Rifles Brigade facing German and Italian forces British Army, Polish Army, Polish Armed Forces in the West, Independent Carpathian Rifles Brigade, Polish Armed Forces in the West, Independent Carpathian Rifles Brigade, Carpathia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-polish-army-in-the-western-desert-campaign-1940-1942-troops-of-probably-the-carpathian-anti-tank-artillery-squadron-firing-a-captured-german-pak-38-gun-from-an-advanced-post-these-pictures-taken-at-the-extreme-forward-positions-around-carmuset-er-regem-karmusat-ar-rijam-area-near-gazala-show-infantry-and-artillery-units-of-the-polish-independent-carpathian-rifles-brigade-facing-german-and-italian-forces-british-army-polish-army-polish-armed-forces-in-the-west-independent-carpathian-rifles-brigade-polish-armed-forces-in-the-west-independent-carpathian-rifles-brigade-carpathia-image603081057.html
RM2X14M15–THE POLISH ARMY IN THE WESTERN DESERT CAMPAIGN, 1940-1942 - Troops of (probably) the Carpathian Anti-tank Artillery Squadron firing a captured German PaK 38 gun from an advanced post. These pictures taken at the extreme forward positions around Carmuset er Regem (Karmusat ar Rijam) area near Gazala, show infantry and artillery units of the Polish Independent Carpathian Rifles Brigade facing German and Italian forces British Army, Polish Army, Polish Armed Forces in the West, Independent Carpathian Rifles Brigade, Polish Armed Forces in the West, Independent Carpathian Rifles Brigade, Carpathia
. The development of ophthalmology in America, 1800 to 1870; a contribution to ophthalmologic history and biography; an address delivered in abstract before the section of ophthalmology of the American medical association, June 4, 1907 . s probably the firstto urge the importance of using steady and uniform ar-tificial light on test letters in examinations for ame-tropia. He directed the attention of the profession tothis in a paper read in 1866.^^ His statement was asfollows: Let the letters used as a. test be placed in a room fromwhich daylight is excluded, and let them be illuminated by ast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-development-of-ophthalmology-in-america-1800-to-1870-a-contribution-to-ophthalmologic-history-and-biography-an-address-delivered-in-abstract-before-the-section-of-ophthalmology-of-the-american-medical-association-june-4-1907-s-probably-the-firstto-urge-the-importance-of-using-steady-and-uniform-ar-tificial-light-on-test-letters-in-examinations-for-ame-tropia-he-directed-the-attention-of-the-profession-tothis-in-a-paper-read-in-1866-his-statement-was-asfollows-let-the-letters-used-as-a-test-be-placed-in-a-room-fromwhich-daylight-is-excluded-and-let-them-be-illuminated-by-ast-image372649871.html
RM2CJ7JKY–. The development of ophthalmology in America, 1800 to 1870; a contribution to ophthalmologic history and biography; an address delivered in abstract before the section of ophthalmology of the American medical association, June 4, 1907 . s probably the firstto urge the importance of using steady and uniform ar-tificial light on test letters in examinations for ame-tropia. He directed the attention of the profession tothis in a paper read in 1866.^^ His statement was asfollows: Let the letters used as a. test be placed in a room fromwhich daylight is excluded, and let them be illuminated by ast
. The Victoria history of the county of Bedford. Natural history. A HISTORY OF BEDFORDSHIRE. D 0 c w R A. Sable a cheveron engrailed argent between three roundels ar- gent each having a pale gulet upon it. there in 1617.⢠This manor appears to have passed to the Crawleys, for in 1772 John Crawley owned Stopsley manor, together with other manors in the same parish,^' amongst which it probably became absorbed, for no further mention has been found of it. A third, WOODCROFT MANOR, is found in this parish during the sixteenth century. It appears always to have followed the same descent as Bramble Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-bedford-natural-history-a-history-of-bedfordshire-d-0-c-w-r-a-sable-a-cheveron-engrailed-argent-between-three-roundels-ar-gent-each-having-a-pale-gulet-upon-it-there-in-1617-this-manor-appears-to-have-passed-to-the-crawleys-for-in-1772-john-crawley-owned-stopsley-manor-together-with-other-manors-in-the-same-parish-amongst-which-it-probably-became-absorbed-for-no-further-mention-has-been-found-of-it-a-third-woodcroft-manor-is-found-in-this-parish-during-the-sixteenth-century-it-appears-always-to-have-followed-the-same-descent-as-bramble-image216362111.html
RMPG0427–. The Victoria history of the county of Bedford. Natural history. A HISTORY OF BEDFORDSHIRE. D 0 c w R A. Sable a cheveron engrailed argent between three roundels ar- gent each having a pale gulet upon it. there in 1617.⢠This manor appears to have passed to the Crawleys, for in 1772 John Crawley owned Stopsley manor, together with other manors in the same parish,^' amongst which it probably became absorbed, for no further mention has been found of it. A third, WOODCROFT MANOR, is found in this parish during the sixteenth century. It appears always to have followed the same descent as Bramble
Motifs from Lingbo, the people are probably Elna Brundin with her son Sören. Motiv från Lingbo, personerna är förmodligen Elna Brundin med sonen Sören. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/motifs-from-lingbo-the-people-are-probably-elna-brundin-with-her-son-sren-motiv-frn-lingbo-personerna-r-frmodligen-elna-brundin-med-sonen-sren-image480573514.html
RM2JWT0BP–Motifs from Lingbo, the people are probably Elna Brundin with her son Sören. Motiv från Lingbo, personerna är förmodligen Elna Brundin med sonen Sören.
Probably it is Elna Brundin who stands as # 2 from the left. Antagligen är det Elna Brundin som står som nr 2 från vänster. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/probably-it-is-elna-brundin-who-stands-as-2-from-the-left-antagligen-r-det-elna-brundin-som-str-som-nr-2-frn-vnster-image480573487.html
RM2JWT0AR–Probably it is Elna Brundin who stands as # 2 from the left. Antagligen är det Elna Brundin som står som nr 2 från vänster.
David Brundin on the right, the man on the left is probably Erik Larsson's foundation from Hemlinggrind. David Brundin till höger, mannen till vänster är antagligen Erik Larsson-Rynning från Hemlinggrind. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-brundin-on-the-right-the-man-on-the-left-is-probably-erik-larssons-foundation-from-hemlinggrind-david-brundin-till-hger-mannen-till-vnster-r-antagligen-erik-larsson-rynning-frn-hemlinggrind-image480577652.html
RM2JWT5KG–David Brundin on the right, the man on the left is probably Erik Larsson's foundation from Hemlinggrind. David Brundin till höger, mannen till vänster är antagligen Erik Larsson-Rynning från Hemlinggrind.
Ateljéfoto. It is probably Elna's Brundin's sister Hanna on the left. She was also a photographer at Jaeger in Stockholm. Ateljéfoto. Det är troligtvis Elnas Brundins syster Hanna till vänster. Hon var också fotograf hos Jaeger i Stockholm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ateljfoto-it-is-probably-elnas-brundins-sister-hanna-on-the-left-she-was-also-a-photographer-at-jaeger-in-stockholm-ateljfoto-det-r-troligtvis-elnas-brundins-syster-hanna-till-vnster-hon-var-ocks-fotograf-hos-jaeger-i-stockholm-image480573508.html
RM2JWT0BG–Ateljéfoto. It is probably Elna's Brundin's sister Hanna on the left. She was also a photographer at Jaeger in Stockholm. Ateljéfoto. Det är troligtvis Elnas Brundins syster Hanna till vänster. Hon var också fotograf hos Jaeger i Stockholm.
Here is a bathing scene, probably from Harnäs. David Brundin sits watching his three daughters dipping his feet. Här är en badscen, troligtvis från Harnäs. David Brundin sitter och tittar på sina tre döttrar som doppar fötterna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/here-is-a-bathing-scene-probably-from-harns-david-brundin-sits-watching-his-three-daughters-dipping-his-feet-hr-r-en-badscen-troligtvis-frn-harns-david-brundin-sitter-och-tittar-p-sina-tre-dttrar-som-doppar-ftterna-image480569235.html
RM2JWRPXY–Here is a bathing scene, probably from Harnäs. David Brundin sits watching his three daughters dipping his feet. Här är en badscen, troligtvis från Harnäs. David Brundin sitter och tittar på sina tre döttrar som doppar fötterna.
The wooden house to the right is probably the Eskilstunaboden, formerly the house. Photo fr. Järnvägsgatan towards Falegatan. All buildings were demolished in 1967. Trähuset åt höger är troligen Eskilstunaboden, f.d.Fahlströms hus. Foto fr. Järnvägsgatan mot Falegatan. Samtliga byggnader revs 1967. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-wooden-house-to-the-right-is-probably-the-eskilstunaboden-formerly-the-house-photo-fr-jrnvgsgatan-towards-falegatan-all-buildings-were-demolished-in-1967-trhuset-t-hger-r-troligen-eskilstunaboden-fdfahlstrms-hus-foto-fr-jrnvgsgatan-mot-falegatan-samtliga-byggnader-revs-1967-image478681951.html
RM2JPNRKY–The wooden house to the right is probably the Eskilstunaboden, formerly the house. Photo fr. Järnvägsgatan towards Falegatan. All buildings were demolished in 1967. Trähuset åt höger är troligen Eskilstunaboden, f.d.Fahlströms hus. Foto fr. Järnvägsgatan mot Falegatan. Samtliga byggnader revs 1967.
The picture is from the Brämen, from left Elna Brundin's sister Ingeborg Malmberg, Ingrid and David Brundin and probably Sten Åkerlöf. Bilden är från Brämen, från vänster Elna Brundins syster Ingeborg Malmberg, Ingrid och David Brundin samt troligtvis Sten Åkerlöf. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-picture-is-from-the-brmen-from-left-elna-brundins-sister-ingeborg-malmberg-ingrid-and-david-brundin-and-probably-sten-kerlf-bilden-r-frn-brmen-frn-vnster-elna-brundins-syster-ingeborg-malmberg-ingrid-och-david-brundin-samt-troligtvis-sten-kerlf-image480580441.html
RM2JWT975–The picture is from the Brämen, from left Elna Brundin's sister Ingeborg Malmberg, Ingrid and David Brundin and probably Sten Åkerlöf. Bilden är från Brämen, från vänster Elna Brundins syster Ingeborg Malmberg, Ingrid och David Brundin samt troligtvis Sten Åkerlöf.
THE POLISH ARMY IN BRITAIN, 1940-1947 - Major General L. H. Williams, the Director of Wartime Stores, in conversation with crew of a Churchill Mark II tank of the 65th Battalion, 16th Tank Brigade (1st Polish Corps), probably at Blairgowrie, 11 December 1941. The officer on the left is Lieutenant Colonel Tadeusz Majewski, the CO of the battalion British Army, Polish Army, Polish Armed Forces in the West, 1st Corps, Polish Armed Forces in the West, 1st Corps, 16th Tank Brigade, Polish Armed Forces in the West, 1st Corps, 16th Tank Brigade, 65th Battalion, Polish Armed Forces in the West, 1st Ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-polish-army-in-britain-1940-1947-major-general-l-h-williams-the-director-of-wartime-stores-in-conversation-with-crew-of-a-churchill-mark-ii-tank-of-the-65th-battalion-16th-tank-brigade-1st-polish-corps-probably-at-blairgowrie-11-december-1941-the-officer-on-the-left-is-lieutenant-colonel-tadeusz-majewski-the-co-of-the-battalion-british-army-polish-army-polish-armed-forces-in-the-west-1st-corps-polish-armed-forces-in-the-west-1st-corps-16th-tank-brigade-polish-armed-forces-in-the-west-1st-corps-16th-tank-brigade-65th-battalion-polish-armed-forces-in-the-west-1st-ar-image602844378.html
RM2X0NX4A–THE POLISH ARMY IN BRITAIN, 1940-1947 - Major General L. H. Williams, the Director of Wartime Stores, in conversation with crew of a Churchill Mark II tank of the 65th Battalion, 16th Tank Brigade (1st Polish Corps), probably at Blairgowrie, 11 December 1941. The officer on the left is Lieutenant Colonel Tadeusz Majewski, the CO of the battalion British Army, Polish Army, Polish Armed Forces in the West, 1st Corps, Polish Armed Forces in the West, 1st Corps, 16th Tank Brigade, Polish Armed Forces in the West, 1st Corps, 16th Tank Brigade, 65th Battalion, Polish Armed Forces in the West, 1st Ar
. The birds of Wyoming . SPHYRAPICUS THYROIDEUS. Williamsons Sapsmker. The Birds of Wyoming. 95 lowstone park, 1875. Williston makes the following note:Not common in the vicinity of Como, owing probably to thescarcity of timber (very abundant in the mountains). Jesur-un finds them abundant at Douglas; Bond states that they ar-rive at Cheyenne the last week in March. On the Laramie. fiEO-Sf^AfTED FCICHEfl. plains the earliest record of their arrival is April 6. Fromthe Smithsonian collections I have secured the following data:No. 38309 taken at Laramie peak by Expd. West of MissouriRiver. No. 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-birds-of-wyoming-sphyrapicus-thyroideus-williamsons-sapsmker-the-birds-of-wyoming-95-lowstone-park-1875-williston-makes-the-following-notenot-common-in-the-vicinity-of-como-owing-probably-to-thescarcity-of-timber-very-abundant-in-the-mountains-jesur-un-finds-them-abundant-at-douglas-bond-states-that-they-ar-rive-at-cheyenne-the-last-week-in-march-on-the-laramie-fieo-sfafted-fcichefl-plains-the-earliest-record-of-their-arrival-is-april-6-fromthe-smithsonian-collections-i-have-secured-the-following-datano-38309-taken-at-laramie-peak-by-expd-west-of-missouririver-no-3-image374854401.html
RM2CNT2H5–. The birds of Wyoming . SPHYRAPICUS THYROIDEUS. Williamsons Sapsmker. The Birds of Wyoming. 95 lowstone park, 1875. Williston makes the following note:Not common in the vicinity of Como, owing probably to thescarcity of timber (very abundant in the mountains). Jesur-un finds them abundant at Douglas; Bond states that they ar-rive at Cheyenne the last week in March. On the Laramie. fiEO-Sf^AfTED FCICHEfl. plains the earliest record of their arrival is April 6. Fromthe Smithsonian collections I have secured the following data:No. 38309 taken at Laramie peak by Expd. West of MissouriRiver. No. 3
A company, probably in Harnäs. Sören Brundin sits at the far left of the knee of an unknown lady. His sisters are also included in the picture. Ett sällskap, förmodligen i Harnäs. Sören Brundin sitter längst till vänster i knät på en okänd dam. Hans systrar är även med på bilden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-company-probably-in-harns-sren-brundin-sits-at-the-far-left-of-the-knee-of-an-unknown-lady-his-sisters-are-also-included-in-the-picture-ett-sllskap-frmodligen-i-harns-sren-brundin-sitter-lngst-till-vnster-i-knt-p-en-oknd-dam-hans-systrar-r-ven-med-p-bilden-image480578763.html
RM2JWT737–A company, probably in Harnäs. Sören Brundin sits at the far left of the knee of an unknown lady. His sisters are also included in the picture. Ett sällskap, förmodligen i Harnäs. Sören Brundin sitter längst till vänster i knät på en okänd dam. Hans systrar är även med på bilden.
The Brundin family lived in Harnäs in the summer, the picture is probably from here. Eva sits in her lap on mom Elna, then Ingrid and Karin. Familjen Brundin bodde sommartid i Harnäs, bilden är troligtvis härifrån. Eva sitter i knät på mamma Elna, därefter Ingrid och Karin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-brundin-family-lived-in-harns-in-the-summer-the-picture-is-probably-from-here-eva-sits-in-her-lap-on-mom-elna-then-ingrid-and-karin-familjen-brundin-bodde-sommartid-i-harns-bilden-r-troligtvis-hrifrn-eva-sitter-i-knt-p-mamma-elna-drefter-ingrid-och-karin-image480569826.html
RM2JWRRM2–The Brundin family lived in Harnäs in the summer, the picture is probably from here. Eva sits in her lap on mom Elna, then Ingrid and Karin. Familjen Brundin bodde sommartid i Harnäs, bilden är troligtvis härifrån. Eva sitter i knät på mamma Elna, därefter Ingrid och Karin.
. Text-book of botany, morphological and physiological. Botany. 48a VASCULAR CRYPTOGAMS. of long-continued growth both in length and in circumference, which accounts for the intervals between the leaves of old stems and for considerable thickness of the stems themselves, a fact which is worthy of investigation not only with reference to these plants, but also to the Lycopodieae and many Ferns. It is a striking peculiarity of the Selaginelleae that the ground-tissue (as also in the stem of Mosses) presents none of the usual small intercellular spaces, a result probably of the prosenchymatous ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/text-book-of-botany-morphological-and-physiological-botany-48a-vascular-cryptogams-of-long-continued-growth-both-in-length-and-in-circumference-which-accounts-for-the-intervals-between-the-leaves-of-old-stems-and-for-considerable-thickness-of-the-stems-themselves-a-fact-which-is-worthy-of-investigation-not-only-with-reference-to-these-plants-but-also-to-the-lycopodieae-and-many-ferns-it-is-a-striking-peculiarity-of-the-selaginelleae-that-the-ground-tissue-as-also-in-the-stem-of-mosses-presents-none-of-the-usual-small-intercellular-spaces-a-result-probably-of-the-prosenchymatous-ar-image237842343.html
RMRPXJ9B–. Text-book of botany, morphological and physiological. Botany. 48a VASCULAR CRYPTOGAMS. of long-continued growth both in length and in circumference, which accounts for the intervals between the leaves of old stems and for considerable thickness of the stems themselves, a fact which is worthy of investigation not only with reference to these plants, but also to the Lycopodieae and many Ferns. It is a striking peculiarity of the Selaginelleae that the ground-tissue (as also in the stem of Mosses) presents none of the usual small intercellular spaces, a result probably of the prosenchymatous ar
The one who sits on his knees is one of Thorén girls probably Agnes Thoren (married Bergman) the standing Therese Thorén (married Torstensson). Sitting Hilda?. Den som sitter i knä är en av Thorén flickor troligen Agnes Thoren (Gift Bergman) Den stående Therese Thorén ( gift Torstensson). Sittande Hilda?. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-one-who-sits-on-his-knees-is-one-of-thorn-girls-probably-agnes-thoren-married-bergman-the-standing-therese-thorn-married-torstensson-sitting-hilda-den-som-sitter-i-kn-r-en-av-thorn-flickor-troligen-agnes-thoren-gift-bergman-den-stende-therese-thorn-gift-torstensson-sittande-hilda-image480593216.html
RM2JWTWFC–The one who sits on his knees is one of Thorén girls probably Agnes Thoren (married Bergman) the standing Therese Thorén (married Torstensson). Sitting Hilda?. Den som sitter i knä är en av Thorén flickor troligen Agnes Thoren (Gift Bergman) Den stående Therese Thorén ( gift Torstensson). Sittande Hilda?.
Unknown interior. David Brundin sits on the left and his brother Joseph is the second man with a tie. Probably in the kitchen at the fisherman in Sikvik. Okänd interiör. David Brundin sitter till vänster och hans bror Josef är den andra mannen med slips. Antagligen i köket hos fiskaren i Sikvik. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-interior-david-brundin-sits-on-the-left-and-his-brother-joseph-is-the-second-man-with-a-tie-probably-in-the-kitchen-at-the-fisherman-in-sikvik-oknd-interir-david-brundin-sitter-till-vnster-och-hans-bror-josef-r-den-andra-mannen-med-slips-antagligen-i-kket-hos-fiskaren-i-sikvik-image480571887.html
RM2JWRX9K–Unknown interior. David Brundin sits on the left and his brother Joseph is the second man with a tie. Probably in the kitchen at the fisherman in Sikvik. Okänd interiör. David Brundin sitter till vänster och hans bror Josef är den andra mannen med slips. Antagligen i köket hos fiskaren i Sikvik.
Bryggar horse with the cousin who is probably Per Olof Sahlin (1873-1953). He was employed as a runner at Wilanders Brewery. Behind the horse is the Brinkgården on Kvistholmen. Bryggarhäst med kusken som troligen är Per Olof Sahlin (1873-1953). Han var anställd som utkörare på Wilanders bryggeri. Bakom hästen syns Brinkgården på Kvistholmen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bryggar-horse-with-the-cousin-who-is-probably-per-olof-sahlin-1873-1953-he-was-employed-as-a-runner-at-wilanders-brewery-behind-the-horse-is-the-brinkgrden-on-kvistholmen-bryggarhst-med-kusken-som-troligen-r-per-olof-sahlin-1873-1953-han-var-anstlld-som-utkrare-p-wilanders-bryggeri-bakom-hsten-syns-brinkgrden-p-kvistholmen-image480622687.html
RM2JWX73Y–Bryggar horse with the cousin who is probably Per Olof Sahlin (1873-1953). He was employed as a runner at Wilanders Brewery. Behind the horse is the Brinkgården on Kvistholmen. Bryggarhäst med kusken som troligen är Per Olof Sahlin (1873-1953). Han var anställd som utkörare på Wilanders bryggeri. Bakom hästen syns Brinkgården på Kvistholmen.
Drawing of electricity line next to Nils-Nils on the way down to the mill. On the post Mjölnar-Viktor (Olsson), the other is the brother Olle. Photo probably 1922. Dragning av elledning intill Nils-Nils på vägen ner till kvarnen. På stolpen Mjölnar-Viktor (Olsson), den andre är brodern Olle. Foto förmodligen 1922. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-of-electricity-line-next-to-nils-nils-on-the-way-down-to-the-mill-on-the-post-mjlnar-viktor-olsson-the-other-is-the-brother-olle-photo-probably-1922-dragning-av-elledning-intill-nils-nils-p-vgen-ner-till-kvarnen-p-stolpen-mjlnar-viktor-olsson-den-andre-r-brodern-olle-foto-frmodligen-1922-image480569813.html
RM2JWRRKH–Drawing of electricity line next to Nils-Nils on the way down to the mill. On the post Mjölnar-Viktor (Olsson), the other is the brother Olle. Photo probably 1922. Dragning av elledning intill Nils-Nils på vägen ner till kvarnen. På stolpen Mjölnar-Viktor (Olsson), den andre är brodern Olle. Foto förmodligen 1922.
:: Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. :: Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-gustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600748.html
RM2JWW74C–:: Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. :: Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
Dannemora mine. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Dannemora gruva.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dannemora-mine-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-dannemora-gruvagustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600751.html
RM2JWW74F–Dannemora mine. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Dannemora gruva.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
Dalälven at Leksand. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Dalälven vid Leksand.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dallven-at-leksand-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-dallven-vid-leksandgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600742.html
RM2JWW746–Dalälven at Leksand. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Dalälven vid Leksand.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Botany for agricultural students . Botany. 314 THALLOPHYTES special cells and often on different plants. Also in the higher forms, the introduction of a case around the oospore, and a new structural stage between fertilization and the formation of new plants, suggests a relationship to the higher plants. On the other hand, the simpler forms resemble some of the Protococcales from which the Confervales have probably been evolved. Conjugating Algae (Conjugales).—This group is so named because of the peculiar conjugating habit, in which the contents of two cells fuse to form zygospores. Some ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/botany-for-agricultural-students-botany-314-thallophytes-special-cells-and-often-on-different-plants-also-in-the-higher-forms-the-introduction-of-a-case-around-the-oospore-and-a-new-structural-stage-between-fertilization-and-the-formation-of-new-plants-suggests-a-relationship-to-the-higher-plants-on-the-other-hand-the-simpler-forms-resemble-some-of-the-protococcales-from-which-the-confervales-have-probably-been-evolved-conjugating-algae-conjugalesthis-group-is-so-named-because-of-the-peculiar-conjugating-habit-in-which-the-contents-of-two-cells-fuse-to-form-zygospores-some-ar-image232017106.html
RMRDD856–. Botany for agricultural students . Botany. 314 THALLOPHYTES special cells and often on different plants. Also in the higher forms, the introduction of a case around the oospore, and a new structural stage between fertilization and the formation of new plants, suggests a relationship to the higher plants. On the other hand, the simpler forms resemble some of the Protococcales from which the Confervales have probably been evolved. Conjugating Algae (Conjugales).—This group is so named because of the peculiar conjugating habit, in which the contents of two cells fuse to form zygospores. Some ar
Stack running at the shipyard. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Stapelavlöpning vid varvet.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stack-running-at-the-shipyard-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-stapelavlpning-vid-varvetgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600768.html
RM2JWW754–Stack running at the shipyard. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Stapelavlöpning vid varvet.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Beginners' botany. Botany. and the plant straightens and the cotyledons expand. These coty- ledons, or " halves of the bean," persist for some time {h, Fig. 19). They often become green and probably perform some function of foliage. Because of its large size, the Lima bean shows all these parts well. Germination of Castor Bean. — In the castor bean the hilum and micropyle are at the smaller end (Fig. 20). The bean " comes up" with a loop, which indicates that the hypocotyl greatly elongates. On examining germi- nating seed, however, it will be found that the cotyledons ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beginners-botany-botany-and-the-plant-straightens-and-the-cotyledons-expand-these-coty-ledons-or-quot-halves-of-the-beanquot-persist-for-some-time-h-fig-19-they-often-become-green-and-probably-perform-some-function-of-foliage-because-of-its-large-size-the-lima-bean-shows-all-these-parts-well-germination-of-castor-bean-in-the-castor-bean-the-hilum-and-micropyle-are-at-the-smaller-end-fig-20-the-bean-quot-comes-upquot-with-a-loop-which-indicates-that-the-hypocotyl-greatly-elongates-on-examining-germi-nating-seed-however-it-will-be-found-that-the-cotyledons-ar-image231951771.html
RMRDA8RR–. Beginners' botany. Botany. and the plant straightens and the cotyledons expand. These coty- ledons, or " halves of the bean," persist for some time {h, Fig. 19). They often become green and probably perform some function of foliage. Because of its large size, the Lima bean shows all these parts well. Germination of Castor Bean. — In the castor bean the hilum and micropyle are at the smaller end (Fig. 20). The bean " comes up" with a loop, which indicates that the hypocotyl greatly elongates. On examining germi- nating seed, however, it will be found that the cotyledons ar
Säter's beautiful valley. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Säters sköna dal.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sters-beautiful-valley-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-sters-skna-dalgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600763.html
RM2JWW74Y–Säter's beautiful valley. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Säters sköna dal.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
The picture is probably from Norelund, Hemlingby. From left: Ruben Brundin, grandfather Anders Johan Brundin, Elna Brundin, grandmother Kerstin Brundin with Karin in her lap and David Brundin with the accordion. Bilden är troligen från Norelund, Hemlingby. Från vänster: Ruben Brundin, farfar Anders Johan Brundin, Elna Brundin, farmor Kerstin Brundin med Karin i knät och David Brundin med dragspelet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-picture-is-probably-from-norelund-hemlingby-from-left-ruben-brundin-grandfather-anders-johan-brundin-elna-brundin-grandmother-kerstin-brundin-with-karin-in-her-lap-and-david-brundin-with-the-accordion-bilden-r-troligen-frn-norelund-hemlingby-frn-vnster-ruben-brundin-farfar-anders-johan-brundin-elna-brundin-farmor-kerstin-brundin-med-karin-i-knt-och-david-brundin-med-dragspelet-image480568184.html
RM2JWRNHC–The picture is probably from Norelund, Hemlingby. From left: Ruben Brundin, grandfather Anders Johan Brundin, Elna Brundin, grandmother Kerstin Brundin with Karin in her lap and David Brundin with the accordion. Bilden är troligen från Norelund, Hemlingby. Från vänster: Ruben Brundin, farfar Anders Johan Brundin, Elna Brundin, farmor Kerstin Brundin med Karin i knät och David Brundin med dragspelet.
The picture is probably taken in Lingbo in southern Hälsingland, where the family lived in the summer for a period of time. The people from left: Ingrid, Sören, Eva, Karin, David and Elna Brundin. Bilden är antagligen tagen i Lingbo i södra Hälsingland, där familjen bodde sommartid under en tidsperiod. Personerna från vänster: Ingrid, Sören, Eva, Karin, David och Elna Brundin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-picture-is-probably-taken-in-lingbo-in-southern-hlsingland-where-the-family-lived-in-the-summer-for-a-period-of-time-the-people-from-left-ingrid-sren-eva-karin-david-and-elna-brundin-bilden-r-antagligen-tagen-i-lingbo-i-sdra-hlsingland-dr-familjen-bodde-sommartid-under-en-tidsperiod-personerna-frn-vnster-ingrid-sren-eva-karin-david-och-elna-brundin-image480568206.html
RM2JWRNJ6–The picture is probably taken in Lingbo in southern Hälsingland, where the family lived in the summer for a period of time. The people from left: Ingrid, Sören, Eva, Karin, David and Elna Brundin. Bilden är antagligen tagen i Lingbo i södra Hälsingland, där familjen bodde sommartid under en tidsperiod. Personerna från vänster: Ingrid, Sören, Eva, Karin, David och Elna Brundin.
Skeppsbron from Katarina Hiss. Stockholm Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Skeppsbron från Katarinahissen. StockholmGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skeppsbron-from-katarina-hiss-stockholm-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-skeppsbron-frn-katarinahissen-stockholmgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600740.html
RM2JWW744–Skeppsbron from Katarina Hiss. Stockholm Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Skeppsbron från Katarinahissen. StockholmGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Florists' review [microform]. Floriculture. Tulips and Cyclamens Given a St. Valentine's Day Touch by the Accessories. inf If BO, I think I could get it. Any- way, I could get shavings from a plan- ing mill. I would prefer to use the hay if it will do. Any information on the subject will be greatly appreciated. r. M. D. You had your roses properly stored in the first place, and all the attention needed was to shake the falling leaves from them. Keep them well aired and maintain a low temperature. Probably jou have ventilated them insufficiently. If kept at all close, both roots and shoots ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florists-review-microform-floriculture-tulips-and-cyclamens-given-a-st-valentines-day-touch-by-the-accessories-inf-if-bo-i-think-i-could-get-it-any-way-i-could-get-shavings-from-a-plan-ing-mill-i-would-prefer-to-use-the-hay-if-it-will-do-any-information-on-the-subject-will-be-greatly-appreciated-r-m-d-you-had-your-roses-properly-stored-in-the-first-place-and-all-the-attention-needed-was-to-shake-the-falling-leaves-from-them-keep-them-well-aired-and-maintain-a-low-temperature-probably-jou-have-ventilated-them-insufficiently-if-kept-at-all-close-both-roots-and-shoots-ar-image238438010.html
RMRRWP36–. Florists' review [microform]. Floriculture. Tulips and Cyclamens Given a St. Valentine's Day Touch by the Accessories. inf If BO, I think I could get it. Any- way, I could get shavings from a plan- ing mill. I would prefer to use the hay if it will do. Any information on the subject will be greatly appreciated. r. M. D. You had your roses properly stored in the first place, and all the attention needed was to shake the falling leaves from them. Keep them well aired and maintain a low temperature. Probably jou have ventilated them insufficiently. If kept at all close, both roots and shoots ar
Children's party in Furuvik. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Barnfest i Furuvik.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childrens-party-in-furuvik-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-barnfest-i-furuvikgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600738.html
RM2JWW742–Children's party in Furuvik. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Barnfest i Furuvik.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Veterinary surgery ... Veterinary surgery; Veterinary pathology; Horses; Teeth; Domestic animals. Fig. 124. Fig. 125. A Large Odontoma of the 6th Su- Odontomata of the 3rd and 4th Su- perior Molar. perior Molars. are probably the result of some perversion of their foetal evolution. Symptoms:—The odontoma may exist unobserved until attempt is made to extract the tooth to which it is attached. The tooth will be easily loosened, but in spite of all efforts it cannot be lifted from its cavity. There is usually a slight tumefaction of the skull over its fang. In the superior ar- cades and on the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/veterinary-surgery-veterinary-surgery-veterinary-pathology-horses-teeth-domestic-animals-fig-124-fig-125-a-large-odontoma-of-the-6th-su-odontomata-of-the-3rd-and-4th-su-perior-molar-perior-molars-are-probably-the-result-of-some-perversion-of-their-foetal-evolution-symptomsthe-odontoma-may-exist-unobserved-until-attempt-is-made-to-extract-the-tooth-to-which-it-is-attached-the-tooth-will-be-easily-loosened-but-in-spite-of-all-efforts-it-cannot-be-lifted-from-its-cavity-there-is-usually-a-slight-tumefaction-of-the-skull-over-its-fang-in-the-superior-ar-cades-and-on-the-image232199872.html
RMRDNH8G–. Veterinary surgery ... Veterinary surgery; Veterinary pathology; Horses; Teeth; Domestic animals. Fig. 124. Fig. 125. A Large Odontoma of the 6th Su- Odontomata of the 3rd and 4th Su- perior Molar. perior Molars. are probably the result of some perversion of their foetal evolution. Symptoms:—The odontoma may exist unobserved until attempt is made to extract the tooth to which it is attached. The tooth will be easily loosened, but in spite of all efforts it cannot be lifted from its cavity. There is usually a slight tumefaction of the skull over its fang. In the superior ar- cades and on the
Essinges Strait from Marieberg. Stockholm Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Essingesundet från Marieberg. StockholmGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/essinges-strait-from-marieberg-stockholm-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-essingesundet-frn-marieberg-stockholmgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600779.html
RM2JWW75F–Essinges Strait from Marieberg. Stockholm Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Essingesundet från Marieberg. StockholmGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. A treatise on some of the insects injurious to vegetation . Insect pests. THE TIGER-MOTHS. 347 that they sometimes make great devastation among young Indian corn in the Southern States. A much more abundant species in Massachusetts is that which has been called the harnessed moth, Arctia phalerata (Fig. 166) of my Catalogue. t i • <? Fig. 166. It makes its appearance from the end of May to the middle of August, and probably breeds throughout the whole summer. It is of a pale buff or nankin color; the hind wings next to the body, and the sides of the body, are reddish; on the fore wings ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-treatise-on-some-of-the-insects-injurious-to-vegetation-insect-pests-the-tiger-moths-347-that-they-sometimes-make-great-devastation-among-young-indian-corn-in-the-southern-states-a-much-more-abundant-species-in-massachusetts-is-that-which-has-been-called-the-harnessed-moth-arctia-phalerata-fig-166-of-my-catalogue-t-i-lt-fig-166-it-makes-its-appearance-from-the-end-of-may-to-the-middle-of-august-and-probably-breeds-throughout-the-whole-summer-it-is-of-a-pale-buff-or-nankin-color-the-hind-wings-next-to-the-body-and-the-sides-of-the-body-are-reddish-on-the-fore-wings-ar-image232236250.html
RMRDR7KP–. A treatise on some of the insects injurious to vegetation . Insect pests. THE TIGER-MOTHS. 347 that they sometimes make great devastation among young Indian corn in the Southern States. A much more abundant species in Massachusetts is that which has been called the harnessed moth, Arctia phalerata (Fig. 166) of my Catalogue. t i • <? Fig. 166. It makes its appearance from the end of May to the middle of August, and probably breeds throughout the whole summer. It is of a pale buff or nankin color; the hind wings next to the body, and the sides of the body, are reddish; on the fore wings ar
Unknown environment, but Elna Brundin has parked the stroller and picked up her son Sören, who can be 1 year. Probably grandmother Anna Larsdotter Olsson stands in the door. The man to the left unknown. Obekant miljö, men Elna Brundin har parkerat barnvagnen och tagit upp sonen Sören, som kan vara 1 år. Antagligen står mormor Anna Larsdotter Olsson i dörren. Mannen till vänster obekant. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-environment-but-elna-brundin-has-parked-the-stroller-and-picked-up-her-son-sren-who-can-be-1-year-probably-grandmother-anna-larsdotter-olsson-stands-in-the-door-the-man-to-the-left-unknown-obekant-milj-men-elna-brundin-har-parkerat-barnvagnen-och-tagit-upp-sonen-sren-som-kan-vara-1-r-antagligen-str-mormor-anna-larsdotter-olsson-i-drren-mannen-till-vnster-obekant-image480569783.html
RM2JWRRJF–Unknown environment, but Elna Brundin has parked the stroller and picked up her son Sören, who can be 1 year. Probably grandmother Anna Larsdotter Olsson stands in the door. The man to the left unknown. Obekant miljö, men Elna Brundin har parkerat barnvagnen och tagit upp sonen Sören, som kan vara 1 år. Antagligen står mormor Anna Larsdotter Olsson i dörren. Mannen till vänster obekant.
Lodstöparbo next to Säter. Barbro Stigsdotter's birthplace. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Lodstöparbo invid Säter. Barbro Stigsdotters födelseort.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lodstparbo-next-to-ster-barbro-stigsdotters-birthplace-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-lodstparbo-invid-ster-barbro-stigsdotters-fdelseortgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600776.html
RM2JWW75C–Lodstöparbo next to Säter. Barbro Stigsdotter's birthplace. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Lodstöparbo invid Säter. Barbro Stigsdotters födelseort.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Zoölogy [microform] : descriptive and practical. Zoology; Zoologie. Pisces. 169 The gill openings are separate. The teeth are flat, three- cornered, and sharp. There is a constant succession ot eeth, so that as those of the front row are lost, others take the,r place from behind. Though sharks ar^ very vora! cous, ,t does not follow that they always attack human. Fig. 103. Shark (Dogfish). Showing separate gill slit,. Tail heterocercal. beings. For instance, on the coast of North Carolina sharks are abundant and of large size; yet they do not attack man This ,s probably because fishes are ab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zology-microform-descriptive-and-practical-zoology-zoologie-pisces-169-the-gill-openings-are-separate-the-teeth-are-flat-three-cornered-and-sharp-there-is-a-constant-succession-ot-eeth-so-that-as-those-of-the-front-row-are-lost-others-take-ther-place-from-behind-though-sharks-ar-very-vora!-cous-t-does-not-follow-that-they-always-attack-human-fig-103-shark-dogfish-showing-separate-gill-slit-tail-heterocercal-beings-for-instance-on-the-coast-of-north-carolina-sharks-are-abundant-and-of-large-size-yet-they-do-not-attack-man-this-s-probably-because-fishes-are-ab-image232820868.html
RMRENWB0–. Zoölogy [microform] : descriptive and practical. Zoology; Zoologie. Pisces. 169 The gill openings are separate. The teeth are flat, three- cornered, and sharp. There is a constant succession ot eeth, so that as those of the front row are lost, others take the,r place from behind. Though sharks ar^ very vora! cous, ,t does not follow that they always attack human. Fig. 103. Shark (Dogfish). Showing separate gill slit,. Tail heterocercal. beings. For instance, on the coast of North Carolina sharks are abundant and of large size; yet they do not attack man This ,s probably because fishes are ab
St. Erik's bridge at Rörstrand. Stockholm Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. S:t Eriks bro vid Rörstrand. StockholmGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-eriks-bridge-at-rrstrand-stockholm-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-st-eriks-bro-vid-rrstrand-stockholmgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600731.html
RM2JWW73R–St. Erik's bridge at Rörstrand. Stockholm Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. S:t Eriks bro vid Rörstrand. StockholmGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
Mine the so -called shock. Falun Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Gruvan den så kallade Stöten. FalunGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mine-the-so-called-shock-falun-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-gruvan-den-s-kallade-stten-falungustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600705.html
RM2JWW72W–Mine the so -called shock. Falun Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Gruvan den så kallade Stöten. FalunGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. North American geology and palaeontology for the use of amateurs, students, and scientists [microform]. Paleontology; Paleontology; Geology; Paléontologie; Paléontologie; Géologie. Aethocystiteh, S. a. Miller, 1892, Advance Sheets 18th Itep. (ieo. Sur. Ind., p. 9. [Ety. aeUie», unusual; ku.»- fix, bladder.] This genus consists of the bodies of elon- fated, subel- i p tical Cy- stoidea of un- determined family altinity. Probably they do not belong to any defined family. There are only three ranges of plates. In the fl r.s t range there ar« three plates, they form an obconical cup, commencing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/north-american-geology-and-palaeontology-for-the-use-of-amateurs-students-and-scientists-microform-paleontology-paleontology-geology-palontologie-palontologie-gologie-aethocystiteh-s-a-miller-1892-advance-sheets-18th-itep-ieo-sur-ind-p-9-ety-aeuie-unusual-ku-fix-bladder-this-genus-consists-of-the-bodies-of-elon-fated-subel-i-p-tical-cy-stoidea-of-un-determined-family-altinity-probably-they-do-not-belong-to-any-defined-family-there-are-only-three-ranges-of-plates-in-the-fl-rs-t-range-there-ar-three-plates-they-form-an-obconical-cup-commencing-image234845050.html
RMRJ2376–. North American geology and palaeontology for the use of amateurs, students, and scientists [microform]. Paleontology; Paleontology; Geology; Paléontologie; Paléontologie; Géologie. Aethocystiteh, S. a. Miller, 1892, Advance Sheets 18th Itep. (ieo. Sur. Ind., p. 9. [Ety. aeUie», unusual; ku.»- fix, bladder.] This genus consists of the bodies of elon- fated, subel- i p tical Cy- stoidea of un- determined family altinity. Probably they do not belong to any defined family. There are only three ranges of plates. In the fl r.s t range there ar« three plates, they form an obconical cup, commencing
Viaduct at Uppsala Gefle Railway. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Viadukt å Uppsala Gefle Jernväg.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/viaduct-at-uppsala-gefle-railway-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-viadukt-uppsala-gefle-jernvggustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600718.html
RM2JWW73A–Viaduct at Uppsala Gefle Railway. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Viadukt å Uppsala Gefle Jernväg.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Florists' review [microform]. Floriculture. 54 The Florists^ Review JuMii 1. 1922. LOS ANGELES. The Maxket. During the week preceding Memorial day, business kept up fairly well, with plenty of stock of all kinds. By ship- ping time it was expected that there would be an abundance of gladioli and other flowers suitable for long-distance work and probably plenty of left-overs for local use. Memorial day, as a rule, does not call for high-priced stock, but rather for quantities of showy material that will stand the heat so late in the season. Eose growers are in with a fine cut. Some peonies ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florists-review-microform-floriculture-54-the-florists-review-jumii-1-1922-los-angeles-the-maxket-during-the-week-preceding-memorial-day-business-kept-up-fairly-well-with-plenty-of-stock-of-all-kinds-by-ship-ping-time-it-was-expected-that-there-would-be-an-abundance-of-gladioli-and-other-flowers-suitable-for-long-distance-work-and-probably-plenty-of-left-overs-for-local-use-memorial-day-as-a-rule-does-not-call-for-high-priced-stock-but-rather-for-quantities-of-showy-material-that-will-stand-the-heat-so-late-in-the-season-eose-growers-are-in-with-a-fine-cut-some-peonies-ar-image238090720.html
RMRR9Y40–. Florists' review [microform]. Floriculture. 54 The Florists^ Review JuMii 1. 1922. LOS ANGELES. The Maxket. During the week preceding Memorial day, business kept up fairly well, with plenty of stock of all kinds. By ship- ping time it was expected that there would be an abundance of gladioli and other flowers suitable for long-distance work and probably plenty of left-overs for local use. Memorial day, as a rule, does not call for high-priced stock, but rather for quantities of showy material that will stand the heat so late in the season. Eose growers are in with a fine cut. Some peonies ar
Out on the sea, piloted at price sailing. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Ute på havet, lots vid prissegling.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/out-on-the-sea-piloted-at-price-sailing-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-ute-p-havet-lots-vid-prisseglinggustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600771.html
RM2JWW757–Out on the sea, piloted at price sailing. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Ute på havet, lots vid prissegling.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. Bulletin (Pennsylvania Department of Forests and Waters), no. 40-45. Forests and forestry. 46 COMPARISON OF CAUSES OF FOREST FIRES YEARLY AVERAGE FOR 10-YEAR PERIOD —1917-1926. 47 is covered with very inflammable material. Probably several mil- lion acres of other land covered with inflammable material adjoin forest areas. Through this tremendous area are thousands of miles of highways, railways and other ways along which and from which travel the millions of our own population and those of other states. A quarter million llshermen are along forest streams in spring. Over a million people ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-pennsylvania-department-of-forests-and-waters-no-40-45-forests-and-forestry-46-comparison-of-causes-of-forest-fires-yearly-average-for-10-year-period-1917-1926-47-is-covered-with-very-inflammable-material-probably-several-mil-lion-acres-of-other-land-covered-with-inflammable-material-adjoin-forest-areas-through-this-tremendous-area-are-thousands-of-miles-of-highways-railways-and-other-ways-along-which-and-from-which-travel-the-millions-of-our-own-population-and-those-of-other-states-a-quarter-million-llshermen-are-along-forest-streams-in-spring-over-a-million-people-ar-image233782436.html
RMRG9KTM–. Bulletin (Pennsylvania Department of Forests and Waters), no. 40-45. Forests and forestry. 46 COMPARISON OF CAUSES OF FOREST FIRES YEARLY AVERAGE FOR 10-YEAR PERIOD —1917-1926. 47 is covered with very inflammable material. Probably several mil- lion acres of other land covered with inflammable material adjoin forest areas. Through this tremendous area are thousands of miles of highways, railways and other ways along which and from which travel the millions of our own population and those of other states. A quarter million llshermen are along forest streams in spring. Over a million people ar
Part of Öregrund. (taken from the lookout.) Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. En del av Öregrund. (taget från utkiken.)Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-regrund-taken-from-the-lookout-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-en-del-av-regrund-taget-frn-utkikengustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600702.html
RM2JWW72P–Part of Öregrund. (taken from the lookout.) Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. En del av Öregrund. (taget från utkiken.)Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. A review of the non-marine fossil mollusca of North America [microform]. Mollusks, Fossil; Mollusques fossiles. , i I NON-MARINE FOSSIL MOLLUSCA. is now occnpii'd hy the Xoitli Amciiiiiii coiitiiK'nt duriiifj; the epochs tliiit all ;>(M)l(>'iisls iijiict' ill rd'ciiinj;' to the C'lotact'ous poiiod. It can- not l>o doubted, however, that maii.v representatives of the lUniily really lived durinH that peri(td, llie remains ot'most of whitdi ar«'probably for- ever lost, but .'.ome of wliicli we may yet hope to discover. The excep- tion that has be"ii referred to is a species, tlie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-review-of-the-non-marine-fossil-mollusca-of-north-america-microform-mollusks-fossil-mollusques-fossiles-i-i-non-marine-fossil-mollusca-is-now-occnpiid-hy-the-xoitli-amciiiiiii-coiitiiknt-duriiifj-the-epochs-tliiit-all-gtmlgtiisls-iijiict-ill-rdciiinj-to-the-clotactous-poiiod-it-can-not-lgto-doubted-however-that-maiiv-representatives-of-the-luniily-really-lived-durinh-that-peritd-llie-remains-otmost-of-whitdi-arprobably-for-ever-lost-but-ome-of-wliicli-we-may-yet-hope-to-discover-the-excep-tion-that-has-bequotii-referred-to-is-a-species-tlie-image234827298.html
RMRJ18H6–. A review of the non-marine fossil mollusca of North America [microform]. Mollusks, Fossil; Mollusques fossiles. , i I NON-MARINE FOSSIL MOLLUSCA. is now occnpii'd hy the Xoitli Amciiiiiii coiitiiK'nt duriiifj; the epochs tliiit all ;>(M)l(>'iisls iijiict' ill rd'ciiinj;' to the C'lotact'ous poiiod. It can- not l>o doubted, however, that maii.v representatives of the lUniily really lived durinH that peri(td, llie remains ot'most of whitdi ar«'probably for- ever lost, but .'.ome of wliicli we may yet hope to discover. The excep- tion that has be"ii referred to is a species, tlie
From the factory, sludge pool and drying shed. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the PredningareneGefle tile factory. He himself has identified the pictures, the captions are also his own. Från fabriken, slambassäng och torkskjul.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/from-the-factory-sludge-pool-and-drying-shed-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-predningarenegefle-tile-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-frn-fabriken-slambassng-och-torkskjulgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600693.html
RM2JWW72D–From the factory, sludge pool and drying shed. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the PredningareneGefle tile factory. He himself has identified the pictures, the captions are also his own. Från fabriken, slambassäng och torkskjul.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
This is probably in Hemlingby. The sisters Brundin with Elna's cousins, Anna Larsson on the left and Ellen Larsson, the woman in the middle. Ellen was often hired to help Elna Brundin to take care of the children. Det här är antagligen i Hemlingby. Systrarna Brundin med Elnas kusiner, Anna Larsson till vänster och Ellen Larsson, kvinnan i mitten. Ellen anlitades ofta som hjälp till Elna Brundin för att sköta barnen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-probably-in-hemlingby-the-sisters-brundin-with-elnas-cousins-anna-larsson-on-the-left-and-ellen-larsson-the-woman-in-the-middle-ellen-was-often-hired-to-help-elna-brundin-to-take-care-of-the-children-det-hr-r-antagligen-i-hemlingby-systrarna-brundin-med-elnas-kusiner-anna-larsson-till-vnster-och-ellen-larsson-kvinnan-i-mitten-ellen-anlitades-ofta-som-hjlp-till-elna-brundin-fr-att-skta-barnen-image480578767.html
RM2JWT73B–This is probably in Hemlingby. The sisters Brundin with Elna's cousins, Anna Larsson on the left and Ellen Larsson, the woman in the middle. Ellen was often hired to help Elna Brundin to take care of the children. Det här är antagligen i Hemlingby. Systrarna Brundin med Elnas kusiner, Anna Larsson till vänster och Ellen Larsson, kvinnan i mitten. Ellen anlitades ofta som hjälp till Elna Brundin för att sköta barnen.
The guard on the left is probably Einar Olsson (brother of Elna Brundin) and his siblings are standing on the stairs. At the top, David Brundin and Elna stand in white cap and white blouse. Other unknowns. Beväringen till vänster är troligen Einar Olsson (bror till Elna Brundin) och hans syskon står i trappan. Längst upp står David Brundin och Elna i vit mössa och vit blus. Övriga okända. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-guard-on-the-left-is-probably-einar-olsson-brother-of-elna-brundin-and-his-siblings-are-standing-on-the-stairs-at-the-top-david-brundin-and-elna-stand-in-white-cap-and-white-blouse-other-unknowns-bevringen-till-vnster-r-troligen-einar-olsson-bror-till-elna-brundin-och-hans-syskon-str-i-trappan-lngst-upp-str-david-brundin-och-elna-i-vit-mssa-och-vit-blus-vriga-oknda-image480571863.html
RM2JWRX8R–The guard on the left is probably Einar Olsson (brother of Elna Brundin) and his siblings are standing on the stairs. At the top, David Brundin and Elna stand in white cap and white blouse. Other unknowns. Beväringen till vänster är troligen Einar Olsson (bror till Elna Brundin) och hans syskon står i trappan. Längst upp står David Brundin och Elna i vit mössa och vit blus. Övriga okända.
Elna Brundin to the right with her daughters Ingrid and Karin. Behind Elna's mother Anna Larsdotter Olsson. They are in a greenhouse, probably to buy a palm, which was very common in the homes at that time. Elna Brundin till höger med sina döttrar Ingrid och Karin. Bakom Elnas mor Anna Larsdotter Olsson. Dom är i ett växthus, antagligen för att köpa en palm, som var väldigt vanliga i hemmen på den tiden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elna-brundin-to-the-right-with-her-daughters-ingrid-and-karin-behind-elnas-mother-anna-larsdotter-olsson-they-are-in-a-greenhouse-probably-to-buy-a-palm-which-was-very-common-in-the-homes-at-that-time-elna-brundin-till-hger-med-sina-dttrar-ingrid-och-karin-bakom-elnas-mor-anna-larsdotter-olsson-dom-r-i-ett-vxthus-antagligen-fr-att-kpa-en-palm-som-var-vldigt-vanliga-i-hemmen-p-den-tiden-image480571389.html
RM2JWRWKW–Elna Brundin to the right with her daughters Ingrid and Karin. Behind Elna's mother Anna Larsdotter Olsson. They are in a greenhouse, probably to buy a palm, which was very common in the homes at that time. Elna Brundin till höger med sina döttrar Ingrid och Karin. Bakom Elnas mor Anna Larsdotter Olsson. Dom är i ett växthus, antagligen för att köpa en palm, som var väldigt vanliga i hemmen på den tiden.
. Our ferns in their haunts [microform] : a guide to all the native species. Ferns; Fougères. THE OSMUNDAS. ar. A FBUITINO PINNA. When full grown, the sterile fronds arc often six feet high with stipes a foot long, and spread out in circular crowns like shuttlecocks or great green vases. They are lanceolate or oblong-lanceolate in out- line with twenty or more i)airs of nearly opposite, lanceolate pinna; cut nearly to the rachis into numerous oblong, rounded lobes. The fertile fronds are totally unlike them ; in fact, in this species the difference between the two is probably greater than in a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/our-ferns-in-their-haunts-microform-a-guide-to-all-the-native-species-ferns-fougres-the-osmundas-ar-a-fbuitino-pinna-when-full-grown-the-sterile-fronds-arc-often-six-feet-high-with-stipes-a-foot-long-and-spread-out-in-circular-crowns-like-shuttlecocks-or-great-green-vases-they-are-lanceolate-or-oblong-lanceolate-in-out-line-with-twenty-or-more-iairs-of-nearly-opposite-lanceolate-pinna-cut-nearly-to-the-rachis-into-numerous-oblong-rounded-lobes-the-fertile-fronds-are-totally-unlike-them-in-fact-in-this-species-the-difference-between-the-two-is-probably-greater-than-in-a-image232793475.html
RMREMJCK–. Our ferns in their haunts [microform] : a guide to all the native species. Ferns; Fougères. THE OSMUNDAS. ar. A FBUITINO PINNA. When full grown, the sterile fronds arc often six feet high with stipes a foot long, and spread out in circular crowns like shuttlecocks or great green vases. They are lanceolate or oblong-lanceolate in out- line with twenty or more i)airs of nearly opposite, lanceolate pinna; cut nearly to the rachis into numerous oblong, rounded lobes. The fertile fronds are totally unlike them ; in fact, in this species the difference between the two is probably greater than in a
Elna Brundin to the right with her daughters Karin and Ingrid. To the left Elna's mother Anna Larsdotter Olsson. They are in a greenhouse, probably to buy a palm, which was very common in the homes at that time. Elna Brundin till höger med sina döttrar Karin och Ingrid. Till vänster Elnas mor Anna Larsdotter Olsson. Dom är i ett växthus, antagligen för att köpa en palm, som var väldigt vanliga i hemmen på den tiden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elna-brundin-to-the-right-with-her-daughters-karin-and-ingrid-to-the-left-elnas-mother-anna-larsdotter-olsson-they-are-in-a-greenhouse-probably-to-buy-a-palm-which-was-very-common-in-the-homes-at-that-time-elna-brundin-till-hger-med-sina-dttrar-karin-och-ingrid-till-vnster-elnas-mor-anna-larsdotter-olsson-dom-r-i-ett-vxthus-antagligen-fr-att-kpa-en-palm-som-var-vldigt-vanliga-i-hemmen-p-den-tiden-image480571403.html
RM2JWRWMB–Elna Brundin to the right with her daughters Karin and Ingrid. To the left Elna's mother Anna Larsdotter Olsson. They are in a greenhouse, probably to buy a palm, which was very common in the homes at that time. Elna Brundin till höger med sina döttrar Karin och Ingrid. Till vänster Elnas mor Anna Larsdotter Olsson. Dom är i ett växthus, antagligen för att köpa en palm, som var väldigt vanliga i hemmen på den tiden.
This is probably on a farm in Strömsbro. It is Grandma Kerstin Brundin sitting in the middle and behind her David Brundin with her daughter Eva. The others are relatives of Einar Olsson's wife Ellen. Det här är antagligen på en gård i Strömsbro. Det är farmor Kerstin Brundin sittande i mitten och bakom henne David Brundin med dottern Eva. Övriga är släktingar till Einar Olssons hustru Ellen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-probably-on-a-farm-in-strmsbro-it-is-grandma-kerstin-brundin-sitting-in-the-middle-and-behind-her-david-brundin-with-her-daughter-eva-the-others-are-relatives-of-einar-olssons-wife-ellen-det-hr-r-antagligen-p-en-grd-i-strmsbro-det-r-farmor-kerstin-brundin-sittande-i-mitten-och-bakom-henne-david-brundin-med-dottern-eva-vriga-r-slktingar-till-einar-olssons-hustru-ellen-image480569231.html
RM2JWRPXR–This is probably on a farm in Strömsbro. It is Grandma Kerstin Brundin sitting in the middle and behind her David Brundin with her daughter Eva. The others are relatives of Einar Olsson's wife Ellen. Det här är antagligen på en gård i Strömsbro. Det är farmor Kerstin Brundin sittande i mitten och bakom henne David Brundin med dottern Eva. Övriga är släktingar till Einar Olssons hustru Ellen.
In Gefle harbor, German newspaper at the king and the emperor visit. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the PredningareneGefle tile factory. He himself has identified the pictures, the captions are also his own. I Gefle hamn, tysk avisoångare vid kunga och kejsarbesöket.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-gefle-harbor-german-newspaper-at-the-king-and-the-emperor-visit-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-predningarenegefle-tile-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-i-gefle-hamn-tysk-avisongare-vid-kunga-och-kejsarbesketgustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600688.html
RM2JWW728–In Gefle harbor, German newspaper at the king and the emperor visit. Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the PredningareneGefle tile factory. He himself has identified the pictures, the captions are also his own. I Gefle hamn, tysk avisoångare vid kunga och kejsarbesöket.Gustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
. The Victoria history of the county of Bedford. Natural history. A HISTORY OF BEDFORDSHIRE. D 0 c w R A. Sable a cheveron engrailed argent between three roundels ar- gent each having a pale gulet upon it. there in 1617.⢠This manor appears to have passed to the Crawleys, for in 1772 John Crawley owned Stopsley manor, together with other manors in the same parish,^' amongst which it probably became absorbed, for no further mention has been found of it. A third, WOODCROFT MANOR, is found in this parish during the sixteenth century. It appears always to have followed the same descent as Bramble Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-bedford-natural-history-a-history-of-bedfordshire-d-0-c-w-r-a-sable-a-cheveron-engrailed-argent-between-three-roundels-ar-gent-each-having-a-pale-gulet-upon-it-there-in-1617-this-manor-appears-to-have-passed-to-the-crawleys-for-in-1772-john-crawley-owned-stopsley-manor-together-with-other-manors-in-the-same-parish-amongst-which-it-probably-became-absorbed-for-no-further-mention-has-been-found-of-it-a-third-woodcroft-manor-is-found-in-this-parish-during-the-sixteenth-century-it-appears-always-to-have-followed-the-same-descent-as-bramble-image232055330.html
RMRDF0XA–. The Victoria history of the county of Bedford. Natural history. A HISTORY OF BEDFORDSHIRE. D 0 c w R A. Sable a cheveron engrailed argent between three roundels ar- gent each having a pale gulet upon it. there in 1617.⢠This manor appears to have passed to the Crawleys, for in 1772 John Crawley owned Stopsley manor, together with other manors in the same parish,^' amongst which it probably became absorbed, for no further mention has been found of it. A third, WOODCROFT MANOR, is found in this parish during the sixteenth century. It appears always to have followed the same descent as Bramble
Memory of Fredriksskans. (The person is cousin Lotten's man.) Gefle Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Minne av Fredriksskans. (personen är kusin Lottens man.) GefleGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memory-of-fredriksskans-the-person-is-cousin-lottens-man-gefle-gustav-arvid-asplund-master-at-gefle-porcelain-factory-in-the-1910s-probably-he-was-also-employed-at-the-piginant-gefle-kakel-factory-he-himself-has-identified-the-pictures-the-captions-are-also-his-own-minne-av-fredriksskans-personen-r-kusin-lottens-man-geflegustav-arvid-asplund-verkmstare-p-gefle-porslinsfabrik-p1910-talet-frmodligen-var-han-ven-anstlld-p-fregngarengefle-kakelfabrikbilderna-har-han-sjlv-identifierat-bildtexterna-r-ocks-hans-egna-image480600666.html
RM2JWW71E–Memory of Fredriksskans. (The person is cousin Lotten's man.) Gefle Gustav Arvid Asplund, master at Gefle Porcelain Factory in the 1910s. Probably he was also employed at the Piginant Gefle Kakel factory. He himself has identified the pictures, the captions are also his own. Minne av Fredriksskans. (personen är kusin Lottens man.) GefleGustav Arvid Asplund, verkmästare på Gefle Porslinsfabrik på1910-talet. Förmodligen var han även anställd på föregångarenGefle Kakelfabrik.Bilderna har han själv identifierat, bildtexterna är också hans egna.
This is probably from Ytterharnäs, where the Brundin family rented a summer place by a fisherman. The people from left: Elna and David Brundin, unknown woman, Elna's sister Gertrud with man or hubby Carl Nordgren with the accordion. Det här är troligtvis från Ytterharnäs, där familjen Brundin hyrde ett sommarställe av en fiskare. Personerna från vänster: Elna och David Brundin, okänd kvinna, Elnas syster Gertrud med man eller fästman Carl Nordgren med dragspelet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-is-probably-from-ytterharns-where-the-brundin-family-rented-a-summer-place-by-a-fisherman-the-people-from-left-elna-and-david-brundin-unknown-woman-elnas-sister-gertrud-with-man-or-hubby-carl-nordgren-with-the-accordion-det-hr-r-troligtvis-frn-ytterharns-dr-familjen-brundin-hyrde-ett-sommarstlle-av-en-fiskare-personerna-frn-vnster-elna-och-david-brundin-oknd-kvinna-elnas-syster-gertrud-med-man-eller-fstman-carl-nordgren-med-dragspelet-image480570828.html
RM2JWRTYT–This is probably from Ytterharnäs, where the Brundin family rented a summer place by a fisherman. The people from left: Elna and David Brundin, unknown woman, Elna's sister Gertrud with man or hubby Carl Nordgren with the accordion. Det här är troligtvis från Ytterharnäs, där familjen Brundin hyrde ett sommarställe av en fiskare. Personerna från vänster: Elna och David Brundin, okänd kvinna, Elnas syster Gertrud med man eller fästman Carl Nordgren med dragspelet.
Here is a street image from Gävle, the corner at the Dalapalatset where there was a deal that was probably called Anderssons. It is Elna's sisters Gertrud and Ingeborg who are out on a shopping walk. Elna's shadow falls on the ground. Här är en gatubild från Gävle, hörnan vid Dalapalatset där det fanns en affär som troligen hette Anderssons. Det är Elnas systrar Gertrud och Ingeborg som är ute på shoppingpromenad. Elnas skugga faller på marken. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/here-is-a-street-image-from-gvle-the-corner-at-the-dalapalatset-where-there-was-a-deal-that-was-probably-called-anderssons-it-is-elnas-sisters-gertrud-and-ingeborg-who-are-out-on-a-shopping-walk-elnas-shadow-falls-on-the-ground-hr-r-en-gatubild-frn-gvle-hrnan-vid-dalapalatset-dr-det-fanns-en-affr-som-troligen-hette-anderssons-det-r-elnas-systrar-gertrud-och-ingeborg-som-r-ute-p-shoppingpromenad-elnas-skugga-faller-p-marken-image480569764.html
RM2JWRRHT–Here is a street image from Gävle, the corner at the Dalapalatset where there was a deal that was probably called Anderssons. It is Elna's sisters Gertrud and Ingeborg who are out on a shopping walk. Elna's shadow falls on the ground. Här är en gatubild från Gävle, hörnan vid Dalapalatset där det fanns en affär som troligen hette Anderssons. Det är Elnas systrar Gertrud och Ingeborg som är ute på shoppingpromenad. Elnas skugga faller på marken.
. Florists' review [microform]. Floriculture. August S), 1917. The Florists^ Review 59 DANISH SEEDS. ClflL.OLSEN, Seed Gitwei, Oabbftce. Oanliflower, Oarrot,Man> gel, Swede. Turnip, ete. Oontnct OSan and Sample! at four larrica. CaUaAdirasa- "FHtLta." Ia4a: Mh Ei.. a.I.e. Aaar SaadTrada AaaoeiatlpB. (BiUb. 1883) THEaiE probably never has been a year, when so many acres of seed crops were pleated if or th« gwwers' own account, f Seedsmen have increased their acreage as ( nwch as possible Ijecause of the difficulty of getting'faAnerjf to take feontracts and more farmers than ever ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florists-review-microform-floriculture-august-s-1917-the-florists-review-59-danish-seeds-clfllolsen-seed-gitwei-oabbftce-oanliflower-oarrotmangt-gel-swede-turnip-ete-oontnct-osan-and-sample!-at-four-larrica-cauaadirasa-quotfhtltaquot-ia4a-mh-ei-aie-aaar-saadtrada-aaaoeiatlpb-biub-1883-theaie-probably-never-has-been-a-year-when-so-many-acres-of-seed-crops-were-pleated-if-or-th-gwwers-own-account-f-seedsmen-have-increased-their-acreage-as-nwch-as-possible-ijecause-of-the-difficulty-of-gettingfaanerjf-to-take-feontracts-and-more-farmers-than-ever-ar-image238297604.html
RMRRKB0M–. Florists' review [microform]. Floriculture. August S), 1917. The Florists^ Review 59 DANISH SEEDS. ClflL.OLSEN, Seed Gitwei, Oabbftce. Oanliflower, Oarrot,Man> gel, Swede. Turnip, ete. Oontnct OSan and Sample! at four larrica. CaUaAdirasa- "FHtLta." Ia4a: Mh Ei.. a.I.e. Aaar SaadTrada AaaoeiatlpB. (BiUb. 1883) THEaiE probably never has been a year, when so many acres of seed crops were pleated if or th« gwwers' own account, f Seedsmen have increased their acreage as ( nwch as possible Ijecause of the difficulty of getting'faAnerjf to take feontracts and more farmers than ever ar
Men in aprons with saws and other tools in their hands, standing in front of a house building, probably a house for workers in Norrsundet. The man in the west and jacket may be the foreman. Two children sit on the ground. Män i förkläden med sågar och andra verktyg i händerna, stående framför ett husbygge, troligtvis ett hus för arbetare i Norrsundet. Mannen i väst och kavaj kanske är förman. Två barn sitter på marken. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/men-in-aprons-with-saws-and-other-tools-in-their-hands-standing-in-front-of-a-house-building-probably-a-house-for-workers-in-norrsundet-the-man-in-the-west-and-jacket-may-be-the-foreman-two-children-sit-on-the-ground-mn-i-frklden-med-sgar-och-andra-verktyg-i-hnderna-stende-framfr-ett-husbygge-troligtvis-ett-hus-fr-arbetare-i-norrsundet-mannen-i-vst-och-kavaj-kanske-r-frman-tv-barn-sitter-p-marken-image480622634.html
RM2JWX722–Men in aprons with saws and other tools in their hands, standing in front of a house building, probably a house for workers in Norrsundet. The man in the west and jacket may be the foreman. Two children sit on the ground. Män i förkläden med sågar och andra verktyg i händerna, stående framför ett husbygge, troligtvis ett hus för arbetare i Norrsundet. Mannen i väst och kavaj kanske är förman. Två barn sitter på marken.
Here is Ingeborg Malmberg (sister to Elna) or possibly Elna Brundin, with daughters Karin and Ingrid at Södertull in Gävle. They have just left Kaserngatan and are probably on their way to Hemlinggind. To the left in the picture is the poverty care, as it was called. Här ses Ingeborg Malmberg (syster till Elna) eller möjligen Elna Brundin, med döttrar Karin och Ingrid på Södertull i Gävle. De har just lämnat Kaserngatan och är förmodligen på väg till Hemlinggrind. Till vänster i bild syns Fattigvården, som det hette. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/here-is-ingeborg-malmberg-sister-to-elna-or-possibly-elna-brundin-with-daughters-karin-and-ingrid-at-sdertull-in-gvle-they-have-just-left-kaserngatan-and-are-probably-on-their-way-to-hemlinggind-to-the-left-in-the-picture-is-the-poverty-care-as-it-was-called-hr-ses-ingeborg-malmberg-syster-till-elna-eller-mjligen-elna-brundin-med-dttrar-karin-och-ingrid-p-sdertull-i-gvle-de-har-just-lmnat-kaserngatan-och-r-frmodligen-p-vg-till-hemlinggrind-till-vnster-i-bild-syns-fattigvrden-som-det-hette-image480568238.html
RM2JWRNKA–Here is Ingeborg Malmberg (sister to Elna) or possibly Elna Brundin, with daughters Karin and Ingrid at Södertull in Gävle. They have just left Kaserngatan and are probably on their way to Hemlinggind. To the left in the picture is the poverty care, as it was called. Här ses Ingeborg Malmberg (syster till Elna) eller möjligen Elna Brundin, med döttrar Karin och Ingrid på Södertull i Gävle. De har just lämnat Kaserngatan och är förmodligen på väg till Hemlinggrind. Till vänster i bild syns Fattigvården, som det hette.
The photo shows a garden party. At the far left Karin in girls' school cap and on the far right Ingrid, Elna Brundin's daughters. Behind the light is Lisa Hedman, and probably it is Sören Brundin who sits in the lap of the maid Inga. Fotot visar en trädgårdsfest. Längst till vänster Karin i flickskolemössa och längst till höger Ingrid, Elna Brundins döttrar. Bakom ljusinsläppet står Lisa Hedman, och antagligen är det Sören Brundin som sitter i knät på hembiträdet Inga. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-photo-shows-a-garden-party-at-the-far-left-karin-in-girls-school-cap-and-on-the-far-right-ingrid-elna-brundins-daughters-behind-the-light-is-lisa-hedman-and-probably-it-is-sren-brundin-who-sits-in-the-lap-of-the-maid-inga-fotot-visar-en-trdgrdsfest-lngst-till-vnster-karin-i-flickskolemssa-och-lngst-till-hger-ingrid-elna-brundins-dttrar-bakom-ljusinslppet-str-lisa-hedman-och-antagligen-r-det-sren-brundin-som-sitter-i-knt-p-hembitrdet-inga-image480570846.html
RM2JWRW0E–The photo shows a garden party. At the far left Karin in girls' school cap and on the far right Ingrid, Elna Brundin's daughters. Behind the light is Lisa Hedman, and probably it is Sören Brundin who sits in the lap of the maid Inga. Fotot visar en trädgårdsfest. Längst till vänster Karin i flickskolemössa och längst till höger Ingrid, Elna Brundins döttrar. Bakom ljusinsläppet står Lisa Hedman, och antagligen är det Sören Brundin som sitter i knät på hembiträdet Inga.
Here Elna Brundin is out on a springy walk with Sören in the wagon and Eva in front. The picture taken about 1923, in the spring. The house in the background is probably the western gable at the Grand Hotel and to the left above the fence is the Freemason house. Här är Elna Brundin ute på en vårlig promenad med Sören i vagnen och Eva framför. Bilden tagen ca 1923, på våren. Huset i bakgrunden är troligen västra gaveln på Grand Hotel och till vänster ovanför staketet ligger Frimurarhuset. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/here-elna-brundin-is-out-on-a-springy-walk-with-sren-in-the-wagon-and-eva-in-front-the-picture-taken-about-1923-in-the-spring-the-house-in-the-background-is-probably-the-western-gable-at-the-grand-hotel-and-to-the-left-above-the-fence-is-the-freemason-house-hr-r-elna-brundin-ute-p-en-vrlig-promenad-med-sren-i-vagnen-och-eva-framfr-bilden-tagen-ca-1923-p-vren-huset-i-bakgrunden-r-troligen-vstra-gaveln-p-grand-hotel-och-till-vnster-ovanfr-staketet-ligger-frimurarhuset-image480570327.html
RM2JWRT9Y–Here Elna Brundin is out on a springy walk with Sören in the wagon and Eva in front. The picture taken about 1923, in the spring. The house in the background is probably the western gable at the Grand Hotel and to the left above the fence is the Freemason house. Här är Elna Brundin ute på en vårlig promenad med Sören i vagnen och Eva framför. Bilden tagen ca 1923, på våren. Huset i bakgrunden är troligen västra gaveln på Grand Hotel och till vänster ovanför staketet ligger Frimurarhuset.
Elna Brundin's father Lars Olsson already built about 1880 two summer places in Norrlandet. This is 'Sjönäs', and further out on the coast towards the Engesberg team he built 'Stensnäs' for his brother Axel. Here Anna Larsdotter Olsson stands on the left, probably Elna's sister Hanna and little Eva stands with dad David Brundin. Elna Brundins far Lars Olsson byggde redan ca 1880 två sommarställen på Norrlandet. Det här är 'Sjönäs', och längre ut efter kusten mot Engesbergshållet byggde han 'Stensnäs' åt sin bror Axel. Här står Anna Larsdotter Olsson till vänster, troligen Elnas syster Hanna oc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elna-brundins-father-lars-olsson-already-built-about-1880-two-summer-places-in-norrlandet-this-is-sjns-and-further-out-on-the-coast-towards-the-engesberg-team-he-built-stensns-for-his-brother-axel-here-anna-larsdotter-olsson-stands-on-the-left-probably-elnas-sister-hanna-and-little-eva-stands-with-dad-david-brundin-elna-brundins-far-lars-olsson-byggde-redan-ca-1880-tv-sommarstllen-p-norrlandet-det-hr-r-sjns-och-lngre-ut-efter-kusten-mot-engesbergshllet-byggde-han-stensns-t-sin-bror-axel-hr-str-anna-larsdotter-olsson-till-vnster-troligen-elnas-syster-hanna-oc-image480572997.html
RM2JWRYN9–Elna Brundin's father Lars Olsson already built about 1880 two summer places in Norrlandet. This is 'Sjönäs', and further out on the coast towards the Engesberg team he built 'Stensnäs' for his brother Axel. Here Anna Larsdotter Olsson stands on the left, probably Elna's sister Hanna and little Eva stands with dad David Brundin. Elna Brundins far Lars Olsson byggde redan ca 1880 två sommarställen på Norrlandet. Det här är 'Sjönäs', och längre ut efter kusten mot Engesbergshållet byggde han 'Stensnäs' åt sin bror Axel. Här står Anna Larsdotter Olsson till vänster, troligen Elnas syster Hanna oc
Unknown environment, but the couple on the right are the headmaster in Huskvarna, Erik Rynning with wife. Erik was a cousin to Elna Brundin. In the middle, David Brundin sits with his daughter Karin behind her. On the bench on the left are Ingrid, Sören and Eva Brundin, the other unknowns. The card probably from 1924. Okänd miljö, men paret till höger är rektorn i Huskvarna, Erik Rynning med fru. Erik var kusin till Elna Brundin. I mitten sitter David Brundin med dottern Karin bakom sig. På bänken till vänster sitter Ingrid, Sören och Eva Brundin, övriga okända. Kortet förmodligen från år 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-environment-but-the-couple-on-the-right-are-the-headmaster-in-huskvarna-erik-rynning-with-wife-erik-was-a-cousin-to-elna-brundin-in-the-middle-david-brundin-sits-with-his-daughter-karin-behind-her-on-the-bench-on-the-left-are-ingrid-sren-and-eva-brundin-the-other-unknowns-the-card-probably-from-1924-oknd-milj-men-paret-till-hger-r-rektorn-i-huskvarna-erik-rynning-med-fru-erik-var-kusin-till-elna-brundin-i-mitten-sitter-david-brundin-med-dottern-karin-bakom-sig-p-bnken-till-vnster-sitter-ingrid-sren-och-eva-brundin-vriga-oknda-kortet-frmodligen-frn-r-1924-image480578803.html
RM2JWT74K–Unknown environment, but the couple on the right are the headmaster in Huskvarna, Erik Rynning with wife. Erik was a cousin to Elna Brundin. In the middle, David Brundin sits with his daughter Karin behind her. On the bench on the left are Ingrid, Sören and Eva Brundin, the other unknowns. The card probably from 1924. Okänd miljö, men paret till höger är rektorn i Huskvarna, Erik Rynning med fru. Erik var kusin till Elna Brundin. I mitten sitter David Brundin med dottern Karin bakom sig. På bänken till vänster sitter Ingrid, Sören och Eva Brundin, övriga okända. Kortet förmodligen från år 1924
The man in the middle is Carl Nordgren, who probably sits with Eva Brundin in her arms. The girl on the left is Märta Nordgren, her mother Gertrud Nordgren (sister of Elna) is behind. The woman in the middle unknown, but to the right stands Elna's half -sister Lisa who was active in Stockholm and remained unmarried. Mannen i mitten är Carl Nordgren, som troligtvis sitter med Eva Brundin i famnen. Flickan till vänster är Märta Nordgren, hennes mamma Gertrud Nordgren (syster till Elna) står bakom. Kvinnan i mitten okänd, men till höger står Elnas halvsyster Lisa som var verksam i Stockholm och f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-man-in-the-middle-is-carl-nordgren-who-probably-sits-with-eva-brundin-in-her-arms-the-girl-on-the-left-is-mrta-nordgren-her-mother-gertrud-nordgren-sister-of-elna-is-behind-the-woman-in-the-middle-unknown-but-to-the-right-stands-elnas-half-sister-lisa-who-was-active-in-stockholm-and-remained-unmarried-mannen-i-mitten-r-carl-nordgren-som-troligtvis-sitter-med-eva-brundin-i-famnen-flickan-till-vnster-r-mrta-nordgren-hennes-mamma-gertrud-nordgren-syster-till-elna-str-bakom-kvinnan-i-mitten-oknd-men-till-hger-str-elnas-halvsyster-lisa-som-var-verksam-i-stockholm-och-f-image480573490.html
RM2JWT0AX–The man in the middle is Carl Nordgren, who probably sits with Eva Brundin in her arms. The girl on the left is Märta Nordgren, her mother Gertrud Nordgren (sister of Elna) is behind. The woman in the middle unknown, but to the right stands Elna's half -sister Lisa who was active in Stockholm and remained unmarried. Mannen i mitten är Carl Nordgren, som troligtvis sitter med Eva Brundin i famnen. Flickan till vänster är Märta Nordgren, hennes mamma Gertrud Nordgren (syster till Elna) står bakom. Kvinnan i mitten okänd, men till höger står Elnas halvsyster Lisa som var verksam i Stockholm och f
Elna Brundin's mother Anna Larsdotter Olsson from Hemlinggrind had three brothers. One of them, Janne, got a farm in Källmur, Bomhus. The picture is probably from there. Standing Janne's daughter Hanna, below her sits a sister -in -law to Hanna who was married to Janne's son John in Källmur. The woman to the right unknown. Elna Brundins mor Anna Larsdotter Olsson från Hemlinggrind hade tre bröder. En av dem, Janne, fick en gård i Källmur, Bomhus. Bilden är troligtvis därifrån. Stående Jannes dotter Hanna, nedanför henne sitter en svägerska till Hanna som var gift med Jannes son John i Källmur. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elna-brundins-mother-anna-larsdotter-olsson-from-hemlinggrind-had-three-brothers-one-of-them-janne-got-a-farm-in-kllmur-bomhus-the-picture-is-probably-from-there-standing-jannes-daughter-hanna-below-her-sits-a-sister-in-law-to-hanna-who-was-married-to-jannes-son-john-in-kllmur-the-woman-to-the-right-unknown-elna-brundins-mor-anna-larsdotter-olsson-frn-hemlinggrind-hade-tre-brder-en-av-dem-janne-fick-en-grd-i-kllmur-bomhus-bilden-r-troligtvis-drifrn-stende-jannes-dotter-hanna-nedanfr-henne-sitter-en-svgerska-till-hanna-som-var-gift-med-jannes-son-john-i-kllmur-image480570807.html
RM2JWRTY3–Elna Brundin's mother Anna Larsdotter Olsson from Hemlinggrind had three brothers. One of them, Janne, got a farm in Källmur, Bomhus. The picture is probably from there. Standing Janne's daughter Hanna, below her sits a sister -in -law to Hanna who was married to Janne's son John in Källmur. The woman to the right unknown. Elna Brundins mor Anna Larsdotter Olsson från Hemlinggrind hade tre bröder. En av dem, Janne, fick en gård i Källmur, Bomhus. Bilden är troligtvis därifrån. Stående Jannes dotter Hanna, nedanför henne sitter en svägerska till Hanna som var gift med Jannes son John i Källmur.
Manufacture of some kind of drive shaft, wedges are wrapped up with the help of 'cheer'. The place is 'Abrahams on Näset'. The people from left: Erik Nilsson (Flöggs, born 1853), Nils on Näset (born 1895) and his father Nils Nilsson (born 1868), farmer on Näset. The picture probably taken 1910-1911. Tillverkning av någon sorts drivaxel, kilar slås in med hjälp av 'hejare'. Platsen är 'Abrahams på Näset'. Personerna från vänster: Erik Nilsson (Flöggs, född 1853), Nils på Näset (född 1895) och hans far Nils Nilsson (född 1868), bonde på Näset. Bilden tagen troligen 1910-1911. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manufacture-of-some-kind-of-drive-shaft-wedges-are-wrapped-up-with-the-help-of-cheer-the-place-is-abrahams-on-nset-the-people-from-left-erik-nilsson-flggs-born-1853-nils-on-nset-born-1895-and-his-father-nils-nilsson-born-1868-farmer-on-nset-the-picture-probably-taken-1910-1911-tillverkning-av-ngon-sorts-drivaxel-kilar-sls-in-med-hjlp-av-hejare-platsen-r-abrahams-p-nset-personerna-frn-vnster-erik-nilsson-flggs-fdd-1853-nils-p-nset-fdd-1895-och-hans-far-nils-nilsson-fdd-1868-bonde-p-nset-bilden-tagen-troligen-1910-1911-image480568700.html
RM2JWRP7T–Manufacture of some kind of drive shaft, wedges are wrapped up with the help of 'cheer'. The place is 'Abrahams on Näset'. The people from left: Erik Nilsson (Flöggs, born 1853), Nils on Näset (born 1895) and his father Nils Nilsson (born 1868), farmer on Näset. The picture probably taken 1910-1911. Tillverkning av någon sorts drivaxel, kilar slås in med hjälp av 'hejare'. Platsen är 'Abrahams på Näset'. Personerna från vänster: Erik Nilsson (Flöggs, född 1853), Nils på Näset (född 1895) och hans far Nils Nilsson (född 1868), bonde på Näset. Bilden tagen troligen 1910-1911.
Flooding in Östansjö. At the far right Lars Jonsson and his wife Stina. Ester Lindberg is probably included in the picture, others unknown. Översvämning i Östansjö. Längst till höger Lars Jonsson och hans hustru Stina. Ester Lindberg är troligen med på bilden, övriga okända. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flooding-in-stansj-at-the-far-right-lars-jonsson-and-his-wife-stina-ester-lindberg-is-probably-included-in-the-picture-others-unknown-versvmning-i-stansj-lngst-till-hger-lars-jonsson-och-hans-hustru-stina-ester-lindberg-r-troligen-med-p-bilden-vriga-oknda-image480546192.html
RM2JWPNG0–Flooding in Östansjö. At the far right Lars Jonsson and his wife Stina. Ester Lindberg is probably included in the picture, others unknown. Översvämning i Östansjö. Längst till höger Lars Jonsson och hans hustru Stina. Ester Lindberg är troligen med på bilden, övriga okända.
. American fishes [microform] : a popular treatise upon the game and food fishes of North America, with especial reference to habits and methods of capture. Fishes; Fishing; Poissons; Pêche sportive. ' I 1 i i i^ i 34 AM ERIC AX J'lSIfES. In Lotiisiana this species is called " T.ar-fish " probably on account of its stripes. " The appellation," says Hallock, " is etnially appropriate as applied to its habit ot" congregating in great numbers upon the shoals of dear water bran<:hcs and bayous which empty into the Mississippi. The minnows and shiners seem to seek Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-fishes-microform-a-popular-treatise-upon-the-game-and-food-fishes-of-north-america-with-especial-reference-to-habits-and-methods-of-capture-fishes-fishing-poissons-pche-sportive-i-1-i-i-i-i-34-am-eric-ax-jlsifes-in-lotiisiana-this-species-is-called-quot-tar-fish-quot-probably-on-account-of-its-stripes-quot-the-appellationquot-says-hallock-quot-is-etnially-appropriate-as-applied-to-its-habit-otquot-congregating-in-great-numbers-upon-the-shoals-of-dear-water-branlthcs-and-bayous-which-empty-into-the-mississippi-the-minnows-and-shiners-seem-to-seek-image234844805.html
RMRJ22XD–. American fishes [microform] : a popular treatise upon the game and food fishes of North America, with especial reference to habits and methods of capture. Fishes; Fishing; Poissons; Pêche sportive. ' I 1 i i i^ i 34 AM ERIC AX J'lSIfES. In Lotiisiana this species is called " T.ar-fish " probably on account of its stripes. " The appellation," says Hallock, " is etnially appropriate as applied to its habit ot" congregating in great numbers upon the shoals of dear water bran<:hcs and bayous which empty into the Mississippi. The minnows and shiners seem to seek
Elsa probably at the Åpromenaden, the period, Nyköping. To the right you see the sheep cap, an old torpedo since the 18th century. The forest on the left is 'held'. Elsa troligtvis vid Åpromenaden, Perioden, Nyköping. Till höger ser man Fårfängan, ett gammalt torp sedan 1700-talet. Skogen till vänster är 'Hållet'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elsa-probably-at-the-promenaden-the-period-nykping-to-the-right-you-see-the-sheep-cap-an-old-torpedo-since-the-18th-century-the-forest-on-the-left-is-held-elsa-troligtvis-vid-promenaden-perioden-nykping-till-hger-ser-man-frfngan-ett-gammalt-torp-sedan-1700-talet-skogen-till-vnster-r-hllet-image480536742.html
RM2JWP9EE–Elsa probably at the Åpromenaden, the period, Nyköping. To the right you see the sheep cap, an old torpedo since the 18th century. The forest on the left is 'held'. Elsa troligtvis vid Åpromenaden, Perioden, Nyköping. Till höger ser man Fårfängan, ett gammalt torp sedan 1700-talet. Skogen till vänster är 'Hållet'.
. Additional notes on fossil sponges and other organic remains from the Quebec Group at Little Metis on the lower St. Lawrence [microform]. Sponges; Paleontology; Eponges; Paléontologie. Fta.lO.-Protospongiajjolynema. Primary, secondary and tertiary spicules, x 5, " 4.—Pkotospongia DELicATULA, Dawson. - (Figs. 11 and 12.) Globular or oblong in form, 1 to 4 cm. in diameter. Body spicules cructorm, regu ar, forming a very dense mesh, abott 1 mm. or less in the opening^ Osculum probably wide. Defensive spicules very short and close. Several short anchoring-rods. Some indicatons of a double r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/additional-notes-on-fossil-sponges-and-other-organic-remains-from-the-quebec-group-at-little-metis-on-the-lower-st-lawrence-microform-sponges-paleontology-eponges-palontologie-ftalo-protospongiajjolynema-primary-secondary-and-tertiary-spicules-x-5-quot-4pkotospongia-delicatula-dawson-figs-11-and-12-globular-or-oblong-in-form-1-to-4-cm-in-diameter-body-spicules-cructorm-regu-ar-forming-a-very-dense-mesh-abott-1-mm-or-less-in-the-opening-osculum-probably-wide-defensive-spicules-very-short-and-close-several-short-anchoring-rods-some-indicatons-of-a-double-r-image234928788.html
RMRJ5X1T–. Additional notes on fossil sponges and other organic remains from the Quebec Group at Little Metis on the lower St. Lawrence [microform]. Sponges; Paleontology; Eponges; Paléontologie. Fta.lO.-Protospongiajjolynema. Primary, secondary and tertiary spicules, x 5, " 4.—Pkotospongia DELicATULA, Dawson. - (Figs. 11 and 12.) Globular or oblong in form, 1 to 4 cm. in diameter. Body spicules cructorm, regu ar, forming a very dense mesh, abott 1 mm. or less in the opening^ Osculum probably wide. Defensive spicules very short and close. Several short anchoring-rods. Some indicatons of a double r
Gefle Filatelis Society. Gathering, probably in Älvkarleby.foto 1935. The pictures were taken in the early 1930s (presumption 1932-1935), possibly by photographer Gustaf Reimers, who was a member of the company. Gefle Filatelisällskap. Sammankomst, förmodligen i Älvkarleby.Foto 1935.Bilderna är tagna i början av 1930-talet (förmodlingen 1932-1935), möjligen av fotografen Gustaf Reimers, som var medlem i sällskapet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gefle-filatelis-society-gathering-probably-in-lvkarlebyfoto-1935-the-pictures-were-taken-in-the-early-1930s-presumption-1932-1935-possibly-by-photographer-gustaf-reimers-who-was-a-member-of-the-company-gefle-filatelisllskap-sammankomst-frmodligen-i-lvkarlebyfoto-1935bilderna-r-tagna-i-brjan-av-1930-talet-frmodlingen-1932-1935-mjligen-av-fotografen-gustaf-reimers-som-var-medlem-i-sllskapet-image480538287.html
RM2JWPBDK–Gefle Filatelis Society. Gathering, probably in Älvkarleby.foto 1935. The pictures were taken in the early 1930s (presumption 1932-1935), possibly by photographer Gustaf Reimers, who was a member of the company. Gefle Filatelisällskap. Sammankomst, förmodligen i Älvkarleby.Foto 1935.Bilderna är tagna i början av 1930-talet (förmodlingen 1932-1935), möjligen av fotografen Gustaf Reimers, som var medlem i sällskapet.
. A manual of zoology. Zoology. Fig. 129.—Protoplasm of Globigerina after solution of the shell. )i, nucleus. Fig. 130. —Young Miliola with several nuclei. (From Lang.) together liy plasma bridges passing through the foramina of the partitions. In the protoplasm there is a large nucleus (figs. 128, l.'jO. n), M'hich in some cases is early replaced by a daughter gen- eration of small nuclei. Contractile vacuoles usually occur only in the fresh-water forms. Tlie pseudopodia project through the chief opo]iing of the shell and in the Perforata probably througli the pores in the shell wall. They ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-manual-of-zoology-zoology-fig-129protoplasm-of-globigerina-after-solution-of-the-shell-i-nucleus-fig-130-young-miliola-with-several-nuclei-from-lang-together-liy-plasma-bridges-passing-through-the-foramina-of-the-partitions-in-the-protoplasm-there-is-a-large-nucleus-figs-128-ljo-n-mhich-in-some-cases-is-early-replaced-by-a-daughter-gen-eration-of-small-nuclei-contractile-vacuoles-usually-occur-only-in-the-fresh-water-forms-tlie-pseudopodia-project-through-the-chief-opo-iing-of-the-shell-and-in-the-perforata-probably-througli-the-pores-in-the-shell-wall-they-ar-image232347853.html
RMRE0A1H–. A manual of zoology. Zoology. Fig. 129.—Protoplasm of Globigerina after solution of the shell. )i, nucleus. Fig. 130. —Young Miliola with several nuclei. (From Lang.) together liy plasma bridges passing through the foramina of the partitions. In the protoplasm there is a large nucleus (figs. 128, l.'jO. n), M'hich in some cases is early replaced by a daughter gen- eration of small nuclei. Contractile vacuoles usually occur only in the fresh-water forms. Tlie pseudopodia project through the chief opo]iing of the shell and in the Perforata probably througli the pores in the shell wall. They ar
The Olof Adolf Brodin family. The persons at the front of the picture are Father Olof (Adolf) Brodin with wife Chatarina Kristina Brodin.Bakre line on the left: Olof (August) Brodin and his sister Elisabeth Charlotta (b. 1836) with man sea captain Claes Engelbrekt Almgren (born 1833-11- 01). The couple married 1864. Long to the right probably Catharina Brodin's daughter in the first married: Johanna Carolina Öberg (b. 1825) The photo taken before the death of the father in 1867 and after the daughter's marriage in 1864. Familjen Olof Adolf Brodin. Personerna längst fram i bilden är fadern Olof Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-olof-adolf-brodin-family-the-persons-at-the-front-of-the-picture-are-father-olof-adolf-brodin-with-wife-chatarina-kristina-brodinbakre-line-on-the-left-olof-august-brodin-and-his-sister-elisabeth-charlotta-b-1836-with-man-sea-captain-claes-engelbrekt-almgren-born-1833-11-01-the-couple-married-1864-long-to-the-right-probably-catharina-brodins-daughter-in-the-first-married-johanna-carolina-berg-b-1825-the-photo-taken-before-the-death-of-the-father-in-1867-and-after-the-daughters-marriage-in-1864-familjen-olof-adolf-brodin-personerna-lngst-fram-i-bilden-r-fadern-olof-image480548874.html
RM2JWPTYP–The Olof Adolf Brodin family. The persons at the front of the picture are Father Olof (Adolf) Brodin with wife Chatarina Kristina Brodin.Bakre line on the left: Olof (August) Brodin and his sister Elisabeth Charlotta (b. 1836) with man sea captain Claes Engelbrekt Almgren (born 1833-11- 01). The couple married 1864. Long to the right probably Catharina Brodin's daughter in the first married: Johanna Carolina Öberg (b. 1825) The photo taken before the death of the father in 1867 and after the daughter's marriage in 1864. Familjen Olof Adolf Brodin. Personerna längst fram i bilden är fadern Olof
. Natural history. Geology; Zoology; Botany. 8 SIR CHARLES ELIOT. there is no tail whatever apart from the body. The genital orifices are 19 mm. and the anus 31 mm. from the anterior end ; both lie just under the mantle margin. About 5 mm. in front of the anus lie two openings, close together, but quite distinct and probably renal. The other specimens seemed to present the same configuration in a more or less damaged condition. Though they are larger, the dorsal margin is never more than 5-8 mm, in breadth, and often quite narrow. Only a few processes (3-7) remain on each side. Some of them ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/natural-history-geology-zoology-botany-8-sir-charles-eliot-there-is-no-tail-whatever-apart-from-the-body-the-genital-orifices-are-19-mm-and-the-anus-31-mm-from-the-anterior-end-both-lie-just-under-the-mantle-margin-about-5-mm-in-front-of-the-anus-lie-two-openings-close-together-but-quite-distinct-and-probably-renal-the-other-specimens-seemed-to-present-the-same-configuration-in-a-more-or-less-damaged-condition-though-they-are-larger-the-dorsal-margin-is-never-more-than-5-8-mm-in-breadth-and-often-quite-narrow-only-a-few-processes-3-7-remain-on-each-side-some-of-them-ar-image232187674.html
RMRDN1MX–. Natural history. Geology; Zoology; Botany. 8 SIR CHARLES ELIOT. there is no tail whatever apart from the body. The genital orifices are 19 mm. and the anus 31 mm. from the anterior end ; both lie just under the mantle margin. About 5 mm. in front of the anus lie two openings, close together, but quite distinct and probably renal. The other specimens seemed to present the same configuration in a more or less damaged condition. Though they are larger, the dorsal margin is never more than 5-8 mm, in breadth, and often quite narrow. Only a few processes (3-7) remain on each side. Some of them ar
The man with Lieorvet is probably Persson, a farmer on 'Nylannees' in Herte, who came moving with his family from Ovanåker around 1918. The girl with a white apron to the right of Persson is his daughter Stina, married to Lars Eriksson, 'Ersk-Jons', Later resides in 'Pumpmakars' (below 'Brittgården' in Herte). Mannen med lieorvet är troligen Persson, bonde på 'Nylannenes' i Herte, som kom flyttandes med sin familj från Ovanåker omkring 1918. Flickan med vitt förkläde till höger om Persson är hans dotter Stina, gift med Lars Eriksson, 'Ersk-Jons', senare bosatt i 'Pumpmakars' (nedanför 'Brittgå Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-man-with-lieorvet-is-probably-persson-a-farmer-on-nylannees-in-herte-who-came-moving-with-his-family-from-ovanker-around-1918-the-girl-with-a-white-apron-to-the-right-of-persson-is-his-daughter-stina-married-to-lars-eriksson-ersk-jons-later-resides-in-pumpmakars-below-brittgrden-in-herte-mannen-med-lieorvet-r-troligen-persson-bonde-p-nylannenes-i-herte-som-kom-flyttandes-med-sin-familj-frn-ovanker-omkring-1918-flickan-med-vitt-frklde-till-hger-om-persson-r-hans-dotter-stina-gift-med-lars-eriksson-ersk-jons-senare-bosatt-i-pumpmakars-nedanfr-brittg-image480543983.html
RM2JWPJN3–The man with Lieorvet is probably Persson, a farmer on 'Nylannees' in Herte, who came moving with his family from Ovanåker around 1918. The girl with a white apron to the right of Persson is his daughter Stina, married to Lars Eriksson, 'Ersk-Jons', Later resides in 'Pumpmakars' (below 'Brittgården' in Herte). Mannen med lieorvet är troligen Persson, bonde på 'Nylannenes' i Herte, som kom flyttandes med sin familj från Ovanåker omkring 1918. Flickan med vitt förkläde till höger om Persson är hans dotter Stina, gift med Lars Eriksson, 'Ersk-Jons', senare bosatt i 'Pumpmakars' (nedanför 'Brittgå
. Florists' review [microform]. Floriculture. No loss If rou mend yoor spilt cama- tioni with Suparlor Carnation STAPLES 80e put iOOO postpaid WN. SCHLATTdl ^.^ BKFOU %, SON, AJTKR 422 Main Straat. SprinvflaM. Masa. Mentliin Thf Review when jwa write. ? SPLIT CARNATIONS Easily mended with Pillsbary's Caraatioi Staple "Beet device on the market." Joseph Traudt. "Could not get along wlthont them." S W Pike. 200O for $1.00. postpaid. LLPUIsiNuy,UcslMfs,IU. Meuiiuu lUe Review when iou write.. ers, using only foliage plants and bas- kets of dahlias. They are probably the most ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florists-review-microform-floriculture-no-loss-if-rou-mend-yoor-spilt-cama-tioni-with-suparlor-carnation-staples-80e-put-iooo-postpaid-wn-schlattdl-bkfou-son-ajtkr-422-main-straat-sprinvflam-masa-mentliin-thf-review-when-jwa-write-split-carnations-easily-mended-with-pillsbarys-caraatioi-staple-quotbeet-device-on-the-marketquot-joseph-traudt-quotcould-not-get-along-wlthont-themquot-s-w-pike-200o-for-100-postpaid-llpuisinuyucslmfsiu-meuiiuu-lue-review-when-iou-write-ers-using-only-foliage-plants-and-bas-kets-of-dahlias-they-are-probably-the-most-ar-image238419062.html
RMRRTWXE–. Florists' review [microform]. Floriculture. No loss If rou mend yoor spilt cama- tioni with Suparlor Carnation STAPLES 80e put iOOO postpaid WN. SCHLATTdl ^.^ BKFOU %, SON, AJTKR 422 Main Straat. SprinvflaM. Masa. Mentliin Thf Review when jwa write. ? SPLIT CARNATIONS Easily mended with Pillsbary's Caraatioi Staple "Beet device on the market." Joseph Traudt. "Could not get along wlthont them." S W Pike. 200O for $1.00. postpaid. LLPUIsiNuy,UcslMfs,IU. Meuiiuu lUe Review when iou write.. ers, using only foliage plants and bas- kets of dahlias. They are probably the most ar
Leander leaving his parents. unknown c. 1670 Tapestry Dimensions: H 8'6' x W 8'3' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: Mortlake Ownership History: French & Co. Cityscape (background) (BRD) floral garland (on L, top, & R sides only); (UPR BRD) cartouche (L of center) Tapestry appears to have been cut down (particularly the bottom border). Copies of this series after the original designs by Franz Cleyn were probably not repeated after the 17th century. For full description of subject & copies (see: Marillier, pp. 49-51). French & Co. stock sheet missing from ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leander-leaving-his-parents-unknown-c-1670-tapestry-dimensions-h-86-x-w-83-tapestry-materialstechniques-unknown-culture-english-weaving-center-mortlake-ownership-history-french-co-cityscape-background-brd-floral-garland-on-l-top-r-sides-only-upr-brd-cartouche-l-of-center-tapestry-appears-to-have-been-cut-down-particularly-the-bottom-border-copies-of-this-series-after-the-original-designs-by-franz-cleyn-were-probably-not-repeated-after-the-17th-century-for-full-description-of-subject-copies-see-marillier-pp-49-51-french-co-stock-sheet-missing-from-ar-image600268098.html
RM2WTGG2A–Leander leaving his parents. unknown c. 1670 Tapestry Dimensions: H 8'6' x W 8'3' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: Mortlake Ownership History: French & Co. Cityscape (background) (BRD) floral garland (on L, top, & R sides only); (UPR BRD) cartouche (L of center) Tapestry appears to have been cut down (particularly the bottom border). Copies of this series after the original designs by Franz Cleyn were probably not repeated after the 17th century. For full description of subject & copies (see: Marillier, pp. 49-51). French & Co. stock sheet missing from ar
. The life of North American insects [microform]. Insects; Insectes. 224 m ii' 111 I'i fi' ! S "ii 'ii N()RT1I AMKRIOAN INSKCTH. â n ho water they mânufucturo a covering nroun.l their thin bodies, co,u,,o»cd of straw, gr..,.,, âr pioces uf wood, or small woo<ly stem. With these they Torn, a case, open at both ends, in whicli they arc enabled to sail about asif in a row- boat. For this reason, probably, the Komans called this insect L,!;,âj,c,:h, and the Greeljs named it .V«W,â,.â,, (wood-destroyer), but improperly, because tliey u8o only old and decayed wood for their purposes These Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-life-of-north-american-insects-microform-insects-insectes-224-m-ii-111-ii-fi-!-s-quotii-ii-nrt1i-amkrioan-inskcth-n-ho-water-they-mnufucturo-a-covering-nrounl-their-thin-bodies-couocd-of-straw-gr-r-pioces-uf-wood-or-small-wooltly-stem-with-these-they-torn-a-case-open-at-both-ends-in-whicli-they-arc-enabled-to-sail-about-asif-in-a-row-boat-for-this-reason-probably-the-komans-called-this-insect-l!jch-and-the-greeljs-named-it-vw-wood-destroyer-but-improperly-because-tliey-u8o-only-old-and-decayed-wood-for-their-purposes-these-image232825201.html
RMREP2WN–. The life of North American insects [microform]. Insects; Insectes. 224 m ii' 111 I'i fi' ! S "ii 'ii N()RT1I AMKRIOAN INSKCTH. â n ho water they mânufucturo a covering nroun.l their thin bodies, co,u,,o»cd of straw, gr..,.,, âr pioces uf wood, or small woo<ly stem. With these they Torn, a case, open at both ends, in whicli they arc enabled to sail about asif in a row- boat. For this reason, probably, the Komans called this insect L,!;,âj,c,:h, and the Greeljs named it .V«W,â,.â,, (wood-destroyer), but improperly, because tliey u8o only old and decayed wood for their purposes These
Engesberg. The newspaper -read older man in the photo is Per August Swedlund born in 1822. He was a priest, teacher and editor of Gefle Dagblad and lived at Lilla Lundby in Engesberg. Sitting woman in dark attire is Mrs. Swedberg. The other two people in the picture are probably some of their daughters. Engesberg. Den tidningsläsande äldre mannen på fotot är Per August Swedlund född 1822. Han var präst, lärare och redaktör för Gefle Dagblad och bodde på Lilla Lundby i Engesberg. Sittande kvinna i mörk klädsel är fru Swedberg. De andra två personerna på bilden är sannolikt några av deras döttra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engesberg-the-newspaper-read-older-man-in-the-photo-is-per-august-swedlund-born-in-1822-he-was-a-priest-teacher-and-editor-of-gefle-dagblad-and-lived-at-lilla-lundby-in-engesberg-sitting-woman-in-dark-attire-is-mrs-swedberg-the-other-two-people-in-the-picture-are-probably-some-of-their-daughters-engesberg-den-tidningslsande-ldre-mannen-p-fotot-r-per-august-swedlund-fdd-1822-han-var-prst-lrare-och-redaktr-fr-gefle-dagblad-och-bodde-p-lilla-lundby-i-engesberg-sittande-kvinna-i-mrk-kldsel-r-fru-swedberg-de-andra-tv-personerna-p-bilden-r-sannolikt-ngra-av-deras-dttra-image480534937.html
RM2JWP761–Engesberg. The newspaper -read older man in the photo is Per August Swedlund born in 1822. He was a priest, teacher and editor of Gefle Dagblad and lived at Lilla Lundby in Engesberg. Sitting woman in dark attire is Mrs. Swedberg. The other two people in the picture are probably some of their daughters. Engesberg. Den tidningsläsande äldre mannen på fotot är Per August Swedlund född 1822. Han var präst, lärare och redaktör för Gefle Dagblad och bodde på Lilla Lundby i Engesberg. Sittande kvinna i mörk klädsel är fru Swedberg. De andra två personerna på bilden är sannolikt några av deras döttra
. Florists' review [microform]. Floriculture. CARNATIONS Randall's is pleased to announce a large crop of fine Carnations. You probably never have handled better stock at this early date. FANCY per 100, $ 3.00 to $ 4.00 FANCY per 1000, 25.00 to 30.00 Extra Longr Fancy Mrs. Wards, per 100, 4.00 to 5.00 CHRYSANTHEMUMS; Yellow, White and Pink, medium $1.50 to $2.00 Yellow, White and Pink, large, fancy 3.00 to 4.00 POMPON CHRYSANTHEMUMS All Colors per bunch, $0.35 to $ 0.75 Disbudded Pompons, single stems per 100, 8.00 to 10.00 CATTLEYA ORCHIDS We call your special attention! Here ^J Pf t Per ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florists-review-microform-floriculture-carnations-randalls-is-pleased-to-announce-a-large-crop-of-fine-carnations-you-probably-never-have-handled-better-stock-at-this-early-date-fancy-per-100-300-to-400-fancy-per-1000-2500-to-3000-extra-longr-fancy-mrs-wards-per-100-400-to-500-chrysanthemums-yellow-white-and-pink-medium-150-to-200-yellow-white-and-pink-large-fancy-300-to-400-pompon-chrysanthemums-all-colors-per-bunch-035-to-075-disbudded-pompons-single-stems-per-100-800-to-1000-cattleya-orchids-we-call-your-special-attention!-here-j-pf-t-per-ar-image238067655.html
RMRR8WM7–. Florists' review [microform]. Floriculture. CARNATIONS Randall's is pleased to announce a large crop of fine Carnations. You probably never have handled better stock at this early date. FANCY per 100, $ 3.00 to $ 4.00 FANCY per 1000, 25.00 to 30.00 Extra Longr Fancy Mrs. Wards, per 100, 4.00 to 5.00 CHRYSANTHEMUMS; Yellow, White and Pink, medium $1.50 to $2.00 Yellow, White and Pink, large, fancy 3.00 to 4.00 POMPON CHRYSANTHEMUMS All Colors per bunch, $0.35 to $ 0.75 Disbudded Pompons, single stems per 100, 8.00 to 10.00 CATTLEYA ORCHIDS We call your special attention! Here ^J Pf t Per ar
. Ornithology and oölogy of New England [microform] : containing full descriptions of the birds of New England and adjoining states and provinces, arranged by a long-approved classification and nomenclature : together with a complete history of their habits, times of arrival and departure ... : with illustrations of many species of the birds and accurate figures of their eggs. Ornithology; Birds; Birds; Ornithologie; Oiseaux; Oiseaux. THE SNOWBIRD. 815 muiaio of July ; tl.ordbro two broods aro probably rcarod llio nests aro construct«id âr lino ^-rasHes and loaves, and aro plarcMl sonx'tinie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ornithology-and-ology-of-new-england-microform-containing-full-descriptions-of-the-birds-of-new-england-and-adjoining-states-and-provinces-arranged-by-a-long-approved-classification-and-nomenclature-together-with-a-complete-history-of-their-habits-times-of-arrival-and-departure-with-illustrations-of-many-species-of-the-birds-and-accurate-figures-of-their-eggs-ornithology-birds-birds-ornithologie-oiseaux-oiseaux-the-snowbird-815-muiaio-of-july-tlordbro-two-broods-aro-probably-rcarod-llio-nests-aro-constructid-r-lino-rashes-and-loaves-and-aro-plarcml-sonxtinie-image232828962.html
RMREP7M2–. Ornithology and oölogy of New England [microform] : containing full descriptions of the birds of New England and adjoining states and provinces, arranged by a long-approved classification and nomenclature : together with a complete history of their habits, times of arrival and departure ... : with illustrations of many species of the birds and accurate figures of their eggs. Ornithology; Birds; Birds; Ornithologie; Oiseaux; Oiseaux. THE SNOWBIRD. 815 muiaio of July ; tl.ordbro two broods aro probably rcarod llio nests aro construct«id âr lino ^-rasHes and loaves, and aro plarcMl sonx'tinie