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Unknown woman role Stock Photos and Images
Woman makes a sand painting, A seated woman (actor Segawa Kikunojô V (1802-32) in an unknown woman role), makes a sand painting on a sheet of lacquerware. Next to the painting are two spoons, a wooden spatula and a paint box on the far left. The painting represents Mount Fuji, seen from the beach of Matsu no Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Japan, 1820, paper, colour woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-makes-a-sand-painting-a-seated-woman-actor-segawa-kikunoj-v-1802-32-in-an-unknown-woman-role-makes-a-sand-painting-on-a-sheet-of-lacquerware-next-to-the-painting-are-two-spoons-a-wooden-spatula-and-a-paint-box-on-the-far-left-the-painting-represents-mount-fuji-seen-from-the-beach-of-matsu-no-shimabara-the-cloud-next-to-fuji-in-the-form-of-a-dragon-refers-to-the-new-year-of-the-dragon-making-sand-paintings-was-a-popular-pastime-for-women-from-the-1920s-onwards-perhaps-earlier-with-two-poems-kunisada-i-utagawa-mentioned-on-object-japan-1820-paper-colour-woodcut-image261402873.htmlRMW57X0W–Woman makes a sand painting, A seated woman (actor Segawa Kikunojô V (1802-32) in an unknown woman role), makes a sand painting on a sheet of lacquerware. Next to the painting are two spoons, a wooden spatula and a paint box on the far left. The painting represents Mount Fuji, seen from the beach of Matsu no Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Japan, 1820, paper, colour woodcut
A woman driving a farm tractor, in front of a shed. This is a c.1933 Allis-Chalmers farm tractor, with a hand crank up front and a belt-driver on the right side. (These tractors were built in West Allis, Wisconsin, near Milwaukee.) Two small American flags are on the front end. The young lady is wearing a 1940s-type casual day dress. This unknown woman is more posing than working, I think. Location is unknown. To see my other vintage images, Search: Prestor vintage woman vehicle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-driving-a-farm-tractor-in-front-of-a-shed-this-is-a-c1933-allis-chalmers-farm-tractor-with-a-hand-crank-up-front-and-a-belt-driver-on-the-right-side-these-tractors-were-built-in-west-allis-wisconsin-near-milwaukee-two-small-american-flags-are-on-the-front-end-the-young-lady-is-wearing-a-1940s-type-casual-day-dress-this-unknown-woman-is-more-posing-than-working-i-think-location-is-unknown-to-see-my-other-vintage-images-search-prestor-vintage-woman-vehicle-image346931706.htmlRF2B4C2X2–A woman driving a farm tractor, in front of a shed. This is a c.1933 Allis-Chalmers farm tractor, with a hand crank up front and a belt-driver on the right side. (These tractors were built in West Allis, Wisconsin, near Milwaukee.) Two small American flags are on the front end. The young lady is wearing a 1940s-type casual day dress. This unknown woman is more posing than working, I think. Location is unknown. To see my other vintage images, Search: Prestor vintage woman vehicle
Noh mask of a woman, 18th-19th century, Unknown Japanese, 8 5/16 × 5 1/4 × 2 7/8 in. (21.11 × 13.34 × 7.3 cm), Polychromed wood, Japan, 18th-19th century, Noh masks were typically made of cypress wood, primed with gofun (shell white) and animal glue, and colored with mineral pigment. They developed out of gigaku, a type of masked dance with mime that originated in Baekje, one of the Three Kingdoms of Korea (57 BC to 668 AD). During Noh performances, the actor in the principal role known as shite wears masks to play supernatural beings, women, and the elderly. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noh-mask-of-a-woman-18th-19th-century-unknown-japanese-8-516-5-14-2-78-in-2111-1334-73-cm-polychromed-wood-japan-18th-19th-century-noh-masks-were-typically-made-of-cypress-wood-primed-with-gofun-shell-white-and-animal-glue-and-colored-with-mineral-pigment-they-developed-out-of-gigaku-a-type-of-masked-dance-with-mime-that-originated-in-baekje-one-of-the-three-kingdoms-of-korea-57-bc-to-668-ad-during-noh-performances-the-actor-in-the-principal-role-known-as-shite-wears-masks-to-play-supernatural-beings-women-and-the-elderly-image573486532.htmlRM2T90FWT–Noh mask of a woman, 18th-19th century, Unknown Japanese, 8 5/16 × 5 1/4 × 2 7/8 in. (21.11 × 13.34 × 7.3 cm), Polychromed wood, Japan, 18th-19th century, Noh masks were typically made of cypress wood, primed with gofun (shell white) and animal glue, and colored with mineral pigment. They developed out of gigaku, a type of masked dance with mime that originated in Baekje, one of the Three Kingdoms of Korea (57 BC to 668 AD). During Noh performances, the actor in the principal role known as shite wears masks to play supernatural beings, women, and the elderly.
Austin, Texas March 14, 2018: A female ATF agent on the scene of an active investigation of a package bombing that critically injured an elderly woman in east Austin. Two were killed earlier by package bombs left by an unknown assailant. Credit: Bob Daemmrich/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-austin-texas-march-14-2018-a-female-atf-agent-on-the-scene-of-an-active-177150372.htmlRMM85W30–Austin, Texas March 14, 2018: A female ATF agent on the scene of an active investigation of a package bombing that critically injured an elderly woman in east Austin. Two were killed earlier by package bombs left by an unknown assailant. Credit: Bob Daemmrich/Alamy Live News
Woman makes a sand painting, A seated woman (actor Segawa Kikunojô V (1802-32) in an unknown woman role), makes a sand painting on a sheet of lacquerware. Next to the painting are two spoons, a wooden spatula and a paint box on the far left. The painting represents Mount Fuji, seen from the beach of Matsu no Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Japan, 1820, paper, colour woodcut, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-makes-a-sand-painting-a-seated-woman-actor-segawa-kikunoj-v-1802-32-in-an-unknown-woman-role-makes-a-sand-painting-on-a-sheet-of-lacquerware-next-to-the-painting-are-two-spoons-a-wooden-spatula-and-a-paint-box-on-the-far-left-the-painting-represents-mount-fuji-seen-from-the-beach-of-matsu-no-shimabara-the-cloud-next-to-fuji-in-the-form-of-a-dragon-refers-to-the-new-year-of-the-dragon-making-sand-paintings-was-a-popular-pastime-for-women-from-the-1920s-onwards-perhaps-earlier-with-two-poems-kunisada-i-utagawa-mentioned-on-object-japan-1820-paper-colour-woodcut-image350005688.htmlRF2B9C3R4–Woman makes a sand painting, A seated woman (actor Segawa Kikunojô V (1802-32) in an unknown woman role), makes a sand painting on a sheet of lacquerware. Next to the painting are two spoons, a wooden spatula and a paint box on the far left. The painting represents Mount Fuji, seen from the beach of Matsu no Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Japan, 1820, paper, colour woodcut,
Corinne Griffith seen here in the role of Mary Boyne sitting working at a Singer sewing machine in the film The Unknown Quantity. Circa 1919 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-corinne-griffith-seen-here-in-the-role-of-mary-boyne-sitting-working-81701524.htmlRMEMWR3G–Corinne Griffith seen here in the role of Mary Boyne sitting working at a Singer sewing machine in the film The Unknown Quantity. Circa 1919
1955 c. , Milano , ITALY : The italian anti-fascist Art critic , Art historian and museologist FERNANDA WITTGENS ( 1903 - 1957 ) . First woman director of the Pinacoteca di Brera ( Milan ), as well as the first woman in Italy to hold the role of director of an important museum or gallery . Since 2014 she has been Righteous Among the Nations . Unknown photographer . - HISTORY - FOTO STORICHE - ANTIFASCISTA - anti-fascista - RESISTENZA - Giusta tra le Nazioni - ITALIA - ARTS - ARTE - SCRITTRICE - CRITICA - STORICA - CRITICO D'ARTE - DONNA DIRETTRICE di MUSEO - ARTS - ARTE --- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1955-c-milano-italy-the-italian-anti-fascist-art-critic-art-historian-and-museologist-fernanda-wittgens-1903-1957-first-woman-director-of-the-pinacoteca-di-brera-milan-as-well-as-the-first-woman-in-italy-to-hold-the-role-of-director-of-an-important-museum-or-gallery-since-2014-she-has-been-righteous-among-the-nations-unknown-photographer-history-foto-storiche-antifascista-anti-fascista-resistenza-giusta-tra-le-nazioni-italia-arts-arte-scrittrice-critica-storica-critico-darte-donna-direttrice-di-museo-arts-arte-archivio-gbb-image603592266.htmlRM2X2002J–1955 c. , Milano , ITALY : The italian anti-fascist Art critic , Art historian and museologist FERNANDA WITTGENS ( 1903 - 1957 ) . First woman director of the Pinacoteca di Brera ( Milan ), as well as the first woman in Italy to hold the role of director of an important museum or gallery . Since 2014 she has been Righteous Among the Nations . Unknown photographer . - HISTORY - FOTO STORICHE - ANTIFASCISTA - anti-fascista - RESISTENZA - Giusta tra le Nazioni - ITALIA - ARTS - ARTE - SCRITTRICE - CRITICA - STORICA - CRITICO D'ARTE - DONNA DIRETTRICE di MUSEO - ARTS - ARTE --- Archivio GBB
Original WW1 era postcard of pretty female factory war worker, wearing a tunic and mob cap, possibly munitions worker, circa 1916, unknown location, U.K. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-ww1-era-postcard-of-pretty-female-factory-war-worker-wearing-a-tunic-and-mob-cap-possibly-munitions-worker-circa-1916-unknown-location-uk-image443584304.htmlRM2GNK08G–Original WW1 era postcard of pretty female factory war worker, wearing a tunic and mob cap, possibly munitions worker, circa 1916, unknown location, U.K.
Woman manager in a business stance during a meeting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-manager-in-a-business-stance-during-a-meeting-image6774604.htmlRFA7JRGD–Woman manager in a business stance during a meeting
Original WW1 era postcard of harvest scene with agricultural workers, one is a land army girl - wearing a 3 mths service armband. Written on reverse is Preston Court Farm unknown location. Dated 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-ww1-era-postcard-of-harvest-scene-with-agricultural-workers-one-is-a-land-army-girl-wearing-a-3-mths-service-armband-written-on-reverse-is-preston-court-farm-unknown-location-dated-1916-image595987360.htmlRM2WHHFXT–Original WW1 era postcard of harvest scene with agricultural workers, one is a land army girl - wearing a 3 mths service armband. Written on reverse is Preston Court Farm unknown location. Dated 1916
Angelica Singleton, Mrs. Abraham Van Buren, 1842, (1913). Heiress and the daughter-in-law of Martin Van Buren, president of the United States. Married to the president's son, Abraham Van Buren II, she assumed the post of first lady because the president's wife, Hannah Van Buren, had died. Singleton is the youngest woman ever to act as the White House hostess, assuming the role at the age of 18. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/angelica-singleton-mrs-abraham-van-buren-1842-1913-heiress-and-the-daughter-in-law-of-martin-van-buren-president-of-the-united-states-married-to-the-presidents-son-abraham-van-buren-ii-she-assumed-the-post-of-first-lady-because-the-presidents-wife-hannah-van-buren-had-died-singleton-is-the-youngest-woman-ever-to-act-as-the-white-house-hostess-assuming-the-role-at-the-age-of-18-image534126401.htmlRM2P0YFJW–Angelica Singleton, Mrs. Abraham Van Buren, 1842, (1913). Heiress and the daughter-in-law of Martin Van Buren, president of the United States. Married to the president's son, Abraham Van Buren II, she assumed the post of first lady because the president's wife, Hannah Van Buren, had died. Singleton is the youngest woman ever to act as the White House hostess, assuming the role at the age of 18.
'Role of Women in the War', 1861, (1938). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/role-of-women-in-the-war-1861-1938-artist-unknown-image186126620.htmlRMMPPPB8–'Role of Women in the War', 1861, (1938). Artist: Unknown.
Vintage photograph of a young woman, 1920s, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-photograph-of-a-young-woman-1920s-unknown-image476669635.htmlRM2JKE4YF–Vintage photograph of a young woman, 1920s, unknown
'Theatre Du Vaudeville. - L'Esboufe - Suzanne Despres, role de Mme Richter-Mme Belgrand', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theatre-du-vaudeville-lesboufe-suzanne-despres-role-de-mme-richter-mme-belgrand-1904-creator-unknown-image236055433.htmlRMRM1735–'Theatre Du Vaudeville. - L'Esboufe - Suzanne Despres, role de Mme Richter-Mme Belgrand', 1904. Creator: Unknown.
Unidentified woman personnel during World War One. This photo, taken in 1919 by an unknown photographer, shows a female member of the military. The exact location and role of the personnel in the image are not specified. The photograph is part of the Savery collection, labeled as Savery 8694. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unidentified-woman-personnel-during-world-war-one-this-photo-taken-in-1919-by-an-unknown-photographer-shows-a-female-member-of-the-military-the-exact-location-and-role-of-the-personnel-in-the-image-are-not-specified-the-photograph-is-part-of-the-savery-collection-labeled-as-savery-8694-image558147134.htmlRM2RC1PA6–Unidentified woman personnel during World War One. This photo, taken in 1919 by an unknown photographer, shows a female member of the military. The exact location and role of the personnel in the image are not specified. The photograph is part of the Savery collection, labeled as Savery 8694.
Mrs Patrick Campbell, British stage actress, in the role of 'Electra', 1908 (1951). Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mrs-patrick-campbell-british-stage-actress-in-the-role-of-electra-28832575.htmlRMBJWC6R–Mrs Patrick Campbell, British stage actress, in the role of 'Electra', 1908 (1951). Artist: Unknown
Recitation of The Sick Dolly, Flint Street School, Southwark, London, 1908. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-recitation-of-the-sick-dolly-flint-street-school-southwark-london-135243312.htmlRMHT0T68–Recitation of The Sick Dolly, Flint Street School, Southwark, London, 1908. Artist: Unknown.
'Mme Rejane - Role de la Montansier. - La Montansier', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mme-rejane-role-de-la-montansier-la-montansier-1904-creator-unknown-image236055429.htmlRMRM1731–'Mme Rejane - Role de la Montansier. - La Montansier', 1904. Creator: Unknown.
Leipzig, Germany. 20th Oct, 2016. Leonardo Caimi in the role of the unknown prince Calaf during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leipzig-germany-20th-oct-2016-leonardo-caimi-in-the-role-of-the-unknown-123885009.htmlRMH5FCGH–Leipzig, Germany. 20th Oct, 2016. Leonardo Caimi in the role of the unknown prince Calaf during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News
surreal woman from behind wears countless hats on her head, abstract concept Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/surreal-woman-from-behind-wears-countless-hats-on-her-head-abstract-concept-image598142282.htmlRF2WN3MGA–surreal woman from behind wears countless hats on her head, abstract concept
Portrait of Woman Wearing Devil Horns Making Faces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-woman-wearing-devil-horns-making-faces-54177771.htmlRFD4408B–Portrait of Woman Wearing Devil Horns Making Faces
woman from behind wears countless hats on her head, concept of multiple personalities and identities Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-from-behind-wears-countless-hats-on-her-head-concept-of-multiple-personalities-and-identities-image399169764.htmlRF2E5BN30–woman from behind wears countless hats on her head, concept of multiple personalities and identities
Austin, Texas March 14, 2018: A female ATF agent on the scene of an active investigation of a package bombing that critically injured an elderly woman in east Austin. Two were killed earlier by package bombs left by an unknown assailant. Credit: Bob Daemmrich/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-austin-texas-march-14-2018-a-female-atf-agent-on-the-scene-of-an-active-177150370.htmlRMM85W2X–Austin, Texas March 14, 2018: A female ATF agent on the scene of an active investigation of a package bombing that critically injured an elderly woman in east Austin. Two were killed earlier by package bombs left by an unknown assailant. Credit: Bob Daemmrich/Alamy Live News
surreal woman from behind adds another hat on her head to the tower of hats she already wears, abstract concept Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/surreal-woman-from-behind-adds-another-hat-on-her-head-to-the-tower-of-hats-she-already-wears-abstract-concept-image598145532.htmlRF2WN3TMC–surreal woman from behind adds another hat on her head to the tower of hats she already wears, abstract concept
Elderly lady wearing a medieval formal dress and a hat. Mysterious old woman hiding her face. Historical female costume in a role-play Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elderly-lady-wearing-a-medieval-formal-dress-and-a-hat-mysterious-old-woman-hiding-her-face-historical-female-costume-in-a-role-play-image534895350.htmlRF2P26GDA–Elderly lady wearing a medieval formal dress and a hat. Mysterious old woman hiding her face. Historical female costume in a role-play
1955 c. , Milano , ITALY : The italian anti-fascist Art critic , Art historian and museologist FERNANDA WITTGENS ( 1903 - 1957 ) . First woman director of the Pinacoteca di Brera ( Milan ), as well as the first woman in Italy to hold the role of director of an important museum or gallery . Since 2014 she has been Righteous Among the Nations . Unknown photographer . - HISTORY - FOTO STORICHE - ANTIFASCISTA - anti-fascista - RESISTENZA - Giusta tra le Nazioni - ITALIA - ARTS - ARTE - SCRITTRICE - CRITICA - STORICA - CRITICO D'ARTE - DONNA DIRETTRICE di MUSEO - ARTS - ARTE --- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1955-c-milano-italy-the-italian-anti-fascist-art-critic-art-historian-and-museologist-fernanda-wittgens-1903-1957-first-woman-director-of-the-pinacoteca-di-brera-milan-as-well-as-the-first-woman-in-italy-to-hold-the-role-of-director-of-an-important-museum-or-gallery-since-2014-she-has-been-righteous-among-the-nations-unknown-photographer-history-foto-storiche-antifascista-anti-fascista-resistenza-giusta-tra-le-nazioni-italia-arts-arte-scrittrice-critica-storica-critico-darte-donna-direttrice-di-museo-arts-arte-archivio-gbb-image603592258.htmlRM2X2002A–1955 c. , Milano , ITALY : The italian anti-fascist Art critic , Art historian and museologist FERNANDA WITTGENS ( 1903 - 1957 ) . First woman director of the Pinacoteca di Brera ( Milan ), as well as the first woman in Italy to hold the role of director of an important museum or gallery . Since 2014 she has been Righteous Among the Nations . Unknown photographer . - HISTORY - FOTO STORICHE - ANTIFASCISTA - anti-fascista - RESISTENZA - Giusta tra le Nazioni - ITALIA - ARTS - ARTE - SCRITTRICE - CRITICA - STORICA - CRITICO D'ARTE - DONNA DIRETTRICE di MUSEO - ARTS - ARTE --- Archivio GBB
Barsony, Rosy 1909 - 1977, role together with Hans Jaray (+1990) and Willy Stettner in unknown movie. original photo, 1930 - 19300101 PD9506 - Rechteinfo: Rights Managed (RM) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/barsony-rosy-1909-1977-role-together-with-hans-jaray-1990-and-willy-stettner-in-unknown-movie-original-photo-1930-19300101-pd9506-rechteinfo-rights-managed-rm-image603215176.htmlRM2X1AR34–Barsony, Rosy 1909 - 1977, role together with Hans Jaray (+1990) and Willy Stettner in unknown movie. original photo, 1930 - 19300101 PD9506 - Rechteinfo: Rights Managed (RM)
1885 ca. , LAGO di COMO, ITALY : A young lady dressed in the folkloristic traditional costume like LUCIA MONDELLA , the role of most celebrated italian novel I PROMESSI SPOSI by ALESSANDRO MANZONI . Unknown photographer . - POETA - POESIA - POETRY - SCRITTORE - LETTERATO - LITERATURE - LETTERATURA - - BELLAGIO - ITALIA - FOTO STORICHE - HISTORY - GEOGRAFIA - GEOGRAPHY - - COSTUME TRADIZIONALE REGIONALE - LOMBARDIA - LOMBARDY - pearls necklace - collana di perle - donna - woman - OTTOCENTO - 800's - '800 - finestra - window - POETA - POESIA - POETRY - SCRITTORE - LETTERATO - LITERATUR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1885-ca-lago-di-como-italy-a-young-lady-dressed-in-the-folkloristic-traditional-costume-like-lucia-mondella-the-role-of-most-celebrated-italian-novel-i-promessi-sposi-by-alessandro-manzoni-unknown-photographer-poeta-poesia-poetry-scrittore-letterato-literature-letteratura-bellagio-italia-foto-storiche-history-geografia-geography-costume-tradizionale-regionale-lombardia-lombardy-pearls-necklace-collana-di-perle-donna-woman-ottocento-800s-800-finestra-window-poeta-poesia-poetry-scrittore-letterato-literatur-image541188210.htmlRM2PCD72A–1885 ca. , LAGO di COMO, ITALY : A young lady dressed in the folkloristic traditional costume like LUCIA MONDELLA , the role of most celebrated italian novel I PROMESSI SPOSI by ALESSANDRO MANZONI . Unknown photographer . - POETA - POESIA - POETRY - SCRITTORE - LETTERATO - LITERATURE - LETTERATURA - - BELLAGIO - ITALIA - FOTO STORICHE - HISTORY - GEOGRAFIA - GEOGRAPHY - - COSTUME TRADIZIONALE REGIONALE - LOMBARDIA - LOMBARDY - pearls necklace - collana di perle - donna - woman - OTTOCENTO - 800's - '800 - finestra - window - POETA - POESIA - POETRY - SCRITTORE - LETTERATO - LITERATUR
Original WW1 era postcard of harvest scene with agricultural workers, one is land army girl - wearing a 3 mths service armband. Written on reverse is Preston Court Farm unknown location. Dated 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-ww1-era-postcard-of-harvest-scene-with-agricultural-workers-one-is-land-army-girl-wearing-a-3-mths-service-armband-written-on-reverse-is-preston-court-farm-unknown-location-dated-1916-image595987392.htmlRM2WHHG00–Original WW1 era postcard of harvest scene with agricultural workers, one is land army girl - wearing a 3 mths service armband. Written on reverse is Preston Court Farm unknown location. Dated 1916
veiled woman posing at 2009 Fantasy Fair Arcen Netherlands Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-veiled-woman-posing-at-2009-fantasy-fair-arcen-netherlands-europe-26983555.htmlRMBFW5PB–veiled woman posing at 2009 Fantasy Fair Arcen Netherlands Europe
An unknown actor playing the part of a victorian woman at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-unknown-actor-playing-the-part-of-a-victorian-woman-at-the-yearly-126881836.htmlRFHABY24–An unknown actor playing the part of a victorian woman at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
Vintage photograph of a young woman, off shoulder dress, 1920s, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-photograph-of-a-young-woman-off-shoulder-dress-1920s-unknown-image502370918.htmlRM2M58Y6E–Vintage photograph of a young woman, off shoulder dress, 1920s, unknown
Statue of a Seated Cybele with the Portrait Head of her Priestess, about A.D. 50. Additional Info: This large statue of a seated woman portrays Cybele, the mother goddess, with many of her attributes, each signifying a different role. She wears a crown in the form of a towered wall, a symbol of her role as protectress of cities. Her right hand holds a bunch of wheat and poppy heads, a symbol of her role as a goddess of agriculture. Her most famous attribute, the lion, sits at her feet, symbolizing her power over wild animals. Under her left arm she holds additional symbols: the rudder and the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-a-seated-cybele-with-the-portrait-head-of-her-priestess-about-ad-50-additional-info-this-large-statue-of-a-seated-woman-portrays-cybele-the-mother-goddess-with-many-of-her-attributes-each-signifying-a-different-role-she-wears-a-crown-in-the-form-of-a-towered-wall-a-symbol-of-her-role-as-protectress-of-cities-her-right-hand-holds-a-bunch-of-wheat-and-poppy-heads-a-symbol-of-her-role-as-a-goddess-of-agriculture-her-most-famous-attribute-the-lion-sits-at-her-feet-symbolizing-her-power-over-wild-animals-under-her-left-arm-she-holds-additional-symbols-the-rudder-and-the-image626620358.htmlRM2YBD0JE–Statue of a Seated Cybele with the Portrait Head of her Priestess, about A.D. 50. Additional Info: This large statue of a seated woman portrays Cybele, the mother goddess, with many of her attributes, each signifying a different role. She wears a crown in the form of a towered wall, a symbol of her role as protectress of cities. Her right hand holds a bunch of wheat and poppy heads, a symbol of her role as a goddess of agriculture. Her most famous attribute, the lion, sits at her feet, symbolizing her power over wild animals. Under her left arm she holds additional symbols: the rudder and the
Unidentified woman during World War One. The photograph, numbered 991, was taken by Reed and is part of the collection of American Military Activities. The woman's name and role remain unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unidentified-woman-during-world-war-one-the-photograph-numbered-991-was-taken-by-reed-and-is-part-of-the-collection-of-american-military-activities-the-womans-name-and-role-remain-unknown-image558110135.htmlRM2RC034R–Unidentified woman during World War One. The photograph, numbered 991, was taken by Reed and is part of the collection of American Military Activities. The woman's name and role remain unknown.
PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyatigorsk-russia-june-042019unknown-actress-in-the-role-of-the-representative-of-the-water-society-welcomes-the-participants-at-the-opening-of-image255418129.htmlRFTRF8C1–PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of
veiled girl posing at 2009 Fantasy Fair Haarzuilens Netherlands Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-veiled-girl-posing-at-2009-fantasy-fair-haarzuilens-netherlands-europe-25525147.htmlRMBDENGB–veiled girl posing at 2009 Fantasy Fair Haarzuilens Netherlands Europe
'Mlle. Marthe Regnier, role de Jacqueline. - La Passerelle. - Vaudeville', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mlle-marthe-regnier-role-de-jacqueline-la-passerelle-vaudeville-1904-creator-unknown-image236055453.htmlRMRM173W–'Mlle. Marthe Regnier, role de Jacqueline. - La Passerelle. - Vaudeville', 1904. Creator: Unknown.
Leipzig, Germany. 20th Oct, 2016. Leonardo Caimi in the role of the unknown prince during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leipzig-germany-20th-oct-2016-leonardo-caimi-in-the-role-of-the-unknown-123885007.htmlRMH5FCGF–Leipzig, Germany. 20th Oct, 2016. Leonardo Caimi in the role of the unknown prince during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News
![Group family portrait with Tarabai, Jamna Bai and the Gaekwar [of Baroda]. Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai standing at her right side. Group portrait with Tarabai, Jamna Bai [and the] Gaekwar [of Baroda]. Gujarat; India; Vadodara, c.1880. Gaekwar [of Baroda]. Photographer: Unknown Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai (Gaekwar's sister?) stan Stock Photo](https://c8.alamy.com/comp/R5C5NM/group-family-portrait-with-tarabai-jamna-bai-and-the-gaekwar-of-baroda-her-highness-the-maharani-jamnabai-the-widowed-consort-of-khande-rao-who-adopted-sayaji-rao-sits-on-a-chair-with-the-gaekwar-behind-and-to-her-left-and-tarabai-standing-at-her-right-side-group-portrait-with-tarabai-jamna-bai-and-the-gaekwar-of-baroda-gujarat-india-vadodara-c1880-gaekwar-of-baroda-photographer-unknown-her-highness-the-maharani-jamnabai-the-widowed-consort-of-khande-rao-who-adopted-sayaji-rao-sits-on-a-chair-with-the-gaekwar-behind-and-to-her-left-and-tarabai-gaekwars-sister-stan-R5C5NM.jpg "Group family portrait with Tarabai, Jamna Bai and the Gaekwar [of Baroda]. Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai standing at her right side. Group portrait with Tarabai, Jamna Bai [and the] Gaekwar [of Baroda]. Gujarat; India; Vadodara, c.1880. Gaekwar [of Baroda]. Photographer: Unknown Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai (Gaekwar's sister?) stan Stock Photo")
Group family portrait with Tarabai, Jamna Bai and the Gaekwar [of Baroda]. Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai standing at her right side. Group portrait with Tarabai, Jamna Bai [and the] Gaekwar [of Baroda]. Gujarat; India; Vadodara, c.1880. Gaekwar [of Baroda]. Photographer: Unknown Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai (Gaekwar's sister?) stan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-family-portrait-with-tarabai-jamna-bai-and-the-gaekwar-of-baroda-her-highness-the-maharani-jamnabai-the-widowed-consort-of-khande-rao-who-adopted-sayaji-rao-sits-on-a-chair-with-the-gaekwar-behind-and-to-her-left-and-tarabai-standing-at-her-right-side-group-portrait-with-tarabai-jamna-bai-and-the-gaekwar-of-baroda-gujarat-india-vadodara-c1880-gaekwar-of-baroda-photographer-unknown-her-highness-the-maharani-jamnabai-the-widowed-consort-of-khande-rao-who-adopted-sayaji-rao-sits-on-a-chair-with-the-gaekwar-behind-and-to-her-left-and-tarabai-gaekwars-sister-stan-image227076016.htmlRMR5C5NM–Group family portrait with Tarabai, Jamna Bai and the Gaekwar [of Baroda]. Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai standing at her right side. Group portrait with Tarabai, Jamna Bai [and the] Gaekwar [of Baroda]. Gujarat; India; Vadodara, c.1880. Gaekwar [of Baroda]. Photographer: Unknown Her Highness the Maharani Jamnabai (the widowed consort of Khande Rao who adopted Sayaji Rao) sits on a chair with the Gaekwar behind and to her left and Tarabai (Gaekwar's sister?) stan
ARTE GOTICO. ESPAÑA. Tabla (h.1500) con la representación de la 'PRESENTACION DE JESUS EN EL TEMPLO' en el registro superior y 'LA EPIFANIA' en el inferior. Es de AUTOR ANONIMO y procede del Retablo de la Catedral de Pamplona. Museo Diocesano de Pamplona. Navarra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arte-gotico-espaa-tabla-h1500-con-la-representacin-de-la-presentacion-de-jesus-en-el-templo-en-el-registro-superior-y-la-epifania-en-el-inferior-es-de-autor-anonimo-y-procede-del-retablo-de-la-catedral-de-pamplona-museo-diocesano-de-pamplona-navarra-image209565414.htmlRMP4XER2–ARTE GOTICO. ESPAÑA. Tabla (h.1500) con la representación de la 'PRESENTACION DE JESUS EN EL TEMPLO' en el registro superior y 'LA EPIFANIA' en el inferior. Es de AUTOR ANONIMO y procede del Retablo de la Catedral de Pamplona. Museo Diocesano de Pamplona. Navarra.
Husband vacuuming under wife with feet up in living room armchair Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/husband-vacuuming-under-wife-with-feet-up-in-living-room-armchair-image563438421.htmlRF2RMJRCN–Husband vacuuming under wife with feet up in living room armchair
An unknown actor playing the part of a victorian woman at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-unknown-actor-playing-the-part-of-a-victorian-woman-at-the-yearly-126881831.htmlRFHABY1Y–An unknown actor playing the part of a victorian woman at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
Vintage photograph of a young woman wearing pearl necklace, prominent teeth, 1920s, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-photograph-of-a-young-woman-wearing-pearl-necklace-prominent-teeth-1920s-unknown-image476669648.htmlRM2JKE500–Vintage photograph of a young woman wearing pearl necklace, prominent teeth, 1920s, unknown
Portrait of a Family, 1635-1640. It was in the Dutch Republic that the family portrait first became a significant subject, particularly among the middle class. This is due, in part, to the important role of women in Dutch society as well as to the prosperity and political power of the middle class. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-family-1635-1640-it-was-in-the-dutch-republic-that-the-family-portrait-first-became-a-significant-subject-particularly-among-the-middle-class-this-is-due-in-part-to-the-important-role-of-women-in-dutch-society-as-well-as-to-the-prosperity-and-political-power-of-the-middle-class-image575141439.htmlRM2TBKXNK–Portrait of a Family, 1635-1640. It was in the Dutch Republic that the family portrait first became a significant subject, particularly among the middle class. This is due, in part, to the important role of women in Dutch society as well as to the prosperity and political power of the middle class.
An unidentified woman is captured in this photograph taken in 1919 during World War One. The purpose and role of the personnel in the image remain unknown. The image is part of a series documenting American military activities during the war. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-unidentified-woman-is-captured-in-this-photograph-taken-in-1919-during-world-war-one-the-purpose-and-role-of-the-personnel-in-the-image-remain-unknown-the-image-is-part-of-a-series-documenting-american-military-activities-during-the-war-image558133028.htmlRM2RC14AC–An unidentified woman is captured in this photograph taken in 1919 during World War One. The purpose and role of the personnel in the image remain unknown. The image is part of a series documenting American military activities during the war.
PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyatigorsk-russia-june-042019unknown-actress-in-the-role-of-the-representative-of-the-water-society-welcomes-the-participants-at-the-opening-of-image255418961.htmlRFTRF9DN–PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of
'Academie Nationale. - Mlle. L. Grandjean. - Role de Desdemone. - Othello', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/academie-nationale-mlle-l-grandjean-role-de-desdemone-othello-1904-creator-unknown-image236055361.htmlRMRM170H–'Academie Nationale. - Mlle. L. Grandjean. - Role de Desdemone. - Othello', 1904. Creator: Unknown.
Leipzig, Germany. 20th Oct, 2016. Leonardo Caimi in the role of the unknown prince Calaf during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leipzig-germany-20th-oct-2016-leonardo-caimi-in-the-role-of-the-unknown-123884979.htmlRMH5FCFF–Leipzig, Germany. 20th Oct, 2016. Leonardo Caimi in the role of the unknown prince Calaf during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News
Happy family cheering for strong father weightlifting barbell overhead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/happy-family-cheering-for-strong-father-weightlifting-barbell-overhead-image563438895.htmlRF2RMJT1K–Happy family cheering for strong father weightlifting barbell overhead
Unknown actors playing the part of victorian soldiers at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-actors-playing-the-part-of-victorian-soldiers-at-the-yearly-126881866.htmlRFHABY36–Unknown actors playing the part of victorian soldiers at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
Vintage photograph of a young woman, off shoulder dress, arm bangle, hair back, 1920s, unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-photograph-of-a-young-woman-off-shoulder-dress-arm-bangle-hair-back-1920s-unknown-image502370907.htmlRM2M58Y63–Vintage photograph of a young woman, off shoulder dress, arm bangle, hair back, 1920s, unknown
Wisdom; Stammheim Missal, probably 1170s. Additional Info:Within the arc of heaven, the personification of Wisdom, flanked by David and Abraham, supports God the Creator. Below her is the priest Zechariah, father of John the Baptist, and below him the patriarch Jacob. This miniature and one other develop the theme of Wisdom's role in God's creation of the world. Together with the Annunciation on the following page, these miniatures introduce the portion of the manuscript containing the chants sung by the choir at Mass. All develop the theme of the promise of Christian salvation, which was pre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wisdom-stammheim-missal-probably-1170s-additional-infowithin-the-arc-of-heaven-the-personification-of-wisdom-flanked-by-david-and-abraham-supports-god-the-creator-below-her-is-the-priest-zechariah-father-of-john-the-baptist-and-below-him-the-patriarch-jacob-this-miniature-and-one-other-develop-the-theme-of-wisdoms-role-in-gods-creation-of-the-world-together-with-the-annunciation-on-the-following-page-these-miniatures-introduce-the-portion-of-the-manuscript-containing-the-chants-sung-by-the-choir-at-mass-all-develop-the-theme-of-the-promise-of-christian-salvation-which-was-pre-image626615816.htmlRM2YBCPT8–Wisdom; Stammheim Missal, probably 1170s. Additional Info:Within the arc of heaven, the personification of Wisdom, flanked by David and Abraham, supports God the Creator. Below her is the priest Zechariah, father of John the Baptist, and below him the patriarch Jacob. This miniature and one other develop the theme of Wisdom's role in God's creation of the world. Together with the Annunciation on the following page, these miniatures introduce the portion of the manuscript containing the chants sung by the choir at Mass. All develop the theme of the promise of Christian salvation, which was pre
Unidentified personnel - A woman participates in military activities during World War One. This photograph was taken by Photographer Rich in 1919. The exact location and details of the woman's role are unknown. The image symbolizes the involvement of women in the war effort at the time. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unidentified-personnel-a-woman-participates-in-military-activities-during-world-war-one-this-photograph-was-taken-by-photographer-rich-in-1919-the-exact-location-and-details-of-the-womans-role-are-unknown-the-image-symbolizes-the-involvement-of-women-in-the-war-effort-at-the-time-image558162365.htmlRM2RC2DP5–Unidentified personnel - A woman participates in military activities during World War One. This photograph was taken by Photographer Rich in 1919. The exact location and details of the woman's role are unknown. The image symbolizes the involvement of women in the war effort at the time.
PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyatigorsk-russia-june-042019unknown-actress-in-the-role-of-the-representative-of-the-water-society-welcomes-the-participants-at-the-opening-of-image255411269.htmlRFTREYK1–PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of
Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-76265100.htmlRFEC24WG–Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england
'Theatre Des Varietes. - Mlle. C. Thevenet. - Role de Caroline - La Chauve-Souris', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theatre-des-varietes-mlle-c-thevenet-role-de-caroline-la-chauve-souris-1904-creator-unknown-image236055438.htmlRMRM173A–'Theatre Des Varietes. - Mlle. C. Thevenet. - Role de Caroline - La Chauve-Souris', 1904. Creator: Unknown.
Leipzig, Germany. 20th Oct, 2016. Jennifer Wilson (L) in the role of Turandot and Leonardo Caimi as the unknown prince during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leipzig-germany-20th-oct-2016-jennifer-wilson-l-in-the-role-of-turandot-123885008.htmlRMH5FCGG–Leipzig, Germany. 20th Oct, 2016. Jennifer Wilson (L) in the role of Turandot and Leonardo Caimi as the unknown prince during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News
Supportive family cheering for happy, strong mother weightlifting barbell overhead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/supportive-family-cheering-for-happy-strong-mother-weightlifting-barbell-overhead-image563438904.htmlRF2RMJT20–Supportive family cheering for happy, strong mother weightlifting barbell overhead
The Reversal of Roles, Episodes from the Krishna Lila (The Play of Krishna), Folio from a Sur Sagar (The Ocean of Sur Das) (image 2 of 11), c1725. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-reversal-of-roles-episodes-from-the-krishna-lila-the-play-of-krishna-folio-from-a-sur-sagar-the-ocean-of-sur-das-image-2-of-11-c1725-image568870608.htmlRM2T1E87C–The Reversal of Roles, Episodes from the Krishna Lila (The Play of Krishna), Folio from a Sur Sagar (The Ocean of Sur Das) (image 2 of 11), c1725.
111-SC-988: A photograph showcasing an unidentified woman in military personnel attire during World War One. The woman's role and unit remain unknown. Despite limited information, this image captures the dedication and contribution of women to military activities during the war. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/111-sc-988-a-photograph-showcasing-an-unidentified-woman-in-military-personnel-attire-during-world-war-one-the-womans-role-and-unit-remain-unknown-despite-limited-information-this-image-captures-the-dedication-and-contribution-of-women-to-military-activities-during-the-war-image558130524.htmlRM2RC1150–111-SC-988: A photograph showcasing an unidentified woman in military personnel attire during World War One. The woman's role and unit remain unknown. Despite limited information, this image captures the dedication and contribution of women to military activities during the war.
PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pyatigorsk-russia-june-042019unknown-actress-in-the-role-of-the-representative-of-the-water-society-welcomes-the-participants-at-the-opening-of-image255419586.htmlRFTRFA82–PYATIGORSK, RUSSIA - JUNE 04,2019:Unknown actress in the role of the representative of the 'water society' welcomes the participants at the opening of
Unidentified woman from CPI photographed during World War I. Numbered image 7490 Reed. It is a personnel photo of a woman, exact details including her identification and role are unknown. The photo was taken at an unknown location symbolized by 'HOTE' on a specified date. Authorship belongs to CPI, and its copyright is symbolized by 'Ⓒ7490'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unidentified-woman-from-cpi-photographed-during-world-war-i-numbered-image-7490-reed-it-is-a-personnel-photo-of-a-woman-exact-details-including-her-identification-and-role-are-unknown-the-photo-was-taken-at-an-unknown-location-symbolized-by-hote-on-a-specified-date-authorship-belongs-to-cpi-and-its-copyright-is-symbolized-by-7490-image558263419.htmlRM2RC72K7–Unidentified woman from CPI photographed during World War I. Numbered image 7490 Reed. It is a personnel photo of a woman, exact details including her identification and role are unknown. The photo was taken at an unknown location symbolized by 'HOTE' on a specified date. Authorship belongs to CPI, and its copyright is symbolized by 'Ⓒ7490'.
'Theatre National De L'Odeon. - Mlle. Sylvie - Role de Charlotte. - Le Roi Galant', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theatre-national-de-lodeon-mlle-sylvie-role-de-charlotte-le-roi-galant-1904-creator-unknown-image236055448.htmlRMRM173M–'Theatre National De L'Odeon. - Mlle. Sylvie - Role de Charlotte. - Le Roi Galant', 1904. Creator: Unknown.
Woman makes a sand painting. A sitting woman (actor Segawa Kikunojô v (1802-32) in an unknown woman role), makes a sand painting on a leaf of lacquer. In addition to the painting, two spoons are a wooden spatula and extremely left a lacquer box. The painting presents the Fuji mountain, seen from Matsu No Shimabara beach. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a loved time consequence for women from the 1920s from the nineteenth century, perhaps before. With two poems. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-makes-a-sand-painting-a-sitting-woman-actor-segawa-kikunoj-v-1802-32-in-an-unknown-woman-role-makes-a-sand-painting-on-a-leaf-of-lacquer-in-addition-to-the-painting-two-spoons-are-a-wooden-spatula-and-extremely-left-a-lacquer-box-the-painting-presents-the-fuji-mountain-seen-from-matsu-no-shimabara-beach-the-cloud-next-to-fuji-in-the-form-of-a-dragon-refers-to-the-new-year-of-the-dragon-making-sand-paintings-was-a-loved-time-consequence-for-women-from-the-1920s-from-the-nineteenth-century-perhaps-before-with-two-poems-image430266676.htmlRM2G009F0–Woman makes a sand painting. A sitting woman (actor Segawa Kikunojô v (1802-32) in an unknown woman role), makes a sand painting on a leaf of lacquer. In addition to the painting, two spoons are a wooden spatula and extremely left a lacquer box. The painting presents the Fuji mountain, seen from Matsu No Shimabara beach. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a loved time consequence for women from the 1920s from the nineteenth century, perhaps before. With two poems.
Leipzig, Germany. 20th Oct, 2016. Martin Petzold in the role of the king (in white) and Leonardo Caimi as the unknown prince (L) during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leipzig-germany-20th-oct-2016-martin-petzold-in-the-role-of-the-king-123884981.htmlRMH5FCFH–Leipzig, Germany. 20th Oct, 2016. Martin Petzold in the role of the king (in white) and Leonardo Caimi as the unknown prince (L) during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News
Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-76265132.htmlRFEC24XM–Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england
Kids cheering for strong mother weightlifting barbell overhead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kids-cheering-for-strong-mother-weightlifting-barbell-overhead-image563438918.htmlRF2RMJT2E–Kids cheering for strong mother weightlifting barbell overhead
A young girl imitating a Ballerina Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-young-girl-imitating-a-ballerina-15205088.htmlRFAMARWN–A young girl imitating a Ballerina
Radha and Krishna Exchange Clothes, c1800. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/radha-and-krishna-exchange-clothes-c1800-image568870203.htmlRM2T1E7MY–Radha and Krishna Exchange Clothes, c1800.
'Mlle. Paule Andral - Du Theatre Du Vaudeville - Role de Roseline Denis. - L'Esbroufe', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mlle-paule-andral-du-theatre-du-vaudeville-role-de-roseline-denis-lesbroufe-1904-creator-unknown-image236055454.htmlRMRM173X–'Mlle. Paule Andral - Du Theatre Du Vaudeville - Role de Roseline Denis. - L'Esbroufe', 1904. Creator: Unknown.
Two actors at New Year's decoration. A young man in formal preaching and folded range (child-actor Ichikawa ebizô vi (1823-54)), looks at a woman with New Year's decoration in her hand (actor Segawa Kikonojô v (1802-32) in an unknown woman role). The decoration consists of fan leaf, pine branches, Daidai Sino cone and a red lobster, all symbols for a long life: the pine always remains green, the curved lobster refers to the curve back of old people and means 'Daidai' from generation to generation. With three poems, one by Segawa Kikunojô V: How nice it is to be born in the grand city of Edo, s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-actors-at-new-years-decoration-a-young-man-in-formal-preaching-and-folded-range-child-actor-ichikawa-ebiz-vi-1823-54-looks-at-a-woman-with-new-years-decoration-in-her-hand-actor-segawa-kikonoj-v-1802-32-in-an-unknown-woman-role-the-decoration-consists-of-fan-leaf-pine-branches-daidai-sino-cone-and-a-red-lobster-all-symbols-for-a-long-life-the-pine-always-remains-green-the-curved-lobster-refers-to-the-curve-back-of-old-people-and-means-daidai-from-generation-to-generation-with-three-poems-one-by-segawa-kikunoj-v-how-nice-it-is-to-be-born-in-the-grand-city-of-edo-s-image430267018.htmlRM2G009Y6–Two actors at New Year's decoration. A young man in formal preaching and folded range (child-actor Ichikawa ebizô vi (1823-54)), looks at a woman with New Year's decoration in her hand (actor Segawa Kikonojô v (1802-32) in an unknown woman role). The decoration consists of fan leaf, pine branches, Daidai Sino cone and a red lobster, all symbols for a long life: the pine always remains green, the curved lobster refers to the curve back of old people and means 'Daidai' from generation to generation. With three poems, one by Segawa Kikunojô V: How nice it is to be born in the grand city of Edo, s
Leipzig, Germany. 20th Oct, 2016. Jennifer Wilson in the role of Turandot (L) and Leonardo Caimi (R) as the unknown prince on stage during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-leipzig-germany-20th-oct-2016-jennifer-wilson-in-the-role-of-turandot-123884983.htmlRMH5FCFK–Leipzig, Germany. 20th Oct, 2016. Jennifer Wilson in the role of Turandot (L) and Leonardo Caimi (R) as the unknown prince on stage during a performance of Puccini's 'Turandot' in the Leipzig Opera in Leipzig, Germany, 20 October 2016. Puccini's last operatic work, 'Turandot' tells the bloody tale of the transformation of a distant princess into a loving woman. The piece was last performed in the Leipzig Opera 14 years ago. Producer Balasz Kovalik has decided to set the events in a futuristic world. Photo: Jan Woitas/dpa/Alamy Live News
Portrait of an unknown woman in the role of Kundry, Eva Watson-Schütze, c. 1900 - in Or Before 1905 photomechanical print paper historical persons - BB - woman. adult woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-unknown-woman-in-the-role-of-kundry-eva-watson-schtze-c-1900-in-or-before-1905-photomechanical-print-paper-historical-persons-bb-woman-adult-woman-image591952578.htmlRM2WB1NFE–Portrait of an unknown woman in the role of Kundry, Eva Watson-Schütze, c. 1900 - in Or Before 1905 photomechanical print paper historical persons - BB - woman. adult woman
Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-76265131.htmlRFEC24XK–Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england
'Theatre National De Opera-Comique. - La Reine Fiammette. Mlle. Garden, role d'Orlanda', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theatre-national-de-opera-comique-la-reine-fiammette-mlle-garden-role-dorlanda-1904-creator-unknown-image236055387.htmlRMRM171F–'Theatre National De Opera-Comique. - La Reine Fiammette. Mlle. Garden, role d'Orlanda', 1904. Creator: Unknown.
A Woman Walking on a Rope, c. 1830 - c. 1835 print Cord dancer balancing with parasol and fan in the hands. The woman is probably the actor Segawa Kikunojô V (1802-32) in an unknown women's role. With two poems. paper color woodcut tight-ropewalker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-walking-on-a-rope-c-1830-c-1835-print-cord-dancer-balancing-with-parasol-and-fan-in-the-hands-the-woman-is-probably-the-actor-segawa-kikunoj-v-1802-32-in-an-unknown-womens-role-with-two-poems-paper-color-woodcut-tight-ropewalker-image594148358.htmlRM2WEHP86–A Woman Walking on a Rope, c. 1830 - c. 1835 print Cord dancer balancing with parasol and fan in the hands. The woman is probably the actor Segawa Kikunojô V (1802-32) in an unknown women's role. With two poems. paper color woodcut tight-ropewalker
Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-76265099.htmlRFEC24WF–Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england
'Mlle Marie Marcilly - Du Theatre National De L'Oeéon - Role de Francisca. - L'Absent', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mlle-marie-marcilly-du-theatre-national-de-loeon-role-de-francisca-labsent-1904-creator-unknown-image236055403.htmlRMRM1723–'Mlle Marie Marcilly - Du Theatre National De L'Oeéon - Role de Francisca. - L'Absent', 1904. Creator: Unknown.
Woman makes a sand painting, Utagawa Kunisada (I), 1820 print A sitting woman (actor Segawa Kikunojô V (1802-32) in an unknown women's role) makes a sand painting on a sheet of paintwork. Next to the painting there are two spoons a wooden spatula and a lacquer box on the left. The painting represents the mountain of Fuji, seen from the beach of Matsu No Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a beloved time disposal for women from the 1920s of the nineteenth century, perhaps before. With two poems. Japan paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-makes-a-sand-painting-utagawa-kunisada-i-1820-print-a-sitting-woman-actor-segawa-kikunoj-v-1802-32-in-an-unknown-womens-role-makes-a-sand-painting-on-a-sheet-of-paintwork-next-to-the-painting-there-are-two-spoons-a-wooden-spatula-and-a-lacquer-box-on-the-left-the-painting-represents-the-mountain-of-fuji-seen-from-the-beach-of-matsu-no-shimabara-the-cloud-next-to-fuji-in-the-form-of-a-dragon-refers-to-the-new-year-of-the-dragon-making-sand-paintings-was-a-beloved-time-disposal-for-women-from-the-1920s-of-the-nineteenth-century-perhaps-before-with-two-poems-japan-paper-image593853032.htmlRM2WE49GT–Woman makes a sand painting, Utagawa Kunisada (I), 1820 print A sitting woman (actor Segawa Kikunojô V (1802-32) in an unknown women's role) makes a sand painting on a sheet of paintwork. Next to the painting there are two spoons a wooden spatula and a lacquer box on the left. The painting represents the mountain of Fuji, seen from the beach of Matsu No Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a beloved time disposal for women from the 1920s of the nineteenth century, perhaps before. With two poems. Japan paper
Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-76265130.htmlRFEC24XJ–Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england
:Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-126881856.htmlRFHABY2T–:Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
'Mlle. Felyne - Du Theatre National De L'Odeon - Role de Leonore - L'Ecole Des Maris', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mlle-felyne-du-theatre-national-de-lodeon-role-de-leonore-lecole-des-maris-1904-creator-unknown-image236055404.htmlRMRM1724–'Mlle. Felyne - Du Theatre National De L'Odeon - Role de Leonore - L'Ecole Des Maris', 1904. Creator: Unknown.
Two actors at New Year's Decoration, Utagawa Kuniyasu, 1830 A young man in formal gestation and folded range (child actor Ichikawa Ebizô VI (1823-54)), looks at a woman with New Year's Decoration in her hand (actor Segawa Kikonojô V (1802-32) in an unknown women's role). The decoration consists of fern leaf, pine branches, daidai orange and a red lobster, all symbols for a long life: the pine always remains green, the curved lobster refers to the curved back of old people and means 'daaidai' from generation to generation. With three poems, one by Segawa Kikunojô V: How nice it is to be born i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-actors-at-new-years-decoration-utagawa-kuniyasu-1830-a-young-man-in-formal-gestation-and-folded-range-child-actor-ichikawa-ebiz-vi-1823-54-looks-at-a-woman-with-new-years-decoration-in-her-hand-actor-segawa-kikonoj-v-1802-32-in-an-unknown-womens-role-the-decoration-consists-of-fern-leaf-pine-branches-daidai-orange-and-a-red-lobster-all-symbols-for-a-long-life-the-pine-always-remains-green-the-curved-lobster-refers-to-the-curved-back-of-old-people-and-means-daaidai-from-generation-to-generation-with-three-poems-one-by-segawa-kikunoj-v-how-nice-it-is-to-be-born-i-image593830352.htmlRM2WE38JT–Two actors at New Year's Decoration, Utagawa Kuniyasu, 1830 A young man in formal gestation and folded range (child actor Ichikawa Ebizô VI (1823-54)), looks at a woman with New Year's Decoration in her hand (actor Segawa Kikonojô V (1802-32) in an unknown women's role). The decoration consists of fern leaf, pine branches, daidai orange and a red lobster, all symbols for a long life: the pine always remains green, the curved lobster refers to the curved back of old people and means 'daaidai' from generation to generation. With three poems, one by Segawa Kikunojô V: How nice it is to be born i
Women workers wearing aprons and headscarves operate machinery in a munitions plant during World War I. Their work was crucial in supplying ammunition to support the war effort. This photograph, numbered 8904, was taken by an unknown photographer on May 1, 1918. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/women-workers-wearing-aprons-and-headscarves-operate-machinery-in-a-munitions-plant-during-world-war-i-their-work-was-crucial-in-supplying-ammunition-to-support-the-war-effort-this-photograph-numbered-8904-was-taken-by-an-unknown-photographer-on-may-1-1918-image558082592.htmlRM2RBXT14–Women workers wearing aprons and headscarves operate machinery in a munitions plant during World War I. Their work was crucial in supplying ammunition to support the war effort. This photograph, numbered 8904, was taken by an unknown photographer on May 1, 1918.
:Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-two-unknown-actors-playing-the-part-of-victorian-women-at-the-yearly-126881846.htmlRFHABY2E–:Two unknown actors playing the part of victorian women at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
The priest Henjô who fell; Henjô: Ochiniki to; The six classic poets; Rokkas. Cord dancer with umbrella and range in the hands, balancing. The woman is probably the actor Segawa Kikunojô v (1802-32) in an unknown women role. With two poems Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-priest-henj-who-fell-henj-ochiniki-to-the-six-classic-poets-rokkas-cord-dancer-with-umbrella-and-range-in-the-hands-balancing-the-woman-is-probably-the-actor-segawa-kikunoj-v-1802-32-in-an-unknown-women-role-with-two-poems-image430888168.htmlRM2G10J74–The priest Henjô who fell; Henjô: Ochiniki to; The six classic poets; Rokkas. Cord dancer with umbrella and range in the hands, balancing. The woman is probably the actor Segawa Kikunojô v (1802-32) in an unknown women role. With two poems
'Theatre Municipal De La Gaite - Mme. Rejane, role de la Montansier. - La Montansier', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theatre-municipal-de-la-gaite-mme-rejane-role-de-la-montansier-la-montansier-1904-creator-unknown-image236055421.htmlRMRM172N–'Theatre Municipal De La Gaite - Mme. Rejane, role de la Montansier. - La Montansier', 1904. Creator: Unknown.
:Unknown actors playing the parts of victorians at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-actors-playing-the-parts-of-victorians-at-the-yearly-christmas-126881654.htmlRFHABXRJ–:Unknown actors playing the parts of victorians at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
'Theatre National De L'Odeon. - Mlle. Berthe Bady - Role de Paula. La Seconde Madame Tanqueray', 190 Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theatre-national-de-lodeon-mlle-berthe-bady-role-de-paula-la-seconde-madame-tanqueray-190-creator-unknown-image236055407.htmlRMRM1727–'Theatre National De L'Odeon. - Mlle. Berthe Bady - Role de Paula. La Seconde Madame Tanqueray', 190 Creator: Unknown.
:Unknown actors playing the parts of victorians at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-actors-playing-the-parts-of-victorians-at-the-yearly-christmas-126881648.htmlRFHABXRC–:Unknown actors playing the parts of victorians at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
'Comedie-Francaise. Mlle. Marie Leconte. Role de Lisette. - Le Jeu De L'Amour Et Du Hasard', 1904. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/comedie-francaise-mlle-marie-leconte-role-de-lisette-le-jeu-de-lamour-et-du-hasard-1904-creator-unknown-image236055410.htmlRMRM172A–'Comedie-Francaise. Mlle. Marie Leconte. Role de Lisette. - Le Jeu De L'Amour Et Du Hasard', 1904. Creator: Unknown.
'Les Soubresauts de la Russie; L'etat-major du bataillon feminin: au centre, Mme Botchkareva, la poitrine couverte de decorations; ses adjointes, diplomees d'Ecoles superieures, ont touts eté decorees pour faits de guerre anterieurs', 1917. Upheavals in Russia: 'the staff of the women's battalion: in the centre, Mme Botchkareva, her chest covered with decorations; her assistants, graduates of higher schools, have all been decorated for previous acts of war'. (Maria Bochkareva formed the 1st Russian Women's Battalion of Death, and was the first Russian woman to command a military unit). Fr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-soubresauts-de-la-russie-letat-major-du-bataillon-feminin-au-centre-mme-botchkareva-la-poitrine-couverte-de-decorations-ses-adjointes-diplomees-decoles-superieures-ont-touts-etxe9-decorees-pour-faits-de-guerre-anterieurs-1917-upheavals-in-russia-the-staff-of-the-womens-battalion-in-the-centre-mme-botchkareva-her-chest-covered-with-decorations-her-assistants-graduates-of-higher-schools-have-all-been-decorated-for-previous-acts-of-war-maria-bochkareva-formed-the-1st-russian-womens-battalion-of-death-and-was-the-first-russian-woman-to-command-a-military-unit-fr-image565275454.htmlRM2RRJEH2–'Les Soubresauts de la Russie; L'etat-major du bataillon feminin: au centre, Mme Botchkareva, la poitrine couverte de decorations; ses adjointes, diplomees d'Ecoles superieures, ont touts eté decorees pour faits de guerre anterieurs', 1917. Upheavals in Russia: 'the staff of the women's battalion: in the centre, Mme Botchkareva, her chest covered with decorations; her assistants, graduates of higher schools, have all been decorated for previous acts of war'. (Maria Bochkareva formed the 1st Russian Women's Battalion of Death, and was the first Russian woman to command a military unit). Fr
:Unknown actors playing the parts of victorians at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-actors-playing-the-parts-of-victorians-at-the-yearly-christmas-126881650.htmlRFHABXRE–:Unknown actors playing the parts of victorians at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
!['Les Soubresauts de la Russie; Un bataillon feminin, cree et commandé par Mme Botchkareva qui a deja fait ses preuves sur la champ de bataille, est passé en revue par le general Polovtzef, commandant la place de Petrograd', 1917. Upheavals in Russia: a women's battalion, created and commanded by Mrs. Botchkareva who has already proven herself on the battlefield, is reviewed by General Polovtzef, commanding Petrograd square [?]. (Maria Bochkareva formed the 1st Russian Women's Battalion of Death, and was the first Russian woman to command a military unit). From "L'Album de la Gue Stock Photo](https://c8.alamy.com/comp/2RRJEK6/les-soubresauts-de-la-russie-un-bataillon-feminin-cree-et-commandxe9-par-mme-botchkareva-qui-a-deja-fait-ses-preuves-sur-la-champ-de-bataille-est-passxe9-en-revue-par-le-general-polovtzef-commandant-la-place-de-petrograd-1917-upheavals-in-russia-a-womens-battalion-created-and-commanded-by-mrs-botchkareva-who-has-already-proven-herself-on-the-battlefield-is-reviewed-by-general-polovtzef-commanding-petrograd-square-maria-bochkareva-formed-the-1st-russian-womens-battalion-of-death-and-was-the-first-russian-woman-to-command-a-military-unit-from-quotlalbum-de-la-gue-2RRJEK6.jpg "'Les Soubresauts de la Russie; Un bataillon feminin, cree et commandé par Mme Botchkareva qui a deja fait ses preuves sur la champ de bataille, est passé en revue par le general Polovtzef, commandant la place de Petrograd', 1917. Upheavals in Russia: a women's battalion, created and commanded by Mrs. Botchkareva who has already proven herself on the battlefield, is reviewed by General Polovtzef, commanding Petrograd square [?]. (Maria Bochkareva formed the 1st Russian Women's Battalion of Death, and was the first Russian woman to command a military unit). From "L'Album de la Gue Stock Photo")
'Les Soubresauts de la Russie; Un bataillon feminin, cree et commandé par Mme Botchkareva qui a deja fait ses preuves sur la champ de bataille, est passé en revue par le general Polovtzef, commandant la place de Petrograd', 1917. Upheavals in Russia: a women's battalion, created and commanded by Mrs. Botchkareva who has already proven herself on the battlefield, is reviewed by General Polovtzef, commanding Petrograd square [?]. (Maria Bochkareva formed the 1st Russian Women's Battalion of Death, and was the first Russian woman to command a military unit). From "L'Album de la Gue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-soubresauts-de-la-russie-un-bataillon-feminin-cree-et-commandxe9-par-mme-botchkareva-qui-a-deja-fait-ses-preuves-sur-la-champ-de-bataille-est-passxe9-en-revue-par-le-general-polovtzef-commandant-la-place-de-petrograd-1917-upheavals-in-russia-a-womens-battalion-created-and-commanded-by-mrs-botchkareva-who-has-already-proven-herself-on-the-battlefield-is-reviewed-by-general-polovtzef-commanding-petrograd-square-maria-bochkareva-formed-the-1st-russian-womens-battalion-of-death-and-was-the-first-russian-woman-to-command-a-military-unit-from-quotlalbum-de-la-gue-image565275514.htmlRM2RRJEK6–'Les Soubresauts de la Russie; Un bataillon feminin, cree et commandé par Mme Botchkareva qui a deja fait ses preuves sur la champ de bataille, est passé en revue par le general Polovtzef, commandant la place de Petrograd', 1917. Upheavals in Russia: a women's battalion, created and commanded by Mrs. Botchkareva who has already proven herself on the battlefield, is reviewed by General Polovtzef, commanding Petrograd square [?]. (Maria Bochkareva formed the 1st Russian Women's Battalion of Death, and was the first Russian woman to command a military unit). From "L'Album de la Gue
:Unknown actors playing the part of victorian soldiers at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-actors-playing-the-part-of-victorian-soldiers-at-the-yearly-126881666.htmlRFHABXT2–:Unknown actors playing the part of victorian soldiers at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
!['Carrickfergus Castle', 1898. Carrickfergus Castle, a Norman castle in Northern Ireland on the shore of Belfast Lough at the irish sea it played an important military role until 1928 and remains one of the best preserved medieval structures in Northern Ireland. From "Our Own Country, Volume V". [Cassell and Company, Limited, London, Paris & Melbourne, 1898] Stock Photo](https://c8.alamy.com/comp/2A41X19/carrickfergus-castle-1898-carrickfergus-castle-a-norman-castle-in-northern-ireland-on-the-shore-of-belfast-lough-at-the-irish-sea-it-played-an-important-military-role-until-1928-and-remains-one-of-the-best-preserved-medieval-structures-in-northern-ireland-from-quotour-own-country-volume-vquot-cassell-and-company-limited-london-paris-amp-melbourne-1898-2A41X19.jpg "'Carrickfergus Castle', 1898. Carrickfergus Castle, a Norman castle in Northern Ireland on the shore of Belfast Lough at the irish sea it played an important military role until 1928 and remains one of the best preserved medieval structures in Northern Ireland. From "Our Own Country, Volume V". [Cassell and Company, Limited, London, Paris & Melbourne, 1898] Stock Photo")
'Carrickfergus Castle', 1898. Carrickfergus Castle, a Norman castle in Northern Ireland on the shore of Belfast Lough at the irish sea it played an important military role until 1928 and remains one of the best preserved medieval structures in Northern Ireland. From "Our Own Country, Volume V". [Cassell and Company, Limited, London, Paris & Melbourne, 1898] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carrickfergus-castle-1898-carrickfergus-castle-a-norman-castle-in-northern-ireland-on-the-shore-of-belfast-lough-at-the-irish-sea-it-played-an-important-military-role-until-1928-and-remains-one-of-the-best-preserved-medieval-structures-in-northern-ireland-from-quotour-own-country-volume-vquot-cassell-and-company-limited-london-paris-amp-melbourne-1898-image329497989.htmlRM2A41X19–'Carrickfergus Castle', 1898. Carrickfergus Castle, a Norman castle in Northern Ireland on the shore of Belfast Lough at the irish sea it played an important military role until 1928 and remains one of the best preserved medieval structures in Northern Ireland. From "Our Own Country, Volume V". [Cassell and Company, Limited, London, Paris & Melbourne, 1898]
!['Adeline Genée, An Exquisite Ballet Toe-Dancer of the "Old School".', 1910. Danish-born British ballet dancer Adelina Genee (1878-1970) played an important role in the revival of British ballet in the Edwardian period.She appeared at the Empire Theatre, Leicester Square in London for ten years, and played the role of Giselle in 1906. From "The Strand Magazine, an illustrated monthly", Volume XL - July to December 1910. [George Newnes Ltd, London, 1910] Stock Photo](https://c8.alamy.com/comp/W6P7YG/adeline-genxe9e-an-exquisite-ballet-toe-dancer-of-the-quotold-schoolquot-1910-danish-born-british-ballet-dancer-adelina-genee-1878-1970-played-an-important-role-in-the-revival-of-british-ballet-in-the-edwardian-periodshe-appeared-at-the-empire-theatre-leicester-square-in-london-for-ten-years-and-played-the-role-of-giselle-in-1906-from-quotthe-strand-magazine-an-illustrated-monthlyquot-volume-xl-july-to-december-1910-george-newnes-ltd-london-1910-W6P7YG.jpg "'Adeline Genée, An Exquisite Ballet Toe-Dancer of the "Old School".', 1910. Danish-born British ballet dancer Adelina Genee (1878-1970) played an important role in the revival of British ballet in the Edwardian period.She appeared at the Empire Theatre, Leicester Square in London for ten years, and played the role of Giselle in 1906. From "The Strand Magazine, an illustrated monthly", Volume XL - July to December 1910. [George Newnes Ltd, London, 1910] Stock Photo")
'Adeline Genée, An Exquisite Ballet Toe-Dancer of the "Old School".', 1910. Danish-born British ballet dancer Adelina Genee (1878-1970) played an important role in the revival of British ballet in the Edwardian period.She appeared at the Empire Theatre, Leicester Square in London for ten years, and played the role of Giselle in 1906. From "The Strand Magazine, an illustrated monthly", Volume XL - July to December 1910. [George Newnes Ltd, London, 1910] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adeline-genxe9e-an-exquisite-ballet-toe-dancer-of-the-quotold-schoolquot-1910-danish-born-british-ballet-dancer-adelina-genee-1878-1970-played-an-important-role-in-the-revival-of-british-ballet-in-the-edwardian-periodshe-appeared-at-the-empire-theatre-leicester-square-in-london-for-ten-years-and-played-the-role-of-giselle-in-1906-from-quotthe-strand-magazine-an-illustrated-monthlyquot-volume-xl-july-to-december-1910-george-newnes-ltd-london-1910-image262332660.htmlRMW6P7YG–'Adeline Genée, An Exquisite Ballet Toe-Dancer of the "Old School".', 1910. Danish-born British ballet dancer Adelina Genee (1878-1970) played an important role in the revival of British ballet in the Edwardian period.She appeared at the Empire Theatre, Leicester Square in London for ten years, and played the role of Giselle in 1906. From "The Strand Magazine, an illustrated monthly", Volume XL - July to December 1910. [George Newnes Ltd, London, 1910]
![The Ex-Queen of Oude (Lucknow), 1857. Begum Hazrat Mahal was the second wife of Nawab of Awadh Wajid Ali Shah, and the regent of Awadh. She is known for the leading role she played in the rebellion against the British East India Company during the Indian Rebellion of 1857. '...the nails and palms of the hands, are stained with the rouge-coloured henna; while the black of the eyelids is also heightened artificially, and the stray hairs of the eyebrow are carefully subjected to the depilatory instrument, and the hair is smoothed and perfumed with jessamine oil...'. From "Illustrated London Stock Photo](https://c8.alamy.com/comp/2R8Y38Y/the-ex-queen-of-oude-lucknow-1857-begum-hazrat-mahal-was-the-second-wife-of-nawab-of-awadh-wajid-ali-shah-and-the-regent-of-awadh-she-is-known-for-the-leading-role-she-played-in-the-rebellion-against-the-british-east-india-company-during-the-indian-rebellion-of-1857-the-nails-and-palms-of-the-hands-are-stained-with-the-rouge-coloured-henna-while-the-black-of-the-eyelids-is-also-heightened-artificially-and-the-stray-hairs-of-the-eyebrow-are-carefully-subjected-to-the-depilatory-instrument-and-the-hair-is-smoothed-and-perfumed-with-jessamine-oil-from-quotillustrated-london-2R8Y38Y.jpg "The Ex-Queen of Oude (Lucknow), 1857. Begum Hazrat Mahal was the second wife of Nawab of Awadh Wajid Ali Shah, and the regent of Awadh. She is known for the leading role she played in the rebellion against the British East India Company during the Indian Rebellion of 1857. '...the nails and palms of the hands, are stained with the rouge-coloured henna; while the black of the eyelids is also heightened artificially, and the stray hairs of the eyebrow are carefully subjected to the depilatory instrument, and the hair is smoothed and perfumed with jessamine oil...'. From "Illustrated London Stock Photo")
The Ex-Queen of Oude (Lucknow), 1857. Begum Hazrat Mahal was the second wife of Nawab of Awadh Wajid Ali Shah, and the regent of Awadh. She is known for the leading role she played in the rebellion against the British East India Company during the Indian Rebellion of 1857. '...the nails and palms of the hands, are stained with the rouge-coloured henna; while the black of the eyelids is also heightened artificially, and the stray hairs of the eyebrow are carefully subjected to the depilatory instrument, and the hair is smoothed and perfumed with jessamine oil...'. From "Illustrated London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ex-queen-of-oude-lucknow-1857-begum-hazrat-mahal-was-the-second-wife-of-nawab-of-awadh-wajid-ali-shah-and-the-regent-of-awadh-she-is-known-for-the-leading-role-she-played-in-the-rebellion-against-the-british-east-india-company-during-the-indian-rebellion-of-1857-the-nails-and-palms-of-the-hands-are-stained-with-the-rouge-coloured-henna-while-the-black-of-the-eyelids-is-also-heightened-artificially-and-the-stray-hairs-of-the-eyebrow-are-carefully-subjected-to-the-depilatory-instrument-and-the-hair-is-smoothed-and-perfumed-with-jessamine-oil-from-quotillustrated-london-image556244331.htmlRM2R8Y38Y–The Ex-Queen of Oude (Lucknow), 1857. Begum Hazrat Mahal was the second wife of Nawab of Awadh Wajid Ali Shah, and the regent of Awadh. She is known for the leading role she played in the rebellion against the British East India Company during the Indian Rebellion of 1857. '...the nails and palms of the hands, are stained with the rouge-coloured henna; while the black of the eyelids is also heightened artificially, and the stray hairs of the eyebrow are carefully subjected to the depilatory instrument, and the hair is smoothed and perfumed with jessamine oil...'. From "Illustrated London
:Unknown actors playing the part of victorian soldiers at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-unknown-actors-playing-the-part-of-victorian-soldiers-at-the-yearly-126881661.htmlRFHABXRW–:Unknown actors playing the part of victorian soldiers at the yearly Christmas victorian festival in portsmouth dockyard,england,26th november 2016
!["Rosalind and Celia" ("As You Like It", by Miss Edwards in the Exhibition of the Society of British Artists, 1862. Engraving of a painting '...by a lady previously unknown to fame...Poor Rosalind! So fair and feminine...she should never have assumed the male attire...she makes...a very a sorry page. Her sprightly, witty companion may well banter her upon her effeminacy...The pretty runaways should, at all events, change their costumes...We think that the almost querulous plaints of the tenderhearted lovelorn maiden, her yearning for some casual word of comfort from her kind Stock Photo](https://c8.alamy.com/comp/2WG0J1F/quotrosalind-and-celiaquot-quotas-you-like-itquot-by-miss-edwards-in-the-exhibition-of-the-society-of-british-artists-1862-engraving-of-a-painting-by-a-lady-previously-unknown-to-famepoor-rosalind!-so-fair-and-feminineshe-should-never-have-assumed-the-male-attireshe-makesa-very-a-sorry-page-her-sprightly-witty-companion-may-well-banter-her-upon-her-effeminacythe-pretty-runaways-should-at-all-events-change-their-costumeswe-think-that-the-almost-querulous-plaints-of-the-tenderhearted-lovelorn-maiden-her-yearning-for-some-casual-word-of-comfort-from-her-kind-2WG0J1F.jpg ""Rosalind and Celia" ("As You Like It", by Miss Edwards in the Exhibition of the Society of British Artists, 1862. Engraving of a painting '...by a lady previously unknown to fame...Poor Rosalind! So fair and feminine...she should never have assumed the male attire...she makes...a very a sorry page. Her sprightly, witty companion may well banter her upon her effeminacy...The pretty runaways should, at all events, change their costumes...We think that the almost querulous plaints of the tenderhearted lovelorn maiden, her yearning for some casual word of comfort from her kind Stock Photo")
"Rosalind and Celia" ("As You Like It", by Miss Edwards in the Exhibition of the Society of British Artists, 1862. Engraving of a painting '...by a lady previously unknown to fame...Poor Rosalind! So fair and feminine...she should never have assumed the male attire...she makes...a very a sorry page. Her sprightly, witty companion may well banter her upon her effeminacy...The pretty runaways should, at all events, change their costumes...We think that the almost querulous plaints of the tenderhearted lovelorn maiden, her yearning for some casual word of comfort from her kind Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotrosalind-and-celiaquot-quotas-you-like-itquot-by-miss-edwards-in-the-exhibition-of-the-society-of-british-artists-1862-engraving-of-a-painting-by-a-lady-previously-unknown-to-famepoor-rosalind!-so-fair-and-feminineshe-should-never-have-assumed-the-male-attireshe-makesa-very-a-sorry-page-her-sprightly-witty-companion-may-well-banter-her-upon-her-effeminacythe-pretty-runaways-should-at-all-events-change-their-costumeswe-think-that-the-almost-querulous-plaints-of-the-tenderhearted-lovelorn-maiden-her-yearning-for-some-casual-word-of-comfort-from-her-kind-image595001163.htmlRM2WG0J1F–"Rosalind and Celia" ("As You Like It", by Miss Edwards in the Exhibition of the Society of British Artists, 1862. Engraving of a painting '...by a lady previously unknown to fame...Poor Rosalind! So fair and feminine...she should never have assumed the male attire...she makes...a very a sorry page. Her sprightly, witty companion may well banter her upon her effeminacy...The pretty runaways should, at all events, change their costumes...We think that the almost querulous plaints of the tenderhearted lovelorn maiden, her yearning for some casual word of comfort from her kind
