Steinkirk Stock Photos and Images
9 YRS WAR.Battle of Steinkirk (Steenkerque) 1692.France v Allies. SMALL 1907 map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/9-yrs-warbattle-of-steinkirk-steenkerque-1692france-v-allies-small-1907-map-image185222200.htmlRFMN9GPG–9 YRS WAR.Battle of Steinkirk (Steenkerque) 1692.France v Allies. SMALL 1907 map
'Lady Easy's Steinkirk: A Scene from 'The Fearless Husband' by Colley Cibber (Act V, Scene 5)', (193 Artist: Francis Wheatley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lady-easys-steinkirk-a-scene-from-the-fearless-husband-by-colley-cibber-135279587.htmlRMHT2EDR–'Lady Easy's Steinkirk: A Scene from 'The Fearless Husband' by Colley Cibber (Act V, Scene 5)', (193 Artist: Francis Wheatley.
Battle of Steinkirk, 3rd August 1692.. Battle Plan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-steinkirk-3rd-august-1692-battle-plan-image65397331.htmlRMDPB2XY–Battle of Steinkirk, 3rd August 1692.. Battle Plan.
Kitty Clive as Lady Easy in 'The Careless Husband', Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 10 7/8 × 13 inches (27.6 × 33 cm) and Image: 9 3/4 x 12 13/16 inches (24.7 x 32.6 cm), adultery, chairs, cheating, coat, costume, drapery, frill, gowns, husband, interior, literary theme, love, man, play, The Careless Husband, 1704, The Steinkirk Scene, theater (discipline), wife, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kitty-clive-as-lady-easy-in-the-careless-husband-print-made-by-john-faber-the-younger-ca-16951756-netherlandish-active-in-britain-after-philippe-mercier-1689-or-16911760-franco-german-active-in-britain-from-1716-1739-mezzotint-on-medium-moderately-textured-cream-laid-paper-sheet-10-78-13-inches-276-33-cm-and-image-9-34-x-12-1316-inches-247-x-326-cm-adultery-chairs-cheating-coat-costume-drapery-frill-gowns-husband-interior-literary-theme-love-man-play-the-careless-husband-1704-the-steinkirk-scene-theater-discipline-wife-women-image389648313.htmlRM2DHX0B5–Kitty Clive as Lady Easy in 'The Careless Husband', Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691–1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 10 7/8 × 13 inches (27.6 × 33 cm) and Image: 9 3/4 x 12 13/16 inches (24.7 x 32.6 cm), adultery, chairs, cheating, coat, costume, drapery, frill, gowns, husband, interior, literary theme, love, man, play, The Careless Husband, 1704, The Steinkirk Scene, theater (discipline), wife, women
. English: The 'Steinkirk scene' from Colley Cibber's play The Careless Husband, 1704. Careless Husband scene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-steinkirk-scene-from-colley-cibbers-play-the-careless-husband-1704-careless-husband-scene-image184942221.htmlRMMMTRK9–. English: The 'Steinkirk scene' from Colley Cibber's play The Careless Husband, 1704. Careless Husband scene
The Grenadier Guards, Battle of Steinkirk 1692 - Vintage Cigarette Card Illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-grenadier-guards-battle-of-steinkirk-1692-vintage-cigarette-card-illustration-image592315276.htmlRM2WBJ850–The Grenadier Guards, Battle of Steinkirk 1692 - Vintage Cigarette Card Illustration
'Lady Easy's Steinkirk: A Scene from The Fearless Husband by Colley Cibber', c1790. Artist: Francis Wheatley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lady-easys-steinkirk-a-scene-from-the-fearless-husband-by-colley-cibber-c1790-artist-francis-wheatley-image262787042.htmlRMW7EYFE–'Lady Easy's Steinkirk: A Scene from The Fearless Husband by Colley Cibber', c1790. Artist: Francis Wheatley.
'Lady Easy's Steinkirk: A Scene from The Fearless Husband by Colley Cibber', c1790. Artist: Francis Wheatley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lady-easys-steinkirk-a-scene-from-the-fearless-husband-by-colley-cibber-135295996.htmlRMHT37BT–'Lady Easy's Steinkirk: A Scene from The Fearless Husband by Colley Cibber', c1790. Artist: Francis Wheatley.
![Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Kitty Clive as Lady Easy in The Careless Husband, 1739. Mezzotint on medium, moderately textured, cream laid paper. adultery , chairs , cheating , coat , costume , drapery , frill , gowns , husband , interior , literary theme , love , man , play , The Careless Husband, 1704 , The Steinkirk Scene , theater (discipline) , wife , women. Clive, Catherine [Kitty] (1711–1785), actress Stock Photo](https://c8.alamy.com/comp/2E464DG/print-made-by-john-faber-the-younger-ca-16951756-netherlandish-active-in-britain-kitty-clive-as-lady-easy-in-the-careless-husband-1739-mezzotint-on-medium-moderately-textured-cream-laid-paper-adultery-chairs-cheating-coat-costume-drapery-frill-gowns-husband-interior-literary-theme-love-man-play-the-careless-husband-1704-the-steinkirk-scene-theater-discipline-wife-women-clive-catherine-kitty-17111785-actress-2E464DG.jpg "Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Kitty Clive as Lady Easy in The Careless Husband, 1739. Mezzotint on medium, moderately textured, cream laid paper. adultery , chairs , cheating , coat , costume , drapery , frill , gowns , husband , interior , literary theme , love , man , play , The Careless Husband, 1704 , The Steinkirk Scene , theater (discipline) , wife , women. Clive, Catherine [Kitty] (1711–1785), actress Stock Photo")
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Kitty Clive as Lady Easy in The Careless Husband, 1739. Mezzotint on medium, moderately textured, cream laid paper. adultery , chairs , cheating , coat , costume , drapery , frill , gowns , husband , interior , literary theme , love , man , play , The Careless Husband, 1704 , The Steinkirk Scene , theater (discipline) , wife , women. Clive, Catherine [Kitty] (1711–1785), actress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-faber-the-younger-ca-16951756-netherlandish-active-in-britain-kitty-clive-as-lady-easy-in-the-careless-husband-1739-mezzotint-on-medium-moderately-textured-cream-laid-paper-adultery-chairs-cheating-coat-costume-drapery-frill-gowns-husband-interior-literary-theme-love-man-play-the-careless-husband-1704-the-steinkirk-scene-theater-discipline-wife-women-clive-catherine-kitty-17111785-actress-image398432316.htmlRM2E464DG–Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain, Kitty Clive as Lady Easy in The Careless Husband, 1739. Mezzotint on medium, moderately textured, cream laid paper. adultery , chairs , cheating , coat , costume , drapery , frill , gowns , husband , interior , literary theme , love , man , play , The Careless Husband, 1704 , The Steinkirk Scene , theater (discipline) , wife , women. Clive, Catherine [Kitty] (1711–1785), actress
French Tailors - 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-tailors-18th-century-105360073.htmlRMG3BFRN–French Tailors - 18th century
. The Scottish nation; or, The surnames, families, literature, honours, and biographical history of the people of Scotland. d Baron Dechmont. He wasan eminent military commander, and field-marshal of theforces. Born in 1666, he was bred to the profession of arm*under his uncle, the earl of Dumbarton. He had the rankof colonel in the army in 1690; the command of the 7thregiment of foot in 1692, and was promoted to the colonelcyof the Royal Scots the same year. He distinguished himselfat the battles of the Boyne, Aughrim, Steinkirk, and Landen,and at the sieges of Athlone, Limerick, and Namnr. A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-scottish-nation-or-the-surnames-families-literature-honours-and-biographical-history-of-the-people-of-scotland-d-baron-dechmont-he-wasan-eminent-military-commander-and-field-marshal-of-theforces-born-in-1666-he-was-bred-to-the-profession-of-armunder-his-uncle-the-earl-of-dumbarton-he-had-the-rankof-colonel-in-the-army-in-1690-the-command-of-the-7thregiment-of-foot-in-1692-and-was-promoted-to-the-colonelcyof-the-royal-scots-the-same-year-he-distinguished-himselfat-the-battles-of-the-boyne-aughrim-steinkirk-and-landenand-at-the-sieges-of-athlone-limerick-and-namnr-a-image336973352.htmlRM2AG6CXG–. The Scottish nation; or, The surnames, families, literature, honours, and biographical history of the people of Scotland. d Baron Dechmont. He wasan eminent military commander, and field-marshal of theforces. Born in 1666, he was bred to the profession of arm*under his uncle, the earl of Dumbarton. He had the rankof colonel in the army in 1690; the command of the 7thregiment of foot in 1692, and was promoted to the colonelcyof the Royal Scots the same year. He distinguished himselfat the battles of the Boyne, Aughrim, Steinkirk, and Landen,and at the sieges of Athlone, Limerick, and Namnr. A
French Tailors C18th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-tailors-c18th-image6564499.htmlRMA67MW4–French Tailors C18th
'Lady Easy's Steinkirk: A Scene from 'The Fearless Husband' by Colley Cibber (Act V, Scene 5)', (193 Artist: Francis Wheatley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lady-easys-steinkirk-a-scene-from-the-fearless-husband-by-colley-cibber-act-v-scene-5-193-artist-francis-wheatley-image262788330.htmlRMW7F15E–'Lady Easy's Steinkirk: A Scene from 'The Fearless Husband' by Colley Cibber (Act V, Scene 5)', (193 Artist: Francis Wheatley.
The history of England, from the accession of James the Second . been made for a rising, andthat arms and horses had been collected ; yet not a single traitor hadbeen brought to justice.^ The events of the war by land and sea furnished matter for severalearnest debates. Many members complained of the preference given toaliens over Englishmen. The whole battle of Steinkirk was fought overagain ; and severe reflections were thrown on Solmes. Let Englishsoldiers be commanded by none but English generals, was the almostuniversal cry. Seymour, who had once been distinguished by his hatredof foreign Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-of-england-from-the-accession-of-james-the-second-been-made-for-a-rising-andthat-arms-and-horses-had-been-collected-yet-not-a-single-traitor-hadbeen-brought-to-justice-the-events-of-the-war-by-land-and-sea-furnished-matter-for-severalearnest-debates-many-members-complained-of-the-preference-given-toaliens-over-englishmen-the-whole-battle-of-steinkirk-was-fought-overagain-and-severe-reflections-were-thrown-on-solmes-let-englishsoldiers-be-commanded-by-none-but-english-generals-was-the-almostuniversal-cry-seymour-who-had-once-been-distinguished-by-his-hatredof-foreign-image338423885.htmlRM2AJGF39–The history of England, from the accession of James the Second . been made for a rising, andthat arms and horses had been collected ; yet not a single traitor hadbeen brought to justice.^ The events of the war by land and sea furnished matter for severalearnest debates. Many members complained of the preference given toaliens over Englishmen. The whole battle of Steinkirk was fought overagain ; and severe reflections were thrown on Solmes. Let Englishsoldiers be commanded by none but English generals, was the almostuniversal cry. Seymour, who had once been distinguished by his hatredof foreign
The history of England, from the accession of James the Second . FRENCH MEDALS COMMEMORATING THE BATTLE OF STEINKIRK novice was competent to do all that Solmes had done, to misunderstandorders, to send cavalry on duty which none but infantry could perform,and to look on at safe distance while brave men were cut to pieces. Itwas too much to be at once insulted and sacrificed, excluded fromthe honours of war, yet pushed on all its extreme dangers, sneered at as 2242 HISTORY OF ENGLAND chap, xix raw recruits, and then left to coj)c unsupported with the finest Ijody ofveterans in the world. Such w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-of-england-from-the-accession-of-james-the-second-french-medals-commemorating-the-battle-of-steinkirk-novice-was-competent-to-do-all-that-solmes-had-done-to-misunderstandorders-to-send-cavalry-on-duty-which-none-but-infantry-could-performand-to-look-on-at-safe-distance-while-brave-men-were-cut-to-pieces-itwas-too-much-to-be-at-once-insulted-and-sacrificed-excluded-fromthe-honours-of-war-yet-pushed-on-all-its-extreme-dangers-sneered-at-as-2242-history-of-england-chap-xix-raw-recruits-and-then-left-to-cojc-unsupported-with-the-finest-ijody-ofveterans-in-the-world-such-w-image338426405.htmlRM2AJGJ99–The history of England, from the accession of James the Second . FRENCH MEDALS COMMEMORATING THE BATTLE OF STEINKIRK novice was competent to do all that Solmes had done, to misunderstandorders, to send cavalry on duty which none but infantry could perform,and to look on at safe distance while brave men were cut to pieces. Itwas too much to be at once insulted and sacrificed, excluded fromthe honours of war, yet pushed on all its extreme dangers, sneered at as 2242 HISTORY OF ENGLAND chap, xix raw recruits, and then left to coj)c unsupported with the finest Ijody ofveterans in the world. Such w
![The love of an uncrowned queen, Sophie Dorothea, consort of George 1., and her correspondence with Philip Christopher, count Königsmarck (now first published from the originals) by W.HWilkins . FACSIMILK OK OX1-: OF THIC IRINCESSs LETTERS TO KONIGSMARCK. ]lu>lo^}-aphcilfrom the origiiuil iiiaiiuscnpf in the Univer.st/v Lihrarv at Liiitd.This letter is probabl written at the Princesss dictation by Knesebcck. THE BATTLE OF STEINKIRK 207 Konigsviarck to the Princess. From the Camp near Wavern. Here I am again. I have escaped once more. Ourtroops did not cotne in for any fighting, but I did f Stock Photo](https://c8.alamy.com/comp/2AWH9CG/the-love-of-an-uncrowned-queen-sophie-dorothea-consort-of-george-1-and-her-correspondence-with-philip-christopher-count-knigsmarck-now-first-published-from-the-originals-by-whwilkins-facsimilk-ok-ox1-of-thic-irincesss-letters-to-konigsmarck-lugtlo-aphcilfrom-the-origiiuil-iiiaiiuscnpf-in-the-universtv-lihrarv-at-liiitdthis-letter-is-probabl-written-at-the-princesss-dictation-by-knesebcck-the-battle-of-steinkirk-207-konigsviarck-to-the-princess-from-the-camp-near-wavern-here-i-am-again-i-have-escaped-once-more-ourtroops-did-not-cotne-in-for-any-fighting-but-i-did-f-2AWH9CG.jpg "The love of an uncrowned queen, Sophie Dorothea, consort of George 1., and her correspondence with Philip Christopher, count Königsmarck (now first published from the originals) by W.HWilkins . FACSIMILK OK OX1-: OF THIC IRINCESSs LETTERS TO KONIGSMARCK. ]lu>lo^}-aphcilfrom the origiiuil iiiaiiuscnpf in the Univer.st/v Lihrarv at Liiitd.This letter is probabl written at the Princesss dictation by Knesebcck. THE BATTLE OF STEINKIRK 207 Konigsviarck to the Princess. From the Camp near Wavern. Here I am again. I have escaped once more. Ourtroops did not cotne in for any fighting, but I did f Stock Photo")
The love of an uncrowned queen, Sophie Dorothea, consort of George 1., and her correspondence with Philip Christopher, count Königsmarck (now first published from the originals) by W.HWilkins . FACSIMILK OK OX1-: OF THIC IRINCESSs LETTERS TO KONIGSMARCK. ]lu>lo^}-aphcilfrom the origiiuil iiiaiiuscnpf in the Univer.st/v Lihrarv at Liiitd.This letter is probabl written at the Princesss dictation by Knesebcck. THE BATTLE OF STEINKIRK 207 Konigsviarck to the Princess. From the Camp near Wavern. Here I am again. I have escaped once more. Ourtroops did not cotne in for any fighting, but I did f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-love-of-an-uncrowned-queen-sophie-dorothea-consort-of-george-1-and-her-correspondence-with-philip-christopher-count-knigsmarck-now-first-published-from-the-originals-by-whwilkins-facsimilk-ok-ox1-of-thic-irincesss-letters-to-konigsmarck-lugtlo-aphcilfrom-the-origiiuil-iiiaiiuscnpf-in-the-universtv-lihrarv-at-liiitdthis-letter-is-probabl-written-at-the-princesss-dictation-by-knesebcck-the-battle-of-steinkirk-207-konigsviarck-to-the-princess-from-the-camp-near-wavern-here-i-am-again-i-have-escaped-once-more-ourtroops-did-not-cotne-in-for-any-fighting-but-i-did-f-image342743984.htmlRM2AWH9CG–The love of an uncrowned queen, Sophie Dorothea, consort of George 1., and her correspondence with Philip Christopher, count Königsmarck (now first published from the originals) by W.HWilkins . FACSIMILK OK OX1-: OF THIC IRINCESSs LETTERS TO KONIGSMARCK. ]lu>lo^}-aphcilfrom the origiiuil iiiaiiuscnpf in the Univer.st/v Lihrarv at Liiitd.This letter is probabl written at the Princesss dictation by Knesebcck. THE BATTLE OF STEINKIRK 207 Konigsviarck to the Princess. From the Camp near Wavern. Here I am again. I have escaped once more. Ourtroops did not cotne in for any fighting, but I did f
. Two centuries of costume in America, MDCXX-MDCCCXX . going into action, hurriedlytwisted their lace cravats about their necks andpulled them through a buttonhole, simply to fixthem safely in place. The fashionable world eagerlyfollowed their example. It is curious that theSteinkirk should have been popular in England,where the name might rather have been a bitteravoidance. The battle of Steinkirk took place in 1694. Anearly English allusion to the neckwear thus namedis in The Relapse^ which was acted in 1697. In itthe Semstress says, I hope your Lordship ispleased with your Steenkirk. His Lo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-centuries-of-costume-in-america-mdcxx-mdcccxx-going-into-action-hurriedlytwisted-their-lace-cravats-about-their-necks-andpulled-them-through-a-buttonhole-simply-to-fixthem-safely-in-place-the-fashionable-world-eagerlyfollowed-their-example-it-is-curious-that-thesteinkirk-should-have-been-popular-in-englandwhere-the-name-might-rather-have-been-a-bitteravoidance-the-battle-of-steinkirk-took-place-in-1694-anearly-english-allusion-to-the-neckwear-thus-namedis-in-the-relapse-which-was-acted-in-1697-in-itthe-semstress-says-i-hope-your-lordship-ispleased-with-your-steenkirk-his-lo-image372623880.htmlRM2CJ6DFM–. Two centuries of costume in America, MDCXX-MDCCCXX . going into action, hurriedlytwisted their lace cravats about their necks andpulled them through a buttonhole, simply to fixthem safely in place. The fashionable world eagerlyfollowed their example. It is curious that theSteinkirk should have been popular in England,where the name might rather have been a bitteravoidance. The battle of Steinkirk took place in 1694. Anearly English allusion to the neckwear thus namedis in The Relapse^ which was acted in 1697. In itthe Semstress says, I hope your Lordship ispleased with your Steenkirk. His Lo
. History of lace. - Easy takes the Steinkirk off her At Hain House Mas the portrait of neck and lays it on Sh- Charless head a Countess of Dysai-t, temp. Anne, in when he is asleep. three-cornered cocked hat, long coat, In Loves Last Shift, by the same flapped waistcoat, and Mechlin Stein-author (1695), the hero speaks of being kirk. Strangled in my own Steinkerk. In tlie Account Book of Isabella, In Love for Love, by Congi-eve, Sir Duchess of Grafton, daughter of Lord Novelty enumerates the Steinkirk, the Arlington, Evelyns sweet child — large button, with other fashions, as her portrait han Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-lace-easy-takes-the-steinkirk-off-her-at-hain-house-mas-the-portrait-of-neck-and-lays-it-on-sh-charless-head-a-countess-of-dysai-t-temp-anne-in-when-he-is-asleep-three-cornered-cocked-hat-long-coat-in-loves-last-shift-by-the-same-flapped-waistcoat-and-mechlin-stein-author-1695-the-hero-speaks-of-being-kirk-strangled-in-my-own-steinkerk-in-tlie-account-book-of-isabella-in-love-for-love-by-congi-eve-sir-duchess-of-grafton-daughter-of-lord-novelty-enumerates-the-steinkirk-the-arlington-evelyns-sweet-child-large-button-with-other-fashions-as-her-portrait-han-image370391719.htmlRM2CEGPBK–. History of lace. - Easy takes the Steinkirk off her At Hain House Mas the portrait of neck and lays it on Sh- Charless head a Countess of Dysai-t, temp. Anne, in when he is asleep. three-cornered cocked hat, long coat, In Loves Last Shift, by the same flapped waistcoat, and Mechlin Stein-author (1695), the hero speaks of being kirk. Strangled in my own Steinkerk. In tlie Account Book of Isabella, In Love for Love, by Congi-eve, Sir Duchess of Grafton, daughter of Lord Novelty enumerates the Steinkirk, the Arlington, Evelyns sweet child — large button, with other fashions, as her portrait han
. History of lace . y laced. Lady Easy takes the Steinkirk off her At Ham House was the portrait of neck and lays it on Sir Charless head a Countess of Dysart, temp. Anne, in when he is asleep. three-cornered cocked hat, long coat, In Loves Last Shift, by the same flapped waistcoat, and Mechlin Stein-author (1695), the hero speaks of being kirk. Strangled in my own Steinkerk. In the Account Book of Isabella, In Love for Love, by Congre^-e, Sir IH;chess of Grafton, daughter of Lord Novelty enumerates the Steinkirk, the Arlington, Evelyns sweet child —• large button, with otJier fasliions, as he Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-lace-y-laced-lady-easy-takes-the-steinkirk-off-her-at-ham-house-was-the-portrait-of-neck-and-lays-it-on-sir-charless-head-a-countess-of-dysart-temp-anne-in-when-he-is-asleep-three-cornered-cocked-hat-long-coat-in-loves-last-shift-by-the-same-flapped-waistcoat-and-mechlin-stein-author-1695-the-hero-speaks-of-being-kirk-strangled-in-my-own-steinkerk-in-the-account-book-of-isabella-in-love-for-love-by-congre-e-sir-ihchess-of-grafton-daughter-of-lord-novelty-enumerates-the-steinkirk-the-arlington-evelyns-sweet-child-large-button-with-otjier-fasliions-as-he-image369739358.htmlRM2CDF292–. History of lace . y laced. Lady Easy takes the Steinkirk off her At Ham House was the portrait of neck and lays it on Sir Charless head a Countess of Dysart, temp. Anne, in when he is asleep. three-cornered cocked hat, long coat, In Loves Last Shift, by the same flapped waistcoat, and Mechlin Stein-author (1695), the hero speaks of being kirk. Strangled in my own Steinkerk. In the Account Book of Isabella, In Love for Love, by Congre^-e, Sir IH;chess of Grafton, daughter of Lord Novelty enumerates the Steinkirk, the Arlington, Evelyns sweet child —• large button, with otJier fasliions, as he
. Two centuries of costume in America, MDCXX-MDCCCXX . in place. The cravat, tied and twisted in Steinkirk form, ormore simply folded, long held its place in fashion-able dress. The stock with buckle made of pasteHas put the cravat out of date, wrote Whyte in 1742. With this quotation we will turn from neckwearuntil a later period. CHAPTER VII CAPS AND BEAVERS IN COLONIAL DAYS So many poynted cappesLased ivith double flapsAnd soe gay felted cappesSaiv I never. So propre cappesSo lyttle hattesAnd so false hartesSaw I never. The Maner of the World Nowea-dayes, John Skelton, 1548. The Turk in li Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-centuries-of-costume-in-america-mdcxx-mdcccxx-in-place-the-cravat-tied-and-twisted-in-steinkirk-form-ormore-simply-folded-long-held-its-place-in-fashion-able-dress-the-stock-with-buckle-made-of-pastehas-put-the-cravat-out-of-date-wrote-whyte-in-1742-with-this-quotation-we-will-turn-from-neckwearuntil-a-later-period-chapter-vii-caps-and-beavers-in-colonial-days-so-many-poynted-cappeslased-ivith-double-flapsand-soe-gay-felted-cappessaiv-i-never-so-propre-cappesso-lyttle-hattesand-so-false-hartessaw-i-never-the-maner-of-the-world-nowea-dayes-john-skelton-1548-the-turk-in-li-image372623442.htmlRM2CJ6D02–. Two centuries of costume in America, MDCXX-MDCCCXX . in place. The cravat, tied and twisted in Steinkirk form, ormore simply folded, long held its place in fashion-able dress. The stock with buckle made of pasteHas put the cravat out of date, wrote Whyte in 1742. With this quotation we will turn from neckwearuntil a later period. CHAPTER VII CAPS AND BEAVERS IN COLONIAL DAYS So many poynted cappesLased ivith double flapsAnd soe gay felted cappesSaiv I never. So propre cappesSo lyttle hattesAnd so false hartesSaw I never. The Maner of the World Nowea-dayes, John Skelton, 1548. The Turk in li
