Stepped edge Cut Out Stock Images
picture frame, Anonymous, first half 19th century, plaster, gilding, wood, gilded, Deep gilded picture frame. With a pearl edge along the otherwise flat inner frame and a tulip edge in the sloping frame. The outer wall is stepped recessed, General: 49.5 x 46.2 x 5.2cm (495 x 462 x 52mm), Inner size: 28.4 x 24.6cm (284 x 246mm), Clear size: 26.9 x 23, 6cm (269 x 236mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-anonymous-first-half-19th-century-plaster-gilding-wood-gilded-deep-gilded-picture-frame-with-a-pearl-edge-along-the-otherwise-flat-inner-frame-and-a-tulip-edge-in-the-sloping-frame-the-outer-wall-is-stepped-recessed-general-495-x-462-x-52cm-495-x-462-x-52mm-inner-size-284-x-246cm-284-x-246mm-clear-size-269-x-23-6cm-269-x-236mm-image387985612.htmlRM2DF67H0–picture frame, Anonymous, first half 19th century, plaster, gilding, wood, gilded, Deep gilded picture frame. With a pearl edge along the otherwise flat inner frame and a tulip edge in the sloping frame. The outer wall is stepped recessed, General: 49.5 x 46.2 x 5.2cm (495 x 462 x 52mm), Inner size: 28.4 x 24.6cm (284 x 246mm), Clear size: 26.9 x 23, 6cm (269 x 236mm
A pair of German candlesticks, probably Nuremberg, 16th century Cast of one piece of brass. Stepped domed feet, baluster-shaped stems with flaring sockets. Prickets and pricket plates with old additions. One candlestick with tear at the edge of the drip pan. Either height 42.5 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-pair-of-german-candlesticks-probably-nuremberg-16th-century-cast-of-one-piece-of-brass-stepped-domed-feet-baluster-shaped-stems-with-flaring-sockets-prickets-and-pricket-plates-with-old-additions-one-candlestick-with-tear-at-the-edge-of-the-drip-pan-either-height-425-cm-historic-historical-handicrafts-handcraft-craft-object-objects-stills-clipping-clippings-cut-out-cut-out-cut-outs-additional-rights-clearance-info-not-available-image247296935.htmlRMTA99NB–A pair of German candlesticks, probably Nuremberg, 16th century Cast of one piece of brass. Stepped domed feet, baluster-shaped stems with flaring sockets. Prickets and pricket plates with old additions. One candlestick with tear at the edge of the drip pan. Either height 42.5 cm. historic, historical, handicrafts, handcraft, craft, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearance-Info-Not-Available
Out of the forests' depths stepped an Indian maiden, c1905. Nespelim woman standing at water's edge. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/out-of-the-forests-depths-stepped-an-indian-maiden-c1905-nespelim-woman-standing-at-waters-edge-image595004738.htmlRM2WG0PH6–Out of the forests' depths stepped an Indian maiden, c1905. Nespelim woman standing at water's edge.
Bowl. The shell has a high neck with abridged edge. The vascular body is decorated on the outside annular with 18 almond-fömigen, opposite lancet leaves. The gussets in the upper area are filled by two short strokes. The bottom of the shell is marked by three stepped concentric rings, the transition from the body to the neck by two circumferential cuts. Inside the only spary-preserved Achemenidisch-Persian glass, this shell comes due to its balance of form and decoration as well as the perfect conservation of excellent rank .The thin-walled, clear glass has been melted in the mold; The followi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-the-shell-has-a-high-neck-with-abridged-edge-the-vascular-body-is-decorated-on-the-outside-annular-with-18-almond-fmigen-opposite-lancet-leaves-the-gussets-in-the-upper-area-are-filled-by-two-short-strokes-the-bottom-of-the-shell-is-marked-by-three-stepped-concentric-rings-the-transition-from-the-body-to-the-neck-by-two-circumferential-cuts-inside-the-only-spary-preserved-achemenidisch-persian-glass-this-shell-comes-due-to-its-balance-of-form-and-decoration-as-well-as-the-perfect-conservation-of-excellent-rank-the-thin-walled-clear-glass-has-been-melted-in-the-mold-the-followi-image416256831.htmlRM2F563RB–Bowl. The shell has a high neck with abridged edge. The vascular body is decorated on the outside annular with 18 almond-fömigen, opposite lancet leaves. The gussets in the upper area are filled by two short strokes. The bottom of the shell is marked by three stepped concentric rings, the transition from the body to the neck by two circumferential cuts. Inside the only spary-preserved Achemenidisch-Persian glass, this shell comes due to its balance of form and decoration as well as the perfect conservation of excellent rank .The thin-walled, clear glass has been melted in the mold; The followi
Art inspired by Virgin and Child, model ca. 1475 (cast 19th century), Copper alloy with warm brown natural patina; hollow reverse., 14.6 x 9 cm, wt. 358.65 g., Plaquettes, in the style of Antonio Rossellino (Italian, Settignano 1427–ca. 1479 Florence), The composition of this plaquette, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-virgin-and-child-model-ca-1475-cast-19th-century-copper-alloy-with-warm-brown-natural-patina-hollow-reverse-146-x-9-cm-wt-35865-g-plaquettes-in-the-style-of-antonio-rossellino-italian-settignano-1427ca-1479-florence-the-composition-of-this-plaquette-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463031544.htmlRF2HW8WCT–Art inspired by Virgin and Child, model ca. 1475 (cast 19th century), Copper alloy with warm brown natural patina; hollow reverse., 14.6 x 9 cm, wt. 358.65 g., Plaquettes, in the style of Antonio Rossellino (Italian, Settignano 1427–ca. 1479 Florence), The composition of this plaquette, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
picture frame, Anonymous, first half 19th century, plaster, wood, gilding, gilded, Deep gilded picture frame. With a pearl edge along the otherwise flat inner frame and a tulip edge in the sloping frame. The outer wall is stepped recessed, General: 49.7 x 46 x 5.5cm (497 x 460 x 55mm), Inner size: 28.7 x 25.1cm (287 x 251mm), Daylight size: 27.2 x 23.4cm ( 272 x 234mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-anonymous-first-half-19th-century-plaster-wood-gilding-gilded-deep-gilded-picture-frame-with-a-pearl-edge-along-the-otherwise-flat-inner-frame-and-a-tulip-edge-in-the-sloping-frame-the-outer-wall-is-stepped-recessed-general-497-x-46-x-55cm-497-x-460-x-55mm-inner-size-287-x-251cm-287-x-251mm-daylight-size-272-x-234cm-272-x-234mm-image387985611.htmlRM2DF67GY–picture frame, Anonymous, first half 19th century, plaster, wood, gilding, gilded, Deep gilded picture frame. With a pearl edge along the otherwise flat inner frame and a tulip edge in the sloping frame. The outer wall is stepped recessed, General: 49.7 x 46 x 5.5cm (497 x 460 x 55mm), Inner size: 28.7 x 25.1cm (287 x 251mm), Daylight size: 27.2 x 23.4cm ( 272 x 234mm
picture frame, Anonymous, second half 18th century, wood, plaster, gilding, Gilded picture frame with a hollow frame in which a palm edge is cut. Inside a hollow smooth edge and an inner edge with tulip motif. The outer wall is stepped backwards. On the lower ledge a plastic plate with in white letters: 220 Jan van Huysum 1682-1749, General: 67 x 55.4 x 5cm (670 x 554 x 50mm), Inner size: 54.1 x 42.3cm (541 x 423mm), Daylight size: 52.2 x 40.7cm (522 x 407mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-anonymous-second-half-18th-century-wood-plaster-gilding-gilded-picture-frame-with-a-hollow-frame-in-which-a-palm-edge-is-cut-inside-a-hollow-smooth-edge-and-an-inner-edge-with-tulip-motif-the-outer-wall-is-stepped-backwards-on-the-lower-ledge-a-plastic-plate-with-in-white-letters-220-jan-van-huysum-1682-1749-general-67-x-554-x-5cm-670-x-554-x-50mm-inner-size-541-x-423cm-541-x-423mm-daylight-size-522-x-407cm-522-x-407mm-image387985607.htmlRM2DF67GR–picture frame, Anonymous, second half 18th century, wood, plaster, gilding, Gilded picture frame with a hollow frame in which a palm edge is cut. Inside a hollow smooth edge and an inner edge with tulip motif. The outer wall is stepped backwards. On the lower ledge a plastic plate with in white letters: 220 Jan van Huysum 1682-1749, General: 67 x 55.4 x 5cm (670 x 554 x 50mm), Inner size: 54.1 x 42.3cm (541 x 423mm), Daylight size: 52.2 x 40.7cm (522 x 407mm
picture frame, Anonymous, second half 19th century, plaster, gilding, wood, gilded, Picture frame with a hollow frame with wide vertical profile and acanthus leaves in the corners. With a stepped inner edge starting with a pearl edge, then a smooth edge, an ornamental edge and another smooth edge. The frame has a laurel crown. The outer wall is hollow and is closed with a decorative edge, General: 79.5 x 64.4 x 11cm (795 x 644 x 110mm), Inner size: 51.7 x 37.5cm (517 x 375mm), Day size: 49.6 x 34.8cm (496 x 348mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-anonymous-second-half-19th-century-plaster-gilding-wood-gilded-picture-frame-with-a-hollow-frame-with-wide-vertical-profile-and-acanthus-leaves-in-the-corners-with-a-stepped-inner-edge-starting-with-a-pearl-edge-then-a-smooth-edge-an-ornamental-edge-and-another-smooth-edge-the-frame-has-a-laurel-crown-the-outer-wall-is-hollow-and-is-closed-with-a-decorative-edge-general-795-x-644-x-11cm-795-x-644-x-110mm-inner-size-517-x-375cm-517-x-375mm-day-size-496-x-348cm-496-x-348mm-image387985448.htmlRM2DF67B4–picture frame, Anonymous, second half 19th century, plaster, gilding, wood, gilded, Picture frame with a hollow frame with wide vertical profile and acanthus leaves in the corners. With a stepped inner edge starting with a pearl edge, then a smooth edge, an ornamental edge and another smooth edge. The frame has a laurel crown. The outer wall is hollow and is closed with a decorative edge, General: 79.5 x 64.4 x 11cm (795 x 644 x 110mm), Inner size: 51.7 x 37.5cm (517 x 375mm), Day size: 49.6 x 34.8cm (496 x 348mm
picture frame, Anonymous, second half 19th century, plaster, gilding, wood, gilded, Picture frame with a hollow frame with wide vertical profile and acanthus leaves in the corners. With a stepped inner edge starting with a pearl edge, then a smooth edge, an ornamental edge and another smooth edge. The frame has a laurel crown. The outer wall is hollow and is closed with a decorative edge, General: 79.5 x 64.4 x 11cm (795 x 644 x 110mm), Inner size: 51.7 x 37.5cm (517 x 375mm), Day size: 49.6 x 34.8cm (496 x 348mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-anonymous-second-half-19th-century-plaster-gilding-wood-gilded-picture-frame-with-a-hollow-frame-with-wide-vertical-profile-and-acanthus-leaves-in-the-corners-with-a-stepped-inner-edge-starting-with-a-pearl-edge-then-a-smooth-edge-an-ornamental-edge-and-another-smooth-edge-the-frame-has-a-laurel-crown-the-outer-wall-is-hollow-and-is-closed-with-a-decorative-edge-general-795-x-644-x-11cm-795-x-644-x-110mm-inner-size-517-x-375cm-517-x-375mm-day-size-496-x-348cm-496-x-348mm-image387985459.htmlRM2DF67BF–picture frame, Anonymous, second half 19th century, plaster, gilding, wood, gilded, Picture frame with a hollow frame with wide vertical profile and acanthus leaves in the corners. With a stepped inner edge starting with a pearl edge, then a smooth edge, an ornamental edge and another smooth edge. The frame has a laurel crown. The outer wall is hollow and is closed with a decorative edge, General: 79.5 x 64.4 x 11cm (795 x 644 x 110mm), Inner size: 51.7 x 37.5cm (517 x 375mm), Day size: 49.6 x 34.8cm (496 x 348mm
picture frame, Anonymous, second half 19th century, plaster, gilding, wood, gilded, Picture frame with a hollow frame with wide vertical profile and acanthus leaves in the corners. With a stepped inner edge starting with a pearl edge, then a smooth edge, an ornamental edge and another smooth edge. The frame has a laurel crown. The outer wall is hollow and is closed with a decorative edge, General: 79.5 x 64.4 x 11cm (795 x 644 x 110mm), Inner size: 51.7 x 37.5cm (517 x 375mm), Day size: 49.6 x 34.8cm (496 x 348mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-anonymous-second-half-19th-century-plaster-gilding-wood-gilded-picture-frame-with-a-hollow-frame-with-wide-vertical-profile-and-acanthus-leaves-in-the-corners-with-a-stepped-inner-edge-starting-with-a-pearl-edge-then-a-smooth-edge-an-ornamental-edge-and-another-smooth-edge-the-frame-has-a-laurel-crown-the-outer-wall-is-hollow-and-is-closed-with-a-decorative-edge-general-795-x-644-x-11cm-795-x-644-x-110mm-inner-size-517-x-375cm-517-x-375mm-day-size-496-x-348cm-496-x-348mm-image387985495.htmlRM2DF67CR–picture frame, Anonymous, second half 19th century, plaster, gilding, wood, gilded, Picture frame with a hollow frame with wide vertical profile and acanthus leaves in the corners. With a stepped inner edge starting with a pearl edge, then a smooth edge, an ornamental edge and another smooth edge. The frame has a laurel crown. The outer wall is hollow and is closed with a decorative edge, General: 79.5 x 64.4 x 11cm (795 x 644 x 110mm), Inner size: 51.7 x 37.5cm (517 x 375mm), Day size: 49.6 x 34.8cm (496 x 348mm
picture frame, D. Sala and Zn. Frame factory, between 1890-1930, plaster, gilding, wood, gilded, Gilded picture frame with oief shape. In the bulge a border with acanthus leaves and on the crown a border with laurel leaves. The outer wall is hollow, closed with a narrow decorative edge. The inner frame starts with a pearl edge, then a hollow edge, a straight edge and then stepped down. The entire edge of the inner frame has numbers and names written in black ink: 292 J.B.J. Maes (1794-1856) Portrait of Mulder, M. Kamerlingh Onnes (1860-1925), 365 R. Raar (1854-1906), 778 Floris Verster 1861- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-frame-d-sala-and-zn-frame-factory-between-1890-1930-plaster-gilding-wood-gilded-gilded-picture-frame-with-oief-shape-in-the-bulge-a-border-with-acanthus-leaves-and-on-the-crown-a-border-with-laurel-leaves-the-outer-wall-is-hollow-closed-with-a-narrow-decorative-edge-the-inner-frame-starts-with-a-pearl-edge-then-a-hollow-edge-a-straight-edge-and-then-stepped-down-the-entire-edge-of-the-inner-frame-has-numbers-and-names-written-in-black-ink-292-jbj-maes-1794-1856-portrait-of-mulder-m-kamerlingh-onnes-1860-1925-365-r-raar-1854-1906-778-floris-verster-1861-image387985626.htmlRM2DF67HE–picture frame, D. Sala and Zn. Frame factory, between 1890-1930, plaster, gilding, wood, gilded, Gilded picture frame with oief shape. In the bulge a border with acanthus leaves and on the crown a border with laurel leaves. The outer wall is hollow, closed with a narrow decorative edge. The inner frame starts with a pearl edge, then a hollow edge, a straight edge and then stepped down. The entire edge of the inner frame has numbers and names written in black ink: 292 J.B.J. Maes (1794-1856) Portrait of Mulder, M. Kamerlingh Onnes (1860-1925), 365 R. Raar (1854-1906), 778 Floris Verster 1861-
Textile, Medium: wool, cotton Technique: Somewhat warp-faced plain weave with grouping of warps for weft-faced plain weave: slit tapestry; predominantly warp-faced plain weave; ONE CORNER: slit tapestry on group parps, nonhorizontal wefts for outline, wrapping; SIDES: one is intact; ENDS: one has warp loop, tapestry section in tubular warp ends, end of a loin cloth with triangular-shaped woven area at one corner: interlocked birds in two shades of light brown outlined with red forming a triangular-shaped all-over patterned area which is framed in red. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/textile-medium-wool-cotton-technique-somewhat-warp-faced-plain-weave-with-grouping-of-warps-for-weft-faced-plain-weave-slit-tapestry-predominantly-warp-faced-plain-weave-one-corner-slit-tapestry-on-group-parps-nonhorizontal-wefts-for-outline-wrapping-sides-one-is-intact-ends-one-has-warp-loop-tapestry-section-in-tubular-warp-ends-end-of-a-loin-cloth-with-triangular-shaped-woven-area-at-one-corner-interlocked-birds-in-two-shades-of-light-brown-outlined-with-red-forming-a-triangular-shaped-all-over-patterned-area-which-is-framed-in-red-image391183044.htmlRM2DMBWY0–Textile, Medium: wool, cotton Technique: Somewhat warp-faced plain weave with grouping of warps for weft-faced plain weave: slit tapestry; predominantly warp-faced plain weave; ONE CORNER: slit tapestry on group parps, nonhorizontal wefts for outline, wrapping; SIDES: one is intact; ENDS: one has warp loop, tapestry section in tubular warp ends, end of a loin cloth with triangular-shaped woven area at one corner: interlocked birds in two shades of light brown outlined with red forming a triangular-shaped all-over patterned area which is framed in red.
