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Suma japanese Stock Photos and Images
The Brine Maidens of Suma, from the series A Brocade of Eastern Manners (Fuzoku Azuma no nishiki), c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 38.3 x 25.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-brine-maidens-of-suma-from-the-series-a-brocade-of-eastern-manners-fuzoku-azuma-no-nishiki-c-178384-torii-kiyonaga-japanese-1752-1815-japan-color-woodblock-print-oban-383-x-255-cm-image328627937.htmlRM2A2J881–The Brine Maidens of Suma, from the series A Brocade of Eastern Manners (Fuzoku Azuma no nishiki), c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 38.3 x 25.5 cm
Three japanese maids at the Kasuga Hotel, Suma, Japan. 1900. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-japanese-maids-at-the-kasuga-hotel-suma-japan-1900-image268799117.htmlRMWH8T0D–Three japanese maids at the Kasuga Hotel, Suma, Japan. 1900.
Japanese Suma class cruiser Akashi at NYK (Nippon Yusen Kaisha Line) Docks, Wayside Wharf, Shanghai, China. Date: circa 1910s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-suma-class-cruiser-akashi-at-nyk-nippon-yusen-kaisha-line-docks-wayside-wharf-shanghai-china-date-circa-1910s-image183035629.htmlRMMHNYPN–Japanese Suma class cruiser Akashi at NYK (Nippon Yusen Kaisha Line) Docks, Wayside Wharf, Shanghai, China. Date: circa 1910s
![[ 1900s Japan - Small Japanese Fishing Boats ] — Fishing vessels at Maikonohama (舞子の浜) in Suma near Kobe, Hyogo Prefecture. Original text: The View of Hachibuse hill from Suma near Kobe. 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/2BN206N/1900s-japan-small-japanese-fishing-boats-fishing-vessels-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-original-text-the-view-of-hachibuse-hill-from-suma-near-kobe-20th-century-vintage-postcard-2BN206N.jpg "[ 1900s Japan - Small Japanese Fishing Boats ] — Fishing vessels at Maikonohama (舞子の浜) in Suma near Kobe, Hyogo Prefecture. Original text: The View of Hachibuse hill from Suma near Kobe. 20th century vintage postcard. Stock Photo")
[ 1900s Japan - Small Japanese Fishing Boats ] — Fishing vessels at Maikonohama (舞子の浜) in Suma near Kobe, Hyogo Prefecture. Original text: The View of Hachibuse hill from Suma near Kobe. 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1900s-japan-small-japanese-fishing-boats-fishing-vessels-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-original-text-the-view-of-hachibuse-hill-from-suma-near-kobe-20th-century-vintage-postcard-image357159229.htmlRM2BN206N–[ 1900s Japan - Small Japanese Fishing Boats ] — Fishing vessels at Maikonohama (舞子の浜) in Suma near Kobe, Hyogo Prefecture. Original text: The View of Hachibuse hill from Suma near Kobe. 20th century vintage postcard.
Suma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-suma-83178181.htmlRMER92H9–Suma
![[ 1890s Japan - Japanese Coast near Kobe ] — Suma, near Kobe.The former Saigoku Kaido Highway (旧西国街道, now National Route #2) and the Sanyo Railway Company’s (私設山陽鉄道) Hyogo-Himeji Line along the Suma Coast (須磨の海岸) nearby Kobe, Hyogo Prefecture. The railway line was opened in December 1888 (Meiji 21), so this image dates probably from the 1890s. 19th century vintage albumen photograph. Stock Photo](https://c8.alamy.com/comp/2BKPYCD/1890s-japan-japanese-coast-near-kobe-suma-near-kobethe-former-saigoku-kaido-highway-now-national-route-2-and-the-sanyo-railway-companys-hyogo-himeji-line-along-the-suma-coast-nearby-kobe-hyogo-prefecture-the-railway-line-was-opened-in-december-1888-meiji-21-so-this-image-dates-probably-from-the-1890s-19th-century-vintage-albumen-photograph-2BKPYCD.jpg "[ 1890s Japan - Japanese Coast near Kobe ] — Suma, near Kobe.The former Saigoku Kaido Highway (旧西国街道, now National Route #2) and the Sanyo Railway Company’s (私設山陽鉄道) Hyogo-Himeji Line along the Suma Coast (須磨の海岸) nearby Kobe, Hyogo Prefecture. The railway line was opened in December 1888 (Meiji 21), so this image dates probably from the 1890s. 19th century vintage albumen photograph. Stock Photo")
[ 1890s Japan - Japanese Coast near Kobe ] — Suma, near Kobe.The former Saigoku Kaido Highway (旧西国街道, now National Route #2) and the Sanyo Railway Company’s (私設山陽鉄道) Hyogo-Himeji Line along the Suma Coast (須磨の海岸) nearby Kobe, Hyogo Prefecture. The railway line was opened in December 1888 (Meiji 21), so this image dates probably from the 1890s. 19th century vintage albumen photograph. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1890s-japan-japanese-coast-near-kobe-suma-near-kobethe-former-saigoku-kaido-highway-now-national-route-2-and-the-sanyo-railway-companys-hyogo-himeji-line-along-the-suma-coast-nearby-kobe-hyogo-prefecture-the-railway-line-was-opened-in-december-1888-meiji-21-so-this-image-dates-probably-from-the-1890s-19th-century-vintage-albumen-photograph-image356390285.htmlRM2BKPYCD–[ 1890s Japan - Japanese Coast near Kobe ] — Suma, near Kobe.The former Saigoku Kaido Highway (旧西国街道, now National Route #2) and the Sanyo Railway Company’s (私設山陽鉄道) Hyogo-Himeji Line along the Suma Coast (須磨の海岸) nearby Kobe, Hyogo Prefecture. The railway line was opened in December 1888 (Meiji 21), so this image dates probably from the 1890s. 19th century vintage albumen photograph.
Suma Beach, near Kobe, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-near-kobe-japan-image66169115.htmlRMDRJ7AK–Suma Beach, near Kobe, Japan
Art inspired by The Brine Maidens of Suma (Shiokumi, Suma), Edo period (1615–1868), 1783, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/8 in. (38.7 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-brine-maidens-of-suma-shiokumi-suma-edo-period-16151868-1783-japan-polychrome-woodblock-print-ink-and-color-on-paper-15-14-x-10-18-in-387-x-257-cm-prints-torii-kiyonaga-japanese-17521815-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462912945.htmlRF2HW3E55–Art inspired by The Brine Maidens of Suma (Shiokumi, Suma), Edo period (1615–1868), 1783, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/8 in. (38.7 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cherry Blossom at Suma Rikyu Park, Kobe, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-cherry-blossom-at-suma-rikyu-park-kobe-japan-131025465.htmlRMHH4M8W–Cherry Blossom at Suma Rikyu Park, Kobe, Japan
Japanese railway overhead train information display sign for the Kobe line with, in Japanese, the local train to Suma arriving at 12:55on platform 1. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japanese-railway-overhead-train-information-display-sign-for-the-kobe-128956180.htmlRMHDPCWT–Japanese railway overhead train information display sign for the Kobe line with, in Japanese, the local train to Suma arriving at 12:55on platform 1.
Japan - Suma - Kobe - The Bund, beach and railway tracks Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-suma-kobe-the-bund-beach-and-railway-tracks-105392264.htmlRMG3D0WC–Japan - Suma - Kobe - The Bund, beach and railway tracks
Old Japanese postcard, black and white, circa 1910, of a Japanese junk being unloaded, moored just off the seashore at the beach at Suma, near Kobe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-japanese-postcard-black-and-white-circa-1910-of-a-japanese-junk-being-unloaded-moored-just-off-the-seashore-at-the-beach-at-suma-near-kobe-image438949550.htmlRM2GE3THJ–Old Japanese postcard, black and white, circa 1910, of a Japanese junk being unloaded, moored just off the seashore at the beach at Suma, near Kobe.
Suma beach near Kobe, Japan. Vintage 19th century photograph. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-near-kobe-japan-vintage-19th-century-photograph-image560791987.htmlRM2RGA7W7–Suma beach near Kobe, Japan. Vintage 19th century photograph.
Japanese people at Suma beach, Kobe, Hyogo Prefecture, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-people-at-suma-beach-kobe-hyogo-prefecture-japan-image214595880.htmlRMPD3K6G–Japanese people at Suma beach, Kobe, Hyogo Prefecture, Japan
Episode in the Life of Prince Genji during His Exile at Suma. Artist: Chobunsai Eishi (Japanese, 1756-1829). Culture: Japan. Dimensions: H. 14 3/4 in. (37.5 cm); W. 10 in. (25.4 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/episode-in-the-life-of-prince-genji-during-his-exile-at-suma-artist-chobunsai-eishi-japanese-1756-1829-culture-japan-dimensions-h-14-34-in-375-cm-w-10-in-254-cm-museum-metropolitan-museum-of-art-new-york-usa-image225389858.htmlRMR2KB1P–Episode in the Life of Prince Genji during His Exile at Suma. Artist: Chobunsai Eishi (Japanese, 1756-1829). Culture: Japan. Dimensions: H. 14 3/4 in. (37.5 cm); W. 10 in. (25.4 cm). Museum: Metropolitan Museum of Art, New York, USA.
The historical important and popular Suma-dera temple in Japan. The wooden pagoda sitting half hidden in trees in the springtime under a blue sky. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-historical-important-and-popular-suma-dera-temple-in-japan-the-wooden-pagoda-sitting-half-hidden-in-trees-in-the-springtime-under-a-blue-sky-image457200496.htmlRM2HFR7W4–The historical important and popular Suma-dera temple in Japan. The wooden pagoda sitting half hidden in trees in the springtime under a blue sky.
Japanese cruiser Suma Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japanese-cruiser-suma-140061661.htmlRMJ3TA25–Japanese cruiser Suma
Japanese cruiser Suma in 1897. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-cruiser-suma-in-1897-image367379426.htmlRM2C9KG5P–Japanese cruiser Suma in 1897.
. Yoshitsune with Benkei and other followers under the cherry-blossoms at Suma after the Battle of Ichi-no-tani . between circa 1848 and circa 1853. Utagawa Kuniyoshi (1798–1861) Alternative names Ichiyusai Description Japanese ukiyo-e artist, painter and printmaker Date of birth/death 1 January 1798 14 April 1861 Location of birth/death Nihonbashi Edo, today Tokyo Work location Edo, today Tokyo Authority control : Q317736 VIAF: 32791569 ISNI: 0000 0001 0885 8077 ULAN: 500063102 LCCN: n50048105 NLA: 35670659 WorldCat 1279 Yoshitsune with followers under the cherry-blossoms Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yoshitsune-with-benkei-and-other-followers-under-the-cherry-blossoms-at-suma-after-the-battle-of-ichi-no-tani-between-circa-1848-and-circa-1853-utagawa-kuniyoshi-17981861-alternative-names-ichiyusai-description-japanese-ukiyo-e-artist-painter-and-printmaker-date-of-birthdeath-1-january-1798-14-april-1861-location-of-birthdeath-nihonbashi-edo-today-tokyo-work-location-edo-today-tokyo-authority-control-q317736-viaf32791569-isni0000-0001-0885-8077-ulan500063102-lccnn50048105-nla35670659-worldcat-1279-yoshitsune-with-followers-under-the-cherry-blossoms-image185615852.htmlRMMNYEWG–. Yoshitsune with Benkei and other followers under the cherry-blossoms at Suma after the Battle of Ichi-no-tani . between circa 1848 and circa 1853. Utagawa Kuniyoshi (1798–1861) Alternative names Ichiyusai Description Japanese ukiyo-e artist, painter and printmaker Date of birth/death 1 January 1798 14 April 1861 Location of birth/death Nihonbashi Edo, today Tokyo Work location Edo, today Tokyo Authority control : Q317736 VIAF: 32791569 ISNI: 0000 0001 0885 8077 ULAN: 500063102 LCCN: n50048105 NLA: 35670659 WorldCat 1279 Yoshitsune with followers under the cherry-blossoms
Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji), c. 1789/94, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, left sheet of oban triptych (right sheet: 1925.3104), 15 1/2 x 10 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-from-the-series-a-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genji-c-178994-chobunsai-eishi-japanese-1756-1829-japan-color-woodblock-print-left-sheet-of-oban-triptych-right-sheet-19253104-15-12-x-10-14-in-image328628542.htmlRM2A2J91J–Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji), c. 1789/94, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, left sheet of oban triptych (right sheet: 1925.3104), 15 1/2 x 10 1/4 in
The Exile of Yukihira at Suma, Artist Kitagawa Utamaro (1754–1806), Date 1789 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-exile-of-yukihira-at-suma-artist-kitagawa-utamaro-17541806-date-1789-image543086426.htmlRM2PFFM7P–The Exile of Yukihira at Suma, Artist Kitagawa Utamaro (1754–1806), Date 1789
Scene from chapter 12, 'Suma,' of The Tale of Genji left of a set of three, mid 17th century, Taketsugu, Japanese, active mid 17th century, 30 1/2 × 18 1/2 in. (77.47 × 46.99 cm) (image, without roller)61 1/2 × 22 3/4 in. (156.21 × 57.79 cm) (mount), Hanging scroll; ink and color on paper, Japan, 17th century, These three scrolls each illustrate a single scene from The Tale of Genji. The left scroll probably represents chapter 12, in which Genji is exiled to the desolate shore of Suma Bay. The center scroll illustrates a scene in chapter 28, in which the empress’s ladies-in-waiting carry cages Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-chapter-12-suma-of-the-tale-of-genji-left-of-a-set-of-three-mid-17th-century-taketsugu-japanese-active-mid-17th-century-30-12-18-12-in-7747-4699-cm-image-without-roller61-12-22-34-in-15621-5779-cm-mount-hanging-scroll-ink-and-color-on-paper-japan-17th-century-these-three-scrolls-each-illustrate-a-single-scene-from-the-tale-of-genji-the-left-scroll-probably-represents-chapter-12-in-which-genji-is-exiled-to-the-desolate-shore-of-suma-bay-the-center-scroll-illustrates-a-scene-in-chapter-28-in-which-the-empresss-ladies-in-waiting-carry-cages-image573494259.htmlRM2T90WNR–Scene from chapter 12, 'Suma,' of The Tale of Genji left of a set of three, mid 17th century, Taketsugu, Japanese, active mid 17th century, 30 1/2 × 18 1/2 in. (77.47 × 46.99 cm) (image, without roller)61 1/2 × 22 3/4 in. (156.21 × 57.79 cm) (mount), Hanging scroll; ink and color on paper, Japan, 17th century, These three scrolls each illustrate a single scene from The Tale of Genji. The left scroll probably represents chapter 12, in which Genji is exiled to the desolate shore of Suma Bay. The center scroll illustrates a scene in chapter 28, in which the empress’s ladies-in-waiting carry cages
Secretary of State presides at Davis Cup drawing. Washington, D.C., Feb. 3. Presiding at the Davis Cup drawing at the Pan American Union today, Secretary of State Cordell Hull pulls Japan's pairing out of historic bowl first and hands it over to Yakichiro Suma, Counselor of the Japanese Embassy. In the photograph, left to right: Yakichiro; Russell B. Kingman, Treasurer of the United States Lawn Tennis Association; Joseph Ward, First Vice President; Secretary Hull; Holcomb Ward, President of the USLTA; and Wallis Pate, Capt. of this year's Davis Cup team, 2/3/38 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/secretary-of-state-presides-at-davis-cup-drawing-washington-dc-feb-3-presiding-at-the-davis-cup-drawing-at-the-pan-american-union-today-secretary-of-state-cordell-hull-pulls-japans-pairing-out-of-historic-bowl-first-and-hands-it-over-to-yakichiro-suma-counselor-of-the-japanese-embassy-in-the-photograph-left-to-right-yakichiro-russell-b-kingman-treasurer-of-the-united-states-lawn-tennis-association-joseph-ward-first-vice-president-secretary-hull-holcomb-ward-president-of-the-uslta-and-wallis-pate-capt-of-this-years-davis-cup-team-2338-image329068990.htmlRM2A3AARX–Secretary of State presides at Davis Cup drawing. Washington, D.C., Feb. 3. Presiding at the Davis Cup drawing at the Pan American Union today, Secretary of State Cordell Hull pulls Japan's pairing out of historic bowl first and hands it over to Yakichiro Suma, Counselor of the Japanese Embassy. In the photograph, left to right: Yakichiro; Russell B. Kingman, Treasurer of the United States Lawn Tennis Association; Joseph Ward, First Vice President; Secretary Hull; Holcomb Ward, President of the USLTA; and Wallis Pate, Capt. of this year's Davis Cup team, 2/3/38
Utagawa Kuniyoshi, ‘Exile to Suma’ (Suma): Tamaori-hime, from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Japan, Edo period (1615–1868), Utagawa Kuniyoshi (Japanese, 1797–1861), ca. 1845–61, Japan, Woodblock ōban print (nishiki-e); ink and color on paper, Image: 14 × 9 3/16 in. (35.6 × 23.3 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/utagawa-kuniyoshi-exile-to-suma-suma-tamaori-hime-from-the-series-scenes-amid-genji-clouds-matched-with-ukiyo-e-pictures-genji-gumo-ukiyo-e-awase-japan-edo-period-16151868-utagawa-kuniyoshi-japanese-17971861-ca-184561-japan-woodblock-ban-print-nishiki-e-ink-and-color-on-paper-image-14-9-316-in-356-233-cm-prints-image344640776.htmlRM2B0KMR4–Utagawa Kuniyoshi, ‘Exile to Suma’ (Suma): Tamaori-hime, from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Japan, Edo period (1615–1868), Utagawa Kuniyoshi (Japanese, 1797–1861), ca. 1845–61, Japan, Woodblock ōban print (nishiki-e); ink and color on paper, Image: 14 × 9 3/16 in. (35.6 × 23.3 cm), Prints
![[ 1890s Japan - Suma, near Kobe ] — Very rare panoramic view of Suma, near Kobe in Hyogo Prefecture. Suma has regularly appeared in classic works of Japanese literature like the Genji monogatari, Heike monogatari and Ise monogatari. American rock band the Beach Boys released a song about Suma's famous white beach, called Sumahama, in 1979 (Showa 54). 19th century vintage albumen photograph. Stock Photo](https://c8.alamy.com/comp/2BMYFPY/1890s-japan-suma-near-kobe-very-rare-panoramic-view-of-suma-near-kobe-in-hyogo-prefecture-suma-has-regularly-appeared-in-classic-works-of-japanese-literature-like-the-genji-monogatari-heike-monogatari-and-ise-monogatari-american-rock-band-the-beach-boys-released-a-song-about-sumas-famous-white-beach-called-sumahama-in-1979-showa-54-19th-century-vintage-albumen-photograph-2BMYFPY.jpg "[ 1890s Japan - Suma, near Kobe ] — Very rare panoramic view of Suma, near Kobe in Hyogo Prefecture. Suma has regularly appeared in classic works of Japanese literature like the Genji monogatari, Heike monogatari and Ise monogatari. American rock band the Beach Boys released a song about Suma's famous white beach, called Sumahama, in 1979 (Showa 54). 19th century vintage albumen photograph. Stock Photo")
[ 1890s Japan - Suma, near Kobe ] — Very rare panoramic view of Suma, near Kobe in Hyogo Prefecture. Suma has regularly appeared in classic works of Japanese literature like the Genji monogatari, Heike monogatari and Ise monogatari. American rock band the Beach Boys released a song about Suma's famous white beach, called Sumahama, in 1979 (Showa 54). 19th century vintage albumen photograph. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1890s-japan-suma-near-kobe-very-rare-panoramic-view-of-suma-near-kobe-in-hyogo-prefecture-suma-has-regularly-appeared-in-classic-works-of-japanese-literature-like-the-genji-monogatari-heike-monogatari-and-ise-monogatari-american-rock-band-the-beach-boys-released-a-song-about-sumas-famous-white-beach-called-sumahama-in-1979-showa-54-19th-century-vintage-albumen-photograph-image357105587.htmlRM2BMYFPY–[ 1890s Japan - Suma, near Kobe ] — Very rare panoramic view of Suma, near Kobe in Hyogo Prefecture. Suma has regularly appeared in classic works of Japanese literature like the Genji monogatari, Heike monogatari and Ise monogatari. American rock band the Beach Boys released a song about Suma's famous white beach, called Sumahama, in 1979 (Showa 54). 19th century vintage albumen photograph.
Scene from chapter 28, 'The Typhoon,' of The Tale of Genji center of a set of three, mid 17th century, Taketsugu, Japanese, active mid 17th century, 33 1/4 × 16 11/16 in. (84.46 × 42.39 cm) (image, without roller)64 1/2 × 20 5/16 in. (163.83 × 51.59 cm) (mount), Hanging scroll; ink and color on paper, Japan, 17th century, These three scrolls each illustrate a single scene from The Tale of Genji. The left scroll probably represents chapter 12, in which Genji is exiled to the desolate shore of Suma Bay. The center scroll illustrates a scene in chapter 28, in which the empress’s ladies-in-waiting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-chapter-28-the-typhoon-of-the-tale-of-genji-center-of-a-set-of-three-mid-17th-century-taketsugu-japanese-active-mid-17th-century-33-14-16-1116-in-8446-4239-cm-image-without-roller64-12-20-516-in-16383-5159-cm-mount-hanging-scroll-ink-and-color-on-paper-japan-17th-century-these-three-scrolls-each-illustrate-a-single-scene-from-the-tale-of-genji-the-left-scroll-probably-represents-chapter-12-in-which-genji-is-exiled-to-the-desolate-shore-of-suma-bay-the-center-scroll-illustrates-a-scene-in-chapter-28-in-which-the-empresss-ladies-in-waiting-image573487832.htmlRM2T90HG8–Scene from chapter 28, 'The Typhoon,' of The Tale of Genji center of a set of three, mid 17th century, Taketsugu, Japanese, active mid 17th century, 33 1/4 × 16 11/16 in. (84.46 × 42.39 cm) (image, without roller)64 1/2 × 20 5/16 in. (163.83 × 51.59 cm) (mount), Hanging scroll; ink and color on paper, Japan, 17th century, These three scrolls each illustrate a single scene from The Tale of Genji. The left scroll probably represents chapter 12, in which Genji is exiled to the desolate shore of Suma Bay. The center scroll illustrates a scene in chapter 28, in which the empress’s ladies-in-waiting
Art inspired by Episode in the Life of Prince Genji during His Exile at Suma, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 14 3/4 in. (37.5 cm); W. 10 in. (25.4 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-episode-in-the-life-of-prince-genji-during-his-exile-at-suma-edo-period-16151868-japan-monochrome-woodblock-print-ink-on-paper-h-14-34-in-375-cm-w-10-in-254-cm-prints-chbunsai-eishi-japanese-17561829-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917629.htmlRF2HW3M4D–Art inspired by Episode in the Life of Prince Genji during His Exile at Suma, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 14 3/4 in. (37.5 cm); W. 10 in. (25.4 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[ 1900s Japan - Japanese Fishing Boats ] — Fishing boats on the beach at Suma (須磨), Hyogo Prefecture. 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/W5XEN2/1900s-japan-japanese-fishing-boats-fishing-boats-on-the-beach-at-suma-hyogo-prefecture-20th-century-vintage-postcard-W5XEN2.jpg "[ 1900s Japan - Japanese Fishing Boats ] — Fishing boats on the beach at Suma (須磨), Hyogo Prefecture. 20th century vintage postcard. Stock Photo")
[ 1900s Japan - Japanese Fishing Boats ] — Fishing boats on the beach at Suma (須磨), Hyogo Prefecture. 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1900s-japan-japanese-fishing-boats-fishing-boats-on-the-beach-at-suma-hyogo-prefecture-20th-century-vintage-postcard-image261811118.htmlRMW5XEN2–[ 1900s Japan - Japanese Fishing Boats ] — Fishing boats on the beach at Suma (須磨), Hyogo Prefecture. 20th century vintage postcard.
Art inspired by The Exile of Yukihira at Suma, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/5 in. (23.5 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Like his younger brother, Narihira, Yukihira came to be the hero, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-exile-of-yukihira-at-suma-edo-period-16151868-1789-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-14-x-14-35-in-235-x-371-cm-prints-kitagawa-utamaro-japanese-17531806-like-his-younger-brother-narihira-yukihira-came-to-be-the-hero-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462906495.htmlRF2HW35XR–Art inspired by The Exile of Yukihira at Suma, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/5 in. (23.5 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Like his younger brother, Narihira, Yukihira came to be the hero, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[ 1920s Japan - Japanese Fishing Boat ] — A fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/2BN045K/1920s-japan-japanese-fishing-boat-a-fishing-boat-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-suma-mura-became-suma-machi-in-1912-meiji-45-and-part-of-kobe-city-in-1920-taisho-9-in-1931showa-6-it-became-a-full-fledged-ward-of-kobe-and-the-area-is-now-called-suma-ku-20th-century-vintage-postcard-2BN045K.jpg "[ 1920s Japan - Japanese Fishing Boat ] — A fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photo")
[ 1920s Japan - Japanese Fishing Boat ] — A fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1920s-japan-japanese-fishing-boat-a-fishing-boat-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-suma-mura-became-suma-machi-in-1912-meiji-45-and-part-of-kobe-city-in-1920-taisho-9-in-1931showa-6-it-became-a-full-fledged-ward-of-kobe-and-the-area-is-now-called-suma-ku-20th-century-vintage-postcard-image357118431.htmlRM2BN045K–[ 1920s Japan - Japanese Fishing Boat ] — A fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard.
Art inspired by Yukihira and Two Brinemaidens at Suma, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, Image: 33 1/8 x 12 7/8 in. (84.1 x 32.7 cm), Paintings, Okumura Masanobu (Japanese, 1686–1764), Masanobu, a great innovator of ukiyo-e painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-yukihira-and-two-brinemaidens-at-suma-edo-period-16151868-18th-century-japan-hanging-scroll-ink-and-color-on-silk-image-33-18-x-12-78-in-841-x-327-cm-paintings-okumura-masanobu-japanese-16861764-masanobu-a-great-innovator-of-ukiyo-e-painting-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462909840.htmlRF2HW3A68–Art inspired by Yukihira and Two Brinemaidens at Suma, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, Image: 33 1/8 x 12 7/8 in. (84.1 x 32.7 cm), Paintings, Okumura Masanobu (Japanese, 1686–1764), Masanobu, a great innovator of ukiyo-e painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[ 1900s Japan - Lighthouse and Boats, Kobe ] — The lighthouse at Wadamisaki (和田岬灯台) in Kobe, Hyogo Prefecture was activated in 1884 (Meiji 17). It replaced an earlier wooden structure dating from 1871 (Meiji 4), designed by the Scottish engineer Richard Henry Brunton (1841–1901), the 'Father of Japanese lighthouses' (日本の灯台の父). Wadamisaki Lighthouse was relocated as a historic monument to Suma Seaside Park (須磨海浜公園) in 1964 (Showa 39) and still stands today. 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/W5XBRM/1900s-japan-lighthouse-and-boats-kobe-the-lighthouse-at-wadamisaki-in-kobe-hyogo-prefecture-was-activated-in-1884-meiji-17-it-replaced-an-earlier-wooden-structure-dating-from-1871-meiji-4-designed-by-the-scottish-engineer-richard-henry-brunton-18411901-the-father-of-japanese-lighthouses-wadamisaki-lighthouse-was-relocated-as-a-historic-monument-to-suma-seaside-park-in-1964-showa-39-and-still-stands-today-20th-century-vintage-postcard-W5XBRM.jpg "[ 1900s Japan - Lighthouse and Boats, Kobe ] — The lighthouse at Wadamisaki (和田岬灯台) in Kobe, Hyogo Prefecture was activated in 1884 (Meiji 17). It replaced an earlier wooden structure dating from 1871 (Meiji 4), designed by the Scottish engineer Richard Henry Brunton (1841–1901), the 'Father of Japanese lighthouses' (日本の灯台の父). Wadamisaki Lighthouse was relocated as a historic monument to Suma Seaside Park (須磨海浜公園) in 1964 (Showa 39) and still stands today. 20th century vintage postcard. Stock Photo")
[ 1900s Japan - Lighthouse and Boats, Kobe ] — The lighthouse at Wadamisaki (和田岬灯台) in Kobe, Hyogo Prefecture was activated in 1884 (Meiji 17). It replaced an earlier wooden structure dating from 1871 (Meiji 4), designed by the Scottish engineer Richard Henry Brunton (1841–1901), the 'Father of Japanese lighthouses' (日本の灯台の父). Wadamisaki Lighthouse was relocated as a historic monument to Suma Seaside Park (須磨海浜公園) in 1964 (Showa 39) and still stands today. 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1900s-japan-lighthouse-and-boats-kobe-the-lighthouse-at-wadamisaki-in-kobe-hyogo-prefecture-was-activated-in-1884-meiji-17-it-replaced-an-earlier-wooden-structure-dating-from-1871-meiji-4-designed-by-the-scottish-engineer-richard-henry-brunton-18411901-the-father-of-japanese-lighthouses-wadamisaki-lighthouse-was-relocated-as-a-historic-monument-to-suma-seaside-park-in-1964-showa-39-and-still-stands-today-20th-century-vintage-postcard-image261808840.htmlRMW5XBRM–[ 1900s Japan - Lighthouse and Boats, Kobe ] — The lighthouse at Wadamisaki (和田岬灯台) in Kobe, Hyogo Prefecture was activated in 1884 (Meiji 17). It replaced an earlier wooden structure dating from 1871 (Meiji 4), designed by the Scottish engineer Richard Henry Brunton (1841–1901), the 'Father of Japanese lighthouses' (日本の灯台の父). Wadamisaki Lighthouse was relocated as a historic monument to Suma Seaside Park (須磨海浜公園) in 1964 (Showa 39) and still stands today. 20th century vintage postcard.
March 24, 2023: Nagasaki Prefectural Art Museum, opened in 2005 was designed by architect Kuma Kengo. It is located in Nagasaki, Japan and contains p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/march-24-2023-nagasaki-prefectural-art-museum-opened-in-2005-was-designed-by-architect-kuma-kengo-it-is-located-in-nagasaki-japan-and-contains-p-image544065403.htmlRF2PH48Y7–March 24, 2023: Nagasaki Prefectural Art Museum, opened in 2005 was designed by architect Kuma Kengo. It is located in Nagasaki, Japan and contains p
Suma, from the series 'A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)'. Chobunsai Eishi; Japanese, 1756-1829. Date: 1784-1799. Dimensions: 15 1/2 x 10 1/4 in. Color woodblock print; left sheet of oban triptych (right sheet: 1925.3104). Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-from-the-series-a-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genji-chobunsai-eishi-japanese-1756-1829-date-1784-1799-dimensions-15-12-x-10-14-in-color-woodblock-print-left-sheet-of-oban-triptych-right-sheet-19253104-origin-japan-museum-the-chicago-art-institute-image240136744.htmlRMRXK4T8–Suma, from the series 'A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)'. Chobunsai Eishi; Japanese, 1756-1829. Date: 1784-1799. Dimensions: 15 1/2 x 10 1/4 in. Color woodblock print; left sheet of oban triptych (right sheet: 1925.3104). Origin: Japan. Museum: The Chicago Art Institute.
The vermilion pagoda, half hidden by trees, with torii gate in front, during the springtime, at the Suma-Dera temple at Suma in Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-vermilion-pagoda-half-hidden-by-trees-with-torii-gate-in-front-82741844.htmlRMEPH61T–The vermilion pagoda, half hidden by trees, with torii gate in front, during the springtime, at the Suma-Dera temple at Suma in Japan.
![[ 1920s Japan - Japanese Sailing Vessels ] — A sailing vessel with fishermen at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/2BN042M/1920s-japan-japanese-sailing-vessels-a-sailing-vessel-with-fishermen-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-on-the-horizon-awajishima-can-be-seen-suma-mura-became-suma-machi-in-1912-meiji-45-and-part-of-kobe-city-in-1920-taisho-9-in-1931showa-6-it-became-a-full-fledged-ward-of-kobe-and-the-area-is-now-called-suma-ku-20th-century-vintage-postcard-2BN042M.jpg "[ 1920s Japan - Japanese Sailing Vessels ] — A sailing vessel with fishermen at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photo")
[ 1920s Japan - Japanese Sailing Vessels ] — A sailing vessel with fishermen at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1920s-japan-japanese-sailing-vessels-a-sailing-vessel-with-fishermen-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-on-the-horizon-awajishima-can-be-seen-suma-mura-became-suma-machi-in-1912-meiji-45-and-part-of-kobe-city-in-1920-taisho-9-in-1931showa-6-it-became-a-full-fledged-ward-of-kobe-and-the-area-is-now-called-suma-ku-20th-century-vintage-postcard-image357118348.htmlRM2BN042M–[ 1920s Japan - Japanese Sailing Vessels ] — A sailing vessel with fishermen at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard.
The vermilion pagoda, half hidden by trees, with torii gate in front, during the springtime, at the Suma-Dera temple at Suma in Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-vermilion-pagoda-half-hidden-by-trees-with-torii-gate-in-front-82741455.htmlRMEPH5FY–The vermilion pagoda, half hidden by trees, with torii gate in front, during the springtime, at the Suma-Dera temple at Suma in Japan.
Japanese cruiser Suma in 1897 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japanese-cruiser-suma-in-1897-140029771.htmlRMJ3PWB7–Japanese cruiser Suma in 1897
Nagasaki, Japan - October 25, 2018: Entrance to the prefectural Nagasaki art museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nagasaki-japan-october-25-2018-entrance-to-the-prefectural-nagasaki-art-museum-image229994300.htmlRFRA5424–Nagasaki, Japan - October 25, 2018: Entrance to the prefectural Nagasaki art museum
The Old Wadamisaki LIghthouse, Kobe, Hyogo Prefecture, Japan. The Lighthouse was relocated as a historic monument to Suma Seaside Park in 1964, where it still stands today. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-old-wadamisaki-lighthouse-kobe-hyogo-prefecture-japan-the-lighthouse-was-relocated-as-a-historic-monument-to-suma-seaside-park-in-1964-where-it-still-stands-today-image560840984.htmlRM2RGCEB4–The Old Wadamisaki LIghthouse, Kobe, Hyogo Prefecture, Japan. The Lighthouse was relocated as a historic monument to Suma Seaside Park in 1964, where it still stands today.
Kobe, Japan - May 6, 2023: Passengers wait on platform under sign with train delays at JR Sannomiya Station during Golden Week Holiday Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kobe-japan-may-6-2023-passengers-wait-on-platform-under-sign-with-train-delays-at-jr-sannomiya-station-during-golden-week-holiday-image550784756.htmlRF2R02BG4–Kobe, Japan - May 6, 2023: Passengers wait on platform under sign with train delays at JR Sannomiya Station during Golden Week Holiday
Suma Beach at Night, Arai Yoshimune Pine Tree Silhouetted Against Twilight Moon Over Calm Seaside With Fishermen 1920 Japanese ukiyo-e art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-at-night-arai-yoshimune-pine-tree-silhouetted-against-twilight-moon-over-calm-seaside-with-fishermen-1920-japanese-ukiyo-e-art-image605073296.htmlRF2X4BD4G–Suma Beach at Night, Arai Yoshimune Pine Tree Silhouetted Against Twilight Moon Over Calm Seaside With Fishermen 1920 Japanese ukiyo-e art
Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-and-seaside-park-near-kobe-city-hyougo-prefecture-japan-image350150018.htmlRF2B9JKWP–Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan.
The sisters Matsukaze and Murasame on the shores of Suma, c. 1790/1810. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sisters-matsukaze-and-murasame-on-the-shores-of-suma-c-17901810-image457040845.htmlRM2HFG079–The sisters Matsukaze and Murasame on the shores of Suma, c. 1790/1810.
Scene from chapter 14, 'Channel Buoys,' of The Tale of Genji right of a set of three, mid 17th century, Taketsugu, Japanese, active mid 17th century, 33 3/4 × 19 3/4 in. (85.73 × 50.17 cm) (image, without roller)66 1/2 × 24 3/4 in. (168.91 × 62.87 cm) (mount), Hanging scroll; ink and color on paper, Japan, 17th century, These three scrolls each illustrate a single scene from The Tale of Genji. The left scroll probably represents chapter 12, in which Genji is exiled to the desolate shore of Suma Bay. The center scroll illustrates a scene in chapter 28, in which the empress’s ladies-in-waiting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-chapter-14-channel-buoys-of-the-tale-of-genji-right-of-a-set-of-three-mid-17th-century-taketsugu-japanese-active-mid-17th-century-33-34-19-34-in-8573-5017-cm-image-without-roller66-12-24-34-in-16891-6287-cm-mount-hanging-scroll-ink-and-color-on-paper-japan-17th-century-these-three-scrolls-each-illustrate-a-single-scene-from-the-tale-of-genji-the-left-scroll-probably-represents-chapter-12-in-which-genji-is-exiled-to-the-desolate-shore-of-suma-bay-the-center-scroll-illustrates-a-scene-in-chapter-28-in-which-the-empresss-ladies-in-waiting-image573487833.htmlRM2T90HG9–Scene from chapter 14, 'Channel Buoys,' of The Tale of Genji right of a set of three, mid 17th century, Taketsugu, Japanese, active mid 17th century, 33 3/4 × 19 3/4 in. (85.73 × 50.17 cm) (image, without roller)66 1/2 × 24 3/4 in. (168.91 × 62.87 cm) (mount), Hanging scroll; ink and color on paper, Japan, 17th century, These three scrolls each illustrate a single scene from The Tale of Genji. The left scroll probably represents chapter 12, in which Genji is exiled to the desolate shore of Suma Bay. The center scroll illustrates a scene in chapter 28, in which the empress’s ladies-in-waiting
The Brine Maidens of Suma (Shiokumi, Suma) 1783 Torii Kiyonaga Japanese. The Brine Maidens of Suma (Shiokumi, Suma) 53904 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-brine-maidens-of-suma-shiokumi-suma-1783-torii-kiyonaga-japanese-the-brine-maidens-of-suma-shiokumi-suma-53904-image458565429.htmlRM2HJ1CTN–The Brine Maidens of Suma (Shiokumi, Suma) 1783 Torii Kiyonaga Japanese. The Brine Maidens of Suma (Shiokumi, Suma) 53904
The Brine Maidens of Suma (Shiokumi, Suma), Torii Kiyonaga, 1783 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-brine-maidens-of-suma-shiokumi-suma-torii-kiyonaga-1783-162423931.htmlRMKC71AK–The Brine Maidens of Suma (Shiokumi, Suma), Torii Kiyonaga, 1783
Letter Box (Fubako) with Design of the Shore at Suma 19th century Japan The motifs on this box allude to Suma and its associated romances of the exiles Yukihira, from Tales of Ise, and Genji, from theTale of Genji. It was presented by the Imperial University of Tokyo to the donor, an adviser to the Japanese minister of the Department of Education from 1873 to 1879.. Letter Box (Fubako) with Design of the Shore at Suma 45500 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letter-box-fubako-with-design-of-the-shore-at-suma-19th-century-japan-the-motifs-on-this-box-allude-to-suma-and-its-associated-romances-of-the-exiles-yukihira-from-tales-of-ise-and-genji-from-thetale-of-genji-it-was-presented-by-the-imperial-university-of-tokyo-to-the-donor-an-adviser-to-the-japanese-minister-of-the-department-of-education-from-1873-to-1879-letter-box-fubako-with-design-of-the-shore-at-suma-45500-image458479834.htmlRM2HHWFKP–Letter Box (Fubako) with Design of the Shore at Suma 19th century Japan The motifs on this box allude to Suma and its associated romances of the exiles Yukihira, from Tales of Ise, and Genji, from theTale of Genji. It was presented by the Imperial University of Tokyo to the donor, an adviser to the Japanese minister of the Department of Education from 1873 to 1879.. Letter Box (Fubako) with Design of the Shore at Suma 45500
The Exile of Yukihira at Suma, Kitagawa Utamaro, 1789 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-exile-of-yukihira-at-suma-kitagawa-utamaro-1789-162421092.htmlRMKC6WN8–The Exile of Yukihira at Suma, Kitagawa Utamaro, 1789
Art inspired by Letter Box (Fubako) with Design of the Shore at Suma, Edo period (1615–1868), 19th century, Japan, Gold maki-e on black lacquer, H. 2 5/8 in. (6.7 cm); W. 3 5/8 in. (9.2 cm); D. 9 1/4 in. (23.5 cm), Lacquer, The motifs on this box allude to Suma and its associated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-letter-box-fubako-with-design-of-the-shore-at-suma-edo-period-16151868-19th-century-japan-gold-maki-e-on-black-lacquer-h-2-58-in-67-cm-w-3-58-in-92-cm-d-9-14-in-235-cm-lacquer-the-motifs-on-this-box-allude-to-suma-and-its-associated-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910528.htmlRF2HW3B2T–Art inspired by Letter Box (Fubako) with Design of the Shore at Suma, Edo period (1615–1868), 19th century, Japan, Gold maki-e on black lacquer, H. 2 5/8 in. (6.7 cm); W. 3 5/8 in. (9.2 cm); D. 9 1/4 in. (23.5 cm), Lacquer, The motifs on this box allude to Suma and its associated, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Letter Box (Fubako) with Design of the Shore at Suma, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-letter-box-fubako-with-design-of-the-shore-at-suma-19th-century-162326245.htmlRMKC2GNW–Letter Box (Fubako) with Design of the Shore at Suma, 19th century
The Exile of Yukihira at Suma 1789 Kitagawa Utamaro Japanese Like his younger brother, Narihira, Yukihira came to be the hero of a romantic legend. By imperial edict, Yukihira was exiled from the capital to the lonely beach at Suma, which was famous as a beautiful spot for viewing the moon. There, the exiled courtier fell in love with Matsukaze and Murasame, two sisters who had fallen from their privileged position as daughters of the provincial governor because of the treachery of their cruel stepmother. On the beach at Suma, they were forced to live like peasants, carting and drying seawater Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-exile-of-yukihira-at-suma-1789-kitagawa-utamaro-japanese-like-his-younger-brother-narihira-yukihira-came-to-be-the-hero-of-a-romantic-legend-by-imperial-edict-yukihira-was-exiled-from-the-capital-to-the-lonely-beach-at-suma-which-was-famous-as-a-beautiful-spot-for-viewing-the-moon-there-the-exiled-courtier-fell-in-love-with-matsukaze-and-murasame-two-sisters-who-had-fallen-from-their-privileged-position-as-daughters-of-the-provincial-governor-because-of-the-treachery-of-their-cruel-stepmother-on-the-beach-at-suma-they-were-forced-to-live-like-peasants-carting-and-drying-seawater-image458599359.htmlRM2HJ304F–The Exile of Yukihira at Suma 1789 Kitagawa Utamaro Japanese Like his younger brother, Narihira, Yukihira came to be the hero of a romantic legend. By imperial edict, Yukihira was exiled from the capital to the lonely beach at Suma, which was famous as a beautiful spot for viewing the moon. There, the exiled courtier fell in love with Matsukaze and Murasame, two sisters who had fallen from their privileged position as daughters of the provincial governor because of the treachery of their cruel stepmother. On the beach at Suma, they were forced to live like peasants, carting and drying seawater
Matsukaze Murasame. Artist: Hishikawa Moronobu (Japanese, died 1694). Culture: Japan. Dimensions: 11 1/4 x 20 2/3 in. (28.6 x 52.5 cm). Date: ca. 1675-80. This print and its text present a wittily updated version of the two brine gatherers' tragic love for Yukihira, who was in exile at Suma. At the right he strolls arm in arm with the sisters Matsukaze and Murasame. Despite their droll aristocratic attire, the trio's deportment is that of pleasure-seeking youth in the bustling entertainment quarters of Edo. At the left the two women in contemporary garb who dip buckets are identified as se Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matsukaze-murasame-artist-hishikawa-moronobu-japanese-died-1694-culture-japan-dimensions-11-14-x-20-23-in-286-x-525-cm-date-ca-1675-80-this-print-and-its-text-present-a-wittily-updated-version-of-the-two-brine-gatherers-tragic-love-for-yukihira-who-was-in-exile-at-suma-at-the-right-he-strolls-arm-in-arm-with-the-sisters-matsukaze-and-murasame-despite-their-droll-aristocratic-attire-the-trios-deportment-is-that-of-pleasure-seeking-youth-in-the-bustling-entertainment-quarters-of-edo-at-the-left-the-two-women-in-contemporary-garb-who-dip-buckets-are-identified-as-se-image212857066.htmlRMPA8DA2–Matsukaze Murasame. Artist: Hishikawa Moronobu (Japanese, died 1694). Culture: Japan. Dimensions: 11 1/4 x 20 2/3 in. (28.6 x 52.5 cm). Date: ca. 1675-80. This print and its text present a wittily updated version of the two brine gatherers' tragic love for Yukihira, who was in exile at Suma. At the right he strolls arm in arm with the sisters Matsukaze and Murasame. Despite their droll aristocratic attire, the trio's deportment is that of pleasure-seeking youth in the bustling entertainment quarters of Edo. At the left the two women in contemporary garb who dip buckets are identified as se
Suma beach near Kobe, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-near-kobe-japan-image357165116.htmlRM2BN27N0–Suma beach near Kobe, Japan
![[ 1920s Japan - Japanese Family Watching Fishermen ] — A father and his children, probably visiting from the city, watch a fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photo](https://c8.alamy.com/comp/2BN04FM/1920s-japan-japanese-family-watching-fishermen-a-father-and-his-children-probably-visiting-from-the-city-watch-a-fishing-boat-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-on-the-horizon-awajishima-can-be-seen-suma-mura-became-suma-machi-in-1912-meiji-45-and-part-of-kobe-city-in-1920-taisho-9-in-1931showa-6-it-became-a-full-fledged-ward-of-kobe-and-the-area-is-now-called-suma-ku-20th-century-vintage-postcard-2BN04FM.jpg "[ 1920s Japan - Japanese Family Watching Fishermen ] — A father and his children, probably visiting from the city, watch a fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photo")
[ 1920s Japan - Japanese Family Watching Fishermen ] — A father and his children, probably visiting from the city, watch a fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1920s-japan-japanese-family-watching-fishermen-a-father-and-his-children-probably-visiting-from-the-city-watch-a-fishing-boat-at-maikonohama-in-suma-near-kobe-hyogo-prefecture-on-the-horizon-awajishima-can-be-seen-suma-mura-became-suma-machi-in-1912-meiji-45-and-part-of-kobe-city-in-1920-taisho-9-in-1931showa-6-it-became-a-full-fledged-ward-of-kobe-and-the-area-is-now-called-suma-ku-20th-century-vintage-postcard-image357118712.htmlRM2BN04FM–[ 1920s Japan - Japanese Family Watching Fishermen ] — A father and his children, probably visiting from the city, watch a fishing boat at Maikonohama (舞子の浜) in Suma (須磨) near Kobe, Hyogo Prefecture. On the horizon, Awajishima (淡路島) can be seen. Suma-mura (須磨村) became Suma-machi (須磨町) in 1912 (Meiji 45), and part of Kobe City in 1920 (Taisho 9). In 1931(Showa 6), it became a full-fledged ward of Kobe and the area is now called Suma-ku (須磨区). 20th century vintage postcard.
The vermilion pagoda, half hidden by trees, with torii gate in front, during the springtime, at the Suma-Dera temple at Suma in Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-vermilion-pagoda-half-hidden-by-trees-with-torii-gate-in-front-82741459.htmlRMEPH5G3–The vermilion pagoda, half hidden by trees, with torii gate in front, during the springtime, at the Suma-Dera temple at Suma in Japan.
![[ 1890s Japan - Fishing Boats at Sumo, Kobe ] — Fishing boats on the beach at Suma, Hyogo Prefecture. 19th century vintage albumen photograph. Stock Photo](https://c8.alamy.com/comp/W13EKR/1890s-japan-fishing-boats-at-sumo-kobe-fishing-boats-on-the-beach-at-suma-hyogo-prefecture-19th-century-vintage-albumen-photograph-W13EKR.jpg "[ 1890s Japan - Fishing Boats at Sumo, Kobe ] — Fishing boats on the beach at Suma, Hyogo Prefecture. 19th century vintage albumen photograph. Stock Photo")
[ 1890s Japan - Fishing Boats at Sumo, Kobe ] — Fishing boats on the beach at Suma, Hyogo Prefecture. 19th century vintage albumen photograph. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1890s-japan-fishing-boats-at-sumo-kobe-fishing-boats-on-the-beach-at-suma-hyogo-prefecture-19th-century-vintage-albumen-photograph-image258847563.htmlRMW13EKR–[ 1890s Japan - Fishing Boats at Sumo, Kobe ] — Fishing boats on the beach at Suma, Hyogo Prefecture. 19th century vintage albumen photograph.
Array of paper lanterns, chochin, hanging all with black kanji inscriptions and red swastika peace symbols on at Suma Dera temple, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-array-of-paper-lanterns-chochin-hanging-all-with-black-kanji-inscriptions-82741807.htmlRMEPH60F–Array of paper lanterns, chochin, hanging all with black kanji inscriptions and red swastika peace symbols on at Suma Dera temple, Japan.
A ILHA DE MORAES (1984), directed by PAULO ROCHA. Credit: Suma Filmes / Album Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-ilha-de-moraes-1984-directed-by-paulo-rocha-credit-suma-filmes-album-image544302206.htmlRM2PHF30E–A ILHA DE MORAES (1984), directed by PAULO ROCHA. Credit: Suma Filmes / Album
The Brine Maidens of Suma, from the series A Brocade of Eastern Manners (Fuzoku Azuma no nishiki), c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 38.3 x 25.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-brine-maidens-of-suma-from-the-series-a-brocade-of-eastern-manners-fuzoku-azuma-no-nishiki-c-178384-torii-kiyonaga-japanese-1752-1815-japan-color-woodblock-print-oban-383-x-255-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349689702.htmlRF2B8WMNX–The Brine Maidens of Suma, from the series A Brocade of Eastern Manners (Fuzoku Azuma no nishiki), c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 38.3 x 25.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Party in a Teahouse near Suma Beach M.2006.136.75 (1 of 2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-party-in-a-teahouse-near-suma-beach-m200613675-1-of-2-58492153.htmlRMDB4F9D–Party in a Teahouse near Suma Beach M.2006.136.75 (1 of 2)
Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-and-seaside-park-near-kobe-city-hyougo-prefecture-japan-image350150032.htmlRF2B9JKX8–Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan.
![Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94. Stock Photo](https://c8.alamy.com/comp/2HFFGRM/suma-from-the-series-quota-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genjiquot-c-178994-2HFFGRM.jpg "Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94. Stock Photo")
Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-from-the-series-quota-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genjiquot-c-178994-image457031896.htmlRM2HFFGRM–Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94.
Party in a Teahouse near Suma Beach M.2006.136.75 (2 of 2) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-party-in-a-teahouse-near-suma-beach-m200613675-2-of-2-58492158.htmlRMDB4F9J–Party in a Teahouse near Suma Beach M.2006.136.75 (2 of 2)
Suma-dera temple with wooden ancient pagoda in autumn park at Kobe, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-dera-temple-with-wooden-ancient-pagoda-in-autumn-park-at-kobe-japan-image255527152.htmlRFTRM7DM–Suma-dera temple with wooden ancient pagoda in autumn park at Kobe, Japan
Japan - Kobe - Sumadera temple Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-kobe-sumadera-temple-105392821.htmlRMG3D1H9–Japan - Kobe - Sumadera temple
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benke Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minamoto-no-yoshitsune-1159-june-15-1189-was-a-general-of-the-minamoto-clan-of-japan-in-the-late-heian-and-early-kamakura-period-yoshitsune-was-the-ninth-son-of-minamoto-no-yoshitomo-and-the-third-and-final-son-and-child-that-yoshitomo-would-father-with-tokiwa-gozen-yoshitsunes-older-brother-minamoto-no-yoritomo-the-third-son-of-yoshitomo-founded-the-kamakura-shogunate-he-is-considered-one-of-the-greatest-and-the-most-popular-warriors-of-his-era-and-one-of-the-most-famous-samurai-fighters-in-the-history-of-japan-musashib-benkei-11551189-popularly-called-benke-image344264895.htmlRM2B02HAR–Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benke
. The influence of the sea on the political history of Japan. suma batteries contained smooth-bore ordnanceof fairly heavy calibre, and that they were manned by awell-trained force. The heaviest guns in the squadronwere some 100-pounder Armstrongs in the flagship, andthe majority of the vessels carried 8-inch or 64-pounders.Kuper arrived ofE the mouth of Kagosima Bay late on 95 96 PERIOD OP REFORM August 11, and after careful sounding and examinationfound a suitable depth and bottom for anchoring for thenight, just inside the entrance. Early next morning aboat with Japanese officials came out Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-influence-of-the-sea-on-the-political-history-of-japan-suma-batteries-contained-smooth-bore-ordnanceof-fairly-heavy-calibre-and-that-they-were-manned-by-awell-trained-force-the-heaviest-guns-in-the-squadronwere-some-100-pounder-armstrongs-in-the-flagship-andthe-majority-of-the-vessels-carried-8-inch-or-64-pounderskuper-arrived-ofe-the-mouth-of-kagosima-bay-late-on-95-96-period-op-reform-august-11-and-after-careful-sounding-and-examinationfound-a-suitable-depth-and-bottom-for-anchoring-for-thenight-just-inside-the-entrance-early-next-morning-aboat-with-japanese-officials-came-out-image336858427.htmlRM2AG16A3–. The influence of the sea on the political history of Japan. suma batteries contained smooth-bore ordnanceof fairly heavy calibre, and that they were manned by awell-trained force. The heaviest guns in the squadronwere some 100-pounder Armstrongs in the flagship, andthe majority of the vessels carried 8-inch or 64-pounders.Kuper arrived ofE the mouth of Kagosima Bay late on 95 96 PERIOD OP REFORM August 11, and after careful sounding and examinationfound a suitable depth and bottom for anchoring for thenight, just inside the entrance. Early next morning aboat with Japanese officials came out
nagasaki, kyushu - december 12 2021: External view of the contemporary architecture building of the Nagasaki Prefectural Art Museum designed by the fa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nagasaki-kyushu-december-12-2021-external-view-of-the-contemporary-architecture-building-of-the-nagasaki-prefectural-art-museum-designed-by-the-fa-image491830820.htmlRF2KG4R6C–nagasaki, kyushu - december 12 2021: External view of the contemporary architecture building of the Nagasaki Prefectural Art Museum designed by the fa
Yukihira and Two Brinemaidens at Suma, Okumura Masanobu, 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-yukihira-and-two-brinemaidens-at-suma-okumura-masanobu-18th-century-162439814.htmlRMKC7NHX–Yukihira and Two Brinemaidens at Suma, Okumura Masanobu, 18th century
Yukihira and Two Brinemaidens at Suma 18th century Okumura Masanobu Japanese Masanobu, a great innovator of ukiyo-e painting, gives the classic tale of the sisters Matsukaze and Murasame a novel treatment. The setting, sketched lightly in ink, is Suma's desolate shore, but the colorful protagonists are characteristic of the 'floating world' of Edo's pleasure quarter. Here, the sisters' lover, Yukihira, is portrayed as an urban bon vivant and affects a stylish nonchalance. His flashy robe is patterned with the bamboo blinds of a well-appointed room and features crests of a courtier's cap, furth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yukihira-and-two-brinemaidens-at-suma-18th-century-okumura-masanobu-japanese-masanobu-a-great-innovator-of-ukiyo-e-painting-gives-the-classic-tale-of-the-sisters-matsukaze-and-murasame-a-novel-treatment-the-setting-sketched-lightly-in-ink-is-sumas-desolate-shore-but-the-colorful-protagonists-are-characteristic-of-the-floating-world-of-edos-pleasure-quarter-here-the-sisters-lover-yukihira-is-portrayed-as-an-urban-bon-vivant-and-affects-a-stylish-nonchalance-his-flashy-robe-is-patterned-with-the-bamboo-blinds-of-a-well-appointed-room-and-features-crests-of-a-courtiers-cap-furth-image458595197.htmlRM2HJ2PRW–Yukihira and Two Brinemaidens at Suma 18th century Okumura Masanobu Japanese Masanobu, a great innovator of ukiyo-e painting, gives the classic tale of the sisters Matsukaze and Murasame a novel treatment. The setting, sketched lightly in ink, is Suma's desolate shore, but the colorful protagonists are characteristic of the 'floating world' of Edo's pleasure quarter. Here, the sisters' lover, Yukihira, is portrayed as an urban bon vivant and affects a stylish nonchalance. His flashy robe is patterned with the bamboo blinds of a well-appointed room and features crests of a courtier's cap, furth
Yukihira and Two Brinemaidens at Suma. Artist: Okumura Masanobu (Japanese, 1686-1764). Culture: Japan. Dimensions: Image: 33 1/8 x 12 7/8 in. (84.1 x 32.7 cm) Overall with mounting: 66 3/4 x 17 3/4 in. (169.5 x 45.1 cm) Overall with knobs: 66 3/4 x 20 1/4 in. (169.5 x 51.4 cm). Date: 18th century. Masanobu, a great innovator of ukiyo-e painting, gives the classic tale of the sisters Matsukaze and Murasame a novel treatment. The setting, sketched lightly in ink, is Suma's desolate shore, but the colorful protagonists are characteristic of the 'floating world' of Edo's pleasure quarter. He Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yukihira-and-two-brinemaidens-at-suma-artist-okumura-masanobu-japanese-1686-1764-culture-japan-dimensions-image-33-18-x-12-78-in-841-x-327-cm-overall-with-mounting-66-34-x-17-34-in-1695-x-451-cm-overall-with-knobs-66-34-x-20-14-in-1695-x-514-cm-date-18th-century-masanobu-a-great-innovator-of-ukiyo-e-painting-gives-the-classic-tale-of-the-sisters-matsukaze-and-murasame-a-novel-treatment-the-setting-sketched-lightly-in-ink-is-sumas-desolate-shore-but-the-colorful-protagonists-are-characteristic-of-the-floating-world-of-edos-pleasure-quarter-he-image233231239.htmlRMRFCGR3–Yukihira and Two Brinemaidens at Suma. Artist: Okumura Masanobu (Japanese, 1686-1764). Culture: Japan. Dimensions: Image: 33 1/8 x 12 7/8 in. (84.1 x 32.7 cm) Overall with mounting: 66 3/4 x 17 3/4 in. (169.5 x 45.1 cm) Overall with knobs: 66 3/4 x 20 1/4 in. (169.5 x 51.4 cm). Date: 18th century. Masanobu, a great innovator of ukiyo-e painting, gives the classic tale of the sisters Matsukaze and Murasame a novel treatment. The setting, sketched lightly in ink, is Suma's desolate shore, but the colorful protagonists are characteristic of the 'floating world' of Edo's pleasure quarter. He
The Autumn Moon at Ishiyama on Lake Biwa ca. 1835 Utagawa Hiroshige Japanese Ishiyama ya Niwo no umi teru Tsukikage wa Akashi mo Suma mo Hoka naranukawaAh, peak of Ishiyama— Could even the moonlit bay at Akashi or Suma match your view of the shining sea at Niwo?. The Autumn Moon at Ishiyama on Lake Biwa. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)). Japan. ca. 1835. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-autumn-moon-at-ishiyama-on-lake-biwa-ca-1835-utagawa-hiroshige-japanese-ishiyama-ya-niwo-no-umi-teru-tsukikage-wa-akashi-mo-suma-mo-hoka-naranukawaah-peak-of-ishiyama-could-even-the-moonlit-bay-at-akashi-or-suma-match-your-view-of-the-shining-sea-at-niwo-the-autumn-moon-at-ishiyama-on-lake-biwa-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-japan-ca-1835-woodblock-print-ink-and-color-on-paper-edo-period-16151868-prints-image458416239.htmlRM2HHPJGF–The Autumn Moon at Ishiyama on Lake Biwa ca. 1835 Utagawa Hiroshige Japanese Ishiyama ya Niwo no umi teru Tsukikage wa Akashi mo Suma mo Hoka naranukawaAh, peak of Ishiyama— Could even the moonlit bay at Akashi or Suma match your view of the shining sea at Niwo?. The Autumn Moon at Ishiyama on Lake Biwa. Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)). Japan. ca. 1835. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints
Late 19th century photograph - Suma Beach, near Kobe, Japan, boats on shore. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/late-19th-century-photograph-suma-beach-near-kobe-japan-boats-on-shore-image401460588.htmlRM2E94324–Late 19th century photograph - Suma Beach, near Kobe, Japan, boats on shore.
Matsukaze Murasame ca. 1675–80 Hishikawa Moronobu Japanese This print and its text present a wittily updated version of the two brine gatherers' tragic love for Yukihira, who was in exile at Suma. At the right he strolls arm in arm with the sisters Matsukaze and Murasame. Despite their droll aristocratic attire, the trio's deportment is that of pleasure-seeking youth in the bustling entertainment quarters of Edo. At the left the two women in contemporary garb who dip buckets are identified as seaweed gatherers ('shiokumi'), the name of a popular Kabuki dance that represented the immortal legen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matsukaze-murasame-ca-167580-hishikawa-moronobu-japanese-this-print-and-its-text-present-a-wittily-updated-version-of-the-two-brine-gatherers-tragic-love-for-yukihira-who-was-in-exile-at-suma-at-the-right-he-strolls-arm-in-arm-with-the-sisters-matsukaze-and-murasame-despite-their-droll-aristocratic-attire-the-trios-deportment-is-that-of-pleasure-seeking-youth-in-the-bustling-entertainment-quarters-of-edo-at-the-left-the-two-women-in-contemporary-garb-who-dip-buckets-are-identified-as-seaweed-gatherers-shiokumi-the-name-of-a-popular-kabuki-dance-that-represented-the-immortal-legen-image458638329.htmlRM2HJ4NT9–Matsukaze Murasame ca. 1675–80 Hishikawa Moronobu Japanese This print and its text present a wittily updated version of the two brine gatherers' tragic love for Yukihira, who was in exile at Suma. At the right he strolls arm in arm with the sisters Matsukaze and Murasame. Despite their droll aristocratic attire, the trio's deportment is that of pleasure-seeking youth in the bustling entertainment quarters of Edo. At the left the two women in contemporary garb who dip buckets are identified as seaweed gatherers ('shiokumi'), the name of a popular Kabuki dance that represented the immortal legen
Junior high school girl holding a notebook in a classroom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/junior-high-school-girl-holding-a-notebook-in-a-classroom-image545534229.htmlRF2PKF6D9–Junior high school girl holding a notebook in a classroom
The main Kondo, Golden hall, with a statue of Buddha inside while in foreground outside, a roofed incense burner bowl at the Suma-dera temple, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-main-kondo-golden-hall-with-a-statue-of-buddha-inside-while-in-82741841.htmlRMEPH61N–The main Kondo, Golden hall, with a statue of Buddha inside while in foreground outside, a roofed incense burner bowl at the Suma-dera temple, Japan.
A ILHA DE MORAES (1984), directed by PAULO ROCHA. Credit: Suma Filmes / Album Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-ilha-de-moraes-1984-directed-by-paulo-rocha-credit-suma-filmes-album-image544302216.htmlRM2PHF30T–A ILHA DE MORAES (1984), directed by PAULO ROCHA. Credit: Suma Filmes / Album
Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji), c. 1789/94, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, left sheet of oban triptych (right sheet: 1925.3104), 15 1/2 x 10 1/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-from-the-series-a-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genji-c-178994-chobunsai-eishi-japanese-1756-1829-japan-color-woodblock-print-left-sheet-of-oban-triptych-right-sheet-19253104-15-12-x-10-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349690292.htmlRF2B8WNF0–Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji), c. 1789/94, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, left sheet of oban triptych (right sheet: 1925.3104), 15 1/2 x 10 1/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Japan, Kobe, Kobe , Port Tower travel landmark vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-kobe-kobe-port-tower-travel-landmark-vector-illustration-image544410883.htmlRF2PHM1HR–Japan, Kobe, Kobe , Port Tower travel landmark vector illustration
Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-beach-and-seaside-park-near-kobe-city-hyougo-prefecture-japan-image350150007.htmlRF2B9JKWB–Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan.
![Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94. Stock Photo](https://c8.alamy.com/comp/2HFFGP0/suma-from-the-series-quota-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genjiquot-c-178994-2HFFGP0.jpg "Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94. Stock Photo")
Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-from-the-series-quota-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genjiquot-c-178994-image457031848.htmlRM2HFFGP0–Suma, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", c. 1789/94.
Art inspired by Matsukaze Murasame, Edo period (1615–1868), ca. 1675–80, Japan, Polychrome woodblock print; ink and color on paper (sumi-e (ink print), 11 1/4 x 20 2/3 in. (28.6 x 52.5 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), This print and its text present a wittily, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-matsukaze-murasame-edo-period-16151868-ca-167580-japan-polychrome-woodblock-print-ink-and-color-on-paper-sumi-e-ink-print-11-14-x-20-23-in-286-x-525-cm-prints-hishikawa-moronobu-japanese-died-1694-this-print-and-its-text-present-a-wittily-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462905969.htmlRF2HW3581–Art inspired by Matsukaze Murasame, Edo period (1615–1868), ca. 1675–80, Japan, Polychrome woodblock print; ink and color on paper (sumi-e (ink print), 11 1/4 x 20 2/3 in. (28.6 x 52.5 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), This print and its text present a wittily, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benke Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minamoto-no-yoshitsune-1159-june-15-1189-was-a-general-of-the-minamoto-clan-of-japan-in-the-late-heian-and-early-kamakura-period-yoshitsune-was-the-ninth-son-of-minamoto-no-yoshitomo-and-the-third-and-final-son-and-child-that-yoshitomo-would-father-with-tokiwa-gozen-yoshitsunes-older-brother-minamoto-no-yoritomo-the-third-son-of-yoshitomo-founded-the-kamakura-shogunate-he-is-considered-one-of-the-greatest-and-the-most-popular-warriors-of-his-era-and-one-of-the-most-famous-samurai-fighters-in-the-history-of-japan-musashib-benkei-11551189-popularly-called-benke-image344264898.htmlRM2B02HAX–Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benke
. Review of reviews and world's work . THE END OK THE CORONATION SEES THE LORDS* THE UNPOPVLAR PEER: CHEER UP, OLD TOP!VETO FIGHT ON AGAIN THATS NOTHING TO WHATs COMING TO Me! From the Ihra!it (Montreal) From the Oregonian (Portland). ADMIRAL TOGO, WHO WILL BE THE GUEST OF THE UNITED STATES THIS MONTH (The Japanese admiral, who is a lover of children, is here shown with a British sailor boy,the eldest son of Rear Admiral Dundas) ADMIRAL TOGO, TYPE OF SAMURAI BY ADACHI KINNOSUKE npHE house of Togo Kichizaemon, a Sat-?*? suma samurai of modest station, and thefather of the celebrated Admiral, st Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/review-of-reviews-and-worlds-work-the-end-ok-the-coronation-sees-the-lords-the-unpopvlar-peer-cheer-up-old-top!veto-fight-on-again-thats-nothing-to-whats-coming-to-me!-from-the-ihra!it-montreal-from-the-oregonian-portland-admiral-togo-who-will-be-the-guest-of-the-united-states-this-month-the-japanese-admiral-who-is-a-lover-of-children-is-here-shown-with-a-british-sailor-boythe-eldest-son-of-rear-admiral-dundas-admiral-togo-type-of-samurai-by-adachi-kinnosuke-nphe-house-of-togo-kichizaemon-a-sat-suma-samurai-of-modest-station-and-thefather-of-the-celebrated-admiral-st-image369767542.htmlRM2CDGA7J–. Review of reviews and world's work . THE END OK THE CORONATION SEES THE LORDS* THE UNPOPVLAR PEER: CHEER UP, OLD TOP!VETO FIGHT ON AGAIN THATS NOTHING TO WHATs COMING TO Me! From the Ihra!it (Montreal) From the Oregonian (Portland). ADMIRAL TOGO, WHO WILL BE THE GUEST OF THE UNITED STATES THIS MONTH (The Japanese admiral, who is a lover of children, is here shown with a British sailor boy,the eldest son of Rear Admiral Dundas) ADMIRAL TOGO, TYPE OF SAMURAI BY ADACHI KINNOSUKE npHE house of Togo Kichizaemon, a Sat-?*? suma samurai of modest station, and thefather of the celebrated Admiral, st
Episode in the Life of Prince Genji during His Exile at Suma, Chōbunsai Eishi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-episode-in-the-life-of-prince-genji-during-his-exile-at-suma-chbunsai-162406477.htmlRMKC6739–Episode in the Life of Prince Genji during His Exile at Suma, Chōbunsai Eishi
Suma, from the series 'A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)'. Chobunsai Eishi; Japanese, 1756-1829. Date: 1784-1799. Dimensions: 38.7 x 25.4 cm (15 1/4 x 10 in.). Color woodblock print; right sheet of oban triptych (left sheet: 1925.3103). Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suma-from-the-series-a-fashionable-parody-of-the-tale-of-genji-furyu-yatsushi-genji-chobunsai-eishi-japanese-1756-1829-date-1784-1799-dimensions-387-x-254-cm-15-14-x-10-in-color-woodblock-print-right-sheet-of-oban-triptych-left-sheet-19253103-origin-japan-museum-the-chicago-art-institute-image240102379.htmlRMRXHH0Y–Suma, from the series 'A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)'. Chobunsai Eishi; Japanese, 1756-1829. Date: 1784-1799. Dimensions: 38.7 x 25.4 cm (15 1/4 x 10 in.). Color woodblock print; right sheet of oban triptych (left sheet: 1925.3103). Origin: Japan. Museum: The Chicago Art Institute.
Matsukaze Murasame, Hishikawa Moronobu, ca. 1675–80 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-matsukaze-murasame-hishikawa-moronobu-ca-167580-162415512.htmlRMKC6JJ0–Matsukaze Murasame, Hishikawa Moronobu, ca. 1675–80
Junior high school girls holding notebooks in the classroom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/junior-high-school-girls-holding-notebooks-in-the-classroom-image545533279.htmlRF2PKF57B–Junior high school girls holding notebooks in the classroom
Suma-dera temple at Suma in Japan. View of the vermilion pagoda towering up over viewer showing details of the ornate roof eaves. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-suma-dera-temple-at-suma-in-japan-view-of-the-vermilion-pagoda-towering-82741815.htmlRMEPH60R–Suma-dera temple at Suma in Japan. View of the vermilion pagoda towering up over viewer showing details of the ornate roof eaves.
A ILHA DE MORAES (1984), directed by PAULO ROCHA. Credit: Suma Filmes / Album Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-ilha-de-moraes-1984-directed-by-paulo-rocha-credit-suma-filmes-album-image544302171.htmlRM2PHF2Y7–A ILHA DE MORAES (1984), directed by PAULO ROCHA. Credit: Suma Filmes / Album
THE ISLAND OF LOVE (1982) -Original title: A ILHA DOS AMORES-, directed by PAULO ROCHA. Credit: Suma Filmes / Album Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-island-of-love-1982-original-title-a-ilha-dos-amores-directed-by-paulo-rocha-credit-suma-filmes-album-image544302196.htmlRM2PHF304–THE ISLAND OF LOVE (1982) -Original title: A ILHA DOS AMORES-, directed by PAULO ROCHA. Credit: Suma Filmes / Album
Aprartment building at Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aprartment-building-at-suma-beach-and-seaside-park-near-kobe-city-hyougo-prefecture-japan-image350149984.htmlRF2B9JKTG–Aprartment building at Suma beach and Seaside Park, near Kobe city, Hyougo Prefecture, Japan.
Yukihira and Two Brinemaidens at Suma, 18th century. Edo period (1615-1868) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/yukihira-and-two-brinemaidens-at-suma-18th-century-edo-period-1615-1868-image343006915.htmlRM2AX18PY–Yukihira and Two Brinemaidens at Suma, 18th century. Edo period (1615-1868)
Art inspired by 近江八景之内 石山秋月, The Autumn Moon at Ishiyama on Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 15/32 in. (25.1 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)), Ishiyama, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-autumn-moon-at-ishiyama-on-lake-biwa-edo-period-16151868-ca-1835-japan-polychrome-woodblock-print-ink-and-color-on-paper-9-78-x-14-1532-in-251-x-368-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-ishiyama-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462904022.htmlRF2HW32PE–Art inspired by 近江八景之内 石山秋月, The Autumn Moon at Ishiyama on Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 15/32 in. (25.1 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)), Ishiyama, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benke Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minamoto-no-yoshitsune-1159-june-15-1189-was-a-general-of-the-minamoto-clan-of-japan-in-the-late-heian-and-early-kamakura-period-yoshitsune-was-the-ninth-son-of-minamoto-no-yoshitomo-and-the-third-and-final-son-and-child-that-yoshitomo-would-father-with-tokiwa-gozen-yoshitsunes-older-brother-minamoto-no-yoritomo-the-third-son-of-yoshitomo-founded-the-kamakura-shogunate-he-is-considered-one-of-the-greatest-and-the-most-popular-warriors-of-his-era-and-one-of-the-most-famous-samurai-fighters-in-the-history-of-japan-musashib-benkei-11551189-popularly-called-benke-image344264901.htmlRM2B02HB1–Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan. Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benke
The Brine Maidens of Suma, from the series 'A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1778-1789. Dimensions: 38.3 x 25.5 cm. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-brine-maidens-of-suma-from-the-series-a-brocade-of-eastern-manners-fuzoku-azuma-no-nishiki-torii-kiyonaga-japanese-1752-1815-date-1778-1789-dimensions-383-x-255-cm-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image240177876.htmlRMRXN198–The Brine Maidens of Suma, from the series 'A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)'. Torii Kiyonaga; Japanese, 1752-1815. Date: 1778-1789. Dimensions: 38.3 x 25.5 cm. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
近江八景之内 石山秋月, The Autumn Moon at Ishiyama on Lake Biwa, Utagawa Hiroshige, ca. 1835 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-autumn-moon-at-ishiyama-on-lake-biwa-utagawa-hiroshige-ca-1835-162404566.htmlRMKC64K2–近江八景之内 石山秋月, The Autumn Moon at Ishiyama on Lake Biwa, Utagawa Hiroshige, ca. 1835
Junior High School Girl Studying in Classroom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/junior-high-school-girl-studying-in-classroom-image545534222.htmlRF2PKF6D2–Junior High School Girl Studying in Classroom
Close up view along four sitting Jizo bosatsu statues with red bibs in asunlight, outdoors at the Suma Dera temple at Suma, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-close-up-view-along-four-sitting-jizo-bosatsu-statues-with-red-bibs-82741834.htmlRMEPH61E–Close up view along four sitting Jizo bosatsu statues with red bibs in asunlight, outdoors at the Suma Dera temple at Suma, Japan.
Search Results for Suma japanese Stock Photos and Images (358)
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