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Splat chair Stock Photos and Images
Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white pine, 40 1/2 x 21 3/4 x 21 1/4 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-side-chair-176090-made-in-philadelphia-pennsylvania-united-states-162385012.htmlRMKC57MM–Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white pine, 40 1/2 x 21 3/4 x 21 1/4
Side chair. Culture: American. Dimensions: 39 x 21 1/2 x 21 1/2 in. (99.1 x 54.6 x 54.6 cm). Date: 1760-90. This is an example of the trefoil-pierced-splat chair, which was especially popular in Philadelphia. Except for the scroll-like central part of the crest rail, the design of the entire back was taken line for line from plate 10 of the first edition of Thomas Chippendale's 'Gentleman and Cabinet-Maker's Director' (1754). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-39-x-21-12-x-21-12-in-991-x-546-x-546-cm-date-1760-90-this-is-an-example-of-the-trefoil-pierced-splat-chair-which-was-especially-popular-in-philadelphia-except-for-the-scroll-like-central-part-of-the-crest-rail-the-design-of-the-entire-back-was-taken-line-for-line-from-plate-10-of-the-first-edition-of-thomas-chippendales-gentleman-and-cabinet-makers-director-1754-museum-metropolitan-museum-of-art-new-york-usa-image213149752.htmlRMPANPK4–Side chair. Culture: American. Dimensions: 39 x 21 1/2 x 21 1/2 in. (99.1 x 54.6 x 54.6 cm). Date: 1760-90. This is an example of the trefoil-pierced-splat chair, which was especially popular in Philadelphia. Except for the scroll-like central part of the crest rail, the design of the entire back was taken line for line from plate 10 of the first edition of Thomas Chippendale's 'Gentleman and Cabinet-Maker's Director' (1754). Museum: Metropolitan Museum of Art, New York, USA.
Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-american-gothic-splat-chair-ca-1760-mahogany-overall-36-12-23-38-18-inches-927-594-457-cm-image328732016.htmlRM2A2R114–Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm
Art inspired by Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white cedar, tulip poplar, 39 x 21 1/2 x 21 1/2 in. (99.1 x 54.6 x 54.6 cm), Furniture, This is an example of the trefoil-pierced-splat chair, which was especially popular in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-176090-made-in-philadelphia-pennsylvania-united-states-american-mahogany-white-cedar-tulip-poplar-39-x-21-12-x-21-12-in-991-x-546-x-546-cm-furniture-this-is-an-example-of-the-trefoil-pierced-splat-chair-which-was-especially-popular-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879496.htmlRF2HW1YEG–Art inspired by Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white cedar, tulip poplar, 39 x 21 1/2 x 21 1/2 in. (99.1 x 54.6 x 54.6 cm), Furniture, This is an example of the trefoil-pierced-splat chair, which was especially popular in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side chair 1760–90 American This is an example of the trefoil-pierced-splat chair, which was especially popular in Philadelphia. Except for the scroll-like central part of the crest rail, the design of the entire back was taken line for line from plate 10 of the first edition of Thomas Chippendale’s 'Gentleman and Cabinet-Maker’s Director' (1754).. Side chair 1591 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-176090-american-this-is-an-example-of-the-trefoil-pierced-splat-chair-which-was-especially-popular-in-philadelphia-except-for-the-scroll-like-central-part-of-the-crest-rail-the-design-of-the-entire-back-was-taken-line-for-line-from-plate-10-of-the-first-edition-of-thomas-chippendales-gentleman-and-cabinet-makers-director-1754-side-chair-1591-image458238342.htmlRM2HHEFK2–Side chair 1760–90 American This is an example of the trefoil-pierced-splat chair, which was especially popular in Philadelphia. Except for the scroll-like central part of the crest rail, the design of the entire back was taken line for line from plate 10 of the first edition of Thomas Chippendale’s 'Gentleman and Cabinet-Maker’s Director' (1754).. Side chair 1591
Art inspired by Side chair, ca. 1820–30, Austrian, Solid beech wood (front and side rails), solid pine wood (back splat, supporting middle seat rail and corner blocks), solid walnut (legs), walnut veneer. Upholstery materials: drop-in seat frame of plywood, webbing, modern black, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-ca-182030-austrian-solid-beech-wood-front-and-side-rails-solid-pine-wood-back-splat-supporting-middle-seat-rail-and-corner-blocks-solid-walnut-legs-walnut-veneer-upholstery-materials-drop-in-seat-frame-of-plywood-webbing-modern-black-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778665.htmlRF2HTWAWD–Art inspired by Side chair, ca. 1820–30, Austrian, Solid beech wood (front and side rails), solid pine wood (back splat, supporting middle seat rail and corner blocks), solid walnut (legs), walnut veneer. Upholstery materials: drop-in seat frame of plywood, webbing, modern black, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
baby, children chair, blob, babe, babies, human babies, children chairs, blobs, paint splat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baby-children-chair-blob-babe-babies-human-babies-children-chairs-blobs-paint-splat-image455956651.htmlRF2HDPHA3–baby, children chair, blob, babe, babies, human babies, children chairs, blobs, paint splat
Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Walnut chair, early 18th century. 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-cigarettes-cards-willss-cigarettes-cards-sereis-old-furniture-walnut-chair-early-18th-century-1924-image390866528.htmlRF2DKWE6T–Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Walnut chair, early 18th century. 1924
Chair Bamboo Royal Pavilion Brighton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chair-bamboo-royal-pavilion-brighton-21244486.htmlRMB6FNFJ–Chair Bamboo Royal Pavilion Brighton
The furniture collector : old english furniture of the XVII. & XVIII. centuries. published by the Herbert Jenkins book An introduction to the study of English styles of the seventeenth and eighteenth centuries by Edward W. Gregory with 55 illustrations of typical pieces of furniture from public and private collections. Chair in walnut of the time of Queen Anne. The plain splat of the back became pierced in later examples. The hooded back, carved shell on the knees of the front legs, and the balloon shaped seat are typical features. in room 55 of the Victoria and Albert Museum, South Kensington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-furniture-collector-old-english-furniture-of-the-xvii-xviii-centuries-published-by-the-herbert-jenkins-book-an-introduction-to-the-study-of-english-styles-of-the-seventeenth-and-eighteenth-centuries-by-edward-w-gregory-with-55-illustrations-of-typical-pieces-of-furniture-from-public-and-private-collections-chair-in-walnut-of-the-time-of-queen-anne-the-plain-splat-of-the-back-became-pierced-in-later-examples-the-hooded-back-carved-shell-on-the-knees-of-the-front-legs-and-the-balloon-shaped-seat-are-typical-features-in-room-55-of-the-victoria-and-albert-museum-south-kensington-image594533730.htmlRM2WF79RE–The furniture collector : old english furniture of the XVII. & XVIII. centuries. published by the Herbert Jenkins book An introduction to the study of English styles of the seventeenth and eighteenth centuries by Edward W. Gregory with 55 illustrations of typical pieces of furniture from public and private collections. Chair in walnut of the time of Queen Anne. The plain splat of the back became pierced in later examples. The hooded back, carved shell on the knees of the front legs, and the balloon shaped seat are typical features. in room 55 of the Victoria and Albert Museum, South Kensington
Art inspired by Side chair, 1755–75, Made in Newport, Rhode Island, United States, American, Mahogany, maple, H. 38 in. (96.5 cm), Furniture, The distinctive designs of the crest-rail shell, pierced splat, and claw-and-ball feet on this chair indicate a Newport origin. The execution, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-175575-made-in-newport-rhode-island-united-states-american-mahogany-maple-h-38-in-965-cm-furniture-the-distinctive-designs-of-the-crest-rail-shell-pierced-splat-and-claw-and-ball-feet-on-this-chair-indicate-a-newport-origin-the-execution-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462897610.htmlRF2HW2PHE–Art inspired by Side chair, 1755–75, Made in Newport, Rhode Island, United States, American, Mahogany, maple, H. 38 in. (96.5 cm), Furniture, The distinctive designs of the crest-rail shell, pierced splat, and claw-and-ball feet on this chair indicate a Newport origin. The execution, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Old fashioned wooden armchair on the white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-fashioned-wooden-armchair-on-the-white-background-image387149604.htmlRF2DDT57G–Old fashioned wooden armchair on the white background.
Art inspired by Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white pine, 40 1/2 x 21 3/4 x 21 1/4 in. (102.9 x 55.2 x 54 cm), Furniture, This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-176090-made-in-philadelphia-pennsylvania-united-states-american-mahogany-white-pine-40-12-x-21-34-x-21-14-in-1029-x-552-x-54-cm-furniture-this-chair-represents-the-philadelphia-scrolled-strapwork-splat-type-at-its-refined-best-the-carved-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879673.htmlRF2HW1YMW–Art inspired by Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white pine, 40 1/2 x 21 3/4 x 21 1/4 in. (102.9 x 55.2 x 54 cm), Furniture, This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
DIRECTOIRE LYRE CHAIR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/directoire-lyre-chair-image454386972.htmlRF2HB7364–DIRECTOIRE LYRE CHAIR
Vintage arm chair on the white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-arm-chair-on-the-white-background-image396889195.htmlRF2E1KT63–Vintage arm chair on the white background
EMPIRE CROISILLON CHAIR. 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/empire-croisillon-chair-1800-image454387097.htmlRF2HB73AH–EMPIRE CROISILLON CHAIR. 1800
Vintage arm chair on the white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-arm-chair-on-the-white-background-image397158175.htmlRF2E2438F–Vintage arm chair on the white background
Wooden chair with no splat on the white background - perfect for background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wooden-chair-with-no-splat-on-the-white-background-perfect-for-background-image364332478.htmlRF2C4MNP6–Wooden chair with no splat on the white background - perfect for background
Antique wooden chair on the white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-wooden-chair-on-the-white-background-image387149607.htmlRF2DDT57K–Antique wooden chair on the white background.
A low back antique windsor chair UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-low-back-antique-windsor-chair-uk-34301579.htmlRMBYPG0B–A low back antique windsor chair UK
Side chair. Culture: American. Dimensions: H. 38 in. (96.5 cm). Date: 1755-75. The distinctive designs of the crest-rail shell, pierced splat, and claw-and-ball feet on this chair indicate a Newport origin. The execution, as well as the ample form and powerful stance, is in the manner of the preeminent Newport maker John Goddard (1723- 1785). The chair has an unrestored old finish, and the original upholstery foundation survives beneath the old seat cover of dark green velvet. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-h-38-in-965-cm-date-1755-75-the-distinctive-designs-of-the-crest-rail-shell-pierced-splat-and-claw-and-ball-feet-on-this-chair-indicate-a-newport-origin-the-execution-as-well-as-the-ample-form-and-powerful-stance-is-in-the-manner-of-the-preeminent-newport-maker-john-goddard-1723-1785-the-chair-has-an-unrestored-old-finish-and-the-original-upholstery-foundation-survives-beneath-the-old-seat-cover-of-dark-green-velvet-museum-metropolitan-museum-of-art-new-york-usa-image213209927.htmlRMPATFC7–Side chair. Culture: American. Dimensions: H. 38 in. (96.5 cm). Date: 1755-75. The distinctive designs of the crest-rail shell, pierced splat, and claw-and-ball feet on this chair indicate a Newport origin. The execution, as well as the ample form and powerful stance, is in the manner of the preeminent Newport maker John Goddard (1723- 1785). The chair has an unrestored old finish, and the original upholstery foundation survives beneath the old seat cover of dark green velvet. Museum: Metropolitan Museum of Art, New York, USA.
Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-american-gothic-splat-chair-ca-1760-mahogany-overall-36-12-23-38-18-inches-927-594-457-cm-image328732018.htmlRM2A2R116–Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm
Vintage arm chair on the white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-arm-chair-on-the-white-background-image396889174.htmlRF2E1KT5A–Vintage arm chair on the white background
Side chair, carved wood, Rectangular open back, the top rail carved with a design of grapes. Splat composed of five splints, inward-curving and fused centrally. Straight moulded seat rails, the front grape-carved., Sweden, late 18th century, furniture, Decorative Arts, Side chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-carved-wood-rectangular-open-back-the-top-rail-carved-with-a-design-of-grapes-splat-composed-of-five-splints-inward-curving-and-fused-centrally-straight-moulded-seat-rails-the-front-grape-carved-sweden-late-18th-century-furniture-decorative-arts-side-chair-image391526029.htmlRM2DMYFCD–Side chair, carved wood, Rectangular open back, the top rail carved with a design of grapes. Splat composed of five splints, inward-curving and fused centrally. Straight moulded seat rails, the front grape-carved., Sweden, late 18th century, furniture, Decorative Arts, Side chair
Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Windsor chair, early 18th century. 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-cigarettes-cards-willss-cigarettes-cards-sereis-old-furniture-windsor-chair-early-18th-century-1924-image390866522.htmlRF2DKWE6J–Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Windsor chair, early 18th century. 1924
Side chair, Papier-mâché, mother of pearl, caning, wood, Shaped rectangular back with an arched splat inlaid with a flower-filled basket between barley-twist turned stiles headed by finials and a serpentine caned seat, on cabriole legs with scroll feet., England, mid-19th century, furniture, Decorative Arts, Side chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-papier-mch-mother-of-pearl-caning-wood-shaped-rectangular-back-with-an-arched-splat-inlaid-with-a-flower-filled-basket-between-barley-twist-turned-stiles-headed-by-finials-and-a-serpentine-caned-seat-on-cabriole-legs-with-scroll-feet-england-mid-19th-century-furniture-decorative-arts-side-chair-image391103600.htmlRM2DM88HM–Side chair, Papier-mâché, mother of pearl, caning, wood, Shaped rectangular back with an arched splat inlaid with a flower-filled basket between barley-twist turned stiles headed by finials and a serpentine caned seat, on cabriole legs with scroll feet., England, mid-19th century, furniture, Decorative Arts, Side chair
baby, eating, children chair, babe, babies, human babies, eat, children chairs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baby-eating-children-chair-babe-babies-human-babies-eat-children-chairs-image455956653.htmlRF2HDPHA5–baby, eating, children chair, babe, babies, human babies, eat, children chairs
Side chair, papier mâché, parcel gilt black lacquer, mother of pearl, Shaped rectangular back with an arched splat inlaid with a flower-filled basket between barley-twist turned stiles headed by finials and a serpentine caned seat, on cabriole legs with scroll feet., England, mid-19th century, furniture, Decorative Arts, Side chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-papier-mch-parcel-gilt-black-lacquer-mother-of-pearl-shaped-rectangular-back-with-an-arched-splat-inlaid-with-a-flower-filled-basket-between-barley-twist-turned-stiles-headed-by-finials-and-a-serpentine-caned-seat-on-cabriole-legs-with-scroll-feet-england-mid-19th-century-furniture-decorative-arts-side-chair-image391272261.htmlRM2DMFYN9–Side chair, papier mâché, parcel gilt black lacquer, mother of pearl, Shaped rectangular back with an arched splat inlaid with a flower-filled basket between barley-twist turned stiles headed by finials and a serpentine caned seat, on cabriole legs with scroll feet., England, mid-19th century, furniture, Decorative Arts, Side chair
Mahogany side chair with black horse hair seat and no arms; splat in back in carved in scroll pattern; Owned by descendents of William Clark. Title: Mahogany Chair from William Clark Descendents . circa 1830. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mahogany-side-chair-with-black-horse-hair-seat-and-no-arms-splat-in-back-in-carved-in-scroll-pattern-owned-by-descendents-of-william-clark-title-mahogany-chair-from-william-clark-descendents-circa-1830-image178683237.htmlRMMAKM85–Mahogany side chair with black horse hair seat and no arms; splat in back in carved in scroll pattern; Owned by descendents of William Clark. Title: Mahogany Chair from William Clark Descendents . circa 1830.
Side chair, Walnut with walnut veneer on poplar seat rail, Slip seat. Plain cabroile legs ending in club feet; rounded back, vase-shaped splat. Seat-rail, shaped, and back are veneered. Legs joined by stretchers, the front one of turned baluster form., England, late 19th century, furniture, Decorative Arts, Side chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-walnut-with-walnut-veneer-on-poplar-seat-rail-slip-seat-plain-cabroile-legs-ending-in-club-feet-rounded-back-vase-shaped-splat-seat-rail-shaped-and-back-are-veneered-legs-joined-by-stretchers-the-front-one-of-turned-baluster-form-england-late-19th-century-furniture-decorative-arts-side-chair-image391268734.htmlRM2DMFR7A–Side chair, Walnut with walnut veneer on poplar seat rail, Slip seat. Plain cabroile legs ending in club feet; rounded back, vase-shaped splat. Seat-rail, shaped, and back are veneered. Legs joined by stretchers, the front one of turned baluster form., England, late 19th century, furniture, Decorative Arts, Side chair
Side Chair, c. 1770. The middle section, or splat, of this chair back, with its Gothic pointed arches, may be related to the style invented by the English cabinetmaker Thomas Chippendale. English chairs of this pattern are known, so the design probably originated there and was transmitted to this side of the Atlantic, perhaps by means of an imported example. This chair comes from a set made for Thomas and Elizabeth Edwards of Philadelphia, a furniture making center famous for its carved ornament. This chair features several finely and naturalistically carved details. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-c-1770-the-middle-section-or-splat-of-this-chair-back-with-its-gothic-pointed-arches-may-be-related-to-the-style-invented-by-the-english-cabinetmaker-thomas-chippendale-english-chairs-of-this-pattern-are-known-so-the-design-probably-originated-there-and-was-transmitted-to-this-side-of-the-atlantic-perhaps-by-means-of-an-imported-example-this-chair-comes-from-a-set-made-for-thomas-and-elizabeth-edwards-of-philadelphia-a-furniture-making-center-famous-for-its-carved-ornament-this-chair-features-several-finely-and-naturalistically-carved-details-image330118679.htmlRM2A525MR–Side Chair, c. 1770. The middle section, or splat, of this chair back, with its Gothic pointed arches, may be related to the style invented by the English cabinetmaker Thomas Chippendale. English chairs of this pattern are known, so the design probably originated there and was transmitted to this side of the Atlantic, perhaps by means of an imported example. This chair comes from a set made for Thomas and Elizabeth Edwards of Philadelphia, a furniture making center famous for its carved ornament. This chair features several finely and naturalistically carved details.
Side chair, Carved mahogany, Shield back side chair with a splat composed of three open blade-forms; cusped on their interiors and separated under the top rail by two blossoms. The forms merge into a fluted spreading panel at their base. Its legs are straight, square, and tapered in the front on square feet. The seat is shaped, hollowed, and upholstered in black-painted canvas (possibly the original upholstery)., England, ca. 1785, furniture, Decorative Arts, Side chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-carved-mahogany-shield-back-side-chair-with-a-splat-composed-of-three-open-blade-forms-cusped-on-their-interiors-and-separated-under-the-top-rail-by-two-blossoms-the-forms-merge-into-a-fluted-spreading-panel-at-their-base-its-legs-are-straight-square-and-tapered-in-the-front-on-square-feet-the-seat-is-shaped-hollowed-and-upholstered-in-black-painted-canvas-possibly-the-original-upholstery-england-ca-1785-furniture-decorative-arts-side-chair-image391653833.htmlRM2DN5ACW–Side chair, Carved mahogany, Shield back side chair with a splat composed of three open blade-forms; cusped on their interiors and separated under the top rail by two blossoms. The forms merge into a fluted spreading panel at their base. Its legs are straight, square, and tapered in the front on square feet. The seat is shaped, hollowed, and upholstered in black-painted canvas (possibly the original upholstery)., England, ca. 1785, furniture, Decorative Arts, Side chair
Art inspired by Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white pine, 40 1/2 x 21 3/4 x 21 1/4 in. (102.9 x 55.2 x 54 cm), Furniture, This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-176090-made-in-philadelphia-pennsylvania-united-states-american-mahogany-white-pine-40-12-x-21-34-x-21-14-in-1029-x-552-x-54-cm-furniture-this-chair-represents-the-philadelphia-scrolled-strapwork-splat-type-at-its-refined-best-the-carved-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879702.htmlRF2HW1YNX–Art inspired by Side chair, 1760–90, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, white pine, 40 1/2 x 21 3/4 x 21 1/4 in. (102.9 x 55.2 x 54 cm), Furniture, This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side chair, Mahogany, Shield-shaped back. The vase shaped openwork vertical splat consists of five curved vertical slats-- the center one is carved with foliage at the base; the branches into three ostrich feathers. Splats on both sides curving outwards meet those on the outside in two rosettes, from which swags of drapery hang. The front legs are moulded and slightly tapered. Front seat rail is serpentine and side rails are bowed slightly. There is a drop in seat covered in silk solid cut stamped cloth velvet., England, ca. 1780, furniture, Decorative Arts, Side chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-mahogany-shield-shaped-back-the-vase-shaped-openwork-vertical-splat-consists-of-five-curved-vertical-slats-the-center-one-is-carved-with-foliage-at-the-base-the-branches-into-three-ostrich-feathers-splats-on-both-sides-curving-outwards-meet-those-on-the-outside-in-two-rosettes-from-which-swags-of-drapery-hang-the-front-legs-are-moulded-and-slightly-tapered-front-seat-rail-is-serpentine-and-side-rails-are-bowed-slightly-there-is-a-drop-in-seat-covered-in-silk-solid-cut-stamped-cloth-velvet-england-ca-1780-furniture-decorative-arts-side-chair-image391259450.htmlRM2DMFBBP–Side chair, Mahogany, Shield-shaped back. The vase shaped openwork vertical splat consists of five curved vertical slats-- the center one is carved with foliage at the base; the branches into three ostrich feathers. Splats on both sides curving outwards meet those on the outside in two rosettes, from which swags of drapery hang. The front legs are moulded and slightly tapered. Front seat rail is serpentine and side rails are bowed slightly. There is a drop in seat covered in silk solid cut stamped cloth velvet., England, ca. 1780, furniture, Decorative Arts, Side chair
Art inspired by Side Chair, 1765–75, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, yellow pine, 38 x 21 7/8 x 21 1/2 in. (96.5 x 55.6 x 54.6 cm), Furniture, With its perfect proportions, elegantly integrated crest and splat design, and unsurpassed carving, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-176575-made-in-philadelphia-pennsylvania-united-states-american-mahogany-yellow-pine-38-x-21-78-x-21-12-in-965-x-556-x-546-cm-furniture-with-its-perfect-proportions-elegantly-integrated-crest-and-splat-design-and-unsurpassed-carving-this-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879489.htmlRF2HW1YE9–Art inspired by Side Chair, 1765–75, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, yellow pine, 38 x 21 7/8 x 21 1/2 in. (96.5 x 55.6 x 54.6 cm), Furniture, With its perfect proportions, elegantly integrated crest and splat design, and unsurpassed carving, this, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side chair, c. 1770-1790, 39 x 22 x 21in. (99.1 x 55.9 x 53.3cm), Mahogany, United States, 18th century, Chairs with this decorative back-splat are often called 'Salem chairs' because many have been traced back to families from that area. Its inspiration derives from a design in Robert Manwaring's Cabinet and Chair-Maker's Real Friend and Companion (1765). The pattern book was widely circulated in England and America, and seems to have enjoyed a particularly strong impact on form and decoration in Massachusetts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-c-1770-1790-39-x-22-x-21in-991-x-559-x-533cm-mahogany-united-states-18th-century-chairs-with-this-decorative-back-splat-are-often-called-salem-chairs-because-many-have-been-traced-back-to-families-from-that-area-its-inspiration-derives-from-a-design-in-robert-manwarings-cabinet-and-chair-makers-real-friend-and-companion-1765-the-pattern-book-was-widely-circulated-in-england-and-america-and-seems-to-have-enjoyed-a-particularly-strong-impact-on-form-and-decoration-in-massachusetts-image573492757.htmlRM2T90RT5–Side chair, c. 1770-1790, 39 x 22 x 21in. (99.1 x 55.9 x 53.3cm), Mahogany, United States, 18th century, Chairs with this decorative back-splat are often called 'Salem chairs' because many have been traced back to families from that area. Its inspiration derives from a design in Robert Manwaring's Cabinet and Chair-Maker's Real Friend and Companion (1765). The pattern book was widely circulated in England and America, and seems to have enjoyed a particularly strong impact on form and decoration in Massachusetts
Art inspired by Side Chair, 1765–75, Made in New York, United States, American, Mahogany, sweet gum, 38 7/8 x 24 1/4 x 22 1/4 in. (98.7 x 61.6 x 56.5 cm), Furniture, Typical New York features, such as the carved tassel-and-ruffle design in the splat, the gadrooned seat rail, and the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-176575-made-in-new-york-united-states-american-mahogany-sweet-gum-38-78-x-24-14-x-22-14-in-987-x-616-x-565-cm-furniture-typical-new-york-features-such-as-the-carved-tassel-and-ruffle-design-in-the-splat-the-gadrooned-seat-rail-and-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879717.htmlRF2HW1YPD–Art inspired by Side Chair, 1765–75, Made in New York, United States, American, Mahogany, sweet gum, 38 7/8 x 24 1/4 x 22 1/4 in. (98.7 x 61.6 x 56.5 cm), Furniture, Typical New York features, such as the carved tassel-and-ruffle design in the splat, the gadrooned seat rail, and the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A closeup vertical shot of a vintage wooden chair splat detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-closeup-vertical-shot-of-a-vintage-wooden-chair-splat-detail-image387834905.htmlRF2DEYBAH–A closeup vertical shot of a vintage wooden chair splat detail
Art inspired by Side Chair, 1730–50, Made in New York, United States, American, Walnut, maple, white pine, 38 5/8 x 22 x 21 1/2 in. (98.1 x 55.9 x 54.6 cm), Furniture, Among the most ambitious of all early Queen Anne side chairs, this example has stiles with compound curves that, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-173050-made-in-new-york-united-states-american-walnut-maple-white-pine-38-58-x-22-x-21-12-in-981-x-559-x-546-cm-furniture-among-the-most-ambitious-of-all-early-queen-anne-side-chairs-this-example-has-stiles-with-compound-curves-that-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879619.htmlRF2HW1YJY–Art inspired by Side Chair, 1730–50, Made in New York, United States, American, Walnut, maple, white pine, 38 5/8 x 22 x 21 1/2 in. (98.1 x 55.9 x 54.6 cm), Furniture, Among the most ambitious of all early Queen Anne side chairs, this example has stiles with compound curves that, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side Chair. Culture: American. Dimensions: 38 7/8 x 24 1/4 x 22 1/4 in. (98.7 x 61.6 x 56.5 cm). Date: 1765-75. Typical New York features, such as the carved tassel-and-ruffle design in the splat, the gadrooned seat rail, and the square claw-and-ball feet, are displayed in this chair. It is thought to have descended in the great landholding Van Rensselaer family of Albany, New York. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-38-78-x-24-14-x-22-14-in-987-x-616-x-565-cm-date-1765-75-typical-new-york-features-such-as-the-carved-tassel-and-ruffle-design-in-the-splat-the-gadrooned-seat-rail-and-the-square-claw-and-ball-feet-are-displayed-in-this-chair-it-is-thought-to-have-descended-in-the-great-landholding-van-rensselaer-family-of-albany-new-york-museum-metropolitan-museum-of-art-new-york-usa-image213112075.htmlRMPAM2HF–Side Chair. Culture: American. Dimensions: 38 7/8 x 24 1/4 x 22 1/4 in. (98.7 x 61.6 x 56.5 cm). Date: 1765-75. Typical New York features, such as the carved tassel-and-ruffle design in the splat, the gadrooned seat rail, and the square claw-and-ball feet, are displayed in this chair. It is thought to have descended in the great landholding Van Rensselaer family of Albany, New York. Museum: Metropolitan Museum of Art, New York, USA.
A CHIPPENDALE CHAIR IN THE DINING ROOM AT HALSWELL HOUSE NEAR BRIDGWATER SOMERSET UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-chippendale-chair-in-the-dining-room-at-halswell-house-near-bridgwater-12103261.htmlRMA8H47X–A CHIPPENDALE CHAIR IN THE DINING ROOM AT HALSWELL HOUSE NEAR BRIDGWATER SOMERSET UK
Side chair. Rectangular open back, the top rail carved with a design of grapes. Splat composed of five splints, inward-curving and fused centrally. Straight moulded seat rails, the front grape-carved. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-rectangular-open-back-the-top-rail-carved-with-a-design-of-grapes-splat-composed-of-five-splints-inward-curving-and-fused-centrally-straight-moulded-seat-rails-the-front-grape-carved-image353528246.htmlRM2BF4GTP–Side chair. Rectangular open back, the top rail carved with a design of grapes. Splat composed of five splints, inward-curving and fused centrally. Straight moulded seat rails, the front grape-carved.
Painting of a brown wooden chair with four legs as a lion's feet back support and splat has a circular cushioned seat to provide a comfortable sitti Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-a-brown-wooden-chair-with-four-legs-as-a-lions-feet-back-support-and-splat-has-a-circular-cushioned-seat-to-provide-a-comfortable-sitti-image245104894.htmlRFT6NDP6–Painting of a brown wooden chair with four legs as a lion's feet back support and splat has a circular cushioned seat to provide a comfortable sitti
Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Mahogany corner chair, 18th century. 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-cigarettes-cards-willss-cigarettes-cards-sereis-old-furniture-mahogany-corner-chair-18th-century-1924-image390866516.htmlRF2DKWE6C–Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Mahogany corner chair, 18th century. 1924
Drawing-Boom, and Dining-room Chair; the last has a splat composed of a vine branch and a spike of corn on each side of the back from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-boom-and-dining-room-chair-the-last-has-a-splat-composed-of-a-vine-branch-and-a-spike-of-corn-on-each-side-of-the-back-from-the-practical-cabinet-maker-upholsterers-treasury-of-designs-house-furnishing-decorating-assistant-in-the-grecian-italian-renaissance-louis-quatorze-gothic-tudor-and-elizabethan-styles-interspersed-with-designs-executed-for-the-royal-palaces-and-for-some-of-the-principal-mansions-of-the-nobility-and-gentry-and-club-houses-by-henry-whitaker-1847-image503691067.htmlRF2M7D32K–Drawing-Boom, and Dining-room Chair; the last has a splat composed of a vine branch and a spike of corn on each side of the back from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847
Solid-Splat Side Chair M.2006.51.38 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-solid-splat-side-chair-m20065138-58634362.htmlRMDBB0MA–Solid-Splat Side Chair M.2006.51.38
Antique Victorian walnut armchair with pierced splatback, square tapering fluted legs and cane seat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antique-victorian-walnut-armchair-with-pierced-splatback-square-tapering-43668731.htmlRMCF17WF–Antique Victorian walnut armchair with pierced splatback, square tapering fluted legs and cane seat
Side Chair with Baluster Splat and Tassel-Carved Crest Rail M.2006.51.45 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-side-chair-with-baluster-splat-and-tassel-carved-crest-rail-m20065145-58633204.htmlRMDBAY70–Side Chair with Baluster Splat and Tassel-Carved Crest Rail M.2006.51.45
baby, eating, blob, babe, babies, human babies, eat, blobs, paint splat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baby-eating-blob-babe-babies-human-babies-eat-blobs-paint-splat-image455956652.htmlRF2HDPHA4–baby, eating, blob, babe, babies, human babies, eat, blobs, paint splat
Side Chair, c. 1775. Before becoming one of the best known Connecticut furniture makers of the late 1700s, Eliphalet Chapin worked in New York City and Philadelphia. His furniture shows evidence of that experience. For example, the back of this chair has a splat design found on New York pieces, while the untapered rear legs and the shell carving on the crest rail are typical of Philadelphia workmanship. The use of cherry, however, is characteristic of Connecticut furniture. This chair comes from a set recorded in Chapin's account book as having been supplied to Ebenezer Grant to form part of t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-c-1775-before-becoming-one-of-the-best-known-connecticut-furniture-makers-of-the-late-1700s-eliphalet-chapin-worked-in-new-york-city-and-philadelphia-his-furniture-shows-evidence-of-that-experience-for-example-the-back-of-this-chair-has-a-splat-design-found-on-new-york-pieces-while-the-untapered-rear-legs-and-the-shell-carving-on-the-crest-rail-are-typical-of-philadelphia-workmanship-the-use-of-cherry-however-is-characteristic-of-connecticut-furniture-this-chair-comes-from-a-set-recorded-in-chapins-account-book-as-having-been-supplied-to-ebenezer-grant-to-form-part-of-t-image330118662.htmlRM2A525M6–Side Chair, c. 1775. Before becoming one of the best known Connecticut furniture makers of the late 1700s, Eliphalet Chapin worked in New York City and Philadelphia. His furniture shows evidence of that experience. For example, the back of this chair has a splat design found on New York pieces, while the untapered rear legs and the shell carving on the crest rail are typical of Philadelphia workmanship. The use of cherry, however, is characteristic of Connecticut furniture. This chair comes from a set recorded in Chapin's account book as having been supplied to Ebenezer Grant to form part of t
Solid-Splat Side Chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/solid-splat-side-chair-image464704413.htmlRM2J01365–Solid-Splat Side Chair
Fruitwood armchair with high back described as a 'Mendlesham' chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fruitwood-armchair-with-high-back-described-as-a-mendlesham-chair-102728324.htmlRMFY3K0M–Fruitwood armchair with high back described as a 'Mendlesham' chair
antique old vintage chair requires restoration isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-old-vintage-chair-requires-restoration-isolated-on-white-background-image496910472.htmlRF2KTC6AG–antique old vintage chair requires restoration isolated on white background
Cat tries to jump on on chair and lands halfway in a silly pose Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cat-tries-to-jump-on-on-chair-and-lands-halfway-in-a-silly-pose-image211038803.htmlRFP79J43–Cat tries to jump on on chair and lands halfway in a silly pose
Chair, One of a Pair, 17th century, 41 1/4 x 24 x 18 in. (104.78 x 60.96 x 45.72 cm), Lacquer on softwood frames, China, 17th century, These lacquered armchairs with distinctive scrolled-crest back splat, slender construction, and gilt decoration reflect the fashion of the Qianlong period (1736-1795) toward increasingly elaborate forms. Fashioned from thin members, the chairs exhibit the light angular fretwork typical of middle Qing taste. The splats display stylized dragon medallions and bamboo leaves executed in gold lacquer on a reddish-brown ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-one-of-a-pair-17th-century-41-14-x-24-x-18-in-10478-x-6096-x-4572-cm-lacquer-on-softwood-frames-china-17th-century-these-lacquered-armchairs-with-distinctive-scrolled-crest-back-splat-slender-construction-and-gilt-decoration-reflect-the-fashion-of-the-qianlong-period-1736-1795-toward-increasingly-elaborate-forms-fashioned-from-thin-members-the-chairs-exhibit-the-light-angular-fretwork-typical-of-middle-qing-taste-the-splats-display-stylized-dragon-medallions-and-bamboo-leaves-executed-in-gold-lacquer-on-a-reddish-brown-ground-image573505777.htmlRM2T91CD5–Chair, One of a Pair, 17th century, 41 1/4 x 24 x 18 in. (104.78 x 60.96 x 45.72 cm), Lacquer on softwood frames, China, 17th century, These lacquered armchairs with distinctive scrolled-crest back splat, slender construction, and gilt decoration reflect the fashion of the Qianlong period (1736-1795) toward increasingly elaborate forms. Fashioned from thin members, the chairs exhibit the light angular fretwork typical of middle Qing taste. The splats display stylized dragon medallions and bamboo leaves executed in gold lacquer on a reddish-brown ground
Orchid on the wooden chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orchid-on-the-wooden-chair-image159826617.htmlRFK80MDD–Orchid on the wooden chair
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 1. Examples of Hepplewhite Splat, Oval and Bar Backs. As much alike as Hepplewhite and Sheraton pat-terns are in many respects, one sharp contrast must bedrawn between the styles. Though both men held tostraight structural lines in their designs of cabinet-work, and to a very large extent in chair- and table-work, Hepplewhite is regarded as the exponent of thecurve and Sheraton as the exponent of the straightline. Hepplewhite introduced his curvi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-fig-1-examples-of-hepplewhite-splat-oval-and-bar-backs-as-much-alike-as-hepplewhite-and-sheraton-pat-terns-are-in-many-respects-one-sharp-contrast-must-bedrawn-between-the-styles-though-both-men-held-tostraight-structural-lines-in-their-designs-of-cabinet-work-and-to-a-very-large-extent-in-chair-and-table-work-hepplewhite-is-regarded-as-the-exponent-of-thecurve-and-sheraton-as-the-exponent-of-the-straightline-hepplewhite-introduced-his-curvi-image342748095.htmlRM2AWHEKB–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 1. Examples of Hepplewhite Splat, Oval and Bar Backs. As much alike as Hepplewhite and Sheraton pat-terns are in many respects, one sharp contrast must bedrawn between the styles. Though both men held tostraight structural lines in their designs of cabinet-work, and to a very large extent in chair- and table-work, Hepplewhite is regarded as the exponent of thecurve and Sheraton as the exponent of the straightline. Hepplewhite introduced his curvi
Art inspired by Side Chair, 1770–75, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, tulip poplar, yellow pine, 39 1/4 x 22 3/8 x 22 1/4 in. (99.7 x 56.8 x 56.5 cm), Furniture, Attributed to Thomas Affleck (1740–1795), Among the most ambitious of all early Queen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-177075-made-in-philadelphia-pennsylvania-united-states-american-mahogany-tulip-poplar-yellow-pine-39-14-x-22-38-x-22-14-in-997-x-568-x-565-cm-furniture-attributed-to-thomas-affleck-17401795-among-the-most-ambitious-of-all-early-queen-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462879630.htmlRF2HW1YKA–Art inspired by Side Chair, 1770–75, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, tulip poplar, yellow pine, 39 1/4 x 22 3/8 x 22 1/4 in. (99.7 x 56.8 x 56.5 cm), Furniture, Attributed to Thomas Affleck (1740–1795), Among the most ambitious of all early Queen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side Chair. Culture: American. Dimensions: 38 x 21 7/8 x 21 1/2 in. (96.5 x 55.6 x 54.6 cm). Date: 1765-75. With its perfect proportions, elegantly integrated crest and splat design, and unsurpassed carving, this is perhaps the best of all Philadelphia Chippendale chairs. The splat pattern, its dominant figure-eight motif flowing from the crest rail, is a free adaptation from plate 16 of the third edition of Thomas Chippendale's Gentleman and Cabinet-Maker's Director (1762) (see 1982.1133). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-38-x-21-78-x-21-12-in-965-x-556-x-546-cm-date-1765-75-with-its-perfect-proportions-elegantly-integrated-crest-and-splat-design-and-unsurpassed-carving-this-is-perhaps-the-best-of-all-philadelphia-chippendale-chairs-the-splat-pattern-its-dominant-figure-eight-motif-flowing-from-the-crest-rail-is-a-free-adaptation-from-plate-16-of-the-third-edition-of-thomas-chippendales-gentleman-and-cabinet-makers-director-1762-see-19821133-museum-metropolitan-museum-of-art-new-york-usa-image213325551.htmlRMPB1PWK–Side Chair. Culture: American. Dimensions: 38 x 21 7/8 x 21 1/2 in. (96.5 x 55.6 x 54.6 cm). Date: 1765-75. With its perfect proportions, elegantly integrated crest and splat design, and unsurpassed carving, this is perhaps the best of all Philadelphia Chippendale chairs. The splat pattern, its dominant figure-eight motif flowing from the crest rail, is a free adaptation from plate 16 of the third edition of Thomas Chippendale's Gentleman and Cabinet-Maker's Director (1762) (see 1982.1133). Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Side Chair, ca. 1830, Made in New York, New York, United States, American, Rosewood, ash, 32 3/4 x 17 5/16 x 18 3/16 in. (83.2 x 44 x 46.2 cm), Furniture, Possibly from the Workshop of Duncan Phyfe (1770–1854), Duncan Phyfe & Sons (1837–1840, active New York), As, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-side-chair-ca-1830-made-in-new-york-new-york-united-states-american-rosewood-ash-32-34-x-17-516-x-18-316-in-832-x-44-x-462-cm-furniture-possibly-from-the-workshop-of-duncan-phyfe-17701854-duncan-phyfe-sons-18371840-active-new-york-as-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463045618.htmlRF2HW9FBE–Art inspired by Side Chair, ca. 1830, Made in New York, New York, United States, American, Rosewood, ash, 32 3/4 x 17 5/16 x 18 3/16 in. (83.2 x 44 x 46.2 cm), Furniture, Possibly from the Workshop of Duncan Phyfe (1770–1854), Duncan Phyfe & Sons (1837–1840, active New York), As, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Side chair. Shaped rectangular back with an arched splat inlaid with a flower-filled basket between barley-twist turned stiles headed by finials and a serpentine caned seat, on cabriole legs with scroll feet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-shaped-rectangular-back-with-an-arched-splat-inlaid-with-a-flower-filled-basket-between-barley-twist-turned-stiles-headed-by-finials-and-a-serpentine-caned-seat-on-cabriole-legs-with-scroll-feet-image353559504.htmlRM2BF60N4–Side chair. Shaped rectangular back with an arched splat inlaid with a flower-filled basket between barley-twist turned stiles headed by finials and a serpentine caned seat, on cabriole legs with scroll feet.
Art inspired by Armchair, ca. 1835, Made in New York, New York, United States, American, Rosewood, 33 1/4 x 24 x 20 in. (84.5 x 61 x 50.8 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854), This chair has been attributed to Duncan Phyfe on the basis of its, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-armchair-ca-1835-made-in-new-york-new-york-united-states-american-rosewood-33-14-x-24-x-20-in-845-x-61-x-508-cm-furniture-attributed-to-the-workshop-of-duncan-phyfe-17701854-this-chair-has-been-attributed-to-duncan-phyfe-on-the-basis-of-its-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463045834.htmlRF2HW9FK6–Art inspired by Armchair, ca. 1835, Made in New York, New York, United States, American, Rosewood, 33 1/4 x 24 x 20 in. (84.5 x 61 x 50.8 cm), Furniture, Attributed to the Workshop of Duncan Phyfe (1770–1854), This chair has been attributed to Duncan Phyfe on the basis of its, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Mahogany arm chair, late 18th century. 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-cigarettes-cards-willss-cigarettes-cards-sereis-old-furniture-mahogany-arm-chair-late-18th-century-1924-image390866622.htmlRF2DKWEA6–Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Mahogany arm chair, late 18th century. 1924
Side chair. Slip seat. Plain cabroile legs ending in club feet; rounded back, vase-shaped splat. Seat-rail, shaped, and back are veneered. Legs joined by stretchers, the front one of turned baluster form. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-slip-seat-plain-cabroile-legs-ending-in-club-feet-rounded-back-vase-shaped-splat-seat-rail-shaped-and-back-are-veneered-legs-joined-by-stretchers-the-front-one-of-turned-baluster-form-image353477291.htmlRM2BF27TY–Side chair. Slip seat. Plain cabroile legs ending in club feet; rounded back, vase-shaped splat. Seat-rail, shaped, and back are veneered. Legs joined by stretchers, the front one of turned baluster form.
Pair of vintage wood chairs (bergeres) on the white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-vintage-wood-chairs-bergeres-on-the-white-background-image397442128.htmlRF2E2H1DM–Pair of vintage wood chairs (bergeres) on the white background.
Side chair. Shield back side chair with a splat composed of three open blade-forms; cusped on their interiors and separated under the top rail by two blossoms. The forms merge into a fluted spreading panel at their base. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-shield-back-side-chair-with-a-splat-composed-of-three-open-blade-forms-cusped-on-their-interiors-and-separated-under-the-top-rail-by-two-blossoms-the-forms-merge-into-a-fluted-spreading-panel-at-their-base-image353533564.htmlRM2BF4RJM–Side chair. Shield back side chair with a splat composed of three open blade-forms; cusped on their interiors and separated under the top rail by two blossoms. The forms merge into a fluted spreading panel at their base.
Chair in the Italian style; and Arm-Chair, in the Elizabethan style. The chair might be made with a stuffed back, by filling in the spaces on each side of the splat. from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-in-the-italian-style-and-arm-chair-in-the-elizabethan-style-the-chair-might-be-made-with-a-stuffed-back-by-filling-in-the-spaces-on-each-side-of-the-splat-from-the-practical-cabinet-maker-upholsterers-treasury-of-designs-house-furnishing-decorating-assistant-in-the-grecian-italian-renaissance-louis-quatorze-gothic-tudor-and-elizabethan-styles-interspersed-with-designs-executed-for-the-royal-palaces-and-for-some-of-the-principal-mansions-of-the-nobility-and-gentry-and-club-houses-by-henry-whitaker-1847-image503691057.htmlRF2M7D329–Chair in the Italian style; and Arm-Chair, in the Elizabethan style. The chair might be made with a stuffed back, by filling in the spaces on each side of the splat. from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847
Vintage armchair on the white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-armchair-on-the-white-background-image396889194.htmlRF2E1KT62–Vintage armchair on the white background
Art inspired by Comb-back Windsor armchair, ca. 1770, British, Yew and elm wood, Overall (confirmed): 44 1/8 × 23 1/2 × 26 1/2 in. (112.1 × 59.7 × 67.3 cm); Height (seat height): 18 in. (45.7 cm), Woodwork-Furniture, Nothing is more quintessentially English than a Windsor chair which, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-comb-back-windsor-armchair-ca-1770-british-yew-and-elm-wood-overall-confirmed-44-18-23-12-26-12-in-1121-597-673-cm-height-seat-height-18-in-457-cm-woodwork-furniture-nothing-is-more-quintessentially-english-than-a-windsor-chair-which-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462867981.htmlRF2HW1CR9–Art inspired by Comb-back Windsor armchair, ca. 1770, British, Yew and elm wood, Overall (confirmed): 44 1/8 × 23 1/2 × 26 1/2 in. (112.1 × 59.7 × 67.3 cm); Height (seat height): 18 in. (45.7 cm), Woodwork-Furniture, Nothing is more quintessentially English than a Windsor chair which, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Inlaid walnut settee, early 18th century. 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-cigarettes-cards-willss-cigarettes-cards-sereis-old-furniture-inlaid-walnut-settee-early-18th-century-1924-image390866515.htmlRF2DKWE6B–Antique cigarettes cards, Wills's Cigarettes cards (sereis Old Furniture). Inlaid walnut settee, early 18th century. 1924
Shield-back Side Chair with Drapery and Plume-Carved Splat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shield-back-side-chair-with-drapery-and-plume-carved-splat-image464698416.htmlRM2J00RG0–Shield-back Side Chair with Drapery and Plume-Carved Splat
A paar of vintage arm chair on the white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-paar-of-vintage-arm-chair-on-the-white-background-image397158164.htmlRF2E24384–A paar of vintage arm chair on the white background
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349859950.htmlRF2B95DX6–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Side chair, 18th century, 38 x 24 x 18 in. (96.52 x 60.96 x 45.72 cm), Mahogany, white pine, United States, 18th century, The pierced back-splat and carved ball-and-claw feet on this chair relate to those illustrated in the best known pattern book of the 18th century, Thomas Chippendale's Gentleman and Cabinet-Maker's Director. Available in the Colonies soon after being published in London in 1754, the Director -and English furniture inspired by it-was tremendously influential on both sides of the Atlantic. The elongated lancet arches carved into this back-splat are less common in America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-18th-century-38-x-24-x-18-in-9652-x-6096-x-4572-cm-mahogany-white-pine-united-states-18th-century-the-pierced-back-splat-and-carved-ball-and-claw-feet-on-this-chair-relate-to-those-illustrated-in-the-best-known-pattern-book-of-the-18th-century-thomas-chippendales-gentleman-and-cabinet-makers-director-available-in-the-colonies-soon-after-being-published-in-london-in-1754-the-director-and-english-furniture-inspired-by-it-was-tremendously-influential-on-both-sides-of-the-atlantic-the-elongated-lancet-arches-carved-into-this-back-splat-are-less-common-in-america-image573512472.htmlRM2T91N08–Side chair, 18th century, 38 x 24 x 18 in. (96.52 x 60.96 x 45.72 cm), Mahogany, white pine, United States, 18th century, The pierced back-splat and carved ball-and-claw feet on this chair relate to those illustrated in the best known pattern book of the 18th century, Thomas Chippendale's Gentleman and Cabinet-Maker's Director. Available in the Colonies soon after being published in London in 1754, the Director -and English furniture inspired by it-was tremendously influential on both sides of the Atlantic. The elongated lancet arches carved into this back-splat are less common in America
Fruitwood armchair with an elm seat and a heart-shaped splat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fruitwood-armchair-with-an-elm-seat-and-a-heart-shaped-splat-102728320.htmlRMFY3K0G–Fruitwood armchair with an elm seat and a heart-shaped splat
Side chair, ca. 1820–30, Austrian, Solid beech wood (front and side rails), solid pine wood (back splat, supporting middle seat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-side-chair-ca-182030-austrian-solid-beech-wood-front-and-side-rails-162579908.htmlRMKCE498–Side chair, ca. 1820–30, Austrian, Solid beech wood (front and side rails), solid pine wood (back splat, supporting middle seat
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 1. Examples of Hepplewhite Splat, Oval and Bar Backs. As much alike as Hepplewhite and Sheraton pat-terns are in many respects, one sharp contrast must bedrawn between the styles. Though both men held tostraight structural lines in their designs of cabinet-work, and to a very large extent in chair- and table-work, Hepplewhite is regarded as the exponent of thecurve and Sheraton as the exponent of the straightline. Hepplewhite introduced his curvi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-fig-1-examples-of-hepplewhite-splat-oval-and-bar-backs-as-much-alike-as-hepplewhite-and-sheraton-pat-terns-are-in-many-respects-one-sharp-contrast-must-bedrawn-between-the-styles-though-both-men-held-tostraight-structural-lines-in-their-designs-of-cabinet-work-and-to-a-very-large-extent-in-chair-and-table-work-hepplewhite-is-regarded-as-the-exponent-of-thecurve-and-sheraton-as-the-exponent-of-the-straightline-hepplewhite-introduced-his-curvi-image342748436.htmlRM2AWHF3G–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 1. Examples of Hepplewhite Splat, Oval and Bar Backs. As much alike as Hepplewhite and Sheraton pat-terns are in many respects, one sharp contrast must bedrawn between the styles. Though both men held tostraight structural lines in their designs of cabinet-work, and to a very large extent in chair- and table-work, Hepplewhite is regarded as the exponent of thecurve and Sheraton as the exponent of the straightline. Hepplewhite introduced his curvi
Chair, Fruit wood and elm, Rectangular open back; top rail composed of two swags centering a bowknot. Posts are carved with pendant garlands. The splat is an obelisk-form surmounting a square rosette. Front role of upholstered seat is carved with ribbons and pendant swags. Front legs are square, tapered and fluted; rosettes at knees., Netherlands, late 18th century, furniture, Decorative Arts, Chair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-fruit-wood-and-elm-rectangular-open-back-top-rail-composed-of-two-swags-centering-a-bowknot-posts-are-carved-with-pendant-garlands-the-splat-is-an-obelisk-form-surmounting-a-square-rosette-front-role-of-upholstered-seat-is-carved-with-ribbons-and-pendant-swags-front-legs-are-square-tapered-and-fluted-rosettes-at-knees-netherlands-late-18th-century-furniture-decorative-arts-chair-image391663322.htmlRM2DN5PFP–Chair, Fruit wood and elm, Rectangular open back; top rail composed of two swags centering a bowknot. Posts are carved with pendant garlands. The splat is an obelisk-form surmounting a square rosette. Front role of upholstered seat is carved with ribbons and pendant swags. Front legs are square, tapered and fluted; rosettes at knees., Netherlands, late 18th century, furniture, Decorative Arts, Chair
Side Chair. Culture: American. Dimensions: 39 1/4 x 22 3/8 x 22 1/4 in. (99.7 x 56.8 x 56.5 cm). Maker: Attributed to Thomas Affleck (1740-1795). Date: 1770-75. Among the most ambitious of all early Queen Anne side chairs, this example has stiles with compound curves that conform to the design of the splat and a deeply undercut shell flanked by flowering vines in the crest rail. The overall design was borrowed directly from a popular English chair pattern. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-39-14-x-22-38-x-22-14-in-997-x-568-x-565-cm-maker-attributed-to-thomas-affleck-1740-1795-date-1770-75-among-the-most-ambitious-of-all-early-queen-anne-side-chairs-this-example-has-stiles-with-compound-curves-that-conform-to-the-design-of-the-splat-and-a-deeply-undercut-shell-flanked-by-flowering-vines-in-the-crest-rail-the-overall-design-was-borrowed-directly-from-a-popular-english-chair-pattern-museum-metropolitan-museum-of-art-new-york-usa-image213324703.htmlRMPB1NRB–Side Chair. Culture: American. Dimensions: 39 1/4 x 22 3/8 x 22 1/4 in. (99.7 x 56.8 x 56.5 cm). Maker: Attributed to Thomas Affleck (1740-1795). Date: 1770-75. Among the most ambitious of all early Queen Anne side chairs, this example has stiles with compound curves that conform to the design of the splat and a deeply undercut shell flanked by flowering vines in the crest rail. The overall design was borrowed directly from a popular English chair pattern. Museum: Metropolitan Museum of Art, New York, USA.
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-image328777874.htmlRM2A2W3EX–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts
Old fashioned wood chais, small table and sofa on white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-fashioned-wood-chais-small-table-and-sofa-on-white-background-image397158171.htmlRF2E2438B–Old fashioned wood chais, small table and sofa on white background.
Old car painted tires. Many colorful tires against a white brick wall. Outside Without anyone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-car-painted-tires-many-colorful-tires-against-a-white-brick-wall-outside-without-anyone-image339171134.htmlRF2AKPG6P–Old car painted tires. Many colorful tires against a white brick wall. Outside Without anyone
Chair. Rectangular open back; top rail composed of two swags centering a bowknot. Posts are carved with pendant garlands. The splat is an obelisk-form surmounting a square rosette. Front role of upholstered seat is carved with ribbons and pendant swags. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-rectangular-open-back-top-rail-composed-of-two-swags-centering-a-bowknot-posts-are-carved-with-pendant-garlands-the-splat-is-an-obelisk-form-surmounting-a-square-rosette-front-role-of-upholstered-seat-is-carved-with-ribbons-and-pendant-swags-image353534306.htmlRM2BF4TH6–Chair. Rectangular open back; top rail composed of two swags centering a bowknot. Posts are carved with pendant garlands. The splat is an obelisk-form surmounting a square rosette. Front role of upholstered seat is carved with ribbons and pendant swags.
Design for Three Chairs. Left: Side chair, upholstered in blue. Elongated back splat with lyre-form configuration as back rest. Fluted rails and legs.Center: Same description as above upholstered in green.Right: Same description as above, upholstered in blue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-three-chairs-left-side-chair-upholstered-in-blue-elongated-back-splat-with-lyre-form-configuration-as-back-rest-fluted-rails-and-legscenter-same-description-as-above-upholstered-in-greenright-same-description-as-above-upholstered-in-blue-image353501220.htmlRM2BF3ABG–Design for Three Chairs. Left: Side chair, upholstered in blue. Elongated back splat with lyre-form configuration as back rest. Fluted rails and legs.Center: Same description as above upholstered in green.Right: Same description as above, upholstered in blue.
Artist unknown. Armchair. 1740. Philadelphia. Walnut This chair was made by an English or Irish cabinetmaker who had emigrated to Philadelphia. The style of the chair successfully blends the Philadelphia Quakers’ preference for elegant simplicity and functionality with decorative flourishes that were stylish in English work of the period. Some of the decorative elements that embellish the chair are also found on a small group of early Philadelphia-Baroque, “fiddleback-splat” chairs, so named for the curve on the side of the back splat reminiscent of the shape of a violin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-unknown-armchair-1740-philadelphia-walnut-this-chair-was-made-by-an-english-or-irish-cabinetmaker-who-had-emigrated-to-philadelphia-the-style-of-the-chair-successfully-blends-the-philadelphia-quakers-preference-for-elegant-simplicity-and-functionality-with-decorative-flourishes-that-were-stylish-in-english-work-of-the-period-some-of-the-decorative-elements-that-embellish-the-chair-are-also-found-on-a-small-group-of-early-philadelphia-baroque-fiddleback-splat-chairs-so-named-for-the-curve-on-the-side-of-the-back-splat-reminiscent-of-the-shape-of-a-violin-image337975619.htmlRM2AHT39R–Artist unknown. Armchair. 1740. Philadelphia. Walnut This chair was made by an English or Irish cabinetmaker who had emigrated to Philadelphia. The style of the chair successfully blends the Philadelphia Quakers’ preference for elegant simplicity and functionality with decorative flourishes that were stylish in English work of the period. Some of the decorative elements that embellish the chair are also found on a small group of early Philadelphia-Baroque, “fiddleback-splat” chairs, so named for the curve on the side of the back splat reminiscent of the shape of a violin.
Side Chair with Scroll Splat and Stretchers. United States, Massachusetts, 1765-1775. Furnishings; Furniture. Mahogany wood, pine wood and replaced upholstery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-with-scroll-splat-and-stretchers-united-states-massachusetts-1765-1775-furnishings-furniture-mahogany-wood-pine-wood-and-replaced-upholstery-image464698502.htmlRM2J00RK2–Side Chair with Scroll Splat and Stretchers. United States, Massachusetts, 1765-1775. Furnishings; Furniture. Mahogany wood, pine wood and replaced upholstery
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349859945.htmlRF2B95DX1–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Our homes, and how to beautify them . s comfort is paramount. As much art, as much beauty of line and colour as you please, but suitability to the specific purpose must come first and foremost. And here the old English models stand us in good stead, especially in the case of chairs. The splat-backed chair of the Queen Anne period is really one of the most comfortable seats that can be found; it has plenty of accommodation and the back is set at a suitable angle. I am not greatly enamoured of the French fauteuil when I want to spend a peaceful hour in the drawing room ; there is far more rest t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/our-homes-and-how-to-beautify-them-s-comfort-is-paramount-as-much-art-as-much-beauty-of-line-and-colour-as-you-please-but-suitability-to-the-specific-purpose-must-come-first-and-foremost-and-here-the-old-english-models-stand-us-in-good-stead-especially-in-the-case-of-chairs-the-splat-backed-chair-of-the-queen-anne-period-is-really-one-of-the-most-comfortable-seats-that-can-be-found-it-has-plenty-of-accommodation-and-the-back-is-set-at-a-suitable-angle-i-am-not-greatly-enamoured-of-the-french-fauteuil-when-i-want-to-spend-a-peaceful-hour-in-the-drawing-room-there-is-far-more-rest-t-image338498734.htmlRM2AJKXGE–Our homes, and how to beautify them . s comfort is paramount. As much art, as much beauty of line and colour as you please, but suitability to the specific purpose must come first and foremost. And here the old English models stand us in good stead, especially in the case of chairs. The splat-backed chair of the Queen Anne period is really one of the most comfortable seats that can be found; it has plenty of accommodation and the back is set at a suitable angle. I am not greatly enamoured of the French fauteuil when I want to spend a peaceful hour in the drawing room ; there is far more rest t
Side Chair. Culture: American. Dimensions: 32 3/4 x 17 5/16 x 18 3/16 in. (83.2 x 44 x 46.2 cm). Maker: Possibly from the Workshop of Duncan Phyfe (1770-1854); Duncan Phyfe & Sons (1837-1840, active New York). Date: ca. 1830. As craftsmen transitioned from the Early to the Late Grecian style (the latter is also referred to as the Grecian Plain Style), they began to incorporate more curvilinear shapes and new motifs. With a scrolled stay rail and an inverted lotus-shaped splat, this design is more abstract than the clearly delineated lyre-back chair attributed to Phyfe (65.188.2). This example Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-culture-american-dimensions-32-34-x-17-516-x-18-316-in-832-x-44-x-462-cm-maker-possibly-from-the-workshop-of-duncan-phyfe-1770-1854-duncan-phyfe-sons-1837-1840-active-new-york-date-ca-1830-as-craftsmen-transitioned-from-the-early-to-the-late-grecian-style-the-latter-is-also-referred-to-as-the-grecian-plain-style-they-began-to-incorporate-more-curvilinear-shapes-and-new-motifs-with-a-scrolled-stay-rail-and-an-inverted-lotus-shaped-splat-this-design-is-more-abstract-than-the-clearly-delineated-lyre-back-chair-attributed-to-phyfe-651882-this-example-image212910598.htmlRMPAAWHX–Side Chair. Culture: American. Dimensions: 32 3/4 x 17 5/16 x 18 3/16 in. (83.2 x 44 x 46.2 cm). Maker: Possibly from the Workshop of Duncan Phyfe (1770-1854); Duncan Phyfe & Sons (1837-1840, active New York). Date: ca. 1830. As craftsmen transitioned from the Early to the Late Grecian style (the latter is also referred to as the Grecian Plain Style), they began to incorporate more curvilinear shapes and new motifs. With a scrolled stay rail and an inverted lotus-shaped splat, this design is more abstract than the clearly delineated lyre-back chair attributed to Phyfe (65.188.2). This example
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-image328777871.htmlRM2A2W3ER–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts
Painted old truck tires. Many colorful tires against a white brick wall. Outside Without anyone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painted-old-truck-tires-many-colorful-tires-against-a-white-brick-wall-outside-without-anyone-image339171221.htmlRF2AKPG9W–Painted old truck tires. Many colorful tires against a white brick wall. Outside Without anyone
Artist unknown. Side Chair. 1742–1790. New York. Mahogany, white oak, white pine, and beech This chair is from a set made to commemorate either the marriage of Judge Robert Livingston and his wife Margaret, in 1742, or that of their son Robert and his wife Mary, in 1770. The “RML” cipher-pierced back splat is unique in American chair design of this period. The contrast of the high-style Chippendale design with the crude craftsmanship of the carvings suggests that the chair was worked on by several hands or that it was made by a country craftsman unfamiliar with practices of the more sophistica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-unknown-side-chair-17421790-new-york-mahogany-white-oak-white-pine-and-beech-this-chair-is-from-a-set-made-to-commemorate-either-the-marriage-of-judge-robert-livingston-and-his-wife-margaret-in-1742-or-that-of-their-son-robert-and-his-wife-mary-in-1770-the-rml-cipher-pierced-back-splat-is-unique-in-american-chair-design-of-this-period-the-contrast-of-the-high-style-chippendale-design-with-the-crude-craftsmanship-of-the-carvings-suggests-that-the-chair-was-worked-on-by-several-hands-or-that-it-was-made-by-a-country-craftsman-unfamiliar-with-practices-of-the-more-sophistica-image337965818.htmlRM2AHRJRP–Artist unknown. Side Chair. 1742–1790. New York. Mahogany, white oak, white pine, and beech This chair is from a set made to commemorate either the marriage of Judge Robert Livingston and his wife Margaret, in 1742, or that of their son Robert and his wife Mary, in 1770. The “RML” cipher-pierced back splat is unique in American chair design of this period. The contrast of the high-style Chippendale design with the crude craftsmanship of the carvings suggests that the chair was worked on by several hands or that it was made by a country craftsman unfamiliar with practices of the more sophistica
Side Chair with Baluster Splat and Tassel-Carved Crest Rail. United States, Pennsylvania, Philadelphia, 1760-1790. Furnishings; Furniture. Mahogany wood, painted oil cloth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-with-baluster-splat-and-tassel-carved-crest-rail-united-states-pennsylvania-philadelphia-1760-1790-furnishings-furniture-mahogany-wood-painted-oil-cloth-image464697397.htmlRM2J00P7H–Side Chair with Baluster Splat and Tassel-Carved Crest Rail. United States, Pennsylvania, Philadelphia, 1760-1790. Furnishings; Furniture. Mahogany wood, painted oil cloth
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349859953.htmlRF2B95DX9–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . HOGRTHIAN HOOPBACK, PIERCED SPLAT MAHOGANY CHAIR Bv Courtesv of Mr. C. J. Dearden, New York City. STRAIGHT TOP UPHOLSTERED QUEEN ANNE SETTEE By Courtesy of Messrs. E. J. Holmes & Co., Philadelphia PLATE XI QUEEN ANNE AND EARLY GEORGIAN 127 carved in the round supported these tables, while theframing and other parts displayed successions of evo-lutes, drops and swags and sundry classic repetitivedetails. With the incipience of the decorated Queen Anne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-hogrthian-hoopback-pierced-splat-mahogany-chair-bv-courtesv-of-mr-c-j-dearden-new-york-city-straight-top-upholstered-queen-anne-settee-by-courtesy-of-messrs-e-j-holmes-co-philadelphia-plate-xi-queen-anne-and-early-georgian-127-carved-in-the-round-supported-these-tables-while-theframing-and-other-parts-displayed-successions-of-evo-lutes-drops-and-swags-and-sundry-classic-repetitivedetails-with-the-incipience-of-the-decorated-queen-anne-image342767072.htmlRM2AWJAW4–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . HOGRTHIAN HOOPBACK, PIERCED SPLAT MAHOGANY CHAIR Bv Courtesv of Mr. C. J. Dearden, New York City. STRAIGHT TOP UPHOLSTERED QUEEN ANNE SETTEE By Courtesy of Messrs. E. J. Holmes & Co., Philadelphia PLATE XI QUEEN ANNE AND EARLY GEORGIAN 127 carved in the round supported these tables, while theframing and other parts displayed successions of evo-lutes, drops and swags and sundry classic repetitivedetails. With the incipience of the decorated Queen Anne
Side chair. Artist: Giles Grendey (1693-1780). Culture: British, Clerkenwell, London. Dimensions: Overall: 41 1/2 × 21 1/2 × 19 3/4 in. (105.4 × 54.6 × 50.2 cm). Date: ca. 1735-40. The increase in trade between England and the Far East engendered a fascination for things Chinese in the seventeenth and eighteenth centuries. This chair, though made in England, is decorated in imitation of Chinese lacquer, and the central splat bears an image of a mandarin with an umbrella. According to the original label still affixed to the chair, it was made by Giles Grendey of London, who 'makes and sells al Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-artist-giles-grendey-1693-1780-culture-british-clerkenwell-london-dimensions-overall-41-12-21-12-19-34-in-1054-546-502-cm-date-ca-1735-40-the-increase-in-trade-between-england-and-the-far-east-engendered-a-fascination-for-things-chinese-in-the-seventeenth-and-eighteenth-centuries-this-chair-though-made-in-england-is-decorated-in-imitation-of-chinese-lacquer-and-the-central-splat-bears-an-image-of-a-mandarin-with-an-umbrella-according-to-the-original-label-still-affixed-to-the-chair-it-was-made-by-giles-grendey-of-london-who-makes-and-sells-al-image212903323.htmlRMPAAGA3–Side chair. Artist: Giles Grendey (1693-1780). Culture: British, Clerkenwell, London. Dimensions: Overall: 41 1/2 × 21 1/2 × 19 3/4 in. (105.4 × 54.6 × 50.2 cm). Date: ca. 1735-40. The increase in trade between England and the Far East engendered a fascination for things Chinese in the seventeenth and eighteenth centuries. This chair, though made in England, is decorated in imitation of Chinese lacquer, and the central splat bears an image of a mandarin with an umbrella. According to the original label still affixed to the chair, it was made by Giles Grendey of London, who 'makes and sells al
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-image328777868.htmlRM2A2W3EM–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts
![Side Chair with Diamond and Figure-eight Splat. United States, Massachusetts, Boston-Salem area, 1765-1775. Furnishings; Furniture. Mahogany, maple, needlepoint [not original] Stock Photo](https://c8.alamy.com/comp/2J00PEK/side-chair-with-diamond-and-figure-eight-splat-united-states-massachusetts-boston-salem-area-1765-1775-furnishings-furniture-mahogany-maple-needlepoint-not-original-2J00PEK.jpg "Side Chair with Diamond and Figure-eight Splat. United States, Massachusetts, Boston-Salem area, 1765-1775. Furnishings; Furniture. Mahogany, maple, needlepoint [not original] Stock Photo")
Side Chair with Diamond and Figure-eight Splat. United States, Massachusetts, Boston-Salem area, 1765-1775. Furnishings; Furniture. Mahogany, maple, needlepoint [not original] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-with-diamond-and-figure-eight-splat-united-states-massachusetts-boston-salem-area-1765-1775-furnishings-furniture-mahogany-maple-needlepoint-not-original-image464697595.htmlRM2J00PEK–Side Chair with Diamond and Figure-eight Splat. United States, Massachusetts, Boston-Salem area, 1765-1775. Furnishings; Furniture. Mahogany, maple, needlepoint [not original]
Side chair 1760–90 American This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved ornament has the bold high relief of the finest Philadelphia work.. Side chair 1710 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-176090-american-this-chair-represents-the-philadelphia-scrolled-strapwork-splat-type-at-its-refined-best-the-carved-ornament-has-the-bold-high-relief-of-the-finest-philadelphia-work-side-chair-1710-image458582272.htmlRM2HJ26A8–Side chair 1760–90 American This chair represents the Philadelphia scrolled-strapwork splat type at its refined best. The carved ornament has the bold high relief of the finest Philadelphia work.. Side chair 1710
side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-unknown-about-1810-mahogany-maple-pine-modern-upholstery-32-12-x-18-14-x-18-12-in-inscribed-top-of-front-seat-rail-beneath-cushion-xii-inscribed-underside-of-front-seat-rail-xii-inscribed-underside-of-back-seat-rail-xii-inscribed-underside-edge-of-back-splat-i-american-decorative-arts-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349859955.htmlRF2B95DXB–side chair, Unknown, about 1810, mahogany, maple, pine, modern upholstery, 32-1/2 x 18-1/4 x 18-1/2 in., Inscribed, top of front seat rail, beneath cushion: XII Inscribed, underside of front seat rail: XII Inscribed, underside of back seat rail: XII Inscribed, underside edge of back splat: I, American, Decorative Arts, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
