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Tambour work Stock Photos and Images
Turkish Pillow cover, 19th Century, embroidered in coloured threads. silks on cotton. Chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green. From the collection of William Morris, Bequeathed by May Morris, 1939., Applied Arts, Asia, Textiles, Turkey, Flower, Embroidery, Sewing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkish-pillow-cover-19th-century-embroidered-in-coloured-threads-silks-on-cotton-chain-stitch-and-french-knots-tambour-work-scrolling-floral-design-peonies-in-shades-of-pink-yellow-and-green-from-the-collection-of-william-morris-bequeathed-by-may-morris-1939-applied-arts-asia-textiles-turkey-flower-embroidery-sewing-image387017368.htmlRM2DDJ4GT–Turkish Pillow cover, 19th Century, embroidered in coloured threads. silks on cotton. Chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green. From the collection of William Morris, Bequeathed by May Morris, 1939., Applied Arts, Asia, Textiles, Turkey, Flower, Embroidery, Sewing
Cap, 1825/50, Possibly United States, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), 30.4 x 21 cm (12 x 8 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-182550-possibly-united-states-cotton-machine-made-twist-net-embroidered-with-cotton-and-linen-in-chain-stitches-tambour-work-304-x-21-cm-12-x-8-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349707556.htmlRF2B8XFFG–Cap, 1825/50, Possibly United States, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), 30.4 x 21 cm (12 x 8 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Doily, Medium: linen Technique: embroidery on net, machine net with Tambour work, Circular doily with a leaf and lozenge border., England, 19th century, lace, Doily Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doily-medium-linen-technique-embroidery-on-net-machine-net-with-tambour-work-circular-doily-with-a-leaf-and-lozenge-border-england-19th-century-lace-doily-image391210117.htmlRM2DMD4DW–Doily, Medium: linen Technique: embroidery on net, machine net with Tambour work, Circular doily with a leaf and lozenge border., England, 19th century, lace, Doily
Embroidered Machine Lace Handkerchief, late 19th century. Ireland, Limerick, late 19th century. Linen center with wide border of tambour work in white cotton on machine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embroidered-machine-lace-handkerchief-late-19th-century-ireland-limerick-late-19th-century-linen-center-with-wide-border-of-tambour-work-in-white-cotton-on-machine-image613942058.htmlRM2XJRDA2–Embroidered Machine Lace Handkerchief, late 19th century. Ireland, Limerick, late 19th century. Linen center with wide border of tambour work in white cotton on machine.
Cap, 1825/50, Possibly United States, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), 30.4 x 21 cm (12 x 8 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-182550-possibly-united-states-cotton-machine-made-twist-net-embroidered-with-cotton-and-linen-in-chain-stitches-tambour-work-304-x-21-cm-12-x-8-14-in-image328638883.htmlRM2A2JP6Y–Cap, 1825/50, Possibly United States, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), 30.4 x 21 cm (12 x 8 1/4 in
Madame de Pompadour (1721-1764) at her Tambour Frame. Museum: National Gallery, London. Author: Drouais, François-Hubert. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madame-de-pompadour-1721-1764-at-her-tambour-frame-museum-national-gallery-london-author-drouais-franois-hubert-image231420564.htmlRMRCE384–Madame de Pompadour (1721-1764) at her Tambour Frame. Museum: National Gallery, London. Author: Drouais, François-Hubert.
Scarf. Research in ProgressSheer white voile scarf embroidery in tambour work with gold. Design of floral motifs, star and crescent and conventionalized Arabic script. Worn with harem costume. Scarf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scarf-research-in-progresssheer-white-voile-scarf-embroidery-in-tambour-work-with-gold-design-of-floral-motifs-star-and-crescent-and-conventionalized-arabic-script-worn-with-harem-costume-scarf-image352191048.htmlRM2BCYK7M–Scarf. Research in ProgressSheer white voile scarf embroidery in tambour work with gold. Design of floral motifs, star and crescent and conventionalized Arabic script. Worn with harem costume. Scarf
Equipment and ingredients for Tambour embroidery or tambour work Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equipment-and-ingredients-for-tambour-embroidery-or-tambour-work-image336932667.htmlRF2AG4H1F–Equipment and ingredients for Tambour embroidery or tambour work
A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 19 November 1921 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-little-known-industry-in-essex-a-centuries-old-industry-is-being-carried-on-in-the-cottages-at-coggeshall-where-tambour-lace-is-still-made-by-the-villagers-for-the-london-market-mr-and-mrs-bartrolomew-at-work-mrs-bartholomew-has-been-employed-at-lace-making-since-9-years-of-age-to-her-present-age-of-68-19-november-1921-image359633265.htmlRM2BW2KW5–A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 19 November 1921
Pleated Fan (France); painted and gilded silk leaf with tambour work and metallic spangles, carved and pierced ivory sticks, mother-of-pearl backing on guards, glass stone at the rivet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pleated-fan-france-painted-and-gilded-silk-leaf-with-tambour-work-and-metallic-spangles-carved-and-pierced-ivory-sticks-mother-of-pearl-backing-on-guards-glass-stone-at-the-rivet-image546129644.htmlRM2PME9X4–Pleated Fan (France); painted and gilded silk leaf with tambour work and metallic spangles, carved and pierced ivory sticks, mother-of-pearl backing on guards, glass stone at the rivet
Turkish Pillow cover, 19th Century, embroidered in coloured threads. silks on cotton. Chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green... From the collection of William Morris, Bequeathed by May Morris, 1939. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkish-pillow-cover-19th-century-embroidered-in-coloured-threads-silks-on-cotton-chain-stitch-and-french-knots-tambour-work-scrolling-floral-design-peonies-in-shades-of-pink-yellow-and-green-from-the-collection-of-william-morris-bequeathed-by-may-morris-1939-image551025004.htmlRM2R0DA0C–Turkish Pillow cover, 19th Century, embroidered in coloured threads. silks on cotton. Chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green... From the collection of William Morris, Bequeathed by May Morris, 1939.
London, UK. 19 June 2015. A Sotheby's staff member looks at Latifa Echakhch's 'Tambour 39' (est. £20k - £30k), at Sotheby's Impressionist, Modern & Contemporary Art preview, ahead of the sale on 24 June 2015. Leading the sale are Kazimir Malevich's, 'Suprematism, 18th Construction' and Edouard Manet’s 'Le Bar aux Folies-Bergère'. Credit: Stephen Chung / Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-uk-19-june-2015-a-sothebys-staff-member-looks-at-latifa-echakhchs-84371992.htmlRMEW7D9C–London, UK. 19 June 2015. A Sotheby's staff member looks at Latifa Echakhch's 'Tambour 39' (est. £20k - £30k), at Sotheby's Impressionist, Modern & Contemporary Art preview, ahead of the sale on 24 June 2015. Leading the sale are Kazimir Malevich's, 'Suprematism, 18th Construction' and Edouard Manet’s 'Le Bar aux Folies-Bergère'. Credit: Stephen Chung / Alamy Live News
Tambour major02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tambour-major02-132496634.htmlRMHKFMPJ–Tambour major02
Elderly lady in bright magenta blouse and spectacles is checking threads for making handmade print carpet in punchneedle embroidery technique in carpe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elderly-lady-in-bright-magenta-blouse-and-spectacles-is-checking-threads-for-making-handmade-print-carpet-in-punchneedle-embroidery-technique-in-carpe-image341958585.htmlRF2AT9FJH–Elderly lady in bright magenta blouse and spectacles is checking threads for making handmade print carpet in punchneedle embroidery technique in carpe
Female artist at mandala work in local handicraft shop Pokhara city Nepal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-artist-at-mandala-work-in-local-handicraft-shop-pokhara-city-image6665720.htmlRMA6XFY9–Female artist at mandala work in local handicraft shop Pokhara city Nepal
Modular kitchen with a tambour unit or roller shutter cupboard Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/modular-kitchen-with-a-tambour-unit-or-roller-shutter-cupboard-image234411389.htmlRFRHAA39–Modular kitchen with a tambour unit or roller shutter cupboard
Tambour Desk, c. 1800. The severely rectilinear form, delicate inlay, sliding tambour doors, and blue-painted interior of this small desk relate it to the work of the English-born cabinetmaker John Seymour and his son, Thomas, who were in partnership in Boston during the years around 1800. The Seymours made some of the most sophisticated American furniture in the Hepplewhite style, so-called from the Englishman whose publication of furniture designs was widely influential on both sides of the Atlantic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tambour-desk-c-1800-the-severely-rectilinear-form-delicate-inlay-sliding-tambour-doors-and-blue-painted-interior-of-this-small-desk-relate-it-to-the-work-of-the-english-born-cabinetmaker-john-seymour-and-his-son-thomas-who-were-in-partnership-in-boston-during-the-years-around-1800-the-seymours-made-some-of-the-most-sophisticated-american-furniture-in-the-hepplewhite-style-so-called-from-the-englishman-whose-publication-of-furniture-designs-was-widely-influential-on-both-sides-of-the-atlantic-image330123483.htmlRM2A52BTB–Tambour Desk, c. 1800. The severely rectilinear form, delicate inlay, sliding tambour doors, and blue-painted interior of this small desk relate it to the work of the English-born cabinetmaker John Seymour and his son, Thomas, who were in partnership in Boston during the years around 1800. The Seymours made some of the most sophisticated American furniture in the Hepplewhite style, so-called from the Englishman whose publication of furniture designs was widely influential on both sides of the Atlantic.
Kemane kebab and tambour and other musical instruments at the Musician store in Istanbul and the seller is smiling Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kemane-kebab-and-tambour-and-other-musical-instruments-at-the-musician-store-in-istanbul-and-the-seller-is-smiling-image627270748.htmlRM2YCEJ6M–Kemane kebab and tambour and other musical instruments at the Musician store in Istanbul and the seller is smiling
Europe, France, Occitanie, Languedoc-Roussillon, Roussillon, Pyrenees-Orientales, Banyuls-sur-Mer, Tambour winery, batonnage work in a winery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-france-occitanie-languedoc-roussillon-roussillon-pyrenees-orientales-banyuls-sur-mer-tambour-winery-batonnage-work-in-a-winery-image367684590.htmlRM2CA5DCE–Europe, France, Occitanie, Languedoc-Roussillon, Roussillon, Pyrenees-Orientales, Banyuls-sur-Mer, Tambour winery, batonnage work in a winery
Tambour embroidery. Little girl embroiders using needle, thread and lace frame. February 2, 2019. Kiev, Ukraine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tambour-embroidery-little-girl-embroiders-using-needle-thread-and-lace-frame-february-2-2019-kiev-ukraine-image538979638.htmlRF2P8TJ0P–Tambour embroidery. Little girl embroiders using needle, thread and lace frame. February 2, 2019. Kiev, Ukraine
Shawl (Incomplete), 1825/75, Probably France, France, Cotton, machine-made twist net, embroidered in chain stitches (tambour work), 107.2 × 227.5 cm (42 1/2 × 89 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shawl-incomplete-182575-probably-france-france-cotton-machine-made-twist-net-embroidered-in-chain-stitches-tambour-work-1072-2275-cm-42-12-89-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349730666.htmlRF2B8YH0X–Shawl (Incomplete), 1825/75, Probably France, France, Cotton, machine-made twist net, embroidered in chain stitches (tambour work), 107.2 × 227.5 cm (42 1/2 × 89 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Baugeruest am Berliner Dom Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuetzung der Deutschen Stiftung Den Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baugeruest-am-berliner-dom-foto-vom-240402024-der-tambour-des-berliner-doms-muss-wegen-massiver-schaeden-restauriert-werden-die-geschaeftsfuehrerin-des-doms-mareike-windorf-sagte-am-mittwoch-zum-auftakt-einer-spendenkampagne-fuer-die-instandsetzungsarbeiten-an-dem-bauteil-unter-der-kuppel-die-umfassende-massnahme-sei-dringend-erforderlich-der-tambour-muesse-vor-weiteren-verlusten-an-den-oberflaechen-geschuetzt-werden-die-hohen-kosten-fuer-die-noetigen-arbeiten-koennen-laut-windorf-nicht-von-der-domgemeinde-allein-getragen-werden-dafuer-sei-die-unterstuetzung-der-deutschen-stiftung-den-image604364374.htmlRM2X374WX–Baugeruest am Berliner Dom Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuetzung der Deutschen Stiftung Den
Hands stitching gold-threaded embroidery on tambour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hands-stitching-gold-threaded-embroidery-on-tambour-109506402.htmlRFGA4CEX–Hands stitching gold-threaded embroidery on tambour
Shawl (Incomplete), 1825/75, Probably France, France, Cotton, machine-made twist net, embroidered in chain stitches (tambour work), 107.2 × 227.5 cm (42 1/2 × 89 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shawl-incomplete-182575-probably-france-france-cotton-machine-made-twist-net-embroidered-in-chain-stitches-tambour-work-1072-2275-cm-42-12-89-12-in-image328650500.htmlRM2A2K91T–Shawl (Incomplete), 1825/75, Probably France, France, Cotton, machine-made twist net, embroidered in chain stitches (tambour work), 107.2 × 227.5 cm (42 1/2 × 89 1/2 in
Cap. Possibly United States. Date: 1825-1850. Dimensions: 30.4 x 21 cm (12 x 8 1/4 in.). Cotton, machine-made twist net; embroidered with cotton and linen in chain stitches (tambour work). Origin: United States. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-possibly-united-states-date-1825-1850-dimensions-304-x-21-cm-12-x-8-14-in-cotton-machine-made-twist-net-embroidered-with-cotton-and-linen-in-chain-stitches-tambour-work-origin-united-states-museum-the-chicago-art-institute-image240136730.htmlRMRXK4RP–Cap. Possibly United States. Date: 1825-1850. Dimensions: 30.4 x 21 cm (12 x 8 1/4 in.). Cotton, machine-made twist net; embroidered with cotton and linen in chain stitches (tambour work). Origin: United States. Museum: The Chicago Art Institute.
Dress panel fragment. Part of the front panel from a dress. White satin embroidered with tambour work in multicolored pastel silks and chartreuse green chenille. Design of sprays of roses, violets and other flowers entwined with garlands of tiny roses. Field has tiny flower sprigs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-panel-fragment-part-of-the-front-panel-from-a-dress-white-satin-embroidered-with-tambour-work-in-multicolored-pastel-silks-and-chartreuse-green-chenille-design-of-sprays-of-roses-violets-and-other-flowers-entwined-with-garlands-of-tiny-roses-field-has-tiny-flower-sprigs-image353533076.htmlRM2BF4R18–Dress panel fragment. Part of the front panel from a dress. White satin embroidered with tambour work in multicolored pastel silks and chartreuse green chenille. Design of sprays of roses, violets and other flowers entwined with garlands of tiny roses. Field has tiny flower sprigs.
tulip flower shape embroidery satin work Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tulip-flower-shape-embroidery-satin-work-image476305204.htmlRF2JJWG44–tulip flower shape embroidery satin work
A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-little-known-industry-in-essex-a-centuries-old-industry-is-being-carried-on-in-the-cottages-at-coggeshall-where-tambour-lace-is-still-made-by-the-villagers-for-the-london-market-mrs-bartrolomew-at-work-mrs-bartholomew-has-been-employed-at-lace-making-since-9-years-of-age-to-her-present-age-of-68-14-november-1919-image359630171.htmlRM2BW2FXK–A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919.
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 1. Shaped-Front Sideboard, Tapered Legs, Spade Feet,Tambour Work in Lower Part of Central Section. Fig. 2. Swell or Bow Front, FrenchFeet, Shaped Apron, Satinwood Inlay ? 1 zr1 % y 11 f7 * iTi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-fig-1-shaped-front-sideboard-tapered-legs-spade-feettambour-work-in-lower-part-of-central-section-fig-2-swell-or-bow-front-frenchfeet-shaped-apron-satinwood-inlay-1-zr1-y-11-f7-iti-image342809115.htmlRM2AWM8EK–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 1. Shaped-Front Sideboard, Tapered Legs, Spade Feet,Tambour Work in Lower Part of Central Section. Fig. 2. Swell or Bow Front, FrenchFeet, Shaped Apron, Satinwood Inlay ? 1 zr1 % y 11 f7 * iTi
Turkish Pillow cover, 19th Century, embroidered in coloured threads. silks on cotton. Chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green... From the collection of William Morris, Bequeathed by May Morris, 1939. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turkish-pillow-cover-19th-century-embroidered-in-coloured-threads-silks-on-cotton-chain-stitch-and-french-knots-tambour-work-scrolling-floral-design-peonies-in-shades-of-pink-yellow-and-green-from-the-collection-of-william-morris-bequeathed-by-may-morris-1939-image551014164.htmlRM2R0CT58–Turkish Pillow cover, 19th Century, embroidered in coloured threads. silks on cotton. Chain stitch and french knots, tambour work. Scrolling floral design, peonies in shades of pink, yellow and green... From the collection of William Morris, Bequeathed by May Morris, 1939.
The accessories and the tools for embroidery are on the table - a cross-stitch, a tambour, the bobbins of coloured mouline, a notebook, a pencil and t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-accessories-and-the-tools-for-embroidery-are-on-the-table-a-cross-stitch-a-tambour-the-bobbins-of-coloured-mouline-a-notebook-a-pencil-and-t-image181427537.htmlRFMF4MJW–The accessories and the tools for embroidery are on the table - a cross-stitch, a tambour, the bobbins of coloured mouline, a notebook, a pencil and t
Embroidered Machine Lace Handkerchief, late 19th century. Ireland, Limerick, late 19th century. Linen center with wide border of tambour work in white cotton on machine net; average: 29.9 x 28.6 cm (11 3/4 x 11 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embroidered-machine-lace-handkerchief-late-19th-century-ireland-limerick-late-19th-century-linen-center-with-wide-border-of-tambour-work-in-white-cotton-on-machine-net-average-299-x-286-cm-11-34-x-11-14-in-image448083588.htmlRM2H0YY58–Embroidered Machine Lace Handkerchief, late 19th century. Ireland, Limerick, late 19th century. Linen center with wide border of tambour work in white cotton on machine net; average: 29.9 x 28.6 cm (11 3/4 x 11 1/4 in.).
Bildnis eines Knaben als Tambour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bildnis-eines-knaben-als-tambour-132728586.htmlRMHKX8JJ–Bildnis eines Knaben als Tambour
Baptismal cushion of Tulboard Duurwerk, Anonymous, c. 1840 - c. 1849 Baptismal cushion of natural -colored lace bobbins: tuler boarding on mechanical tulle. Along the edges of tambour work on mechanical tulle and in the corners, applications are attached to the tulle, above the lining of cream -colored silk satin. Rectangular model, filled. The applications concern three flower branches per corner with two rosette flowers and two clock flowers on each branch. A V-shaped frame has been realized with four feathered leaves around the flower branches. The applications were made by embroidering flo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baptismal-cushion-of-tulboard-duurwerk-anonymous-c-1840-c-1849-baptismal-cushion-of-natural-colored-lace-bobbins-tuler-boarding-on-mechanical-tulle-along-the-edges-of-tambour-work-on-mechanical-tulle-and-in-the-corners-applications-are-attached-to-the-tulle-above-the-lining-of-cream-colored-silk-satin-rectangular-model-filled-the-applications-concern-three-flower-branches-per-corner-with-two-rosette-flowers-and-two-clock-flowers-on-each-branch-a-v-shaped-frame-has-been-realized-with-four-feathered-leaves-around-the-flower-branches-the-applications-were-made-by-embroidering-flo-image587485391.htmlRM2W3P7H3–Baptismal cushion of Tulboard Duurwerk, Anonymous, c. 1840 - c. 1849 Baptismal cushion of natural -colored lace bobbins: tuler boarding on mechanical tulle. Along the edges of tambour work on mechanical tulle and in the corners, applications are attached to the tulle, above the lining of cream -colored silk satin. Rectangular model, filled. The applications concern three flower branches per corner with two rosette flowers and two clock flowers on each branch. A V-shaped frame has been realized with four feathered leaves around the flower branches. The applications were made by embroidering flo
Elderly lady in bright magenta blouse and spectacles is checking threads for making handmade print carpet in punchneedle embroidery technique in carpe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elderly-lady-in-bright-magenta-blouse-and-spectacles-is-checking-threads-for-making-handmade-print-carpet-in-punchneedle-embroidery-technique-in-carpe-image341958578.htmlRF2AT9FJA–Elderly lady in bright magenta blouse and spectacles is checking threads for making handmade print carpet in punchneedle embroidery technique in carpe
Roller shutter cupboard or tambour in a modern fitted kitchen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roller-shutter-cupboard-or-tambour-in-a-modern-fitted-kitchen-image234411400.htmlRFRHAA3M–Roller shutter cupboard or tambour in a modern fitted kitchen
Shawl (Incomplete), France, 1825/75. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shawl-incomplete-france-182575-image457028406.htmlRM2HFFCB2–Shawl (Incomplete), France, 1825/75.
Cross stitch work with embroidery hoop. Home is where the heart is. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cross-stitch-work-with-embroidery-hoop-home-is-where-the-heart-is-image499108035.htmlRF2M009AY–Cross stitch work with embroidery hoop. Home is where the heart is.
Lesson of tambour embroidery. Little girl embroiders using needle, thread and lace frame. February 2, 2019. Kiev, Ukraine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lesson-of-tambour-embroidery-little-girl-embroiders-using-needle-thread-and-lace-frame-february-2-2019-kiev-ukraine-image461515079.htmlRF2HPRR5B–Lesson of tambour embroidery. Little girl embroiders using needle, thread and lace frame. February 2, 2019. Kiev, Ukraine
Panel (Possibly a Chasuble Back), 1725/75, France, Silk, plain weave embroidered with silk in machine-made chain stitches (tambour work), French knots, 95 × 72.2 cm (37 3/8 × 28 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-possibly-a-chasuble-back-172575-france-silk-plain-weave-embroidered-with-silk-in-machine-made-chain-stitches-tambour-work-french-knots-95-722-cm-37-38-28-38-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349734538.htmlRF2B8YNY6–Panel (Possibly a Chasuble Back), 1725/75, France, Silk, plain weave embroidered with silk in machine-made chain stitches (tambour work), French knots, 95 × 72.2 cm (37 3/8 × 28 3/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Schalenbildung am Mauerwerk des Tambour des Berliner Doms Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schalenbildung-am-mauerwerk-des-tambour-des-berliner-doms-foto-vom-240402024-der-tambour-des-berliner-doms-muss-wegen-massiver-schaeden-restauriert-werden-die-geschaeftsfuehrerin-des-doms-mareike-windorf-sagte-am-mittwoch-zum-auftakt-einer-spendenkampagne-fuer-die-instandsetzungsarbeiten-an-dem-bauteil-unter-der-kuppel-die-umfassende-massnahme-sei-dringend-erforderlich-der-tambour-muesse-vor-weiteren-verlusten-an-den-oberflaechen-geschuetzt-werden-die-hohen-kosten-fuer-die-noetigen-arbeiten-koennen-laut-windorf-nicht-von-der-domgemeinde-allein-getragen-werden-dafuer-sei-die-unterstuet-image604364370.htmlRM2X374WP–Schalenbildung am Mauerwerk des Tambour des Berliner Doms Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuet
Prussian troops in 1806, soldiers in uniform, carpenter, tambour or drummer, miner or layer of an explosive charge, cuirassier, infantryman, weapons, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prussian-troops-in-1806-soldiers-in-uniform-carpenter-tambour-or-drummer-miner-or-layer-of-an-explosive-charge-cuirassier-infantryman-weapons-image618482850.htmlRM2XX6956–Prussian troops in 1806, soldiers in uniform, carpenter, tambour or drummer, miner or layer of an explosive charge, cuirassier, infantryman, weapons,
Cap, 1850/1900, France, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), darning, overcast, and wave filling stitches, 48.3 × 34.3 cm (19 × 13 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-18501900-france-cotton-machine-made-twist-net-embroidered-with-cotton-and-linen-in-chain-stitches-tambour-work-darning-overcast-and-wave-filling-stitches-483-343-cm-19-13-12-in-image328618150.htmlRM2A2HRPE–Cap, 1850/1900, France, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), darning, overcast, and wave filling stitches, 48.3 × 34.3 cm (19 × 13 1/2 in
Cover. India, Bengal. Date: 1601-1650. Dimensions: 301 x 237.5 cm (118 1/2 x 93 in.). Three panels joined: silk (tussar), plain weave; embroidered with cotton in chain (tambour work) stitches; lining: cotton, plain weave; edging: silk, plain weave with looped and plied warp fringe; attached silk and cotton tassels at all four corners. Origin: India. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cover-india-bengal-date-1601-1650-dimensions-301-x-2375-cm-118-12-x-93-in-three-panels-joined-silk-tussar-plain-weave-embroidered-with-cotton-in-chain-tambour-work-stitches-lining-cotton-plain-weave-edging-silk-plain-weave-with-looped-and-plied-warp-fringe-attached-silk-and-cotton-tassels-at-all-four-corners-origin-india-museum-the-chicago-art-institute-image240098564.htmlRMRXHC4M–Cover. India, Bengal. Date: 1601-1650. Dimensions: 301 x 237.5 cm (118 1/2 x 93 in.). Three panels joined: silk (tussar), plain weave; embroidered with cotton in chain (tambour work) stitches; lining: cotton, plain weave; edging: silk, plain weave with looped and plied warp fringe; attached silk and cotton tassels at all four corners. Origin: India. Museum: The Chicago Art Institute.
Shawl (Incomplete). 1825–1875. France. Cotton, machine-made twist net; embroidered in chain stitches (tambour work) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shawl-incomplete-18251875-france-cotton-machine-made-twist-net-embroidered-in-chain-stitches-tambour-work-image337980942.htmlRM2AHTA3X–Shawl (Incomplete). 1825–1875. France. Cotton, machine-made twist net; embroidered in chain stitches (tambour work)
Wooden tambour frame isolated on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-wooden-tambour-frame-isolated-on-white-background-163265128.htmlRFKDHA9C–Wooden tambour frame isolated on white background
A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-little-known-industry-in-essex-a-centuries-old-industry-is-being-carried-on-in-the-cottages-at-coggeshall-where-tambour-lace-is-still-made-by-the-villagers-for-the-london-market-mr-and-mrs-bartrolomew-at-work-mrs-bartholomew-has-been-employed-at-lace-making-since-9-years-of-age-to-her-present-age-of-68-14-november-1919-image359631362.htmlRM2BW2HD6–A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919.
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 3. Straight-Front Sideboard, Deep Ends,Short Turned Legs, American Type. Fig. 4. Secretary Cabinet, Tambour Work, Shaped Top, Spiked Ball Finials Fig. 5. Veneered and Inlaid Wardrobe, Oval and Round Panels, Shaped Apron Key Plate XIV EMPIRE PERIOD, 1793-1830Material Usually Mahogany See Text Pages 274-285 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-fig-3-straight-front-sideboard-deep-endsshort-turned-legs-american-type-fig-4-secretary-cabinet-tambour-work-shaped-top-spiked-ball-finials-fig-5-veneered-and-inlaid-wardrobe-oval-and-round-panels-shaped-apron-key-plate-xiv-empire-period-1793-1830material-usually-mahogany-see-text-pages-274-285-image342808516.htmlRM2AWM7N8–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 3. Straight-Front Sideboard, Deep Ends,Short Turned Legs, American Type. Fig. 4. Secretary Cabinet, Tambour Work, Shaped Top, Spiked Ball Finials Fig. 5. Veneered and Inlaid Wardrobe, Oval and Round Panels, Shaped Apron Key Plate XIV EMPIRE PERIOD, 1793-1830Material Usually Mahogany See Text Pages 274-285
A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 19 November 1921 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-little-known-industry-in-essex-a-centuries-old-industry-is-being-carried-on-in-the-cottages-at-coggeshall-where-tambour-lace-is-still-made-by-the-villagers-for-the-london-market-mr-and-mrs-bartrolomew-at-work-mrs-bartholomew-has-been-employed-at-lace-making-since-9-years-of-age-to-her-present-age-of-68-19-november-1921-image623728537.htmlRM2Y6N835–A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 19 November 1921
wooden tambour frame standing on desk in sewing store Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wooden-tambour-frame-standing-on-desk-in-sewing-store-170557144.htmlRFKWDFAG–wooden tambour frame standing on desk in sewing store
Close up of female hands that holding tambour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-female-hands-that-holding-tambour-image328832617.htmlRF2A2YHA1–Close up of female hands that holding tambour
Aline Duval dans Tambour battant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aline-duval-dans-tambour-battant-132512784.htmlRMHKGDBC–Aline Duval dans Tambour battant
Fragment cotton with multi -colored embroidery in silk, c. 1675 - c. 1725 Fragment, presumably from the same bedspread as BK-NM-3613, of tambour work on cotton. The pattern has thin spiral vines, on which rosette flowers, pebbles, pomegranates, berries and leaves. Bed linen, possibly a bedspread. Persia cotton (textile). silk embroidering Fragment, presumably from the same bedspread as BK-NM-3613, of tambour work on cotton. The pattern has thin spiral vines, on which rosette flowers, pebbles, pomegranates, berries and leaves. Bed linen, possibly a bedspread. Persia cotton (textile). silk embro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-cotton-with-multi-colored-embroidery-in-silk-c-1675-c-1725-fragment-presumably-from-the-same-bedspread-as-bk-nm-3613-of-tambour-work-on-cotton-the-pattern-has-thin-spiral-vines-on-which-rosette-flowers-pebbles-pomegranates-berries-and-leaves-bed-linen-possibly-a-bedspread-persia-cotton-textile-silk-embroidering-fragment-presumably-from-the-same-bedspread-as-bk-nm-3613-of-tambour-work-on-cotton-the-pattern-has-thin-spiral-vines-on-which-rosette-flowers-pebbles-pomegranates-berries-and-leaves-bed-linen-possibly-a-bedspread-persia-cotton-textile-silk-embro-image587081117.htmlRM2W33RXN–Fragment cotton with multi -colored embroidery in silk, c. 1675 - c. 1725 Fragment, presumably from the same bedspread as BK-NM-3613, of tambour work on cotton. The pattern has thin spiral vines, on which rosette flowers, pebbles, pomegranates, berries and leaves. Bed linen, possibly a bedspread. Persia cotton (textile). silk embroidering Fragment, presumably from the same bedspread as BK-NM-3613, of tambour work on cotton. The pattern has thin spiral vines, on which rosette flowers, pebbles, pomegranates, berries and leaves. Bed linen, possibly a bedspread. Persia cotton (textile). silk embro
Le Militaire et le Petit Tambour Giuseppe Angeli Musee du Louvre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-le-militaire-et-le-petit-tambour-giuseppe-angeli-musee-du-louvre-132497498.htmlRMHKFNWE–Le Militaire et le Petit Tambour Giuseppe Angeli Musee du Louvre
Hands of elderly lady in bright magenta blouse that is making handmade print carpet in punchneedle embroidery technique. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hands-of-elderly-lady-in-bright-magenta-blouse-that-is-making-handmade-129233127.htmlRFHE724R–Hands of elderly lady in bright magenta blouse that is making handmade print carpet in punchneedle embroidery technique.
Compagnie de Charost de la Maison du Roy (Gardes du corps avec tambour et trompette) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-compagnie-de-charost-de-la-maison-du-roy-gardes-du-corps-avec-tambour-132482377.htmlRMHKF2HD–Compagnie de Charost de la Maison du Roy (Gardes du corps avec tambour et trompette)
Fichu, France, 1850/75. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fichu-france-185075-image457028391.htmlRM2HFFCAF–Fichu, France, 1850/75.
Lesson of tambour embroidery. Little girl embroiders using needle, thread and lace frame. February 2, 2019. Kiev, Ukraine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lesson-of-tambour-embroidery-little-girl-embroiders-using-needle-thread-and-lace-frame-february-2-2019-kiev-ukraine-image461515068.htmlRF2HPRR50–Lesson of tambour embroidery. Little girl embroiders using needle, thread and lace frame. February 2, 2019. Kiev, Ukraine
Mixed lace veil with thin tendrils, Veil or natural colored mixed lace veil: lace embroidery of tambour work on machine tulle - Lierse lace - in combination with appliqué bobbin lace. A rectangular tulle is sculpted on three sides and adorned on one of the long sides with an edge of thin spiral ribbons (chain stitches) with roses (bobbin lace)., anonymous, Belgium (possibly), c. 1900 - c. 1924, linen (material), mixed lace, l 140 cm × w 41 cm ×, 14.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mixed-lace-veil-with-thin-tendrils-veil-or-natural-colored-mixed-lace-veil-lace-embroidery-of-tambour-work-on-machine-tulle-lierse-lace-in-combination-with-appliqu-bobbin-lace-a-rectangular-tulle-is-sculpted-on-three-sides-and-adorned-on-one-of-the-long-sides-with-an-edge-of-thin-spiral-ribbons-chain-stitches-with-roses-bobbin-lace-anonymous-belgium-possibly-c-1900-c-1924-linen-material-mixed-lace-l-140-cm-w-41-cm-145-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photo-image349963470.htmlRF2B9A5YA–Mixed lace veil with thin tendrils, Veil or natural colored mixed lace veil: lace embroidery of tambour work on machine tulle - Lierse lace - in combination with appliqué bobbin lace. A rectangular tulle is sculpted on three sides and adorned on one of the long sides with an edge of thin spiral ribbons (chain stitches) with roses (bobbin lace)., anonymous, Belgium (possibly), c. 1900 - c. 1924, linen (material), mixed lace, l 140 cm × w 41 cm ×, 14.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photo
Baugeruest am Berliner Dom Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuetzung der Deutschen Stiftung Den Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baugeruest-am-berliner-dom-foto-vom-240402024-der-tambour-des-berliner-doms-muss-wegen-massiver-schaeden-restauriert-werden-die-geschaeftsfuehrerin-des-doms-mareike-windorf-sagte-am-mittwoch-zum-auftakt-einer-spendenkampagne-fuer-die-instandsetzungsarbeiten-an-dem-bauteil-unter-der-kuppel-die-umfassende-massnahme-sei-dringend-erforderlich-der-tambour-muesse-vor-weiteren-verlusten-an-den-oberflaechen-geschuetzt-werden-die-hohen-kosten-fuer-die-noetigen-arbeiten-koennen-laut-windorf-nicht-von-der-domgemeinde-allein-getragen-werden-dafuer-sei-die-unterstuetzung-der-deutschen-stiftung-den-image604364269.htmlRM2X374P5–Baugeruest am Berliner Dom Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuetzung der Deutschen Stiftung Den
Wooden Hoop for cross stitch. A Tambour Frame for embroidery on a white background. 3d Rendering Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wooden-hoop-for-cross-stitch-a-tambour-frame-for-embroidery-on-a-white-background-3d-rendering-image364151893.htmlRF2C4CFCN–Wooden Hoop for cross stitch. A Tambour Frame for embroidery on a white background. 3d Rendering
Panel (Possibly a Chasuble Back), 1725/75, France, Silk, plain weave embroidered with silk in machine-made chain stitches (tambour work), French knots, 95 × 72.2 cm (37 3/8 × 28 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-possibly-a-chasuble-back-172575-france-silk-plain-weave-embroidered-with-silk-in-machine-made-chain-stitches-tambour-work-french-knots-95-722-cm-37-38-28-38-in-image328652680.htmlRM2A2KBRM–Panel (Possibly a Chasuble Back), 1725/75, France, Silk, plain weave embroidered with silk in machine-made chain stitches (tambour work), French knots, 95 × 72.2 cm (37 3/8 × 28 3/8 in
Panel. England or France, Lyon. Date: 1770-1775. Dimensions: 108 × 55.4 cm (42 1/2 × 21 3/4 in.) Warp repeat: 15.8 cm (6 1/4 in.). Silk, stripes of warp-float faced 7:1 satin weave; of satin weave self-patterned by main warp and ground weft floats over plain interlacings of secondary binding warps and ground wefts; and of plain weave with supplementary patterning warps; embroidered with silk in machine-made chain stitches (tambour work). Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-england-or-france-lyon-date-1770-1775-dimensions-108-554-cm-42-12-21-34-in-warp-repeat-158-cm-6-14-in-silk-stripes-of-warp-float-faced-71-satin-weave-of-satin-weave-self-patterned-by-main-warp-and-ground-weft-floats-over-plain-interlacings-of-secondary-binding-warps-and-ground-wefts-and-of-plain-weave-with-supplementary-patterning-warps-embroidered-with-silk-in-machine-made-chain-stitches-tambour-work-origin-england-museum-the-chicago-art-institute-image240139353.htmlRMRXK85D–Panel. England or France, Lyon. Date: 1770-1775. Dimensions: 108 × 55.4 cm (42 1/2 × 21 3/4 in.) Warp repeat: 15.8 cm (6 1/4 in.). Silk, stripes of warp-float faced 7:1 satin weave; of satin weave self-patterned by main warp and ground weft floats over plain interlacings of secondary binding warps and ground wefts; and of plain weave with supplementary patterning warps; embroidered with silk in machine-made chain stitches (tambour work). Origin: England. Museum: The Chicago Art Institute.
Cap. 1825–1850. United States. Cotton, machine-made twist net; embroidered with cotton and linen in chain stitches (tambour work) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-18251850-united-states-cotton-machine-made-twist-net-embroidered-with-cotton-and-linen-in-chain-stitches-tambour-work-image337945085.htmlRM2AHPMB9–Cap. 1825–1850. United States. Cotton, machine-made twist net; embroidered with cotton and linen in chain stitches (tambour work)
SEWING MACHINES.Willcox Gibbs letter;Wheeler Wilson;ordinary twisted Stitch 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sewing-machineswillcox-gibbs-letterwheeler-wilsonordinary-twisted-stitch-1880-image183049775.htmlRFMHPHRY–SEWING MACHINES.Willcox Gibbs letter;Wheeler Wilson;ordinary twisted Stitch 1880
Lesson of tambour embroidery. Little girl embroiders using needle, thread and lace frame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lesson-of-tambour-embroidery-little-girl-embroiders-using-needle-thread-and-lace-frame-image409984374.htmlRF2ER0B72–Lesson of tambour embroidery. Little girl embroiders using needle, thread and lace frame
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . I fen^rf^^^^^^ ^^1^?™ i . Fig. 7. Settee, Reeded-Vase, Baluster Arm Supports, Round Fig. 8. Sprung Front, Flap-TopReeded Legs Card Table, Straight Tapered Legs Key Plate XIII SHERATON STYLE—Continued. Fig. 1. Shaped-Front Sideboard, Tapered Legs, Spade Feet,Tambour Work in Lower Part of Central Section Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-i-fenrf-1-i-fig-7-settee-reeded-vase-baluster-arm-supports-round-fig-8-sprung-front-flap-topreeded-legs-card-table-straight-tapered-legs-key-plate-xiii-sheraton-stylecontinued-fig-1-shaped-front-sideboard-tapered-legs-spade-feettambour-work-in-lower-part-of-central-section-image342809465.htmlRM2AWM8Y5–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . I fen^rf^^^^^^ ^^1^?™ i . Fig. 7. Settee, Reeded-Vase, Baluster Arm Supports, Round Fig. 8. Sprung Front, Flap-TopReeded Legs Card Table, Straight Tapered Legs Key Plate XIII SHERATON STYLE—Continued. Fig. 1. Shaped-Front Sideboard, Tapered Legs, Spade Feet,Tambour Work in Lower Part of Central Section
A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-little-known-industry-in-essex-a-centuries-old-industry-is-being-carried-on-in-the-cottages-at-coggeshall-where-tambour-lace-is-still-made-by-the-villagers-for-the-london-market-mr-and-mrs-bartrolomew-at-work-mrs-bartholomew-has-been-employed-at-lace-making-since-9-years-of-age-to-her-present-age-of-68-14-november-1919-image623728516.htmlRM2Y6N82C–A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mr and Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919.
Bahnar (Ba Na) ethnic group. Craftsman buiilding a wooden snare drum. Kon Tum. Vietnam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bahnar-ba-na-ethnic-group-craftsman-buiilding-a-wooden-snare-drum-166356699.htmlRFKJJ5JK–Bahnar (Ba Na) ethnic group. Craftsman buiilding a wooden snare drum. Kon Tum. Vietnam.
Fragment of embroidery on linen and accessories Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fragment-of-embroidery-on-linen-and-accessories-104547780.htmlRFG22FN8–Fragment of embroidery on linen and accessories
Set of sewing and needlework icons. Collection of design elements. Vector illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-sewing-and-needlework-icons-collection-of-design-elements-vector-illustration-image246613339.htmlRFT965R7–Set of sewing and needlework icons. Collection of design elements. Vector illustration.
Claude Gillot (1673-1722) and François Joullain (1697-1778). 'Fables' of the Mothe. Illustration of Planche 37. Museum of Fine Arts of the City of Paris, Petit Palais. 33899-11 Fable, illustration, rabbit, wolf, literary work, drum, tiger, animal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/claude-gillot-1673-1722-and-franois-joullain-1697-1778-fables-of-the-mothe-illustration-of-planche-37-museum-of-fine-arts-of-the-city-of-paris-petit-palais-33899-11-fable-illustration-rabbit-wolf-literary-work-drum-tiger-animal-image596763775.htmlRM2WJTX7Y–Claude Gillot (1673-1722) and François Joullain (1697-1778). 'Fables' of the Mothe. Illustration of Planche 37. Museum of Fine Arts of the City of Paris, Petit Palais. 33899-11 Fable, illustration, rabbit, wolf, literary work, drum, tiger, animal
Mexico,Chiapas,Zinacantan,textiles,embroidery goods,woman,Maya,embroidering,Fairly Trade, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mexicochiapaszinacantantextilesembroidery-goodswomanmayaembroideringfairly-144279548.htmlRMJAME10–Mexico,Chiapas,Zinacantan,textiles,embroidery goods,woman,Maya,embroidering,Fairly Trade,
Hands of elderly lady in bright magenta blouse that is making handmade print carpet in punchneedle embroidery technique. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hands-of-elderly-lady-in-bright-magenta-blouse-that-is-making-handmade-129233158.htmlRFHE725X–Hands of elderly lady in bright magenta blouse that is making handmade print carpet in punchneedle embroidery technique.
Tambour-song-da Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tambour-song-da-134789521.htmlRMHR85BD–Tambour-song-da
Lucas de Leyde (1494-1533). 'The dance of Sainte Marie Madeleine' - Bartsch 122. Chisel. 1519. Museum of Fine Arts of the City of Paris, Petit Palais. 73056-21 Lovers, religious art, bible, chisel, Christianity, Dance, Dutch School, Print, Ferte, Flute, Holy History, Religious Iconography, impression in pairing, Music instrument, Mannerism, Musician, New Testament, Work Art, Biblical Character, Biblical recite, biblical scene, seduction, drum, 8th 8th 8th 8th 8th 8th arrondissement, 16th 16th 16th 16th 16th century, couple, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-de-leyde-1494-1533-the-dance-of-sainte-marie-madeleine-bartsch-122-chisel-1519-museum-of-fine-arts-of-the-city-of-paris-petit-palais-73056-21-lovers-religious-art-bible-chisel-christianity-dance-dutch-school-print-ferte-flute-holy-history-religious-iconography-impression-in-pairing-music-instrument-mannerism-musician-new-testament-work-art-biblical-character-biblical-recite-biblical-scene-seduction-drum-8th-8th-8th-8th-8th-8th-arrondissement-16th-16th-16th-16th-16th-century-couple-engraving-image596828233.htmlRM2WJYTE1–Lucas de Leyde (1494-1533). 'The dance of Sainte Marie Madeleine' - Bartsch 122. Chisel. 1519. Museum of Fine Arts of the City of Paris, Petit Palais. 73056-21 Lovers, religious art, bible, chisel, Christianity, Dance, Dutch School, Print, Ferte, Flute, Holy History, Religious Iconography, impression in pairing, Music instrument, Mannerism, Musician, New Testament, Work Art, Biblical Character, Biblical recite, biblical scene, seduction, drum, 8th 8th 8th 8th 8th 8th arrondissement, 16th 16th 16th 16th 16th century, couple, engraving
Border (Fragment), Belgium, 1850/1900. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-fragment-belgium-18501900-image451395947.htmlRM2H6AT3R–Border (Fragment), Belgium, 1850/1900.
Panel, 1770/75, England or France, Lyon, England, Silk, stripes of warp-float faced 7:1 satin weave, of satin weave self-patterned by main warp and ground weft floats over plain interlacings of secondary binding warps and ground wefts, and of plain weave with supplementary patterning warps, embroidered with silk in machine-made chain stitches (tambour work), 108 × 55.4 cm (42 1/2 × 21 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of mode Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/panel-177075-england-or-france-lyon-england-silk-stripes-of-warp-float-faced-71-satin-weave-of-satin-weave-self-patterned-by-main-warp-and-ground-weft-floats-over-plain-interlacings-of-secondary-binding-warps-and-ground-wefts-and-of-plain-weave-with-supplementary-patterning-warps-embroidered-with-silk-in-machine-made-chain-stitches-tambour-work-108-554-cm-42-12-21-34-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-mode-image349744383.htmlRF2B906ER–Panel, 1770/75, England or France, Lyon, England, Silk, stripes of warp-float faced 7:1 satin weave, of satin weave self-patterned by main warp and ground weft floats over plain interlacings of secondary binding warps and ground wefts, and of plain weave with supplementary patterning warps, embroidered with silk in machine-made chain stitches (tambour work), 108 × 55.4 cm (42 1/2 × 21 3/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of mode
Schalenbildung am Mauerwerk des Tambour des Berliner Doms Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/schalenbildung-am-mauerwerk-des-tambour-des-berliner-doms-foto-vom-240402024-der-tambour-des-berliner-doms-muss-wegen-massiver-schaeden-restauriert-werden-die-geschaeftsfuehrerin-des-doms-mareike-windorf-sagte-am-mittwoch-zum-auftakt-einer-spendenkampagne-fuer-die-instandsetzungsarbeiten-an-dem-bauteil-unter-der-kuppel-die-umfassende-massnahme-sei-dringend-erforderlich-der-tambour-muesse-vor-weiteren-verlusten-an-den-oberflaechen-geschuetzt-werden-die-hohen-kosten-fuer-die-noetigen-arbeiten-koennen-laut-windorf-nicht-von-der-domgemeinde-allein-getragen-werden-dafuer-sei-die-unterstuet-image604364378.htmlRM2X374X2–Schalenbildung am Mauerwerk des Tambour des Berliner Doms Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuet
Wooden Hoop for cross stitch. A Tambour Frame for embroidery and Canvas with Free Space for Your Design on a wooden table. 3d Rendering Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wooden-hoop-for-cross-stitch-a-tambour-frame-for-embroidery-and-canvas-with-free-space-for-your-design-on-a-wooden-table-3d-rendering-image364151544.htmlRF2C4CF08–Wooden Hoop for cross stitch. A Tambour Frame for embroidery and Canvas with Free Space for Your Design on a wooden table. 3d Rendering
Cap, 1850/1900, France, Cotton, machine-made twist net, embroidered with cotton and linen in chain (tambour work), cross, darning, padded satin, and wave filling stitches, 47.7 × 44.1 cm (18 3/4 × 17 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cap-18501900-france-cotton-machine-made-twist-net-embroidered-with-cotton-and-linen-in-chain-tambour-work-cross-darning-padded-satin-and-wave-filling-stitches-477-441-cm-18-34-17-38-in-image328618151.htmlRM2A2HRPF–Cap, 1850/1900, France, Cotton, machine-made twist net, embroidered with cotton and linen in chain (tambour work), cross, darning, padded satin, and wave filling stitches, 47.7 × 44.1 cm (18 3/4 × 17 3/8 in
![[Men at Work Beside the Launching Chains of the 'Great Eastern']. Artist: Robert Howlett (British, 1831-1858). Dimensions: Dome topped: 11 1/8 x 13 15/16 Mount: 16 15/16 × 21 5/16 in. (43 × 54.2 cm). Date: November 18, 1857. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PA97R5/men-at-work-beside-the-launching-chains-of-the-great-eastern-artist-robert-howlett-british-1831-1858-dimensions-dome-topped-11-18-x-13-1516-mount-16-1516-21-516-in-43-542-cm-date-november-18-1857-museum-metropolitan-museum-of-art-new-york-usa-PA97R5.jpg "[Men at Work Beside the Launching Chains of the 'Great Eastern']. Artist: Robert Howlett (British, 1831-1858). Dimensions: Dome topped: 11 1/8 x 13 15/16 Mount: 16 15/16 × 21 5/16 in. (43 × 54.2 cm). Date: November 18, 1857. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
[Men at Work Beside the Launching Chains of the 'Great Eastern']. Artist: Robert Howlett (British, 1831-1858). Dimensions: Dome topped: 11 1/8 x 13 15/16 Mount: 16 15/16 × 21 5/16 in. (43 × 54.2 cm). Date: November 18, 1857. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/men-at-work-beside-the-launching-chains-of-the-great-eastern-artist-robert-howlett-british-1831-1858-dimensions-dome-topped-11-18-x-13-1516-mount-16-1516-21-516-in-43-542-cm-date-november-18-1857-museum-metropolitan-museum-of-art-new-york-usa-image212874681.htmlRMPA97R5–[Men at Work Beside the Launching Chains of the 'Great Eastern']. Artist: Robert Howlett (British, 1831-1858). Dimensions: Dome topped: 11 1/8 x 13 15/16 Mount: 16 15/16 × 21 5/16 in. (43 × 54.2 cm). Date: November 18, 1857. Museum: Metropolitan Museum of Art, New York, USA.
Band, Medium: linen Technique: tambour work on net, Net band with tambour embroidery in floral spray design. Border of small ovals forms scallop along bottom edge. Tiny dots over ground., Limerick, Ireland, early 19th century, embroidery & stitching, Band Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/band-medium-linen-technique-tambour-work-on-net-net-band-with-tambour-embroidery-in-floral-spray-design-border-of-small-ovals-forms-scallop-along-bottom-edge-tiny-dots-over-ground-limerick-ireland-early-19th-century-embroidery-stitching-band-image391121338.htmlRM2DM9376–Band, Medium: linen Technique: tambour work on net, Net band with tambour embroidery in floral spray design. Border of small ovals forms scallop along bottom edge. Tiny dots over ground., Limerick, Ireland, early 19th century, embroidery & stitching, Band
Cape. 1850–1859. England. Cotton, machine-made twist net; embroidered in chain stitches (tambour work); edged with machine-made picots Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cape-18501859-england-cotton-machine-made-twist-net-embroidered-in-chain-stitches-tambour-work-edged-with-machine-made-picots-image337971752.htmlRM2AHRXBM–Cape. 1850–1859. England. Cotton, machine-made twist net; embroidered in chain stitches (tambour work); edged with machine-made picots
Fichu, 1850/75, Probably France, France, Cotton, machine-made twist net, embroidered in chain stitches (tambour work) and appliquéd with plain weave, embroidered in chain, darning, overcast, and satin stitches, 80 × 155.7 cm (31 1/2 × 61 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fichu-185075-probably-france-france-cotton-machine-made-twist-net-embroidered-in-chain-stitches-tambour-work-and-appliqud-with-plain-weave-embroidered-in-chain-darning-overcast-and-satin-stitches-80-1557-cm-31-12-61-14-in-image328618114.htmlRM2A2HRN6–Fichu, 1850/75, Probably France, France, Cotton, machine-made twist net, embroidered in chain stitches (tambour work) and appliquéd with plain weave, embroidered in chain, darning, overcast, and satin stitches, 80 × 155.7 cm (31 1/2 × 61 1/4 in
The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 4. Secretary Cabinet, Tambour Work, Shaped Top, Spiked Ball Finials Fig. 5. Veneered and Inlaid Wardrobe, Oval and Round Panels, Shaped Apron Key Plate XIV EMPIRE PERIOD, 1793-1830Material Usually Mahogany See Text Pages 274-285. Fig. 1. Brass-Inlaid Mahogany sideboard, Carved Backboard,Gilded Pillars, Ball Feet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-practical-book-of-period-furniture-treating-of-furniture-of-the-english-american-colonial-and-post-colonial-and-principal-french-periods-fig-4-secretary-cabinet-tambour-work-shaped-top-spiked-ball-finials-fig-5-veneered-and-inlaid-wardrobe-oval-and-round-panels-shaped-apron-key-plate-xiv-empire-period-1793-1830material-usually-mahogany-see-text-pages-274-285-fig-1-brass-inlaid-mahogany-sideboard-carved-backboardgilded-pillars-ball-feet-image342808197.htmlRM2AWM79W–The practical book of period furniture, treating of furniture of the English, American colonial and post-colonial and principal French periods . Fig. 4. Secretary Cabinet, Tambour Work, Shaped Top, Spiked Ball Finials Fig. 5. Veneered and Inlaid Wardrobe, Oval and Round Panels, Shaped Apron Key Plate XIV EMPIRE PERIOD, 1793-1830Material Usually Mahogany See Text Pages 274-285. Fig. 1. Brass-Inlaid Mahogany sideboard, Carved Backboard,Gilded Pillars, Ball Feet
Scarf, Medium: silk, metallic thread Technique: tambour embroidery on voile, Sheer white voile scarf embroidery in tambour work with gold. Design of floral motifs, star and crescent and conventionalized Arabic script. Worn with harem costume., Near East, late 19th century, embroidery & stitching, Scarf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scarf-medium-silk-metallic-thread-technique-tambour-embroidery-on-voile-sheer-white-voile-scarf-embroidery-in-tambour-work-with-gold-design-of-floral-motifs-star-and-crescent-and-conventionalized-arabic-script-worn-with-harem-costume-near-east-late-19th-century-embroidery-stitching-scarf-image391768103.htmlRM2DNAG5Y–Scarf, Medium: silk, metallic thread Technique: tambour embroidery on voile, Sheer white voile scarf embroidery in tambour work with gold. Design of floral motifs, star and crescent and conventionalized Arabic script. Worn with harem costume., Near East, late 19th century, embroidery & stitching, Scarf
A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-little-known-industry-in-essex-a-centuries-old-industry-is-being-carried-on-in-the-cottages-at-coggeshall-where-tambour-lace-is-still-made-by-the-villagers-for-the-london-market-mrs-bartrolomew-at-work-mrs-bartholomew-has-been-employed-at-lace-making-since-9-years-of-age-to-her-present-age-of-68-14-november-1919-image623728533.htmlRM2Y6N831–A little known industry in Essex. A Centuries old industry is being carried on in the cottages at Coggeshall where Tambour Lace is still made by the villagers for the London Market. Mrs Bartrolomew at work. Mrs Bartholomew has been employed at lace making since 9 years of age to her present age of 68. 14 November 1919.
Bahnar (Ba Na) ethnic group. Craftsman buiilding a wooden snare drum. Kon Tum. Vietnam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bahnar-ba-na-ethnic-group-craftsman-buiilding-a-wooden-snare-drum-166356701.htmlRFKJJ5JN–Bahnar (Ba Na) ethnic group. Craftsman buiilding a wooden snare drum. Kon Tum. Vietnam.
detail, isolated, colour, feeling, green, brown, brownish, brunette, lines, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-isolated-colour-feeling-green-brown-brownish-brunette-lines-131198458.htmlRFHHCGY6–detail, isolated, colour, feeling, green, brown, brownish, brunette, lines,
Boy working in a drum factory. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boy-working-in-a-drum-factory-image466045064.htmlRF2J2656G–Boy working in a drum factory.
Mexico,Chiapas,Zinacantan,textiles,embroidery goods,hands,embroidering,Fairly Trade, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mexicochiapaszinacantantextilesembroidery-goodshandsembroideringfairly-144248119.htmlRMJAK1XF–Mexico,Chiapas,Zinacantan,textiles,embroidery goods,hands,embroidering,Fairly Trade,
Hands of elderly lady in bright magenta blouse that is making handmade print carpet in punchneedle embroidery technique. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hands-of-elderly-lady-in-bright-magenta-blouse-that-is-making-handmade-129233133.htmlRFHE7251–Hands of elderly lady in bright magenta blouse that is making handmade print carpet in punchneedle embroidery technique.
Tambour-song-da2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tambour-song-da2-134789581.htmlRMHR85DH–Tambour-song-da2
Bahnar (Ba Na) ethnic group. Craftsman buiilding a wooden snare drum. Kon Tum. Vietnam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bahnar-ba-na-ethnic-group-craftsman-buiilding-a-wooden-snare-drum-166356702.htmlRFKJJ5JP–Bahnar (Ba Na) ethnic group. Craftsman buiilding a wooden snare drum. Kon Tum. Vietnam.
Paulin Bertrand - Napolitaine au tambour basque Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paulin-bertrand-napolitaine-au-tambour-basque-134916435.htmlRMHRDY83–Paulin Bertrand - Napolitaine au tambour basque
Bedcover, 19th century, France, Muslin, embroidered with cotton in tambour stitch and drawn work, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bedcover-19th-century-france-muslin-embroidered-with-cotton-in-tambour-stitch-and-drawn-work-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349711109.htmlRF2B8XM2D–Bedcover, 19th century, France, Muslin, embroidered with cotton in tambour stitch and drawn work, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Tambour major02 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tambour-major02-136645168.htmlRMHX8M8G–Tambour major02
Baugeruest am Berliner Dom Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuetzung der Deutschen Stiftung Den Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baugeruest-am-berliner-dom-foto-vom-240402024-der-tambour-des-berliner-doms-muss-wegen-massiver-schaeden-restauriert-werden-die-geschaeftsfuehrerin-des-doms-mareike-windorf-sagte-am-mittwoch-zum-auftakt-einer-spendenkampagne-fuer-die-instandsetzungsarbeiten-an-dem-bauteil-unter-der-kuppel-die-umfassende-massnahme-sei-dringend-erforderlich-der-tambour-muesse-vor-weiteren-verlusten-an-den-oberflaechen-geschuetzt-werden-die-hohen-kosten-fuer-die-noetigen-arbeiten-koennen-laut-windorf-nicht-von-der-domgemeinde-allein-getragen-werden-dafuer-sei-die-unterstuetzung-der-deutschen-stiftung-den-image604364270.htmlRM2X374P6–Baugeruest am Berliner Dom Foto vom 24.0402024. Der Tambour des Berliner Doms muss wegen massiver Schaeden restauriert werden. Die Geschaeftsfuehrerin des Doms, Mareike Windorf, sagte am Mittwoch zum Auftakt einer Spendenkampagne fuer die Instandsetzungsarbeiten an dem Bauteil unter der Kuppel, die umfassende Massnahme sei dringend erforderlich. Der Tambour muesse vor weiteren Verlusten an den Oberflaechen geschuetzt werden. Die hohen Kosten fuer die noetigen Arbeiten koennen laut Windorf nicht von der Domgemeinde allein getragen werden. Dafuer sei die Unterstuetzung der Deutschen Stiftung Den
