Theodore robinson giverny hi-res stock photography and images

Valley of the Seine from Giverny Heights, Robinson, Theodore, 1892. Stock Photo

RMM6JR7R–Valley of the Seine from Giverny Heights, Robinson, Theodore, 1892.

Theodore Robinson, Giverny, landscape painting in oil on canvas, circa 1889 Stock Photo

RM2RD6XX8–Theodore Robinson, Giverny, landscape painting in oil on canvas, circa 1889

RF2F1FW9W–Theodore Robinson - Giverny

RMHR832A–Theodore Robinson Giverny

Giverny 1889. 1185 Theodore Robinson Giverny Stock Photo

RMMNXRRR–Giverny 1889. 1185 Theodore Robinson Giverny

RMJTGW36–Theodore Robinson Giverny

Farm Among Hills, Giverny, c. 1887, Theodore Robinson, American, 1852 - 1896, 12 1/4 x 25 in. (31.12 x 63.5 cm) (canvas)24 7/8 x 37 3/4 in. (63.18 x 95.89 cm) (outer frame), Oil on canvas, United States, 19th century, This work featuring the loose, visible brushwork characteristic of Impressionism is rather unusual for its geometric style. The entire image is composed of simple shapes that together form a rural landscape. Theodore Robinson made this painting during time spent in the French town of Giverny (about 50 miles northwest of Paris), where he studied with the Impressionist master Stock Photo

RM2T909W2–Farm Among Hills, Giverny, c. 1887, Theodore Robinson, American, 1852 - 1896, 12 1/4 x 25 in. (31.12 x 63.5 cm) (canvas)24 7/8 x 37 3/4 in. (63.18 x 95.89 cm) (outer frame), Oil on canvas, United States, 19th century, This work featuring the loose, visible brushwork characteristic of Impressionism is rather unusual for its geometric style. The entire image is composed of simple shapes that together form a rural landscape. Theodore Robinson made this painting during time spent in the French town of Giverny (about 50 miles northwest of Paris), where he studied with the Impressionist master

Claude Monet, at age 49, in his garden at Giverny, France 1890. Photo by Theodore Robinson. (CSU 2015 11 1547) Stock Photo

RMF2ATY5–Claude Monet, at age 49, in his garden at Giverny, France 1890. Photo by Theodore Robinson. (CSU 2015 11 1547)

RM2JPXFN7–Theodore Robinson Giverny

Evening at the Lock, Napanoch, New York, Theodore Robinson, 1893 Stock Photo

RMKC76N1–Evening at the Lock, Napanoch, New York, Theodore Robinson, 1893

The Bridge at Giverny. Date/Period: 1891. Painting. Oil on panel. Height: 40 cm (15.7 in); Width: 48.6 cm (19.1 in); Depth: 4.1 cm (1.6 in) (with frame). Author: Theodore Robinson. Stock Photo

RMPNDP8X–The Bridge at Giverny. Date/Period: 1891. Painting. Oil on panel. Height: 40 cm (15.7 in); Width: 48.6 cm (19.1 in); Depth: 4.1 cm (1.6 in) (with frame). Author: Theodore Robinson.

The Bridge at Giverny 1891 by Theodore Robinson Stock Photo

RM2PKCM5K–The Bridge at Giverny 1891 by Theodore Robinson

Art inspired by Evening at the Lock, Napanoch, New York, 1893, oil on canvas, 22 x 32 in. (55.9 x 81.3 cm), Paintings, Theodore Robinson (1852–1896), In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting at Napanoch, New York, in the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9JR8–Art inspired by Evening at the Lock, Napanoch, New York, 1893, oil on canvas, 22 x 32 in. (55.9 x 81.3 cm), Paintings, Theodore Robinson (1852–1896), In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting at Napanoch, New York, in the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Valley of the Seine, from the Hills of Giverny, by Theodore Robinson, 1892, American impressionist painting, oil on canvas. Stock Photo

RMGMGDXB–The Valley of the Seine, from the Hills of Giverny, by Theodore Robinson, 1892, American impressionist painting, oil on canvas.

Theodore Robinson, The Valley of the Seine, from the Hills of Giverny, 1892, The Valley of the Seine, from the Hills of Giverny; 1892 date Stock Photo

RM2AENG7E–Theodore Robinson, The Valley of the Seine, from the Hills of Giverny, 1892, The Valley of the Seine, from the Hills of Giverny; 1892 date

A Hillside, Giverny 1887 Theodore Robinson Stock Photo

RF2WNTNY1–A Hillside, Giverny 1887 Theodore Robinson

A Hillside, Giverny. Theodore Robinson (United States, Vermont, Irasburg, 1852-1896). United States, 1887. Paintings. Oil on canvas Stock Photo

RM2J03RWA–A Hillside, Giverny. Theodore Robinson (United States, Vermont, Irasburg, 1852-1896). United States, 1887. Paintings. Oil on canvas

Old Church at Giverny, 1891. Stock Photo

RM2FN8TRM–Old Church at Giverny, 1891.

A Bird's-Eye View 1889 Theodore Robinson American Theodore Robinson, although academically trained at France’s École des Beaux-Arts, became the leading American disciple of the progressive impressionist Claude Monet. Living as a close friend and neighbor of the famous painter in the artists’ colony of Giverny between 1887 and 1892, Robinson experimented with plein-air (outdoor) painting in numerous depictions of that bucolic village, such as this work. Listen to experts illuminate this artwork's story Listen Play or pause #4372. A Bird's-Eye View Supported by Bloomberg Philanthropies We're sor Stock Photo

RM2HJ0F82–A Bird's-Eye View 1889 Theodore Robinson American Theodore Robinson, although academically trained at France’s École des Beaux-Arts, became the leading American disciple of the progressive impressionist Claude Monet. Living as a close friend and neighbor of the famous painter in the artists’ colony of Giverny between 1887 and 1892, Robinson experimented with plein-air (outdoor) painting in numerous depictions of that bucolic village, such as this work. Listen to experts illuminate this artwork's story Listen Play or pause #4372. A Bird's-Eye View Supported by Bloomberg Philanthropies We're sor

Theodore Robinson, The Bridge at Giverny, painting in oil on wood, 1891 Stock Photo

RM2RD6XXJ–Theodore Robinson, The Bridge at Giverny, painting in oil on wood, 1891

Theodore Robinson - The Bridge at Giverny Stock Photo

RF2F1FW94–Theodore Robinson - The Bridge at Giverny

Theodore Robinson Giverny Google Art Project Stock Photo

RMHYFBM7–Theodore Robinson Giverny Google Art Project

1716 Theodore Robinson - The Bridge at Giverny - Stock Photo

RMPBHNE4–1716 Theodore Robinson - The Bridge at Giverny -

RMKE667A–Theodore Robinson The Bridge at Giverny

Evening at the Lock, Napanoch, New York 1893 Theodore Robinson American In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting at Napanoch, New York, in the Shawangunk Mountains, and chronicled that still-rural region in several canvases. Here, he commemorated an old canal that used to facilitate the transport of coal from Pennsylvania to New York City but had been rendered obsolete by more efficient railroad lines. In contrast to the grandiloquent responses to the same region by the earlier Hudson River School painters, Robinson’s subtle view de Stock Photo

RM2HH4RM1–Evening at the Lock, Napanoch, New York 1893 Theodore Robinson American In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting at Napanoch, New York, in the Shawangunk Mountains, and chronicled that still-rural region in several canvases. Here, he commemorated an old canal that used to facilitate the transport of coal from Pennsylvania to New York City but had been rendered obsolete by more efficient railroad lines. In contrast to the grandiloquent responses to the same region by the earlier Hudson River School painters, Robinson’s subtle view de

RM2JPXFJC–Theodore Robinson - Giverny

The Valley of the Seine, from the Hills of Giverny. Dated: 1892. Dimensions: overall: 65.9 × 81.6 cm (25 15/16 × 32 1/8 in.) framed: 97.2 × 113 × 14.6 cm (38 1/4 × 44 1/2 × 5 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Theodore Robinson. Stock Photo

RMPKY4K4–The Valley of the Seine, from the Hills of Giverny. Dated: 1892. Dimensions: overall: 65.9 × 81.6 cm (25 15/16 × 32 1/8 in.) framed: 97.2 × 113 × 14.6 cm (38 1/4 × 44 1/2 × 5 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Theodore Robinson.

Giverny 1889 by Theodore Robinson Stock Photo

RM2RBFJ12–Giverny 1889 by Theodore Robinson

Theodore Robinson. The Valley of Arconville. 1887. United States. Oil on canvas One of the first American artists to paint in Giverny, France, Theodore Robinson assimilated the teachings of the region’s most famous resident, Claude Monet, in his vibrant compositions. In this striking panoramic view of the French valley of Arconville, southeast of Paris, Robinson employed densely layered, broken brushwork—learned from his friend and mentor Monet—to lead the eye away from the figure of the woman, down the slope, and across the valley. Although Robinson, like the French Impressionists, here captu Stock Photo

RM2AHRP9D–Theodore Robinson. The Valley of Arconville. 1887. United States. Oil on canvas One of the first American artists to paint in Giverny, France, Theodore Robinson assimilated the teachings of the region’s most famous resident, Claude Monet, in his vibrant compositions. In this striking panoramic view of the French valley of Arconville, southeast of Paris, Robinson employed densely layered, broken brushwork—learned from his friend and mentor Monet—to lead the eye away from the figure of the woman, down the slope, and across the valley. Although Robinson, like the French Impressionists, here captu

RM2WM5BTP–Theodore Robinson, The Bridge at Giverny, painting in oil on wood, 1891

The Valley of the Seine, from the Hills of Giverny, 1892. Stock Photo

RM2EH5G9M–The Valley of the Seine, from the Hills of Giverny, 1892.

Theodore Robinson, The Valley of the Seine from the Hills of Giverny, landscape painting in oil on canvas, 1892 Stock Photo

RM2RD6Y18–Theodore Robinson, The Valley of the Seine from the Hills of Giverny, landscape painting in oil on canvas, 1892

Theodore Robinson - Farm Among Hills, Giverny - 2009.16.2 - Minneapolis Institute of Arts Stock Photo

RMHRDPA5–Theodore Robinson - Farm Among Hills, Giverny - 2009.16.2 - Minneapolis Institute of Arts

. English: Farm Among Hills, Giverny . circa 1887 99 Theodore Robinson - Farm Among Hills, Giverny - 2009.16.2 - Minneapolis Institute of Arts Stock Photo

RMP00YX1–. English: Farm Among Hills, Giverny . circa 1887 99 Theodore Robinson - Farm Among Hills, Giverny - 2009.16.2 - Minneapolis Institute of Arts

WLA lacma Valley of the Seine, Giverny by Theodore Robinson Stock Photo

RMJTF53C–WLA lacma Valley of the Seine, Giverny by Theodore Robinson

The Old Mill (Vieux Moulin) ca. 1892 Theodore Robinson American After first visiting Giverny, a picturesque village in Normandy, in 1885, Robinson spent long periods there from 1887 to 1892 and became friendly with Claude Monet. Surrounded by fields of wheat and oats, Giverny supported three gristmills, including the old Moulin de Chennevières, seen here. The plow-ridged fields, the grain stack in the distance, and the mill itself summarize the seasonal cycle of cultivation, harvest, and milling. Monet’s three famous series of 1890 to 1892, depicting, respectively, stacks of grain, rows of pop Stock Photo

RM2HH7WTP–The Old Mill (Vieux Moulin) ca. 1892 Theodore Robinson American After first visiting Giverny, a picturesque village in Normandy, in 1885, Robinson spent long periods there from 1887 to 1892 and became friendly with Claude Monet. Surrounded by fields of wheat and oats, Giverny supported three gristmills, including the old Moulin de Chennevières, seen here. The plow-ridged fields, the grain stack in the distance, and the mill itself summarize the seasonal cycle of cultivation, harvest, and milling. Monet’s three famous series of 1890 to 1892, depicting, respectively, stacks of grain, rows of pop

Theodore robinson giverny 092859) Stock Photo

RM2JPXFMB–Theodore robinson giverny 092859)

Willows Theodore Robinson (American, 1852-1896). Willows, ca. 1892. Oil on canvas, 17 15/16 x 21 11/16 in. (45.6 x 55.1 cm). This painting exemplifies the artist's debt to the French Impressionist Claude Monet, whom Robinson befriended in Giverny, a small farming village northwest of Paris. Robinson used loose brushwork and thick daubs of pure color to capture the glistening effects of sunlight over the Giverny landscape. The white mill in the background appeared in several of Robinson's works, suggesting that he emulated Monet's practice of painting a single motif—such as haystacks—at differ Stock Photo

RM2M92EB7–Willows Theodore Robinson (American, 1852-1896). Willows, ca. 1892. Oil on canvas, 17 15/16 x 21 11/16 in. (45.6 x 55.1 cm). This painting exemplifies the artist's debt to the French Impressionist Claude Monet, whom Robinson befriended in Giverny, a small farming village northwest of Paris. Robinson used loose brushwork and thick daubs of pure color to capture the glistening effects of sunlight over the Giverny landscape. The white mill in the background appeared in several of Robinson's works, suggesting that he emulated Monet's practice of painting a single motif—such as haystacks—at differ

Giverny. Date/Period: Ca. 1889. Painting. Oil on canvas. Height: 16 mm (0.62 in); Width: 22 mm (0.86 in). Author: Theodore Robinson. Stock Photo

RMPNDE5X–Giverny. Date/Period: Ca. 1889. Painting. Oil on canvas. Height: 16 mm (0.62 in); Width: 22 mm (0.86 in). Author: Theodore Robinson.

RM2RBFJ45–The Bridge at Giverny 1891 by Theodore Robinson

The Valley of Arconville, c. 1887. Landscape in Giverny, France. Stock Photo

RM2H2J125–The Valley of Arconville, c. 1887. Landscape in Giverny, France.

RMJ97Y22–WLA lacma Valley of the Seine, Giverny by Theodore Robinson

Theodore Robinson - Blossoms at Giverny. Stock Photo

RM2HD1K4C–Theodore Robinson - Blossoms at Giverny.

Giverny Farm Theodore Wendel (American, 1859-1932). Giverny Farm, ca. 1886. Oil on canvas mounted on woodboard, 14 15/16 x 17 15/16 in. (38 x 45.5 cm). Although his work is little known today, Theodore Wendel belonged to the first wave of American Impressionists. This small band, also including Theodore Robinson, painted in France at Giverny in the 1880s and knew Claude Monet, who converted the Americans to the still-young French movement. This small landscape of an open field populated with haystacks is an early exercise demonstrating Wendel's efforts to assimilate Impressionist practices. A Stock Photo

RM2M92DMH–Giverny Farm Theodore Wendel (American, 1859-1932). Giverny Farm, ca. 1886. Oil on canvas mounted on woodboard, 14 15/16 x 17 15/16 in. (38 x 45.5 cm). Although his work is little known today, Theodore Wendel belonged to the first wave of American Impressionists. This small band, also including Theodore Robinson, painted in France at Giverny in the 1880s and knew Claude Monet, who converted the Americans to the still-young French movement. This small landscape of an open field populated with haystacks is an early exercise demonstrating Wendel's efforts to assimilate Impressionist practices. A

A Bird's-Eye View. Artist: Theodore Robinson (1852-1896). Dimensions: 25 3/4 x 32 in. (65.4 x 81.3 cm). Date: 1889. Theodore Robinson, although academically trained at France's École des Beaux-Arts, became the leading American disciple of the progressive impressionist Claude Monet. Living as a close friend and neighbor of the famous painter in the artists' colony of Giverny between 1887 and 1892, Robinson experimented with plein-air (outdoor) painting in numerous depictions of that bucolic village, such as this work. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANN97–A Bird's-Eye View. Artist: Theodore Robinson (1852-1896). Dimensions: 25 3/4 x 32 in. (65.4 x 81.3 cm). Date: 1889. Theodore Robinson, although academically trained at France's École des Beaux-Arts, became the leading American disciple of the progressive impressionist Claude Monet. Living as a close friend and neighbor of the famous painter in the artists' colony of Giverny between 1887 and 1892, Robinson experimented with plein-air (outdoor) painting in numerous depictions of that bucolic village, such as this work. Museum: Metropolitan Museum of Art, New York, USA.

Hillside, Springtime, Giverny by Theodore Robinson Stock Photo

RM2RBFJ2F–Hillside, Springtime, Giverny by Theodore Robinson

The Old Mill (Vieux Moulin), ca. 1892. Stock Photo

RM2AX1HBM–The Old Mill (Vieux Moulin), ca. 1892.

Theodore Robinson - From the Hill, Giverny. Stock Photo

RM2HD1K6K–Theodore Robinson - From the Hill, Giverny.

RM2M92E9C–Willows Theodore Robinson (American, 1852-1896). Willows, ca. 1892. Oil on canvas, 17 15/16 x 21 11/16 in. (45.6 x 55.1 cm). This painting exemplifies the artist's debt to the French Impressionist Claude Monet, whom Robinson befriended in Giverny, a small farming village northwest of Paris. Robinson used loose brushwork and thick daubs of pure color to capture the glistening effects of sunlight over the Giverny landscape. The white mill in the background appeared in several of Robinson's works, suggesting that he emulated Monet's practice of painting a single motif—such as haystacks—at differ

Old Church at Giverny. Date: 1891. oil on canvas. Museum: Smithsonian American Art Museum. Stock Photo

RM2R6F0AF–Old Church at Giverny. Date: 1891. oil on canvas. Museum: Smithsonian American Art Museum.

Blossoms at Giverny 1893 by Theodore Robinson Stock Photo

RM2RBFJ32–Blossoms at Giverny 1893 by Theodore Robinson

RM2HD1K81–WLA lacma Valley of the Seine, Giverny by Theodore Robinson.

RM2M92DMM–Giverny Farm Theodore Wendel (American, 1859-1932). Giverny Farm, ca. 1886. Oil on canvas mounted on woodboard, 14 15/16 x 17 15/16 in. (38 x 45.5 cm). Although his work is little known today, Theodore Wendel belonged to the first wave of American Impressionists. This small band, also including Theodore Robinson, painted in France at Giverny in the 1880s and knew Claude Monet, who converted the Americans to the still-young French movement. This small landscape of an open field populated with haystacks is an early exercise demonstrating Wendel's efforts to assimilate Impressionist practices. A