Urdu manuscript Stock Photos and Images
Antique Indian Miniature Paintings in Mughal Style. Illuminated Urdu Manuscripts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-indian-miniature-paintings-in-mughal-style-illuminated-urdu-manuscripts-image450788581.htmlRF2H5B5C5–Antique Indian Miniature Paintings in Mughal Style. Illuminated Urdu Manuscripts.
. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (wearing a white turban, under text panel) surveys Hell in search of his brothers. Painting with gold detailing. Scene from 'The Mahabharata'. The text in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 132'. The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-paint-on-wood-38-x-275-cm-collection-horniman-museum-and-gardens-raja-yudhishtira-wearing-a-white-turban-under-text-panel-surveys-hell-in-search-of-his-brothers-painting-with-gold-detailing-scene-from-the-mahabharata-the-text-in-late-19th-century-urdu-written-in-a-cursive-nastaliq-e-khafi-hand-refers-to-the-painting-as-plate-number-132-the-painting-also-dates-from-the-late-19th-century-probably-from-the-art-schools-of-jaipur-india-and-adapts-a-composition-from-the-dispersed-late-16th-century-jaipur-razmnamah-manuscript-in-the-jaipur-royal-collection-maharaj-image188837719.htmlRMMY68C7–. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (wearing a white turban, under text panel) surveys Hell in search of his brothers. Painting with gold detailing. Scene from 'The Mahabharata'. The text in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 132'. The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaj
Old page from ancient manuscript on urdu with no sense Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-page-from-ancient-manuscript-on-urdu-with-no-sense-image217984604.htmlRFPJJ1GC–Old page from ancient manuscript on urdu with no sense
Antique Indian Miniature Paintings in Mughal Style. Pair of Illuminated Urdu Manuscripts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-indian-miniature-paintings-in-mughal-style-pair-of-illuminated-urdu-manuscripts-image451277911.htmlRF2H65DG7–Antique Indian Miniature Paintings in Mughal Style. Pair of Illuminated Urdu Manuscripts.
Krishna and Devotees before a Palace, Page from an Unidentified Hindu Manuscript, Indian, Opaque watercolor and gold on paper, Deccan, India, 19th century, sheet: 12 7/8 x 8 3/8 in., 32.7 x 21.3 cm, Balarama, Birds, deities, Gold, Hindu, illustration, Indian, Krishna, Manuscript, mixed media, Nanda, Palace, Paper, Swords, Urdu, Watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/krishna-and-devotees-before-a-palace-page-from-an-unidentified-hindu-manuscript-indian-opaque-watercolor-and-gold-on-paper-deccan-india-19th-century-sheet-12-78-x-8-38-in-327-x-213-cm-balarama-birds-deities-gold-hindu-illustration-indian-krishna-manuscript-mixed-media-nanda-palace-paper-swords-urdu-watercolor-image454280778.htmlRM2HB27NE–Krishna and Devotees before a Palace, Page from an Unidentified Hindu Manuscript, Indian, Opaque watercolor and gold on paper, Deccan, India, 19th century, sheet: 12 7/8 x 8 3/8 in., 32.7 x 21.3 cm, Balarama, Birds, deities, Gold, Hindu, illustration, Indian, Krishna, Manuscript, mixed media, Nanda, Palace, Paper, Swords, Urdu, Watercolor
Inspired by Krishna and Devotees before a Palace, Page from an Unidentified Hindu Manuscript, Indian, Opaque watercolor and gold on paper, Deccan, India, 19th century, sheet: 12 7/8 x 8 3/8 in., 32.7 x 21.3 cm, Balarama, Birds, deities, Gold, Hindu, illustration, Indian, Krishna, Manuscript, mixed, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-krishna-and-devotees-before-a-palace-page-from-an-unidentified-hindu-manuscript-indian-opaque-watercolor-and-gold-on-paper-deccan-india-19th-century-sheet-12-78-x-8-38-in-327-x-213-cm-balarama-birds-deities-gold-hindu-illustration-indian-krishna-manuscript-mixed-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459261299.htmlRF2HK54D7–Inspired by Krishna and Devotees before a Palace, Page from an Unidentified Hindu Manuscript, Indian, Opaque watercolor and gold on paper, Deccan, India, 19th century, sheet: 12 7/8 x 8 3/8 in., 32.7 x 21.3 cm, Balarama, Birds, deities, Gold, Hindu, illustration, Indian, Krishna, Manuscript, mixed, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A view of Amritsar, inscribed on face in Urdu as 'naqsha Ambratsar'. Leaf from an unidentified manuscript, ca.1875. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-amritsar-inscribed-on-face-in-urdu-as-naqsha-ambratsar-leaf-from-an-unidentified-manuscript-ca1875-image592955571.htmlRM2WCKCTK–A view of Amritsar, inscribed on face in Urdu as 'naqsha Ambratsar'. Leaf from an unidentified manuscript, ca.1875.
Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710, Mulla Nusrati, 15 1/4 x 8 7/8 in. (38.74 x 22.54 cm) (sheet), Opaque watercolors and gold on paper, India, 18th century, The Gulshan-i-Ishq is a romance written in Deccani Urdu by the Bijapur court poet Mian Nusrati for Sultan Ali Adil Shah II in 1657. The work, incorporating words in Persian, Arabic, and Marathi, recounts the love story of a Hindu prince, Manohara, and embodies themes typical of the Indian romantic tradition. The remarkable diversity of language and culture apparent in the book Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raja-bikram-collecting-the-clothes-of-the-bathing-fairies-c-1710-mulla-nusrati-15-14-x-8-78-in-3874-x-2254-cm-sheet-opaque-watercolors-and-gold-on-paper-india-18th-century-the-gulshan-i-ishq-is-a-romance-written-in-deccani-urdu-by-the-bijapur-court-poet-mian-nusrati-for-sultan-ali-adil-shah-ii-in-1657-the-work-incorporating-words-in-persian-arabic-and-marathi-recounts-the-love-story-of-a-hindu-prince-manohara-and-embodies-themes-typical-of-the-indian-romantic-tradition-the-remarkable-diversity-of-language-and-culture-apparent-in-the-book-image573506569.htmlRM2T91DDD–Raja Bikram Collecting the Clothes of the Bathing Fairies, c. 1710, Mulla Nusrati, 15 1/4 x 8 7/8 in. (38.74 x 22.54 cm) (sheet), Opaque watercolors and gold on paper, India, 18th century, The Gulshan-i-Ishq is a romance written in Deccani Urdu by the Bijapur court poet Mian Nusrati for Sultan Ali Adil Shah II in 1657. The work, incorporating words in Persian, Arabic, and Marathi, recounts the love story of a Hindu prince, Manohara, and embodies themes typical of the Indian romantic tradition. The remarkable diversity of language and culture apparent in the book
Portrait of Jahangir Beg, Jansipar Khan, Folio from the Shah Jahan Album, verso: ca. 1627; recto: ca. 1530-50. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jahangir-beg-jansipar-khan-folio-from-the-shah-jahan-album-verso-ca-1627-recto-ca-1530-50-image365765273.htmlRM2C7219D–Portrait of Jahangir Beg, Jansipar Khan, Folio from the Shah Jahan Album, verso: ca. 1627; recto: ca. 1530-50.
Image taken from page 57 of 'Nerikes gamla minnen, sådana de ännu qvarlefva i fornlemningar, fornfynd, aflefvor af medeltidens kyrkliga konst, folklif, sänger, sägner, folkspråk, etc' Image taken from page 57 of 'Nerikes gamla minnen, sådana Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-57-of-nerikes-gamla-minnen-sadana-de-annu-qvarlefva-127718642.htmlRMHBP2C2–Image taken from page 57 of 'Nerikes gamla minnen, sådana de ännu qvarlefva i fornlemningar, fornfynd, aflefvor af medeltidens kyrkliga konst, folklif, sänger, sägner, folkspråk, etc' Image taken from page 57 of 'Nerikes gamla minnen, sådana
. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (dressed in white, right egde) surveys Hell in search of his son. Scene from 'The Mahabharata'. The text is in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 133.' The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaja Sawai Man Singh II Museum, and British Lib Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-paint-on-wood-38-x-275-cm-collection-horniman-museum-and-gardens-raja-yudhishtira-dressed-in-white-right-egde-surveys-hell-in-search-of-his-son-scene-from-the-mahabharata-the-text-is-in-late-19th-century-urdu-written-in-a-cursive-nastaliq-e-khafi-hand-refers-to-the-painting-as-plate-number-133-the-painting-also-dates-from-the-late-19th-century-probably-from-the-art-schools-of-jaipur-india-and-adapts-a-composition-from-the-dispersed-late-16th-century-jaipur-razmnamah-manuscript-in-the-jaipur-royal-collection-maharaja-sawai-man-singh-ii-museum-and-british-lib-image188837715.htmlRMMY68C3–. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (dressed in white, right egde) surveys Hell in search of his son. Scene from 'The Mahabharata'. The text is in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 133.' The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaja Sawai Man Singh II Museum, and British Lib
Abstract urdu manuscript on ancient parchment without any sense, seamless pattern Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-urdu-manuscript-on-ancient-parchment-without-any-sense-seamless-pattern-image217984473.htmlRFPJJ1BN–Abstract urdu manuscript on ancient parchment without any sense, seamless pattern
Antique Indian Miniature Paintings in Mughal Style. Pair of Illuminated Urdu Manuscripts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-indian-miniature-paintings-in-mughal-style-pair-of-illuminated-urdu-manuscripts-image451277919.htmlRF2H65DGF–Antique Indian Miniature Paintings in Mughal Style. Pair of Illuminated Urdu Manuscripts.
Art inspired by Krishna and Devotees before a Palace, Page from an Unidentified Hindu Manuscript, Indian, Opaque watercolor and gold on paper, Deccan, India, 19th century, sheet: 12 7/8 x 8 3/8 in., 32.7 x 21.3 cm, Balarama, Birds, deities, Gold, Hindu, illustration, Indian, Krishna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-krishna-and-devotees-before-a-palace-page-from-an-unidentified-hindu-manuscript-indian-opaque-watercolor-and-gold-on-paper-deccan-india-19th-century-sheet-12-78-x-8-38-in-327-x-213-cm-balarama-birds-deities-gold-hindu-illustration-indian-krishna-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459571963.htmlRF2HKK8MB–Art inspired by Krishna and Devotees before a Palace, Page from an Unidentified Hindu Manuscript, Indian, Opaque watercolor and gold on paper, Deccan, India, 19th century, sheet: 12 7/8 x 8 3/8 in., 32.7 x 21.3 cm, Balarama, Birds, deities, Gold, Hindu, illustration, Indian, Krishna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (wearing a white turban, under text panel) surveys Hell in search of his brothers. Painting with gold detailing. Scene from 'The Mahabharata'. The text in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 132'. The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-paint-on-wood-38-x-275-cm-collection-horniman-museum-and-gardens-raja-yudhishtira-wearing-a-white-turban-under-text-panel-surveys-hell-in-search-of-his-brothers-painting-with-gold-detailing-scene-from-the-mahabharata-the-text-in-late-19th-century-urdu-written-in-a-cursive-nastaliq-e-khafi-hand-refers-to-the-painting-as-plate-number-132-the-painting-also-dates-from-the-late-19th-century-probably-from-the-art-schools-of-jaipur-india-and-adapts-a-composition-from-the-dispersed-late-16th-century-jaipur-razmnamah-manuscript-in-the-jaipur-royal-collection-maharaj-image187570094.htmlRMMW4FFX–. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (wearing a white turban, under text panel) surveys Hell in search of his brothers. Painting with gold detailing. Scene from 'The Mahabharata'. The text in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 132'. The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaj
Old textured papyrus scroll with urdu text without any sense on white Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-textured-papyrus-scroll-with-urdu-text-without-any-sense-on-white-image217984610.htmlRFPJJ1GJ–Old textured papyrus scroll with urdu text without any sense on white
Antique Indian Miniature Paintings in Mughal Style. Pair of Illuminated Urdu Manuscripts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-indian-miniature-paintings-in-mughal-style-pair-of-illuminated-urdu-manuscripts-image451277917.htmlRF2H65DGD–Antique Indian Miniature Paintings in Mughal Style. Pair of Illuminated Urdu Manuscripts.
Antique Indian Miniature Paintings in Mughal Style. Illuminated Urdu Manuscripts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-indian-miniature-paintings-in-mughal-style-illuminated-urdu-manuscripts-image450788723.htmlRF2H5B5H7–Antique Indian Miniature Paintings in Mughal Style. Illuminated Urdu Manuscripts.
. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (wearing a white turban, under text panel) surveys Hell in search of his brothers. Painting with gold detailing. Scene from 'The Mahabharata'. The text in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 132'. The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-paint-on-wood-38-x-275-cm-collection-horniman-museum-and-gardens-raja-yudhishtira-wearing-a-white-turban-under-text-panel-surveys-hell-in-search-of-his-brothers-painting-with-gold-detailing-scene-from-the-mahabharata-the-text-in-late-19th-century-urdu-written-in-a-cursive-nastaliq-e-khafi-hand-refers-to-the-painting-as-plate-number-132-the-painting-also-dates-from-the-late-19th-century-probably-from-the-art-schools-of-jaipur-india-and-adapts-a-composition-from-the-dispersed-late-16th-century-jaipur-razmnamah-manuscript-in-the-jaipur-royal-collection-maharaj-image188108686.htmlRMMX12FA–. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (wearing a white turban, under text panel) surveys Hell in search of his brothers. Painting with gold detailing. Scene from 'The Mahabharata'. The text in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 132'. The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaj
Old textured wide papyrus scroll with ancient urdu text without any sense on white Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-textured-wide-papyrus-scroll-with-ancient-urdu-text-without-any-sense-on-white-image217984618.htmlRFPJJ1GX–Old textured wide papyrus scroll with ancient urdu text without any sense on white
. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (dressed in white, right egde) surveys Hell in search of his son. Scene from 'The Mahabharata'. The text is in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 133.' The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaja Sawai Man Singh II Museum, and British Lib Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-paint-on-wood-38-x-275-cm-collection-horniman-museum-and-gardens-raja-yudhishtira-dressed-in-white-right-egde-surveys-hell-in-search-of-his-son-scene-from-the-mahabharata-the-text-is-in-late-19th-century-urdu-written-in-a-cursive-nastaliq-e-khafi-hand-refers-to-the-painting-as-plate-number-133-the-painting-also-dates-from-the-late-19th-century-probably-from-the-art-schools-of-jaipur-india-and-adapts-a-composition-from-the-dispersed-late-16th-century-jaipur-razmnamah-manuscript-in-the-jaipur-royal-collection-maharaja-sawai-man-singh-ii-museum-and-british-lib-image188108673.htmlRMMX12EW–. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (dressed in white, right egde) surveys Hell in search of his son. Scene from 'The Mahabharata'. The text is in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 133.' The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaja Sawai Man Singh II Museum, and British Lib
. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (dressed in white, right egde) surveys Hell in search of his son. Scene from 'The Mahabharata'. The text is in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 133.' The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaja Sawai Man Singh II Museum, and British Lib Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-paint-on-wood-38-x-275-cm-collection-horniman-museum-and-gardens-raja-yudhishtira-dressed-in-white-right-egde-surveys-hell-in-search-of-his-son-scene-from-the-mahabharata-the-text-is-in-late-19th-century-urdu-written-in-a-cursive-nastaliq-e-khafi-hand-refers-to-the-painting-as-plate-number-133-the-painting-also-dates-from-the-late-19th-century-probably-from-the-art-schools-of-jaipur-india-and-adapts-a-composition-from-the-dispersed-late-16th-century-jaipur-razmnamah-manuscript-in-the-jaipur-royal-collection-maharaja-sawai-man-singh-ii-museum-and-british-lib-image187570089.htmlRMMW4FFN–. English: Paint on wood, 38 x 27.5 cm Collection: Horniman Museum and Gardens Raja Yudhishtira (dressed in white, right egde) surveys Hell in search of his son. Scene from 'The Mahabharata'. The text is in late 19th-century Urdu, written in a cursive nasta'liq-e khafi hand, refers to the painting as 'Plate number 133.' The painting also dates from the late 19th century, probably from the art schools of Jaipur, India, and adapts a composition from the dispersed late 16th-century 'Jaipur' Razmnamah manuscript (in the Jaipur royal collection, Maharaja Sawai Man Singh II Museum, and British Lib
