Veiled christ naples hi-res stock photography and images

Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - The statue of Veiled Christ at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News Stock Photo

RM2C0NEXF–Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - The statue of Veiled Christ at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News

italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the Stock Photo

RMGJ86MK–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

veiled Christ sculpture in the center of the Sansevero Chapel. Carved in 1753 by Giuseppe Sanmartino Stock Photo

RMEN4P4T–veiled Christ sculpture in the center of the Sansevero Chapel. Carved in 1753 by Giuseppe Sanmartino

RM2FMXR0F–Cappella Sansevero

Sammartino's The Dead Christ in the Capella Sansevero, Naples, Italy. Stock Photo

RMDEW43D–Sammartino's The Dead Christ in the Capella Sansevero, Naples, Italy.

General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'. Stock Photo

RF2K8W7X8–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RMEFB3GD–veiled Christ sculpture in the center of the Sansevero Chapel. Carved in 1753 by Giuseppe Sanmartino

Veiled Christ. Circle of Giuseppe Sanmartino (Italy, Naples, 1720-1793). Italy, circa 1752. Sculpture. Earthenware Stock Photo

RM2J01BMP–Veiled Christ. Circle of Giuseppe Sanmartino (Italy, Naples, 1720-1793). Italy, circa 1752. Sculpture. Earthenware

RM2C0NEX9–Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - The statue of Veiled Christ at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News

RMGJ86ME–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

RM2FKXG1T–Cappella Sansevero

RMDET820–Sammartino's The Dead Christ in the Capella Sansevero, Naples, Italy.

RF2K8W7WG–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - A general view of the Sansevero Chapel, at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News Stock Photo

RM2C0NFYW–Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - A general view of the Sansevero Chapel, at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News

RMGJ86MR–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

RM2FMXR8P–Cappella Sansevero

RF2K8W7TR–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - Instructions to keep a safe distance installed at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News Stock Photo

RM2C0NFYA–Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - Instructions to keep a safe distance installed at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News

RMGJ86N1–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

RM2FMXPRR–Cappella Sansevero

RF2K8W7WN–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RM2C0NG0B–Naples, Italy. 11th June, 2020. NAPLES, ITALY - JUNE 11 - Instructions to keep a safe distance installed at the Sansevero Chapel Museum during the opening day of the Museum, June 11, 2020, after the National Lockdown to contain the Covid-19 epidemic. Many Italian companies have been authorized to reopen after more than two months of national lockdown intended to stop the spread of Covid-19, as these also museums and cultural sites reopen to the public with the social distances and hygiene regulations dictated by the government. Credit: Manuel Dorati/ZUMA Wire/Alamy Live News

RMGJ86MF–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

RM2FKXG26–Cappella Sansevero

RF2K8W7X3–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RMGJ86MG–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

RM2FMXR13–Cappella Sansevero

RF2K8W7TX–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

Italy, Naples: Cristo Velato in Palazzo Sansevero. Veiled Christ renowned world over Stock Photo

RMGJ86J5–Italy, Naples: Cristo Velato in Palazzo Sansevero. Veiled Christ renowned world over

RM2FKXG20–Cappella Sansevero

RF2K8W7X0–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RMGJ86J8–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Christ renowned world over

RM2FMXR7C–Cappella Sansevero

RF2K8W7WA–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RMGJ86J1–Italy, Naples: Cristo Velato in Palazzo Sansevero. Veiled Christ renowned world over

RM2FMXRAW–Cappella Sansevero

RF2K8W7WK–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RMGJ86HT–italy, naples: Cristo Velato in Palazzo Sansevero. Veiled Chris renowned world ovr for the remarkable tissue-like quality of the

RM2FMXR7N–Cappella Sansevero

RF2K8W7XB–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RM2FKXF5B–Cappella Sansevero

RF2K8W7WX–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RM2FKXF4P–Cappella Sansevero

RF2K8W7X5–General view of the main room in the centre of the nave of the Sansevero Chapel, a life-size sculpture in white marble by the artist Giuseppe Sammartino in 1753, representing Our Lord Jesus Christ dead, covered by a transparent shroud made from the same block as the statue'.

RM2FKXF5G–Cappella Sansevero

the second room of the San Severo chapel, known as the Apartment of the Phoenix, where the Anatomical Machines, skeletons of a man and a woman in an upright position, with the arteriovenous system almost perfectly intact, are housed in two display cases. The Machines were made by the Palermo doctor Giuseppe Salerno, and some eighteenth-century sources recently revealed that the male anatomical machine was purchased in 1756 by Raimondo di Sangro, following a public exhibition that the Sicilian anatomist held in Naples. Stock Photo

RF2K8W7XD–the second room of the San Severo chapel, known as the Apartment of the Phoenix, where the Anatomical Machines, skeletons of a man and a woman in an upright position, with the arteriovenous system almost perfectly intact, are housed in two display cases. The Machines were made by the Palermo doctor Giuseppe Salerno, and some eighteenth-century sources recently revealed that the male anatomical machine was purchased in 1756 by Raimondo di Sangro, following a public exhibition that the Sicilian anatomist held in Naples.

RM2FKXFB5–Cappella Sansevero

RF2K8W7XJ–the second room of the San Severo chapel, known as the Apartment of the Phoenix, where the Anatomical Machines, skeletons of a man and a woman in an upright position, with the arteriovenous system almost perfectly intact, are housed in two display cases. The Machines were made by the Palermo doctor Giuseppe Salerno, and some eighteenth-century sources recently revealed that the male anatomical machine was purchased in 1756 by Raimondo di Sangro, following a public exhibition that the Sicilian anatomist held in Naples.

RM2FKXF3B–Cappella Sansevero

RF2K8W7XR–the second room of the San Severo chapel, known as the Apartment of the Phoenix, where the Anatomical Machines, skeletons of a man and a woman in an upright position, with the arteriovenous system almost perfectly intact, are housed in two display cases. The Machines were made by the Palermo doctor Giuseppe Salerno, and some eighteenth-century sources recently revealed that the male anatomical machine was purchased in 1756 by Raimondo di Sangro, following a public exhibition that the Sicilian anatomist held in Naples.

RM2FKXF86–Cappella Sansevero

RF2K8W7XG–the second room of the San Severo chapel, known as the Apartment of the Phoenix, where the Anatomical Machines, skeletons of a man and a woman in an upright position, with the arteriovenous system almost perfectly intact, are housed in two display cases. The Machines were made by the Palermo doctor Giuseppe Salerno, and some eighteenth-century sources recently revealed that the male anatomical machine was purchased in 1756 by Raimondo di Sangro, following a public exhibition that the Sicilian anatomist held in Naples.

RM2FKXF10–Cappella Sansevero

RF2K8W7XM–the second room of the San Severo chapel, known as the Apartment of the Phoenix, where the Anatomical Machines, skeletons of a man and a woman in an upright position, with the arteriovenous system almost perfectly intact, are housed in two display cases. The Machines were made by the Palermo doctor Giuseppe Salerno, and some eighteenth-century sources recently revealed that the male anatomical machine was purchased in 1756 by Raimondo di Sangro, following a public exhibition that the Sicilian anatomist held in Naples.