Ukiyo hi-res stock photography and images

Flower performance. Ukiyo-e diptych showing richly-dressed man, two children, and two women in a richly-appointed interior. Date 1862. Stock Photo

RMER763N–Flower performance. Ukiyo-e diptych showing richly-dressed man, two children, and two women in a richly-appointed interior. Date 1862.

Mariko (T kaid station) And? Hiroshige (1797-1858) Japanese ukiyo-e artist. Dated 1834 Stock Photo

RMTXGC0H–Mariko (T kaid station) And? Hiroshige (1797-1858) Japanese ukiyo-e artist. Dated 1834

Archive Hiroshige Utagawa Hiroshige - Seascape in Satta in the Province of Suruga (1858) - Classic Painting Photo Poster Japanese Japan Hokusai Japan Art - Mount Fuji - Hiroshige Artwork Ukiyo-e Japanese Japanese Art Edo Period Mount Fuji Poster Stock Photo

RM2C21C1T–Archive Hiroshige Utagawa Hiroshige - Seascape in Satta in the Province of Suruga (1858) - Classic Painting Photo Poster Japanese Japan Hokusai Japan Art - Mount Fuji - Hiroshige Artwork Ukiyo-e Japanese Japanese Art Edo Period Mount Fuji Poster

A cosmetics and accessories seller making a house call. The customers are a geisha madam and two young geisha in an okiya. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photo

RMWWC57M–A cosmetics and accessories seller making a house call. The customers are a geisha madam and two young geisha in an okiya. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.

Kanbara. Travelers walking in the snow at night at the Kanbara station on the Tokaido Road. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. The landscape genre has come to dominate Western perceptions of ukiyo-e. Stock Photo

RMT965M8–Kanbara. Travelers walking in the snow at night at the Kanbara station on the Tokaido Road. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. The landscape genre has come to dominate Western perceptions of ukiyo-e.

Memorial portrait of Utagawa Hiroshige (1797-1858), Japanese ukiyo-e artist, woodcut print by Utagawa Kunisada, 1858 Stock Photo

RM2JFYH7K–Memorial portrait of Utagawa Hiroshige (1797-1858), Japanese ukiyo-e artist, woodcut print by Utagawa Kunisada, 1858

Japan: 'Woman Feeding Child'. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 18th century. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects. Stock Photo

RM2B0171G–Japan: 'Woman Feeding Child'. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 18th century. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

Ukiyo-e print illustration showing Ronin deflecting arrows with a long-handled sword. Dated 1869 Stock Photo

RME1GMNK–Ukiyo-e print illustration showing Ronin deflecting arrows with a long-handled sword. Dated 1869

The 1920 caption reads: Umegawa of Tsuchi-ya. The inset in circle is her lover as an actor. It is one of a series 'A Mirror of faithful courtesans' that was signed by Hiroshige. The publisher is Iwato-ya. Umegawa of Tsuchi-ya was a courtesan .Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Stock Photo

RF2GBK6Y3–The 1920 caption reads: Umegawa of Tsuchi-ya. The inset in circle is her lover as an actor. It is one of a series 'A Mirror of faithful courtesans' that was signed by Hiroshige. The publisher is Iwato-ya. Umegawa of Tsuchi-ya was a courtesan .Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Ukiyo-e beauty, half-length studio portrait of a woman, facing slightly right, Japan woodblock print, circa 1877 Stock Photo

RMCPEG4H–Ukiyo-e beauty, half-length studio portrait of a woman, facing slightly right, Japan woodblock print, circa 1877

Ukiyo-e historic painting, Japan Stock Photo

RME0JGWA–Ukiyo-e historic painting, Japan

Ukiyo-e print - Ichikawa Danjuro IV, c1780-1825. Artist: Utagawa Toyokuni. Stock Photo

RMMPTM1E–Ukiyo-e print - Ichikawa Danjuro IV, c1780-1825. Artist: Utagawa Toyokuni.

The Great Wave off Kanagawa also known as The Great Wave or simply The Wave, after a woodblock print by the Japanese ukiyo-e artist Katsushika Hokusai, 1760 - 1849. The Great Wave off Kanagawa has become the best known of a print series known as Thirty-six View of Mount Fuji created by Hokusai in the early 1830’s. Stock Photo

RMWPJHPT–The Great Wave off Kanagawa also known as The Great Wave or simply The Wave, after a woodblock print by the Japanese ukiyo-e artist Katsushika Hokusai, 1760 - 1849. The Great Wave off Kanagawa has become the best known of a print series known as Thirty-six View of Mount Fuji created by Hokusai in the early 1830’s.

Ukiyo-e woodblock print of the actor Morita Kanya in the role of Ronin by Japanese artist Tōshūsai Sharaku, Japan Stock Photo

RMDW4WT1–Ukiyo-e woodblock print of the actor Morita Kanya in the role of Ronin by Japanese artist Tōshūsai Sharaku, Japan

Japan Ukiyo-e Museum, Matsumoto, Japan. No PR Stock Photo

RMPY21D5–Japan Ukiyo-e Museum, Matsumoto, Japan. No PR

Ukiyo-e Triptych: Steam Train at Takanawa Seashore by Utagawa Yoshitora Stock Photo

RFC64YP4–Ukiyo-e Triptych: Steam Train at Takanawa Seashore by Utagawa Yoshitora

Japan, Tokyo, Asakusa, Ukiyo-e Style Artwork on Shop Shutters Stock Photo

RMC8CETN–Japan, Tokyo, Asakusa, Ukiyo-e Style Artwork on Shop Shutters

Annual event - the third month (Ukiyo nenjū gyōji: Yayoi), Utagawa Kunisada, mid-19th century Stock Photo

RMKC70XC–Annual event - the third month (Ukiyo nenjū gyōji: Yayoi), Utagawa Kunisada, mid-19th century

Katsushika Hokusai : 1760 - 10 May 1849 Japanese artist , ukiyo-e painter and printmaker of the Edo period , seen here Mount Fuji in Clear Weather Stock Photo

RMWHBHKW–Katsushika Hokusai : 1760 - 10 May 1849 Japanese artist , ukiyo-e painter and printmaker of the Edo period , seen here Mount Fuji in Clear Weather

The actor Bando Mitsugoro in the role of Ukiyo Tohei Stock Photo

RMER8T2F–The actor Bando Mitsugoro in the role of Ukiyo Tohei

Theatre scene by Ishikawa Toyonobu (1711 - 1785) a Japanese ukiyo-e print artist. Stock Photo

RM2A5YM6C–Theatre scene by Ishikawa Toyonobu (1711 - 1785) a Japanese ukiyo-e print artist.

HIROSHIGE UKIYO-E ARTIST 100 Famous views of Edo by Hiroshige Suijin Shrine and Massaki on the Sumida River. People at the bottom of the print are on the way to the Hashiba ferry Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his vertical-format landscape series One Hundred Famous Views of Edo. Suijin Shrine and Massaki on the Sumida River is number 35 of the 118 woodblock prints constituting Hiroshige's series One Hundred Famous Views of Edo. Stock Photo

RM2H57MJG–HIROSHIGE UKIYO-E ARTIST 100 Famous views of Edo by Hiroshige Suijin Shrine and Massaki on the Sumida River. People at the bottom of the print are on the way to the Hashiba ferry Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his vertical-format landscape series One Hundred Famous Views of Edo. Suijin Shrine and Massaki on the Sumida River is number 35 of the 118 woodblock prints constituting Hiroshige's series One Hundred Famous Views of Edo.

Puppet in kimono being manipulated by two bunraku puppeteers in black robes. Woodblock ukiyo-e print by Utagawa Kunisada II, Tokyo, 1850s. From a series of illustrations of popular bunraku plays, this showing the Yaoya Oshichi. Stock Photo

RMEX26KF–Puppet in kimono being manipulated by two bunraku puppeteers in black robes. Woodblock ukiyo-e print by Utagawa Kunisada II, Tokyo, 1850s. From a series of illustrations of popular bunraku plays, this showing the Yaoya Oshichi.

Fukagawa susaki jumantsubo. Hawk flying above a snowy landscape along the coastline. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century.The landscape genre has come to dominate Western perceptions of ukiyo-e. Stock Photo

RMT965N1–Fukagawa susaki jumantsubo. Hawk flying above a snowy landscape along the coastline. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century.The landscape genre has come to dominate Western perceptions of ukiyo-e.

Detail of Ukiyo-e Painting depicting a Geisha. Stock Photo

RMCECJEN–Detail of Ukiyo-e Painting depicting a Geisha.

Japan: 'Woman Wiping Sweat'. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1798. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects. Stock Photo

RM2B0171J–Japan: 'Woman Wiping Sweat'. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1798. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

Japanese Ukiyo-e print showing English people and their customs, from a Japanese perspective. 1854 Stock Photo

RMEX71MR–Japanese Ukiyo-e print showing English people and their customs, from a Japanese perspective. 1854

This 1920 image shows Hiroshige’s Kanagawa on the Tokaido. This is the forst station of Kanagawa, from the series 'Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi),' also known as the Tokaido with Poem (Kyoka iri Tokaido). It was painted between 1832-1847. Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. Stock Photo

RF2GBK71E–This 1920 image shows Hiroshige’s Kanagawa on the Tokaido. This is the forst station of Kanagawa, from the series 'Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi),' also known as the Tokaido with Poem (Kyoka iri Tokaido). It was painted between 1832-1847. Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo.

Asia, Japan, Honshu, Kyoto, Ukiyo-e, Painting, Geisha, Geishas, Tourism, Travel, Holiday, Vacation Stock Photo

RMC43FWF–Asia, Japan, Honshu, Kyoto, Ukiyo-e, Painting, Geisha, Geishas, Tourism, Travel, Holiday, Vacation

Ukiyo-e landscape painting, Japan Stock Photo

RME0JGRJ–Ukiyo-e landscape painting, Japan

Ukiyo-e print - Nankaido Rokka-koku, 19th century. Artist: Ando Hiroshige. Stock Photo

RMMPTM1D–Ukiyo-e print - Nankaido Rokka-koku, 19th century. Artist: Ando Hiroshige.

RMATMN7P–Japanese Ukiyo e print

Close-up of a details of a Ukiyo-e Painting depicting Geisha, Kyoto Prefecture, Kinki Region, Honshu, Japan Stock Photo

RMC559M7–Close-up of a details of a Ukiyo-e Painting depicting Geisha, Kyoto Prefecture, Kinki Region, Honshu, Japan

Foyer of the Japan Ukiyo-e Museum, Matsumoto, Japan. No PR or MR Stock Photo

RMPY21D1–Foyer of the Japan Ukiyo-e Museum, Matsumoto, Japan. No PR or MR

Enjoying a Garden of Peonies - Japanese Edo Ukiyo-e Triptych, circa 1850 Stock Photo

RFC5X2A5–Enjoying a Garden of Peonies - Japanese Edo Ukiyo-e Triptych, circa 1850

Japan, Tokyo, Ukiyo-e Print depicting Japanese Woman Stock Photo

RMC8CJ0P–Japan, Tokyo, Ukiyo-e Print depicting Japanese Woman

Teahouse on the Sumida River, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1760-1849, landscapes, Print Stock Photo

RM2DM8FCT–Teahouse on the Sumida River, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1760-1849, landscapes, Print

Utamaro Kitagawa is highly appreciated as the dominating ukiyo-e artist of the late eighteenth century. Yet little is known about his life. Neither the precise date of Utamaro's birth, his birthplace, nor any substantial information about his parents are known. 1750-1806 . . The Teahouse Waitress. colour woodcut 1791-92 Stock Photo

RMWHA4K1–Utamaro Kitagawa is highly appreciated as the dominating ukiyo-e artist of the late eighteenth century. Yet little is known about his life. Neither the precise date of Utamaro's birth, his birthplace, nor any substantial information about his parents are known. 1750-1806 . . The Teahouse Waitress. colour woodcut 1791-92

Arashi Ryuzo I in the role of Yakko Ukiyo Matabei and otani Stock Photo

RMER8XRM–Arashi Ryuzo I in the role of Yakko Ukiyo Matabei and otani

RM2A5YRKT–Japanese Ukiyo-e print showing English people and their customs, from a Japanese perspective. 1854

HIROSHIGE Vintage 1800s illustration ‘Utagawa Hiroshige’ : Numazu: Mount Fuji and Mount Ashigara after snow ... Numazu ashigarayama fuji yikihare Series Title: Fifty-three Famous Views, known as Vertical Tokaido (or Famous Places of the Fifty-three Stations of the Tōkaidō) Hiroshiges remarkable skill in rendering snow scenes. Two travelers cross the Kise River over a footbridge as they approach an inn at the Numazu station. This sheet is from the last series that Hiroshige published Utagwa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master Stock Photo

RM2BFEWB4–HIROSHIGE Vintage 1800s illustration ‘Utagawa Hiroshige’ : Numazu: Mount Fuji and Mount Ashigara after snow ... Numazu ashigarayama fuji yikihare Series Title: Fifty-three Famous Views, known as Vertical Tokaido (or Famous Places of the Fifty-three Stations of the Tōkaidō) Hiroshiges remarkable skill in rendering snow scenes. Two travelers cross the Kise River over a footbridge as they approach an inn at the Numazu station. This sheet is from the last series that Hiroshige published Utagwa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master

Wife of the elite samurai class reading books, with other women writing with a pen, one looking at ukiyo-e prints, and one folding paper. Another woman delivers reams of paper and ink. The alcove is decorated with coral, scrolls, feathers, etc. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photo

RMWWC558–Wife of the elite samurai class reading books, with other women writing with a pen, one looking at ukiyo-e prints, and one folding paper. Another woman delivers reams of paper and ink. The alcove is decorated with coral, scrolls, feathers, etc. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.

Geta no yukitori. Removing snow from one's clogs. Woman holding an umbrella while a female servant removes snow from her geta. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. Isoda Koryusai, 1776. Stock Photo

RMT965KK–Geta no yukitori. Removing snow from one's clogs. Woman holding an umbrella while a female servant removes snow from her geta. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. Isoda Koryusai, 1776.

Katsushika Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Stock Photo

RMBKEJYH–Katsushika Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period.

Japan: Woman nursing infant. Ukiyo-e woodblock by Kitagawa Utamaro (c. 1753 - 31 October 1806), late 18th century. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects. Stock Photo

RM2B01JKP–Japan: Woman nursing infant. Ukiyo-e woodblock by Kitagawa Utamaro (c. 1753 - 31 October 1806), late 18th century. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

Ukiyo Matabei (Meishitsu ukiyo-e kagami) by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820 Stock Photo

RMF7NYXR–Ukiyo Matabei (Meishitsu ukiyo-e kagami) by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820

The caption reads: “Hiroshige - Stations Kakegawa and Otsu on the Tokaido.” Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Stock Photo

RF2GBK71H–The caption reads: “Hiroshige - Stations Kakegawa and Otsu on the Tokaido.” Utagawa Hiroshige, born Andō Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Japan, Honshu, Tokyo, Tokyo City Old Meets New Advertising Poster depicting Ukiyo-e Artwork Figure Stock Photo

RM2PKBBTH–Japan, Honshu, Tokyo, Tokyo City Old Meets New Advertising Poster depicting Ukiyo-e Artwork Figure

Ukiyo-e landscape painting depicting mountain, Japan Stock Photo

RME0JGT5–Ukiyo-e landscape painting depicting mountain, Japan

Ukiyo-e print - A woman holding a comb, c19th century. Artist: Kitagawa Utamaro. Stock Photo

RMMPTM1G–Ukiyo-e print - A woman holding a comb, c19th century. Artist: Kitagawa Utamaro.

RMATN3YH–Japanese Ukiyo e print

Details of Ukiyo-e painting depicting Kabuki Characters, Minami-za Theatre, Kyoto Prefecture, Kinki Region, Honshu, Japan Stock Photo

RMC559R5–Details of Ukiyo-e painting depicting Kabuki Characters, Minami-za Theatre, Kyoto Prefecture, Kinki Region, Honshu, Japan

Special layered stamps for visitors that mimic woodblock printing process, Japan Ukiyo-e Museum, Matsumoto, Japan. No PR or MR Stock Photo

RMPY21D2–Special layered stamps for visitors that mimic woodblock printing process, Japan Ukiyo-e Museum, Matsumoto, Japan. No PR or MR

The Kyoto workshop of Japanese ukiyo-e artist and woodblock printer Mamoru Ichimura. Stock Photo

RMD45019–The Kyoto workshop of Japanese ukiyo-e artist and woodblock printer Mamoru Ichimura.

Japan, Tokyo, Ukiyo-e Style Artwork on Seafood Restaurant Facade Stock Photo

RMC8CHYG–Japan, Tokyo, Ukiyo-e Style Artwork on Seafood Restaurant Facade

Two Actors, Kikugana Eizan, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, ca. 1800, figures, Print Stock Photo

RM2DMN0MB–Two Actors, Kikugana Eizan, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, ca. 1800, figures, Print

Inspired by Early Ukiyo-e Painting, Ink, color and gold on paper, Japan, 1625-1640, Edo Period, 10 7/16 x 13 13/16 in., 26.5 x 35.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK56K8–Inspired by Early Ukiyo-e Painting, Ink, color and gold on paper, Japan, 1625-1640, Edo Period, 10 7/16 x 13 13/16 in., 26.5 x 35.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Ukiyo-e beauty, half-length studio portrait of a woman, facing slightly right. Date ca. 1877. Stock Photo

RMER93P5–Ukiyo-e beauty, half-length studio portrait of a woman, facing slightly right. Date ca. 1877.

The actor Morika Kanya (kabuki Theartre), by T?sh?sai Sharaku (1794ñ1795); Japanese ukiyo-e print artist Stock Photo

RM2A5YM59–The actor Morika Kanya (kabuki Theartre), by T?sh?sai Sharaku (1794ñ1795); Japanese ukiyo-e print artist

Mounted Russian Horseman Bids Adieu to Woman Stock Photo

RMBAWC4C–Mounted Russian Horseman Bids Adieu to Woman

Woman of the nobility or courtier in silk kimono with cypress fan walking in a garden under cherry blossoms. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photo

RMWWC554–Woman of the nobility or courtier in silk kimono with cypress fan walking in a garden under cherry blossoms. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.

Secchu aiaigasa. Couple under umbrella in the snow (crow and heron). a man and a woman standing in the snow beneath a snow-covered umbrella. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. Stock Photo

RMT965N3–Secchu aiaigasa. Couple under umbrella in the snow (crow and heron). a man and a woman standing in the snow beneath a snow-covered umbrella. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century.

RMBKEK0K–Katsushika Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period.

Japan: Midnight - Mother and Sleepy Child. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1790. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects. Stock Photo

RM2RN18Y3–Japan: Midnight - Mother and Sleepy Child. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1790. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

Japanese Ukiyo-e print text, describing English people and their customs, economy, and other practical matters from a Japanese perspective. 1854 Stock Photo

RMEX71MN–Japanese Ukiyo-e print text, describing English people and their customs, economy, and other practical matters from a Japanese perspective. 1854

The 1920 caption reads: “Surimono: Kwanyu studying a book on strategy. It is signed by Hokkei.” Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints in the ukiyo-e style. Stock Photo

RF2GBK71D–The 1920 caption reads: “Surimono: Kwanyu studying a book on strategy. It is signed by Hokkei.” Totoya Hokkei (1780–1850) was a Japanese artist best known for his prints in the ukiyo-e style.

Japanese Ukiyo e print Japan Japanese crossing bamboo wood wooden bridge rain downpour shower wet deluge river cross rice paper Stock Photo

RMAP10WH–Japanese Ukiyo e print Japan Japanese crossing bamboo wood wooden bridge rain downpour shower wet deluge river cross rice paper

Ukiyo-e wood block prints of traditional Japanese ladies, Japan Stock Photo

RMD734TW–Ukiyo-e wood block prints of traditional Japanese ladies, Japan

Ukiyo-e print - Bird on a branch in blue, c1820-1858. Artist: Ando Hiroshige. Stock Photo

RMMPTM1H–Ukiyo-e print - Bird on a branch in blue, c1820-1858. Artist: Ando Hiroshige.

RMATMNKK–Japanese Ukiyo e print

Original Japanese Ukiyo-e Woodblock Print by TOYOKUNI 18th Century Stock Photo

RM2Y71WFP–Original Japanese Ukiyo-e Woodblock Print by TOYOKUNI 18th Century

World's smallest Ukiyo-e museum, Gion, Kyoto, Japan. No PR Stock Photo

RMPN7D9J–World's smallest Ukiyo-e museum, Gion, Kyoto, Japan. No PR

RMD44YBG–The Kyoto workshop of Japanese ukiyo-e artist and woodblock printer Mamoru Ichimura.

RMC8CJ05–Japan, Tokyo, Ukiyo-e Style Artwork on Seafood Restaurant Facade

Kites at Tsuiji, Katsushika Hokusai, 1760 – 1849, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1760-1849, landscapes, Print Stock Photo

RM2DM8YJC–Kites at Tsuiji, Katsushika Hokusai, 1760 – 1849, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1760-1849, landscapes, Print

Inspired by Actor Onoe Kikugorō III as Sugawara Michizane, Ukiyo Shigekatsu, Japanese, active ca. 1820, Woodblock print with metallic ink, Japan, 1820, Edo period, 8 1/2 x 7 1/2 in., 21.6 x 19.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK52E7–Inspired by Actor Onoe Kikugorō III as Sugawara Michizane, Ukiyo Shigekatsu, Japanese, active ca. 1820, Woodblock print with metallic ink, Japan, 1820, Edo period, 8 1/2 x 7 1/2 in., 21.6 x 19.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Yama-chichi kills man in sleep. Ukiyo-e print illustration showing scene from traditional tale in which a Yeti-like creature inhales the life force from sleeping travelers; opposite page contains text; covers from other volumes also shown. Date 1841. Stock Photo

RMER7MH5–Yama-chichi kills man in sleep. Ukiyo-e print illustration showing scene from traditional tale in which a Yeti-like creature inhales the life force from sleeping travelers; opposite page contains text; covers from other volumes also shown. Date 1841.

Benkei Dazaemon by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820 Stock Photo

RMTXGC0C–Benkei Dazaemon by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1820

RMBAWC2J–Chinese Ship with Sails

Edo street scene, 18th century. A dance teacher and pupil on the left, a nori (glue) seller is beckoned by workers in a small family business. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photo

RMWWC57H–Edo street scene, 18th century. A dance teacher and pupil on the left, a nori (glue) seller is beckoned by workers in a small family business. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.

Bikunibashi setchu. Bikuni bridge in snow. Porter walking in ankle-deep snow at the approach to the Bikuni bridge. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. The landscape genre has come to dominate Western perceptions of ukiyo-e. Stock Photo

RMT965MT–Bikunibashi setchu. Bikuni bridge in snow. Porter walking in ankle-deep snow at the approach to the Bikuni bridge. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. The landscape genre has come to dominate Western perceptions of ukiyo-e.

RMBKEK06–Katsushika Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period.

Japan: Two Women With Infant. Ukiyo-e woodblock print by Kitagawa Utamaro (1753 - 31 October 1806), c. 1793. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects. Stock Photo

RM2RN18Y2–Japan: Two Women With Infant. Ukiyo-e woodblock print by Kitagawa Utamaro (1753 - 31 October 1806), c. 1793. Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.

Woodcut, colour, poster of Ukiyo-e print illustration showing boys enjoying the first of five sekku holidays, the Seiyo, or spring holiday. Artist, Kuniyoshi Utagawa (1798-1861). Stock Photo

RMF7P9F2–Woodcut, colour, poster of Ukiyo-e print illustration showing boys enjoying the first of five sekku holidays, the Seiyo, or spring holiday. Artist, Kuniyoshi Utagawa (1798-1861).

LEFT: Kiyomine-Woman holding out a sake cup signed Kiyomine. RIGHT:Yeizan-full-length figure-study of a geisha signed Yeizan The Japanese artist Kiyomine Torii lived from 1787 to 1868. Kikukawa Eizan (died 1867) was a designer of ukiyo-e style Japanese woodblock. prints. Stock Photo

RF2GBK6XE–LEFT: Kiyomine-Woman holding out a sake cup signed Kiyomine. RIGHT:Yeizan-full-length figure-study of a geisha signed Yeizan The Japanese artist Kiyomine Torii lived from 1787 to 1868. Kikukawa Eizan (died 1867) was a designer of ukiyo-e style Japanese woodblock. prints.

Takiyasha the Witch and the Skeleton Spectre is an ukiyo-e woodblock triptych made in 1844 by Japanese artist Utagawa Kuniyoshi (1798-1861). Stock Photo

RF2T774HM–Takiyasha the Witch and the Skeleton Spectre is an ukiyo-e woodblock triptych made in 1844 by Japanese artist Utagawa Kuniyoshi (1798-1861).

Ukiyo-e landscape painting depicting historic map in the old days, Japan Stock Photo

RME0JGW1–Ukiyo-e landscape painting depicting historic map in the old days, Japan

Yellow (Ki), from the series Comparison of Five Colors in the Floating World (Ukiyo goshiki awase), by Utagawa Kunisada (Toyokuni III), Edo period Stock Photo

RF2A11E1E–Yellow (Ki), from the series Comparison of Five Colors in the Floating World (Ukiyo goshiki awase), by Utagawa Kunisada (Toyokuni III), Edo period

RMATN3DX–Japanese Ukiyo e print

RM2Y71WFJ–Original Japanese Ukiyo-e Woodblock Print by TOYOKUNI 18th Century

Non-Japanese female foreigner has a hand at painting a copy of old Ukiyo-e woodblock print at fair in Odawara, Kanagawa, Japan. Stock Photo

RMD3D8GD–Non-Japanese female foreigner has a hand at painting a copy of old Ukiyo-e woodblock print at fair in Odawara, Kanagawa, Japan.

RMD44YCG–The Kyoto workshop of Japanese ukiyo-e artist and woodblock printer Mamoru Ichimura.

RMC8CEW7–Japan, Tokyo, Asakusa, Ukiyo-e Style Artwork on Shop Shutters

The actor Yae Misazo, Utagawa Kunisada, Japanese, 1786 – 1864, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1858, theater, Print Stock Photo

RM2DMEC4H–The actor Yae Misazo, Utagawa Kunisada, Japanese, 1786 – 1864, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1858, theater, Print

Art inspired by Early Ukiyo-e Painting, Ink, color and gold on paper, Japan, 1625-1640, Edo Period, 10 7/16 x 13 13/16 in., 26.5 x 35.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKA1F–Art inspired by Early Ukiyo-e Painting, Ink, color and gold on paper, Japan, 1625-1640, Edo Period, 10 7/16 x 13 13/16 in., 26.5 x 35.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Eight Scenes of Omi Province: Evening Bell at Mii Temple by Utagawa Hiroshige (1797 -1858), Edo period, 19th century, National Museum, Tokyo, Japan Stock Photo

RMW8PBBN–The Eight Scenes of Omi Province: Evening Bell at Mii Temple by Utagawa Hiroshige (1797 -1858), Edo period, 19th century, National Museum, Tokyo, Japan

Yuranosuke, Kumagai and Jiraiya by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1854 Stock Photo

RMTXGBYM–Yuranosuke, Kumagai and Jiraiya by Utagawa Kunisada (1786-1865) Japanese designer of ukiyo-e woodblock prints. Dated 1854

RMBAWC1P–Chinese Ship

Wealthy townswomen, Tokyo, 18th century. Three young chonin women gather at the house of an older woman for a meeting. A maid brings tea to a young nursing mother. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photo

RMWWC57D–Wealthy townswomen, Tokyo, 18th century. Three young chonin women gather at the house of an older woman for a meeting. A maid brings tea to a young nursing mother. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.

Kaki mogi. Picking persimmons. A young man holding a young woman on his shoulders as she reaches to pick persimmons from a branch above them. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century. Stock Photo

RMT965N8–Kaki mogi. Picking persimmons. A young man holding a young woman on his shoulders as she reaches to pick persimmons from a branch above them. Ukiyo-e (picture of the floating world) is a genre of Japanese art which flourished from the 17th through 19th centuries. Ukiyo-e was central to forming the West's perception of Japanese art in the late 19th century.

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