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Three glazes Stock Photos and Images
Art inspired by Jar, 19th century, Japan, Clay covered with fingerprints, and with three glazes (Seto ware), H. 9 1/2 in. (24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-jar-19th-century-japan-clay-covered-with-fingerprints-and-with-three-glazes-seto-ware-h-9-12-in-241-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462764099.htmlRF2HTTM97–Art inspired by Jar, 19th century, Japan, Clay covered with fingerprints, and with three glazes (Seto ware), H. 9 1/2 in. (24.1 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jar, 19th century, Japan, Clay covered with fingerprints, and with three glazes (Seto ware), H. 9 1/2 in. (24.1 cm), Ceramics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-jar-19th-century-japan-clay-covered-with-fingerprints-and-with-three-162334438.htmlRMKC2Y6E–Jar, 19th century, Japan, Clay covered with fingerprints, and with three glazes (Seto ware), H. 9 1/2 in. (24.1 cm), Ceramics
Inspired by Bactrian Camel, Chinese, Tang dynasty, 618–907, 8th century, Earthenware with three-color (sancai) and transparent lead-fluxed glazes over white slip, Shaanxi province, China, Asia, Ceramics, sculpture, 34 in. x 26 1/2 in. x 9 in. (86.4 x 67.3 x 22.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-bactrian-camel-chinese-tang-dynasty-618907-8th-century-earthenware-with-three-color-sancai-and-transparent-lead-fluxed-glazes-over-white-slip-shaanxi-province-china-asia-ceramics-sculpture-34-in-x-26-12-in-x-9-in-864-x-673-x-229-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459276144.htmlRF2HK5RBC–Inspired by Bactrian Camel, Chinese, Tang dynasty, 618–907, 8th century, Earthenware with three-color (sancai) and transparent lead-fluxed glazes over white slip, Shaanxi province, China, Asia, Ceramics, sculpture, 34 in. x 26 1/2 in. x 9 in. (86.4 x 67.3 x 22.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Civil Official (Wenguan), Tang dynasty (618–907 A.D.), 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 42 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/civil-official-wenguan-tang-dynasty-618907-ad-8th-century-china-earthenware-with-three-color-sancai-lead-glazes-h-42-in-image328646152.htmlRM2A2K3EG–Civil Official (Wenguan), Tang dynasty (618–907 A.D.), 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 42 in
Jar 19th century Japan. Jar. Japan. 19th century. Clay covered with fingerprints, and with three glazes (Seto ware). Edo (1615–1868) or Meiji period (1868–1912). Ceramics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-19th-century-japan-jar-japan-19th-century-clay-covered-with-fingerprints-and-with-three-glazes-seto-ware-edo-16151868-or-meiji-period-18681912-ceramics-image458439480.htmlRM2HHRM6G–Jar 19th century Japan. Jar. Japan. 19th century. Clay covered with fingerprints, and with three glazes (Seto ware). Edo (1615–1868) or Meiji period (1868–1912). Ceramics
household, cooking and baking, three children painting Christmas biscuits, 1970s, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/household-cooking-and-baking-three-children-painting-christmas-biscuits-1970s-additional-rights-clearance-info-not-available-image241764165.htmlRMT198JD–household, cooking and baking, three children painting Christmas biscuits, 1970s, Additional-Rights-Clearance-Info-Not-Available
Wooden cubes - sample set with different colors, glazes, textures from various trees to choose - brown, dark, gray, light, red, yellow, orange. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cubes-sample-set-with-different-colors-glazes-textures-from-various-trees-to-choose-brown-dark-gray-light-red-yellow-orange-image210913059.htmlRFP73WN7–Wooden cubes - sample set with different colors, glazes, textures from various trees to choose - brown, dark, gray, light, red, yellow, orange.
Ewer. Culture: China. Dimensions: H. 11 1/8 in. (28.3 cm). Date: late 7th century. Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color, or sancai, glazes, were widely used in funerary goods in the late seventh and the first half of the eighth century. The shape of this ewer derives from the metalwork of the ancient Iranian world and illustrates the impact of trade along the famed Silk Road. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ewer-culture-china-dimensions-h-11-18-in-283-cm-date-late-7th-century-brilliantly-colored-lead-glazes-in-shades-of-green-amber-and-white-which-are-known-as-three-color-or-sancai-glazes-were-widely-used-in-funerary-goods-in-the-late-seventh-and-the-first-half-of-the-eighth-century-the-shape-of-this-ewer-derives-from-the-metalwork-of-the-ancient-iranian-world-and-illustrates-the-impact-of-trade-along-the-famed-silk-road-museum-metropolitan-museum-of-art-new-york-usa-image213197606.htmlRMPARYM6–Ewer. Culture: China. Dimensions: H. 11 1/8 in. (28.3 cm). Date: late 7th century. Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color, or sancai, glazes, were widely used in funerary goods in the late seventh and the first half of the eighth century. The shape of this ewer derives from the metalwork of the ancient Iranian world and illustrates the impact of trade along the famed Silk Road. Museum: Metropolitan Museum of Art, New York, USA.
Wooden cubes - wood samples with different textures, colors, glazes, from various trees to choose - brown, dark, gray, light, red, yellow, orange. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cubes-wood-samples-with-different-textures-colors-glazes-from-various-trees-to-choose-brown-dark-gray-light-red-yellow-orange-image216972850.htmlRFPGYY2A–Wooden cubes - wood samples with different textures, colors, glazes, from various trees to choose - brown, dark, gray, light, red, yellow, orange.
Jar with Three Cabriole Legs, China, Tang dynasty, 700-750 AD, earthenware, lead-fluxed cobalt blue, copper-green, and clear glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-with-three-cabriole-legs-china-tang-dynasty-700-750-ad-earthenware-lead-fluxed-cobalt-blue-copper-green-and-clear-glazes-image369352339.htmlRM2CCWCJY–Jar with Three Cabriole Legs, China, Tang dynasty, 700-750 AD, earthenware, lead-fluxed cobalt blue, copper-green, and clear glazes
Silhouette of three people behind a glazed glass wall, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-silhouette-of-three-people-behind-a-glazed-glass-wall-144203783.htmlRMJAH1B3–Silhouette of three people behind a glazed glass wall,
Covered Jar, early 700s. This covered cylindrical jar with three animal feet is lavishly covered with a cobalt blue glaze in the exterior and an amber glaze in the interior. Of the coloured lead glazes of sancai (three-colour) ware, blue was preeminent and precious. Imported cobalt from Persia (Iran, Afghanistan) was used as a glaze colourant that yields a rich, brilliant blue of considerable splendor. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/covered-jar-early-700s-this-covered-cylindrical-jar-with-three-animal-feet-is-lavishly-covered-with-a-cobalt-blue-glaze-in-the-exterior-and-an-amber-glaze-in-the-interior-of-the-coloured-lead-glazes-of-sancai-three-colour-ware-blue-was-preeminent-and-precious-imported-cobalt-from-persia-iran-afghanistan-was-used-as-a-glaze-colourant-that-yields-a-rich-brilliant-blue-of-considerable-splendor-image330084428.htmlRM2A50J1G–Covered Jar, early 700s. This covered cylindrical jar with three animal feet is lavishly covered with a cobalt blue glaze in the exterior and an amber glaze in the interior. Of the coloured lead glazes of sancai (three-colour) ware, blue was preeminent and precious. Imported cobalt from Persia (Iran, Afghanistan) was used as a glaze colourant that yields a rich, brilliant blue of considerable splendor.
Jar with Three Cabriole Legs, China, Tang dynasty, 700 750 AD, earthenware, lead fluxed cobalt blue, copper green, and clear glazes Arthur M Sackler Museum, Harvard University DSC00911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-with-three-cabriole-legs-china-tang-dynasty-700-750-ad-earthenware-image153770535.htmlRMJX4RTR–Jar with Three Cabriole Legs, China, Tang dynasty, 700 750 AD, earthenware, lead fluxed cobalt blue, copper green, and clear glazes Arthur M Sackler Museum, Harvard University DSC00911
Horse. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-701-ad750-ad-china-earthenware-with-three-color-sancai-lead-glazes-image337925748.htmlRM2AHNRMM–Horse. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes
three individual glazes fruit tarts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-three-individual-glazes-fruit-tarts-75087966.htmlRFEA4FD2–three individual glazes fruit tarts
Wood samples. Wooden blocks, posts or sticks with different textures, colors, glazes, from various trees to choose. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-samples-wooden-blocks-posts-or-sticks-with-different-textures-colors-glazes-from-various-trees-to-choose-image214782908.htmlRFPDC5P4–Wood samples. Wooden blocks, posts or sticks with different textures, colors, glazes, from various trees to choose.
12 June 2020, Saxony, Tornau: Norma Austinat, known as 'Köhlerliesel' from the Eisenhammer charcoal-burnery in the Dübener Heide, glazes her almost three metre tall forest spirit, produced with a chain saw, in her small forest gallery. The former project manager, who moved from the big city to the countryside a few years ago and runs the centuries-old, traditional charcoal burning plant here with her husband Jörn Austinat, has discovered the art of chain sawing as her hobby. The wooden works of art, from the small hedgehog to large eagles to the one-meter tall forest ghost, are displayed toget Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12-june-2020-saxony-tornau-norma-austinat-known-as-khlerliesel-from-the-eisenhammer-charcoal-burnery-in-the-dbener-heide-glazes-her-almost-three-metre-tall-forest-spirit-produced-with-a-chain-saw-in-her-small-forest-gallery-the-former-project-manager-who-moved-from-the-big-city-to-the-countryside-a-few-years-ago-and-runs-the-centuries-old-traditional-charcoal-burning-plant-here-with-her-husband-jrn-austinat-has-discovered-the-art-of-chain-sawing-as-her-hobby-the-wooden-works-of-art-from-the-small-hedgehog-to-large-eagles-to-the-one-meter-tall-forest-ghost-are-displayed-toget-image364419491.htmlRM2C4TMNR–12 June 2020, Saxony, Tornau: Norma Austinat, known as 'Köhlerliesel' from the Eisenhammer charcoal-burnery in the Dübener Heide, glazes her almost three metre tall forest spirit, produced with a chain saw, in her small forest gallery. The former project manager, who moved from the big city to the countryside a few years ago and runs the centuries-old, traditional charcoal burning plant here with her husband Jörn Austinat, has discovered the art of chain sawing as her hobby. The wooden works of art, from the small hedgehog to large eagles to the one-meter tall forest ghost, are displayed toget
Wooden cubes forming a big artistic carpentry artwork - wood samples with different textures, colors, glazes, from various trees. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-cubes-forming-a-big-artistic-carpentry-artwork-wood-samples-with-different-textures-colors-glazes-from-various-trees-image217002325.htmlRFPH18K1–Wooden cubes forming a big artistic carpentry artwork - wood samples with different textures, colors, glazes, from various trees.
Three donuts with different glazes, stacked Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-donuts-with-different-glazes-stacked-image448700597.htmlRF2H20259–Three donuts with different glazes, stacked
Timber posts, square wooden samples. Set of nine blocks, posts or sticks with different textures, colors, glazes, from various trees to choose. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/timber-posts-square-wooden-samples-set-of-nine-blocks-posts-or-sticks-with-different-textures-colors-glazes-from-various-trees-to-choose-image243940421.htmlRFT4TCDW–Timber posts, square wooden samples. Set of nine blocks, posts or sticks with different textures, colors, glazes, from various trees to choose.
donut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-donut-144265927.htmlRFJAKTJF–donut
Art inspired by Bactrian Camel, Chinese, Tang dynasty, 618-907, 8th century, Earthenware with three-color (sancai) and transparent lead-fluxed glazes over white slip, Shaanxi province, China, Asia, Ceramics, sculpture, 34 in. x 26 1/2 in. x 9 in. (86.4 x 67.3 x 22.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bactrian-camel-chinese-tang-dynasty-618-907-8th-century-earthenware-with-three-color-sancai-and-transparent-lead-fluxed-glazes-over-white-slip-shaanxi-province-china-asia-ceramics-sculpture-34-in-x-26-12-in-x-9-in-864-x-673-x-229-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459587290.htmlRF2HKM07P–Art inspired by Bactrian Camel, Chinese, Tang dynasty, 618-907, 8th century, Earthenware with three-color (sancai) and transparent lead-fluxed glazes over white slip, Shaanxi province, China, Asia, Ceramics, sculpture, 34 in. x 26 1/2 in. x 9 in. (86.4 x 67.3 x 22.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Melon-Shaped Jar, Tang dynasty (618–907), China, Earthenware with three-color (sancai) lead glazes, H. 5.5 cm (2 3/16 in.), diam. 8.2 cm (3 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/melon-shaped-jar-tang-dynasty-618907-china-earthenware-with-three-color-sancai-lead-glazes-h-55-cm-2-316-in-diam-82-cm-3-14-in-image328647818.htmlRM2A2K5J2–Melon-Shaped Jar, Tang dynasty (618–907), China, Earthenware with three-color (sancai) lead glazes, H. 5.5 cm (2 3/16 in.), diam. 8.2 cm (3 1/4 in
Art inspired by Ewer, Tang dynasty (618–907), late 7th century, China, Earthenware with three-color (sancai) glaze, H. 11 1/8 in. (28.3 cm), Ceramics, Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color, or sancai, glazes, were widely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ewer-tang-dynasty-618907-late-7th-century-china-earthenware-with-three-color-sancai-glaze-h-11-18-in-283-cm-ceramics-brilliantly-colored-lead-glazes-in-shades-of-green-amber-and-white-which-are-known-as-three-color-or-sancai-glazes-were-widely-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462757944.htmlRF2HTTCDC–Art inspired by Ewer, Tang dynasty (618–907), late 7th century, China, Earthenware with three-color (sancai) glaze, H. 11 1/8 in. (28.3 cm), Ceramics, Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color, or sancai, glazes, were widely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Cup with Bell. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-with-bell-korea-korean-three-kingdoms-period-old-silla-kingdom-57-bc-ad-668-5th-7th-century-furnishings-serviceware-wheel-thrown-stoneware-with-impressed-combed-and-cut-decoration-and-ash-and-lead-glazes-image464777207.htmlRM2J04C1Y–Cup with Bell. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes
Art inspired by 唐 三彩寳相花紋盤, Tray, Tang dynasty (618–907), 8th century, China, Earthenware with three-color (sancai) glaze, H. 2 3/4 in. (7 cm); Diam. 11 3/4 in. (29.8 cm), Ceramics, Combinations of white, amber, and green glazes, typically known as sancai or “three-colored” wares, were, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tray-tang-dynasty-618907-8th-century-china-earthenware-with-three-color-sancai-glaze-h-2-34-in-7-cm-diam-11-34-in-298-cm-ceramics-combinations-of-white-amber-and-green-glazes-typically-known-as-sancai-or-three-colored-wares-were-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761118.htmlRF2HTTGEP–Art inspired by 唐 三彩寳相花紋盤, Tray, Tang dynasty (618–907), 8th century, China, Earthenware with three-color (sancai) glaze, H. 2 3/4 in. (7 cm); Diam. 11 3/4 in. (29.8 cm), Ceramics, Combinations of white, amber, and green glazes, typically known as sancai or “three-colored” wares, were, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bowl with Dragons among Waves. Culture: China. Dimensions: Diam. 10 5/8 in. (27 cm). Date: 10th century. In the West, the term celadon is often used to describe ceramics covered with green glazes. In China, stoneware with celadon glaze is classified by the name of the kiln at which it was produced. This large bowl, with its three lively dragons frolicking in waves, comes from the eponymous Yue kilns in Zhejiang Province, which began making celadons as early as the second century B.C. Yue ware was used domestically as well as traded, particularly from the eighth to the eleventh century, when w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-dragons-among-waves-culture-china-dimensions-diam-10-58-in-27-cm-date-10th-century-in-the-west-the-term-celadon-is-often-used-to-describe-ceramics-covered-with-green-glazes-in-china-stoneware-with-celadon-glaze-is-classified-by-the-name-of-the-kiln-at-which-it-was-produced-this-large-bowl-with-its-three-lively-dragons-frolicking-in-waves-comes-from-the-eponymous-yue-kilns-in-zhejiang-province-which-began-making-celadons-as-early-as-the-second-century-bc-yue-ware-was-used-domestically-as-well-as-traded-particularly-from-the-eighth-to-the-eleventh-century-when-w-image213366299.htmlRMPB3JTY–Bowl with Dragons among Waves. Culture: China. Dimensions: Diam. 10 5/8 in. (27 cm). Date: 10th century. In the West, the term celadon is often used to describe ceramics covered with green glazes. In China, stoneware with celadon glaze is classified by the name of the kiln at which it was produced. This large bowl, with its three lively dragons frolicking in waves, comes from the eponymous Yue kilns in Zhejiang Province, which began making celadons as early as the second century B.C. Yue ware was used domestically as well as traded, particularly from the eighth to the eleventh century, when w
Art inspired by Fragment of an Imported Chinese Bowl, late 7th–first half 8th century, Excavated in Iran, Nishapur. Made in China, Earthenware; applied relief medallion under three color (sancai) glaze, 2 5/8 in. (6.7 cm), Ceramics, Chinese ceramics were highly valued and commonly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragment-of-an-imported-chinese-bowl-late-7thfirst-half-8th-century-excavated-in-iran-nishapur-made-in-china-earthenware-applied-relief-medallion-under-three-color-sancai-glaze-2-58-in-67-cm-ceramics-chinese-ceramics-were-highly-valued-and-commonly-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027616.htmlRF2HW8MCG–Art inspired by Fragment of an Imported Chinese Bowl, late 7th–first half 8th century, Excavated in Iran, Nishapur. Made in China, Earthenware; applied relief medallion under three color (sancai) glaze, 2 5/8 in. (6.7 cm), Ceramics, Chinese ceramics were highly valued and commonly, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
US BATTLE TRAINING AREA, DEVON, ENGLAND, UK, SEPTEMBER 1944 - Civil Defence Deputy Leader Ernest Callaway glazes new windows in any empty room, probably in Torcross Post Office, Torcross, on Slapton Sands in Devon. Ernest comes from Redruth in Cornwall. Behind him on the wall can be seen three posters of 'pin-ups' from 'Yank' magazine. The windows are to replace those damaged by the US Army during training carried out in preparation for the D-Day Landings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/us-battle-training-area-devon-england-uk-september-1944-civil-defence-deputy-leader-ernest-callaway-glazes-new-windows-in-any-empty-room-probably-in-torcross-post-office-torcross-on-slapton-sands-in-devon-ernest-comes-from-redruth-in-cornwall-behind-him-on-the-wall-can-be-seen-three-posters-of-pin-ups-from-yank-magazine-the-windows-are-to-replace-those-damaged-by-the-us-army-during-training-carried-out-in-preparation-for-the-d-day-landings-image603945720.htmlRM2X2G2X0–US BATTLE TRAINING AREA, DEVON, ENGLAND, UK, SEPTEMBER 1944 - Civil Defence Deputy Leader Ernest Callaway glazes new windows in any empty room, probably in Torcross Post Office, Torcross, on Slapton Sands in Devon. Ernest comes from Redruth in Cornwall. Behind him on the wall can be seen three posters of 'pin-ups' from 'Yank' magazine. The windows are to replace those damaged by the US Army during training carried out in preparation for the D-Day Landings
Art inspired by 唐 三彩騎馬俑, Horse and rider, Tang dynasty (618–907), early 8th century, China, Earthenware with three-color (sancai) glaze and pigment, H. 15 in. (38.1 cm); W. 4 1/4 in. (10.8 cm); L. 13 1/4 in. (33.7 cm), Tomb Pottery, In style and subject matter, this horse and rider, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-horse-and-rider-tang-dynasty-618907-early-8th-century-china-earthenware-with-three-color-sancai-glaze-and-pigment-h-15-in-381-cm-w-4-14-in-108-cm-l-13-14-in-337-cm-tomb-pottery-in-style-and-subject-matter-this-horse-and-rider-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761378.htmlRF2HTTGT2–Art inspired by 唐 三彩騎馬俑, Horse and rider, Tang dynasty (618–907), early 8th century, China, Earthenware with three-color (sancai) glaze and pigment, H. 15 in. (38.1 cm); W. 4 1/4 in. (10.8 cm); L. 13 1/4 in. (33.7 cm), Tomb Pottery, In style and subject matter, this horse and rider, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Upchurch Pottery 1909-1963 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upchurch-pottery-1909-1963-image590654121.htmlRM2W8XHA1–Upchurch Pottery 1909-1963
Jar with Three Cabriole Legs, China, Tang dynasty, 700 750 AD, earthenware, lead fluxed cobalt blue, copper green, and clear glazes Arthur M Sackler Museum, Harvard University DSC00911 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-with-three-cabriole-legs-china-tang-dynasty-700-750-ad-earthenware-image153147127.htmlRMJW4CM7–Jar with Three Cabriole Legs, China, Tang dynasty, 700 750 AD, earthenware, lead fluxed cobalt blue, copper green, and clear glazes Arthur M Sackler Museum, Harvard University DSC00911
Horse. 700 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-700-ad750-ad-china-earthenware-with-three-color-sancai-lead-glazes-image337982964.htmlRM2AHTCM4–Horse. 700 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes
Civil Official (Wenguan), Tang dynasty (618–907 A.D.), 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 42 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/civil-official-wenguan-tang-dynasty-618907-ad-8th-century-china-earthenware-with-three-color-sancai-lead-glazes-h-42-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349722573.htmlRF2B8Y6KW–Civil Official (Wenguan), Tang dynasty (618–907 A.D.), 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 42 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
A doughnut cake with three pastel coloured glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-doughnut-cake-with-three-pastel-coloured-glazes-image552738784.htmlRF2R37BXT–A doughnut cake with three pastel coloured glazes
Platonic solids. Wooden parts from different trees. Geometric woodwork sample set with various colors, glazes, textures. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/platonic-solids-wooden-parts-from-different-trees-geometric-woodwork-sample-set-with-various-colors-glazes-textures-image221530272.htmlRFPTBG3C–Platonic solids. Wooden parts from different trees. Geometric woodwork sample set with various colors, glazes, textures.
Master Potter Richard Bresnahan (center) along with apprentices burning flax straw in Kidder County, ND. The burning was the preparation of glazes fo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/master-potter-richard-bresnahan-center-along-with-apprentices-burning-flax-straw-in-kidder-county-nd-the-burning-was-the-preparation-of-glazes-fo-image490533010.htmlRM2KE1KT2–Master Potter Richard Bresnahan (center) along with apprentices burning flax straw in Kidder County, ND. The burning was the preparation of glazes fo
Wood samples. Parquetry summary table chart. Wooden plates with different colors, glazes, textures from various trees to choose. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-samples-parquetry-summary-table-chart-wooden-plates-with-different-colors-glazes-textures-from-various-trees-to-choose-image212686718.htmlRFPA0M26–Wood samples. Parquetry summary table chart. Wooden plates with different colors, glazes, textures from various trees to choose.
Architectural Fitting in the Form of Three Serpents M.73.119.12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-architectural-fitting-in-the-form-of-three-serpents-m7311912-58305734.htmlRMDAT1FJ–Architectural Fitting in the Form of Three Serpents M.73.119.12
donut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-donut-144265926.htmlRFJAKTJE–donut
Contemporary ceramic dishes in bright glazes with picture frame Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/contemporary-ceramic-dishes-in-bright-glazes-with-picture-frame-image181850533.htmlRMMFT05W–Contemporary ceramic dishes in bright glazes with picture frame
Stem Cup, Tang dynasty (618–906), China, Earthenware with three color (sancai) lead glazes and underglaze molded decoration, H. 15.2 cm (6 in.), diam. 14.9 cm (5 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stem-cup-tang-dynasty-618906-china-earthenware-with-three-color-sancai-lead-glazes-and-underglaze-molded-decoration-h-152-cm-6-in-diam-149-cm-5-78-in-image328626078.htmlRM2A2J5WJ–Stem Cup, Tang dynasty (618–906), China, Earthenware with three color (sancai) lead glazes and underglaze molded decoration, H. 15.2 cm (6 in.), diam. 14.9 cm (5 7/8 in
Three cinnamon buns with icing sugar on a napkin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-cinnamon-buns-with-icing-sugar-on-a-napkin-image185335506.htmlRFMNEN96–Three cinnamon buns with icing sugar on a napkin
Cup with Bell. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-with-bell-korea-korean-three-kingdoms-period-old-silla-kingdom-57-bc-ad-668-5th-7th-century-furnishings-serviceware-wheel-thrown-stoneware-with-impressed-combed-and-cut-decoration-and-ash-and-lead-glazes-image464665513.htmlRM2HYY9GW–Cup with Bell. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes
Three pink donuts with sugar sprinkles Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-pink-donuts-with-sugar-sprinkles-image209444854.htmlRFP4N11A–Three pink donuts with sugar sprinkles
Tray. Culture: China. Dimensions: H. 2 3/4 in. (7 cm); Diam. 11 3/4 in. (29.8 cm). Date: 8th century. Combinations of white, amber, and green glazes, typically known as sancai or 'three-colored' wares, were first developed in China in the late seventh century, and were used primarily for funerary goods. The bright colors, clear tones, and superior bonding power of this technique were achieved by firing twice, first at high temperature to achieve a hard pottery body, and then at low temperature, after the glazes were applied, to bring out the vibrant colors. The shape and medallion decor of th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tray-culture-china-dimensions-h-2-34-in-7-cm-diam-11-34-in-298-cm-date-8th-century-combinations-of-white-amber-and-green-glazes-typically-known-as-sancai-or-three-colored-wares-were-first-developed-in-china-in-the-late-seventh-century-and-were-used-primarily-for-funerary-goods-the-bright-colors-clear-tones-and-superior-bonding-power-of-this-technique-were-achieved-by-firing-twice-first-at-high-temperature-to-achieve-a-hard-pottery-body-and-then-at-low-temperature-after-the-glazes-were-applied-to-bring-out-the-vibrant-colors-the-shape-and-medallion-decor-of-th-image213211942.htmlRMPATJ06–Tray. Culture: China. Dimensions: H. 2 3/4 in. (7 cm); Diam. 11 3/4 in. (29.8 cm). Date: 8th century. Combinations of white, amber, and green glazes, typically known as sancai or 'three-colored' wares, were first developed in China in the late seventh century, and were used primarily for funerary goods. The bright colors, clear tones, and superior bonding power of this technique were achieved by firing twice, first at high temperature to achieve a hard pottery body, and then at low temperature, after the glazes were applied, to bring out the vibrant colors. The shape and medallion decor of th
Three Decorated Easter Egg shaped cookies on a stick Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-decorated-easter-egg-shaped-cookies-on-a-stick-image209431770.htmlRFP4MCA2–Three Decorated Easter Egg shaped cookies on a stick
![Bulletin . Purple Produced by Use of Cobalt 0.2 Na. O ] G-5 at cone 0 20.6 Mg O 1.4 B^ O3 1 Si O20.2 Co O COBALT COLORS OTHER THAN BLUE. 13 Vfl^A-S.y^A^.C^/f^CPC i<C?Z ^/y^ C/h^/?r Z. 7) by placing F 4 at the upper apex, and the two following color-less glazes at the lower comers: 0.2 NaoO ) ^ ^ .^ 0.5 Xa,0 ) .^ ^ .„ 0.8 MgO ] 1-5 BA 0.75 SiO, ^,^jgQ j 0.9 B3O3 0.75 SiO, The only constant member in the group is SiO^ at 0.75molecule. The group was made by fritting the three extremes andblending as was done in the two preceding groups. Glazes wereapplied to porcelain discs and burned to con Stock Photo](https://c8.alamy.com/comp/2AKYGAY/bulletin-purple-produced-by-use-of-cobalt-02-na-o-g-5-at-cone-0-206-mg-o-14-b-o3-1-si-o202-co-o-cobalt-colors-other-than-blue-13-vfla-syacfcpc-iltcz-y-chr-z-7-by-placing-f-4-at-the-upper-apex-and-the-two-following-color-less-glazes-at-the-lower-comers-02-naoo-05-xa0-08-mgo-1-5-ba-075-sio-jgq-j-09-b3o3-075-sio-the-only-constant-member-in-the-group-is-sio-at-075molecule-the-group-was-made-by-fritting-the-three-extremes-andblending-as-was-done-in-the-two-preceding-groups-glazes-wereapplied-to-porcelain-discs-and-burned-to-con-2AKYGAY.jpg "Bulletin . Purple Produced by Use of Cobalt 0.2 Na. O ] G-5 at cone 0 20.6 Mg O 1.4 B^ O3 1 Si O20.2 Co O COBALT COLORS OTHER THAN BLUE. 13 Vfl^A-S.y^A^.C^/f^CPC i<C?Z ^/y^ C/h^/?r Z. 7) by placing F 4 at the upper apex, and the two following color-less glazes at the lower comers: 0.2 NaoO ) ^ ^ .^ 0.5 Xa,0 ) .^ ^ .„ 0.8 MgO ] 1-5 BA 0.75 SiO, ^,^jgQ j 0.9 B3O3 0.75 SiO, The only constant member in the group is SiO^ at 0.75molecule. The group was made by fritting the three extremes andblending as was done in the two preceding groups. Glazes wereapplied to porcelain discs and burned to con Stock Photo")
Bulletin . Purple Produced by Use of Cobalt 0.2 Na. O ] G-5 at cone 0 20.6 Mg O 1.4 B^ O3 1 Si O20.2 Co O COBALT COLORS OTHER THAN BLUE. 13 Vfl^A-S.y^A^.C^/f^CPC i<C?Z ^/y^ C/h^/?r Z. 7) by placing F 4 at the upper apex, and the two following color-less glazes at the lower comers: 0.2 NaoO ) ^ ^ .^ 0.5 Xa,0 ) .^ ^ .„ 0.8 MgO ] 1-5 BA 0.75 SiO, ^,^jgQ j 0.9 B3O3 0.75 SiO, The only constant member in the group is SiO^ at 0.75molecule. The group was made by fritting the three extremes andblending as was done in the two preceding groups. Glazes wereapplied to porcelain discs and burned to con Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-purple-produced-by-use-of-cobalt-02-na-o-g-5-at-cone-0-206-mg-o-14-b-o3-1-si-o202-co-o-cobalt-colors-other-than-blue-13-vfla-syacfcpc-iltcz-y-chr-z-7-by-placing-f-4-at-the-upper-apex-and-the-two-following-color-less-glazes-at-the-lower-comers-02-naoo-05-xa0-08-mgo-1-5-ba-075-sio-jgq-j-09-b3o3-075-sio-the-only-constant-member-in-the-group-is-sio-at-075molecule-the-group-was-made-by-fritting-the-three-extremes-andblending-as-was-done-in-the-two-preceding-groups-glazes-wereapplied-to-porcelain-discs-and-burned-to-con-image339281011.htmlRM2AKYGAY–Bulletin . Purple Produced by Use of Cobalt 0.2 Na. O ] G-5 at cone 0 20.6 Mg O 1.4 B^ O3 1 Si O20.2 Co O COBALT COLORS OTHER THAN BLUE. 13 Vfl^A-S.y^A^.C^/f^CPC i<C?Z ^/y^ C/h^/?r Z. 7) by placing F 4 at the upper apex, and the two following color-less glazes at the lower comers: 0.2 NaoO ) ^ ^ .^ 0.5 Xa,0 ) .^ ^ .„ 0.8 MgO ] 1-5 BA 0.75 SiO, ^,^jgQ j 0.9 B3O3 0.75 SiO, The only constant member in the group is SiO^ at 0.75molecule. The group was made by fritting the three extremes andblending as was done in the two preceding groups. Glazes wereapplied to porcelain discs and burned to con
Three iced doughnuts on a grey wooden chopping board with a spoon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-iced-doughnuts-on-a-grey-wooden-chopping-board-with-a-spoon-image209431920.htmlRFP4MCFC–Three iced doughnuts on a grey wooden chopping board with a spoon
Upchurch Pottery 1909-1963 Dogs models made out of the left over clay at the end of the day. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upchurch-pottery-1909-1963-dogs-models-made-out-of-the-left-over-clay-at-the-end-of-the-day-image590655257.htmlRM2W8XJPH–Upchurch Pottery 1909-1963 Dogs models made out of the left over clay at the end of the day.
girl, donut, girls, donuts, jelly doughnut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-donut-girls-donuts-jelly-doughnut-image456005071.htmlRF2HDTR3B–girl, donut, girls, donuts, jelly doughnut
Jar. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-701-ad750-ad-china-earthenware-with-three-color-sancai-lead-glazes-image337965134.htmlRM2AHRHYA–Jar. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes
Melon-Shaped Jar, Tang dynasty (618–907), China, Earthenware with three-color (sancai) lead glazes, H. 5.5 cm (2 3/16 in.), diam. 8.2 cm (3 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/melon-shaped-jar-tang-dynasty-618907-china-earthenware-with-three-color-sancai-lead-glazes-h-55-cm-2-316-in-diam-82-cm-3-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349725919.htmlRF2B8YAYB–Melon-Shaped Jar, Tang dynasty (618–907), China, Earthenware with three-color (sancai) lead glazes, H. 5.5 cm (2 3/16 in.), diam. 8.2 cm (3 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Three pots for bonsai with coloured glazes and copper wire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-three-pots-for-bonsai-with-coloured-glazes-and-copper-wire-72161042.htmlRFE5B642–Three pots for bonsai with coloured glazes and copper wire
Rectangular Pillow with Quatrefoil Medallion, Tang dynasty (618-907), first half of 8th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rectangular-pillow-with-quatrefoil-medallion-tang-dynasty-618-907-first-half-of-8th-century-image453135247.htmlRM2H962HK–Rectangular Pillow with Quatrefoil Medallion, Tang dynasty (618-907), first half of 8th century.
sweetly pudding cream Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sweetly-pudding-cream-114962527.htmlRFGK0YTF–sweetly pudding cream
Wood samples. Loosely arranged parquetry types. Wooden plates with different colors, glazes, textures from various trees to choose. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-samples-loosely-arranged-parquetry-types-wooden-plates-with-different-colors-glazes-textures-from-various-trees-to-choose-image212687006.htmlRFPA0MCE–Wood samples. Loosely arranged parquetry types. Wooden plates with different colors, glazes, textures from various trees to choose.
Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (2 of 9) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-album-cover-with-shiva-as-the-destroyer-of-the-three-cities-of-the-58304782.htmlRMDAT09J–Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (2 of 9)
A Trinacria, ancient symbol of Sicily, Erice, Sicily, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-trinacria-ancient-symbol-of-sicily-erice-sicily-italy-116990248.htmlRMGP9A74–A Trinacria, ancient symbol of Sicily, Erice, Sicily, Italy
A cup of black tea, a teapot and a plate with three fresh donuts in different glazes are on a wooden table. Close-up. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-cup-of-black-tea-a-teapot-and-a-plate-with-three-fresh-donuts-in-different-glazes-are-on-a-wooden-table-close-up-image446758918.htmlRF2GXRHFJ–A cup of black tea, a teapot and a plate with three fresh donuts in different glazes are on a wooden table. Close-up.
Horse, Tang dynasty, (A.D. 618–907), 1st half of 8th century, China, Earthenware with three-color (sancai) lead glazes, 77.5 × 71.5 cm (30 1/2 × 28 × 10 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-tang-dynasty-ad-618907-1st-half-of-8th-century-china-earthenware-with-three-color-sancai-lead-glazes-775-715-cm-30-12-28-10-in-image328650307.htmlRM2A2K8PY–Horse, Tang dynasty, (A.D. 618–907), 1st half of 8th century, China, Earthenware with three-color (sancai) lead glazes, 77.5 × 71.5 cm (30 1/2 × 28 × 10 in
A Trinacria, ancient symbol of Sicily, Monreale, Sicily, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-trinacria-ancient-symbol-of-sicily-monreale-sicily-italy-39356278.htmlRMC80R9A–A Trinacria, ancient symbol of Sicily, Monreale, Sicily, Italy
Cup with Foot Containing Bells. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-with-foot-containing-bells-korea-korean-three-kingdoms-period-old-silla-kingdom-57-bc-ad-668-5th-7th-century-furnishings-serviceware-wheel-thrown-stoneware-with-impressed-combed-and-cut-decoration-and-ash-and-lead-glazes-image464665428.htmlRM2HYY9DT–Cup with Foot Containing Bells. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes
ARABIAN GULF (Nov. 22, 2018) - Culinary Specialist Seaman Lorenzo Lopez glazes a ham in preparation for a Thanksgiving meal on board the guided-missile destroyer USS Decatur (DDG 73). Decatur is deployed to the U.S. 5th Fleet area of operations in support of naval operations to ensure maritime stability and security in the Central Region, connecting the Mediterranean and the Pacific through the western Indian Ocean and three strategic choke points. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arabian-gulf-nov-22-2018-culinary-specialist-seaman-lorenzo-lopez-glazes-a-ham-in-preparation-for-a-thanksgiving-meal-on-board-the-guided-missile-destroyer-uss-decatur-ddg-73-decatur-is-deployed-to-the-us-5th-fleet-area-of-operations-in-support-of-naval-operations-to-ensure-maritime-stability-and-security-in-the-central-region-connecting-the-mediterranean-and-the-pacific-through-the-western-indian-ocean-and-three-strategic-choke-points-image227455774.htmlRMR61E4E–ARABIAN GULF (Nov. 22, 2018) - Culinary Specialist Seaman Lorenzo Lopez glazes a ham in preparation for a Thanksgiving meal on board the guided-missile destroyer USS Decatur (DDG 73). Decatur is deployed to the U.S. 5th Fleet area of operations in support of naval operations to ensure maritime stability and security in the Central Region, connecting the Mediterranean and the Pacific through the western Indian Ocean and three strategic choke points.
Fragment of an Imported Chinese Bowl. Dimensions: 2 5/8 in. (6.7 cm). Date: late 7th-first half 8th century. Chinese ceramics were highly valued and commonly imitated in Nishapur. The Nishapur imitations took different forms: the whiteness of the Chinese porcelains led local potters to develop the opaque white glazes with which they covered their wares, while the three-color sancai Chinese imports led to the invention of splashware, made by dripping brown, yellow, and green glazes over their pots. This medallion from the base of a bowl, with the molded image of a dragon with a flaming jewel, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-an-imported-chinese-bowl-dimensions-2-58-in-67-cm-date-late-7th-first-half-8th-century-chinese-ceramics-were-highly-valued-and-commonly-imitated-in-nishapur-the-nishapur-imitations-took-different-forms-the-whiteness-of-the-chinese-porcelains-led-local-potters-to-develop-the-opaque-white-glazes-with-which-they-covered-their-wares-while-the-three-color-sancai-chinese-imports-led-to-the-invention-of-splashware-made-by-dripping-brown-yellow-and-green-glazes-over-their-pots-this-medallion-from-the-base-of-a-bowl-with-the-molded-image-of-a-dragon-with-a-flaming-jewel-image212912707.htmlRMPAB097–Fragment of an Imported Chinese Bowl. Dimensions: 2 5/8 in. (6.7 cm). Date: late 7th-first half 8th century. Chinese ceramics were highly valued and commonly imitated in Nishapur. The Nishapur imitations took different forms: the whiteness of the Chinese porcelains led local potters to develop the opaque white glazes with which they covered their wares, while the three-color sancai Chinese imports led to the invention of splashware, made by dripping brown, yellow, and green glazes over their pots. This medallion from the base of a bowl, with the molded image of a dragon with a flaming jewel,
Brown cube icon, isometric style Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brown-cube-icon-isometric-style-image264517349.htmlRFWA9PG5–Brown cube icon, isometric style
Upchurch Pottery 1909-1963 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upchurch-pottery-1909-1963-image590654117.htmlRM2W8XH9W–Upchurch Pottery 1909-1963
girl, donut, girls, donuts, jelly doughnut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/girl-donut-girls-donuts-jelly-doughnut-image456005027.htmlRF2HDTR1R–girl, donut, girls, donuts, jelly doughnut
Rider. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rider-701-ad750-ad-china-earthenware-with-three-color-sancai-lead-glazes-image337949088.htmlRM2AHPWE8–Rider. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes
Stem Cup, Tang dynasty (618–906), China, Earthenware with three color (sancai) lead glazes and underglaze molded decoration, H. 15.2 cm (6 in.), diam. 14.9 cm (5 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stem-cup-tang-dynasty-618906-china-earthenware-with-three-color-sancai-lead-glazes-and-underglaze-molded-decoration-h-152-cm-6-in-diam-149-cm-5-78-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349687312.htmlRF2B8WHMG–Stem Cup, Tang dynasty (618–906), China, Earthenware with three color (sancai) lead glazes and underglaze molded decoration, H. 15.2 cm (6 in.), diam. 14.9 cm (5 7/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Pedestalled Dish, Tang dynasty (618-906), 8th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pedestalled-dish-tang-dynasty-618-906-8th-century-image453135063.htmlRM2H962B3–Pedestalled Dish, Tang dynasty (618-906), 8th century.
Wood samples. Assorted parquetry types set. Wooden plates with different colors, glazes, textures from various trees to choose. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-samples-assorted-parquetry-types-set-wooden-plates-with-different-colors-glazes-textures-from-various-trees-to-choose-image212687122.htmlRFPA0MGJ–Wood samples. Assorted parquetry types set. Wooden plates with different colors, glazes, textures from various trees to choose.
Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (9 of 9) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-album-cover-with-shiva-as-the-destroyer-of-the-three-cities-of-the-58304647.htmlRMDAT04R–Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (9 of 9)
Wooden staircase - wood samples with different textures, colors, glazes, from various trees to choose - brown, dark, gray, light, red, yellow, orange. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wooden-staircase-wood-samples-with-different-textures-colors-glazes-from-various-trees-to-choose-brown-dark-gray-light-red-yellow-orange-image216972843.htmlRFPGYY23–Wooden staircase - wood samples with different textures, colors, glazes, from various trees to choose - brown, dark, gray, light, red, yellow, orange.
Jar, Tang dynasty (618–907), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 14.2 cm (5 9/16 in.), diam. 17.4 cm (6 7/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-tang-dynasty-618907-first-half-of-8th-century-china-earthenware-with-three-color-sancai-lead-glazes-h-142-cm-5-916-in-diam-174-cm-6-78-in-image328632553.htmlRM2A2JE4W–Jar, Tang dynasty (618–907), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 14.2 cm (5 9/16 in.), diam. 17.4 cm (6 7/8 in
A Trinacria, ancient symbol of Sicily, Monreale, Sicily, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-trinacria-ancient-symbol-of-sicily-monreale-sicily-italy-39356534.htmlRMC80RJE–A Trinacria, ancient symbol of Sicily, Monreale, Sicily, Italy
Cup with Foot Containing Bell. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cup-with-foot-containing-bell-korea-korean-three-kingdoms-period-old-silla-kingdom-57-bc-ad-668-5th-7th-century-furnishings-serviceware-wheel-thrown-stoneware-with-impressed-combed-and-cut-decoration-and-ash-and-lead-glazes-image464665523.htmlRM2HYY9H7–Cup with Foot Containing Bell. Korea, Korean, Three Kingdoms period, Old Silla kingdom (57 B.C.-A.D. 668), 5th-7th century. Furnishings; Serviceware. Wheel-thrown stoneware with impressed, combed, and cut decoration and ash and lead glazes
A Trinacria, ancient symbol of Sicily, Taormina, Sicily, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-trinacria-ancient-symbol-of-sicily-taormina-sicily-italy-39572177.htmlRMC8AJM1–A Trinacria, ancient symbol of Sicily, Taormina, Sicily, Italy
Horse and rider. Culture: China. Dimensions: H. 15 in. (38.1 cm); W. 4 1/4 in. (10.8 cm); L. 13 1/4 in. (33.7 cm). Date: early 8th century. In style and subject matter, this horse and rider with sancai or 'three-color' glaze is emblematic of funerary sculpture from the early eighth century, the apex of the Tang dynasty. Free-form splatters and drips of colored glaze were first experimented with in the sixth century and the sancai glazes, made by mixing copper, iron, and cobalt to create a lively spectrum of blues, greens, ambers, and yellows over a milky white background, became fashionable i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-and-rider-culture-china-dimensions-h-15-in-381-cm-w-4-14-in-108-cm-l-13-14-in-337-cm-date-early-8th-century-in-style-and-subject-matter-this-horse-and-rider-with-sancai-or-three-color-glaze-is-emblematic-of-funerary-sculpture-from-the-early-eighth-century-the-apex-of-the-tang-dynasty-free-form-splatters-and-drips-of-colored-glaze-were-first-experimented-with-in-the-sixth-century-and-the-sancai-glazes-made-by-mixing-copper-iron-and-cobalt-to-create-a-lively-spectrum-of-blues-greens-ambers-and-yellows-over-a-milky-white-background-became-fashionable-i-image213390209.htmlRMPB4NAW–Horse and rider. Culture: China. Dimensions: H. 15 in. (38.1 cm); W. 4 1/4 in. (10.8 cm); L. 13 1/4 in. (33.7 cm). Date: early 8th century. In style and subject matter, this horse and rider with sancai or 'three-color' glaze is emblematic of funerary sculpture from the early eighth century, the apex of the Tang dynasty. Free-form splatters and drips of colored glaze were first experimented with in the sixth century and the sancai glazes, made by mixing copper, iron, and cobalt to create a lively spectrum of blues, greens, ambers, and yellows over a milky white background, became fashionable i
Bowl. Porcelain cookie with 'three-colored' glazes decor, Ming Dynasty (1368-1644) or Qing Dynasty (1644-1912). Provenance: China. Paris, Cernuschi museum. 78846-21 Asian art, Chinese art, living art, tableware, bowl, fine ceramic, ming dynasty, porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-porcelain-cookie-with-three-colored-glazes-decor-ming-dynasty-1368-1644-or-qing-dynasty-1644-1912-provenance-china-paris-cernuschi-museum-78846-21-asian-art-chinese-art-living-art-tableware-bowl-fine-ceramic-ming-dynasty-porcelain-image596753955.htmlRM2WJTDN7–Bowl. Porcelain cookie with 'three-colored' glazes decor, Ming Dynasty (1368-1644) or Qing Dynasty (1644-1912). Provenance: China. Paris, Cernuschi museum. 78846-21 Asian art, Chinese art, living art, tableware, bowl, fine ceramic, ming dynasty, porcelain
Upchurch Pottery 1909-1963 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upchurch-pottery-1909-1963-image590655203.htmlRM2W8XJMK–Upchurch Pottery 1909-1963
Camel. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/camel-701-ad750-ad-china-earthenware-with-three-color-sancai-lead-glazes-image337949092.htmlRM2AHPWEC–Camel. 701 AD–750 AD. China. Earthenware with three-color (sancai) lead glazes
Standing Official, Style of Tang dynasty (619–907), China, Earthenware with three color (sancai) lead glazes, 78.1 × 19.4 × 16.5 cm (30 3/4 × 7 5/8 × 6 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-official-style-of-tang-dynasty-619907-china-earthenware-with-three-color-sancai-lead-glazes-781-194-165-cm-30-34-7-58-6-12-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349740205.htmlRF2B9015H–Standing Official, Style of Tang dynasty (619–907), China, Earthenware with three color (sancai) lead glazes, 78.1 × 19.4 × 16.5 cm (30 3/4 × 7 5/8 × 6 1/2 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Model of an Inkstone, Tang dynasty (618-907), first half of 8th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/model-of-an-inkstone-tang-dynasty-618-907-first-half-of-8th-century-image453135029.htmlRM2H9629W–Model of an Inkstone, Tang dynasty (618-907), first half of 8th century.
Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (8 of 9) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-album-cover-with-shiva-as-the-destroyer-of-the-three-cities-of-the-58304623.htmlRMDAT03Y–Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (8 of 9)
Covered Tripod Jar, Tang dynasty (618–907), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 12.2 cm (4 3/16 in.), diam. 12.7 cm (5 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/covered-tripod-jar-tang-dynasty-618907-first-half-of-8th-century-china-earthenware-with-three-color-sancai-lead-glazes-h-122-cm-4-316-in-diam-127-cm-5-in-image328632554.htmlRM2A2JE4X–Covered Tripod Jar, Tang dynasty (618–907), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 12.2 cm (4 3/16 in.), diam. 12.7 cm (5 in
Vase. Culture: China. Dimensions: H. 7 3/4 in. (19.7 cm). Date: 1713-22. Lush pinkish-red glazes, such as the 'peach bloom' on this small vase, were first produced in the third quarter of the seventeenth century. Small vases in this shape have long been thought to belong to sets of eight or more accoutrements designed for a writing table. This is one of four vases, each with a subtly different shape, that were found among a set of implements. It is distinguished from the others by the three thin rings at the base of the neck. These sets, which may or may not actually have been used, were most Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-culture-china-dimensions-h-7-34-in-197-cm-date-1713-22-lush-pinkish-red-glazes-such-as-the-peach-bloom-on-this-small-vase-were-first-produced-in-the-third-quarter-of-the-seventeenth-century-small-vases-in-this-shape-have-long-been-thought-to-belong-to-sets-of-eight-or-more-accoutrements-designed-for-a-writing-table-this-is-one-of-four-vases-each-with-a-subtly-different-shape-that-were-found-among-a-set-of-implements-it-is-distinguished-from-the-others-by-the-three-thin-rings-at-the-base-of-the-neck-these-sets-which-may-or-may-not-actually-have-been-used-were-most-image212913982.htmlRMPAB1XP–Vase. Culture: China. Dimensions: H. 7 3/4 in. (19.7 cm). Date: 1713-22. Lush pinkish-red glazes, such as the 'peach bloom' on this small vase, were first produced in the third quarter of the seventeenth century. Small vases in this shape have long been thought to belong to sets of eight or more accoutrements designed for a writing table. This is one of four vases, each with a subtly different shape, that were found among a set of implements. It is distinguished from the others by the three thin rings at the base of the neck. These sets, which may or may not actually have been used, were most
Bowl. Porcelain cookie with 'three-colored' glazes decor, Ming Dynasty (1368-1644) or Qing Dynasty (1644-1912). Provenance: China. Paris, Cernuschi museum. 78846-20 Asian art, Chinese art, living art, tableware, bowl, fine ceramic, ming dynasty, porcelain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-porcelain-cookie-with-three-colored-glazes-decor-ming-dynasty-1368-1644-or-qing-dynasty-1644-1912-provenance-china-paris-cernuschi-museum-78846-20-asian-art-chinese-art-living-art-tableware-bowl-fine-ceramic-ming-dynasty-porcelain-image596751102.htmlRM2WJTA3A–Bowl. Porcelain cookie with 'three-colored' glazes decor, Ming Dynasty (1368-1644) or Qing Dynasty (1644-1912). Provenance: China. Paris, Cernuschi museum. 78846-20 Asian art, Chinese art, living art, tableware, bowl, fine ceramic, ming dynasty, porcelain
Box early 8th century China Cobalt, a mineral that produces a brilliant blue color, was first introduced to China from West Asia in the early eighth century. It was quickly used in ceramics both in single color glazes and as an addition to the three-color glazes of the Tang dynasty.. Box 74082 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/box-early-8th-century-china-cobalt-a-mineral-that-produces-a-brilliant-blue-color-was-first-introduced-to-china-from-west-asia-in-the-early-eighth-century-it-was-quickly-used-in-ceramics-both-in-single-color-glazes-and-as-an-addition-to-the-three-color-glazes-of-the-tang-dynasty-box-74082-image458432703.htmlRM2HHRBGF–Box early 8th century China Cobalt, a mineral that produces a brilliant blue color, was first introduced to China from West Asia in the early eighth century. It was quickly used in ceramics both in single color glazes and as an addition to the three-color glazes of the Tang dynasty.. Box 74082
Upchurch Pottery 1909-1963 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/upchurch-pottery-1909-1963-image590655238.htmlRM2W8XJNX–Upchurch Pottery 1909-1963
Amphora late 7th century China Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color, or sancai, glazes, were widely used in funerary goods in the late seventh and the first half of the eighth century. The shape of this ewer derives from the metalwork of the ancient Iranian world and illustrates the impact of trade along the famed Silk Road.. Amphora. China. late 7th century. Earthenware with three-color (sancai) glaze. Tang dynasty (618–907). Ceramics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/amphora-late-7th-century-china-brilliantly-colored-lead-glazes-in-shades-of-green-amber-and-white-which-are-known-as-three-color-or-sancai-glazes-were-widely-used-in-funerary-goods-in-the-late-seventh-and-the-first-half-of-the-eighth-century-the-shape-of-this-ewer-derives-from-the-metalwork-of-the-ancient-iranian-world-and-illustrates-the-impact-of-trade-along-the-famed-silk-road-amphora-china-late-7th-century-earthenware-with-three-color-sancai-glaze-tang-dynasty-618907-ceramics-image458022535.htmlRM2HH4MBK–Amphora late 7th century China Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color, or sancai, glazes, were widely used in funerary goods in the late seventh and the first half of the eighth century. The shape of this ewer derives from the metalwork of the ancient Iranian world and illustrates the impact of trade along the famed Silk Road.. Amphora. China. late 7th century. Earthenware with three-color (sancai) glaze. Tang dynasty (618–907). Ceramics
Pedestalled Dish. 700 AD–799 AD. China. Earthenware with three color (sancai) lead glazes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pedestalled-dish-700-ad799-ad-china-earthenware-with-three-color-sancai-lead-glazes-image337956686.htmlRM2AHR75J–Pedestalled Dish. 700 AD–799 AD. China. Earthenware with three color (sancai) lead glazes
Vase 1713–22 China Lush pinkish-red glazes, such as the “peach bloom” on this small vase, were first produced in the third quarter of the seventeenth century. Small vases in this shape have long been thought to belong to sets of eight or more accoutrements designed for a writing table. This is one of four vases, each with a subtly different shape, that were found among a set of implements. It is distinguished from the others by the three thin rings at the base of the neck. These sets, which may or may not actually have been used, were most likely intended for presentation as gifts to officials Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-171322-china-lush-pinkish-red-glazes-such-as-the-peach-bloom-on-this-small-vase-were-first-produced-in-the-third-quarter-of-the-seventeenth-century-small-vases-in-this-shape-have-long-been-thought-to-belong-to-sets-of-eight-or-more-accoutrements-designed-for-a-writing-table-this-is-one-of-four-vases-each-with-a-subtly-different-shape-that-were-found-among-a-set-of-implements-it-is-distinguished-from-the-others-by-the-three-thin-rings-at-the-base-of-the-neck-these-sets-which-may-or-may-not-actually-have-been-used-were-most-likely-intended-for-presentation-as-gifts-to-officials-image458598040.htmlRM2HJ2XDC–Vase 1713–22 China Lush pinkish-red glazes, such as the “peach bloom” on this small vase, were first produced in the third quarter of the seventeenth century. Small vases in this shape have long been thought to belong to sets of eight or more accoutrements designed for a writing table. This is one of four vases, each with a subtly different shape, that were found among a set of implements. It is distinguished from the others by the three thin rings at the base of the neck. These sets, which may or may not actually have been used, were most likely intended for presentation as gifts to officials
Horse, Tang dynasty, (A.D. 618–907), 1st half of 8th century, China, Earthenware with three-color (sancai) lead glazes, 77.5 × 71.5 cm (30 1/2 × 28 × 10 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/horse-tang-dynasty-ad-618907-1st-half-of-8th-century-china-earthenware-with-three-color-sancai-lead-glazes-775-715-cm-30-12-28-10-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349730195.htmlRF2B8YGC3–Horse, Tang dynasty, (A.D. 618–907), 1st half of 8th century, China, Earthenware with three-color (sancai) lead glazes, 77.5 × 71.5 cm (30 1/2 × 28 × 10 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Bowl with Fish Motifs first half 14th century Ilkhanid-period potters in Iran imitated the range of green glazes of imported Chinese celadon wares, though they did not always succeed in duplicating their colors. This bowl is one of the more accomplished attempts. Its color, shape and decoration of three playful fish relate closely to wares produced in the kilns of Longquan, China during the Song period (960–1279).. Bowl with Fish Motifs. first half 14th century. Stonepaste; molded and glazed. Attributed to Iran. Ceramics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bowl-with-fish-motifs-first-half-14th-century-ilkhanid-period-potters-in-iran-imitated-the-range-of-green-glazes-of-imported-chinese-celadon-wares-though-they-did-not-always-succeed-in-duplicating-their-colors-this-bowl-is-one-of-the-more-accomplished-attempts-its-color-shape-and-decoration-of-three-playful-fish-relate-closely-to-wares-produced-in-the-kilns-of-longquan-china-during-the-song-period-9601279-bowl-with-fish-motifs-first-half-14th-century-stonepaste-molded-and-glazed-attributed-to-iran-ceramics-image458031784.htmlRM2HH5460–Bowl with Fish Motifs first half 14th century Ilkhanid-period potters in Iran imitated the range of green glazes of imported Chinese celadon wares, though they did not always succeed in duplicating their colors. This bowl is one of the more accomplished attempts. Its color, shape and decoration of three playful fish relate closely to wares produced in the kilns of Longquan, China during the Song period (960–1279).. Bowl with Fish Motifs. first half 14th century. Stonepaste; molded and glazed. Attributed to Iran. Ceramics
Tripod Jar, Tang dynasty (618-907), first half of 8th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tripod-jar-tang-dynasty-618-907-first-half-of-8th-century-image453135557.htmlRM2H9630N–Tripod Jar, Tang dynasty (618-907), first half of 8th century.
Tray 8th century China Combinations of white, amber, and green glazes, typically known as sancai or “three-colored” wares, were first developed in China in the late seventh century, and were used primarily for funerary goods. The bright colors, clear tones, and superior bonding power of this technique were achieved by firing twice, first at high temperature to achieve a hard pottery body, and then at low temperature, after the glazes were applied, to bring out the vibrant colors. The shape and medallion decor of this tray were derived from metalwork prototypes. The deep, intaglio lines of the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tray-8th-century-china-combinations-of-white-amber-and-green-glazes-typically-known-as-sancai-or-three-colored-wares-were-first-developed-in-china-in-the-late-seventh-century-and-were-used-primarily-for-funerary-goods-the-bright-colors-clear-tones-and-superior-bonding-power-of-this-technique-were-achieved-by-firing-twice-first-at-high-temperature-to-achieve-a-hard-pottery-body-and-then-at-low-temperature-after-the-glazes-were-applied-to-bring-out-the-vibrant-colors-the-shape-and-medallion-decor-of-this-tray-were-derived-from-metalwork-prototypes-the-deep-intaglio-lines-of-the-image458511853.htmlRM2HHY0F9–Tray 8th century China Combinations of white, amber, and green glazes, typically known as sancai or “three-colored” wares, were first developed in China in the late seventh century, and were used primarily for funerary goods. The bright colors, clear tones, and superior bonding power of this technique were achieved by firing twice, first at high temperature to achieve a hard pottery body, and then at low temperature, after the glazes were applied, to bring out the vibrant colors. The shape and medallion decor of this tray were derived from metalwork prototypes. The deep, intaglio lines of the
Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (1 of 9) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-album-cover-with-shiva-as-the-destroyer-of-the-three-cities-of-the-58304590.htmlRMDAT02P–Album Cover with Shiva as the Destroyer of the Three Cities of the Demons (Tripurantaka) M.2003.213 (1 of 9)
Lobed Bowl with Florets and Streaked Decoration, Tang dynasty (618–906), China, Earthenware with three-color (sancai) lead glazes and underglaze molded decoration, H. 3.5 cm (1 3/8 in.), diam. 10.2 cm (4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lobed-bowl-with-florets-and-streaked-decoration-tang-dynasty-618906-china-earthenware-with-three-color-sancai-lead-glazes-and-underglaze-molded-decoration-h-35-cm-1-38-in-diam-102-cm-4-in-image328647816.htmlRM2A2K5J0–Lobed Bowl with Florets and Streaked Decoration, Tang dynasty (618–906), China, Earthenware with three-color (sancai) lead glazes and underglaze molded decoration, H. 3.5 cm (1 3/8 in.), diam. 10.2 cm (4 in
Box with Abstract Design. Culture: China. Dimensions: H. 1 9/16 in. (4 cm); Diam. 3 5/8 in. (9.2 cm) H. (Lid) 11/16 in. (1.8 cm) H. (Body) 1 in. (2.5 cm). Date: early 8th century. Cobalt, a mineral that produces a brilliant blue color, was first introduced to China from West Asia in the early eighth century. It was quickly used in ceramics both in single color glazes and as an addition to the three-color glazes of the Tang dynasty. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/box-with-abstract-design-culture-china-dimensions-h-1-916-in-4-cm-diam-3-58-in-92-cm-h-lid-1116-in-18-cm-h-body-1-in-25-cm-date-early-8th-century-cobalt-a-mineral-that-produces-a-brilliant-blue-color-was-first-introduced-to-china-from-west-asia-in-the-early-eighth-century-it-was-quickly-used-in-ceramics-both-in-single-color-glazes-and-as-an-addition-to-the-three-color-glazes-of-the-tang-dynasty-museum-metropolitan-museum-of-art-new-york-usa-image213104697.htmlRMPAKN61–Box with Abstract Design. Culture: China. Dimensions: H. 1 9/16 in. (4 cm); Diam. 3 5/8 in. (9.2 cm) H. (Lid) 11/16 in. (1.8 cm) H. (Body) 1 in. (2.5 cm). Date: early 8th century. Cobalt, a mineral that produces a brilliant blue color, was first introduced to China from West Asia in the early eighth century. It was quickly used in ceramics both in single color glazes and as an addition to the three-color glazes of the Tang dynasty. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for Three glazes Stock Photos and Images (318)
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