Quick filters:
Various scribes Stock Photos and Images
. The early 15th century encyclopedia Fons memorabilium universi by Domenico Bandini of Arezzo. This is the first page (folio 1R) of the illuminated manuscript MS 238A held at Balliol College. . According to http://image.ox.ac.uk/manuscript-about?manuscript=ms238a the manuscript was created c. 1444-1448.. Domenico Bandini (text) and various scribes and illuminators. Fons memorabilium universi - folio 1r - Balliol College MS 238A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-early-15th-century-encyclopedia-fons-memorabilium-universi-by-domenico-bandini-of-arezzo-this-is-the-first-page-folio-1r-of-the-illuminated-manuscript-ms-238a-held-at-balliol-college-according-to-httpimageoxacukmanuscript-aboutmanuscript=ms238a-the-manuscript-was-created-c-1444-1448-domenico-bandini-text-and-various-scribes-and-illuminators-fons-memorabilium-universi-folio-1r-balliol-college-ms-238a-image184981520.htmlRMMMXHPT–. The early 15th century encyclopedia Fons memorabilium universi by Domenico Bandini of Arezzo. This is the first page (folio 1R) of the illuminated manuscript MS 238A held at Balliol College. . According to http://image.ox.ac.uk/manuscript-about?manuscript=ms238a the manuscript was created c. 1444-1448.. Domenico Bandini (text) and various scribes and illuminators. Fons memorabilium universi - folio 1r - Balliol College MS 238A
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471937.htmlRM2T8YW8H–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Fifth page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-6-verso-designer-pietro-paulo-tozzi-italian-active-1593-1628-dimensions-overall-5-78-x-7-78-in-15-x-20-cm-publisher-libraria-del-giesu-padua-date-october-1-1604-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-padua-fifth-page-of-five-of-different-inscriptions-for-people-of-various-titles-museum-metropolitan-museum-of-art-new-york-usa-image213146172.htmlRMPANJ38–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Fifth page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA.
Christ brought before Caiaphas Trahitvr ad Caipham Iesvs negat Itervm Petrvs (title object) Soldiers lead Christ before Caiaphas. The scribes and the elders also met with the pontiff. In the background you can see how Peter followed him into the courtyard of the palace of the high priest. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker: Jerome Who: rix (listed property) designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique: engra ( printing process) Measurements: p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-brought-before-caiaphas-trahitvr-ad-caipham-iesvs-negat-itervm-petrvs-title-object-soldiers-lead-christ-before-caiaphas-the-scribes-and-the-elders-also-met-with-the-pontiff-in-the-background-you-can-see-how-peter-followed-him-into-the-courtyard-of-the-palace-of-the-high-priest-at-various-elements-of-the-show-are-letters-that-correspond-to-the-legend-in-the-marge-manufacturer-printmaker-jerome-who-rix-listed-property-designed-by-bernardino-passeriplaats-manufacture-antwerp-date-1593-physical-features-car-material-paper-technique-engra-printing-process-measurements-p-image348267832.htmlRM2B6GY4T–Christ brought before Caiaphas Trahitvr ad Caipham Iesvs negat Itervm Petrvs (title object) Soldiers lead Christ before Caiaphas. The scribes and the elders also met with the pontiff. In the background you can see how Peter followed him into the courtyard of the palace of the high priest. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker: Jerome Who: rix (listed property) designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique: engra ( printing process) Measurements: p
Christ in conversation with the Pharisees and Scriptures, Antonie Wierix (II), After Bernardino Passeri, 1593 print Pharisees and scribes came from Jerusalem to ask Christ questions about his doctrine. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pharisees and Sadducees opposing Christ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-in-conversation-with-the-pharisees-and-scriptures-antonie-wierix-ii-after-bernardino-passeri-1593-print-pharisees-and-scribes-came-from-jerusalem-to-ask-christ-questions-about-his-doctrine-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-antwerp-paper-engraving-pharisees-and-sadducees-opposing-christ-image595212520.htmlRM2WGA7J0–Christ in conversation with the Pharisees and Scriptures, Antonie Wierix (II), After Bernardino Passeri, 1593 print Pharisees and scribes came from Jerusalem to ask Christ questions about his doctrine. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pharisees and Sadducees opposing Christ
Furniture, tools and other objects, 12th and 13th centuries. Writer's desk 1, church candlesticks 2,3,24, sceptres 4,5,11,12,15, catafalque 7, table 8, key 9, chair 10,14, picker's bill hook 13, dining table 16, winegrower's bill hook 17, wine jugs 18,19, portable pulpit 20, utensils for making butter 21, milk jug 22, tasting cup 23, stool 25, vase to cool drinks 16, cup 27, chalice 28, vase for fruit 29,30, cart 31, crosiers 6,32,33. Meubles et Objets Divers, XIIe at XIIIe siecles. From various manuscripts and stained-glass windows. Chromolithograph by Ferdinand Sere and Auguste Racinet from Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/furniture-tools-and-other-objects-12th-and-13th-centuries-writers-desk-1-church-candlesticks-2324-sceptres-45111215-catafalque-7-table-8-key-9-chair-1014-pickers-bill-hook-13-dining-table-16-winegrowers-bill-hook-17-wine-jugs-1819-portable-pulpit-20-utensils-for-making-butter-21-milk-jug-22-tasting-cup-23-stool-25-vase-to-cool-drinks-16-cup-27-chalice-28-vase-for-fruit-2930-cart-31-crosiers-63233-meubles-et-objets-divers-xiie-at-xiiie-siecles-from-various-manuscripts-and-stained-glass-windows-chromolithograph-by-ferdinand-sere-and-auguste-racinet-from-image499567885.htmlRM2M0N7X5–Furniture, tools and other objects, 12th and 13th centuries. Writer's desk 1, church candlesticks 2,3,24, sceptres 4,5,11,12,15, catafalque 7, table 8, key 9, chair 10,14, picker's bill hook 13, dining table 16, winegrower's bill hook 17, wine jugs 18,19, portable pulpit 20, utensils for making butter 21, milk jug 22, tasting cup 23, stool 25, vase to cool drinks 16, cup 27, chalice 28, vase for fruit 29,30, cart 31, crosiers 6,32,33. Meubles et Objets Divers, XIIe at XIIIe siecles. From various manuscripts and stained-glass windows. Chromolithograph by Ferdinand Sere and Auguste Racinet from
Jesus among the scribes, Jesus, as a boy, sits on a platform surrounded by listeners. Two people on each side and three people on a slightly lower bench opposite him. Jesus holds the left hand in front of the waist and the right arm bent and slightly forward. A few listeners gesture with their hands, two others hold an open book on their lap. Christ wears a tunic, the Pharisees are dressed in various robes and with a cap, turban or hat. The bnk, on which the three front seats are seated, has sunken panels. The hooded man, on the far right, may represent Joseph, Christ's dispute with the doctor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-among-the-scribes-jesus-as-a-boy-sits-on-a-platform-surrounded-by-listeners-two-people-on-each-side-and-three-people-on-a-slightly-lower-bench-opposite-him-jesus-holds-the-left-hand-in-front-of-the-waist-and-the-right-arm-bent-and-slightly-forward-a-few-listeners-gesture-with-their-hands-two-others-hold-an-open-book-on-their-lap-christ-wears-a-tunic-the-pharisees-are-dressed-in-various-robes-and-with-a-cap-turban-or-hat-the-bnk-on-which-the-three-front-seats-are-seated-has-sunken-panels-the-hooded-man-on-the-far-right-may-represent-joseph-christs-dispute-with-the-doctor-image349973601.htmlRF2B9AJW5–Jesus among the scribes, Jesus, as a boy, sits on a platform surrounded by listeners. Two people on each side and three people on a slightly lower bench opposite him. Jesus holds the left hand in front of the waist and the right arm bent and slightly forward. A few listeners gesture with their hands, two others hold an open book on their lap. Christ wears a tunic, the Pharisees are dressed in various robes and with a cap, turban or hat. The bnk, on which the three front seats are seated, has sunken panels. The hooded man, on the far right, may represent Joseph, Christ's dispute with the doctor
AMSTERDAM - Christian Astrop during the presentation of the Buma Awards in Tuschinski. The awards are presented to composers, lyricists and their music publishers in various categories. ANP RAMON VAN FLYMEN netherlands out - belgium out Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amsterdam-christian-astrop-during-the-presentation-of-the-buma-awards-in-tuschinski-the-awards-are-presented-to-composers-lyricists-and-their-music-publishers-in-various-categories-anp-ramon-van-flymen-netherlands-out-belgium-out-image552688317.htmlRM2R353GD–AMSTERDAM - Christian Astrop during the presentation of the Buma Awards in Tuschinski. The awards are presented to composers, lyricists and their music publishers in various categories. ANP RAMON VAN FLYMEN netherlands out - belgium out
. Egypt and the Sûdân; handbook for travellers. Faltening geese. Feeding cr.ine.a; (he tvn men alioveare preparing the food. 152 lloult 7. SAKKAKA. Ma^laba brewers; below, a man measures corn, wliile scribes note down tliequantity. Left Wall: Ti; to the right, servants with gifts; above, tablesami ve^isels of various kinds. Entrance Wall: Tables and vessels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-and-the-sdn-handbook-for-travellers-faltening-geese-feeding-crinea-he-tvn-men-alioveare-preparing-the-food-152-lloult-7-sakkaka-malaba-brewers-below-a-man-measures-corn-wliile-scribes-note-down-tliequantity-left-wall-ti-to-the-right-servants-with-gifts-above-tablesami-veisels-of-various-kinds-entrance-wall-tables-and-vessels-image337152406.htmlRM2AGEH9A–. Egypt and the Sûdân; handbook for travellers. Faltening geese. Feeding cr.ine.a; (he tvn men alioveare preparing the food. 152 lloult 7. SAKKAKA. Ma^laba brewers; below, a man measures corn, wliile scribes note down tliequantity. Left Wall: Ti; to the right, servants with gifts; above, tablesami ve^isels of various kinds. Entrance Wall: Tables and vessels.
Tricolor street cat paw scratches behind the ear. Fleas and ticks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tricolor-street-cat-paw-scratches-behind-the-ear-fleas-and-ticks-image629712225.htmlRF2YGDTA9–Tricolor street cat paw scratches behind the ear. Fleas and ticks
Book of Hours (Cistercian), Pilgrimage stamps, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-pilgrimage-stamps-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471848.htmlRM2T8YW5C–Book of Hours (Cistercian), Pilgrimage stamps, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Second page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-5-recto-designer-pietro-paulo-tozzi-italian-active-1593-1628-dimensions-overall-5-78-x-7-78-in-15-x-20-cm-publisher-libraria-del-giesu-padua-date-october-1-1604-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-padua-second-page-of-five-of-different-inscriptions-for-people-of-various-titles-museum-metropolitan-museum-of-art-new-york-usa-image213330874.htmlRMPB21KP–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Second page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA.
Pharisees and scribes are came from Jerusalem to ask Christ for his teachings. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker Antonie Who: rix (II) (listed building), designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique : engra (printing process) Measurements: plate edge: h 230 mm × W 145 mmToelichtingPrent used in: Nadal, Jeronimo. Evangelicae Historiae Imagines. Antwerp: Martinus Nutius, 1593. Subject: Pharisees and Sadducees opposing Christ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pharisees-and-scribes-are-came-from-jerusalem-to-ask-christ-for-his-teachings-at-various-elements-of-the-show-are-letters-that-correspond-to-the-legend-in-the-marge-manufacturer-printmaker-antonie-who-rix-ii-listed-building-designed-by-bernardino-passeriplaats-manufacture-antwerp-date-1593-physical-features-car-material-paper-technique-engra-printing-process-measurements-plate-edge-h-230-mm-w-145-mmtoelichtingprent-used-in-nadal-jeronimo-evangelicae-historiae-imagines-antwerp-martinus-nutius-1593-subject-pharisees-and-sadducees-opposing-christ-image348262515.htmlRM2B6GMAY–Pharisees and scribes are came from Jerusalem to ask Christ for his teachings. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker Antonie Who: rix (II) (listed building), designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique : engra (printing process) Measurements: plate edge: h 230 mm × W 145 mmToelichtingPrent used in: Nadal, Jeronimo. Evangelicae Historiae Imagines. Antwerp: Martinus Nutius, 1593. Subject: Pharisees and Sadducees opposing Christ
Woe to the scribes and the Pharisees, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print Christ preaches in the temple opposite the scribes and the Pharisees. Various elements from the performance are letters that correspond with the legend in the margin. paper engraving speeches of Christ against scribes and Pharisees (Matthew 23; Mark 12:38-40; Luke 11:42-52, 20:45-47) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woe-to-the-scribes-and-the-pharisees-wierix-rejected-attribution-after-bernardino-passeri-1593-print-christ-preaches-in-the-temple-opposite-the-scribes-and-the-pharisees-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-paper-engraving-speeches-of-christ-against-scribes-and-pharisees-matthew-23-mark-1238-40-luke-1142-52-2045-47-image594214859.htmlRM2WEMR37–Woe to the scribes and the Pharisees, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print Christ preaches in the temple opposite the scribes and the Pharisees. Various elements from the performance are letters that correspond with the legend in the margin. paper engraving speeches of Christ against scribes and Pharisees (Matthew 23; Mark 12:38-40; Luke 11:42-52, 20:45-47)
Christ for the Sanhedrin and the elders The Gestis Mane in Pleno Principvm, et Senriorvm Concilio (title on object), Christ is led for the entire Sanhedrin, all high priests, elders and scribes. Christ tells them that he is the messiah. Various elements from the show have letters that correspond to the legend in the margin., Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas, maybe a soldier about to strike Christ because he keeps silent (Matthew 26: 57-66, Mark 14: 53-64, Luke 22:54, 22: 66-71), Hieronymus Wierix (mentioned on object), Antwerp, 1593, paper, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-the-sanhedrin-and-the-elders-the-gestis-mane-in-pleno-principvm-et-senriorvm-concilio-title-on-object-christ-is-led-for-the-entire-sanhedrin-all-high-priests-elders-and-scribes-christ-tells-them-that-he-is-the-messiah-various-elements-from-the-show-have-letters-that-correspond-to-the-legend-in-the-margin-christ-before-the-sanhedrin-with-caiaphas-as-high-priest-and-possibly-annas-maybe-a-soldier-about-to-strike-christ-because-he-keeps-silent-matthew-26-57-66-mark-14-53-64-luke-2254-22-66-71-hieronymus-wierix-mentioned-on-object-antwerp-1593-paper-engraving-image350009352.htmlRF2B9C8E0–Christ for the Sanhedrin and the elders The Gestis Mane in Pleno Principvm, et Senriorvm Concilio (title on object), Christ is led for the entire Sanhedrin, all high priests, elders and scribes. Christ tells them that he is the messiah. Various elements from the show have letters that correspond to the legend in the margin., Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas, maybe a soldier about to strike Christ because he keeps silent (Matthew 26: 57-66, Mark 14: 53-64, Luke 22:54, 22: 66-71), Hieronymus Wierix (mentioned on object), Antwerp, 1593, paper, engraving
The thousand and one nights (Volume 1): commonly called, in England, the Arabian nights' entertainments . n readings/8 and perused various works underthe tuition of different learned professors of their subjects : I studiedthe science of the stars/9 and the writings of the poets, and mademyself a proficient in all the sciences; so that I surpassed the peopleof my age. My hand-writingft0 was extolled among all the scribes, myfame spread among all countries, and my history among all Kings;and the King of India, hearing of me, requested my father to allowme to visit him, sending him various gifts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-thousand-and-one-nights-volume-1-commonly-called-in-england-the-arabian-nights-entertainments-n-readings8-and-perused-various-works-underthe-tuition-of-different-learned-professors-of-their-subjects-i-studiedthe-science-of-the-stars9-and-the-writings-of-the-poets-and-mademyself-a-proficient-in-all-the-sciences-so-that-i-surpassed-the-peopleof-my-age-my-hand-writingft0-was-extolled-among-all-the-scribes-myfame-spread-among-all-countries-and-my-history-among-all-kingsand-the-king-of-india-hearing-of-me-requested-my-father-to-allowme-to-visit-him-sending-him-various-gifts-image338416356.htmlRM2AJG5EC–The thousand and one nights (Volume 1): commonly called, in England, the Arabian nights' entertainments . n readings/8 and perused various works underthe tuition of different learned professors of their subjects : I studiedthe science of the stars/9 and the writings of the poets, and mademyself a proficient in all the sciences; so that I surpassed the peopleof my age. My hand-writingft0 was extolled among all the scribes, myfame spread among all countries, and my history among all Kings;and the King of India, hearing of me, requested my father to allowme to visit him, sending him various gifts
Book of Hours (Cistercian), Deposition, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-deposition-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472550.htmlRM2T8YX2E–Book of Hours (Cistercian), Deposition, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Third page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-5-verso-designer-pietro-paulo-tozzi-italian-active-1593-1628-dimensions-overall-5-78-x-7-78-in-15-x-20-cm-publisher-libraria-del-giesu-padua-date-october-1-1604-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-padua-third-page-of-five-of-different-inscriptions-for-people-of-various-titles-museum-metropolitan-museum-of-art-new-york-usa-image213332196.htmlRMPB23B0–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Third page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA.
Life Savior Jesus Christ Skripsie schriftgeleerden of various icons from Adrian Collaert explicit (serietitel op object) Christ as twelve years in the temple among the scribes. Part of the picture series on the life of Christ: Vita Iesu Salvatoris varijs iconibus ab Adriano Collaert expressa. In picture album with two sets of respectively 34 and 25 engras with scenes of the life, and the Passion of Christus. Manufacturer : print maker: Adriaen Collaertnaar print of: Jacques the Bienaar drawing: Maerten the Vosuitgever: Adriaen CollaertPlaats manufacture: Antwerpen Dated: ca. 1580 - ca. 1590 Ph Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/life-savior-jesus-christ-skripsie-schriftgeleerden-of-various-icons-from-adrian-collaert-explicit-serietitel-op-object-christ-as-twelve-years-in-the-temple-among-the-scribes-part-of-the-picture-series-on-the-life-of-christ-vita-iesu-salvatoris-varijs-iconibus-ab-adriano-collaert-expressa-in-picture-album-with-two-sets-of-respectively-34-and-25-engras-with-scenes-of-the-life-and-the-passion-of-christus-manufacturer-print-maker-adriaen-collaertnaar-print-of-jacques-the-bienaar-drawing-maerten-the-vosuitgever-adriaen-collaertplaats-manufacture-antwerpen-dated-ca-1580-ca-1590-ph-image348265379.htmlRM2B6GT17–Life Savior Jesus Christ Skripsie schriftgeleerden of various icons from Adrian Collaert explicit (serietitel op object) Christ as twelve years in the temple among the scribes. Part of the picture series on the life of Christ: Vita Iesu Salvatoris varijs iconibus ab Adriano Collaert expressa. In picture album with two sets of respectively 34 and 25 engras with scenes of the life, and the Passion of Christus. Manufacturer : print maker: Adriaen Collaertnaar print of: Jacques the Bienaar drawing: Maerten the Vosuitgever: Adriaen CollaertPlaats manufacture: Antwerpen Dated: ca. 1580 - ca. 1590 Ph
Christ In the Temple, Hieronymus Wierix, After Bernardino Passeri, 1593 print Christ sits on a throne in the temple. He explains the Scripture to the scribes. Joseph and Maria walk into the temple and find their twelve -year -old son among the scholars. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-in-the-temple-hieronymus-wierix-after-bernardino-passeri-1593-print-christ-sits-on-a-throne-in-the-temple-he-explains-the-scripture-to-the-scribes-joseph-and-maria-walk-into-the-temple-and-find-their-twelve-year-old-son-among-the-scholars-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-antwerp-paper-engraving-christs-dispute-with-the-doctors-in-the-temple-he-counts-his-arguments-on-his-fingers-image595214285.htmlRM2WGA9W1–Christ In the Temple, Hieronymus Wierix, After Bernardino Passeri, 1593 print Christ sits on a throne in the temple. He explains the Scripture to the scribes. Joseph and Maria walk into the temple and find their twelve -year -old son among the scholars. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers
. The science and practice of dental surgery. is made early enough;arney E. Barnes (21) also considersseparation possible, but the excel-lent radiographs that he has pub-lished seem to show separation ofthe pre-maxillary suture chiefly orentirely. Pullen (134) gives a goodsummary of different methods ofseparation adopted and the resultsproduced; and Wright (173) de-scribes an interestmg appliance formeasuring the internal width ofthe nose between the walls of themaxillary sinus. Anchorage.—So far, the effects ofthe application of force to a toothand various means of applying ithave been consi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-science-and-practice-of-dental-surgery-is-made-early-enougharney-e-barnes-21-also-considersseparation-possible-but-the-excel-lent-radiographs-that-he-has-pub-lished-seem-to-show-separation-ofthe-pre-maxillary-suture-chiefly-orentirely-pullen-134-gives-a-goodsummary-of-different-methods-ofseparation-adopted-and-the-resultsproduced-and-wright-173-de-scribes-an-interestmg-appliance-formeasuring-the-internal-width-ofthe-nose-between-the-walls-of-themaxillary-sinus-anchorageso-far-the-effects-ofthe-application-of-force-to-a-toothand-various-means-of-applying-ithave-been-consi-image336894704.htmlRM2AG2THM–. The science and practice of dental surgery. is made early enough;arney E. Barnes (21) also considersseparation possible, but the excel-lent radiographs that he has pub-lished seem to show separation ofthe pre-maxillary suture chiefly orentirely. Pullen (134) gives a goodsummary of different methods ofseparation adopted and the resultsproduced; and Wright (173) de-scribes an interestmg appliance formeasuring the internal width ofthe nose between the walls of themaxillary sinus. Anchorage.—So far, the effects ofthe application of force to a toothand various means of applying ithave been consi
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472267.htmlRM2T8YWMB–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. First page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-4-verso-designer-pietro-paulo-tozzi-italian-active-1593-1628-dimensions-overall-5-78-x-7-78-in-15-x-20-cm-publisher-libraria-del-giesu-padua-date-october-1-1604-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-padua-first-page-of-five-of-different-inscriptions-for-people-of-various-titles-museum-metropolitan-museum-of-art-new-york-usa-image213167714.htmlRMPAPHGJ–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. First page (of five) of different inscriptions for people of various titles. Museum: Metropolitan Museum of Art, New York, USA.
Christ tells the Pharisees and scribes that they have no other will receive the sign of the prophet Jonah. In the background you can see how Jonah vomited by the fish on land. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker Antonie Who: rix (II) (listed building), designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique : engra (printing process) Measurements: plate edge: h 232 mm × W 146 mmToelichtingPrent used in: Nadal, Jeronimo. Evangelicae Historiae Imagines. Ant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-tells-the-pharisees-and-scribes-that-they-have-no-other-will-receive-the-sign-of-the-prophet-jonah-in-the-background-you-can-see-how-jonah-vomited-by-the-fish-on-land-at-various-elements-of-the-show-are-letters-that-correspond-to-the-legend-in-the-marge-manufacturer-printmaker-antonie-who-rix-ii-listed-building-designed-by-bernardino-passeriplaats-manufacture-antwerp-date-1593-physical-features-car-material-paper-technique-engra-printing-process-measurements-plate-edge-h-232-mm-w-146-mmtoelichtingprent-used-in-nadal-jeronimo-evangelicae-historiae-imagines-ant-image348289479.htmlRM2B6HXNY–Christ tells the Pharisees and scribes that they have no other will receive the sign of the prophet Jonah. In the background you can see how Jonah vomited by the fish on land. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker Antonie Who: rix (II) (listed building), designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique : engra (printing process) Measurements: plate edge: h 232 mm × W 146 mmToelichtingPrent used in: Nadal, Jeronimo. Evangelicae Historiae Imagines. Ant
Christ brought for kajafas, Hieronymus Wierix, After Bernardino Passeri, 1593 print Soldiers lead Christ for Kaja pas. The scribes and the elders also gathered with the high priest. In the background you can see how Peter followed him up to the courtyard of the high priest's palace. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving trial of Christ, Christ before his judges. Peter denies Christ, usually before a girl-servant and some soldiers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-brought-for-kajafas-hieronymus-wierix-after-bernardino-passeri-1593-print-soldiers-lead-christ-for-kaja-pas-the-scribes-and-the-elders-also-gathered-with-the-high-priest-in-the-background-you-can-see-how-peter-followed-him-up-to-the-courtyard-of-the-high-priests-palace-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-antwerp-paper-engraving-trial-of-christ-christ-before-his-judges-peter-denies-christ-usually-before-a-girl-servant-and-some-soldiers-image595218223.htmlRM2WGAEWK–Christ brought for kajafas, Hieronymus Wierix, After Bernardino Passeri, 1593 print Soldiers lead Christ for Kaja pas. The scribes and the elders also gathered with the high priest. In the background you can see how Peter followed him up to the courtyard of the high priest's palace. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving trial of Christ, Christ before his judges. Peter denies Christ, usually before a girl-servant and some soldiers
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Fourth page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto) 358089 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-6-recto-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduafourth-page-of-five-of-different-inscriptions-for-people-of-various-titles-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-6-recto-358089-image458643408.htmlRM2HJ509M–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Fourth page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto) 358089
. Egypt and the Sûdân; handbook for travellers. S. Wall. To the left, cattle, antelopes, etc.,are being driven before the deceased, while scribes note down the numbers ;to the right, peasant women, representing villages the names of whichare inscribed, bringing gifts. N. Wall. To the left, the slaughtering ofcattle, to the right. Mereruka inspecting his fishermen. Rooms marked 1.. — Bi. Jf. <C- S. Walls. The wife of Mereruka, aprincess, receiving various gifts from her attendants, ll. Wall. To the right,Jlererukas wife, son, and daughter; four servants bearing a litter adornedwith liois; to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-and-the-sdn-handbook-for-travellers-s-wall-to-the-left-cattle-antelopes-etcare-being-driven-before-the-deceased-while-scribes-note-down-the-numbers-to-the-right-peasant-women-representing-villages-the-names-of-whichare-inscribed-bringing-gifts-n-wall-to-the-left-the-slaughtering-ofcattle-to-the-right-mereruka-inspecting-his-fishermen-rooms-marked-1-bi-jf-ltc-s-walls-the-wife-of-mereruka-aprincess-receiving-various-gifts-from-her-attendants-ll-wall-to-the-rightjlererukas-wife-son-and-daughter-four-servants-bearing-a-litter-adornedwith-liois-to-image337148483.htmlRM2AGEC97–. Egypt and the Sûdân; handbook for travellers. S. Wall. To the left, cattle, antelopes, etc.,are being driven before the deceased, while scribes note down the numbers ;to the right, peasant women, representing villages the names of whichare inscribed, bringing gifts. N. Wall. To the left, the slaughtering ofcattle, to the right. Mereruka inspecting his fishermen. Rooms marked 1.. — Bi. Jf. <C- S. Walls. The wife of Mereruka, aprincess, receiving various gifts from her attendants, ll. Wall. To the right,Jlererukas wife, son, and daughter; four servants bearing a litter adornedwith liois; to
Book of Hours (Cistercian), Mocking of Christ, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-mocking-of-christ-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471834.htmlRM2T8YW4X–Book of Hours (Cistercian), Mocking of Christ, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which the alphabet is printed twice. Surrounding all sides of the middle section is a border decorated with various foliage and floral elemen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-45-recto-designer-pietro-paulo-tozzi-italian-active-1593-1628-dimensions-overall-5-78-x-7-78-in-15-x-20-cm-publisher-libraria-del-giesu-padua-date-october-1-1604-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-padua-design-is-composed-of-a-central-rectangle-upon-which-the-alphabet-is-printed-twice-surrounding-all-sides-of-the-middle-section-is-a-border-decorated-with-various-foliage-and-floral-elemen-image213301591.htmlRMPB0M9Y–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604. Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which the alphabet is printed twice. Surrounding all sides of the middle section is a border decorated with various foliage and floral elemen
Christ for the council, the elders The GESTIS in Pleno Principvm Mane, et Senriorvm Concilio (title object) Christ is for the whole Sanhedrin, all the chief priests, elders and scribes, led. Christ tells them that he is the Messiah. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker: Jerome Who: rix (listed property) designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique: engra ( printing process) Measurements: plate edge: h 233 mm × W 145 mmToelichtingPrent used in: N Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-the-council-the-elders-the-gestis-in-pleno-principvm-mane-et-senriorvm-concilio-title-object-christ-is-for-the-whole-sanhedrin-all-the-chief-priests-elders-and-scribes-led-christ-tells-them-that-he-is-the-messiah-at-various-elements-of-the-show-are-letters-that-correspond-to-the-legend-in-the-marge-manufacturer-printmaker-jerome-who-rix-listed-property-designed-by-bernardino-passeriplaats-manufacture-antwerp-date-1593-physical-features-car-material-paper-technique-engra-printing-process-measurements-plate-edge-h-233-mm-w-145-mmtoelichtingprent-used-in-n-image348268100.htmlRM2B6GYEC–Christ for the council, the elders The GESTIS in Pleno Principvm Mane, et Senriorvm Concilio (title object) Christ is for the whole Sanhedrin, all the chief priests, elders and scribes, led. Christ tells them that he is the Messiah. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker: Jerome Who: rix (listed property) designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique: engra ( printing process) Measurements: plate edge: h 233 mm × W 145 mmToelichtingPrent used in: N
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Third page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso) 358089 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-5-verso-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduathird-page-of-five-of-different-inscriptions-for-people-of-various-titles-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-5-verso-358089-image458643521.htmlRM2HJ50DN–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Third page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso) 358089
A descriptive and historical account of hydraulic and other machines for raising water, ancient and modern : with observations on various subjects connected with the mechanic arts: including the progressive development of the steam engine . a mans labor inturning a windlass is fifty per cent, more than in working a pump in theordinary way by a lever. As a man cannot, with effect, apply hisstrength conveniently to a crank that de-scribes a ciicle exceeding three or four feetin diameter, another ancient contriviinceenabled him to transmit it through a series ofrevolving levers, inserted into one Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-descriptive-and-historical-account-of-hydraulic-and-other-machines-for-raising-water-ancient-and-modern-with-observations-on-various-subjects-connected-with-the-mechanic-arts-including-the-progressive-development-of-the-steam-engine-a-mans-labor-inturning-a-windlass-is-fifty-per-cent-more-than-in-working-a-pump-in-theordinary-way-by-a-lever-as-a-man-cannot-with-effect-apply-hisstrength-conveniently-to-a-crank-that-de-scribes-a-ciicle-exceeding-three-or-four-feetin-diameter-another-ancient-contriviinceenabled-him-to-transmit-it-through-a-series-ofrevolving-levers-inserted-into-one-image343036343.htmlRM2AX2J9Y–A descriptive and historical account of hydraulic and other machines for raising water, ancient and modern : with observations on various subjects connected with the mechanic arts: including the progressive development of the steam engine . a mans labor inturning a windlass is fifty per cent, more than in working a pump in theordinary way by a lever. As a man cannot, with effect, apply hisstrength conveniently to a crank that de-scribes a ciicle exceeding three or four feetin diameter, another ancient contriviinceenabled him to transmit it through a series ofrevolving levers, inserted into one
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471932.htmlRM2T8YW8C–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Furniture, tools and other objects, 12th and 13th centuries. Writer's desk 1, church candlesticks 2,3,24, sceptres 4,5,11,12,15, catafalque 7, table 8, key 9, chair 10,14, picker's bill hook 13, dining table 16, winegrower's bill hook 17, wine jugs 18,19, portable pulpit 20, utensils for making butter 21, milk jug 22, tasting cup 23, stool 25, vase to cool drinks 16, cup 27, chalice 28, vase for fruit 29,30, cart 31, crosiers 6,32,33. Meubles et Objets Divers, XIIe at XIIIe siecles. From various manuscripts and stained-glass windows. Chromolithograph by Ferdinand Sere and Auguste Racinet from Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/furniture-tools-and-other-objects-12th-and-13th-centuries-writers-desk-1-church-candlesticks-2324-sceptres-45111215-catafalque-7-table-8-key-9-chair-1014-pickers-bill-hook-13-dining-table-16-winegrowers-bill-hook-17-wine-jugs-1819-portable-pulpit-20-utensils-for-making-butter-21-milk-jug-22-tasting-cup-23-stool-25-vase-to-cool-drinks-16-cup-27-chalice-28-vase-for-fruit-2930-cart-31-crosiers-63233-meubles-et-objets-divers-xiie-at-xiiie-siecles-from-various-manuscripts-and-stained-glass-windows-chromolithograph-by-ferdinand-sere-and-auguste-racinet-from-image571851154.htmlRM2T6A1YE–Furniture, tools and other objects, 12th and 13th centuries. Writer's desk 1, church candlesticks 2,3,24, sceptres 4,5,11,12,15, catafalque 7, table 8, key 9, chair 10,14, picker's bill hook 13, dining table 16, winegrower's bill hook 17, wine jugs 18,19, portable pulpit 20, utensils for making butter 21, milk jug 22, tasting cup 23, stool 25, vase to cool drinks 16, cup 27, chalice 28, vase for fruit 29,30, cart 31, crosiers 6,32,33. Meubles et Objets Divers, XIIe at XIIIe siecles. From various manuscripts and stained-glass windows. Chromolithograph by Ferdinand Sere and Auguste Racinet from
Christ as a twelve year old in the temple Dominica I post Epiphaniam (title object) Christ is in the temple on a throne. He explains the script from the scribes. Joseph and Mary walk into the temple and find their twelve year old son between scholars. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker: Jerome Who: rix (listed property) designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique: engra ( printing process) Measurements: plate edge: h 234 mm × W 147 mmToelicht Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-a-twelve-year-old-in-the-temple-dominica-i-post-epiphaniam-title-object-christ-is-in-the-temple-on-a-throne-he-explains-the-script-from-the-scribes-joseph-and-mary-walk-into-the-temple-and-find-their-twelve-year-old-son-between-scholars-at-various-elements-of-the-show-are-letters-that-correspond-to-the-legend-in-the-marge-manufacturer-printmaker-jerome-who-rix-listed-property-designed-by-bernardino-passeriplaats-manufacture-antwerp-date-1593-physical-features-car-material-paper-technique-engra-printing-process-measurements-plate-edge-h-234-mm-w-147-mmtoelicht-image348258377.htmlRM2B6GF35–Christ as a twelve year old in the temple Dominica I post Epiphaniam (title object) Christ is in the temple on a throne. He explains the script from the scribes. Joseph and Mary walk into the temple and find their twelve year old son between scholars. At various elements of the show are letters that correspond to the legend in the marge. Manufacturer : printmaker: Jerome Who: rix (listed property) designed by: Bernardino PasseriPlaats manufacture: Antwerp Date: 1593 Physical features: car material: paper Technique: engra ( printing process) Measurements: plate edge: h 234 mm × W 147 mmToelicht
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Second page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto) 358089 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-5-recto-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduasecond-page-of-five-of-different-inscriptions-for-people-of-various-titles-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-5-recto-358089-image458643374.htmlRM2HJ508E–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Second page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto) 358089
Annual report . scribes it under thename of Cayenne tern, but evidently confuses it with the Caspian ternwhich he does not mention, for he gives the coast of Labrador as its breedingrange, following Audubons misstatement, and says that Mr Bell receiveda number of specimens from various sections of Long Island. DeKaylikewise confused it with the Caspian tern, his description of S . c a y a n aevidenth referring to that species. Sterna sandvicensis acuflavida (Cabot)Cabot Tern Sterna acuflavida Cabot. Boston Soc. Nat. Hist. Proc. 1842. 2:257 Sterna cantiaca DeKay. Zool. N. Y. 1844. pt 2, p.303, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annual-report-scribes-it-under-thename-of-cayenne-tern-but-evidently-confuses-it-with-the-caspian-ternwhich-he-does-not-mention-for-he-gives-the-coast-of-labrador-as-its-breedingrange-following-audubons-misstatement-and-says-that-mr-bell-receiveda-number-of-specimens-from-various-sections-of-long-island-dekaylikewise-confused-it-with-the-caspian-tern-his-description-of-s-c-a-y-a-n-aevidenth-referring-to-that-species-sterna-sandvicensis-acuflavida-cabotcabot-tern-sterna-acuflavida-cabot-boston-soc-nat-hist-proc-1842-2257-sterna-cantiaca-dekay-zool-n-y-1844-pt-2-p303-image343344377.htmlRM2AXGK75–Annual report . scribes it under thename of Cayenne tern, but evidently confuses it with the Caspian ternwhich he does not mention, for he gives the coast of Labrador as its breedingrange, following Audubons misstatement, and says that Mr Bell receiveda number of specimens from various sections of Long Island. DeKaylikewise confused it with the Caspian tern, his description of S . c a y a n aevidenth referring to that species. Sterna sandvicensis acuflavida (Cabot)Cabot Tern Sterna acuflavida Cabot. Boston Soc. Nat. Hist. Proc. 1842. 2:257 Sterna cantiaca DeKay. Zool. N. Y. 1844. pt 2, p.303,
Book of Hours (Cistercian), Entombment/ lamentation, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-entombment-lamentation-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472553.htmlRM2T8YX2H–Book of Hours (Cistercian), Entombment/ lamentation, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Explicit of text and date of copying in scribe's hand Listed in De Ricci, Seymour, Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York. N.Y.: H.W. Wilson, 1935; and Supplement, New York, N.Y.: Bibliographical Society of America, 1962. Ownership : George Templeton Strong sale (New York, 1878). Given in 1878 by J.J. Astor. De Ricci, 1318. Chart by Dr. G.B. Guest. Library dossier. 1 2-line red and blue initials with red or purple penwork extending into border. Painted large initials in various colors appear occasionally; also painted border designs. Very Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/explicit-of-text-and-date-of-copying-in-scribes-hand-listed-in-de-ricci-seymour-census-of-medieval-and-renaissance-manuscripts-in-the-united-states-and-canada-new-york-ny-hw-wilson-1935-and-supplement-new-york-ny-bibliographical-society-of-america-1962-ownership-george-templeton-strong-sale-new-york-1878-given-in-1878-by-jj-astor-de-ricci-1318-chart-by-dr-gb-guest-library-dossier-1-2-line-red-and-blue-initials-with-red-or-purple-penwork-extending-into-border-painted-large-initials-in-various-colors-appear-occasionally-also-painted-border-designs-very-image333718105.htmlRM2AAX4RN–Explicit of text and date of copying in scribe's hand Listed in De Ricci, Seymour, Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York. N.Y.: H.W. Wilson, 1935; and Supplement, New York, N.Y.: Bibliographical Society of America, 1962. Ownership : George Templeton Strong sale (New York, 1878). Given in 1878 by J.J. Astor. De Ricci, 1318. Chart by Dr. G.B. Guest. Library dossier. 1 2-line red and blue initials with red or purple penwork extending into border. Painted large initials in various colors appear occasionally; also painted border designs. Very
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.First page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso) 358089 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-4-verso-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduafirst-page-of-five-of-different-inscriptions-for-people-of-various-titles-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-4-verso-358089-image458643548.htmlRM2HJ50EM–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.First page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso) 358089
. Egypt and the Sûdân; handbook for travellers. Faltening geese. Feeding cr.ine.a; (he tvn men alioveare preparing the food. 152 lloult 7. SAKKAKA. Ma^laba brewers; below, a man measures corn, wliile scribes note down tliequantity. Left Wall: Ti; to the right, servants with gifts; above, tablesami ve^isels of various kinds. Entrance Wall: Tables and vessels.. Sailing-ship. Leaving the corridor we pass through the door opening tothe S. (with a figure of Ti on each side} and enter the Tomb-Chamber (PI. G) itself. The ceiling rests on two square pillars, Jo Stri.esofVurre.H.iene.r (Bair mutCUif Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-and-the-sdn-handbook-for-travellers-faltening-geese-feeding-crinea-he-tvn-men-alioveare-preparing-the-food-152-lloult-7-sakkaka-malaba-brewers-below-a-man-measures-corn-wliile-scribes-note-down-tliequantity-left-wall-ti-to-the-right-servants-with-gifts-above-tablesami-veisels-of-various-kinds-entrance-wall-tables-and-vessels-sailing-ship-leaving-the-corridor-we-pass-through-the-door-opening-tothe-s-with-a-figure-of-ti-on-each-side-and-enter-the-tomb-chamber-pi-g-itself-the-ceiling-rests-on-two-square-pillars-jo-striesofvurrehiener-bair-mutcuif-image337152149.htmlRM2AGEH05–. Egypt and the Sûdân; handbook for travellers. Faltening geese. Feeding cr.ine.a; (he tvn men alioveare preparing the food. 152 lloult 7. SAKKAKA. Ma^laba brewers; below, a man measures corn, wliile scribes note down tliequantity. Left Wall: Ti; to the right, servants with gifts; above, tablesami ve^isels of various kinds. Entrance Wall: Tables and vessels.. Sailing-ship. Leaving the corridor we pass through the door opening tothe S. (with a figure of Ti on each side} and enter the Tomb-Chamber (PI. G) itself. The ceiling rests on two square pillars, Jo Stri.esofVurre.H.iene.r (Bair mutCUif
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471837.htmlRM2T8YW51–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Fifth page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso) 358089 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-6-verso-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduafifth-page-of-five-of-different-inscriptions-for-people-of-various-titles-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-6-verso-358089-image458643565.htmlRM2HJ50F9–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Fifth page (of five) of different inscriptions for people of various titles.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso) 358089
Christ for the Sanhedrin and the elders, Hieronymus Wierix, After Bernardino Passeri, 1593 print Christ led for the entire Sanhedrin, all high priests, elders and scribes. Christ tells them that he is the Messiah. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-the-sanhedrin-and-the-elders-hieronymus-wierix-after-bernardino-passeri-1593-print-christ-led-for-the-entire-sanhedrin-all-high-priests-elders-and-scribes-christ-tells-them-that-he-is-the-messiah-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-antwerp-paper-engraving-christ-before-the-sanhedrin-with-caiaphas-as-high-priest-and-possibly-annas-maybe-a-soldier-about-to-strike-christ-because-he-keeps-silent-matthew-2657-66-mark-1453-64-luke-2254-2266-71-image595221349.htmlRM2WGAJW9–Christ for the Sanhedrin and the elders, Hieronymus Wierix, After Bernardino Passeri, 1593 print Christ led for the entire Sanhedrin, all high priests, elders and scribes. Christ tells them that he is the Messiah. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)
. Railway and locomotive engineering : a practical journal of railway motive power and rolling stock . GRAPHITEPRODlfCTSFORv-XrHERAILROAD ThisBookletIs for You WE have just published ahandsome little bookletof 40 pages which briefly de-scribes the Dixon graphiteproducts for railroad use. Thisis exclusively a railroad bookfor railroad men, and all thoseconnected with the mechan-ical departments should writeand get a copy of it. In addition to describingthe various Dixon productsand explaining their applica-tion, this booklet is quite at-tractively gotten up, beingillustrated with various viewss Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/railway-and-locomotive-engineering-a-practical-journal-of-railway-motive-power-and-rolling-stock-graphiteprodlfctsforv-xrherailroad-thisbookletis-for-you-we-have-just-published-ahandsome-little-bookletof-40-pages-which-briefly-de-scribes-the-dixon-graphiteproducts-for-railroad-use-thisis-exclusively-a-railroad-bookfor-railroad-men-and-all-thoseconnected-with-the-mechan-ical-departments-should-writeand-get-a-copy-of-it-in-addition-to-describingthe-various-dixon-productsand-explaining-their-applica-tion-this-booklet-is-quite-at-tractively-gotten-up-beingillustrated-with-various-viewss-image371821267.htmlRM2CGWWPY–. Railway and locomotive engineering : a practical journal of railway motive power and rolling stock . GRAPHITEPRODlfCTSFORv-XrHERAILROAD ThisBookletIs for You WE have just published ahandsome little bookletof 40 pages which briefly de-scribes the Dixon graphiteproducts for railroad use. Thisis exclusively a railroad bookfor railroad men, and all thoseconnected with the mechan-ical departments should writeand get a copy of it. In addition to describingthe various Dixon productsand explaining their applica-tion, this booklet is quite at-tractively gotten up, beingillustrated with various viewss
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472737.htmlRM2T8YX95–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Cleaning of the Temple, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ drives sellers and money changers from the temple. Blind and paralyzed come to him to be healed by him. The high priests and the scribes see what miracles Christ performs. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cleaning-of-the-temple-antonie-wierix-ii-after-bernardino-passeri-1593-print-christ-drives-sellers-and-money-changers-from-the-temple-blind-and-paralyzed-come-to-him-to-be-healed-by-him-the-high-priests-and-the-scribes-see-what-miracles-christ-performs-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-antwerp-paper-engraving-purification-of-the-temple-first-and-second-christ-driving-the-money-changers-from-the-temple-with-a-whip-matthew-2112-13-mark-1115-17-luke-1945-46-john-1212-19-image595216497.htmlRM2WGACM1–Cleaning of the Temple, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ drives sellers and money changers from the temple. Blind and paralyzed come to him to be healed by him. The high priests and the scribes see what miracles Christ performs. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)
. Review of reviews and world's work . this famous womans life.It is literally, as its title puts it, The EleventhHour in the Life of Julia Ward Howe.^ The Reminiscences of an Army Nurse Duringthe Civil War,^ by Adelaide W. Smith, who de-scribes herself as an independent volunteer, tellsthe story of five years helpful work in various hos-pitals during the conflict. The account is writtenwith sentiment and sincerity. There are manypictures, and a full-page portrait of Lincoln. BIOGRAPHY AND REMINISCENCEProbably the most picturesque and dramaticachievement in Europe during the 19th centurywas th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/review-of-reviews-and-worlds-work-this-famous-womans-lifeit-is-literally-as-its-title-puts-it-the-eleventhhour-in-the-life-of-julia-ward-howe-the-reminiscences-of-an-army-nurse-duringthe-civil-war-by-adelaide-w-smith-who-de-scribes-herself-as-an-independent-volunteer-tellsthe-story-of-five-years-helpful-work-in-various-hos-pitals-during-the-conflict-the-account-is-writtenwith-sentiment-and-sincerity-there-are-manypictures-and-a-full-page-portrait-of-lincoln-biography-and-reminiscenceprobably-the-most-picturesque-and-dramaticachievement-in-europe-during-the-19th-centurywas-th-image369713822.htmlRM2CDDWN2–. Review of reviews and world's work . this famous womans life.It is literally, as its title puts it, The EleventhHour in the Life of Julia Ward Howe.^ The Reminiscences of an Army Nurse Duringthe Civil War,^ by Adelaide W. Smith, who de-scribes herself as an independent volunteer, tellsthe story of five years helpful work in various hos-pitals during the conflict. The account is writtenwith sentiment and sincerity. There are manypictures, and a full-page portrait of Lincoln. BIOGRAPHY AND REMINISCENCEProbably the most picturesque and dramaticachievement in Europe during the 19th centurywas th
Standing statue of Merti with cropped hair ca. 2381–2323 B.C. probably Old Kingdom Merti was a high official and provincial governor. Eleven exceptionally large wooden statues were found in the serdab (statue chamber) of his tomb. Five are in the collection of The Metropolitan Museum of Art (26.2.2 - 26.2.6); five, including two wooden scribes, are in the Egyptian Museum, Cairo; and one is in the Medlhavsmuseet, Stockholm. Most of these statues represent Merti in various aspects of his life and career, denoted by changes in wigs and garments. Surprisingly, three statues of women were also pres Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-statue-of-merti-with-cropped-hair-ca-23812323-bc-probably-old-kingdom-merti-was-a-high-official-and-provincial-governor-eleven-exceptionally-large-wooden-statues-were-found-in-the-serdab-statue-chamber-of-his-tomb-five-are-in-the-collection-of-the-metropolitan-museum-of-art-2622-2626-five-including-two-wooden-scribes-are-in-the-egyptian-museum-cairo-and-one-is-in-the-medlhavsmuseet-stockholm-most-of-these-statues-represent-merti-in-various-aspects-of-his-life-and-career-denoted-by-changes-in-wigs-and-garments-surprisingly-three-statues-of-women-were-also-pres-image457995118.htmlRM2HH3DCE–Standing statue of Merti with cropped hair ca. 2381–2323 B.C. probably Old Kingdom Merti was a high official and provincial governor. Eleven exceptionally large wooden statues were found in the serdab (statue chamber) of his tomb. Five are in the collection of The Metropolitan Museum of Art (26.2.2 - 26.2.6); five, including two wooden scribes, are in the Egyptian Museum, Cairo; and one is in the Medlhavsmuseet, Stockholm. Most of these statues represent Merti in various aspects of his life and career, denoted by changes in wigs and garments. Surprisingly, three statues of women were also pres
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 32 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the text and before the calligrapher's signature is a twisting linear motif. Surrounding all sides of the middle section are squares ornamented with various geometric floral motifs.. Ghirlanda: Di sei vaghi fio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-32-recto-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduadesign-is-composed-of-a-central-rectangle-upon-which-calligraphic-text-is-printed-in-black-immediately-following-the-text-and-before-the-calligraphers-signature-is-a-twisting-linear-motif-surrounding-all-sides-of-the-middle-section-are-squares-ornamented-with-various-geometric-floral-motifs-ghirlanda-di-sei-vaghi-fio-image458643472.htmlRM2HJ50C0–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 32 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the text and before the calligrapher's signature is a twisting linear motif. Surrounding all sides of the middle section are squares ornamented with various geometric floral motifs.. Ghirlanda: Di sei vaghi fio
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471931.htmlRM2T8YW8B–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
. The American poulterer's companion: : a practical treatise on the breeding, rearing, fattening, and general management of the various species of domestic poultry, : with illustrations, and portraits of fowls taken from life. . he ground. In addition to these BufFon mentions a sort of fowlin Brittany, which are always obliged to leap, thelegs being so short. They are the size of a dung-hill fowl, and kept as being very fruitful. The henswill hatch thirty eggs at a time. Some think thesedwarf fowls are the Hadrian breed mentioned byPliny. Aldrovand, two thousand years ago, de-scribes the dwarf Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-american-poulterers-companion-a-practical-treatise-on-the-breeding-rearing-fattening-and-general-management-of-the-various-species-of-domestic-poultry-with-illustrations-and-portraits-of-fowls-taken-from-life-he-ground-in-addition-to-these-buffon-mentions-a-sort-of-fowlin-brittany-which-are-always-obliged-to-leap-thelegs-being-so-short-they-are-the-size-of-a-dung-hill-fowl-and-kept-as-being-very-fruitful-the-henswill-hatch-thirty-eggs-at-a-time-some-think-thesedwarf-fowls-are-the-hadrian-breed-mentioned-bypliny-aldrovand-two-thousand-years-ago-de-scribes-the-dwarf-image372415671.htmlRM2CHTYYK–. The American poulterer's companion: : a practical treatise on the breeding, rearing, fattening, and general management of the various species of domestic poultry, : with illustrations, and portraits of fowls taken from life. . he ground. In addition to these BufFon mentions a sort of fowlin Brittany, which are always obliged to leap, thelegs being so short. They are the size of a dung-hill fowl, and kept as being very fruitful. The henswill hatch thirty eggs at a time. Some think thesedwarf fowls are the Hadrian breed mentioned byPliny. Aldrovand, two thousand years ago, de-scribes the dwarf
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which the alphabet is printed twice. Surrounding all sides of the middle section is a border decorated with various foliage and floral elements as well as geometric motifs.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto) 358089 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-45-recto-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduadesign-is-composed-of-a-central-rectangle-upon-which-the-alphabet-is-printed-twice-surrounding-all-sides-of-the-middle-section-is-a-border-decorated-with-various-foliage-and-floral-elements-as-well-as-geometric-motifs-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-45-recto-358089-image458643510.htmlRM2HJ50DA–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which the alphabet is printed twice. Surrounding all sides of the middle section is a border decorated with various foliage and floral elements as well as geometric motifs.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto) 358089
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472265.htmlRM2T8YWM9–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
. The Rotunda . ratoga Springs, N. Y..where her husband is head of thatdepartment. The Literary Digest of April 4 de-scribes a study which Dr. Kline andDr. Donald A. Laird of Colgate Uni-versity have been conducting as tothe effect of various elements uponsleep and fatigue. They have justconcluded a slumber contest between140 men students of Colgate and 136girl students of Skidmore to decidethe effect of a diet rich in sweets andother carbohydrates. The conclusionreached was that students who con-.sumed a considerable amount of thisclass of foods fell asleep more quickly,were disturbed very li Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rotunda-ratoga-springs-n-ywhere-her-husband-is-head-of-thatdepartment-the-literary-digest-of-april-4-de-scribes-a-study-which-dr-kline-anddr-donald-a-laird-of-colgate-uni-versity-have-been-conducting-as-tothe-effect-of-various-elements-uponsleep-and-fatigue-they-have-justconcluded-a-slumber-contest-between140-men-students-of-colgate-and-136girl-students-of-skidmore-to-decidethe-effect-of-a-diet-rich-in-sweets-andother-carbohydrates-the-conclusionreached-was-that-students-who-con-sumed-a-considerable-amount-of-thisclass-of-foods-fell-asleep-more-quicklywere-disturbed-very-li-image369679753.htmlRM2CDCA89–. The Rotunda . ratoga Springs, N. Y..where her husband is head of thatdepartment. The Literary Digest of April 4 de-scribes a study which Dr. Kline andDr. Donald A. Laird of Colgate Uni-versity have been conducting as tothe effect of various elements uponsleep and fatigue. They have justconcluded a slumber contest between140 men students of Colgate and 136girl students of Skidmore to decidethe effect of a diet rich in sweets andother carbohydrates. The conclusionreached was that students who con-.sumed a considerable amount of thisclass of foods fell asleep more quickly,were disturbed very li
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 33 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Placed directly before the text is a twisting linear motif. Surrounding all sides of the middle section are squares ornamented with various floral motifs.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-33-recto-october-1-1604-pietro-paulo-tozzi-italian-designed-by-pietro-paulo-tozzi-published-by-libraria-del-giesu-padua-calligraphy-by-antonello-bertozzi-and-sebastian-zanella-scribes-of-paduadesign-is-composed-of-a-central-rectangle-upon-which-calligraphic-text-is-printed-in-black-placed-directly-before-the-text-is-a-twisting-linear-motif-surrounding-all-sides-of-the-middle-section-are-squares-ornamented-with-various-floral-motifs-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-page-image458643462.htmlRM2HJ50BJ–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 33 (recto) October 1, 1604 Pietro Paulo Tozzi Italian Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Placed directly before the text is a twisting linear motif. Surrounding all sides of the middle section are squares ornamented with various floral motifs.. Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page
The Pharisees and scribes ask for a sign of Christ, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ tells the Pharisees and scribes that they will receive no other sign than that of the prophet Jonah. In the background you can see how Jonah is spit out on the land by the fish. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pharisees and Saducees tempt Christ to show them a sign from heaven (Matthew 12:38-39, 16:1-4; Mark 8:11-12; Luke 11:16, 11:29). after a three-day sojourn in the belly of the monster J Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pharisees-and-scribes-ask-for-a-sign-of-christ-antonie-wierix-ii-after-bernardino-passeri-1593-print-christ-tells-the-pharisees-and-scribes-that-they-will-receive-no-other-sign-than-that-of-the-prophet-jonah-in-the-background-you-can-see-how-jonah-is-spit-out-on-the-land-by-the-fish-various-elements-from-the-performance-are-letters-that-correspond-with-the-legend-in-the-margin-antwerp-paper-engraving-pharisees-and-saducees-tempt-christ-to-show-them-a-sign-from-heaven-matthew-1238-39-161-4-mark-811-12-luke-1116-1129-after-a-three-day-sojourn-in-the-belly-of-the-monster-j-image595214951.htmlRM2WGAAMR–The Pharisees and scribes ask for a sign of Christ, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ tells the Pharisees and scribes that they will receive no other sign than that of the prophet Jonah. In the background you can see how Jonah is spit out on the land by the fish. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pharisees and Saducees tempt Christ to show them a sign from heaven (Matthew 12:38-39, 16:1-4; Mark 8:11-12; Luke 11:16, 11:29). after a three-day sojourn in the belly of the monster J
Christ preaches to the scribes and the Pharisees. Christ preaches in the temple opposite the scribes and the Pharisees. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-preaches-to-the-scribes-and-the-pharisees-christ-preaches-in-the-temple-opposite-the-scribes-and-the-pharisees-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432805229.htmlRM2G43YDH–Christ preaches to the scribes and the Pharisees. Christ preaches in the temple opposite the scribes and the Pharisees. With various elements from the show are letters. The print is part of an album.
Book of Hours (Cistercian), Flagellation of Christ, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-flagellation-of-christ-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472554.htmlRM2T8YX2J–Book of Hours (Cistercian), Flagellation of Christ, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Christ for the Sanhedrin and the elders. Christ stands for the entire Sanhedrin, all high priests, elders and scribes. He tells them he is the Messiah. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-the-sanhedrin-and-the-elders-christ-stands-for-the-entire-sanhedrin-all-high-priests-elders-and-scribes-he-tells-them-he-is-the-messiah-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432807465.htmlRM2G4429D–Christ for the Sanhedrin and the elders. Christ stands for the entire Sanhedrin, all high priests, elders and scribes. He tells them he is the Messiah. With various elements from the show are letters. The print is part of an album.
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472273.htmlRM2T8YWMH–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Cleaning the temple. Christ drives out sellers and money exchangers from the temple. Blind and paralyzed come to him to be cured by him. The high priests and the scribes see which miracles Christ performed. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cleaning-the-temple-christ-drives-out-sellers-and-money-exchangers-from-the-temple-blind-and-paralyzed-come-to-him-to-be-cured-by-him-the-high-priests-and-the-scribes-see-which-miracles-christ-performed-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432807436.htmlRM2G4428C–Cleaning the temple. Christ drives out sellers and money exchangers from the temple. Blind and paralyzed come to him to be cured by him. The high priests and the scribes see which miracles Christ performed. With various elements from the show are letters. The print is part of an album.
Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-marginalia-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573471933.htmlRM2T8YW8D–Book of Hours (Cistercian), Marginalia, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Paul for Festus and Agrippa. At the Court of King Festus and King Agrippa, Apostle Paul defends himself to the accusations of the Jewish scribes. The two kings decide to send Paul to Rome. With various elements of the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-for-festus-and-agrippa-at-the-court-of-king-festus-and-king-agrippa-apostle-paul-defends-himself-to-the-accusations-of-the-jewish-scribes-the-two-kings-decide-to-send-paul-to-rome-with-various-elements-of-the-show-are-letters-the-print-is-part-of-an-album-image432807258.htmlRM2G44222–Paul for Festus and Agrippa. At the Court of King Festus and King Agrippa, Apostle Paul defends himself to the accusations of the Jewish scribes. The two kings decide to send Paul to Rome. With various elements of the show are letters. The print is part of an album.
Book of Hours (Cistercian), Crucifixion with Longinus and Stephaton, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-crucifixion-with-longinus-and-stephaton-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472272.htmlRM2T8YWMG–Book of Hours (Cistercian), Crucifixion with Longinus and Stephaton, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Christ for Kajafas. Soldiers lead Christ for Kajafas. The scribes and the elders have also met at the high priest. In the background you can see how Petrus has followed him up to the courtyard of the high priest's palace. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-kajafas-soldiers-lead-christ-for-kajafas-the-scribes-and-the-elders-have-also-met-at-the-high-priest-in-the-background-you-can-see-how-petrus-has-followed-him-up-to-the-courtyard-of-the-high-priests-palace-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432803665.htmlRM2G43WDN–Christ for Kajafas. Soldiers lead Christ for Kajafas. The scribes and the elders have also met at the high priest. In the background you can see how Petrus has followed him up to the courtyard of the high priest's palace. With various elements from the show are letters. The print is part of an album.
Book of Hours (Cistercian), Christ Carrying the Cross, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-christ-carrying-the-cross-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472742.htmlRM2T8YX9A–Book of Hours (Cistercian), Christ Carrying the Cross, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Christ as a twelve-year-old in the temple. Christ is in the temple on a throne. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-a-twelve-year-old-in-the-temple-christ-is-in-the-temple-on-a-throne-he-explains-the-scripture-to-the-scribes-joseph-and-maria-walk-in-the-temple-and-find-their-twelve-year-old-son-among-the-scholars-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432807765.htmlRM2G442M5–Christ as a twelve-year-old in the temple. Christ is in the temple on a throne. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. With various elements from the show are letters. The print is part of an album.
Book of Hours (Cistercian), Top: Agony in the Garden; Bottom: Betrayal and Arrest, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-top-agony-in-the-garden-bottom-betrayal-and-arrest-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573472837.htmlRM2T8YXCN–Book of Hours (Cistercian), Top: Agony in the Garden; Bottom: Betrayal and Arrest, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Christ for the Sanhedrin and the elders; Jesus was survey from Cajaphas. Christ stands for the entire Sanhedrin, all high priests, elders and scribes. He tells them he is the Messiah. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to John 18: 19-21. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-the-sanhedrin-and-the-elders-jesus-was-survey-from-cajaphas-christ-stands-for-the-entire-sanhedrin-all-high-priests-elders-and-scribes-he-tells-them-he-is-the-messiah-with-various-elements-from-the-show-are-letters-above-the-show-a-title-there-are-six-fresh-rules-and-a-reference-to-john-18-19-21-the-print-is-part-of-an-album-image432789125.htmlRM2G436XD–Christ for the Sanhedrin and the elders; Jesus was survey from Cajaphas. Christ stands for the entire Sanhedrin, all high priests, elders and scribes. He tells them he is the Messiah. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to John 18: 19-21. The print is part of an album.
Book of Hours (Cistercian), Bleeding wound on cloth held by two kneeling angels, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-cistercian-bleeding-wound-on-cloth-held-by-two-kneeling-angels-this-book-of-hours-was-created-ca-1440-in-hainaut-for-a-female-patron-with-cistercian-connections-which-is-suggested-by-long-devotional-sequences-focused-on-the-passion-of-christ-and-the-virgin-including-indulgences-a-litany-with-cistercian-affiliation-and-various-references-to-a-female-suppliant-two-devotional-texts-written-by-various-scribes-in-latin-and-french-were-added-to-the-front-and-back-of-the-book-ca-1450-1600-image573470861.htmlRM2T8YRX5–Book of Hours (Cistercian), Bleeding wound on cloth held by two kneeling angels, This Book of Hours was created ca. 1440 in Hainaut for a female patron with Cistercian connections, which is suggested by long devotional sequences focused on the Passion of Christ and the Virgin, including indulgences, a litany with Cistercian affiliation, and various references to a female suppliant. Two devotional texts written by various scribes in Latin and French were added to the front and back of the book ca. 1450-1600
Christ in conversation with the Pharisees and Scribes. Pharisees and scribes have come from Jerusalem to ask Christ questions about his doctrine. On the right in the background are Christ 'disciples at the table. The Pharisees take the Christ eating his disciples with unwashed hands. The tradition of hand washing is shown to the left in the background. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-in-conversation-with-the-pharisees-and-scribes-pharisees-and-scribes-have-come-from-jerusalem-to-ask-christ-questions-about-his-doctrine-on-the-right-in-the-background-are-christ-disciples-at-the-table-the-pharisees-take-the-christ-eating-his-disciples-with-unwashed-hands-the-tradition-of-hand-washing-is-shown-to-the-left-in-the-background-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432807152.htmlRM2G441X8–Christ in conversation with the Pharisees and Scribes. Pharisees and scribes have come from Jerusalem to ask Christ questions about his doctrine. On the right in the background are Christ 'disciples at the table. The Pharisees take the Christ eating his disciples with unwashed hands. The tradition of hand washing is shown to the left in the background. With various elements from the show are letters. The print is part of an album.
Jesus among the scribes, Jesus, as a boy, sits on a platform surrounded by listeners. Two people on each side and three people on a slightly lower bench opposite him. Jesus holds the left hand in front of the waist and the right arm bent and slightly forward. A few listeners gesture with their hands, two others hold an open book on their lap. Christ wears a tunic, the Pharisees are dressed in various robes and with a cap, turban or hat. The bnk, on which the three front seats are seated, has sunken panels. The hooded man, on the far right, may represent Joseph, Christ's dispute with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-among-the-scribes-jesus-as-a-boy-sits-on-a-platform-surrounded-by-listeners-two-people-on-each-side-and-three-people-on-a-slightly-lower-bench-opposite-him-jesus-holds-the-left-hand-in-front-of-the-waist-and-the-right-arm-bent-and-slightly-forward-a-few-listeners-gesture-with-their-hands-two-others-hold-an-open-book-on-their-lap-christ-wears-a-tunic-the-pharisees-are-dressed-in-various-robes-and-with-a-cap-turban-or-hat-the-bnk-on-which-the-three-front-seats-are-seated-has-sunken-panels-the-hooded-man-on-the-far-right-may-represent-joseph-christs-dispute-with-image261367739.htmlRMW56963–Jesus among the scribes, Jesus, as a boy, sits on a platform surrounded by listeners. Two people on each side and three people on a slightly lower bench opposite him. Jesus holds the left hand in front of the waist and the right arm bent and slightly forward. A few listeners gesture with their hands, two others hold an open book on their lap. Christ wears a tunic, the Pharisees are dressed in various robes and with a cap, turban or hat. The bnk, on which the three front seats are seated, has sunken panels. The hooded man, on the far right, may represent Joseph, Christ's dispute with
The Pharisees and scribes ask for a sign of Christ. Christ tells the Pharisees and scribes that they will not receive any other sign than that of the prophet Jona. In the background you can see how Jonah spits through the fish on the land. In the background left the Queen of Seba for King Solomon. On the right man abandoned by an unclean spirit, but returns with seven other demons that are worse than himself. With various elements from the show are letters. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pharisees-and-scribes-ask-for-a-sign-of-christ-christ-tells-the-pharisees-and-scribes-that-they-will-not-receive-any-other-sign-than-that-of-the-prophet-jona-in-the-background-you-can-see-how-jonah-spits-through-the-fish-on-the-land-in-the-background-left-the-queen-of-seba-for-king-solomon-on-the-right-man-abandoned-by-an-unclean-spirit-but-returns-with-seven-other-demons-that-are-worse-than-himself-with-various-elements-from-the-show-are-letters-the-print-is-part-of-an-album-image432812443.htmlRM2G448K7–The Pharisees and scribes ask for a sign of Christ. Christ tells the Pharisees and scribes that they will not receive any other sign than that of the prophet Jona. In the background you can see how Jonah spits through the fish on the land. In the background left the Queen of Seba for King Solomon. On the right man abandoned by an unclean spirit, but returns with seven other demons that are worse than himself. With various elements from the show are letters. The print is part of an album.
Christ as a twelve-year-old in the temple; Jesus 12 years old, learned in the temple. Christ is in the temple on a throne. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Luke 2: 42-46. The print is part of an album. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-a-twelve-year-old-in-the-temple-jesus-12-years-old-learned-in-the-temple-christ-is-in-the-temple-on-a-throne-he-explains-the-scripture-to-the-scribes-joseph-and-maria-walk-in-the-temple-and-find-their-twelve-year-old-son-among-the-scholars-with-various-elements-from-the-show-are-letters-above-the-show-a-title-there-are-six-fresh-rules-and-a-reference-to-luke-2-42-46-the-print-is-part-of-an-album-image432800325.htmlRM2G43N6D–Christ as a twelve-year-old in the temple; Jesus 12 years old, learned in the temple. Christ is in the temple on a throne. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Luke 2: 42-46. The print is part of an album.
Christ before the Sanhedrin and the elders, Jesus was questioned by Cajaphas (title on object), Christ stands before the entire Sanhedrin, all the high priests, elders and scribes. He tells them that he is the messiah. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to John 18: 19-21. The print is part of an album., print maker: Christoffel van Sichem (II), (mentioned on object), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, paper, letterpress printing, height 110 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-before-the-sanhedrin-and-the-elders-jesus-was-questioned-by-cajaphas-title-on-object-christ-stands-before-the-entire-sanhedrin-all-the-high-priests-elders-and-scribes-he-tells-them-that-he-is-the-messiah-there-are-letters-near-various-elements-of-the-scene-above-the-image-is-a-title-below-it-are-six-verses-and-a-reference-to-john-18-19-21-the-print-is-part-of-an-album-print-maker-christoffel-van-sichem-ii-mentioned-on-object-after-print-by-hieronymus-wierix-after-design-by-bernardino-passeri-amsterdam-1629-andor-1740-paper-letterpress-printing-height-110-mm-image473270841.htmlRM2JDY9P1–Christ before the Sanhedrin and the elders, Jesus was questioned by Cajaphas (title on object), Christ stands before the entire Sanhedrin, all the high priests, elders and scribes. He tells them that he is the messiah. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to John 18: 19-21. The print is part of an album., print maker: Christoffel van Sichem (II), (mentioned on object), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, paper, letterpress printing, height 110 mm
Jesus between the scribes. Jesus, as a boy, is on an elevation, surrounded by listeners. On each side two and opposite him on a slightly lower bank three listeners. Jesus holds the left hand for the means and the right arm bent and slightly forward. Some listeners gesturing with their hands, two others hold a swamped book on his lap. Christ bears a tunic, the Pharisees are dressed in various robes and with a glamor, turban or hat. The BNK, on which the three things are seated, exhibits deepened panels. The man in piping with hood, completely right, may imagine Joseph. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-between-the-scribes-jesus-as-a-boy-is-on-an-elevation-surrounded-by-listeners-on-each-side-two-and-opposite-him-on-a-slightly-lower-bank-three-listeners-jesus-holds-the-left-hand-for-the-means-and-the-right-arm-bent-and-slightly-forward-some-listeners-gesturing-with-their-hands-two-others-hold-a-swamped-book-on-his-lap-christ-bears-a-tunic-the-pharisees-are-dressed-in-various-robes-and-with-a-glamor-turban-or-hat-the-bnk-on-which-the-three-things-are-seated-exhibits-deepened-panels-the-man-in-piping-with-hood-completely-right-may-imagine-joseph-image432414850.htmlRM2G3E5FE–Jesus between the scribes. Jesus, as a boy, is on an elevation, surrounded by listeners. On each side two and opposite him on a slightly lower bank three listeners. Jesus holds the left hand for the means and the right arm bent and slightly forward. Some listeners gesturing with their hands, two others hold a swamped book on his lap. Christ bears a tunic, the Pharisees are dressed in various robes and with a glamor, turban or hat. The BNK, on which the three things are seated, exhibits deepened panels. The man in piping with hood, completely right, may imagine Joseph.
Christ before the Sanhedrin and the elders, Jesus was questioned by Cajaphas (title on object), Christ stands before the entire Sanhedrin, all the high priests, elders and scribes. He tells them that he is the messiah. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to John 18: 19-21. The print is part of an album., print maker: Christoffel van Sichem (II), (mentioned on object), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, paper, letterpress printing, height 110 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-before-the-sanhedrin-and-the-elders-jesus-was-questioned-by-cajaphas-title-on-object-christ-stands-before-the-entire-sanhedrin-all-the-high-priests-elders-and-scribes-he-tells-them-that-he-is-the-messiah-there-are-letters-near-various-elements-of-the-scene-above-the-image-is-a-title-below-it-are-six-verses-and-a-reference-to-john-18-19-21-the-print-is-part-of-an-album-print-maker-christoffel-van-sichem-ii-mentioned-on-object-after-print-by-hieronymus-wierix-after-design-by-bernardino-passeri-amsterdam-1629-andor-1740-paper-letterpress-printing-height-110-mm-image473346321.htmlRM2JE2P1N–Christ before the Sanhedrin and the elders, Jesus was questioned by Cajaphas (title on object), Christ stands before the entire Sanhedrin, all the high priests, elders and scribes. He tells them that he is the messiah. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to John 18: 19-21. The print is part of an album., print maker: Christoffel van Sichem (II), (mentioned on object), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, paper, letterpress printing, height 110 mm
Christ for the Sanhedrin and the elders The Gestis Mane in Pleno Principvm, et Senriorvm Concilio (title on object), Christ is led for the entire Sanhedrin, all high priests, elders and scribes. Christ tells them that he is the messiah. Various elements from the show have letters that correspond to the legend in the margin., Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas, maybe a soldier about to strike Christ because he keeps silent (Matthew 26: 57-66, Mark 14: 53-64, Luke 22:54, 22: 66-71), Hieronymus Wierix (mentioned on object), Antwerp, 1593, paper, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-for-the-sanhedrin-and-the-elders-the-gestis-mane-in-pleno-principvm-et-senriorvm-concilio-title-on-object-christ-is-led-for-the-entire-sanhedrin-all-high-priests-elders-and-scribes-christ-tells-them-that-he-is-the-messiah-various-elements-from-the-show-have-letters-that-correspond-to-the-legend-in-the-margin-christ-before-the-sanhedrin-with-caiaphas-as-high-priest-and-possibly-annas-maybe-a-soldier-about-to-strike-christ-because-he-keeps-silent-matthew-26-57-66-mark-14-53-64-luke-2254-22-66-71-hieronymus-wierix-mentioned-on-object-antwerp-1593-paper-engraving-image261405901.htmlRMW581W1–Christ for the Sanhedrin and the elders The Gestis Mane in Pleno Principvm, et Senriorvm Concilio (title on object), Christ is led for the entire Sanhedrin, all high priests, elders and scribes. Christ tells them that he is the messiah. Various elements from the show have letters that correspond to the legend in the margin., Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas, maybe a soldier about to strike Christ because he keeps silent (Matthew 26: 57-66, Mark 14: 53-64, Luke 22:54, 22: 66-71), Hieronymus Wierix (mentioned on object), Antwerp, 1593, paper, engraving
Christ as a twelve-year-old in the temple, Jesus 12 years old zynde, leerd in den tempel (title on object), Christ is seated on a throne in the temple. He is explaining scripture to the scribes. Joseph and Mary enter the temple and find their twelve-year-old son among the scholars. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to Luke 2: 42-46. The print is part of an album., print maker: Christoffel van Sichem (II), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-a-twelve-year-old-in-the-temple-jesus-12-years-old-zynde-leerd-in-den-tempel-title-on-object-christ-is-seated-on-a-throne-in-the-temple-he-is-explaining-scripture-to-the-scribes-joseph-and-mary-enter-the-temple-and-find-their-twelve-year-old-son-among-the-scholars-there-are-letters-near-various-elements-of-the-scene-above-the-image-is-a-title-below-it-are-six-verses-and-a-reference-to-luke-2-42-46-the-print-is-part-of-an-album-print-maker-christoffel-van-sichem-ii-after-print-by-hieronymus-wierix-after-design-by-bernardino-passeri-amsterdam-1629-andor-1740-pa-image473270757.htmlRM2JDY9K1–Christ as a twelve-year-old in the temple, Jesus 12 years old zynde, leerd in den tempel (title on object), Christ is seated on a throne in the temple. He is explaining scripture to the scribes. Joseph and Mary enter the temple and find their twelve-year-old son among the scholars. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to Luke 2: 42-46. The print is part of an album., print maker: Christoffel van Sichem (II), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, pa
Christ as a twelve-year-old in the temple, Jesus 12 years old zynde, leerd in den tempel (title on object), Christ is seated on a throne in the temple. He is explaining scripture to the scribes. Joseph and Mary enter the temple and find their twelve-year-old son among the scholars. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to Luke 2: 42-46. The print is part of an album., print maker: Christoffel van Sichem (II), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-a-twelve-year-old-in-the-temple-jesus-12-years-old-zynde-leerd-in-den-tempel-title-on-object-christ-is-seated-on-a-throne-in-the-temple-he-is-explaining-scripture-to-the-scribes-joseph-and-mary-enter-the-temple-and-find-their-twelve-year-old-son-among-the-scholars-there-are-letters-near-various-elements-of-the-scene-above-the-image-is-a-title-below-it-are-six-verses-and-a-reference-to-luke-2-42-46-the-print-is-part-of-an-album-print-maker-christoffel-van-sichem-ii-after-print-by-hieronymus-wierix-after-design-by-bernardino-passeri-amsterdam-1629-andor-1740-pa-image473346244.htmlRM2JE2NY0–Christ as a twelve-year-old in the temple, Jesus 12 years old zynde, leerd in den tempel (title on object), Christ is seated on a throne in the temple. He is explaining scripture to the scribes. Joseph and Mary enter the temple and find their twelve-year-old son among the scholars. There are letters near various elements of the scene. Above the image is a title. Below it are six verses and a reference to Luke 2: 42-46. The print is part of an album., print maker: Christoffel van Sichem (II), after print by: Hieronymus Wierix, after design by: Bernardino Passeri, Amsterdam, 1629 and/or 1740, pa
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso), October 1, 1604 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-162451365.htmlRMKC88AD–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso), October 1, 1604
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto), October 1, 1604 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-162451364.htmlRMKC88AC–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (recto), October 1, 1604
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto), October 1, 1604 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-162451368.htmlRMKC88AG–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto), October 1, 1604
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso), October 1, 1604 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-162451363.htmlRMKC88AB–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso), October 1, 1604
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso), October 1, 1604 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ghirlanda-di-sei-vaghi-fiori-scielti-da-piu-famosi-giardini-ditalia-162451369.htmlRMKC88AH–Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso), October 1, 1604
