The unrepentant thief on the cross Stock Photos and Images
The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border, Battista Franco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-unrepentant-thief-on-the-cross-study-of-a-childs-head-at-lower-162483693.html
RMKC9NH1–The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border, Battista Franco
Art inspired by The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border, 1510–61, Pen and brown ink, 13 1/8 x 8 9/16in. (33.3 x 21.8cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-unrepentant-thief-on-the-cross-study-of-a-childs-head-at-lower-left-and-of-an-ear-at-lower-right-border-151061-pen-and-brown-ink-13-18-x-8-916in-333-x-218cm-drawings-battista-franco-italian-venice-ca-15101561-venice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951519.html
RF2HW57AR–Art inspired by The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border, 1510–61, Pen and brown ink, 13 1/8 x 8 9/16in. (33.3 x 21.8cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border 1972 by Battista Franco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-unrepentant-thief-on-the-cross-study-of-a-childs-head-at-lower-left-and-of-an-ear-at-lower-right-border-1972-by-battista-franco-image575187848.html
RM2TBP1Y4–The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border 1972 by Battista Franco
The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border 1510–61 Battista Franco Italian. The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border 338808 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-unrepentant-thief-on-the-cross-study-of-a-childs-head-at-lower-left-and-of-an-ear-at-lower-right-border-151061-battista-franco-italian-the-unrepentant-thief-on-the-cross-study-of-a-childs-head-at-lower-left-and-of-an-ear-at-lower-right-border-338808-image458145457.html
RM2HHA95N–The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border 1510–61 Battista Franco Italian. The Unrepentant Thief on the Cross, Study of a Child's Head at Lower Left, and of an Ear at Lower Right Border 338808
The Unrepentant Thief, c. 1530. Two thieves were crucified with Christ on Mount Golgotha. One, recognizing Christ's innocence, re-pented his sins, while the other reviled him. In paintings of the crucifixion, this unrepentant thief is depicted at Christ's left. The angle of the cross in this drawing indicates that it is the unrepentant thief who here struggles against the binding ropes. Sodoma was born and trained in Lombardy, but spent most of his life in Siena, where he dominated Sienese painting during the first half of the 16th century. Known for his emotionally charged paintings as well a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-unrepentant-thief-c-1530-two-thieves-were-crucified-with-christ-on-mount-golgotha-one-recognizing-christs-innocence-re-pented-his-sins-while-the-other-reviled-him-in-paintings-of-the-crucifixion-this-unrepentant-thief-is-depicted-at-christs-left-the-angle-of-the-cross-in-this-drawing-indicates-that-it-is-the-unrepentant-thief-who-here-struggles-against-the-binding-ropes-sodoma-was-born-and-trained-in-lombardy-but-spent-most-of-his-life-in-siena-where-he-dominated-sienese-painting-during-the-first-half-of-the-16th-century-known-for-his-emotionally-charged-paintings-as-well-a-image330130914.html
RM2A52N9P–The Unrepentant Thief, c. 1530. Two thieves were crucified with Christ on Mount Golgotha. One, recognizing Christ's innocence, re-pented his sins, while the other reviled him. In paintings of the crucifixion, this unrepentant thief is depicted at Christ's left. The angle of the cross in this drawing indicates that it is the unrepentant thief who here struggles against the binding ropes. Sodoma was born and trained in Lombardy, but spent most of his life in Siena, where he dominated Sienese painting during the first half of the 16th century. Known for his emotionally charged paintings as well a
Christ on the cross and Mary and John Crucifixion Concordance Old and New Testament (series title) Concordantzen alt und news Testament (series title) Christ on the cross with his right the penitent thief on the cross and left the unrepentant criminal. Under the cross of Christ are Mary and Johannes. Manufacturer : printmaker: Augustin Hirschvogel To own design: Augustin Hirschvogel Place manufacture: Vienna Date: 1547 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 116 mm × W 144 mm Explanation Sheet from Perenyi, Peter and Augustin Hirschvogel, Concordanz V Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-and-mary-and-john-crucifixion-concordance-old-and-new-testament-series-title-concordantzen-alt-und-news-testament-series-title-christ-on-the-cross-with-his-right-the-penitent-thief-on-the-cross-and-left-the-unrepentant-criminal-under-the-cross-of-christ-are-mary-and-johannes-manufacturer-printmaker-augustin-hirschvogel-to-own-design-augustin-hirschvogel-place-manufacture-vienna-date-1547-physical-features-etching-material-paper-technique-etching-dimensions-sheet-h-116-mm-w-144-mm-explanation-sheet-from-perenyi-peter-and-augustin-hirschvogel-concordanz-v-image348255566.html
RM2B6GBEP–Christ on the cross and Mary and John Crucifixion Concordance Old and New Testament (series title) Concordantzen alt und news Testament (series title) Christ on the cross with his right the penitent thief on the cross and left the unrepentant criminal. Under the cross of Christ are Mary and Johannes. Manufacturer : printmaker: Augustin Hirschvogel To own design: Augustin Hirschvogel Place manufacture: Vienna Date: 1547 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 116 mm × W 144 mm Explanation Sheet from Perenyi, Peter and Augustin Hirschvogel, Concordanz V