Eind van Den Hout, Gemeente Oosterhout, Netherlands, North Brabant, N 51 39' 33'', E 4 47' 25'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eind-van-den-hout-gemeente-oosterhout-netherlands-north-brabant-n-51-39-33-e-4-47-25-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image445797189.html
RM2GW7PT5–Eind van Den Hout, Gemeente Oosterhout, Netherlands, North Brabant, N 51 39' 33'', E 4 47' 25'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
Bust of Jan van Hout in an oval. The portrait rests on a plinth on which his name and information are in three lines in Dutch. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-jan-van-hout-in-an-oval-the-portrait-rests-on-a-plinth-on-which-his-name-and-information-are-in-three-lines-in-dutch-image488035321.html
RF2K9YX0W–Bust of Jan van Hout in an oval. The portrait rests on a plinth on which his name and information are in three lines in Dutch.
painting, Pieter Dubordieu, 1640, Signature front, left, above the shoulder: D.f. , front, top right: Aetat.70, canvas, oil paint, painted, General (dimensions according to catalog 1983): 60 × 51.5cm (600 × 515mm), With frame: 72 × 63.7 × 4.2cm (720 × 637 × 42mm), man's portrait, mayor, Portrait of a man: Jan Jansz. Orlers. He is depicted as a bust, turned three-quarters to the right, against a dark background. He wears short hair and a full beard. He is dressed in a black robe with a round pleated white collar. Signed top left. The painting is in a black-painted wooden frame with a gilded Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-pieter-dubordieu-1640-signature-front-left-above-the-shoulder-df-front-top-right-aetat70-canvas-oil-paint-painted-general-dimensions-according-to-catalog-1983-60-515cm-600-515mm-with-frame-72-637-42cm-720-637-42mm-mans-portrait-mayor-portrait-of-a-man-jan-jansz-orlers-he-is-depicted-as-a-bust-turned-three-quarters-to-the-right-against-a-dark-background-he-wears-short-hair-and-a-full-beard-he-is-dressed-in-a-black-robe-with-a-round-pleated-white-collar-signed-top-left-the-painting-is-in-a-black-painted-wooden-frame-with-a-gilded-image386387364.html
RM2DCHD0M–painting, Pieter Dubordieu, 1640, Signature front, left, above the shoulder: D.f. , front, top right: Aetat.70, canvas, oil paint, painted, General (dimensions according to catalog 1983): 60 × 51.5cm (600 × 515mm), With frame: 72 × 63.7 × 4.2cm (720 × 637 × 42mm), man's portrait, mayor, Portrait of a man: Jan Jansz. Orlers. He is depicted as a bust, turned three-quarters to the right, against a dark background. He wears short hair and a full beard. He is dressed in a black robe with a round pleated white collar. Signed top left. The painting is in a black-painted wooden frame with a gilded
Four ornaments, Claes Jansz van der Hout, 1723 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-ornaments-claes-jansz-van-der-hout-1723-image418881626.html
RF2F9DKP2–Four ornaments, Claes Jansz van der Hout, 1723
. Oud-Nederlandsche steden in haar ontstaan, groei en ontwikkeling. n, gedicht met gekloofde deelen, smalle lichtinlaten gespaard waren,tegen de tocht gedicht met een stuk doek of blaas. Een zoodanig houten kerksken, meer bidkapel dan kerk, bij herhalingverbrand, vergroot en vernieuwd, verloor met de toename van meerderevaardigheid in den houtbouw wel is waar zijn primitieven vorm en kleineafmeting, doch het hout bleef nog eeuwenlang het daarvoor meestgebruikelijke materiaal, althans daar, waar men in de nabijheid van bos-schen wonende, het hout slechts voor het hakken had, geen steen ineigen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oud-nederlandsche-steden-in-haar-ontstaan-groei-en-ontwikkeling-n-gedicht-met-gekloofde-deelen-smalle-lichtinlaten-gespaard-warentegen-de-tocht-gedicht-met-een-stuk-doek-of-blaas-een-zoodanig-houten-kerksken-meer-bidkapel-dan-kerk-bij-herhalingverbrand-vergroot-en-vernieuwd-verloor-met-de-toename-van-meerderevaardigheid-in-den-houtbouw-wel-is-waar-zijn-primitieven-vorm-en-kleineafmeting-doch-het-hout-bleef-nog-eeuwenlang-het-daarvoor-meestgebruikelijke-materiaal-althans-daar-waar-men-in-de-nabijheid-van-bos-schen-wonende-het-hout-slechts-voor-het-hakken-had-geen-steen-ineigen-image370490191.html
RM2CEN80F–. Oud-Nederlandsche steden in haar ontstaan, groei en ontwikkeling. n, gedicht met gekloofde deelen, smalle lichtinlaten gespaard waren,tegen de tocht gedicht met een stuk doek of blaas. Een zoodanig houten kerksken, meer bidkapel dan kerk, bij herhalingverbrand, vergroot en vernieuwd, verloor met de toename van meerderevaardigheid in den houtbouw wel is waar zijn primitieven vorm en kleineafmeting, doch het hout bleef nog eeuwenlang het daarvoor meestgebruikelijke materiaal, althans daar, waar men in de nabijheid van bos-schen wonende, het hout slechts voor het hakken had, geen steen ineigen
Pedlar, Claes Jansz van der Hout, after S Savry, 1724 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pedlar-claes-jansz-van-der-hout-after-s-savry-1724-image418883397.html
RF2F9DP19–Pedlar, Claes Jansz van der Hout, after S Savry, 1724
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