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Stylobate Stock Photos and Images
Stylobate Lion, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-stylobate-lion-early-13th-century-made-in-reggio-emilia-northern-italy-162408801.htmlRMKC6A29–Stylobate Lion, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona
Art inspired by Stylobate Lion, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona), Overall: 26 x 17 7/8 x 25 1/4 in. (66 x 45.4 x 64.1 cm), Sculpture-Architectural, Alert and looking toward each other, both lions jealously, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-stylobate-lion-early-13th-century-made-in-reggio-emilia-northern-italy-north-italian-marble-broccato-rosso-di-verona-overall-26-x-17-78-x-25-14-in-66-x-454-x-641-cm-sculpture-architectural-alert-and-looking-toward-each-other-both-lions-jealously-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836824.htmlRF2HW012G–Art inspired by Stylobate Lion, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona), Overall: 26 x 17 7/8 x 25 1/4 in. (66 x 45.4 x 64.1 cm), Sculpture-Architectural, Alert and looking toward each other, both lions jealously, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The stylobate of the Temple of Christ the Savior with the little chapel in the center of Moscow at night Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-stylobate-of-the-temple-of-christ-the-savior-with-the-little-chapel-164110321.htmlRFKEYTAW–The stylobate of the Temple of Christ the Savior with the little chapel in the center of Moscow at night
detail of light and shadow on a stylobate of a column or pillar in a row with others next to each other in a corridor as historic background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-light-and-shadow-on-a-stylobate-of-a-column-or-pillar-in-a-row-with-others-next-to-each-other-in-a-corridor-as-historic-background-image563658988.htmlRF2RN0TP4–detail of light and shadow on a stylobate of a column or pillar in a row with others next to each other in a corridor as historic background
View of the Poseidon temple from a corner of the stylobate at Cape Sounion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-view-of-the-poseidon-temple-from-a-corner-of-the-stylobate-at-cape-148052403.htmlRMJGTA9R–View of the Poseidon temple from a corner of the stylobate at Cape Sounion
Stylobate Lion. Culture: North Italian. Dimensions: Overall: 26 x 17 7/8 x 25 1/4 in. (66 x 45.4 x 64.1 cm). Date: early 13th century. Alert and looking toward each other, both lions jealously protect their prey--a lamb in one case and a calf in the other--beneath massive paws. The pair originally supported columns that would have been attached to their backs and probably flanked a small doorway of a church. By the mid-eighteenth century, they were placed at the door of a chapel near the village of Quattro Castella, near Reggio Emilia. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stylobate-lion-culture-north-italian-dimensions-overall-26-x-17-78-x-25-14-in-66-x-454-x-641-cm-date-early-13th-century-alert-and-looking-toward-each-other-both-lions-jealously-protect-their-prey-a-lamb-in-one-case-and-a-calf-in-the-other-beneath-massive-paws-the-pair-originally-supported-columns-that-would-have-been-attached-to-their-backs-and-probably-flanked-a-small-doorway-of-a-church-by-the-mid-eighteenth-century-they-were-placed-at-the-door-of-a-chapel-near-the-village-of-quattro-castella-near-reggio-emilia-museum-metropolitan-museum-of-art-new-york-usa-image213152253.htmlRMPANWTD–Stylobate Lion. Culture: North Italian. Dimensions: Overall: 26 x 17 7/8 x 25 1/4 in. (66 x 45.4 x 64.1 cm). Date: early 13th century. Alert and looking toward each other, both lions jealously protect their prey--a lamb in one case and a calf in the other--beneath massive paws. The pair originally supported columns that would have been attached to their backs and probably flanked a small doorway of a church. By the mid-eighteenth century, they were placed at the door of a chapel near the village of Quattro Castella, near Reggio Emilia. Museum: Metropolitan Museum of Art, New York, USA.
Temple of Neptune at Paestum in Italy: view across the peristyle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-neptune-at-paestum-in-italy-view-across-the-peristyle-image628159830.htmlRF2YDY47J–Temple of Neptune at Paestum in Italy: view across the peristyle.
Lifting bosses on the steps of the temple at Segesta. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lifting-bosses-on-the-steps-of-the-temple-at-segesta-25237470.htmlRMBD1JJ6–Lifting bosses on the steps of the temple at Segesta.
1604 Temple of Rome and Augustus in Pula, Croatia- 1 Longitudinal elevation 2 Crypidoma, stylobate and base of the column 3 E - Le Roy Julien David - 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1604-temple-of-rome-and-augustus-in-pula-croatia-1-longitudinal-elevation-2-crypidoma-stylobate-and-base-of-the-column-3-e-le-roy-julien-david-1770-image213654724.htmlRMPBGPNT–1604 Temple of Rome and Augustus in Pula, Croatia- 1 Longitudinal elevation 2 Crypidoma, stylobate and base of the column 3 E - Le Roy Julien David - 1770
Temple antique Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-antique-image425536308.htmlRF2FM8RW8–Temple antique
Krasnodar, Russia-June 12, 2020: Parking and Playground in the courtyard of a multi-storey building on Yevgenia Zhigulenko street. Russian text: Paid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/krasnodar-russia-june-12-2020-parking-and-playground-in-the-courtyard-of-a-multi-storey-building-on-yevgenia-zhigulenko-street-russian-text-paid-image371079250.htmlRF2CFM3AA–Krasnodar, Russia-June 12, 2020: Parking and Playground in the courtyard of a multi-storey building on Yevgenia Zhigulenko street. Russian text: Paid
Profile of the eastern façade, showing the curvature of the stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/profile-of-the-eastern-faade-showing-the-curvature-of-the-stylobate-image415101940.htmlRM2F39EN8–Profile of the eastern façade, showing the curvature of the stylobate
Details of stylobate of dome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/details-of-stylobate-of-dome-image264808592.htmlRMWAR21M–Details of stylobate of dome
19th-century engraving of Romanian stylobate. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Encyklopaedie der Wi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-engraving-of-romanian-stylobate-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-ikonographische-encyklopaedie-der-wi-image414284943.htmlRF2F208JR–19th-century engraving of Romanian stylobate. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographische Encyklopaedie der Wi
Hangzhou. 7th Nov, 2023. This photo taken on Nov. 7, 2023 shows a stylobate at the site of Mojiaoshan at the Archaeological Ruins of Liangzhu City park in Hangzhou, capital city of east China's Zhejiang Province. The Archaeological Ruins of Liangzhu City, located in east China's Zhejiang Province, have gained worldwide recognition as bearing testimony to the existence of at least 5,000 years of Chinese civilization. They were inscribed on the World Heritage List as a cultural site in 2019. Credit: Xu Yu/Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hangzhou-7th-nov-2023-this-photo-taken-on-nov-7-2023-shows-a-stylobate-at-the-site-of-mojiaoshan-at-the-archaeological-ruins-of-liangzhu-city-park-in-hangzhou-capital-city-of-east-chinas-zhejiang-province-the-archaeological-ruins-of-liangzhu-city-located-in-east-chinas-zhejiang-province-have-gained-worldwide-recognition-as-bearing-testimony-to-the-existence-of-at-least-5000-years-of-chinese-civilization-they-were-inscribed-on-the-world-heritage-list-as-a-cultural-site-in-2019-credit-xu-yuxinhuaalamy-live-news-image571684245.htmlRM2T62D2D–Hangzhou. 7th Nov, 2023. This photo taken on Nov. 7, 2023 shows a stylobate at the site of Mojiaoshan at the Archaeological Ruins of Liangzhu City park in Hangzhou, capital city of east China's Zhejiang Province. The Archaeological Ruins of Liangzhu City, located in east China's Zhejiang Province, have gained worldwide recognition as bearing testimony to the existence of at least 5,000 years of Chinese civilization. They were inscribed on the World Heritage List as a cultural site in 2019. Credit: Xu Yu/Xinhua/Alamy Live News
Details of stylobate of dome LCCN2002718290 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-details-of-stylobate-of-dome-lccn2002718290-177296137.htmlRMM8CF0W–Details of stylobate of dome LCCN2002718290
The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens by John Fulleylove Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-propylaea-from-the-northern-edge-of-the-stylobate-of-the-parthenon-athens-by-john-fulleylove-image559653262.htmlRM2REEBCE–The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens by John Fulleylove
Ionic Column, Erechtheion, Athens, stylobate, platform, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ionic-column-erechtheion-athens-stylobate-platform-vintage-line-drawing-or-engraving-illustration-image348611014.htmlRF2B74GWA–Ionic Column, Erechtheion, Athens, stylobate, platform, vintage line drawing or engraving illustration.
The Forbidden City in Beijing white marble stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-forbidden-city-in-beijing-white-marble-stylobate-image516434441.htmlRF2N05HB5–The Forbidden City in Beijing white marble stylobate
Stylobate Lioness, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-stylobate-lioness-early-13th-century-made-in-reggio-emilia-northern-162408802.htmlRMKC6A2A–Stylobate Lioness, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona
Art inspired by Stylobate Lioness, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona), Overall: 27 x 17 3/4 x 25 1/4 in. (68.6 x 45.1 x 64.1 cm), Sculpture-Architectural, Alert and looking toward each other, both lions jealously, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-stylobate-lioness-early-13th-century-made-in-reggio-emilia-northern-italy-north-italian-marble-broccato-rosso-di-verona-overall-27-x-17-34-x-25-14-in-686-x-451-x-641-cm-sculpture-architectural-alert-and-looking-toward-each-other-both-lions-jealously-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462836822.htmlRF2HW012E–Art inspired by Stylobate Lioness, early 13th century, Made in Reggio Emilia, Northern Italy, North Italian, Marble (Broccato Rosso di Verona), Overall: 27 x 17 3/4 x 25 1/4 in. (68.6 x 45.1 x 64.1 cm), Sculpture-Architectural, Alert and looking toward each other, both lions jealously, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown (Italian), Stylobate Lion, between late 12th and early 13th century, Verona marble, Overall: 26 1/2 × 20 × 44 3/4 inches (67.3 × 50.8 × 113.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-italian-stylobate-lion-between-late-12th-and-early-13th-century-verona-marble-overall-26-12-20-44-34-inches-673-508-1137-cm-image328725133.htmlRM2A2PM79–Unknown (Italian), Stylobate Lion, between late 12th and early 13th century, Verona marble, Overall: 26 1/2 × 20 × 44 3/4 inches (67.3 × 50.8 × 113.7 cm
Stylobate, vintage engraved illustration. Dictionary of words and things - Larive and Fleury - 1895. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stylobate-vintage-engraved-illustration-dictionary-of-words-and-things-84420877.htmlRFEW9KK9–Stylobate, vintage engraved illustration. Dictionary of words and things - Larive and Fleury - 1895.
The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens, John Fulleylove, 1845–1908, British, undated, Watercolor over graphite with scraping out on thick, slighlty textured, cream wove paper, Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm), architectural subject, mountains, ruins, Athens, Europe, Greece, Parthenon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-propylaea-from-the-northern-edge-of-the-stylobate-of-the-parthenon-athens-john-fulleylove-18451908-british-undated-watercolor-over-graphite-with-scraping-out-on-thick-slighlty-textured-cream-wove-paper-sheet-5-38-7-38-inches-137-187-cm-architectural-subject-mountains-ruins-athens-europe-greece-parthenon-image389880383.htmlRM2DJ8GBB–The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens, John Fulleylove, 1845–1908, British, undated, Watercolor over graphite with scraping out on thick, slighlty textured, cream wove paper, Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm), architectural subject, mountains, ruins, Athens, Europe, Greece, Parthenon
Curvature of the stylobate of the Parthenon on the Acropolis Hill. Selective focus on the platform of the monument. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-curvature-of-the-stylobate-of-the-parthenon-on-the-acropolis-hill-148052384.htmlRMJGTA94–Curvature of the stylobate of the Parthenon on the Acropolis Hill. Selective focus on the platform of the monument.
Vienna I, Hofburg, inner courtyard, Emperor Franz monument, cross section through the stylobate, Pompeo Marchesi (Saltrio near Varese 1789 - 1858 Milan), 1841, plan, graphite; pen in red; gray wash, sheet: 27.2 x 43.8 cm, 'VIII'; 'stilobate'; 'III'; survey lines Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vienna-i-hofburg-inner-courtyard-emperor-franz-monument-cross-section-through-the-stylobate-pompeo-marchesi-saltrio-near-varese-1789-1858-milan-1841-plan-graphite-pen-in-red-gray-wash-sheet-272-x-438-cm-viii-stilobate-iii-survey-lines-image573334114.htmlRM2T8NHEA–Vienna I, Hofburg, inner courtyard, Emperor Franz monument, cross section through the stylobate, Pompeo Marchesi (Saltrio near Varese 1789 - 1858 Milan), 1841, plan, graphite; pen in red; gray wash, sheet: 27.2 x 43.8 cm, 'VIII'; 'stilobate'; 'III'; survey lines
Stylobate Lioness. Culture: North Italian. Dimensions: Overall: 27 x 17 3/4 x 25 1/4 in. (68.6 x 45.1 x 64.1 cm). Date: early 13th century. Alert and looking toward each other, both lions jealously protect their prey--a lamb in one case and a calf in the other--beneath massive paws. The pair originally supported columns that would have been attached to their backs and probably flanked a small doorway of a church. By the mid-eighteenth century, they were placed at the door of a chapel near the village of Quattro Castella, near Reggio Emilia. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stylobate-lioness-culture-north-italian-dimensions-overall-27-x-17-34-x-25-14-in-686-x-451-x-641-cm-date-early-13th-century-alert-and-looking-toward-each-other-both-lions-jealously-protect-their-prey-a-lamb-in-one-case-and-a-calf-in-the-other-beneath-massive-paws-the-pair-originally-supported-columns-that-would-have-been-attached-to-their-backs-and-probably-flanked-a-small-doorway-of-a-church-by-the-mid-eighteenth-century-they-were-placed-at-the-door-of-a-chapel-near-the-village-of-quattro-castella-near-reggio-emilia-museum-metropolitan-museum-of-art-new-york-usa-image212935603.htmlRMPAC1EY–Stylobate Lioness. Culture: North Italian. Dimensions: Overall: 27 x 17 3/4 x 25 1/4 in. (68.6 x 45.1 x 64.1 cm). Date: early 13th century. Alert and looking toward each other, both lions jealously protect their prey--a lamb in one case and a calf in the other--beneath massive paws. The pair originally supported columns that would have been attached to their backs and probably flanked a small doorway of a church. By the mid-eighteenth century, they were placed at the door of a chapel near the village of Quattro Castella, near Reggio Emilia. Museum: Metropolitan Museum of Art, New York, USA.
Temple of Neptune at Paestum in Italy: detail of the Doric columns. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-neptune-at-paestum-in-italy-detail-of-the-doric-columns-image626725637.htmlRF2YBHPXD–Temple of Neptune at Paestum in Italy: detail of the Doric columns.
Orange plastic cones in big empty underground parking in stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orange-plastic-cones-in-big-empty-underground-parking-in-stylobate-image604408686.htmlRF2X395CE–Orange plastic cones in big empty underground parking in stylobate
Krasnodar, Russia-June 12, 2020: Parking and a Playground above it in the courtyard of a multi-storey building on Yevgenia Zhigulenko street. Russian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/krasnodar-russia-june-12-2020-parking-and-a-playground-above-it-in-the-courtyard-of-a-multi-storey-building-on-yevgenia-zhigulenko-street-russian-image371079253.htmlRF2CFM3AD–Krasnodar, Russia-June 12, 2020: Parking and a Playground above it in the courtyard of a multi-storey building on Yevgenia Zhigulenko street. Russian
Parking, yard on stylobate in residential complex at summer evening, top view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parking-yard-on-stylobate-in-residential-complex-at-summer-evening-top-view-image604408722.htmlRF2X395DP–Parking, yard on stylobate in residential complex at summer evening, top view
Stylobate of dome, full size Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stylobate-of-dome-full-size-image329353020.htmlRM2A3R93T–Stylobate of dome, full size
Antique 19th-century engraving of stylobate from Heiligenkreuz Abbey. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-19th-century-engraving-of-stylobate-from-heiligenkreuz-abbey-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-ikonographis-image414285543.htmlRF2F209C7–Antique 19th-century engraving of stylobate from Heiligenkreuz Abbey. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Ikonographis
Details of stylobate of dome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/details-of-stylobate-of-dome-image263865317.htmlRMW982W9–Details of stylobate of dome
Stylobate of dome, full size LCCN2002718049 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stylobate-of-dome-full-size-lccn2002718049-176818548.htmlRMM7JNT4–Stylobate of dome, full size LCCN2002718049
![The Great Central Railway Station at Newcastle-Upon-Tyne, 1850. '...on the 30th of July last, his fellow-townsmen and friends entertained [British engineer Robert Stephenson] at a banquet, to which upwards of 400 persons sat down, in the new Great Central Railway Station...[at Neville-street]'. The exterior '...is unusually picturesque. Its lofty open arches, its coupled bold Roman-Doric columns and stylobate, and its cleverly panelled attic (where it is proposed to place colossal statues) are very effective features of this grand architectural composition by Mr. Dobson...'. The station opened Stock Photo](https://c8.alamy.com/comp/2HT65W2/the-great-central-railway-station-at-newcastle-upon-tyne-1850-on-the-30th-of-july-last-his-fellow-townsmen-and-friends-entertained-british-engineer-robert-stephenson-at-a-banquet-to-which-upwards-of-400-persons-sat-down-in-the-new-great-central-railway-station-at-neville-street-the-exterior-is-unusually-picturesque-its-lofty-open-arches-its-coupled-bold-roman-doric-columns-and-stylobate-and-its-cleverly-panelled-attic-where-it-is-proposed-to-place-colossal-statues-are-very-effective-features-of-this-grand-architectural-composition-by-mr-dobson-the-station-opened-2HT65W2.jpg "The Great Central Railway Station at Newcastle-Upon-Tyne, 1850. '...on the 30th of July last, his fellow-townsmen and friends entertained [British engineer Robert Stephenson] at a banquet, to which upwards of 400 persons sat down, in the new Great Central Railway Station...[at Neville-street]'. The exterior '...is unusually picturesque. Its lofty open arches, its coupled bold Roman-Doric columns and stylobate, and its cleverly panelled attic (where it is proposed to place colossal statues) are very effective features of this grand architectural composition by Mr. Dobson...'. The station opened Stock Photo")
The Great Central Railway Station at Newcastle-Upon-Tyne, 1850. '...on the 30th of July last, his fellow-townsmen and friends entertained [British engineer Robert Stephenson] at a banquet, to which upwards of 400 persons sat down, in the new Great Central Railway Station...[at Neville-street]'. The exterior '...is unusually picturesque. Its lofty open arches, its coupled bold Roman-Doric columns and stylobate, and its cleverly panelled attic (where it is proposed to place colossal statues) are very effective features of this grand architectural composition by Mr. Dobson...'. The station opened Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-great-central-railway-station-at-newcastle-upon-tyne-1850-on-the-30th-of-july-last-his-fellow-townsmen-and-friends-entertained-british-engineer-robert-stephenson-at-a-banquet-to-which-upwards-of-400-persons-sat-down-in-the-new-great-central-railway-station-at-neville-street-the-exterior-is-unusually-picturesque-its-lofty-open-arches-its-coupled-bold-roman-doric-columns-and-stylobate-and-its-cleverly-panelled-attic-where-it-is-proposed-to-place-colossal-statues-are-very-effective-features-of-this-grand-architectural-composition-by-mr-dobson-the-station-opened-image462357646.htmlRM2HT65W2–The Great Central Railway Station at Newcastle-Upon-Tyne, 1850. '...on the 30th of July last, his fellow-townsmen and friends entertained [British engineer Robert Stephenson] at a banquet, to which upwards of 400 persons sat down, in the new Great Central Railway Station...[at Neville-street]'. The exterior '...is unusually picturesque. Its lofty open arches, its coupled bold Roman-Doric columns and stylobate, and its cleverly panelled attic (where it is proposed to place colossal statues) are very effective features of this grand architectural composition by Mr. Dobson...'. The station opened
Ionic order column chapiter against blue sky Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ionic-order-column-chapiter-against-blue-sky-147644906.htmlRFJG5PGA–Ionic order column chapiter against blue sky
The Forbidden City in Beijing white marble stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-forbidden-city-in-beijing-white-marble-stylobate-image516434423.htmlRF2N05HAF–The Forbidden City in Beijing white marble stylobate
John Fulleylove, 1845–1908, British, The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens, undated. Watercolor over graphite with scraping out on thick, slighlty textured, cream wove paper. architectural subject , mountains , ruins. Athens , Europe , Greece , Parthenon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-fulleylove-18451908-british-the-propylaea-from-the-northern-edge-of-the-stylobate-of-the-parthenon-athens-undated-watercolor-over-graphite-with-scraping-out-on-thick-slighlty-textured-cream-wove-paper-architectural-subject-mountains-ruins-athens-europe-greece-parthenon-image398459662.htmlRM2E47BA6–John Fulleylove, 1845–1908, British, The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens, undated. Watercolor over graphite with scraping out on thick, slighlty textured, cream wove paper. architectural subject , mountains , ruins. Athens , Europe , Greece , Parthenon
Beijing China, January 23, 2023: stylobate of The Tower of Buddhist Incense in Summer Palace. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beijing-china-january-23-2023-stylobate-of-the-tower-of-buddhist-incense-in-summer-palace-image567010686.htmlRF2RXDFWJ–Beijing China, January 23, 2023: stylobate of The Tower of Buddhist Incense in Summer Palace.
France, Gard, Nimes, Jardins de la Fontaine, Central platform or stylobate topped with a sculpture of Raché representing the source nymph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-france-gard-nimes-jardins-de-la-fontaine-central-platform-or-stylobate-79400690.htmlRFEH50AX–France, Gard, Nimes, Jardins de la Fontaine, Central platform or stylobate topped with a sculpture of Raché representing the source nymph
Stylobate, vintage engraved illustration. Dictionary of words and things - Larive and Fleury - 1895. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stylobate-vintage-engraved-illustration-dictionary-of-words-and-things-84411146.htmlRFEW977P–Stylobate, vintage engraved illustration. Dictionary of words and things - Larive and Fleury - 1895.
People rest on the stylobate of the Walhalla Memorial near Regensburg in Bavaria, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-people-rest-on-the-stylobate-of-the-walhalla-memorial-near-regensburg-171140471.htmlRMKXC3BK–People rest on the stylobate of the Walhalla Memorial near Regensburg in Bavaria, Germany.
Side view of the Poseidon temple at Cape Sounion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-side-view-of-the-poseidon-temple-at-cape-sounion-148052409.htmlRMJGTAA1–Side view of the Poseidon temple at Cape Sounion
Doric Order, fluted, gutted, motels, pediment, selinus, stylobate, temple, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doric-order-fluted-gutted-motels-pediment-selinus-stylobate-temple-vintage-line-drawing-or-engraving-illustration-image348605023.htmlRF2B7497B–Doric Order, fluted, gutted, motels, pediment, selinus, stylobate, temple, vintage line drawing or engraving illustration.
'Plan of the Stock Exchange Building with Stylobate and Footsteps'. 1819. Dimensions: 27,2x22,7 xx. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plan-of-the-stock-exchange-building-with-stylobate-and-footsteps-1819-dimensions-272x227-xx-museum-state-hermitage-st-petersburg-author-jean-franois-thomas-de-thomon-image241129867.htmlRMT08BGY–'Plan of the Stock Exchange Building with Stylobate and Footsteps'. 1819. Dimensions: 27,2x22,7 xx. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon.
Moscow, Russia - December 27, 2022: Monument to Fyodor Dostoyevsky, great Russian writer and Stylobate of the Russian State Library with the stairs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moscow-russia-december-27-2022-monument-to-fyodor-dostoyevsky-great-russian-writer-and-stylobate-of-the-russian-state-library-with-the-stairs-image502720419.htmlRF2M5TW0K–Moscow, Russia - December 27, 2022: Monument to Fyodor Dostoyevsky, great Russian writer and Stylobate of the Russian State Library with the stairs
Skyscraper complex Federation Business district Moscow-City, Moscow, Russia. Two towers, East and West, of different heights, erected on one stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skyscraper-complex-federation-business-district-moscow-city-moscow-russia-two-towers-east-and-west-of-different-heights-erected-on-one-stylobate-image615699897.htmlRF2XNKFE1–Skyscraper complex Federation Business district Moscow-City, Moscow, Russia. Two towers, East and West, of different heights, erected on one stylobate
COLUMNS OF THE TEMPLE OF NEPTURE AT PAESTUM, by Constantin Hansen, 1838, Danish oil painting. Hansen painted the 6th century BCE Greek complex at Paestum, Italy. This view is from the interior of the Temple of Neptune, with its fluted Doric columns framing the distant Temple of Athena (BSLOC 2017 9 144) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-columns-of-the-temple-of-nepture-at-paestum-by-constantin-hansen-1838-170559369.htmlRMKWDJ61–COLUMNS OF THE TEMPLE OF NEPTURE AT PAESTUM, by Constantin Hansen, 1838, Danish oil painting. Hansen painted the 6th century BCE Greek complex at Paestum, Italy. This view is from the interior of the Temple of Neptune, with its fluted Doric columns framing the distant Temple of Athena (BSLOC 2017 9 144)
Parking, common area on stylobate in residential complex at summer evening, top view Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parking-common-area-on-stylobate-in-residential-complex-at-summer-evening-top-view-image604408719.htmlRF2X395DK–Parking, common area on stylobate in residential complex at summer evening, top view
Schematic elevation of the Doric order. Key: A = crepidoma or stylobate; B = column; C = architrave; D = taenia; E =frieze; F = horizontal cornice; G = raking cornice; H = tympanum of pediment; K = metope. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schematic-elevation-of-the-doric-order-key-a-=-crepidoma-or-stylobate-b-=-column-c-=-architrave-d-=-taenia-e-=frieze-f-=-horizontal-cornice-g-=-raking-cornice-h-=-tympanum-of-pediment-k-=-metope-image259921851.htmlRMW2TCY7–Schematic elevation of the Doric order. Key: A = crepidoma or stylobate; B = column; C = architrave; D = taenia; E =frieze; F = horizontal cornice; G = raking cornice; H = tympanum of pediment; K = metope.
the building with white columns and a wall of red portico with a stone staircase of stylobate with steps and a podement with a pillar with street lant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-building-with-white-columns-and-a-wall-of-red-portico-with-a-stone-staircase-of-stylobate-with-steps-and-a-podement-with-a-pillar-with-street-lant-image367651805.htmlRF2CA3YHH–the building with white columns and a wall of red portico with a stone staircase of stylobate with steps and a podement with a pillar with street lant
Stylobate of dome, full size Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stylobate-of-dome-full-size-image458661510.htmlRM2HJ5RC6–Stylobate of dome, full size
the building with columns and a wall of red portico with a stone staircase of stylobate with steps and a podement with a pillar with street lantern wi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-building-with-columns-and-a-wall-of-red-portico-with-a-stone-staircase-of-stylobate-with-steps-and-a-podement-with-a-pillar-with-street-lantern-wi-image367651792.htmlRF2CA3YH4–the building with columns and a wall of red portico with a stone staircase of stylobate with steps and a podement with a pillar with street lantern wi
Woodcut from Fra Giocondo’s 1511 ‘Tacuino’ edition of 'De Architectura’ by Vitruvius. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woodcut-from-fra-giocondos-1511-tacuino-edition-of-de-architectura-76202249.htmlRMEBY8MW–Woodcut from Fra Giocondo’s 1511 ‘Tacuino’ edition of 'De Architectura’ by Vitruvius. See description for more information.
Old jewish quarter. Girona. Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-jewish-quarter-girona-spain-image413875954.htmlRM2F19K02–Old jewish quarter. Girona. Spain
The stylobate god beast of white marble stone of Beijing the imperial palace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-stylobate-god-beast-of-white-marble-stone-of-beijing-the-imperial-palace-image516435156.htmlRF2N05J8M–The stylobate god beast of white marble stone of Beijing the imperial palace
Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laying-and-installation-of-roofing-bituminous-waterproofing-of-an-apartment-building-rolled-roofing-waterproofing-of-concrete-slabs-of-stylobate-he-image485607331.htmlRF2K6192Y–Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He
Beijing China, January 23, 2023: stylobate of The Tower of Buddhist Incense in Summer Palace. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beijing-china-january-23-2023-stylobate-of-the-tower-of-buddhist-incense-in-summer-palace-image567010711.htmlRF2RXDFXF–Beijing China, January 23, 2023: stylobate of The Tower of Buddhist Incense in Summer Palace.
Parthenon. Acropolis. Athens. Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-parthenon-acropolis-athens-greece-27237495.htmlRMBG8NKK–Parthenon. Acropolis. Athens. Greece.
The beautiful necessity; seven essays on theosophy and architecture . VI THE ARITHMETIC OF BEAUTY 8i una. ? finds an architectural ex-pression in the Tuscan, theDoric, and the Ionic ordersaccording to Vignole, forin them all the stylobate isfour parts, the entablature3, and the intermediatecolumn 12 (Illustration74). The affinity between4 and 7, revealed in thefact that they express theratio between the base andthe altitude of the right-angled triangle which formshalf of an equilateral, andthe musical intervals of thediminished seventh (Illustration 75) is architecturally suggested in thePalaz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beautiful-necessity-seven-essays-on-theosophy-and-architecture-vi-the-arithmetic-of-beauty-8i-una-finds-an-architectural-ex-pression-in-the-tuscan-thedoric-and-the-ionic-ordersaccording-to-vignole-forin-them-all-the-stylobate-isfour-parts-the-entablature3-and-the-intermediatecolumn-12-illustration74-the-affinity-between4-and-7-revealed-in-thefact-that-they-express-theratio-between-the-base-andthe-altitude-of-the-right-angled-triangle-which-formshalf-of-an-equilateral-andthe-musical-intervals-of-thediminished-seventh-illustration-75-is-architecturally-suggested-in-thepalaz-image340206642.htmlRM2ANDN16–The beautiful necessity; seven essays on theosophy and architecture . VI THE ARITHMETIC OF BEAUTY 8i una. ? finds an architectural ex-pression in the Tuscan, theDoric, and the Ionic ordersaccording to Vignole, forin them all the stylobate isfour parts, the entablature3, and the intermediatecolumn 12 (Illustration74). The affinity between4 and 7, revealed in thefact that they express theratio between the base andthe altitude of the right-angled triangle which formshalf of an equilateral, andthe musical intervals of thediminished seventh (Illustration 75) is architecturally suggested in thePalaz
People enjoy the view to the Danube River sitting on the stylobate of the Walhalla Memorial near Regensburg in Bavaria, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-people-enjoy-the-view-to-the-danube-river-sitting-on-the-stylobate-171140483.htmlRMKXC3C3–People enjoy the view to the Danube River sitting on the stylobate of the Walhalla Memorial near Regensburg in Bavaria, Germany.
The Poseidon temple with sea fog over Cape Sounion Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-poseidon-temple-with-sea-fog-over-cape-sounion-148052415.htmlRMJGTAA7–The Poseidon temple with sea fog over Cape Sounion
Doric Order, Themoe of Diocletian, later Roman architecture, dropping straight into the stylobate, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doric-order-themoe-of-diocletian-later-roman-architecture-dropping-straight-into-the-stylobate-vintage-line-drawing-or-engraving-illustration-image348629003.htmlRF2B75BRR–Doric Order, Themoe of Diocletian, later Roman architecture, dropping straight into the stylobate, vintage line drawing or engraving illustration.
'Plan of the Stock Exchange Building with Stylobate and Footsteps'. 1806. Dimensions: 18,5x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plan-of-the-stock-exchange-building-with-stylobate-and-footsteps-1806-dimensions-185x245-cm-museum-state-hermitage-st-petersburg-author-jean-franois-thomas-de-thomon-image241155901.htmlRMT09GPN–'Plan of the Stock Exchange Building with Stylobate and Footsteps'. 1806. Dimensions: 18,5x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon.
Greek capital, Ionic, the use of volutes, columns normally stand on a base, the stylobate or platform, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/greek-capital-ionic-the-use-of-volutes-columns-normally-stand-on-a-base-the-stylobate-or-platform-vintage-line-drawing-or-engraving-illustration-image348650626.htmlRF2B76BC2–Greek capital, Ionic, the use of volutes, columns normally stand on a base, the stylobate or platform, vintage line drawing or engraving illustration.
The remains of the Temple of Dionysos at Eretria, Greece, viewed from the west. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-remains-of-the-temple-of-dionysos-at-eretria-greece-viewed-from-25325772.htmlRMBD5K7T–The remains of the Temple of Dionysos at Eretria, Greece, viewed from the west.
Palazzo Te, Mantua, italy. Architectural detail of a facade on the internal courtyard of a luxurious Italian Renaissance stately residence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-te-mantua-italy-architectural-detail-of-a-facade-on-the-internal-courtyard-of-a-luxurious-italian-renaissance-stately-residence-image352647701.htmlRF2BDMDMN–Palazzo Te, Mantua, italy. Architectural detail of a facade on the internal courtyard of a luxurious Italian Renaissance stately residence.
Temple of Hera at Paestum in Italy: view across the cella. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-hera-at-paestum-in-italy-view-across-the-cella-image627577770.htmlRF2YD0HRP–Temple of Hera at Paestum in Italy: view across the cella.
A side view of Forbidden City Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-side-view-of-forbidden-city-image6097290.htmlRFA34RMB–A side view of Forbidden City
Antique 19th-century engraving of architectural element from Heiligenkreuz Abbey. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-19th-century-engraving-of-architectural-element-from-heiligenkreuz-abbey-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-image414279105.htmlRF2F20169–Antique 19th-century engraving of architectural element from Heiligenkreuz Abbey. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon,
Temple of Rome and Augustus in Pula, Croatia- 1 Longitudinal elevation 2 Crypidoma, stylobate and base of the column 3 E - Le Roy Julien David - 1770 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-rome-and-augustus-in-pula-croatia-1-longitudinal-elevation-2-crypidoma-stylobate-and-base-of-the-column-3-e-le-roy-julien-david-1770-image477842862.htmlRM2JNBHCE–Temple of Rome and Augustus in Pula, Croatia- 1 Longitudinal elevation 2 Crypidoma, stylobate and base of the column 3 E - Le Roy Julien David - 1770
the building with columns and a wall of red portico with a stone stylobate and a podement with a pillar with street lantern with a hanging pot for flo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-building-with-columns-and-a-wall-of-red-portico-with-a-stone-stylobate-and-a-podement-with-a-pillar-with-street-lantern-with-a-hanging-pot-for-flo-image367651793.htmlRF2CA3YH5–the building with columns and a wall of red portico with a stone stylobate and a podement with a pillar with street lantern with a hanging pot for flo
COLUMNS OF THE TEMPLE OF NEPTURE AT PAESTUM, by Constantin Hansen, 1838, Danish oil painting. Hansen painted the 6th century BCE Greek complex at Paestum, Italy. This view is from the interior of the Temple of Neptune, with its fluted Doric columns framing the distant Temple of Athena (BSLOC 2017 9 144) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-columns-of-the-temple-of-nepture-at-paestum-by-constantin-hansen-1838-170560670.htmlRMKWDKTE–COLUMNS OF THE TEMPLE OF NEPTURE AT PAESTUM, by Constantin Hansen, 1838, Danish oil painting. Hansen painted the 6th century BCE Greek complex at Paestum, Italy. This view is from the interior of the Temple of Neptune, with its fluted Doric columns framing the distant Temple of Athena (BSLOC 2017 9 144)
The so-called Ménilmontant granting barrier '. Wood, cork, glass, natural iron. 1784-1860. Paris, Carnavalet museum. 71738-15 Current XXth XXth XX 20th 20th 20th arrondissement, arcade, barriere of granting, barriere of general farmers, column twin, facade, natural iron, grate, customs guy, tax, bond, model, menilmontant, pavilion, rectangular plan, pen , Glass, 19th 19th XIX 19th 19th 19th 19th century, 18th 18th 18th 18th 18th 18th 18th century, wood, miniature Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-so-called-mnilmontant-granting-barrier-wood-cork-glass-natural-iron-1784-1860-paris-carnavalet-museum-71738-15-current-xxth-xxth-xx-20th-20th-20th-arrondissement-arcade-barriere-of-granting-barriere-of-general-farmers-column-twin-facade-natural-iron-grate-customs-guy-tax-bond-model-menilmontant-pavilion-rectangular-plan-pen-glass-19th-19th-xix-19th-19th-19th-19th-century-18th-18th-18th-18th-18th-18th-18th-century-wood-miniature-image596758365.htmlRM2WJTKAN–The so-called Ménilmontant granting barrier '. Wood, cork, glass, natural iron. 1784-1860. Paris, Carnavalet museum. 71738-15 Current XXth XXth XX 20th 20th 20th arrondissement, arcade, barriere of granting, barriere of general farmers, column twin, facade, natural iron, grate, customs guy, tax, bond, model, menilmontant, pavilion, rectangular plan, pen , Glass, 19th 19th XIX 19th 19th 19th 19th century, 18th 18th 18th 18th 18th 18th 18th century, wood, miniature
The hall of supreme harmony of Beijing the imperial palace white marble stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hall-of-supreme-harmony-of-beijing-the-imperial-palace-white-marble-stylobate-image516435138.htmlRF2N05J82–The hall of supreme harmony of Beijing the imperial palace white marble stylobate
Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laying-and-installation-of-roofing-bituminous-waterproofing-of-an-apartment-building-rolled-roofing-waterproofing-of-concrete-slabs-of-stylobate-he-image485607323.htmlRF2K6192K–Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He
Beijing China, January 23, 2023: stylobate of The Tower of Buddhist Incense in Summer Palace. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beijing-china-january-23-2023-stylobate-of-the-tower-of-buddhist-incense-in-summer-palace-image567010674.htmlRF2RXDFW6–Beijing China, January 23, 2023: stylobate of The Tower of Buddhist Incense in Summer Palace.
Parthenon. Acropolis. Athens. Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-parthenon-acropolis-athens-greece-27237517.htmlRMBG8NMD–Parthenon. Acropolis. Athens. Greece.
Cyclopedia of architecture, carpentry, and building : a general reference work . e placed. In the Doric Order they generally have a plainprojecting plinth base, with no mouldings, although sometimes theshaft descends directly to the stylobate or platform, as in the columnof the same Order. Ionic Pilasters. With the Ionic column the Greeks employed 158 STUDY OF THE ORDERS 163 many different types of pilaster capitals, some being very elaboratein their form and ornamentation. The Ionic antse, the same as theDoric antse, have for their bases the lines of the base of the walls; andfor the crowning Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cyclopedia-of-architecture-carpentry-and-building-a-general-reference-work-e-placed-in-the-doric-order-they-generally-have-a-plainprojecting-plinth-base-with-no-mouldings-although-sometimes-theshaft-descends-directly-to-the-stylobate-or-platform-as-in-the-columnof-the-same-order-ionic-pilasters-with-the-ionic-column-the-greeks-employed-158-study-of-the-orders-163-many-different-types-of-pilaster-capitals-some-being-very-elaboratein-their-form-and-ornamentation-the-ionic-antse-the-same-as-thedoric-antse-have-for-their-bases-the-lines-of-the-base-of-the-walls-andfor-the-crowning-image339888175.htmlRM2AMY6RB–Cyclopedia of architecture, carpentry, and building : a general reference work . e placed. In the Doric Order they generally have a plainprojecting plinth base, with no mouldings, although sometimes theshaft descends directly to the stylobate or platform, as in the columnof the same Order. Ionic Pilasters. With the Ionic column the Greeks employed 158 STUDY OF THE ORDERS 163 many different types of pilaster capitals, some being very elaboratein their form and ornamentation. The Ionic antse, the same as theDoric antse, have for their bases the lines of the base of the walls; andfor the crowning
Italy, Tivoli, Hadrian's Villa - Temple of Venus Doric Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-tivoli-hadrians-villa-temple-of-venus-doric-26498624.htmlRMBF337C–Italy, Tivoli, Hadrian's Villa - Temple of Venus Doric
Rome Fori Imperiali Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-rome-fori-imperiali-169248051.htmlRFKR9WH7–Rome Fori Imperiali
Temple of Poseidon, Sounio, Cape Sounion, southern Attica, Greece, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-poseidon-sounio-cape-sounion-southern-attica-greece-europe-12283588.htmlRMA988YH–Temple of Poseidon, Sounio, Cape Sounion, southern Attica, Greece, Europe
'Transverse Section of the Stock Exchange Building from Stylobate to the Garret Floor'. 1819. Dimensions: 27,2x22,7 xx. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/transverse-section-of-the-stock-exchange-building-from-stylobate-to-the-garret-floor-1819-dimensions-272x227-xx-museum-state-hermitage-st-petersburg-author-jean-franois-thomas-de-thomon-image241123271.htmlRMT0835B–'Transverse Section of the Stock Exchange Building from Stylobate to the Garret Floor'. 1819. Dimensions: 27,2x22,7 xx. Museum: State Hermitage, St. Petersburg. Author: Jean-François Thomas de Thomon.
reflections of the columns on the pond surface pillar street of ancient patara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reflections-of-the-columns-on-the-pond-surface-pillar-street-of-ancient-134604521.htmlRFHPYNC9–reflections of the columns on the pond surface pillar street of ancient patara
Famed Italian Architect Renzo Piano converted the ruins of the 1886 Royal Opera House (destroyed in WWII and never rebuilt) into an open-air theater. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-famed-italian-architect-renzo-piano-converted-the-ruins-of-the-1886-139688891.htmlRMJ37AGY–Famed Italian Architect Renzo Piano converted the ruins of the 1886 Royal Opera House (destroyed in WWII and never rebuilt) into an open-air theater.
Palazzo Te, Mantua, italy. Architectural detail of a facade on the internal courtyard of a luxurious Italian Renaissance stately residence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palazzo-te-mantua-italy-architectural-detail-of-a-facade-on-the-internal-courtyard-of-a-luxurious-italian-renaissance-stately-residence-image352647026.htmlRF2BDMCTJ–Palazzo Te, Mantua, italy. Architectural detail of a facade on the internal courtyard of a luxurious Italian Renaissance stately residence.
Temple of Neptune at Paestum in Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-neptune-at-paestum-in-italy-image628736163.htmlRF2YEWBAY–Temple of Neptune at Paestum in Italy.
A view of the Temple of Heaven in day time Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-temple-of-heaven-in-day-time-image6097289.htmlRFA34RMA–A view of the Temple of Heaven in day time
Antique 19th-century illustration of architectural elements from Maulbronn Abbey. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-19th-century-illustration-of-architectural-elements-from-maulbronn-abbey-published-in-systematischer-bilder-atlas-zum-conversations-lexikon-image414279110.htmlRF2F2016E–Antique 19th-century illustration of architectural elements from Maulbronn Abbey. Published in Systematischer Bilder-Atlas zum Conversations-Lexikon,
Monument to the Red Army liberated the Stavropol during the Civil War, 1917-1923 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-monument-to-the-red-army-liberated-the-stavropol-during-the-civil-124271804.htmlRFH651XM–Monument to the Red Army liberated the Stavropol during the Civil War, 1917-1923
Parthenon replica Nashville Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parthenon-replica-nashville-image243411192.htmlRFT409CT–Parthenon replica Nashville
Vistiors leaving the British Museum in London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vistiors-leaving-the-british-museum-in-london-image213032130.htmlRFPAGCJA–Vistiors leaving the British Museum in London
Doric columns of the Archaic Temple to Apollo in Corinth, Peloponnese, Greece against a blue sky Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doric-columns-of-the-archaic-temple-to-apollo-in-corinth-peloponnese-greece-against-a-blue-sky-image356420590.htmlRM2BKTA2P–Doric columns of the Archaic Temple to Apollo in Corinth, Peloponnese, Greece against a blue sky
The hall of supreme harmony of Beijing the imperial palace white marble stylobate Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hall-of-supreme-harmony-of-beijing-the-imperial-palace-white-marble-stylobate-image516435139.htmlRF2N05J83–The hall of supreme harmony of Beijing the imperial palace white marble stylobate
Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laying-and-installation-of-roofing-bituminous-waterproofing-of-an-apartment-building-rolled-roofing-waterproofing-of-concrete-slabs-of-stylobate-he-image485607312.htmlRF2K61928–Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He
Exhibition of Achievements of the National Economy, entrance to the Rabbit Breeding Pavilion, Soviet era, 1954, landmark: Moscow, Russia - May 07, 202 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exhibition-of-achievements-of-the-national-economy-entrance-to-the-rabbit-breeding-pavilion-soviet-era-1954-landmark-moscow-russia-may-07-202-image428858682.htmlRM2FWM5HE–Exhibition of Achievements of the National Economy, entrance to the Rabbit Breeding Pavilion, Soviet era, 1954, landmark: Moscow, Russia - May 07, 202
Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/laying-and-installation-of-roofing-bituminous-waterproofing-of-an-apartment-building-rolled-roofing-waterproofing-of-concrete-slabs-of-stylobate-he-image484863572.htmlRF2K4RCC4–Laying and installation of roofing, bituminous waterproofing of an apartment building. Rolled roofing waterproofing of concrete slabs of stylobate. He
The churches of London: a history and description of the ecclesiastical edifices of the metropolis . The old church having been destroyed by the fire of1666, the edifice represented above, was erected bySir Christopher Wren. The tower, standing at the southside of the west end, is of brick, and has a small leaded 4 ST. PETERS, CORNHILL. cupola and spire, surmounted by an enormous key by wayof vane. The east end of the church, which is in Grace-church Street, presents a series of five arched windowsbetween Ionic pilasters, on a high stylobate. The pilasterssupport an entablature ; above this is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-churches-of-london-a-history-and-description-of-the-ecclesiastical-edifices-of-the-metropolis-the-old-church-having-been-destroyed-by-the-fire-of1666-the-edifice-represented-above-was-erected-bysir-christopher-wren-the-tower-standing-at-the-southside-of-the-west-end-is-of-brick-and-has-a-small-leaded-4-st-peters-cornhill-cupola-and-spire-surmounted-by-an-enormous-key-by-wayof-vane-the-east-end-of-the-church-which-is-in-grace-church-street-presents-a-series-of-five-arched-windowsbetween-ionic-pilasters-on-a-high-stylobate-the-pilasterssupport-an-entablature-above-this-is-image339342651.htmlRM2AM2B0B–The churches of London: a history and description of the ecclesiastical edifices of the metropolis . The old church having been destroyed by the fire of1666, the edifice represented above, was erected bySir Christopher Wren. The tower, standing at the southside of the west end, is of brick, and has a small leaded 4 ST. PETERS, CORNHILL. cupola and spire, surmounted by an enormous key by wayof vane. The east end of the church, which is in Grace-church Street, presents a series of five arched windowsbetween Ionic pilasters, on a high stylobate. The pilasterssupport an entablature ; above this is
