St bartholomew flayed Stock Photos and Images
St Bartholomew Flayed (1562), transept of the Cathedral of Milan. Renaissance. Statue was made by italian sculptor, Marco d'Agrate (c. 1504 Ð c. 1574). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-flayed-1562-transept-of-the-cathedral-of-milan-renaissance-statue-was-made-by-italian-sculptor-marco-dagrate-c-1504-c-1574-image220009565.htmlRMPNX8CD–St Bartholomew Flayed (1562), transept of the Cathedral of Milan. Renaissance. Statue was made by italian sculptor, Marco d'Agrate (c. 1504 Ð c. 1574).
St Bartholomew Flayed (1562). Renaissance. Statue by italian sculptor Marco d'Agrate (c. 1504- c. 1574). Cathedral. Milan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-bartholomew-flayed-1562-renaissance-statue-by-italian-sculptor-58704345.htmlRMDBE5YN–St Bartholomew Flayed (1562). Renaissance. Statue by italian sculptor Marco d'Agrate (c. 1504- c. 1574). Cathedral. Milan.
Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-st-bartholomew-with-his-own-skin-after-being-flayed-by-marco-161840170.htmlRMKB8CP2–Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano)
Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-holding-his-own-skin-by-marco-dagrate-1652-duomo-di-milano-milano-italy-image333586444.htmlRM2AAM4WG–Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy
St Bartholomew The Apostle being flayed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-bartholomew-the-apostle-being-flayed-56729624.htmlRMD88760–St Bartholomew The Apostle being flayed
St Bartholomew, Milan Cathedral Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-milan-cathedral-image542025805.htmlRF2PDRBCD–St Bartholomew, Milan Cathedral
Milan, Italy, Statue of St Bartholomew flayed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-italy-statue-of-st-bartholomew-flayed-image417509712.htmlRF2F775W4–Milan, Italy, Statue of St Bartholomew flayed
Milan, Italy - May 16, 2017: Statue of St Bartholomew Flayed inside famous Milan Cathedral (Duomo di Milano). Scary Gothic statue on dark background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-italy-may-16-2017-statue-of-st-bartholomew-flayed-inside-famous-milan-cathedral-duomo-di-milano-scary-gothic-statue-on-dark-background-image364314476.htmlRF2C4KXR8–Milan, Italy - May 16, 2017: Statue of St Bartholomew Flayed inside famous Milan Cathedral (Duomo di Milano). Scary Gothic statue on dark background.
The Martydom of St Bartholomew by Sisto Badalocchio (b. 1585), oil on canvas, c. 1610 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martydom-of-st-bartholomew-by-sisto-badalocchio-b-1585-oil-on-canvas-c-1610-image442108619.htmlRM2GK7P1F–The Martydom of St Bartholomew by Sisto Badalocchio (b. 1585), oil on canvas, c. 1610
St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-print-maker-zacharias-dolendo-jacob-de-gheyn-ii-c-1596-image240605317.htmlRMRYCEF1–St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596
Statue of 'St Bartholomew Flayed' (1562) by Marco d'Argrate in the Milano Duomo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-1562-by-marco-dargrate-in-the-milano-duomo-image505770663.htmlRF2MARRHY–Statue of 'St Bartholomew Flayed' (1562) by Marco d'Argrate in the Milano Duomo.
'St Bartholomew', mid-late 19th century. Creator: Wilhelm Kandler. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-mid-late-19th-century-creator-wilhelm-kandler-image241345839.htmlRMT0J727–'St Bartholomew', mid-late 19th century. Creator: Wilhelm Kandler.
This statue rests within the Milano cathedral, and depicts st. Bartholomew. The drapery is in fact his skin, since he was flayed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-this-statue-rests-within-the-milano-cathedral-and-depicts-st-bartholomew-176219544.htmlRFM6KDR4–This statue rests within the Milano cathedral, and depicts st. Bartholomew. The drapery is in fact his skin, since he was flayed.
The Martyrdom of Saint Bartholomew, one of the twelve disciples of Jesus, by Matthias Stom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-bartholomew-one-of-the-twelve-disciples-of-jesus-by-matthias-stom-image470755185.htmlRM2J9TN15–The Martyrdom of Saint Bartholomew, one of the twelve disciples of Jesus, by Matthias Stom
The Table of the Muses, comprising a circular table top of pietra dura supported by a bronze drum with four bronze Muses, Florentine; Palazzo Pitti, Florence, Italy; . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-table-of-the-muses-comprising-a-circular-table-top-of-pietra-dura-supported-by-a-bronze-drum-with-four-bronze-muses-florentine-palazzo-pitti-florence-italy-image468941668.htmlRM2J6X3TM–The Table of the Muses, comprising a circular table top of pietra dura supported by a bronze drum with four bronze Muses, Florentine; Palazzo Pitti, Florence, Italy; .
. Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios 114v (left) and 115r (right) . Lefthand side folio 114v and righthand side folio 115r from the Book of hours by the Master(s) of Zweder van Culemborg Illuminations on the left folio 114v The full-page miniature shows St. Bartholomew holding a book The apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff (11H(BARTHOLOMEW)) Codex - ll - codex open (49LL72) . between circa 1430 and circa 1435 33 Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-by-the-master-of-zweder-van-culemborg-kb-79-k-2-folios-114v-left-and-115r-right-lefthand-side-folio-114v-and-righthand-side-folio-115r-from-the-book-of-hours-by-the-masters-of-zweder-van-culemborg-illuminations-on-the-left-folio-114v-the-full-page-miniature-shows-st-bartholomew-holding-a-book-the-apostle-bartholomew-possible-attributes-book-devil-or-dragon-at-feet-knife-scroll-flayed-skin-staff-11hbartholomew-codex-ll-codex-open-49ll72-between-circa-1430-and-circa-1435-33-book-of-hours-by-the-master-of-zweder-van-culemborg-kb-79-k-2-folios-image207774160.htmlRMP20X1M–. Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios 114v (left) and 115r (right) . Lefthand side folio 114v and righthand side folio 115r from the Book of hours by the Master(s) of Zweder van Culemborg Illuminations on the left folio 114v The full-page miniature shows St. Bartholomew holding a book The apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff (11H(BARTHOLOMEW)) Codex - ll - codex open (49LL72) . between circa 1430 and circa 1435 33 Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios
Statue of St. Bartholomew Flayed was one of 12 Apostles and an early Christian martyr inside of the Milan Cathedral (Duomo di Milano), the cathedral c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-was-one-of-12-apostles-and-an-early-christian-martyr-inside-of-the-milan-cathedral-duomo-di-milano-the-cathedral-c-image337576071.htmlRF2AH5WM7–Statue of St. Bartholomew Flayed was one of 12 Apostles and an early Christian martyr inside of the Milan Cathedral (Duomo di Milano), the cathedral c
![Martyrdom of St Bartholomew. Luttrell Psalter. England [East Anglia]; circa 1325-1335. [Whole folio] Psalm 58. Border decoration with grotesque. In the lower margin, St Bartholomew is stretched on a table and flayed by two executioners, under the supervision of a king. A third man sharpens his knife on a whetstone Image taken from Luttrell Psalter. Originally published/produced in England [East Anglia]; circa 1325-1335. . Source: Add. 42130, f.107v. Language: Latin. Stock Photo](https://c8.alamy.com/comp/R5C62M/martyrdom-of-st-bartholomew-luttrell-psalter-england-east-anglia-circa-1325-1335-whole-folio-psalm-58-border-decoration-with-grotesque-in-the-lower-margin-st-bartholomew-is-stretched-on-a-table-and-flayed-by-two-executioners-under-the-supervision-of-a-king-a-third-man-sharpens-his-knife-on-a-whetstone-image-taken-from-luttrell-psalter-originally-publishedproduced-in-england-east-anglia-circa-1325-1335-source-add-42130-f107v-language-latin-R5C62M.jpg "Martyrdom of St Bartholomew. Luttrell Psalter. England [East Anglia]; circa 1325-1335. [Whole folio] Psalm 58. Border decoration with grotesque. In the lower margin, St Bartholomew is stretched on a table and flayed by two executioners, under the supervision of a king. A third man sharpens his knife on a whetstone Image taken from Luttrell Psalter. Originally published/produced in England [East Anglia]; circa 1325-1335. . Source: Add. 42130, f.107v. Language: Latin. Stock Photo")
Martyrdom of St Bartholomew. Luttrell Psalter. England [East Anglia]; circa 1325-1335. [Whole folio] Psalm 58. Border decoration with grotesque. In the lower margin, St Bartholomew is stretched on a table and flayed by two executioners, under the supervision of a king. A third man sharpens his knife on a whetstone Image taken from Luttrell Psalter. Originally published/produced in England [East Anglia]; circa 1325-1335. . Source: Add. 42130, f.107v. Language: Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-st-bartholomew-luttrell-psalter-england-east-anglia-circa-1325-1335-whole-folio-psalm-58-border-decoration-with-grotesque-in-the-lower-margin-st-bartholomew-is-stretched-on-a-table-and-flayed-by-two-executioners-under-the-supervision-of-a-king-a-third-man-sharpens-his-knife-on-a-whetstone-image-taken-from-luttrell-psalter-originally-publishedproduced-in-england-east-anglia-circa-1325-1335-source-add-42130-f107v-language-latin-image227076268.htmlRMR5C62M–Martyrdom of St Bartholomew. Luttrell Psalter. England [East Anglia]; circa 1325-1335. [Whole folio] Psalm 58. Border decoration with grotesque. In the lower margin, St Bartholomew is stretched on a table and flayed by two executioners, under the supervision of a king. A third man sharpens his knife on a whetstone Image taken from Luttrell Psalter. Originally published/produced in England [East Anglia]; circa 1325-1335. . Source: Add. 42130, f.107v. Language: Latin.
MILAN, ITALY - MAY 19, 2018: It is a fragment of the statue of St. Bartholomew, from which the skin was skinned alive (sculpture by Marco d'Agrate). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-italy-may-19-2018-it-is-a-fragment-of-the-statue-of-st-bartholomew-from-which-the-skin-was-skinned-alive-sculpture-by-marco-dagrate-image474712835.htmlRF2JG911R–MILAN, ITALY - MAY 19, 2018: It is a fragment of the statue of St. Bartholomew, from which the skin was skinned alive (sculpture by Marco d'Agrate).
St Bartholomew Flayed (1562), transept of the Cathedral of Milan. Renaissance. Statue was made by italian sculptor, Marco d'Agrate (c. 1504 Ð c. 1574). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-flayed-1562-transept-of-the-cathedral-of-milan-renaissance-statue-was-made-by-italian-sculptor-marco-dagrate-c-1504-c-1574-image220009438.htmlRMPNX87X–St Bartholomew Flayed (1562), transept of the Cathedral of Milan. Renaissance. Statue was made by italian sculptor, Marco d'Agrate (c. 1504 Ð c. 1574).
St Bartholomew Flayed (1562). Renaissance. Statue by italian sculptor Marco d'Agrate (c. 1504- c. 1574). Cathedral. Milan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-bartholomew-flayed-1562-renaissance-statue-by-italian-sculptor-58704368.htmlRMDBE60G–St Bartholomew Flayed (1562). Renaissance. Statue by italian sculptor Marco d'Agrate (c. 1504- c. 1574). Cathedral. Milan.
Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-st-bartholomew-with-his-own-skin-after-being-flayed-by-marco-161840175.htmlRMKB8CP7–Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano)
Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-holding-his-own-skin-by-marco-dagrate-1652-duomo-di-milano-milano-italy-image333584342.htmlRM2AAM26E–Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy
Saint Bartholomew Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-bartholomew-56729615.htmlRMD8875K–Saint Bartholomew
San Bartolomeo Flayed, Milan Cathedral, Milan, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-san-bartolomeo-flayed-milan-cathedral-milan-italy-55227587.htmlRMD5RR9R–San Bartolomeo Flayed, Milan Cathedral, Milan, Italy
H Bartholomeus St. Bartholomew Property type: picture Item number: RP-P-OB-8866 Manufacturer : printmaker: Virgil Solis Date: 1524 - 1562 Physical features: car material: paper Technique: engra (printing process) Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/h-bartholomeus-st-bartholomew-property-type-picture-item-number-rp-p-ob-8866-manufacturer-printmaker-virgil-solis-date-1524-1562-physical-features-car-material-paper-technique-engra-printing-process-subject-the-apostle-bartholomew-possible-attributes-book-devil-or-dragon-at-feet-knife-scroll-flayed-skin-staff-image348422476.htmlRM2B6T0BT–H Bartholomeus St. Bartholomew Property type: picture Item number: RP-P-OB-8866 Manufacturer : printmaker: Virgil Solis Date: 1524 - 1562 Physical features: car material: paper Technique: engra (printing process) Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Milan, Italy - May 16, 2017: Statue of St Bartholomew Flayed inside the Milan Cathedral (Duomo di Milano). Scary statue in gloomy interior. Famous Got Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-italy-may-16-2017-statue-of-st-bartholomew-flayed-inside-the-milan-cathedral-duomo-di-milano-scary-statue-in-gloomy-interior-famous-got-image364314489.htmlRF2C4KXRN–Milan, Italy - May 16, 2017: Statue of St Bartholomew Flayed inside the Milan Cathedral (Duomo di Milano). Scary statue in gloomy interior. Famous Got
MATTEO di Giovanni (b. ca. 1430, Borgo San Sepolcro, d. 1495, Siena) The Apostle St Bartholomew about 1480 Tempera on wood, 80,5 x 48 cm Museum of Fine Arts, Budapest According to the legend, Bartholomew was first flayed then beheaded because the Apostle refused to worship idols. Consequently, already beginning with the 14th century, many of the portrayals of the Saint show him as holding his own flayed skin. Matteo di Giovanni, however, was not content with the type of representation customary in Tuscany, holding his skin in hand but smartly dressed. He preferred to follow an old Umb Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/matteo-di-giovanni-b-ca-1430-borgo-san-sepolcro-d-1495-siena-the-apostle-st-bartholomew-about-1480-tempera-on-wood-805-x-48-cm-museum-of-fine-arts-budapest-according-to-the-legend-bartholomew-was-first-flayed-then-beheaded-because-the-apostle-refused-to-worship-idols-consequently-already-beginning-with-the-14th-century-many-of-the-portrayals-of-the-saint-show-him-as-holding-his-own-flayed-skin-matteo-di-giovanni-however-was-not-content-with-the-type-of-representation-customary-in-tuscany-holding-his-skin-in-hand-but-smartly-dressed-he-preferred-to-follow-an-old-umb-image625284822.htmlRM2Y9854P–MATTEO di Giovanni (b. ca. 1430, Borgo San Sepolcro, d. 1495, Siena) The Apostle St Bartholomew about 1480 Tempera on wood, 80,5 x 48 cm Museum of Fine Arts, Budapest According to the legend, Bartholomew was first flayed then beheaded because the Apostle refused to worship idols. Consequently, already beginning with the 14th century, many of the portrayals of the Saint show him as holding his own flayed skin. Matteo di Giovanni, however, was not content with the type of representation customary in Tuscany, holding his skin in hand but smartly dressed. He preferred to follow an old Umb
St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-bartholomew-print-maker-zacharias-dolendo-jacob-de-gheyn-ii-c-1596-104907152.htmlRMG2JX40–St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596
The statue of Saint Bartholomew, the apostle of Jesus Christ. Interior of Milan Cathedral Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-statue-of-saint-bartholomew-the-apostle-of-jesus-christ-interior-of-milan-cathedral-image474477511.htmlRF2JFX8WB–The statue of Saint Bartholomew, the apostle of Jesus Christ. Interior of Milan Cathedral
Saint Bartholomew and Saint Anthony Abbot, 1408, Mariotto di Nardo, Italian (Florence), Italian (Florence), active 1394 - 1424, 14 x 17 1/2 x 2 7/8 in. (35.56 x 44.45 x 7.3 cm) (overall)7 1/2 x 4 3/4 in. (19.05 x 12.07 cm) (St. Anthony Abbot)7 1/2 x 4 1/2 in. (19.05 x 11.43 cm) (St. Bartholomew), Tempera on poplar panel, Italy, 15th century, Mariotto was famous for painting crisp details and the kind of subtle color shifts seen in the angels’ feathered wings and draped robes. These small panels once crowned the upper corners of a large altarpiece made for a church on the outskirts of Florence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-bartholomew-and-saint-anthony-abbot-1408-mariotto-di-nardo-italian-florence-italian-florence-active-1394-1424-14-x-17-12-x-2-78-in-3556-x-4445-x-73-cm-overall7-12-x-4-34-in-1905-x-1207-cm-st-anthony-abbot7-12-x-4-12-in-1905-x-1143-cm-st-bartholomew-tempera-on-poplar-panel-italy-15th-century-mariotto-was-famous-for-painting-crisp-details-and-the-kind-of-subtle-color-shifts-seen-in-the-angels-feathered-wings-and-draped-robes-these-small-panels-once-crowned-the-upper-corners-of-a-large-altarpiece-made-for-a-church-on-the-outskirts-of-florence-image573491852.htmlRM2T90PKT–Saint Bartholomew and Saint Anthony Abbot, 1408, Mariotto di Nardo, Italian (Florence), Italian (Florence), active 1394 - 1424, 14 x 17 1/2 x 2 7/8 in. (35.56 x 44.45 x 7.3 cm) (overall)7 1/2 x 4 3/4 in. (19.05 x 12.07 cm) (St. Anthony Abbot)7 1/2 x 4 1/2 in. (19.05 x 11.43 cm) (St. Bartholomew), Tempera on poplar panel, Italy, 15th century, Mariotto was famous for painting crisp details and the kind of subtle color shifts seen in the angels’ feathered wings and draped robes. These small panels once crowned the upper corners of a large altarpiece made for a church on the outskirts of Florence
Statue of Saint Bartholomew, the martyred apostle holding his flayed skin and flaying knife in Basilica of St. John Lateran in Rome. Rome, Italy, June Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-statue-of-saint-bartholomew-the-martyred-apostle-holding-his-flayed-149250246.htmlRFJJPX5X–Statue of Saint Bartholomew, the martyred apostle holding his flayed skin and flaying knife in Basilica of St. John Lateran in Rome. Rome, Italy, June
The Martyrdom of Saint Bartholomew, one of the twelve disciples of Jesus, by Jusepe de Ribera Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-bartholomew-one-of-the-twelve-disciples-of-jesus-by-jusepe-de-ribera-image470755182.htmlRM2J9TN12–The Martyrdom of Saint Bartholomew, one of the twelve disciples of Jesus, by Jusepe de Ribera
The Martyrdom of St. Bartholomew by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); Palazzo Pitti, Florence, Italy; (add.info.: the saint is on the cross before being flayed alive;); Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-st-bartholomew-by-ribera-jusepe-de-lo-spagnoletto-1591-1652-palazzo-pitti-florence-italy-addinfo-the-saint-is-on-the-cross-before-being-flayed-alive-italian-out-of-copyright-image469018981.htmlRM2J71JDW–The Martyrdom of St. Bartholomew by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); Palazzo Pitti, Florence, Italy; (add.info.: the saint is on the cross before being flayed alive;); Italian, out of copyright.
Martyrdom of St. Bartholomeus, Anonymous, After Jusepe de Ribera, 1650 - 1800 print The Holy Bartholomeus is bound to a tree with its arms. In front of him is the executioner that grinds his knife. There are two men behind the executioner. paper Bartholomew flayed alive Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-st-bartholomeus-anonymous-after-jusepe-de-ribera-1650-1800-print-the-holy-bartholomeus-is-bound-to-a-tree-with-its-arms-in-front-of-him-is-the-executioner-that-grinds-his-knife-there-are-two-men-behind-the-executioner-paper-bartholomew-flayed-alive-image594196675.htmlRM2WEKYWR–Martyrdom of St. Bartholomeus, Anonymous, After Jusepe de Ribera, 1650 - 1800 print The Holy Bartholomeus is bound to a tree with its arms. In front of him is the executioner that grinds his knife. There are two men behind the executioner. paper Bartholomew flayed alive
St. Bartholomew from the series 'Christ, Mary, and the Apostles', ca. 1590-ca. 1610. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-from-the-series-christ-mary-and-the-apostles-ca-1590-ca-1610-image386253673.htmlRM2DCBAE1–St. Bartholomew from the series 'Christ, Mary, and the Apostles', ca. 1590-ca. 1610.
Densus Church, historical monument from the 13th century in Hunedoara County, Romania. Fresco of St. Bartholomew holding his flayed skin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/densus-church-historical-monument-from-the-13th-century-in-hunedoara-county-romania-fresco-of-st-bartholomew-holding-his-flayed-skin-image360062630.htmlRM2BWP7FJ–Densus Church, historical monument from the 13th century in Hunedoara County, Romania. Fresco of St. Bartholomew holding his flayed skin.
St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596. Reimagined by Gibon. Classic art with a reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-print-maker-zacharias-dolendo-jacob-de-gheyn-ii-c-1596-reimagined-by-gibon-classic-art-with-a-reimagined-image230490251.htmlRFRAYMJK–St. Bartholomew, print maker: Zacharias Dolendo, Jacob de Gheyn II, c. 1596. Reimagined by Gibon. Classic art with a reimagined
St Bartholomew Flayed (1562), transept of the Cathedral of Milan. Renaissance. Statue was made by italian sculptor, Marco d'Agrate (c. 1504 Ð c. 1574). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-flayed-1562-transept-of-the-cathedral-of-milan-renaissance-statue-was-made-by-italian-sculptor-marco-dagrate-c-1504-c-1574-image220009523.htmlRMPNX8AY–St Bartholomew Flayed (1562), transept of the Cathedral of Milan. Renaissance. Statue was made by italian sculptor, Marco d'Agrate (c. 1504 Ð c. 1574).
St Bartholomew Flayed (1562). Renaissance. Statue by italian sculptor Marco d'Agrate (c. 1504- c. 1574). Cathedral. Milan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-bartholomew-flayed-1562-renaissance-statue-by-italian-sculptor-58704402.htmlRMDBE61P–St Bartholomew Flayed (1562). Renaissance. Statue by italian sculptor Marco d'Agrate (c. 1504- c. 1574). Cathedral. Milan.
Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-st-bartholomew-with-his-own-skin-after-being-flayed-by-marco-161840174.htmlRMKB8CP6–Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano)
Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-holding-his-own-skin-by-marco-dagrate-1652-duomo-di-milano-milano-italy-image333585109.htmlRM2AAM35W–Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy
Saint Bartholomew, The Apostle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-bartholomew-the-apostle-56729622.htmlRMD8875X–Saint Bartholomew, The Apostle
Heilige Bartholomeus the St. Bartholomew with a knife in his right hand and a book under the arm. Manufacturer : printmaker: Monogrammist IAPlaats manufacture: Germany Date: 1480 - 1500 Physical features: car material: paper Technique: engra (printing process) dimensions: sheet: h 177 mm × W 72 mm Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heilige-bartholomeus-the-st-bartholomew-with-a-knife-in-his-right-hand-and-a-book-under-the-arm-manufacturer-printmaker-monogrammist-iaplaats-manufacture-germany-date-1480-1500-physical-features-car-material-paper-technique-engra-printing-process-dimensions-sheet-h-177-mm-w-72-mm-subject-the-apostle-bartholomew-possible-attributes-book-devil-or-dragon-at-feet-knife-scroll-flayed-skin-staff-image348427649.htmlRM2B6T70H–Heilige Bartholomeus the St. Bartholomew with a knife in his right hand and a book under the arm. Manufacturer : printmaker: Monogrammist IAPlaats manufacture: Germany Date: 1480 - 1500 Physical features: car material: paper Technique: engra (printing process) dimensions: sheet: h 177 mm × W 72 mm Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Milan, Italy - May 16, 2017: The statue of Saint Bartholomew Flayed in the Milan Cathedral (Duomo di Milano). Milan Cathedral is the largest church in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-italy-may-16-2017-the-statue-of-saint-bartholomew-flayed-in-the-milan-cathedral-duomo-di-milano-milan-cathedral-is-the-largest-church-in-image358678449.htmlRF2BRF60H–Milan, Italy - May 16, 2017: The statue of Saint Bartholomew Flayed in the Milan Cathedral (Duomo di Milano). Milan Cathedral is the largest church in
MICHELANGELO di Lodovico Buonarroti Simoni (b. 1475, Caprese, d. 1564, Roma) Last Judgment (detail) 1537-41 Fresco Cappella Sistina, Vatican The artist's self-portrait appears twice in the Last Judgment: in the flayed skin which Saint Bartholomew is carrying in his left-hand, and in the figure in the lower left hand corner, who is looking encouragingly at those rising from their graves. The picture shows St. Bartolomew and the flayed skin. --- Keywords: -------------- Author: MICHELANGELO di Lodovico Buonarroti Simoni Title: Last Judgment (detail) Time-line: 1501-1550 School: Itali Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michelangelo-di-lodovico-buonarroti-simoni-b-1475-caprese-d-1564-roma-last-judgment-detail-1537-41-fresco-cappella-sistina-vatican-the-artists-self-portrait-appears-twice-in-the-last-judgment-in-the-flayed-skin-which-saint-bartholomew-is-carrying-in-his-left-hand-and-in-the-figure-in-the-lower-left-hand-corner-who-is-looking-encouragingly-at-those-rising-from-their-graves-the-picture-shows-st-bartolomew-and-the-flayed-skin-keywords-author-michelangelo-di-lodovico-buonarroti-simoni-title-last-judgment-detail-time-line-1501-1550-school-itali-image628788695.htmlRM2YEYPB3–MICHELANGELO di Lodovico Buonarroti Simoni (b. 1475, Caprese, d. 1564, Roma) Last Judgment (detail) 1537-41 Fresco Cappella Sistina, Vatican The artist's self-portrait appears twice in the Last Judgment: in the flayed skin which Saint Bartholomew is carrying in his left-hand, and in the figure in the lower left hand corner, who is looking encouragingly at those rising from their graves. The picture shows St. Bartolomew and the flayed skin. --- Keywords: -------------- Author: MICHELANGELO di Lodovico Buonarroti Simoni Title: Last Judgment (detail) Time-line: 1501-1550 School: Itali
St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. This is one of the most vivid prints in the series: apprehension is evident in Bartholomew's pose - has he detected an enemy or vice versa? In his left hand, he carries a large knife: this alludes to his grisly martyrdom, in which he was skinned alive. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-bartholomew-plate-5-from-christ-and-the-apostles-c1545-this-is-one-of-the-most-vivid-prints-in-the-series-apprehension-is-evident-in-bartholomews-pose-has-he-detected-an-enemy-or-vice-versa-in-his-left-hand-he-carries-a-large-knife-this-alludes-to-his-grisly-martyrdom-in-which-he-was-skinned-alive-image603650984.htmlRM2X22JYM–St Bartholomew. Plate 5. From: Christ and the Apostles, c.1545. This is one of the most vivid prints in the series: apprehension is evident in Bartholomew's pose - has he detected an enemy or vice versa? In his left hand, he carries a large knife: this alludes to his grisly martyrdom, in which he was skinned alive.
Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-st-bartholomew-with-his-own-skin-after-being-flayed-by-marco-161840176.htmlRMKB8CP8–Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano)
Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-holding-his-own-skin-by-marco-dagrate-1652-duomo-di-milano-milano-italy-image333585996.htmlRM2AAM49G–Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy
The St Bartholomew, with a knife in his hand while standing next to a rotsblok. Manufacturer : print maker: Andries Both (indicated on object), at its design: Andries Both Place manufacture: unknown date: ca. 1622 - ca. 1642 Physical characteristics: etching and dry point material: paper Technique: etching / dry point measurements: plate edge: h 105 mm × b 80 mm Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-st-bartholomew-with-a-knife-in-his-hand-while-standing-next-to-a-rotsblok-manufacturer-print-maker-andries-both-indicated-on-object-at-its-design-andries-both-place-manufacture-unknown-date-ca-1622-ca-1642-physical-characteristics-etching-and-dry-point-material-paper-technique-etching-dry-point-measurements-plate-edge-h-105-mm-b-80-mm-subject-the-apostle-bartholomew-possible-attributes-book-devil-or-dragon-at-feet-knife-scroll-flayed-skin-staff-image348164121.htmlRM2B6C6TW–The St Bartholomew, with a knife in his hand while standing next to a rotsblok. Manufacturer : print maker: Andries Both (indicated on object), at its design: Andries Both Place manufacture: unknown date: ca. 1622 - ca. 1642 Physical characteristics: etching and dry point material: paper Technique: etching / dry point measurements: plate edge: h 105 mm × b 80 mm Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
RIBERA, Jusepe de (b. 1591, Játiva, d. 1652, Napoli) Martyrdom of St Bartholomew 1630 Oil on canvas, 234 x 234 cm Museo del Prado, Madrid Like Caravaggio in his Crucifixion of St Peter, Ribera contradicts the canonical concept of the heroic martyr who bears his torture with quiet patience and the serene assurance of salvation. Bartholomew, apostle and preacher, who was flayed and murdered by King Astyages in the Armenian town of Albanapolis, is portrayed by Ribera as a weak elderly man, whose fear of death and desperation are clearly written in his face. The louts dragging him up by a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ribera-jusepe-de-b-1591-jtiva-d-1652-napoli-martyrdom-of-st-bartholomew-1630-oil-on-canvas-234-x-234-cm-museo-del-prado-madrid-like-caravaggio-in-his-crucifixion-of-st-peter-ribera-contradicts-the-canonical-concept-of-the-heroic-martyr-who-bears-his-torture-with-quiet-patience-and-the-serene-assurance-of-salvation-bartholomew-apostle-and-preacher-who-was-flayed-and-murdered-by-king-astyages-in-the-armenian-town-of-albanapolis-is-portrayed-by-ribera-as-a-weak-elderly-man-whose-fear-of-death-and-desperation-are-clearly-written-in-his-face-the-louts-dragging-him-up-by-a-image626019609.htmlRM2YADJB5–RIBERA, Jusepe de (b. 1591, Játiva, d. 1652, Napoli) Martyrdom of St Bartholomew 1630 Oil on canvas, 234 x 234 cm Museo del Prado, Madrid Like Caravaggio in his Crucifixion of St Peter, Ribera contradicts the canonical concept of the heroic martyr who bears his torture with quiet patience and the serene assurance of salvation. Bartholomew, apostle and preacher, who was flayed and murdered by King Astyages in the Armenian town of Albanapolis, is portrayed by Ribera as a weak elderly man, whose fear of death and desperation are clearly written in his face. The louts dragging him up by a
Leaf from a Book of Hours: St. Bartholomew, c. 1440-1460. Little is known of the life or acts of Saint Bartholomew, one of the twelve apostles. The Golden Legend records the tradition that Bartholomew preached in India and Armenia after Christ’s resurrection. It was in Armenia that the saint was martyred by being flayed alive. His attribute in art, as shown here, is typically a knife, the instrument of his death. The saint is shown standing within an architectural interior with a paneled ceiling, leaded windows, tiled floor, and a hanging cloth embellished with stars. The artist has not Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-from-a-book-of-hours-st-bartholomew-c-1440-1460-little-is-known-of-the-life-or-acts-of-saint-bartholomew-one-of-the-twelve-apostles-the-golden-legend-records-the-tradition-that-bartholomew-preached-in-india-and-armenia-after-christx2019s-resurrection-it-was-in-armenia-that-the-saint-was-martyred-by-being-flayed-alive-his-attribute-in-art-as-shown-here-is-typically-a-knife-the-instrument-of-his-death-the-saint-is-shown-standing-within-an-architectural-interior-with-a-paneled-ceiling-leaded-windows-tiled-floor-and-a-hanging-cloth-embellished-with-stars-the-artist-has-not-image330102911.htmlRM2A51DHK–Leaf from a Book of Hours: St. Bartholomew, c. 1440-1460. Little is known of the life or acts of Saint Bartholomew, one of the twelve apostles. The Golden Legend records the tradition that Bartholomew preached in India and Armenia after Christ’s resurrection. It was in Armenia that the saint was martyred by being flayed alive. His attribute in art, as shown here, is typically a knife, the instrument of his death. The saint is shown standing within an architectural interior with a paneled ceiling, leaded windows, tiled floor, and a hanging cloth embellished with stars. The artist has not
Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-st-bartholomew-with-his-own-skin-after-being-flayed-by-marco-161840178.htmlRMKB8CPA–Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano)
Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-st-bartholomew-flayed-holding-his-own-skin-by-marco-dagrate-1652-duomo-di-milano-milano-italy-image333585568.htmlRM2AAM3P8–Statue of St Bartholomew Flayed holding his own skin, by Marco d'Agrate, 1652, Duomo di Milano, Milano, Italy
the St. Bartholomew at half length, a knife in his left hand. In margin below the print a few lines of Latin. Print from a series of veertien. Manufacturer : print maker: Hendrick Goltzius (indicated on object), at its design: Hendrick Goltzius Publisher: Hendrick Goltzius Place manufacture: Haarlem Date: 1589 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 150 mm × W 104 mm Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-st-bartholomew-at-half-length-a-knife-in-his-left-hand-in-margin-below-the-print-a-few-lines-of-latin-print-from-a-series-of-veertien-manufacturer-print-maker-hendrick-goltzius-indicated-on-object-at-its-design-hendrick-goltzius-publisher-hendrick-goltzius-place-manufacture-haarlem-date-1589-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-150-mm-w-104-mm-subject-the-apostle-bartholomew-possible-attributes-book-devil-or-dragon-at-feet-knife-scroll-flayed-skin-staff-image348140097.htmlRM2B6B46W–the St. Bartholomew at half length, a knife in his left hand. In margin below the print a few lines of Latin. Print from a series of veertien. Manufacturer : print maker: Hendrick Goltzius (indicated on object), at its design: Hendrick Goltzius Publisher: Hendrick Goltzius Place manufacture: Haarlem Date: 1589 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 150 mm × W 104 mm Subject: the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
The Martyrdom of Saint Bartholomew, c. 1634/1635. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-bartholomew-c-16341635-image433082287.htmlRM2G4GGTF–The Martyrdom of Saint Bartholomew, c. 1634/1635.
Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-statue-of-st-bartholomew-with-his-own-skin-after-being-flayed-by-marco-161840177.htmlRMKB8CP9–Statue of St. Bartholomew, with his own skin after being flayed, by Marco d'Agrate, 1562 (Duomo di Milano)
The St. Bartholomew with book and dagger. In the background left is flayed Saint Bartholomew. In the background right Bartholomew expel a demon from a possessed vrouw. Manufacturer : printmaker Antonio Tempesta (listed building) in its design: Antonio Tempesta (listed building) Publisher: Nicolaus van Aelst (listed property) Place manufacture: printmaker Italy to own design: Italy Publisher: Rome Date: 1565 - 1630 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 525 mm × W 380 mmToelichtingDeze print is part of a series of fifteen prenten. Subject: the ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-st-bartholomew-with-book-and-dagger-in-the-background-left-is-flayed-saint-bartholomew-in-the-background-right-bartholomew-expel-a-demon-from-a-possessed-vrouw-manufacturer-printmaker-antonio-tempesta-listed-building-in-its-design-antonio-tempesta-listed-building-publisher-nicolaus-van-aelst-listed-property-place-manufacture-printmaker-italy-to-own-design-italy-publisher-rome-date-1565-1630-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-525-mm-w-380-mmtoelichtingdeze-print-is-part-of-a-series-of-fifteen-prenten-subject-the-ap-image348290516.htmlRM2B6J030–The St. Bartholomew with book and dagger. In the background left is flayed Saint Bartholomew. In the background right Bartholomew expel a demon from a possessed vrouw. Manufacturer : printmaker Antonio Tempesta (listed building) in its design: Antonio Tempesta (listed building) Publisher: Nicolaus van Aelst (listed property) Place manufacture: printmaker Italy to own design: Italy Publisher: Rome Date: 1565 - 1630 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 525 mm × W 380 mmToelichtingDeze print is part of a series of fifteen prenten. Subject: the ap
The Martyrdom of Saint Bartholomew, c. 1634/1635. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-bartholomew-c-16341635-image433081558.htmlRM2G4GFXE–The Martyrdom of Saint Bartholomew, c. 1634/1635.
The St. Bartholomew with book and dagger. In the background left is flayed Saint Bartholomew. In the background right Bartholomew expel a demon from a possessed vrouw. Manufacturer : printmaker Antonio Tempesta (listed building) in its design: Antonio Tempesta (listed building) Publisher: Nicolaus van Aelst (listed property) Place manufacture: printmaker Italy to own design: Italy Publisher: Rome Date: 1565 - 1630 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 525 mm × W 380 mmToelichtingDeze print is part of a series of fifteen prenten. Subject: the ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-st-bartholomew-with-book-and-dagger-in-the-background-left-is-flayed-saint-bartholomew-in-the-background-right-bartholomew-expel-a-demon-from-a-possessed-vrouw-manufacturer-printmaker-antonio-tempesta-listed-building-in-its-design-antonio-tempesta-listed-building-publisher-nicolaus-van-aelst-listed-property-place-manufacture-printmaker-italy-to-own-design-italy-publisher-rome-date-1565-1630-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-525-mm-w-380-mmtoelichtingdeze-print-is-part-of-a-series-of-fifteen-prenten-subject-the-ap-image348290517.htmlRM2B6J031–The St. Bartholomew with book and dagger. In the background left is flayed Saint Bartholomew. In the background right Bartholomew expel a demon from a possessed vrouw. Manufacturer : printmaker Antonio Tempesta (listed building) in its design: Antonio Tempesta (listed building) Publisher: Nicolaus van Aelst (listed property) Place manufacture: printmaker Italy to own design: Italy Publisher: Rome Date: 1565 - 1630 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 525 mm × W 380 mmToelichtingDeze print is part of a series of fifteen prenten. Subject: the ap
The Martyrdom of Saint Bartholomew, 1624. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-bartholomew-1624-image506197813.htmlRM2MBF8D9–The Martyrdom of Saint Bartholomew, 1624.
The St. Bartholomew with book and dagger. In the background left is flayed Saint Bartholomew. In the background right Bartholomew expel a demon from a possessed vrouw. Manufacturer : printmaker Antonio Tempesta (listed building) in its design: Antonio Tempesta (listed building) Publisher: Nicolaus van Aelst (listed property) Place manufacture: printmaker Italy to own design: Italy Publisher: Rome Date: 1565 - 1630 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 525 mm × W 380 mmToelichtingDeze print is part of a series of fifteen prenten. Subject: the ap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-st-bartholomew-with-book-and-dagger-in-the-background-left-is-flayed-saint-bartholomew-in-the-background-right-bartholomew-expel-a-demon-from-a-possessed-vrouw-manufacturer-printmaker-antonio-tempesta-listed-building-in-its-design-antonio-tempesta-listed-building-publisher-nicolaus-van-aelst-listed-property-place-manufacture-printmaker-italy-to-own-design-italy-publisher-rome-date-1565-1630-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-525-mm-w-380-mmtoelichtingdeze-print-is-part-of-a-series-of-fifteen-prenten-subject-the-ap-image348290555.htmlRM2B6J04B–The St. Bartholomew with book and dagger. In the background left is flayed Saint Bartholomew. In the background right Bartholomew expel a demon from a possessed vrouw. Manufacturer : printmaker Antonio Tempesta (listed building) in its design: Antonio Tempesta (listed building) Publisher: Nicolaus van Aelst (listed property) Place manufacture: printmaker Italy to own design: Italy Publisher: Rome Date: 1565 - 1630 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 525 mm × W 380 mmToelichtingDeze print is part of a series of fifteen prenten. Subject: the ap
The Martyrdom of Saint Bartholomew, 1624. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-martyrdom-of-saint-bartholomew-1624-image506197856.htmlRM2MBF8ET–The Martyrdom of Saint Bartholomew, 1624.
Martyrdom of Saint Bartholomew, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martyrdom-of-saint-bartholomew-nd-image466986439.htmlRM2J3N1Y3–Martyrdom of Saint Bartholomew, n.d.
![Male écorché, 1556. Flayed man. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photo](https://c8.alamy.com/comp/2YX4EAX/male-xe9corchxe9-1556-flayed-man-attributed-to-gaspar-becerra-from-quothistoria-de-la-composicixf3n-del-cuerpo-humano-escrita-por-ioan-de-valverde-de-hamuscoquot-by-juan-de-valverde-de-amusco-rome-1556-2YX4EAX.jpg "Male écorché, 1556. Flayed man. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photo")
Male écorché, 1556. Flayed man. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/male-xe9corchxe9-1556-flayed-man-attributed-to-gaspar-becerra-from-quothistoria-de-la-composicixf3n-del-cuerpo-humano-escrita-por-ioan-de-valverde-de-hamuscoquot-by-juan-de-valverde-de-amusco-rome-1556-image635653394.htmlRM2YX4EAX–Male écorché, 1556. Flayed man. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556].
![A flayed man holding his own skin, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photo](https://c8.alamy.com/comp/2YX4GHM/a-flayed-man-holding-his-own-skin-1556-attributed-to-gaspar-becerra-from-quothistoria-de-la-composicixf3n-del-cuerpo-humano-escrita-por-ioan-de-valverde-de-hamuscoquot-by-juan-de-valverde-de-amusco-rome-1556-2YX4GHM.jpg "A flayed man holding his own skin, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photo")
A flayed man holding his own skin, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-flayed-man-holding-his-own-skin-1556-attributed-to-gaspar-becerra-from-quothistoria-de-la-composicixf3n-del-cuerpo-humano-escrita-por-ioan-de-valverde-de-hamuscoquot-by-juan-de-valverde-de-amusco-rome-1556-image635655152.htmlRM2YX4GHM–A flayed man holding his own skin, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556].
Saint Bartholomew, 1661. Additional Info: Made just eight years before Rembrandt's death, this painting depicts Saint Bartholomew holding a knife in his right hand, a reference to the fact that he was skinned alive when martyred. One of Rembrandt's neighbors may have posed as the model for the saint. By showing the apostle as a common man, Rembrandt gave the revered holy figure a tangible human quality, suggesting perhaps that holiness is part of daily life, a view in keeping with the religious atmosphere of mid-1600s Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-bartholomew-1661-additional-info-made-just-eight-years-before-rembrandts-death-this-painting-depicts-saint-bartholomew-holding-a-knife-in-his-right-hand-a-reference-to-the-fact-that-he-was-skinned-alive-when-martyred-one-of-rembrandts-neighbors-may-have-posed-as-the-model-for-the-saint-by-showing-the-apostle-as-a-common-man-rembrandt-gave-the-revered-holy-figure-a-tangible-human-quality-suggesting-perhaps-that-holiness-is-part-of-daily-life-a-view-in-keeping-with-the-religious-atmosphere-of-mid-1600s-amsterdam-image626631811.htmlRM2YBDF7F–Saint Bartholomew, 1661. Additional Info: Made just eight years before Rembrandt's death, this painting depicts Saint Bartholomew holding a knife in his right hand, a reference to the fact that he was skinned alive when martyred. One of Rembrandt's neighbors may have posed as the model for the saint. By showing the apostle as a common man, Rembrandt gave the revered holy figure a tangible human quality, suggesting perhaps that holiness is part of daily life, a view in keeping with the religious atmosphere of mid-1600s Amsterdam.
![Anatomy of the human cortex, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photo](https://c8.alamy.com/comp/2YX4EB6/anatomy-of-the-human-cortex-1556-attributed-to-gaspar-becerra-from-quothistoria-de-la-composicixf3n-del-cuerpo-humano-escrita-por-ioan-de-valverde-de-hamuscoquot-by-juan-de-valverde-de-amusco-rome-1556-2YX4EB6.jpg "Anatomy of the human cortex, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photo")
Anatomy of the human cortex, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556]. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anatomy-of-the-human-cortex-1556-attributed-to-gaspar-becerra-from-quothistoria-de-la-composicixf3n-del-cuerpo-humano-escrita-por-ioan-de-valverde-de-hamuscoquot-by-juan-de-valverde-de-amusco-rome-1556-image635653402.htmlRM2YX4EB6–Anatomy of the human cortex, 1556. Attributed to Gaspar Becerra. From "Historia de la composición del cuerpo humano, escrita por Ioan de Valverde de Hamusco" by Juan de Valverde de Amusco, [Rome, 1556].
