Three figures, painting hi-res stock photography and images

The Dingy'. Watercolour. Aurore Amadine Lucie Dupin (1804-1876) French novelist and feminist who wrote under the name of George Sand. Three figures in small rowing boat riding a wave. Water Sea Stock Photo

RMD98Y9K–The Dingy'. Watercolour. Aurore Amadine Lucie Dupin (1804-1876) French novelist and feminist who wrote under the name of George Sand. Three figures in small rowing boat riding a wave. Water Sea

Nicolas Poussin, painting, Landscape with Three Figures, 1645-1650 Stock Photo

RM2A4F45K–Nicolas Poussin, painting, Landscape with Three Figures, 1645-1650

Holy Family with the Infant Saint John the Baptist, Saint Elizabeth and Three Figures by the French artist, Lubin Baugin (c. 1612-1663), oil on wood, c. 1642 Stock Photo

RM2J2Y9XH–Holy Family with the Infant Saint John the Baptist, Saint Elizabeth and Three Figures by the French artist, Lubin Baugin (c. 1612-1663), oil on wood, c. 1642

Three Figures 1930 Frits Van den Berghe (1883–1939) Flemish Belgian Belgium Stock Photo

RMFB8XKB–Three Figures 1930 Frits Van den Berghe (1883–1939) Flemish Belgian Belgium

David Klöcker Ehrenstrahl, Three Allegorical Figures Bearing the Portrait of Charles XI of Sweden, Three Allegorical Figures Wearing Karl XI's Portrait, Painting, Portrait, oil on panel, Height, 32 cm (12.5 inches), Width, 27 cm (10.6 inches) Stock Photo

RMW53NRY–David Klöcker Ehrenstrahl, Three Allegorical Figures Bearing the Portrait of Charles XI of Sweden, Three Allegorical Figures Wearing Karl XI's Portrait, Painting, Portrait, oil on panel, Height, 32 cm (12.5 inches), Width, 27 cm (10.6 inches)

A picture called 'Three Figures' by L. S. Lowry at the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK Stock Photo

RM2HN98M9–A picture called 'Three Figures' by L. S. Lowry at the Potteries Museum and Art Gallery, Hanley, Stoke-on-Trent, Staffs, England, UK

Three figures. 1971. Oil on canvas. Stock Photo

RFR5XXEJ–Three figures. 1971. Oil on canvas.

Oskar Schlemmer - Three Figures with Furniture like Forms - 1929 Stock Photo

RF2J0MMWP–Oskar Schlemmer - Three Figures with Furniture like Forms - 1929

Inspired by Photoreproduction of presumably an oval ceiling painting depicting three hovering figures with attributes, P.-J. Carpey, Europe, Europe, publisher: Luik, c. 1875 - c. 1900, albumen print, height 143 mm × width 183 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKBYHN–Inspired by Photoreproduction of presumably an oval ceiling painting depicting three hovering figures with attributes, P.-J. Carpey, Europe, Europe, publisher: Luik, c. 1875 - c. 1900, albumen print, height 143 mm × width 183 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Painting titled 'Three Mimi' by Jimmy Midjaw Midjaw (1897-1985) an Aboriginal Australian visual artist. Dated 20th Century Stock Photo

RM2K2JXT3–Painting titled 'Three Mimi' by Jimmy Midjaw Midjaw (1897-1985) an Aboriginal Australian visual artist. Dated 20th Century

Brooklyn Museum Album Leaf Painting Three Laughing Figures Stock Photo

RMHKBT1J–Brooklyn Museum Album Leaf Painting Three Laughing Figures

China: Ren Xiong (19 July 1823 - 23 November 1857). Hanging scroll self-portrait, c. 1850. Ren Xiong was a Chinese painter from Xiaoshan who was active during the late Qing dynasty. Ren belonged to the 'Shanghai school' in Chinese painting, and was famous for his bold and innovative style. He painted various subjects, but was known for his figures and Daoist stories. He was considered one of the 'Four Rens of Shanghai', and one of the 'Three Xiongs of Shanghai'. Stock Photo

RM2B016E1–China: Ren Xiong (19 July 1823 - 23 November 1857). Hanging scroll self-portrait, c. 1850. Ren Xiong was a Chinese painter from Xiaoshan who was active during the late Qing dynasty. Ren belonged to the 'Shanghai school' in Chinese painting, and was famous for his bold and innovative style. He painted various subjects, but was known for his figures and Daoist stories. He was considered one of the 'Four Rens of Shanghai', and one of the 'Three Xiongs of Shanghai'.

Education Preschool 3-4 year olds boy painting at easel painting recognizable human figures Stock Photo

RM2F6YHC6–Education Preschool 3-4 year olds boy painting at easel painting recognizable human figures

A three-headed eagle in a crowned alchemical flask, representing mercury sublimated three times. Watercolour painting by E.A. Ibbsin 1900- 1909 Stock Photo

RM2X87F5T–A three-headed eagle in a crowned alchemical flask, representing mercury sublimated three times. Watercolour painting by E.A. Ibbsin 1900- 1909

abstract geometric composition with three figures Stock Photo

RF2K2H4RD–abstract geometric composition with three figures

Terracotta bell-krater (mixing bowl). Culture: Greek, South Italian, Campanian. Dimensions: H. 15 7/8 in. (40.3 cm). Date: ca. 350-325 B.C.. Obverse, two Oscan warriors and two women Reverse, three youths Like the skyphos nearby (91.1.444), this piece represents Cumaean Campanian vase-painting. The articulation of the figures, their drapery, and their attributes are colorful and slightly awkward. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAR6X9–Terracotta bell-krater (mixing bowl). Culture: Greek, South Italian, Campanian. Dimensions: H. 15 7/8 in. (40.3 cm). Date: ca. 350-325 B.C.. Obverse, two Oscan warriors and two women Reverse, three youths Like the skyphos nearby (91.1.444), this piece represents Cumaean Campanian vase-painting. The articulation of the figures, their drapery, and their attributes are colorful and slightly awkward. Museum: Metropolitan Museum of Art, New York, USA.

At Table, by Edouard Vuillard, 1893, French Post-Impressionist, oil painting on cardboard. This small picture of 12 x 10 inches, depicts an interior with three indistinctly painted figures dining (BSLOC 2017 5 98) Stock Photo

RMKWCYGT–At Table, by Edouard Vuillard, 1893, French Post-Impressionist, oil painting on cardboard. This small picture of 12 x 10 inches, depicts an interior with three indistinctly painted figures dining (BSLOC 2017 5 98)

Illustration The Angel at the Door of the Sepulchre As Three Mary's Enter (Matthew 28) from Painting The Women at the Tomb by Alex Ender in The 1902 Stock Photo

RM2Y4MJR3–Illustration The Angel at the Door of the Sepulchre As Three Mary's Enter (Matthew 28) from Painting The Women at the Tomb by Alex Ender in The 1902

Painting. Business and professions concept. Three people climbing steps into the sky. Executive Achievement. Stock Photo

RMA851M4–Painting. Business and professions concept. Three people climbing steps into the sky. Executive Achievement.

RMH3WRT7–Painting titled 'Three Mimi' by Jimmy Midjaw Midjaw (1897-1985) an Aboriginal Australian visual artist. Dated 20th Century

Arthur Segal, abstract painting, Drei Figuren, (Three Figures), 1922 Stock Photo

RM2R1NB81–Arthur Segal, abstract painting, Drei Figuren, (Three Figures), 1922

Vlad the Impaler. Portrait of Vlad III, known as Vlad the Impaler or Vlad Dracula (c.1428/31-1476/77), who was ruler of Wallachia three times. Painting, oil on canvas, mid 16th century. Stock Photo

RM2CT7BET–Vlad the Impaler. Portrait of Vlad III, known as Vlad the Impaler or Vlad Dracula (c.1428/31-1476/77), who was ruler of Wallachia three times. Painting, oil on canvas, mid 16th century.

Three Female Figures 1930 Kazimir Malevich 1878-1935 Russia, USSR, Russian, Federation, Stock Photo

RMRPX3JF–Three Female Figures 1930 Kazimir Malevich 1878-1935 Russia, USSR, Russian, Federation,

Punch or sponge for painting tiles with the representation of Esther 8: 7, Paper punched representation of five figures, three standing and two kneeling, with a building and in the background a gallows. Esther 8: 7., anonymous, Netherlands, 1700 - 1799, paper, h 13 cm × w 13 cm Stock Photo

RMW565YW–Punch or sponge for painting tiles with the representation of Esther 8: 7, Paper punched representation of five figures, three standing and two kneeling, with a building and in the background a gallows. Esther 8: 7., anonymous, Netherlands, 1700 - 1799, paper, h 13 cm × w 13 cm

Street art on The Three Tuns pub. Partition Street, BS1 5UR Bristol, UK (Nov21) Stock Photo

RM2H6M7T3–Street art on The Three Tuns pub. Partition Street, BS1 5UR Bristol, UK (Nov21)

three chestnut figures in the garden Stock Photo

RM2M4GAJJ–three chestnut figures in the garden

Oskar Schlemmer - Three Figures on the Railing - 1933 Stock Photo

RF2J0MMAM–Oskar Schlemmer - Three Figures on the Railing - 1933

Inspired by Album Leaf Painting: Three Laughing Figures, Album leaf, ink on silk, Japan, 18th century, Edo Period, Image: 10 1/2 x 12 1/8 in., 26.7 x 30.8 cm, beard, figures, hands, hat, joy, laugh, painting, robes, textile, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK553B–Inspired by Album Leaf Painting: Three Laughing Figures, Album leaf, ink on silk, Japan, 18th century, Edo Period, Image: 10 1/2 x 12 1/8 in., 26.7 x 30.8 cm, beard, figures, hands, hat, joy, laugh, painting, robes, textile, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RMJ2Y0N5–Brooklyn Museum - Album Leaf Painting Three Laughing Figures

Brooklyn Museum Three Figures Stock Photo

RMHKDFEC–Brooklyn Museum Three Figures

Empress Jingu was consort to Emperor Chuai (notionally 192 – 200 CE), she also served as Regent from the time of her husband's death in 209 until her son Emperor Ōjin acceded to the throne in 269. No firm dates can be assigned to this historical figure's life or reign. Jingū is regarded by historians as a 'legendary' figure because of the paucity of information about her. Legend has it that she led an army in an invasion of Korea and returned to Japan victorious after three years. However, this theory is widely rejected even in Japan as there is no evidence of Japanese rule in any part of Kor Stock Photo

RM2B02MCW–Empress Jingu was consort to Emperor Chuai (notionally 192 – 200 CE), she also served as Regent from the time of her husband's death in 209 until her son Emperor Ōjin acceded to the throne in 269. No firm dates can be assigned to this historical figure's life or reign. Jingū is regarded by historians as a 'legendary' figure because of the paucity of information about her. Legend has it that she led an army in an invasion of Korea and returned to Japan victorious after three years. However, this theory is widely rejected even in Japan as there is no evidence of Japanese rule in any part of Kor

Education Preschool 3-4 year olds art activity girl in smock painting recognizable human figure at easel Stock Photo

RM2F6YHBY–Education Preschool 3-4 year olds art activity girl in smock painting recognizable human figure at easel

Three silhouettes of figures are creeping in the dark night forest. Digital painting illustration. Stock Photo

RF2F8XNRR–Three silhouettes of figures are creeping in the dark night forest. Digital painting illustration.

Finishing machine, three roll calender, historical illustration, wood engraving, circa 1888 Stock Photo

RFCNY4EN–Finishing machine, three roll calender, historical illustration, wood engraving, circa 1888

The Annunciation to Zacharias; (verso) The Angel of the Annunciation. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: 29 7/8 x 17 in. (75.9 x 43.2 cm). Date: ca. 1455-60. Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the Stock Photo

RMPA9BRR–The Annunciation to Zacharias; (verso) The Angel of the Annunciation. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: 29 7/8 x 17 in. (75.9 x 43.2 cm). Date: ca. 1455-60. Giovanni di Paolo, one of the most important figures in the history of Sienese painting, was active for much of the fifteenth century. This panel is the first episode of an ambitious narrative cycle: a series of twelve scenes from the Life of Saint John the Baptist, distributed in four vertical rows of three scenes each. Although the original function and location of the

RMT6TMW5–Black and white etching depicting a lightly wooded or forested area, populated with three female figures wearing Victorian dresses, one seated in the right foreground, and two more standing in profile at left; titled 'Essai d'Eau-Forte' (Etching Test); numbered and signed by the illustrator Felix Bracquemond, 1867. From the New York Public Library. ()

Painting Of The Nativity Three Wise Men Bearing Gifts For Baby Jesus Stock Photo

RMBTAW2P–Painting Of The Nativity Three Wise Men Bearing Gifts For Baby Jesus

RM2A5206X–Princess with Wine Bottle and Cup (recto), c. 1550-1600. Single-page depictions of courtly figures became popular in Iran during the 1500s. The subject here conveys Safavid ideals of female beauty. Long dark hair falls in jeweled braids down to her ankles, while shorter tendrils frame her full, smooth face. She is shown in the three-quarter profile favored in Persian painting. The contrasting colours of the bright blue of her robe and the orange of her sash and tunic beneath are features of Safavid fashion.

PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Baptism of Christ 1448-50 Tempera on panel, 167 x 116 cm National Gallery, London In 1442 Piero was recorded as town councillor in Borgo San Sepolcro. This painting is his first important commission in this period, originally it was painted for the Chapel of San Giovanni in the Pieve. The most striking feature of this painting is the extraordinary lighting from above, creating delicate pastel colours, with pale shadows that surround the figures and enhance their three dimensionality. At the centre, the figure o Stock Photo

RM2Y178M6–PIERO della FRANCESCA (b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) Baptism of Christ 1448-50 Tempera on panel, 167 x 116 cm National Gallery, London In 1442 Piero was recorded as town councillor in Borgo San Sepolcro. This painting is his first important commission in this period, originally it was painted for the Chapel of San Giovanni in the Pieve. The most striking feature of this painting is the extraordinary lighting from above, creating delicate pastel colours, with pale shadows that surround the figures and enhance their three dimensionality. At the centre, the figure o

James McNeill Whistler, painting, Three Figures, Pink and Grey, 1868-1878 Stock Photo

RMW77CFA–James McNeill Whistler, painting, Three Figures, Pink and Grey, 1868-1878

Portrait of Kaiser Wilhelm II (1859-1941), Emperor of Germany and King of Prussia, in dress uniform. Painting by Vilma Parlaghy, 1895. Stock Photo

RMH29DXH–Portrait of Kaiser Wilhelm II (1859-1941), Emperor of Germany and King of Prussia, in dress uniform. Painting by Vilma Parlaghy, 1895.

Genre scene with three figures by Bernini Giovanni Antonio 1656-1727 17-18th century, Italy, Italian. Stock Photo

RMR6G1HE–Genre scene with three figures by Bernini Giovanni Antonio 1656-1727 17-18th century, Italy, Italian.

Long Leg and Long Arm, Two legendary figures are depicted with three matching poems. One figure with long legs (ashinaga) admires a painting of a monkey, the other with long arms (tenaga) holds a tray with a peach. Three poems, monkeys, apes, Momokawa Chôki (mentioned on object), Japan, 1800, paper, colour woodcut, h 141 mm × w 188 mm Stock Photo

RMW57X2B–Long Leg and Long Arm, Two legendary figures are depicted with three matching poems. One figure with long legs (ashinaga) admires a painting of a monkey, the other with long arms (tenaga) holds a tray with a peach. Three poems, monkeys, apes, Momokawa Chôki (mentioned on object), Japan, 1800, paper, colour woodcut, h 141 mm × w 188 mm

RM2H6M7TK–Street art on The Three Tuns pub. Partition Street, BS1 5UR Bristol, UK (Nov21)

RM2M4GBR3–three chestnut figures in the garden

Kandinsky artwork entitled Four Figures on Three Squares. Stock Photo

RF2FK7NPF–Kandinsky artwork entitled Four Figures on Three Squares.

Art inspired by Photoreproduction of presumably an oval ceiling painting depicting three hovering figures with attributes, P.-J. Carpey, Europe, Europe, publisher: Luik, c. 1875 - c. 1900, cardboard, albumen print, height 143 mm × width 183 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKXTDX–Art inspired by Photoreproduction of presumably an oval ceiling painting depicting three hovering figures with attributes, P.-J. Carpey, Europe, Europe, publisher: Luik, c. 1875 - c. 1900, cardboard, albumen print, height 143 mm × width 183 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Madonna del cardellino or Madonna of the Goldfinch. c. 1505-1506; oil painting on wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Madonna del cardellino shows three figures; Mary, Christ and the young John the Baptist. Though the positions of the three bodies are natural, together they form an almost regular triangle. The Madonna was a wedding gift from Raphael to his friend Lorenzo Nasi. In Madonna Del Cardellino, the goldfinch represents Christ’s crucifixion. Stock Photo

RMHHG832–Madonna del cardellino or Madonna of the Goldfinch. c. 1505-1506; oil painting on wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Madonna del cardellino shows three figures; Mary, Christ and the young John the Baptist. Though the positions of the three bodies are natural, together they form an almost regular triangle. The Madonna was a wedding gift from Raphael to his friend Lorenzo Nasi. In Madonna Del Cardellino, the goldfinch represents Christ’s crucifixion.

Brooklyn Museum Three Figures 3 Stock Photo

RMHKF2BH–Brooklyn Museum Three Figures 3

Photo of a 10 dinar postage stamp from Yugoslavia with three painted figures Stock Photo

RM2H9R6BN–Photo of a 10 dinar postage stamp from Yugoslavia with three painted figures

Education Preschool 3-4 year olds boy painting at easel Stock Photo

RM2F6YHC7–Education Preschool 3-4 year olds boy painting at easel

'Waiting for the Storm' - A vintage oil painting of Three Horses by R Dennis Stock Photo

RMW4WCEX–'Waiting for the Storm' - A vintage oil painting of Three Horses by R Dennis

Woodcut after a chinese painting, three figures, masks, disguise, headgear, beard, China, historical illustration c. 1898 Stock Photo

RM2RMKT95–Woodcut after a chinese painting, three figures, masks, disguise, headgear, beard, China, historical illustration c. 1898

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso). Artist: Francesco Furini (Italian, Florence 1603-1646 Florence). Dimensions: Sheet: 9 9/16 x 7 5/8 in. (24.3 x 19.4 cm). Date: 17th century. This double-sided sheet of studies in red chalk is an excellent and characteristic example of Furini's draftsmanship. It seems to be an early work by the artist, and the recto, with a study of a woman on a cloud, may have been preparatory for a lost painting of the 'Immaculate Conception' or, more likely, an 'Assumption.' The drawing can be dated to the late 1620 Stock Photo

RMPAPYY5–Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso). Artist: Francesco Furini (Italian, Florence 1603-1646 Florence). Dimensions: Sheet: 9 9/16 x 7 5/8 in. (24.3 x 19.4 cm). Date: 17th century. This double-sided sheet of studies in red chalk is an excellent and characteristic example of Furini's draftsmanship. It seems to be an early work by the artist, and the recto, with a study of a woman on a cloud, may have been preparatory for a lost painting of the 'Immaculate Conception' or, more likely, an 'Assumption.' The drawing can be dated to the late 1620

Callisto Piazza (1500-1562), Tre mezze figure e un bambino (Allegoria coniugale ?), ca. 1529. Three half figures and a child. Stock Photo

RMH538XT–Callisto Piazza (1500-1562), Tre mezze figure e un bambino (Allegoria coniugale ?), ca. 1529. Three half figures and a child.

Painting of The Woman At The Sepulchre which include Mary Magdalene, Mary of Cleophas, Salome the wife of Zebdee and Joanna the wife of Herod's stewar Stock Photo

RMBF16F9–Painting of The Woman At The Sepulchre which include Mary Magdalene, Mary of Cleophas, Salome the wife of Zebdee and Joanna the wife of Herod's stewar

Page from Tales of a Parrot (Tuti-nama): Fifteenth night: The parrot addresses Khujasta at the beginning of the fifteenth night, 1558-1560. Panels of bold colour are closely reminiscent of local Indian painting traditions, as seen in the page to the left. The artist here is experimenting with depicting three-dimensionality in the angled rendering of the bed, the placement of Khujasta’s feet on the plane of the floor, and the parrot who stands in the space of his cage. In comparison to the figures in The Sage Narada tells King Kamsa of Vishnu’s Impending Incarnation to the left, K Stock Photo

RM2A51P3X–Page from Tales of a Parrot (Tuti-nama): Fifteenth night: The parrot addresses Khujasta at the beginning of the fifteenth night, 1558-1560. Panels of bold colour are closely reminiscent of local Indian painting traditions, as seen in the page to the left. The artist here is experimenting with depicting three-dimensionality in the angled rendering of the bed, the placement of Khujasta’s feet on the plane of the floor, and the parrot who stands in the space of his cage. In comparison to the figures in The Sage Narada tells King Kamsa of Vishnu’s Impending Incarnation to the left, K

Anatomical Studies of Three Male Figures by Peter Paul Rubens Stock Photo

RM2RC6BC8–Anatomical Studies of Three Male Figures by Peter Paul Rubens

British Empire. Asia. Indian Mutiny, 1857. The Relief of Lucknow. Three central figures depict, from left to right: Sir Henry Havelock (1795-1857), Sir James Outram (1803-1863) and Sir Colin Campbell, Baron Clyde (1792-1863). Painting by Thomas Jones Barker (1815-1882). Oil on canvas (105,4 x 181,3 cm), 1859. National Portrait Gallery. London, England, United Kingdom. Stock Photo

RM2GFNTAH–British Empire. Asia. Indian Mutiny, 1857. The Relief of Lucknow. Three central figures depict, from left to right: Sir Henry Havelock (1795-1857), Sir James Outram (1803-1863) and Sir Colin Campbell, Baron Clyde (1792-1863). Painting by Thomas Jones Barker (1815-1882). Oil on canvas (105,4 x 181,3 cm), 1859. National Portrait Gallery. London, England, United Kingdom.

99 Brooklyn Museum - Album Leaf Painting Three Laughing Figures Stock Photo

RMPCFF2B–99 Brooklyn Museum - Album Leaf Painting Three Laughing Figures

Portrait of three men 1775 by François-André VINCENT 1746 - 1816 (The artist depicted himself on the left in Spanish costume, in the spirit of Fragonard's Fantasy Figures. On the right is the architect Pierre Rousseau (1751-1826) and behind him, probably the painter Philippe-Henri Coclers (1738-1804). Stock Photo

RMTYF1MA–Portrait of three men 1775 by François-André VINCENT 1746 - 1816 (The artist depicted himself on the left in Spanish costume, in the spirit of Fragonard's Fantasy Figures. On the right is the architect Pierre Rousseau (1751-1826) and behind him, probably the painter Philippe-Henri Coclers (1738-1804).

Photoreproduction of presumably an oval ceiling painting depicting three hovering figures with attributes, anonymous, P.-J. Carpey (mentioned on object), Europe, Europe, publisher: Luik, c. 1875 - c. 1900, cardboard, albumen print, height 143 mm × width 183 mm Stock Photo

RM2HB6GP6–Photoreproduction of presumably an oval ceiling painting depicting three hovering figures with attributes, anonymous, P.-J. Carpey (mentioned on object), Europe, Europe, publisher: Luik, c. 1875 - c. 1900, cardboard, albumen print, height 143 mm × width 183 mm

RM2H6M7TC–Street art on The Three Tuns pub. Partition Street, BS1 5UR Bristol, UK (Nov21)

three cute chestnut figures with wine grapes Stock Photo

RM2M4GBHA–three cute chestnut figures with wine grapes

Jāzeps Grosvalds - Three Women on the Street of Baghdad - 1919 Stock Photo

RF2T13TX3–Jāzeps Grosvalds - Three Women on the Street of Baghdad - 1919

Art inspired by Album Leaf Painting: Three Laughing Figures, Album leaf, ink on silk, Japan, 18th century, Edo Period, Image: 10 1/2 x 12 1/8 in., 26.7 x 30.8 cm, beard, figures, hands, hat, joy, laugh, painting, robes, textile, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK941–Art inspired by Album Leaf Painting: Three Laughing Figures, Album leaf, ink on silk, Japan, 18th century, Edo Period, Image: 10 1/2 x 12 1/8 in., 26.7 x 30.8 cm, beard, figures, hands, hat, joy, laugh, painting, robes, textile, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Indian rupee symbol with financial figures Stock Photo

RFD390R9–Indian rupee symbol with financial figures

Brooklyn Museum Three Figures 2 Stock Photo

RMHKDFC5–Brooklyn Museum Three Figures 2

A painting by AN Volkov, titled, Three Male Figures (Conversation), 1930. At the Savitsky State Museum of Arts of the Republic of Karakalpakstan in Nu Stock Photo

RM2PKWW9M–A painting by AN Volkov, titled, Three Male Figures (Conversation), 1930. At the Savitsky State Museum of Arts of the Republic of Karakalpakstan in Nu

Kazimir Malevich: 'Three female figures'. Oil on canvas (1938) Stock Photo

RFGW6RMW–Kazimir Malevich: 'Three female figures'. Oil on canvas (1938)

RMW4WCE9–'Waiting for the Storm' - A vintage oil painting of Three Horses by R Dennis

Mural With open eyes and arms by Giacomo Bufarini aka RUN 2021, graffiti, street art, blue, figures, acrobats, athletic, Schmalkalden, Thuringia Stock Photo

RM2R9X33R–Mural With open eyes and arms by Giacomo Bufarini aka RUN 2021, graffiti, street art, blue, figures, acrobats, athletic, Schmalkalden, Thuringia

Tray with Eighteen Scholars of the Tang. Culture: China. Dimensions: H. 1 5/8 in. (4.1 cm); Diam. 11 3/8 in. (28.9 cm); Diam. of foot 9 5/8 in. (24.4 cm). Date: 15th century. In the foreground, three scholar-gentlemen, identified by their clothing, are traveling on horseback toward a gate attended by two figures holding large fans. They are likely planning to join the five similar figures in the middle ground examining a painting displayed by two young attendants. Ten additional scholars are depicted on this dish, which illustrates the theme of the Eighteen Scholars of the Tang, a renowned hi Stock Photo

RMPB9PCT–Tray with Eighteen Scholars of the Tang. Culture: China. Dimensions: H. 1 5/8 in. (4.1 cm); Diam. 11 3/8 in. (28.9 cm); Diam. of foot 9 5/8 in. (24.4 cm). Date: 15th century. In the foreground, three scholar-gentlemen, identified by their clothing, are traveling on horseback toward a gate attended by two figures holding large fans. They are likely planning to join the five similar figures in the middle ground examining a painting displayed by two young attendants. Ten additional scholars are depicted on this dish, which illustrates the theme of the Eighteen Scholars of the Tang, a renowned hi

Art by Henri Gaudier-Brzeska - Seven Dancing Figures, in Three Registers (1910 - 1915) Stock Photo

RF2J8REN6–Art by Henri Gaudier-Brzeska - Seven Dancing Figures, in Three Registers (1910 - 1915)

Album Leaf Painting Three Laughing Figures. Stock Photo

RMPWGDNB–Album Leaf Painting Three Laughing Figures.

Virgin and Child with Saints, c. 1230s. This small altarpiece, intended for a domestic interior or private chapel, consists of three panels, allowing it to be folded and easily transported. Surrounding the Virgin and Child in the center are various saints. On the left is Saint Andrew crucified, with St. Francis and St. Paul below; on the right, Christ with the instruments of the Passion, and St. Stephen and St. Lawrence below. The long expressive lines that define the clothing and hands of the figures are typical of Byzantine painting, which spread from Constantinople to Italy in the Middle Ag Stock Photo

RM2A52WDR–Virgin and Child with Saints, c. 1230s. This small altarpiece, intended for a domestic interior or private chapel, consists of three panels, allowing it to be folded and easily transported. Surrounding the Virgin and Child in the center are various saints. On the left is Saint Andrew crucified, with St. Francis and St. Paul below; on the right, Christ with the instruments of the Passion, and St. Stephen and St. Lawrence below. The long expressive lines that define the clothing and hands of the figures are typical of Byzantine painting, which spread from Constantinople to Italy in the Middle Ag

Landscape with three figures 1901; French Polynesia by Paul Gauguin Stock Photo

RM2RC2TRP–Landscape with three figures 1901; French Polynesia by Paul Gauguin

RM2GFNTE2–British Empire. Asia. Indian Mutiny, 1857. The Relief of Lucknow. Three central figures depict, from left to right: Sir Henry Havelock (1795-1857), Sir James Outram (1803-1863) and Sir Colin Campbell, Baron Clyde (1792-1863). Painting by Thomas Jones Barker (1815-1882). Oil on canvas (105,4 x 181,3 cm), 1859. Detail. National Portrait Gallery. London, England, United Kingdom.

Album Leaf Painting: Three Laughing Figures. 18th century. 99 Brooklyn Museum - Album Leaf Painting Three Laughing Figures Stock Photo

RMMMN6BE–Album Leaf Painting: Three Laughing Figures. 18th century. 99 Brooklyn Museum - Album Leaf Painting Three Laughing Figures

Three figures by Francesco from Rimini active in the first half of the fourteenth century Bologna 14th century, Italy, Italian. Stock Photo

RMR64MF7–Three figures by Francesco from Rimini active in the first half of the fourteenth century Bologna 14th century, Italy, Italian.

Fashion painting: Three figures, ladies fashions, Unknown, 1833, paper, colored, copperplate engraving, height 23, 2 cm, width 16, 1 cm, plate size 21, 6×14, 9 cm, fashion, bourgeoisie, Biedermeier, fashion plates, headgear, woman, dress, robe, The Vienna Collection Stock Photo

RM2T8Y5RY–Fashion painting: Three figures, ladies fashions, Unknown, 1833, paper, colored, copperplate engraving, height 23, 2 cm, width 16, 1 cm, plate size 21, 6×14, 9 cm, fashion, bourgeoisie, Biedermeier, fashion plates, headgear, woman, dress, robe, The Vienna Collection

Ancient cave painting of three figures, Skeleton Coast, Namibia Stock Photo

RMCFKXP0–Ancient cave painting of three figures, Skeleton Coast, Namibia

Decorative architectural design, coloured façade elements, designed as a painted combination of figures 29 and shapes of three and a half noughts. Stock Photo

RF2T7N9CD–Decorative architectural design, coloured façade elements, designed as a painted combination of figures 29 and shapes of three and a half noughts.

Theo van Doesburg artwork entitled Card Players. Three figures sit and stand around a card table for a game of cards. Stock Photo

RF2G5FWM1–Theo van Doesburg artwork entitled Card Players. Three figures sit and stand around a card table for a game of cards.

Art inspired by Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso), 17th century, Red chalk, highlighted with white chalk, Sheet: 9 9/16 x 7 5/8 in. (24.3 x 19.4 cm), Drawings, Francesco Furini (Italian, Florence 1603–1646 Florence), This double, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW61WJ–Art inspired by Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso), 17th century, Red chalk, highlighted with white chalk, Sheet: 9 9/16 x 7 5/8 in. (24.3 x 19.4 cm), Drawings, Francesco Furini (Italian, Florence 1603–1646 Florence), This double, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Section of wall small antichamber Palace of Fontainebleau. Elevation of section of panelled wall surface with door surmounted by overdoor containing a painting of three figures in landscape. Stock Photo

RM2BF3GX1–Section of wall small antichamber Palace of Fontainebleau. Elevation of section of panelled wall surface with door surmounted by overdoor containing a painting of three figures in landscape.

Brooklyn Museum Three Figures 4 Stock Photo

RMHKBT2P–Brooklyn Museum Three Figures 4

THE FOREST OF ARDEN, by Albert Pinkham Ryder, 1888-1908, American painting, oil on canvas. The title refers to a scene in Shakespeares comedy, AS YOU LIKE IT, as three characters escaped from the court of Duke Frederick into the Forest of Arden. Ryder based landscape on a local Bronx, NYC, park (BSLOC 2017 9 35) Stock Photo

RMKWDJ72–THE FOREST OF ARDEN, by Albert Pinkham Ryder, 1888-1908, American painting, oil on canvas. The title refers to a scene in Shakespeares comedy, AS YOU LIKE IT, as three characters escaped from the court of Duke Frederick into the Forest of Arden. Ryder based landscape on a local Bronx, NYC, park (BSLOC 2017 9 35)

SPIRIT OF 76 DERIVATIVE ILLUSTRATION OF PAINTING BY ARCHIBALD M. WILLARD 1776 THREE MEN FIFE DRUM FLAG MARCHING MUSIC Stock Photo

RMAAKWXM–SPIRIT OF 76 DERIVATIVE ILLUSTRATION OF PAINTING BY ARCHIBALD M. WILLARD 1776 THREE MEN FIFE DRUM FLAG MARCHING MUSIC

Adoration of the Magi. Mural painting by French painter Jean-Hippolyte Flandrin (1856-1863) in the Church of Saint-Germain-des-Prés in Paris, France. Stock Photo

RM2J61BA9–Adoration of the Magi. Mural painting by French painter Jean-Hippolyte Flandrin (1856-1863) in the Church of Saint-Germain-des-Prés in Paris, France.

RMRCCNH7–Finishing machine, three roll calender, historical illustration, wood engraving, circa 1888

'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 3/8 in. (18.7 cm) W. 4 13/16 in. (12.2 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. This razm (battle) scene is set against a hilly background, with groups of figures engaged in combat. Three figures in the foreground attack their mounted enemies. A seve Stock Photo

RMPANRFE–'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami. Author: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141-1217). Calligrapher: Sultan Muhammad Nur (ca. 1472-ca. 1536). Dimensions: Painting: H. 7 3/8 in. (18.7 cm) W. 4 13/16 in. (12.2 cm) Page: H. 12 5/8 in. (32.1 cm) W. 8 3/4 in. (22.2 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: A.H. 931/A.D. 1524-25. This razm (battle) scene is set against a hilly background, with groups of figures engaged in combat. Three figures in the foreground attack their mounted enemies. A seve

Art by Henri Gaudier-Brzeska - Nine Dancing Figures, in Three Registers (1910 - 1915) Stock Photo

RF2J8REMX–Art by Henri Gaudier-Brzeska - Nine Dancing Figures, in Three Registers (1910 - 1915)

A complex and effective tromp l’Oeuil painting on the flank walls of two buildings with deep three-dimensional effect and faux exposed timber-framing Stock Photo

RM2G4KT8G–A complex and effective tromp l’Oeuil painting on the flank walls of two buildings with deep three-dimensional effect and faux exposed timber-framing

RM2A5208H–Princess with Wine Bottle and Cup (recto); Persian Verses (verso), c. 1550-1600 (recto); c. 1450-1500 (verso). Single-page depictions of courtly figures became popular in Iran during the 1500s. The subject here conveys Safavid ideals of female beauty. Long dark hair falls in jeweled braids down to her ankles, while shorter tendrils frame her full, smooth face. She is shown in the three-quarter profile favored in Persian painting. The contrasting colours of the bright blue of her robe and the orange of her sash and tunic beneath are features of Safavid fashion.

Parsonage Garden in the Snow with Three Figures 1885; Nunen / Nuenen, Netherlands by Vincent van Gogh Stock Photo

RM2RCEW0W–Parsonage Garden in the Snow with Three Figures 1885; Nunen / Nuenen, Netherlands by Vincent van Gogh

The Himalayan rubythroat (Calliope pectoralis) is a species of passerine bird in the family Muscicapidae. It is closely related to the Siberian rubythroat which however lacks the distinctive white tail-tips and white tail bases. It was also previously considered conspecific with the Chinese rubythroat, together called the white-tailed rubythroat. It is found along the Himalayan ranges from Afghanistan to Myanmar. Three subspecies are recognized across its wide range Colour Illustration by Elizabeth Gould for the ornithology book by John Gould Icones avium, or, Figures and descriptions of new a Stock Photo

RF2HXP0HW–The Himalayan rubythroat (Calliope pectoralis) is a species of passerine bird in the family Muscicapidae. It is closely related to the Siberian rubythroat which however lacks the distinctive white tail-tips and white tail bases. It was also previously considered conspecific with the Chinese rubythroat, together called the white-tailed rubythroat. It is found along the Himalayan ranges from Afghanistan to Myanmar. Three subspecies are recognized across its wide range Colour Illustration by Elizabeth Gould for the ornithology book by John Gould Icones avium, or, Figures and descriptions of new a

RMMW9C63–. Album Leaf Painting: Three Laughing Figures . 18th century 99 Brooklyn Museum - Album Leaf Painting Three Laughing Figures

Three figures are bathing in the leg and tea 1800 - 1825 Kishi Ganku 1749-1838 Japan Japanese Stock Photo

RMEK8PR6–Three figures are bathing in the leg and tea 1800 - 1825 Kishi Ganku 1749-1838 Japan Japanese

Album Leaf Painting: Three Laughing Figures, Album leaf, ink on silk, Japan, 18th century, Edo Period, Image: 10 1/2 x 12 1/8 in., 26.7 x 30.8 cm, beard, figures, hands, hat, joy, laugh, painting, robes, textile Stock Photo

RM2HB2813–Album Leaf Painting: Three Laughing Figures, Album leaf, ink on silk, Japan, 18th century, Edo Period, Image: 10 1/2 x 12 1/8 in., 26.7 x 30.8 cm, beard, figures, hands, hat, joy, laugh, painting, robes, textile

Three figures, painting Stock Photos and Images

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