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Tares parable Stock Photos and Images
The Parable of the Tares, painting in oil on canvas by Sir John Everett Millais, 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-tares-painting-in-oil-on-canvas-by-sir-john-everett-millais-1865-image472640418.htmlRM2JCXHJX–The Parable of the Tares, painting in oil on canvas by Sir John Everett Millais, 1865
Domenico Fetti - parable of a sower of tares ( parabola di seminatore di zizzania ) - 1620 - In the parables, comparison and analogy are used to demonstrate the nature of good and evil, as taught by Jesus in the Gospels. While several peasants sleep, the Devil spreads bad seed in a field, sowing across the furrows instead of following them. This (the sowing of tares) stands for the spreading of heresy in the church. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domenico-fetti-parable-of-a-sower-of-tares-parabola-di-seminatore-di-zizzania-1620-in-the-parables-comparison-and-analogy-are-used-to-demonstrate-the-nature-of-good-and-evil-as-taught-by-jesus-in-the-gospels-while-several-peasants-sleep-the-devil-spreads-bad-seed-in-a-field-sowing-across-the-furrows-instead-of-following-them-this-the-sowing-of-tares-stands-for-the-spreading-of-heresy-in-the-church-image245008869.htmlRMT6H38N–Domenico Fetti - parable of a sower of tares ( parabola di seminatore di zizzania ) - 1620 - In the parables, comparison and analogy are used to demonstrate the nature of good and evil, as taught by Jesus in the Gospels. While several peasants sleep, the Devil spreads bad seed in a field, sowing across the furrows instead of following them. This (the sowing of tares) stands for the spreading of heresy in the church.
Abraham Bloemaert, Parable of the Wheat and the Tares 1624 Oil on canvas. Walters Art Museum, Baltimore, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-bloemaert-parable-of-the-wheat-and-the-tares-1624-oil-on-canvas-image62060803.htmlRMDGY357–Abraham Bloemaert, Parable of the Wheat and the Tares 1624 Oil on canvas. Walters Art Museum, Baltimore, USA.
The Parable of the Tares, 1865 By John Everett Millais, Art Movement, Pre-Raphaelite, Oil Painting, Bible, Male, Animal, Wolf, Animal, snake Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-tares-1865-by-john-everett-millais-art-movement-pre-raphaelite-oil-painting-bible-male-animal-wolf-animal-snake-image387022874.htmlRM2DDJBHE–The Parable of the Tares, 1865 By John Everett Millais, Art Movement, Pre-Raphaelite, Oil Painting, Bible, Male, Animal, Wolf, Animal, snake
The Parable of the Wheat and the Tares. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wheat-and-the-tares-illustration-for-the-life-of-our-lord-jesus-christ-written-by-the-four-evangelists-1853-image566762488.htmlRM2RX279C–The Parable of the Wheat and the Tares. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853
The Parable 'The Tares', Thomas Denny (1987), St. Christopher's Church, Cheltenham, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-the-tares-thomas-denny-1987-st-christophers-church-cheltenham-uk-image259981728.htmlRMW2Y59M–The Parable 'The Tares', Thomas Denny (1987), St. Christopher's Church, Cheltenham, UK
The seven parables. The Parable of the Wheat and the Tares. New Testament, Old 19th century engraved illustration from History of the Bible 1883 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seven-parables-the-parable-of-the-wheat-and-the-tares-new-testament-old-19th-century-engraved-illustration-from-history-of-the-bible-1883-image415220709.htmlRM2F3EX71–The seven parables. The Parable of the Wheat and the Tares. New Testament, Old 19th century engraved illustration from History of the Bible 1883
The Parable of the Wheat and the Tares, 1620s. Found in the Collection of Prague Castle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wheat-and-the-tares-1620s-found-in-the-collection-of-prague-castle-image337005681.htmlRM2AG7X55–The Parable of the Wheat and the Tares, 1620s. Found in the Collection of Prague Castle.
The Parable of the Wheat and the Tares. Museum: Walters Art Museum, Baltimore. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wheat-and-the-tares-museum-walters-art-museum-baltimore-image212260073.htmlRMP997TW–The Parable of the Wheat and the Tares. Museum: Walters Art Museum, Baltimore.
The Enemy Sowing Tares From an edition of John Browns Self Interpreting Bible first published in 1778 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-enemy-sowing-tares-from-an-edition-of-john-browns-self-interpreting-image5865370.htmlRMA1HKNB–The Enemy Sowing Tares From an edition of John Browns Self Interpreting Bible first published in 1778
Art inspired by The Tares (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It took Millais seven years to design, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-tares-the-parables-of-our-lord-and-saviour-jesus-christ-1864-wood-engraving-proof-on-india-paper-image-5-12-x-4-516-in-139-x-109-cm-prints-after-sir-john-everett-millais-british-southampton-18291896-london-it-took-millais-seven-years-to-design-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977190.htmlRF2HW6C3J–Art inspired by The Tares (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It took Millais seven years to design, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Millais John Everett - the Parable of the Tares Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/millais-john-everett-the-parable-of-the-tares-image211004793.htmlRFP782ND–Millais John Everett - the Parable of the Tares
Abraham Bloemaert Parable of the Wheat and the Tares Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abraham-bloemaert-parable-of-the-wheat-and-the-tares-google-art-project-143362450.htmlRMJ96M7E–Abraham Bloemaert Parable of the Wheat and the Tares Google Art Project
Landscape with the Parable of the Tares among the Wheat. 1624. Abraham Bloemaert - Landscape with the Parable of the Tares among the Wheat - WGA02280 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-parable-of-the-tares-among-the-wheat-1624-abraham-bloemaert-landscape-with-the-parable-of-the-tares-among-the-wheat-wga02280-image185013756.htmlRMMN02X4–Landscape with the Parable of the Tares among the Wheat. 1624. Abraham Bloemaert - Landscape with the Parable of the Tares among the Wheat - WGA02280
Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abraham-bloemaert-parable-of-the-wheat-and-the-tares-walters-372505-132600829.htmlRMHKMDKW–Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505
Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-bloemaert-parable-of-the-wheat-and-the-tares-walters-372505-image213959780.htmlRMPC2KTM–Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505.
Logo design graphic concept creative premium free vector stock unique weed or tares inside circle block letter word O font. Related to nature or wild Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/logo-design-graphic-concept-creative-premium-free-vector-stock-unique-weed-or-tares-inside-circle-block-letter-word-o-font-related-to-nature-or-wild-image537254238.htmlRF2P6217A–Logo design graphic concept creative premium free vector stock unique weed or tares inside circle block letter word O font. Related to nature or wild
The Parable of the Wheat and the Tares. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wheat-and-the-tares-colored-illustration-for-the-life-of-our-lord-jesus-christ-written-by-the-four-evangelists-1853-image567030346.htmlRM2RXECYP–The Parable of the Wheat and the Tares. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853
VIENNA, AUSTIRA - JUNI 24, 2021: The fresco the Cockle among the wheat in the Votivkirche church by brothers Carl and Franz Jobst Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vienna-austira-juni-24-2021-the-fresco-the-cockle-among-the-wheat-in-the-votivkirche-church-by-brothers-carl-and-franz-jobst-image433976889.htmlRF2G619XH–VIENNA, AUSTIRA - JUNI 24, 2021: The fresco the Cockle among the wheat in the Votivkirche church by brothers Carl and Franz Jobst
Robert Stewart and James Gross, Illuminated Parable - The Tares, c 1936, Illuminated Parable: The Tares; circa 1936 date Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-stewart-and-james-gross-illuminated-parable-the-tares-c-1936-illuminated-parable-the-tares-circa-1936-date-image336055931.htmlRM2AEMJNF–Robert Stewart and James Gross, Illuminated Parable - The Tares, c 1936, Illuminated Parable: The Tares; circa 1936 date
The Good Farmer, Probably the Parable of the Wheat and the Tares by William Blake (1757-1827) Ink and watercolour on paper verso: graphite on paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-good-farmer-probably-the-parable-of-the-wheat-and-the-tares-by-william-blake-1757-1827-ink-and-watercolour-on-paper-verso-graphite-on-paper-image371902781.htmlRM2CH1HP5–The Good Farmer, Probably the Parable of the Wheat and the Tares by William Blake (1757-1827) Ink and watercolour on paper verso: graphite on paper
Parable of the tares Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parable-of-the-tares-image617922735.htmlRM2XW8PN3–Parable of the tares
The landlord inspects the fields Leeringhe Iesu through Gelyckenissen (series title) Parable of the sower (series title) Den Grooten Figuer-Bibel (...) (series title), The servants, both with a halberd in their hands, ask the landlord if they should weed the weeds among the grain. The landlord replies that the grain and weeds must continue to grow until harvest. A boy is holding the landlord's robe. Below the performance a reference in Latin to the Bible text in Mat. 13:27. This print is part of an album, a sowed good seeds in his field, tares among the wheat, Pieter Jalhea Furnius, 1568 and/ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-landlord-inspects-the-fields-leeringhe-iesu-through-gelyckenissen-series-title-parable-of-the-sower-series-title-den-grooten-figuer-bibel-series-title-the-servants-both-with-a-halberd-in-their-hands-ask-the-landlord-if-they-should-weed-the-weeds-among-the-grain-the-landlord-replies-that-the-grain-and-weeds-must-continue-to-grow-until-harvest-a-boy-is-holding-the-landlords-robe-below-the-performance-a-reference-in-latin-to-the-bible-text-in-mat-1327-this-print-is-part-of-an-album-a-sowed-good-seeds-in-his-field-tares-among-the-wheat-pieter-jalhea-furnius-1568-and-image261403160.htmlRMW57XB4–The landlord inspects the fields Leeringhe Iesu through Gelyckenissen (series title) Parable of the sower (series title) Den Grooten Figuer-Bibel (...) (series title), The servants, both with a halberd in their hands, ask the landlord if they should weed the weeds among the grain. The landlord replies that the grain and weeds must continue to grow until harvest. A boy is holding the landlord's robe. Below the performance a reference in Latin to the Bible text in Mat. 13:27. This print is part of an album, a sowed good seeds in his field, tares among the wheat, Pieter Jalhea Furnius, 1568 and/
The Parable of the Tares, 1865. By John Everett Millais Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-tares-1865-by-john-everett-millais-image551010383.htmlRM2R0CKA7–The Parable of the Tares, 1865. By John Everett Millais
The Tares (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-tares-the-parables-of-our-lord-and-saviour-jesus-christ-after-162524154.htmlRMKCBH62–The Tares (The Parables of Our Lord and Saviour Jesus Christ), After Sir John Everett Millais, 1864
Parable of the Wheat and the Tares 1624 (Baroque) by Abraham Bloemaert Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parable-of-the-wheat-and-the-tares-1624-baroque-by-abraham-bloemaert-image543890530.htmlRM2PGT9WP–Parable of the Wheat and the Tares 1624 (Baroque) by Abraham Bloemaert
The Parable of the Wheat and the Tares. Artist: Fetti, Domenico (1588/90-1623) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-parable-of-the-wheat-and-the-tares-artist-fetti-domenico-158890-74095142.htmlRME8F932–The Parable of the Wheat and the Tares. Artist: Fetti, Domenico (1588/90-1623)
The Parable of the Wheat and the Tares. Museum: Prague Castle. Author: DOMENICO FETTI. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wheat-and-the-tares-museum-prague-castle-author-domenico-fetti-image337334451.htmlRM2AGPWEY–The Parable of the Wheat and the Tares. Museum: Prague Castle. Author: DOMENICO FETTI.
Weeds among the wheat, Adriaen Collaert, Eduwart Hoes Winckel, 1582-1586 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/weeds-among-the-wheat-adriaen-collaert-eduwart-hoes-winckel-1582-1586-image240614729.htmlRMRYCXF5–Weeds among the wheat, Adriaen Collaert, Eduwart Hoes Winckel, 1582-1586
Parable of the Wheat and the Tares - 1624 - Oil on canvas 100,4 x 132,5 cm - Bloemaert Abraham Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parable-of-the-wheat-and-the-tares-1624-oil-on-canvas-1004-x-1325-cm-bloemaert-abraham-image457742531.htmlRF2HGKY7F–Parable of the Wheat and the Tares - 1624 - Oil on canvas 100,4 x 132,5 cm - Bloemaert Abraham
Landscape with the parable of the Devil sowing tares among the wheat. Mistrz Syna Marnotrawnego (fl. ca 1530-1560), draughtsman, cartoonist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-parable-of-the-devil-sowing-tares-among-the-wheat-mistrz-syna-marnotrawnego-fl-ca-1530-1560-draughtsman-cartoonist-image480425137.htmlRM2JWH74H–Landscape with the parable of the Devil sowing tares among the wheat. Mistrz Syna Marnotrawnego (fl. ca 1530-1560), draughtsman, cartoonist
Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-abraham-bloemaert-parable-of-the-wheat-and-the-tares-walters-372505-165708286.htmlRMKHGJH2–Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505
. Parable of the Wheat and the Tares . 1624 (Baroque) 256 Abraham Bloemaert - Parable of the Wheat and the Tares - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parable-of-the-wheat-and-the-tares-1624-baroque-256-abraham-bloemaert-parable-of-the-wheat-and-the-tares-google-art-project-image206862814.htmlRMP0FBHJ–. Parable of the Wheat and the Tares . 1624 (Baroque) 256 Abraham Bloemaert - Parable of the Wheat and the Tares - Google Art Project
Abraham Bloemaert - Landscape with the Parable of the Tares among the Wheat - WGA02280 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abraham-bloemaert-landscape-with-the-parable-of-the-tares-among-the-132606120.htmlRMHKMMCT–Abraham Bloemaert - Landscape with the Parable of the Tares among the Wheat - WGA02280
Abraham Bloemaert - Landscape with the Parable of the Tares among the Wheat - WGA02280. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abraham-bloemaert-landscape-with-the-parable-of-the-tares-among-the-wheat-wga02280-image213959765.htmlRMPC2KT5–Abraham Bloemaert - Landscape with the Parable of the Tares among the Wheat - WGA02280.
Similarity of the weeds between the grain, Jan Luyken, 1712 print Amsterdam paper etching tares among the wheat parable of Christ (Matthew 13:24-30) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/similarity-of-the-weeds-between-the-grain-jan-luyken-1712-print-amsterdam-paper-etching-tares-among-the-wheat-parable-of-christ-matthew-1324-30-image594832008.htmlRM2WFMX88–Similarity of the weeds between the grain, Jan Luyken, 1712 print Amsterdam paper etching tares among the wheat parable of Christ (Matthew 13:24-30)
Adriaen van de Velde (1636-1672) - Noonday Rest, the Parable of the Tares Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adriaen-van-de-velde-1636-1672-noonday-rest-the-parable-of-the-tares-image593746970.htmlRM2WDYE8X–Adriaen van de Velde (1636-1672) - Noonday Rest, the Parable of the Tares
The landlord inspects the fields Leeringhe Iesu through Gelyckenissen (series title) Parable of the sower (series title) Den Grooten Figuer-Bibel (...) (series title), The servants, both with a halberd in their hands, ask the landlord if they should weed the weeds among the grain. The landlord replies that the grain and weeds must continue to grow until harvest. A boy is holding the landlord's robe. Below the performance a reference in Latin to the Bible text in Mat. 13:27. This print is part of an album, a sowed good seeds in his field, tares among the wheat, Pieter Jalhea Furnius, 1568 and/o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-landlord-inspects-the-fields-leeringhe-iesu-through-gelyckenissen-series-title-parable-of-the-sower-series-title-den-grooten-figuer-bibel-series-title-the-servants-both-with-a-halberd-in-their-hands-ask-the-landlord-if-they-should-weed-the-weeds-among-the-grain-the-landlord-replies-that-the-grain-and-weeds-must-continue-to-grow-until-harvest-a-boy-is-holding-the-landlords-robe-below-the-performance-a-reference-in-latin-to-the-bible-text-in-mat-1327-this-print-is-part-of-an-album-a-sowed-good-seeds-in-his-field-tares-among-the-wheat-pieter-jalhea-furnius-1568-ando-image350006067.htmlRF2B9C48K–The landlord inspects the fields Leeringhe Iesu through Gelyckenissen (series title) Parable of the sower (series title) Den Grooten Figuer-Bibel (...) (series title), The servants, both with a halberd in their hands, ask the landlord if they should weed the weeds among the grain. The landlord replies that the grain and weeds must continue to grow until harvest. A boy is holding the landlord's robe. Below the performance a reference in Latin to the Bible text in Mat. 13:27. This print is part of an album, a sowed good seeds in his field, tares among the wheat, Pieter Jalhea Furnius, 1568 and/o
The devil sows tares among the wheat, the parable of the sower (series title) While the farmer and his servants under a tree asleep sow the devil weed on the field Where: they just wheat have gezaaid. Manufacturer : printmaker Hans Bolnaar own design: Hans BolPlaats manufacture: Southern Netherlands Date: 1574 Physical features: etching material: paper Technique: etching dimensions: plate edge: d 108 mm Subject: while the sower and his servants slept, his enemy (the devil) sowed tares among the wheat procurement law and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-devil-sows-tares-among-the-wheat-the-parable-of-the-sower-series-title-while-the-farmer-and-his-servants-under-a-tree-asleep-sow-the-devil-weed-on-the-field-where-they-just-wheat-have-gezaaid-manufacturer-printmaker-hans-bolnaar-own-design-hans-bolplaats-manufacture-southern-netherlands-date-1574-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-d-108-mm-subject-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-procurement-law-and-image348289195.htmlRM2B6HXBR–The devil sows tares among the wheat, the parable of the sower (series title) While the farmer and his servants under a tree asleep sow the devil weed on the field Where: they just wheat have gezaaid. Manufacturer : printmaker Hans Bolnaar own design: Hans BolPlaats manufacture: Southern Netherlands Date: 1574 Physical features: etching material: paper Technique: etching dimensions: plate edge: d 108 mm Subject: while the sower and his servants slept, his enemy (the devil) sowed tares among the wheat procurement law and
1921 A man l operating a chaff-cutter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1921-a-man-l-operating-a-chaff-cutter-175340727.htmlRMM57CTR–1921 A man l operating a chaff-cutter
![A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . iv, 14,15. For the entire parable comp. 1 Pet. i, 23-25. 30. Whereunto shall we liken]This method of asking a questionbefore beginning a discourse wasknown to the Rabbis. The parablesof the Sower and the Tares (Matt,xiii, 24-30 and 36-43) had beendiscouraging to the disciples, andnow, lest they should be tempted tolose heart and to despair, the two Earables (the Mustard Seed and theleaven) are spoken for their encour-agement. My kingdom, the Lordwould say, ** shall survive these loss Stock Photo](https://c8.alamy.com/comp/2AKHKG2/a-pictorial-commentary-on-the-gospel-according-to-mark-with-the-text-of-the-authorized-and-revised-versions-iv-1415-for-the-entire-parable-comp-1-pet-i-23-25-30-whereunto-shall-we-liken-this-method-of-asking-a-questionbefore-beginning-a-discourse-wasknown-to-the-rabbis-the-parablesof-the-sower-and-the-tares-mattxiii-24-30-and-36-43-had-beendiscouraging-to-the-disciples-andnow-lest-they-should-be-tempted-tolose-heart-and-to-despair-the-two-earables-the-mustard-seed-and-theleaven-are-spoken-for-their-encour-agement-my-kingdom-the-lordwould-say-shall-survive-these-loss-2AKHKG2.jpg "A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . iv, 14,15. For the entire parable comp. 1 Pet. i, 23-25. 30. Whereunto shall we liken]This method of asking a questionbefore beginning a discourse wasknown to the Rabbis. The parablesof the Sower and the Tares (Matt,xiii, 24-30 and 36-43) had beendiscouraging to the disciples, andnow, lest they should be tempted tolose heart and to despair, the two Earables (the Mustard Seed and theleaven) are spoken for their encour-agement. My kingdom, the Lordwould say, ** shall survive these loss Stock Photo")
A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . iv, 14,15. For the entire parable comp. 1 Pet. i, 23-25. 30. Whereunto shall we liken]This method of asking a questionbefore beginning a discourse wasknown to the Rabbis. The parablesof the Sower and the Tares (Matt,xiii, 24-30 and 36-43) had beendiscouraging to the disciples, andnow, lest they should be tempted tolose heart and to despair, the two Earables (the Mustard Seed and theleaven) are spoken for their encour-agement. My kingdom, the Lordwould say, ** shall survive these loss Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-pictorial-commentary-on-the-gospel-according-to-mark-with-the-text-of-the-authorized-and-revised-versions-iv-1415-for-the-entire-parable-comp-1-pet-i-23-25-30-whereunto-shall-we-liken-this-method-of-asking-a-questionbefore-beginning-a-discourse-wasknown-to-the-rabbis-the-parablesof-the-sower-and-the-tares-mattxiii-24-30-and-36-43-had-beendiscouraging-to-the-disciples-andnow-lest-they-should-be-tempted-tolose-heart-and-to-despair-the-two-earables-the-mustard-seed-and-theleaven-are-spoken-for-their-encour-agement-my-kingdom-the-lordwould-say-shall-survive-these-loss-image339063986.htmlRM2AKHKG2–A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . iv, 14,15. For the entire parable comp. 1 Pet. i, 23-25. 30. Whereunto shall we liken]This method of asking a questionbefore beginning a discourse wasknown to the Rabbis. The parablesof the Sower and the Tares (Matt,xiii, 24-30 and 36-43) had beendiscouraging to the disciples, andnow, lest they should be tempted tolose heart and to despair, the two Earables (the Mustard Seed and theleaven) are spoken for their encour-agement. My kingdom, the Lordwould say, ** shall survive these loss
Free Field of Young Wheat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/free-field-of-young-wheat-image347551145.htmlRF2B5C90W–Free Field of Young Wheat
Illuminated Parable: The Tares, c. 1936. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illuminated-parable-the-tares-c-1936-image485250112.htmlRM2K5D1D4–Illuminated Parable: The Tares, c. 1936.
The Parable of the Wheat and the Tares. Museum: Thyssen-Bornemisza Collections. Author: FETTI, DOMENICO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-wheat-and-the-tares-museum-thyssen-bornemisza-collections-author-fetti-domenico-image231680081.htmlRMRCWX8H–The Parable of the Wheat and the Tares. Museum: Thyssen-Bornemisza Collections. Author: FETTI, DOMENICO.
Weeds among the wheat, Adriaen Collaert, Eduwart Hoes Winckel, 1582-1586 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-weeds-among-the-wheat-adriaen-collaert-eduwart-hoes-winckel-1582-1586-104917302.htmlRMG2KB2E–Weeds among the wheat, Adriaen Collaert, Eduwart Hoes Winckel, 1582-1586
37.2505 Abraham Bloemaert (Dutch, 1566-1651). 'Parable of the Wheat and the Tares,' 1624. oil on canvas. Walters Art Museum (37.2505): Gift of the Dr. Francis D. Murnaghan Fund, 1973. Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/372505-abraham-bloemaert-dutch-1566-1651-parable-of-the-wheat-and-the-tares-1624-oil-on-canvas-walters-art-museum-372505-gift-of-the-dr-francis-d-murnaghan-fund-1973-abraham-bloemaert-parable-of-the-wheat-and-the-tares-walters-372505-image185013650.htmlRMMN02PA–37.2505 Abraham Bloemaert (Dutch, 1566-1651). 'Parable of the Wheat and the Tares,' 1624. oil on canvas. Walters Art Museum (37.2505): Gift of the Dr. Francis D. Murnaghan Fund, 1973. Abraham Bloemaert - Parable of the Wheat and the Tares - Walters 372505
Abraham Bloemaert Parable of the Wheat and the Tares Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-abraham-bloemaert-parable-of-the-wheat-and-the-tares-google-art-project-137384895.htmlRMHYEBRB–Abraham Bloemaert Parable of the Wheat and the Tares Google Art Project
Christ tells his disciples the parable of the sower, monogrammist Ha (engraver), Anonymous, 1552 print paper tares among the wheat parable of Christ (Matthew 13:24-30) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-tells-his-disciples-the-parable-of-the-sower-monogrammist-ha-engraver-anonymous-1552-print-paper-tares-among-the-wheat-parable-of-christ-matthew-1324-30-image594761013.htmlRM2WFHKMN–Christ tells his disciples the parable of the sower, monogrammist Ha (engraver), Anonymous, 1552 print paper tares among the wheat parable of Christ (Matthew 13:24-30)
Weeds among the wheat, Adriaen Collaert, Eduwart Hoes Winckel, 1582-1586. Reimagined by Gibon. Classic art with a reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/weeds-among-the-wheat-adriaen-collaert-eduwart-hoes-winckel-1582-1586-reimagined-by-gibon-classic-art-with-a-reimagined-image230482463.htmlRFRAYAMF–Weeds among the wheat, Adriaen Collaert, Eduwart Hoes Winckel, 1582-1586. Reimagined by Gibon. Classic art with a reimagined
The land and the Book; or, Biblical illustrations drawn from the manners and customs, the scenes and scenery of the Holy Land . field of grain, Without hedge, ditch, or fence ofany kind to break the even continuity. Turn westward here, along the base of the mountain, andin half an hour we shall enter the great gorge of WadyHamam. Let me call your attention to these tares which are growing among the bar-ley. The grain is just in theproper stage of developmentto illustrate the parable. Inthose parts where the grainhas headed out, they have donethe same, and tJiere a child cannot mistake them for Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-land-and-the-book-or-biblical-illustrations-drawn-from-the-manners-and-customs-the-scenes-and-scenery-of-the-holy-land-field-of-grain-without-hedge-ditch-or-fence-ofany-kind-to-break-the-even-continuity-turn-westward-here-along-the-base-of-the-mountain-andin-half-an-hour-we-shall-enter-the-great-gorge-of-wadyhamam-let-me-call-your-attention-to-these-tares-which-are-growing-among-the-bar-ley-the-grain-is-just-in-theproper-stage-of-developmentto-illustrate-the-parable-inthose-parts-where-the-grainhas-headed-out-they-have-donethe-same-and-tjiere-a-child-cannot-mistake-them-for-image339081410.htmlRM2AKJDPA–The land and the Book; or, Biblical illustrations drawn from the manners and customs, the scenes and scenery of the Holy Land . field of grain, Without hedge, ditch, or fence ofany kind to break the even continuity. Turn westward here, along the base of the mountain, andin half an hour we shall enter the great gorge of WadyHamam. Let me call your attention to these tares which are growing among the bar-ley. The grain is just in theproper stage of developmentto illustrate the parable. Inthose parts where the grainhas headed out, they have donethe same, and tJiere a child cannot mistake them for
The Parable of the Weeds, 1622. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-parable-of-the-weeds-1622-image603658417.htmlRM2X230D5–The Parable of the Weeds, 1622.
Domenico Fetti (Rome, 1589-Venice, 1623). The Parable of the Weeds (ca. 1622). Oil on panel. 61 x 44.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domenico-fetti-rome-1589-venice-1623-the-parable-of-the-weeds-ca-1622-oil-on-panel-61-x-445-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236898653.htmlRMRNBJJ5–Domenico Fetti (Rome, 1589-Venice, 1623). The Parable of the Weeds (ca. 1622). Oil on panel. 61 x 44.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
. The language of flowers: or, Floral emblems of thoughts, feelings, and sentiments ... Flower language. DARNEL. DARNEL {Lolium temulentum).—VICE. Darnel is the emblem of Vice, because in warm climates it, together with the barren oat, grows so thickly in the fields as to choke good wheat. Its stem much resembles that of wheat, whence there is great difficulty in eradicating it, in an early stage of growth, without injuring the good corn. On this account, as well as for other reasons, it is thought that the word tares in a well-known parable should be Darnel, as giving a more accurate meaning. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-language-of-flowers-or-floral-emblems-of-thoughts-feelings-and-sentiments-flower-language-darnel-darnel-lolium-temulentumvice-darnel-is-the-emblem-of-vice-because-in-warm-climates-it-together-with-the-barren-oat-grows-so-thickly-in-the-fields-as-to-choke-good-wheat-its-stem-much-resembles-that-of-wheat-whence-there-is-great-difficulty-in-eradicating-it-in-an-early-stage-of-growth-without-injuring-the-good-corn-on-this-account-as-well-as-for-other-reasons-it-is-thought-that-the-word-tares-in-a-well-known-parable-should-be-darnel-as-giving-a-more-accurate-meaning-image216412673.htmlRMPG2CG1–. The language of flowers: or, Floral emblems of thoughts, feelings, and sentiments ... Flower language. DARNEL. DARNEL {Lolium temulentum).—VICE. Darnel is the emblem of Vice, because in warm climates it, together with the barren oat, grows so thickly in the fields as to choke good wheat. Its stem much resembles that of wheat, whence there is great difficulty in eradicating it, in an early stage of growth, without injuring the good corn. On this account, as well as for other reasons, it is thought that the word tares in a well-known parable should be Darnel, as giving a more accurate meaning.
Landscape with the parable of the weeds between the corn, Jacob Matham, after Abraham Bloemaert, 1605 print Boot -rich landscape with the parable of the weeds between the grain (Matt. 13). paper engraving tares among the wheat parable of Christ (Matthew 13:24-30) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-parable-of-the-weeds-between-the-corn-jacob-matham-after-abraham-bloemaert-1605-print-boot-rich-landscape-with-the-parable-of-the-weeds-between-the-grain-matt-13-paper-engraving-tares-among-the-wheat-parable-of-christ-matthew-1324-30-image594266798.htmlRM2WER5A6–Landscape with the parable of the weeds between the corn, Jacob Matham, after Abraham Bloemaert, 1605 print Boot -rich landscape with the parable of the weeds between the grain (Matt. 13). paper engraving tares among the wheat parable of Christ (Matthew 13:24-30)
. The language of flowers: or, Floral emblems of thoughts, feelings, and sentiments ... Flower language. DARNEL. DARNEL {Lolium temulentum).—VICE. Darnel is the emblem of Vice, because in warm climates it, together with the barren oat, grows so thickly in the fields as to choke good wheat. Its stem much resembles that of wheat, whence there is great difficulty in eradicating it, in an early stage of growth, without injuring the good corn. On this account, as well as for other reasons, it is thought that the word tares in a well-known parable should be Darnel, as giving a more accurate meaning. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-language-of-flowers-or-floral-emblems-of-thoughts-feelings-and-sentiments-flower-language-darnel-darnel-lolium-temulentumvice-darnel-is-the-emblem-of-vice-because-in-warm-climates-it-together-with-the-barren-oat-grows-so-thickly-in-the-fields-as-to-choke-good-wheat-its-stem-much-resembles-that-of-wheat-whence-there-is-great-difficulty-in-eradicating-it-in-an-early-stage-of-growth-without-injuring-the-good-corn-on-this-account-as-well-as-for-other-reasons-it-is-thought-that-the-word-tares-in-a-well-known-parable-should-be-darnel-as-giving-a-more-accurate-meaning-image232063951.htmlRMRDFBX7–. The language of flowers: or, Floral emblems of thoughts, feelings, and sentiments ... Flower language. DARNEL. DARNEL {Lolium temulentum).—VICE. Darnel is the emblem of Vice, because in warm climates it, together with the barren oat, grows so thickly in the fields as to choke good wheat. Its stem much resembles that of wheat, whence there is great difficulty in eradicating it, in an early stage of growth, without injuring the good corn. On this account, as well as for other reasons, it is thought that the word tares in a well-known parable should be Darnel, as giving a more accurate meaning.
The Enemy Sowing Tares Among the Wheat, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-enemy-sowing-tares-among-the-wheat-from-landscapes-with-old-and-new-testament-scenes-and-hunting-scenes-1584-image457041478.htmlRM2HFG11X–The Enemy Sowing Tares Among the Wheat, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584.
Illuminated Parable: The Tares. Dated: c. 1936. Dimensions: overall: 35.3 x 27.8 cm (13 7/8 x 10 15/16 in.) Original IAD Object: 5 1/2' high; 4 7/8' wide. Medium: black and white photograph with felt-tip pen. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart and James Gross. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illuminated-parable-the-tares-dated-c-1936-dimensions-overall-353-x-278-cm-13-78-x-10-1516-in-original-iad-object-5-12-high-4-78-wide-medium-black-and-white-photograph-with-felt-tip-pen-museum-national-gallery-of-art-washington-dc-author-robert-stewart-and-james-gross-image225471615.htmlRMR2R39K–Illuminated Parable: The Tares. Dated: c. 1936. Dimensions: overall: 35.3 x 27.8 cm (13 7/8 x 10 15/16 in.) Original IAD Object: 5 1/2' high; 4 7/8' wide. Medium: black and white photograph with felt-tip pen. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart and James Gross.
Landscape with the parable of the sower and a castle in the background, 1598 print Landscape with in the foreground Christ and Apostles and in the background the sower for a castle. paper engraving a sower sowed good seeds in his field tares among the wheat Zeeland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-parable-of-the-sower-and-a-castle-in-the-background-1598-print-landscape-with-in-the-foreground-christ-and-apostles-and-in-the-background-the-sower-for-a-castle-paper-engraving-a-sower-sowed-good-seeds-in-his-field-tares-among-the-wheat-zeeland-image594254174.htmlRM2WEPH7A–Landscape with the parable of the sower and a castle in the background, 1598 print Landscape with in the foreground Christ and Apostles and in the background the sower for a castle. paper engraving a sower sowed good seeds in his field tares among the wheat Zeeland
The Enemy Sowing Tares Among the Wheat, from Landscapes with Old and New Testament Scenes and Hunting Scenes. Adriaen Collaert (Flemish, c. 1560-1618); after Hans Bol (Flemish, 1535-1593); published by Anna van Hoeswinckel (Flemish). Date: 1584. Dimensions: 143 × 200 mm (image/primary support, trimmed within plate mark); 176 × 238 mm (secondary support). Engraving in black on cream laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Author: II Adriaen Collaert. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-enemy-sowing-tares-among-the-wheat-from-landscapes-with-old-and-new-testament-scenes-and-hunting-scenes-adriaen-collaert-flemish-c-1560-1618-after-hans-bol-flemish-1535-1593-published-by-anna-van-hoeswinckel-flemish-date-1584-dimensions-143-200-mm-imageprimary-support-trimmed-within-plate-mark-176-238-mm-secondary-support-engraving-in-black-on-cream-laid-paper-laid-down-on-cream-laid-paper-origin-flanders-museum-the-chicago-art-institute-author-ii-adriaen-collaert-image240173600.htmlRMRXMRTG–The Enemy Sowing Tares Among the Wheat, from Landscapes with Old and New Testament Scenes and Hunting Scenes. Adriaen Collaert (Flemish, c. 1560-1618); after Hans Bol (Flemish, 1535-1593); published by Anna van Hoeswinckel (Flemish). Date: 1584. Dimensions: 143 × 200 mm (image/primary support, trimmed within plate mark); 176 × 238 mm (secondary support). Engraving in black on cream laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Author: II Adriaen Collaert.
Similarity of the weeds between the wheat, in the background Christ preaching from a ship, Emile Rouargue, 1800 - 1870 print paper etching / engraving tares among the wheat parable of Christ (Matthew 13:24-30). Christ preaching from a boat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/similarity-of-the-weeds-between-the-wheat-in-the-background-christ-preaching-from-a-ship-emile-rouargue-1800-1870-print-paper-etching-engraving-tares-among-the-wheat-parable-of-christ-matthew-1324-30-christ-preaching-from-a-boat-image592920443.htmlRM2WCHT23–Similarity of the weeds between the wheat, in the background Christ preaching from a ship, Emile Rouargue, 1800 - 1870 print paper etching / engraving tares among the wheat parable of Christ (Matthew 13:24-30). Christ preaching from a boat
The Tares (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864. It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as qu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tares-the-parables-of-our-lord-and-saviour-jesus-christ-artist-after-sir-john-everett-millais-british-southampton-1829-1896-london-dimensions-image-5-12-x-4-516-in-139-x-109-cm-sheet-7-516-x-6-116-in-186-x-154-cm-engraver-engraved-and-printed-by-dalziel-brothers-british-active-1839-1893-date-1864-it-took-millais-seven-years-to-design-twenty-images-inspired-by-new-testament-parables-for-the-dalziel-brothers-and-the-resulting-prints-are-considered-pinnacles-of-wood-engraved-illustration-the-artist-wrote-to-his-publishers-i-can-do-ordinary-drawings-as-qu-image212899570.htmlRMPAABG2–The Tares (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Engraved and printed by Dalziel Brothers (British, active 1839-1893). Date: 1864. It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as qu
Similarity of the weeds between the grain, c. 1589 - c. 1600 print On the right in the foreground, the sower sows the grain in his field. In the background, the devil sows weeds while the sower is sleeping. Among the image six lines of Latin text from Mattheus 13: 24-30. paper engraving tares among the wheat parable of Christ (Matthew 13:24-30). sowing. human-shaped devil Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/similarity-of-the-weeds-between-the-grain-c-1589-c-1600-print-on-the-right-in-the-foreground-the-sower-sows-the-grain-in-his-field-in-the-background-the-devil-sows-weeds-while-the-sower-is-sleeping-among-the-image-six-lines-of-latin-text-from-mattheus-13-24-30-paper-engraving-tares-among-the-wheat-parable-of-christ-matthew-1324-30-sowing-human-shaped-devil-image594273429.htmlRM2WERDR1–Similarity of the weeds between the grain, c. 1589 - c. 1600 print On the right in the foreground, the sower sows the grain in his field. In the background, the devil sows weeds while the sower is sleeping. Among the image six lines of Latin text from Mattheus 13: 24-30. paper engraving tares among the wheat parable of Christ (Matthew 13:24-30). sowing. human-shaped devil
Landscape with the parable of the weeds under the grain, 1653 - 1654 print Landscape with farm. In the foreground the parable of Christ about the devil that sows weeds between the grain, while the arable farmers sleep (Mat. 13:24). The print is part of an album. paper etching while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. city-view, and landscape with man-made constructions. landscapes with waters, waterscapes, seascapes (in the temperate zone) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-parable-of-the-weeds-under-the-grain-1653-1654-print-landscape-with-farm-in-the-foreground-the-parable-of-christ-about-the-devil-that-sows-weeds-between-the-grain-while-the-arable-farmers-sleep-mat-1324-the-print-is-part-of-an-album-paper-etching-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-city-view-and-landscape-with-man-made-constructions-landscapes-with-waters-waterscapes-seascapes-in-the-temperate-zone-image594194551.htmlRM2WEKW5Y–Landscape with the parable of the weeds under the grain, 1653 - 1654 print Landscape with farm. In the foreground the parable of Christ about the devil that sows weeds between the grain, while the arable farmers sleep (Mat. 13:24). The print is part of an album. paper etching while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. city-view, and landscape with man-made constructions. landscapes with waters, waterscapes, seascapes (in the temperate zone)
Christ as Zaaier, Jan Saenredam (attributed to), after Hendrick Goltzius, 1600 - 1602 print Christ as sower. In the air a crowd of cherubin. One of the two prints of an unfinished series about the parable of the weeds between the grain, Matt. 13: 24-30. Haarlem (possibly) paper engraving tares among the wheat parable of Christ (Matthew 13:24-30). a sower sowed good seeds in his field tares among the wheat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-as-zaaier-jan-saenredam-attributed-to-after-hendrick-goltzius-1600-1602-print-christ-as-sower-in-the-air-a-crowd-of-cherubin-one-of-the-two-prints-of-an-unfinished-series-about-the-parable-of-the-weeds-between-the-grain-matt-13-24-30-haarlem-possibly-paper-engraving-tares-among-the-wheat-parable-of-christ-matthew-1324-30-a-sower-sowed-good-seeds-in-his-field-tares-among-the-wheat-image594899706.htmlRM2WFT0J2–Christ as Zaaier, Jan Saenredam (attributed to), after Hendrick Goltzius, 1600 - 1602 print Christ as sower. In the air a crowd of cherubin. One of the two prints of an unfinished series about the parable of the weeds between the grain, Matt. 13: 24-30. Haarlem (possibly) paper engraving tares among the wheat parable of Christ (Matthew 13:24-30). a sower sowed good seeds in his field tares among the wheat
Parable of the devil that sows weeds between the grain, Crispijn van de Passe (I), 1604 print While the people sleep in their field, the devil sows weeds between the grain (Matt. 10; 24-29). The show is caught in a round frame with a border script in Latin. Print from a series with similarities of Christ. Cologne paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parable-of-the-devil-that-sows-weeds-between-the-grain-crispijn-van-de-passe-i-1604-print-while-the-people-sleep-in-their-field-the-devil-sows-weeds-between-the-grain-matt-10-24-29-the-show-is-caught-in-a-round-frame-with-a-border-script-in-latin-print-from-a-series-with-similarities-of-christ-cologne-paper-engraving-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-image594814176.htmlRM2WFM3FC–Parable of the devil that sows weeds between the grain, Crispijn van de Passe (I), 1604 print While the people sleep in their field, the devil sows weeds between the grain (Matt. 10; 24-29). The show is caught in a round frame with a border script in Latin. Print from a series with similarities of Christ. Cologne paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat
Parable of the Weeds among the Wheat, Isaac Claesz. van Swanenburg (attributed to), 1590 - 1610 painting The parable of the weeds under the wheat (Matthew XIII). In the middle a standing farmer who, when harvesting, refers the country workers with sheafed weeds to a stake where the weeds are burned; However, the sheaf wheat are collected and stored in a stock shed on the left. panel. oil paint (paint) tares among the wheat parable of Christ (Matthew 13:24-30) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/parable-of-the-weeds-among-the-wheat-isaac-claesz-van-swanenburg-attributed-to-1590-1610-painting-the-parable-of-the-weeds-under-the-wheat-matthew-xiii-in-the-middle-a-standing-farmer-who-when-harvesting-refers-the-country-workers-with-sheafed-weeds-to-a-stake-where-the-weeds-are-burned-however-the-sheaf-wheat-are-collected-and-stored-in-a-stock-shed-on-the-left-panel-oil-paint-paint-tares-among-the-wheat-parable-of-christ-matthew-1324-30-image595521597.htmlRM2WGT9TD–Parable of the Weeds among the Wheat, Isaac Claesz. van Swanenburg (attributed to), 1590 - 1610 painting The parable of the weeds under the wheat (Matthew XIII). In the middle a standing farmer who, when harvesting, refers the country workers with sheafed weeds to a stake where the weeds are burned; However, the sheaf wheat are collected and stored in a stock shed on the left. panel. oil paint (paint) tares among the wheat parable of Christ (Matthew 13:24-30)
Christ with three angels, Jan Saenredam (attributed to), after Hendrick Goltzius, 1600 - 1602 print The servants, shown here as three angels, come to ask Christ why there is weeds between the grain he sown in the field. One of the two prints of an unfinished series about the parable of the weeds between the grain, Matt. 13: 24-30. Haarlem (possibly) paper engraving tares among the wheat parable of Christ (Matthew 13:24-30). while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-with-three-angels-jan-saenredam-attributed-to-after-hendrick-goltzius-1600-1602-print-the-servants-shown-here-as-three-angels-come-to-ask-christ-why-there-is-weeds-between-the-grain-he-sown-in-the-field-one-of-the-two-prints-of-an-unfinished-series-about-the-parable-of-the-weeds-between-the-grain-matt-13-24-30-haarlem-possibly-paper-engraving-tares-among-the-wheat-parable-of-christ-matthew-1324-30-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-image594902256.htmlRM2WFT3W4–Christ with three angels, Jan Saenredam (attributed to), after Hendrick Goltzius, 1600 - 1602 print The servants, shown here as three angels, come to ask Christ why there is weeds between the grain he sown in the field. One of the two prints of an unfinished series about the parable of the weeds between the grain, Matt. 13: 24-30. Haarlem (possibly) paper engraving tares among the wheat parable of Christ (Matthew 13:24-30). while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat
Landscape with the parable of the weeds between the grain, Simon Frisius, after Jacob Savery (I), after Jacob Savery (II), 1599 - 1649 print A man has sown wheat in his field and is sleeping under a tree. The devil sows weeds between the wheat. Christ and some figures are on the path in the middle of the landscape. print maker: Northern Netherlandsafter design by: Northern Netherlandsafter design by: Northern Netherlandspublisher: The Hague paper etching while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-the-parable-of-the-weeds-between-the-grain-simon-frisius-after-jacob-savery-i-after-jacob-savery-ii-1599-1649-print-a-man-has-sown-wheat-in-his-field-and-is-sleeping-under-a-tree-the-devil-sows-weeds-between-the-wheat-christ-and-some-figures-are-on-the-path-in-the-middle-of-the-landscape-print-maker-northern-netherlandsafter-design-by-northern-netherlandsafter-design-by-northern-netherlandspublisher-the-hague-paper-etching-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-image593210503.htmlRM2WD321B–Landscape with the parable of the weeds between the grain, Simon Frisius, after Jacob Savery (I), after Jacob Savery (II), 1599 - 1649 print A man has sown wheat in his field and is sleeping under a tree. The devil sows weeds between the wheat. Christ and some figures are on the path in the middle of the landscape. print maker: Northern Netherlandsafter design by: Northern Netherlandsafter design by: Northern Netherlandspublisher: The Hague paper etching while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat
Weeds under the wheat, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with Akker and the depiction of the parable of Christ about the weeds between the wheat. Some farmers sleep in the foreground. In the meantime, the devil sows weeds between the grain. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. cultivated land. flowers ornament. ornamental Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/weeds-under-the-wheat-adriaen-collaert-after-hans-bol-1582-1586-print-landscape-with-akker-and-the-depiction-of-the-parable-of-christ-about-the-weeds-between-the-wheat-some-farmers-sleep-in-the-foreground-in-the-meantime-the-devil-sows-weeds-between-the-grain-the-print-has-an-ornamental-list-of-flowers-and-animals-he-is-part-of-a-four-legged-part-series-of-landscapes-with-biblical-mythological-scenes-and-hunting-scenes-antwerp-paper-engraving-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-cultivated-land-flowers-ornament-ornamental-image593170613.htmlRM2WD174N–Weeds under the wheat, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with Akker and the depiction of the parable of Christ about the weeds between the wheat. Some farmers sleep in the foreground. In the meantime, the devil sows weeds between the grain. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. cultivated land. flowers ornament. ornamental
Weeds under the wheat, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with Akker and the depiction of the parable of Christ about the weeds between the wheat. Some farmers sleep in the foreground. In the meantime, the devil sows weeds between the grain. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. cultivated land. flowers ornament. ornamental Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/weeds-under-the-wheat-adriaen-collaert-after-hans-bol-1582-1586-print-landscape-with-akker-and-the-depiction-of-the-parable-of-christ-about-the-weeds-between-the-wheat-some-farmers-sleep-in-the-foreground-in-the-meantime-the-devil-sows-weeds-between-the-grain-the-print-has-an-ornamental-list-of-flowers-and-animals-he-is-part-of-a-four-legged-part-series-of-landscapes-with-biblical-mythological-scenes-and-hunting-scenes-antwerp-paper-engraving-while-the-sower-and-his-servants-slept-his-enemy-the-devil-sowed-tares-among-the-wheat-cultivated-land-flowers-ornament-ornamental-image593283022.htmlRM2WD6AFA–Weeds under the wheat, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with Akker and the depiction of the parable of Christ about the weeds between the wheat. Some farmers sleep in the foreground. In the meantime, the devil sows weeds between the grain. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. cultivated land. flowers ornament. ornamental
![The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with Stock Photo](https://c8.alamy.com/comp/2HHX4R6/the-tares-the-parables-of-our-lord-and-saviour-jesus-christ-1864-after-sir-john-everett-millais-british-it-took-millais-seven-years-to-design-twenty-images-inspired-by-new-testament-parables-for-the-dalziel-brothers-and-the-resulting-prints-are-considered-pinnacles-of-wood-engraved-illustration-the-artist-wrote-to-his-publishers-i-can-do-ordinary-drawings-as-quickly-as-most-men-but-these-designs-can-scarcely-be-regarded-in-the-same-lighteach-parable-i-illustrate-perhaps-a-dozen-times-before-i-fix-the-image-after-completing-a-design-millais-transferred-it-to-a-woodblock-coated-with-2HHX4R6.jpg "The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with Stock Photo")
The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tares-the-parables-of-our-lord-and-saviour-jesus-christ-1864-after-sir-john-everett-millais-british-it-took-millais-seven-years-to-design-twenty-images-inspired-by-new-testament-parables-for-the-dalziel-brothers-and-the-resulting-prints-are-considered-pinnacles-of-wood-engraved-illustration-the-artist-wrote-to-his-publishers-i-can-do-ordinary-drawings-as-quickly-as-most-men-but-these-designs-can-scarcely-be-regarded-in-the-same-lighteach-parable-i-illustrate-perhaps-a-dozen-times-before-i-fix-the-image-after-completing-a-design-millais-transferred-it-to-a-woodblock-coated-with-image458493258.htmlRM2HHX4R6–The Tares (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, 'I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image].' After completing a design, Millais transferred it to a woodblock coated with
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