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Tempera painting Stock Photos and Images
. Vorhor, the Green Wave . English: Egg tempera painting of cliffs of Vorhor near Camaret-sur-Mer by Georges Lacombe from 1896-7. . July 1896 636 Vorhor the Green Wave by Georges Lacombe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vorhor-the-green-wave-english-egg-tempera-painting-of-cliffs-of-vorhor-near-camaret-sur-mer-by-georges-lacombe-from-1896-7-july-1896-636-vorhor-the-green-wave-by-georges-lacombe-image187684411.htmlRMMW9NAK–. Vorhor, the Green Wave . English: Egg tempera painting of cliffs of Vorhor near Camaret-sur-Mer by Georges Lacombe from 1896-7. . July 1896 636 Vorhor the Green Wave by Georges Lacombe
The Transfiguration. 1516-1520; tempera painting on wood, by the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Commissioned by Cardinal Giulio de Medici, the later Pope Clement VII (1523–1534) and conceived as an altarpiece for the Narbonne Cathedral in France, Raphael worked on it until his death. The Transfiguration stands as an allegory of the transformative nature of representation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-transfiguration-1516-1520-tempera-painting-on-wood-by-the-italian-131279312.htmlRMHHG82T–The Transfiguration. 1516-1520; tempera painting on wood, by the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Commissioned by Cardinal Giulio de Medici, the later Pope Clement VII (1523–1534) and conceived as an altarpiece for the Narbonne Cathedral in France, Raphael worked on it until his death. The Transfiguration stands as an allegory of the transformative nature of representation
Funery stela showing Tomb Of Iti and Neferu recceiving food offerings. Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/funery-stela-showing-tomb-of-iti-and-neferu-recceiving-food-offerings-tempera-painting-first-intermediate-period-gebeleintomb-of-iti-and-neferu-2118-1980-bc-egypt-museo-egizio-di-torino-italy-egypt-museo-egizio-di-torino-italy-image459059589.htmlRM2HJRY59–Funery stela showing Tomb Of Iti and Neferu recceiving food offerings. Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Egypt (Museo Egizio di Torino Italy)
Ernst Dryden, Design for the lid of a gift box, Cardboard, tempera, painting technique, tempera paint with silver, Total: Height: 23,2 cm; Width: 33,2 cm, drawing, graphics, Packaging design, Woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ernst-dryden-design-for-the-lid-of-a-gift-box-cardboard-tempera-painting-technique-tempera-paint-with-silver-total-height-232-cm-width-332-cm-drawing-graphics-packaging-design-woman-image392076542.htmlRM2DNTHHJ–Ernst Dryden, Design for the lid of a gift box, Cardboard, tempera, painting technique, tempera paint with silver, Total: Height: 23,2 cm; Width: 33,2 cm, drawing, graphics, Packaging design, Woman
Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-slaughter-of-ox-held-down-by-ropes-tempera-painting-1st-intermediate-period-2118-1980-bc-egypt-egyptian-museum-of-turin-italy-image635493660.htmlRM2YWW6J4–Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy.
Saints Joachim and Anne before the sacred gate of Jerusalem', tempera painting work by Jaime Huguet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saints-joachim-and-anne-before-the-sacred-gate-of-jerusalem-tempera-painting-work-by-jaime-huguet-image212431440.htmlRMP9H2D4–Saints Joachim and Anne before the sacred gate of Jerusalem', tempera painting work by Jaime Huguet.
Chinese girl creating tempera painting, Shanghai, China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-girl-creating-tempera-painting-shanghai-china-25056526.htmlRMBCNBRX–Chinese girl creating tempera painting, Shanghai, China
Inspired by Portrait of a Gentleman with a Medallion, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, mid-16th century, 6 7/8 x 6 in., 17.5 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-a-gentleman-with-a-medallion-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-painting-mid-16th-century-6-78-x-6-in-175-x-152-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252317.htmlRF2HK4N0D–Inspired by Portrait of a Gentleman with a Medallion, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, mid-16th century, 6 7/8 x 6 in., 17.5 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Eucharist, Tempera Painting, Altar of the Catholic Monarchs, Cathedral of Our Lady of the Immaculate Conception, 1649, Historic Center, UNESCO Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eucharist-tempera-painting-altar-of-the-catholic-monarchs-cathedral-of-our-lady-of-the-immaculate-conception-1649-historic-center-unesco-image608033553.htmlRF2X96901–Eucharist, Tempera Painting, Altar of the Catholic Monarchs, Cathedral of Our Lady of the Immaculate Conception, 1649, Historic Center, UNESCO
Hilma af Klint attributed this series to the exploration of the human life cycle, from childhood and youth to adulthood and old age. Group IV, No. 3. The Ten Largest, Youth is a Tempera Painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hilma-af-klint-attributed-this-series-to-the-exploration-of-the-human-life-cycle-from-childhood-and-youth-to-adulthood-and-old-age-group-iv-no-3-the-ten-largest-youth-is-a-tempera-painting-image526952998.htmlRM2NH8NWX–Hilma af Klint attributed this series to the exploration of the human life cycle, from childhood and youth to adulthood and old age. Group IV, No. 3. The Ten Largest, Youth is a Tempera Painting
William Blake, Christ Giving Sight to Bartimaeus, tempera painting, 1799-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-christ-giving-sight-to-bartimaeus-tempera-painting-1799-1800-image259368501.htmlRMW1Y74N–William Blake, Christ Giving Sight to Bartimaeus, tempera painting, 1799-1800
Frescos from the governor's palace at Til-Barsib Tempera painting Antiquity Mesopotamia Alep national museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frescos-from-the-governors-palace-at-til-barsib-tempera-painting-antiquity-113150647.htmlRMGG2CPF–Frescos from the governor's palace at Til-Barsib Tempera painting Antiquity Mesopotamia Alep national museum
Tempera Painting by Ernst Vollbehr: The 416m long, 21.5m wide and 61m high highway bridge near Hannoversch-Muenden spans the Werra on the motorway section Goettingen-Kassel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tempera-painting-by-ernst-vollbehr-the-416m-long-215m-wide-and-61m-high-highway-bridge-near-hannoversch-muenden-spans-the-werra-on-the-motorway-section-goettingen-kassel-image247145128.htmlRMTA2C3M–Tempera Painting by Ernst Vollbehr: The 416m long, 21.5m wide and 61m high highway bridge near Hannoversch-Muenden spans the Werra on the motorway section Goettingen-Kassel.
Unknown artist, Virgin Mary with Christ Child, ca 1400. Tempera painting on wood. Siena. Italy. Museum of the City of Malmo. Sweden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-artist-virgin-mary-with-christ-child-ca-1400-tempera-painting-132858942.htmlRMHM46X6–Unknown artist, Virgin Mary with Christ Child, ca 1400. Tempera painting on wood. Siena. Italy. Museum of the City of Malmo. Sweden.
Italy Marche Urbino- Palazzo Ducale - Galleria Nazionale delle Marche - The ideal city is a tempera painting on wood by an unknown author, datable between 1480 and 1490 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-marche-urbino-palazzo-ducale-galleria-nazionale-delle-marche-the-ideal-city-is-a-tempera-painting-on-wood-by-an-unknown-author-datable-between-1480-and-1490-image342556770.htmlRM2AW8PJA–Italy Marche Urbino- Palazzo Ducale - Galleria Nazionale delle Marche - The ideal city is a tempera painting on wood by an unknown author, datable between 1480 and 1490
tempera painting - red color Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tempera-painting-red-color-84918677.htmlRFEX4AHW–tempera painting - red color
Unknown artist, Virgin Mary with Christ Child, ca 1400. Tempera painting on wood. Siena. Italy. Museum of the City of Malmo. Sweden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-virgin-mary-with-christ-child-ca-1400-tempera-painting-on-wood-siena-italy-museum-of-the-city-of-malmo-sweden-image211464804.htmlRMP811EC–Unknown artist, Virgin Mary with Christ Child, ca 1400. Tempera painting on wood. Siena. Italy. Museum of the City of Malmo. Sweden.
Etruscan Vase with Flowers, by Odilon Redon, 1900-10, French Symbolist painting, tempera on canvas. The bouquet combines real and imaginary flowers painted with varying degrees of abstraction (BSLOC 2017 5 133) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-etruscan-vase-with-flowers-by-odilon-redon-1900-10-french-symbolist-170544499.htmlRMKWCY6Y–Etruscan Vase with Flowers, by Odilon Redon, 1900-10, French Symbolist painting, tempera on canvas. The bouquet combines real and imaginary flowers painted with varying degrees of abstraction (BSLOC 2017 5 133)
Gothic period. Holy Dinner, by Jaume Ferrer I (active until the middle of the 15th Century. Holy Dinner. Detail of a group of apostles. Tempera painting on wood. Catalonia. First third of the 15 th century. Diocesan Museum of Solsona. Catalonia. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gothic-period-holy-dinner-by-jaume-ferrer-i-active-until-the-middle-image158191034.htmlRMK5A67P–Gothic period. Holy Dinner, by Jaume Ferrer I (active until the middle of the 15th Century. Holy Dinner. Detail of a group of apostles. Tempera painting on wood. Catalonia. First third of the 15 th century. Diocesan Museum of Solsona. Catalonia. Spain.
Japanese Namban screen attributed to Kano Domi, (wood, paper, gold leaf, polychrome tempera painting, silk, lacquer, gilt copper), 1593-1600 (Momoyama Period). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japanese-namban-screen-attributed-to-kano-domi-wood-paper-gold-leaf-polychrome-tempera-painting-silk-lacquer-gilt-copper-1593-1600-momoyama-period-image219850693.htmlRMPNK1PD–Japanese Namban screen attributed to Kano Domi, (wood, paper, gold leaf, polychrome tempera painting, silk, lacquer, gilt copper), 1593-1600 (Momoyama Period).
Women feeding silkworms on mulberry leaves: Chinese tempera painting on rice paper (19th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-women-feeding-silkworms-on-mulberry-leaves-chinese-tempera-painting-57302538.htmlRMD969Y6–Women feeding silkworms on mulberry leaves: Chinese tempera painting on rice paper (19th century)
Reliquienschrein mit Heiligen ( Buchenholz, Temperamalerei ) Oberrhein - eliquary shrine with saints (beech wood, tempera painting) Upper Rhine 2, quarter 14th Century Kunstgewerbemuseum, Berlin, German, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reliquienschrein-mit-heiligen-buchenholz-temperamalerei-oberrhein-125372279.htmlRMH7Y5HB–Reliquienschrein mit Heiligen ( Buchenholz, Temperamalerei ) Oberrhein - eliquary shrine with saints (beech wood, tempera painting) Upper Rhine 2, quarter 14th Century Kunstgewerbemuseum, Berlin, German, Germany.
mummy portrait of a boy, wood, tempera, sawn, smoothed, painting, wood, tempera painting, Total: Height: 30.3 cm; Width: 17 cm; Depth: 0.9 cm, religion/belief, painting, mummies, young man, youth, bust, en face, portrait of the dead, Severer, The mummy portrait in tempera painting shows a boy in front view. He has large brown eyes, full hair, executed in single curls, and a wreath of leaves on it. His incarnate parts are light brown, the shadow stripes are pink. On the bridge of his nose, above his upper lip and under his eyes there are whitish light reflections. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mummy-portrait-of-a-boy-wood-tempera-sawn-smoothed-painting-wood-tempera-painting-total-height-303-cm-width-17-cm-depth-09-cm-religionbelief-painting-mummies-young-man-youth-bust-en-face-portrait-of-the-dead-severer-the-mummy-portrait-in-tempera-painting-shows-a-boy-in-front-view-he-has-large-brown-eyes-full-hair-executed-in-single-curls-and-a-wreath-of-leaves-on-it-his-incarnate-parts-are-light-brown-the-shadow-stripes-are-pink-on-the-bridge-of-his-nose-above-his-upper-lip-and-under-his-eyes-there-are-whitish-light-reflections-image392061864.htmlRM2DNRXWC–mummy portrait of a boy, wood, tempera, sawn, smoothed, painting, wood, tempera painting, Total: Height: 30.3 cm; Width: 17 cm; Depth: 0.9 cm, religion/belief, painting, mummies, young man, youth, bust, en face, portrait of the dead, Severer, The mummy portrait in tempera painting shows a boy in front view. He has large brown eyes, full hair, executed in single curls, and a wreath of leaves on it. His incarnate parts are light brown, the shadow stripes are pink. On the bridge of his nose, above his upper lip and under his eyes there are whitish light reflections.
Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-slaughter-of-ox-held-down-by-ropes-tempera-painting-1st-intermediate-period-2118-1980-bc-egypt-egyptian-museum-of-turin-italy-image635493668.htmlRM2YWW6JC–Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy.
'Christ in the column' and 'Piety', around 1400, tempera painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-in-the-column-and-piety-around-1400-tempera-painting-image212431439.htmlRMP9H2D3–'Christ in the column' and 'Piety', around 1400, tempera painting.
Master of the Trapani Polyptych, Coronation of the Virgin between the archangels Michael and Raphael. Circa 1425. Altarpiece, tempera on assembled woo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-of-the-trapani-polyptych-coronation-of-the-virgin-between-the-archangels-michael-and-raphael-circa-1425-altarpiece-tempera-on-assembled-woo-image597759853.htmlRF2WME8P5–Master of the Trapani Polyptych, Coronation of the Virgin between the archangels Michael and Raphael. Circa 1425. Altarpiece, tempera on assembled woo
Inspired by Portrait of a Man Opening a Package, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, ca. 1550, 9 1/4 x 7 1/4 in., 23.5 x 18.4 cm, x-ray, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-a-man-opening-a-package-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-painting-ca-1550-9-14-x-7-14-in-235-x-184-cm-x-ray-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252323.htmlRF2HK4N0K–Inspired by Portrait of a Man Opening a Package, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, ca. 1550, 9 1/4 x 7 1/4 in., 23.5 x 18.4 cm, x-ray, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Italy, Florence, Museo di San Marco, The Last Judgment by Fra Angelico, detail, tempera painting, (1395 -1455) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-florence-museo-di-san-marco-the-last-judgment-by-fra-angelico-30453551.htmlRMBNF7PR–Italy, Florence, Museo di San Marco, The Last Judgment by Fra Angelico, detail, tempera painting, (1395 -1455)
Group IV, No. 7, The Ten Largest, Adulthood is a Tempera Painting created by Hilma Af Klint in 1907. 'The Ten Largest' is part of a visual study of the four ages of man from a spiritual perspective. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-iv-no-7-the-ten-largest-adulthood-is-a-tempera-painting-created-by-hilma-af-klint-in-1907-the-ten-largest-is-part-of-a-visual-study-of-the-four-ages-of-man-from-a-spiritual-perspective-image526952879.htmlRM2NH8NNK–Group IV, No. 7, The Ten Largest, Adulthood is a Tempera Painting created by Hilma Af Klint in 1907. 'The Ten Largest' is part of a visual study of the four ages of man from a spiritual perspective.
Title: Portrait of Simonetta Vespucci as a Nymph Creator: Sandro Botticelli Date: 1485 Medium: tempera on panel Location: Stadelsches Kunstinstitut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-portrait-of-simonetta-vespucci-as-a-nymph-creator-sandro-botticelli-date-1485-medium-tempera-on-panel-location-stadelsches-kunstinstitut-image437960993.htmlRM2GCERM1–Title: Portrait of Simonetta Vespucci as a Nymph Creator: Sandro Botticelli Date: 1485 Medium: tempera on panel Location: Stadelsches Kunstinstitut
Italy/Venice: Giovanni Mocenigo (1408 - 4 November 1485), Doge of Venice (1478-1485). Tempera on panel painting by Gentile Bellini (1429-1507), c. 1478-1479. Giovanni Mocenigo was Doge of Venice (r. 1478-1485), hailing from a very distinguished family. His brother, Pietro Mocenigo, had served as Doge before him. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, Duke of Ferrara, from whom he recaptured Rovigo and the Polesine. His dogaressa was Taddea Michiel (d. 1479), who was the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-giovanni-mocenigo-1408-4-november-1485-doge-of-venice-1478-1485-tempera-on-panel-painting-by-gentile-bellini-1429-1507-c-1478-1479-giovanni-mocenigo-was-doge-of-venice-r-1478-1485-hailing-from-a-very-distinguished-family-his-brother-pietro-mocenigo-had-served-as-doge-before-him-he-fought-at-sea-against-the-ottoman-sultan-mehmed-ii-and-on-land-against-ercole-i-deste-duke-of-ferrara-from-whom-he-recaptured-rovigo-and-the-polesine-his-dogaressa-was-taddea-michiel-d-1479-who-was-the-last-dogaressa-to-be-crowned-in-venice-until-zilia-dandolo-in-1557-image344242156.htmlRM2B01GAM–Italy/Venice: Giovanni Mocenigo (1408 - 4 November 1485), Doge of Venice (1478-1485). Tempera on panel painting by Gentile Bellini (1429-1507), c. 1478-1479. Giovanni Mocenigo was Doge of Venice (r. 1478-1485), hailing from a very distinguished family. His brother, Pietro Mocenigo, had served as Doge before him. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, Duke of Ferrara, from whom he recaptured Rovigo and the Polesine. His dogaressa was Taddea Michiel (d. 1479), who was the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557.
Florence, Italy. 'Spring' tempera painting on panel by Botticelli (Alessandro Filipepe, detto) in the Uffizi Gallery. (For Editorial Use Only) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florence-italy-spring-tempera-painting-on-panel-by-botticelli-alessandro-filipepe-detto-in-the-uffizi-gallery-for-editorial-use-only-image418178209.htmlRF2F89JG1–Florence, Italy. 'Spring' tempera painting on panel by Botticelli (Alessandro Filipepe, detto) in the Uffizi Gallery. (For Editorial Use Only)
Altarpiece of Saint Peter of Terrassa, by painter Lluis Borrassa (died 1424/1426). 1411-1413. Egg tempera painting on wood. Detail of the Crucifixion panel. Monumental chuch complex of St. Pere. Terrassa, province of Barcelona, Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altarpiece-of-saint-peter-of-terrassa-by-painter-lluis-borrassa-died-14241426-1411-1413-egg-tempera-painting-on-wood-detail-of-the-crucifixion-panel-monumental-chuch-complex-of-st-pere-terrassa-province-of-barcelona-catalonia-spain-image235807247.htmlRMRKHXFB–Altarpiece of Saint Peter of Terrassa, by painter Lluis Borrassa (died 1424/1426). 1411-1413. Egg tempera painting on wood. Detail of the Crucifixion panel. Monumental chuch complex of St. Pere. Terrassa, province of Barcelona, Catalonia, Spain.
Italy Marche Urbino- Palazzo Ducale - Galleria Nazionale delle Marche - The ideal city is a tempera painting on wood by an unknown author, datable between 1480 and 1490 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-marche-urbino-palazzo-ducale-galleria-nazionale-delle-marche-the-ideal-city-is-a-tempera-painting-on-wood-by-an-unknown-author-datable-between-1480-and-1490-image342622691.htmlRM2AWBPMK–Italy Marche Urbino- Palazzo Ducale - Galleria Nazionale delle Marche - The ideal city is a tempera painting on wood by an unknown author, datable between 1480 and 1490
. Vorhor, the Green Wave . English: Egg tempera painting of cliffs of Vorhor near Camaret-sur-Mer by Georges Lacombe from 1896-7. . July 1896 554 Vorhor the Green Wave by Georges Lacombe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vorhor-the-green-wave-english-egg-tempera-painting-of-cliffs-of-vorhor-near-camaret-sur-mer-by-georges-lacombe-from-1896-7-july-1896-554-vorhor-the-green-wave-by-georges-lacombe-image188999574.htmlRMMYDJTP–. Vorhor, the Green Wave . English: Egg tempera painting of cliffs of Vorhor near Camaret-sur-Mer by Georges Lacombe from 1896-7. . July 1896 554 Vorhor the Green Wave by Georges Lacombe
Saint Ursula (4th century). Roman-British Christian saint. Painting by Joan de Borgunya (?-1526), dated around1520-1525. Tempera painting and oil on wood (106 x 70 cm). From Church of Santa Maria de les Olives, near Sant Esteve de Guialbes (province of Girona). Catalonia. The Girona Art Museum, Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-ursula-4th-century-roman-british-christian-saint-painting-by-joan-de-borgunya-1526-dated-around1520-1525-tempera-painting-and-oil-on-wood-106-x-70-cm-from-church-of-santa-maria-de-les-olives-near-sant-esteve-de-guialbes-province-of-girona-catalonia-the-girona-art-museum-catalonia-spain-image220220831.htmlRMPP7WWK–Saint Ursula (4th century). Roman-British Christian saint. Painting by Joan de Borgunya (?-1526), dated around1520-1525. Tempera painting and oil on wood (106 x 70 cm). From Church of Santa Maria de les Olives, near Sant Esteve de Guialbes (province of Girona). Catalonia. The Girona Art Museum, Catalonia, Spain.
CHRIST BLESSING, by Segna di Buonaventura, 1311, Italian Proto-Renaissance tempera painting. Christs face, hand and red clock are painted in modeled forms. These contrast with the to gold lines on the blue garment from the traditional Byzantine style (BSLOC 2017 16 50) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-blessing-by-segna-di-buonaventura-1311-italian-proto-renaissance-170559718.htmlRMKWDJJE–CHRIST BLESSING, by Segna di Buonaventura, 1311, Italian Proto-Renaissance tempera painting. Christs face, hand and red clock are painted in modeled forms. These contrast with the to gold lines on the blue garment from the traditional Byzantine style (BSLOC 2017 16 50)
Untitled by Painter Atin Basak Painting Tempera on board 15'x 15' contemporary art of Bengal ; India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-untitled-by-painter-atin-basak-painting-tempera-on-board-15x-15-contemporary-88246283.htmlRMF3FY0Y–Untitled by Painter Atin Basak Painting Tempera on board 15'x 15' contemporary art of Bengal ; India
Tempera mural of the rear view of a horse by Brenda Chamberlain on the upstairs landing wall of Carreg Fawr farmhouse, Bardsey Island, North Wales. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tempera-mural-of-the-rear-view-of-a-horse-by-brenda-chamberlain-on-74098843.htmlRME8FDR7–Tempera mural of the rear view of a horse by Brenda Chamberlain on the upstairs landing wall of Carreg Fawr farmhouse, Bardsey Island, North Wales.
The Annunciation, also known as the Cestello Annunciation, is a tempera painting by the Italian Renaissance master Sandro Botticelli, circa 1489-1490. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-annunciation-also-known-as-the-cestello-annunciation-is-a-tempera-57351011.htmlRMD98FPB–The Annunciation, also known as the Cestello Annunciation, is a tempera painting by the Italian Renaissance master Sandro Botticelli, circa 1489-1490.
The calf and its mother, Cow is licking a newborn calf, Egypt Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-calf-and-its-mother-cow-is-licking-a-newborn-calf-egypt-tempera-painting-first-intermediate-period-gebeleintomb-of-iti-and-neferu-2118-1980-bc-egypt-museo-egizio-di-torino-italy-image459059597.htmlRM2HJRY5H–The calf and its mother, Cow is licking a newborn calf, Egypt Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy)
Portrait of a Gentleman with a Medallion, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, mid-16th century, 6 7/8 x 6 in., 17.5 x 15.2 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-gentleman-with-a-medallion-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-painting-mid-16th-century-6-78-x-6-in-175-x-152-cm-image454273166.htmlRM2HB1X1J–Portrait of a Gentleman with a Medallion, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, mid-16th century, 6 7/8 x 6 in., 17.5 x 15.2 cm
Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-slaughter-of-ox-held-down-by-ropes-tempera-painting-1st-intermediate-period-2118-1980-bc-egypt-egyptian-museum-of-turin-italy-image638602323.htmlRM2S2XRNR–Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy.
Last Supper' tempera painting on wood by Jaume Ferrer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/last-supper-tempera-painting-on-wood-by-jaume-ferrer-image212471240.htmlRMP9JW6G–Last Supper' tempera painting on wood by Jaume Ferrer.
Master of the Trapani Polyptych, Coronation of the Virgin between the archangels Michael and Raphael. Circa 1425. Altarpiece, tempera on assembled woo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-of-the-trapani-polyptych-coronation-of-the-virgin-between-the-archangels-michael-and-raphael-circa-1425-altarpiece-tempera-on-assembled-woo-image597759854.htmlRF2WME8P6–Master of the Trapani Polyptych, Coronation of the Virgin between the archangels Michael and Raphael. Circa 1425. Altarpiece, tempera on assembled woo
Art inspired by Portrait of a Gentleman with a Medallion, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, mid-16th century, 6 7/8 x 6 in., 17.5 x 15.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-gentleman-with-a-medallion-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-painting-mid-16th-century-6-78-x-6-in-175-x-152-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567813.htmlRF2HKK3C5–Art inspired by Portrait of a Gentleman with a Medallion, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, mid-16th century, 6 7/8 x 6 in., 17.5 x 15.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Italy, Toscane, Florence, Galleria degli Uffizi, the San Barnaba Altarpiece is a tempera painting on wood panel by Sandro Botticelli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-toscane-florence-galleria-degli-uffizi-the-san-barnaba-altarpiece-is-a-tempera-painting-on-wood-panel-by-sandro-botticelli-image593098182.htmlRF2WCWXNX–Italy, Toscane, Florence, Galleria degli Uffizi, the San Barnaba Altarpiece is a tempera painting on wood panel by Sandro Botticelli
Woman painting. Empty clean paper for art presentation. Top view of white wooden desk. Water colors, mobile phone, classic camera, sandwich, coffee, g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woman-painting-empty-clean-paper-for-art-presentation-top-view-of-134658745.htmlRFHR26GW–Woman painting. Empty clean paper for art presentation. Top view of white wooden desk. Water colors, mobile phone, classic camera, sandwich, coffee, g
Title: Madonna and Child Creator: Sandro Botticelli Date: c. 1470 Medium: tempera on panel Dimension: 74.5 x 54.5 cm Location: National Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-madonna-and-child-creator-sandro-botticelli-date-c-1470-medium-tempera-on-panel-dimension-745-x-545-cm-location-national-gallery-image437960974.htmlRM2GCERKA–Title: Madonna and Child Creator: Sandro Botticelli Date: c. 1470 Medium: tempera on panel Dimension: 74.5 x 54.5 cm Location: National Gallery
Holland/Netherlands: 'The Adoration of the Magi'. Tempera on canvas painting by Pieter Bruegel the Elder (1526 - 9 September 1569), c. 1556. Pieter Bruegel (Brueghel) the Elder was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes. He is sometimes referred to as the 'Peasant Bruegel' to distinguish him from other members of the Brueghel dynasty, but he is also the one generally meant when the context does not make clear which Brueghel is being referred to. From 1559 he dropped the 'h' from his name and signed his paintings as Bruegel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hollandnetherlands-the-adoration-of-the-magi-tempera-on-canvas-painting-by-pieter-bruegel-the-elder-1526-9-september-1569-c-1556-pieter-bruegel-brueghel-the-elder-was-a-flemish-renaissance-painter-and-printmaker-known-for-his-landscapes-and-peasant-scenes-he-is-sometimes-referred-to-as-the-peasant-bruegel-to-distinguish-him-from-other-members-of-the-brueghel-dynasty-but-he-is-also-the-one-generally-meant-when-the-context-does-not-make-clear-which-brueghel-is-being-referred-to-from-1559-he-dropped-the-h-from-his-name-and-signed-his-paintings-as-bruegel-image344249265.htmlRM2B01WCH–Holland/Netherlands: 'The Adoration of the Magi'. Tempera on canvas painting by Pieter Bruegel the Elder (1526 - 9 September 1569), c. 1556. Pieter Bruegel (Brueghel) the Elder was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes. He is sometimes referred to as the 'Peasant Bruegel' to distinguish him from other members of the Brueghel dynasty, but he is also the one generally meant when the context does not make clear which Brueghel is being referred to. From 1559 he dropped the 'h' from his name and signed his paintings as Bruegel.
Florence, Italy. 'Spring' tempera painting on panel by Botticelli (Alessandro Filipepe, detto) in the Uffizi Gallery. (For Editorial Use Only) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florence-italy-spring-tempera-painting-on-panel-by-botticelli-alessandro-filipepe-detto-in-the-uffizi-gallery-for-editorial-use-only-image415737671.htmlRF2F4ADHY–Florence, Italy. 'Spring' tempera painting on panel by Botticelli (Alessandro Filipepe, detto) in the Uffizi Gallery. (For Editorial Use Only)
Unknown painter of Campania. Head of the Virgin and Head of the Jesus Christ, ca.1280. Tempera on table. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-unknown-painter-of-campania-head-of-the-virgin-and-head-of-the-jesus-167419782.htmlRMKMAHHX–Unknown painter of Campania. Head of the Virgin and Head of the Jesus Christ, ca.1280. Tempera on table. National Museum of Capodimonte. Naples. Italy.
Italy Marche Fabriano - Civic Art Gallery: Antonio da Fabriano Documented from c. 1448 to 1480 Tempera painting on panel hundreds. The dead Virgin, lying on the bed, is surrounded by the Apostles, among them, Thomas turns to pick up the belt that has come down from the soul of the Virgin, raised to heaven by six angels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-marche-fabriano-civic-art-gallery-antonio-da-fabriano-documented-from-c-1448-to-1480-tempera-painting-on-panel-hundreds-the-dead-virgin-lying-on-the-bed-is-surrounded-by-the-apostles-among-them-thomas-turns-to-pick-up-the-belt-that-has-come-down-from-the-soul-of-the-virgin-raised-to-heaven-by-six-angels-image340646985.htmlRM2AP5PKN–Italy Marche Fabriano - Civic Art Gallery: Antonio da Fabriano Documented from c. 1448 to 1480 Tempera painting on panel hundreds. The dead Virgin, lying on the bed, is surrounded by the Apostles, among them, Thomas turns to pick up the belt that has come down from the soul of the Virgin, raised to heaven by six angels.
English: Central panel of inner wings in Barbara-altar, depicting death of Virgin Mary. Oak wood relief painted with thick layer of oil paint in 17th century covering the original tempera painting. Suomi: Barbara-alttarin keskipaneeli, tammipuureliefi. Kuvassa Neitsyt Maria kuolinvuoteellaan apostolien ympäröimänä. Yläosassa Marian taivaallinen kruunaus. N. 1410. c, 1410. 856 Maria Barbara-alttarissa keskiosa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-central-panel-of-inner-wings-in-barbara-altar-depicting-death-of-virgin-mary-oak-wood-relief-painted-with-thick-layer-of-oil-paint-in-17th-century-covering-the-original-tempera-painting-suomi-barbara-alttarin-keskipaneeli-tammipuureliefi-kuvassa-neitsyt-maria-kuolinvuoteellaan-apostolien-ymprimn-ylosassa-marian-taivaallinen-kruunaus-n-1410-c-1410-856-maria-barbara-alttarissa-keskiosa-image185846628.htmlRMMPA17G–English: Central panel of inner wings in Barbara-altar, depicting death of Virgin Mary. Oak wood relief painted with thick layer of oil paint in 17th century covering the original tempera painting. Suomi: Barbara-alttarin keskipaneeli, tammipuureliefi. Kuvassa Neitsyt Maria kuolinvuoteellaan apostolien ympäröimänä. Yläosassa Marian taivaallinen kruunaus. N. 1410. c, 1410. 856 Maria Barbara-alttarissa keskiosa
Front of the altar of Binefar. Tempera painting on wood. Detail: The saint, overcome the temptation of the devil. Second half of the 14th century. From Binefar, Huesca, Aragon. Diocesan and Comarcal Museum of Solsona, Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-of-the-altar-of-binefar-tempera-painting-on-wood-detail-the-saint-overcome-the-temptation-of-the-devil-second-half-of-the-14th-century-from-binefar-huesca-aragon-diocesan-and-comarcal-museum-of-solsona-catalonia-spain-image211311718.htmlRMP7P272–Front of the altar of Binefar. Tempera painting on wood. Detail: The saint, overcome the temptation of the devil. Second half of the 14th century. From Binefar, Huesca, Aragon. Diocesan and Comarcal Museum of Solsona, Catalonia, Spain.
SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figures drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC 2017 16 62) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saints-matthew-and-francis-by-giovanni-di-paolo-1435-italian-renaissance-170559735.htmlRMKWDJK3–SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figures drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC 2017 16 62)
Women feeding silkworms on mulberry leaves: Chinese tempera painting on rice paper (19th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-feeding-silkworms-on-mulberry-leaves-chinese-tempera-painting-on-rice-paper-19th-century-image257299223.htmlRMTXGYNY–Women feeding silkworms on mulberry leaves: Chinese tempera painting on rice paper (19th century)
Tempera painting 'Portrait of Ivan Abramovich Morozov' by Russian Impressionist painter Valentin Serov (1909) on display at the exhibition 'Icons of Modern Art from the Morozov Collection' in the Fondation Louis Vuitton in Paris, France. Ivan Abramovich Morozov was a Russian art collector owned one of the best collections of French modernist art in the world. Painting 'Fruits and Bronze' by French painter Henri Matisse (1910) from his collection is depicted in the background of the portrait. The exhibition devoted to the Morozov Collection runs till 22 February 2022. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tempera-painting-portrait-of-ivan-abramovich-morozov-by-russian-impressionist-painter-valentin-serov-1909-on-display-at-the-exhibition-icons-of-modern-art-from-the-morozov-collection-in-the-fondation-louis-vuitton-in-paris-france-ivan-abramovich-morozov-was-a-russian-art-collector-owned-one-of-the-best-collections-of-french-modernist-art-in-the-world-painting-fruits-and-bronze-by-french-painter-henri-matisse-1910-from-his-collection-is-depicted-in-the-background-of-the-portrait-the-exhibition-devoted-to-the-morozov-collection-runs-till-22-february-2022-image447336658.htmlRM2GYNXD6–Tempera painting 'Portrait of Ivan Abramovich Morozov' by Russian Impressionist painter Valentin Serov (1909) on display at the exhibition 'Icons of Modern Art from the Morozov Collection' in the Fondation Louis Vuitton in Paris, France. Ivan Abramovich Morozov was a Russian art collector owned one of the best collections of French modernist art in the world. Painting 'Fruits and Bronze' by French painter Henri Matisse (1910) from his collection is depicted in the background of the portrait. The exhibition devoted to the Morozov Collection runs till 22 February 2022.
Man drying silkworm cocoons over a charcoal pan surrounded by bamboo screen and using blanket and fan to regulate draught. Chinese tempera painting on rice paper (19th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-man-drying-silkworm-cocoons-over-a-charcoal-pan-surrounded-by-bamboo-57302536.htmlRMD969Y4–Man drying silkworm cocoons over a charcoal pan surrounded by bamboo screen and using blanket and fan to regulate draught. Chinese tempera painting on rice paper (19th century)
The calf and its mother, Cow is licking a newborn calf, Egypt Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-calf-and-its-mother-cow-is-licking-a-newborn-calf-egypt-tempera-painting-first-intermediate-period-gebeleintomb-of-iti-and-neferu-2118-1980-bc-egypt-museo-egizio-di-torino-italy-image459059604.htmlRM2HJRY5T–The calf and its mother, Cow is licking a newborn calf, Egypt Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy)
Portrait of a Man Opening a Package, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, ca. 1550, 9 1/4 x 7 1/4 in., 23.5 x 18.4 cm, x-ray Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-opening-a-package-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-painting-ca-1550-9-14-x-7-14-in-235-x-184-cm-x-ray-image454273178.htmlRM2HB1X22–Portrait of a Man Opening a Package, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, ca. 1550, 9 1/4 x 7 1/4 in., 23.5 x 18.4 cm, x-ray
Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-slaughter-of-ox-held-down-by-ropes-tempera-painting-1st-intermediate-period-2118-1980-bc-egypt-egyptian-museum-of-turin-italy-image638606943.htmlRM2S2Y1JR–Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy.
Altarpiece of the Holy Cross. Christ way to Calvary, tempera painting by Martin Bernat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altarpiece-of-the-holy-cross-christ-way-to-calvary-tempera-painting-by-martin-bernat-image212469891.htmlRMP9JREB–Altarpiece of the Holy Cross. Christ way to Calvary, tempera painting by Martin Bernat.
'At the Deathbed' 1895 oil and tempera painting on canvas by Edvard Munch 1863-1944, Kode 3 art gallery Bergen, Norway Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-at-the-deathbed-1895-oil-and-tempera-painting-on-canvas-by-edvard-117408942.htmlRMGR0C8E–'At the Deathbed' 1895 oil and tempera painting on canvas by Edvard Munch 1863-1944, Kode 3 art gallery Bergen, Norway
Art inspired by Portrait of a Man Opening a Package, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, ca. 1550, 9 1/4 x 7 1/4 in., 23.5 x 18.4 cm, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-man-opening-a-package-corneille-de-lyon-dutch150010-1575-active-in-france-tempera-painting-ca-1550-9-14-x-7-14-in-235-x-184-cm-x-ray-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567804.htmlRF2HKK3BT–Art inspired by Portrait of a Man Opening a Package, Corneille de Lyon, Dutch,1500/10-1575, active in France, Tempera painting, ca. 1550, 9 1/4 x 7 1/4 in., 23.5 x 18.4 cm, x-ray, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Antonio Canova. Painting entitled 'Five Dancers with Veil and Crowns' by Italian Neoclassical sculptor and painter, Antonio Canova (1757-1822), temper, c. 1798-99 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-canova-painting-entitled-five-dancers-with-veil-and-crowns-by-italian-neoclassical-sculptor-and-painter-antonio-canova-1757-1822-temper-c-1798-99-image523055561.htmlRM2NAY6KN–Antonio Canova. Painting entitled 'Five Dancers with Veil and Crowns' by Italian Neoclassical sculptor and painter, Antonio Canova (1757-1822), temper, c. 1798-99
Group IV, No. 4. The Ten Largest, Youth is a Tempera Painting created by Hilma Af Klint in 1907. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-iv-no-4-the-ten-largest-youth-is-a-tempera-painting-created-by-hilma-af-klint-in-1907-image526953077.htmlRM2NH8P0N–Group IV, No. 4. The Ten Largest, Youth is a Tempera Painting created by Hilma Af Klint in 1907.
Title: Portrait of a Youth Creator: Sandro Botticelli Date: c. 1482/1485 Medium: Tempera Dimension: 43.5 x 46.2 cm Location: The National Gallery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-portrait-of-a-youth-creator-sandro-botticelli-date-c-14821485-medium-tempera-dimension-435-x-462-cm-location-the-national-gallery-image437960985.htmlRM2GCERKN–Title: Portrait of a Youth Creator: Sandro Botticelli Date: c. 1482/1485 Medium: Tempera Dimension: 43.5 x 46.2 cm Location: The National Gallery
Ethiopia: Painting in tempera on a closed triptych, central Ethiopia, late 15th century. Christianity in Ethiopia dates to the 1st century CE, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church which is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ethiopia-painting-in-tempera-on-a-closed-triptych-central-ethiopia-late-15th-century-christianity-in-ethiopia-dates-to-the-1st-century-ce-and-this-long-tradition-makes-ethiopia-unique-amongst-sub-saharan-african-countries-christianity-in-this-country-is-divided-into-several-groups-the-largest-and-oldest-is-the-ethiopian-orthodox-tewahedo-church-which-is-an-oriental-orthodox-church-in-ethiopia-that-was-part-of-the-coptic-orthodox-church-until-1959-when-it-was-granted-its-own-patriarch-by-coptic-orthodox-pope-of-alexandria-and-patriarch-of-all-africa-cyril-vi-image344249607.htmlRM2B01WTR–Ethiopia: Painting in tempera on a closed triptych, central Ethiopia, late 15th century. Christianity in Ethiopia dates to the 1st century CE, and this long tradition makes Ethiopia unique amongst sub-Saharan African countries. Christianity in this country is divided into several groups. The largest and oldest is the Ethiopian Orthodox Tewahedo Church which is an Oriental Orthodox church in Ethiopia that was part of the Coptic Orthodox Church until 1959, when it was granted its own Patriarch by Coptic Orthodox Pope of Alexandria and Patriarch of All Africa Cyril VI.
Box with brushes for oil and tempera painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-box-with-brushes-for-oil-and-tempera-painting-36731504.htmlRMC3N7BC–Box with brushes for oil and tempera painting
abstract real egg tempera painting with vermillion red color pigments, abstract background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-real-egg-tempera-painting-with-vermillion-red-color-pigments-abstract-background-image261748068.htmlRFW5RJ98–abstract real egg tempera painting with vermillion red color pigments, abstract background
Italy Marche Fabriano - Civic Art Gallery: Antonio da Fabriano Documented from c. 1448 to 1480 Tempera painting on panel hundreds. The dead Virgin, lying on the bed, is surrounded by the Apostles, among them, Thomas turns to pick up the belt that has come down from the soul of the Virgin, raised to heaven by six angels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-marche-fabriano-civic-art-gallery-antonio-da-fabriano-documented-from-c-1448-to-1480-tempera-painting-on-panel-hundreds-the-dead-virgin-lying-on-the-bed-is-surrounded-by-the-apostles-among-them-thomas-turns-to-pick-up-the-belt-that-has-come-down-from-the-soul-of-the-virgin-raised-to-heaven-by-six-angels-image340646989.htmlRM2AP5PKW–Italy Marche Fabriano - Civic Art Gallery: Antonio da Fabriano Documented from c. 1448 to 1480 Tempera painting on panel hundreds. The dead Virgin, lying on the bed, is surrounded by the Apostles, among them, Thomas turns to pick up the belt that has come down from the soul of the Virgin, raised to heaven by six angels.
. Detail of Satan Calling Up his Legions, tempera painting . uncertain right now. William Blake (1757–1827) Alternative names W. Blake; Uil'iam Bleik Description British painter, poet, writer, theologian, collector and engraver Date of birth/death 28 November 1757 12 August 1827 Location of birth/death Broadwick Street Charing Cross Work location London Authority control : Q41513 VIAF: 54144439 ISNI: 0000 0001 2096 135X ULAN: 500012489 LCCN: n78095331 NLA: 35019221 WorldCat 1096 Satan Calling up his legions Detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-satan-calling-up-his-legions-tempera-painting-uncertain-right-now-william-blake-17571827-alternative-names-w-blake-uiliam-bleik-description-british-painter-poet-writer-theologian-collector-and-engraver-date-of-birthdeath-28-november-1757-12-august-1827-location-of-birthdeath-broadwick-street-charing-cross-work-location-london-authority-control-q41513-viaf54144439-isni0000-0001-2096-135x-ulan500012489-lccnn78095331-nla35019221-worldcat-1096-satan-calling-up-his-legions-detail-image185585302.htmlRMMNX3XE–. Detail of Satan Calling Up his Legions, tempera painting . uncertain right now. William Blake (1757–1827) Alternative names W. Blake; Uil'iam Bleik Description British painter, poet, writer, theologian, collector and engraver Date of birth/death 28 November 1757 12 August 1827 Location of birth/death Broadwick Street Charing Cross Work location London Authority control : Q41513 VIAF: 54144439 ISNI: 0000 0001 2096 135X ULAN: 500012489 LCCN: n78095331 NLA: 35019221 WorldCat 1096 Satan Calling up his legions Detail
Jaume Ferrer I (14th-15th century). Catalan painter. Holy dinner. Detail of Christ surrounded by apostles. Lleida ?. 15th century. Tempera painting on wood. Diocesan and Comarcal Museum of Solsona. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jaume-ferrer-i-14th-15th-century-catalan-painter-holy-dinner-detail-of-christ-surrounded-by-apostles-lleida-15th-century-tempera-painting-on-wood-diocesan-and-comarcal-museum-of-solsona-image211340002.htmlRMP7RA96–Jaume Ferrer I (14th-15th century). Catalan painter. Holy dinner. Detail of Christ surrounded by apostles. Lleida ?. 15th century. Tempera painting on wood. Diocesan and Comarcal Museum of Solsona.
THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-young-st-john-the-baptist-by-piero-di-cosimo-1480-1522-italian-170559743.htmlRMKWDJKB–THE YOUNG ST. JOHN THE BAPTIST, by Piero di Cosimo, 1480-1522, Italian Renaissance tempera painting. Saint John the Baptist portrayed in profile with a rustic cross, a halo, and wearing a camel skin. He was Florences patron saints and images of him as a youth were popular in the fifteenth century (BSLOC 2017 16 67)
Man drying silkworm cocoons over a charcoal pan surrounded by bamboo screen and using blanket and fan to regulate draught. Chinese tempera painting on rice paper (19th century) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/man-drying-silkworm-cocoons-over-a-charcoal-pan-surrounded-by-bamboo-screen-and-using-blanket-and-fan-to-regulate-draught-chinese-tempera-painting-on-rice-paper-19th-century-image257299166.htmlRMTXGYKX–Man drying silkworm cocoons over a charcoal pan surrounded by bamboo screen and using blanket and fan to regulate draught. Chinese tempera painting on rice paper (19th century)
Lieven van Lathem, The Trinity 1469 Tempera colors, gold leaf, gold, silver, ink on parchment, The J. Paul Getty Museum, Los Angeles, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lieven-van-lathem-the-trinity-1469-tempera-colors-gold-leaf-gold-silver-ink-on-parchment-the-j-paul-getty-museum-los-angeles-usa-image223521929.htmlRMPYJ8E1–Lieven van Lathem, The Trinity 1469 Tempera colors, gold leaf, gold, silver, ink on parchment, The J. Paul Getty Museum, Los Angeles, USA.
The Vision of a Knight, by Raffaello Sanzio da Urbino (1483-1520). Tempera painting on poplar, finished in 1504–1505. Raphael was an Italian painter and architect of the High Renaissance. The Vision of a Knight, also called The Dream of Scipio or Allegory may represent the Roman general Scipio Africanus (236–184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-vision-of-a-knight-by-raffaello-sanzio-da-urbino-1483-1520-tempera-131279293.htmlRMHHG825–The Vision of a Knight, by Raffaello Sanzio da Urbino (1483-1520). Tempera painting on poplar, finished in 1504–1505. Raphael was an Italian painter and architect of the High Renaissance. The Vision of a Knight, also called The Dream of Scipio or Allegory may represent the Roman general Scipio Africanus (236–184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes).
Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomb-of-iti-and-neferu-ritual-slaughter-scene-scene-thebes-tempera-painting-first-intermediate-period-gebeleintomb-of-iti-and-neferu-2118-1980-bc-egypt-museo-egizio-di-torino-italy-image459059704.htmlRM2HJRY9C–Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy)
Christian Zell, two-manual harpsichord, property of the Stiftung Hamburger Kunstsammlungen, spruce, pine, painting, various woods, ivory, tortoiseshell, various metals and precious metals, various paints and varnishes, oil and tempera painting, cardboard and paper strips, felt, total: Height: 88 cm; Width: 93.2 cm; Length: 245.8 cm, Note (instrument making): Behind the endpaper on the front of the soundpost: Christian Zell, fecit Ao. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christian-zell-two-manual-harpsichord-property-of-the-stiftung-hamburger-kunstsammlungen-spruce-pine-painting-various-woods-ivory-tortoiseshell-various-metals-and-precious-metals-various-paints-and-varnishes-oil-and-tempera-painting-cardboard-and-paper-strips-felt-total-height-88-cm-width-932-cm-length-2458-cm-note-instrument-making-behind-the-endpaper-on-the-front-of-the-soundpost-christian-zell-fecit-ao-image392062279.htmlRM2DNRYC7–Christian Zell, two-manual harpsichord, property of the Stiftung Hamburger Kunstsammlungen, spruce, pine, painting, various woods, ivory, tortoiseshell, various metals and precious metals, various paints and varnishes, oil and tempera painting, cardboard and paper strips, felt, total: Height: 88 cm; Width: 93.2 cm; Length: 245.8 cm, Note (instrument making): Behind the endpaper on the front of the soundpost: Christian Zell, fecit Ao.
Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-slaughter-of-ox-held-down-by-ropes-tempera-painting-1st-intermediate-period-2118-1980-bc-egypt-egyptian-museum-of-turin-italy-image638606944.htmlRM2S2Y1JT–Ritual Slaughter of ox, held down by ropes. Tempera painting. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Italy.
Holy Supper' tempera painting on wood by Jaume Ferrer, detail of the right side. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-supper-tempera-painting-on-wood-by-jaume-ferrer-detail-of-the-right-side-image212421931.htmlRMP9GJ9F–Holy Supper' tempera painting on wood by Jaume Ferrer, detail of the right side.
Roberto d'Oderisio (1335-1382). Italian painter, Trecento. Madonna of Humility, 1440-45. Tempera on wood. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roberto-doderisio-1335-1382-italian-painter-trecento-madonna-of-humility-140322144.htmlRMJ48694–Roberto d'Oderisio (1335-1382). Italian painter, Trecento. Madonna of Humility, 1440-45. Tempera on wood. National Museum of Capodimonte. Naples. Italy.
Mary Moser still life painting, Vase of Flowers, tempera, 1764 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-moser-still-life-painting-vase-of-flowers-tempera-1764-image624236960.htmlRM2Y7GCH4–Mary Moser still life painting, Vase of Flowers, tempera, 1764
Satan Smiting Job with Sore Boils by William Blake, painting, ink and tempera on mahogany, c.1826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-satan-smiting-job-with-sore-boils-by-william-blake-painting-ink-and-130806370.htmlRMHGPMT2–Satan Smiting Job with Sore Boils by William Blake, painting, ink and tempera on mahogany, c.1826
Watercolor painting of rooster with eggs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watercolor-painting-of-rooster-with-eggs-image612150148.htmlRF2XFWRN8–Watercolor painting of rooster with eggs
Title: Pallas and the Centaur Creator: Sandro Botticelli Date: c.1480 Medium: tempera on panel Dimension: 207 x 148 cm Location: Galleria degli Uffizi, Florence, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-pallas-and-the-centaur-creator-sandro-botticelli-date-c1480-medium-tempera-on-panel-dimension-207-x-148-cm-location-galleria-degli-uffizi-florence-image437960978.htmlRM2GCERKE–Title: Pallas and the Centaur Creator: Sandro Botticelli Date: c.1480 Medium: tempera on panel Dimension: 207 x 148 cm Location: Galleria degli Uffizi, Florence,
![Italy: 'St. Mary Magdalen'. Tempera on panel painting by Ugolino di Nerio (c. 1280-1349), c. 1320. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photo](https://c8.alamy.com/comp/2B01KW8/italy-st-mary-magdalen-tempera-on-panel-painting-by-ugolino-di-nerio-c-1280-1349-c-1320-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-she-was-the-first-person-to-see-jesus-after-his-resurrection-2B01KW8.jpg "Italy: 'St. Mary Magdalen'. Tempera on panel painting by Ugolino di Nerio (c. 1280-1349), c. 1320. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photo")
Italy: 'St. Mary Magdalen'. Tempera on panel painting by Ugolino di Nerio (c. 1280-1349), c. 1320. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-st-mary-magdalen-tempera-on-panel-painting-by-ugolino-di-nerio-c-1280-1349-c-1320-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-she-was-the-first-person-to-see-jesus-after-his-resurrection-image344244916.htmlRM2B01KW8–Italy: 'St. Mary Magdalen'. Tempera on panel painting by Ugolino di Nerio (c. 1280-1349), c. 1320. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection.
Etruscan Vase with Flowers, by Odilon Redon, 1900-10, French Symbolist painting, tempera on canvas. The bouquet combines real and imaginary flowers painted with varying degrees of abstraction (BSLOC 2017 5 133) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-etruscan-vase-with-flowers-by-odilon-redon-1900-10-french-symbolist-170545283.htmlRMKWD06Y–Etruscan Vase with Flowers, by Odilon Redon, 1900-10, French Symbolist painting, tempera on canvas. The bouquet combines real and imaginary flowers painted with varying degrees of abstraction (BSLOC 2017 5 133)
Medieval weaving, embroidery, enamel and painted sculpture, (1898). 'Fig 1: Statue of St. Simon in the choir of Cologne Cathedral. Fig 2: Pattern on the robe of another statue ibid. Fig 3: Embroidered fonder of French origin. 14th century. Fig 4: Embroidered stuff (in the original, silver is employed instead of gold), 15th century. Fig 5: Embroidered stuff, 14th century. Figs 6-9: Borders and patterns of carpets from the wall-paintings in the upper church S. Francesco at Assisi. 14th century. Fig 10: Pattern of a carpet from a tempera-painting of Niccolo Alunno (1466) in the pinacotheca at Per Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-weaving-embroidery-enamel-and-painted-sculpture-1898-fig-1-statue-of-st-simon-in-the-choir-of-cologne-cathedral-fig-2-pattern-on-the-robe-of-another-statue-ibid-fig-3-embroidered-fonder-of-french-origin-14th-century-fig-4-embroidered-stuff-in-the-original-silver-is-employed-instead-of-gold-15th-century-fig-5-embroidered-stuff-14th-century-figs-6-9-borders-and-patterns-of-carpets-from-the-wall-paintings-in-the-upper-church-s-francesco-at-assisi-14th-century-fig-10-pattern-of-a-carpet-from-a-tempera-painting-of-niccolo-alunno-1466-in-the-pinacotheca-at-per-image336845630.htmlRM2AG0J12–Medieval weaving, embroidery, enamel and painted sculpture, (1898). 'Fig 1: Statue of St. Simon in the choir of Cologne Cathedral. Fig 2: Pattern on the robe of another statue ibid. Fig 3: Embroidered fonder of French origin. 14th century. Fig 4: Embroidered stuff (in the original, silver is employed instead of gold), 15th century. Fig 5: Embroidered stuff, 14th century. Figs 6-9: Borders and patterns of carpets from the wall-paintings in the upper church S. Francesco at Assisi. 14th century. Fig 10: Pattern of a carpet from a tempera-painting of Niccolo Alunno (1466) in the pinacotheca at Per
Wall paintings of the Northern Black Sea region. High quality photo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wall-paintings-of-the-northern-black-sea-region-high-quality-photo-image600888422.htmlRF2WWGR8P–Wall paintings of the Northern Black Sea region. High quality photo
. English: Rigt panel of inner wings in Barbara-altar. Two oak wood reliefs painted with thick layer of oil paint in 17th century covering the original tempera painting. Upper one depicts the funeral procession of Virgin Mary. The apostles carry the coffin. Jews try to rob the coffin to burn the dead body. their hands wither, however, thwarting their plans. Second relif on the bottom: The Virgin Mary frees Knight Teophilus from his pact with devil. Praying Virgin Mary helps Cirka 1410. circa 1410. Master Francke / Meister Francke / Mestari Francke 856 Maria Barbara-alttarissa 3. osa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-rigt-panel-of-inner-wings-in-barbara-altar-two-oak-wood-reliefs-painted-with-thick-layer-of-oil-paint-in-17th-century-covering-the-original-tempera-painting-upper-one-depicts-the-funeral-procession-of-virgin-mary-the-apostles-carry-the-coffin-jews-try-to-rob-the-coffin-to-burn-the-dead-body-their-hands-wither-however-thwarting-their-plans-second-relif-on-the-bottom-the-virgin-mary-frees-knight-teophilus-from-his-pact-with-devil-praying-virgin-mary-helps-cirka-1410-circa-1410-master-francke-meister-francke-mestari-francke-856-maria-barbara-alttarissa-3-osa-image185846620.htmlRMMPA178–. English: Rigt panel of inner wings in Barbara-altar. Two oak wood reliefs painted with thick layer of oil paint in 17th century covering the original tempera painting. Upper one depicts the funeral procession of Virgin Mary. The apostles carry the coffin. Jews try to rob the coffin to burn the dead body. their hands wither, however, thwarting their plans. Second relif on the bottom: The Virgin Mary frees Knight Teophilus from his pact with devil. Praying Virgin Mary helps Cirka 1410. circa 1410. Master Francke / Meister Francke / Mestari Francke 856 Maria Barbara-alttarissa 3. osa
Front of the altar of Binefar. Tempera painting on wood. Size: 101 x 135 x 5 cm. Second half of the 14th century. From Binefar, Huesca, Aragon. Diocesan and Comarcal Museum of Solsona, Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-of-the-altar-of-binefar-tempera-painting-on-wood-size-101-x-135-x-5-cm-second-half-of-the-14th-century-from-binefar-huesca-aragon-diocesan-and-comarcal-museum-of-solsona-catalonia-spain-image211311711.htmlRMP7P26R–Front of the altar of Binefar. Tempera painting on wood. Size: 101 x 135 x 5 cm. Second half of the 14th century. From Binefar, Huesca, Aragon. Diocesan and Comarcal Museum of Solsona, Catalonia, Spain.
Portrait of a Man with a Medal of Cosimo the Elder, also known as Portrait of a Youth with a Medal, is a tempera painting by Italian Renaissance paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-man-with-a-medal-of-cosimo-the-elder-also-known-as-portrait-of-a-youth-with-a-medal-is-a-tempera-painting-by-italian-renaissance-paint-image550791578.htmlRM2R02M7P–Portrait of a Man with a Medal of Cosimo the Elder, also known as Portrait of a Youth with a Medal, is a tempera painting by Italian Renaissance paint
Jessica Dismorr (1885 - 1939) Superimposed Forms, 1938 Tempera on board Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jessica-dismorr-1885-1939-superimposed-forms-1938-tempera-on-board-image330682591.htmlRM2A5YW0F–Jessica Dismorr (1885 - 1939) Superimposed Forms, 1938 Tempera on board
Lieven van Lathem, Saint Michael 1469 Tempera colors, gold leaf, gold, silver, ink on parchment, The J. Paul Getty Museum, Los Angeles, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lieven-van-lathem-saint-michael-1469-tempera-colors-gold-leaf-gold-silver-ink-on-parchment-the-j-paul-getty-museum-los-angeles-usa-image223521916.htmlRMPYJ8DG–Lieven van Lathem, Saint Michael 1469 Tempera colors, gold leaf, gold, silver, ink on parchment, The J. Paul Getty Museum, Los Angeles, USA.
Andrea Del Castagno (1423-1457) Saint Sebastian, Florentine painting of the Renaissance. Tempera on wood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-del-castagno-1423-1457-saint-sebastian-florentine-painting-of-the-renaissance-tempera-on-wood-image482202676.htmlRM2K0E6C4–Andrea Del Castagno (1423-1457) Saint Sebastian, Florentine painting of the Renaissance. Tempera on wood.
Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomb-of-iti-and-neferu-ritual-slaughter-scene-scene-thebes-tempera-painting-first-intermediate-period-gebeleintomb-of-iti-and-neferu-2118-1980-bc-egypt-museo-egizio-di-torino-italy-image459059578.htmlRM2HJRY4X–Tomb of Iti and Neferu, Ritual slaughter scene Scene, Thebes, Tempera painting, First Intermediate Period, Gebelein,Tomb Of Iti and Neferu ( 2118-1980 BC ) Egypt (Museo Egizio di Torino Italy)
The Daughter Of Herodias (Salome), 1904, Joseph Edward Southall (d.1944), Cartoon for the tempera on canvas painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-daughter-of-herodias-salome-1904-joseph-edward-southall-d1944-cartoon-for-the-tempera-on-canvas-painting-image387015976.htmlRM2DDJ2R4–The Daughter Of Herodias (Salome), 1904, Joseph Edward Southall (d.1944), Cartoon for the tempera on canvas painting
Ritual Slaughter of ox, held down by ropes. Tempera painting. Detail of man. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ritual-slaughter-of-ox-held-down-by-ropes-tempera-painting-detail-of-man-1st-intermediate-period-2118-1980-bc-egypt-egyptian-museum-of-turin-image638602319.htmlRM2S2XRNK–Ritual Slaughter of ox, held down by ropes. Tempera painting. Detail of man. 1st Intermediate period (2118-1980 BC). Egypt. Egyptian Museum of Turin.
