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Venetian rococo painter Stock Photos and Images
Poetry 1720 Rosalba Zuanna Carriera 1673 – 1757 Venetian Rococo painter Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-poetry-1720-rosalba-zuanna-carriera-1673-1757-venetian-rococo-painter-78462296.htmlRMEFJ7CT–Poetry 1720 Rosalba Zuanna Carriera 1673 – 1757 Venetian Rococo painter Italy Italian
Rosalba Carriera (1673 – 1757) Venetian Rococo painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-1673-1757-venetian-rococo-painter-image602973641.htmlRM2X0YR0W–Rosalba Carriera (1673 – 1757) Venetian Rococo painter
Lord St Georg 1715-1775 by Rosalba Carriera 1675-1757 Venetian Rococo painter Italian Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lord-st-georg-1715-1775-by-rosalba-carriera-1675-1757-venetian-rococo-image63771794.htmlRMDKN1G2–Lord St Georg 1715-1775 by Rosalba Carriera 1675-1757 Venetian Rococo painter Italian Italy
Rosalba Carriera (1673-1757), Self Portrait painting of the Venetian Rococo painter as 'Winter' in pastel, 1731 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-1673-1757-self-portrait-painting-of-the-venetian-rococo-painter-as-winter-in-pastel-1731-image491337341.htmlRM2KFA9P5–Rosalba Carriera (1673-1757), Self Portrait painting of the Venetian Rococo painter as 'Winter' in pastel, 1731
Portrait of a Man by Rosalba Carriera (1673-1757) a Venetian Rococo painter. Dated 18th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-a-man-by-rosalba-carriera-1673-1757-a-venetian-rococo-122885914.htmlRMH3WX6J–Portrait of a Man by Rosalba Carriera (1673-1757) a Venetian Rococo painter. Dated 18th Century
Portrait of Rosalba Carriera, Venetian Rococo painter and miniature artist, 1673-1757. Rosa Alba Carriera. Copperplate engraving by Flipart from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-rosalba-carriera-venetian-rococo-painter-and-miniature-artist-1673-1757-rosa-alba-carriera-copperplate-engraving-by-flipart-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241677818.htmlRMT15AEJ–Portrait of Rosalba Carriera, Venetian Rococo painter and miniature artist, 1673-1757. Rosa Alba Carriera. Copperplate engraving by Flipart from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
Portrait of Rosalba Carriera, Venetian Rococo painter and miniature artist, 1673-1757. Rosa Alba Carriera. Copperplate engraving by Flipart from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-rosalba-carriera-venetian-rococo-painter-and-miniature-artist-1673-1757-rosa-alba-carriera-copperplate-engraving-by-flipart-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image359072497.htmlRM2BT54HN–Portrait of Rosalba Carriera, Venetian Rococo painter and miniature artist, 1673-1757. Rosa Alba Carriera. Copperplate engraving by Flipart from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Rosalba Carriera, Venetian Rococo painter of portrait miniatures and pastel portraits, 1673-1757. Holding a double-ended chalk holder and self-portrait in pastels. Pittrice. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-venetian-rococo-painter-of-portrait-miniatures-and-pastel-portraits-1673-1757-holding-a-double-ended-chalk-holder-and-self-portrait-in-pastels-pittrice-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image552402181.htmlRM2R2M2H9–Rosalba Carriera, Venetian Rococo painter of portrait miniatures and pastel portraits, 1673-1757. Holding a double-ended chalk holder and self-portrait in pastels. Pittrice. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
GERMANY - CIRCA 1976: a stamp printed in Germany shows Air, Painting by Rosalba Carriera, Venetian Rococo Painter, circa 1976 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-circa-1976-a-stamp-printed-in-germany-shows-air-painting-by-rosalba-carriera-venetian-rococo-painter-circa-1976-image435000358.htmlRF2G7KYB2–GERMANY - CIRCA 1976: a stamp printed in Germany shows Air, Painting by Rosalba Carriera, Venetian Rococo Painter, circa 1976
A Young Lady with a Parrot by Rosalba Carriera (1673-1757), pastel on blue laid paper mounted on laminated paper board, c. 1730 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-lady-with-a-parrot-by-rosalba-carriera-1673-1757-pastel-on-blue-laid-paper-mounted-on-laminated-paper-board-c-1730-image459997791.htmlRM2HMAKTF–A Young Lady with a Parrot by Rosalba Carriera (1673-1757), pastel on blue laid paper mounted on laminated paper board, c. 1730
The Penitent Magdalene 1720 Giovanni Antonio Pellegrini 1675-1741 Italian, Italy, ( Venetian Rococo history painter ) Mary Magdalene is a woman in all four gospels of the New Testament. She became a faithful follower of Jesus after he delivered her from seven demons. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-penitent-magdalene-1720-giovanni-antonio-pellegrini-1675-1741-italian-italy-venetian-rococo-history-painter-mary-magdalene-is-a-woman-in-all-four-gospels-of-the-new-testament-she-became-a-faithful-follower-of-jesus-after-he-delivered-her-from-seven-demons-image398068705.htmlRM2E3HGKD–The Penitent Magdalene 1720 Giovanni Antonio Pellegrini 1675-1741 Italian, Italy, ( Venetian Rococo history painter ) Mary Magdalene is a woman in all four gospels of the New Testament. She became a faithful follower of Jesus after he delivered her from seven demons.
Giovanni Battista Tiepolo Young Lady in a Tricorn Hat c. 1755/1760 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-young-lady-in-a-tricorn-hat-c-17551760-image526947686.htmlRF2NH8F46–Giovanni Battista Tiepolo Young Lady in a Tricorn Hat c. 1755/1760
Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-rialto-bridge-after-the-design-by-palladio-ca-1770-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471610703.htmlRM2JB7M7B–Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
The Origin of the Milky Way, Jacopo Tintoretto, circa 1575, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-origin-of-the-milky-way-jacopo-tintoretto-circa-1575-image348961690.htmlRM2B7MG5E–The Origin of the Milky Way, Jacopo Tintoretto, circa 1575,
Venice', c1775 Artist: Francesco Guardi. Francesco Guardi (1712-1793) was an Italian painter, nobleman, and a member of the Venetian School. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venice-c1775-artist-francesco-guardi-francesco-guardi-1712-1793-was-an-italian-painter-nobleman-and-a-member-of-the-venetian-school-image377037433.htmlRM2CWBF2H–Venice', c1775 Artist: Francesco Guardi. Francesco Guardi (1712-1793) was an Italian painter, nobleman, and a member of the Venetian School.
Giambattista Tiepolo (1696-1770. The Death of Sophonisba. ca. 1760. Oil on canvas. 48.3 x 38.2 cm. Giambattista Tiepolo was an Italian Rococo artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giambattista-tiepolo-1696-1770-the-death-of-sophonisba-ca-1760-oil-on-canvas-483-x-382-cm-giambattista-tiepolo-was-an-italian-rococo-artist-image460649841.htmlRM2HNCBG1–Giambattista Tiepolo (1696-1770. The Death of Sophonisba. ca. 1760. Oil on canvas. 48.3 x 38.2 cm. Giambattista Tiepolo was an Italian Rococo artist
Painting Madonna with Saint Lawrence and Saint Francis of Paola (1775-1780) by Italian Baroque painter Giovanni Battista Tiepolo on display in the Musee des Beaux-Arts de Strasbourg (Museum of Fine Arts) in Strasbourg, Alsace, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-madonna-with-saint-lawrence-and-saint-francis-of-paola-1775-132123563.htmlRMHJXMXK–Painting Madonna with Saint Lawrence and Saint Francis of Paola (1775-1780) by Italian Baroque painter Giovanni Battista Tiepolo on display in the Musee des Beaux-Arts de Strasbourg (Museum of Fine Arts) in Strasbourg, Alsace, France.
Portrait of the painter Marco Ricci (1676-1730), 1724. Private Collection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-painter-marco-ricci-1676-1730-1724-private-collection-image462496887.htmlRM2HTCFDY–Portrait of the painter Marco Ricci (1676-1730), 1724. Private Collection.
London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-29-march-2022-the-exhibition-is-the-complete-set-of-twenty-four-venetian-views-from-woburn-abbey-painted-by-canaletto-for-lord-john-russell-the-4th-duke-of-bedford-in-the-1730s-this-is-the-first-time-the-paintings-thought-to-be-canalettos-largest-single-commission-will-be-on-display-in-their-entirety-outside-of-their-ancestral-home-at-woburn-abbey-royal-museum-greenwich-1-april-25-september-2022-paul-quezada-neimanalamy-live-news-image465938508.htmlRM2J21990–London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News
Caterina Sagredo Barbarigo (1715-1772), was a Venetian aristocrat, casino holder, and notorious salonniére, portrait painting in pastel by Rosalba Carriera, 1735-1740 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caterina-sagredo-barbarigo-1715-1772-was-a-venetian-aristocrat-casino-holder-and-notorious-salonnire-portrait-painting-in-pastel-by-rosalba-carriera-1735-1740-image491337465.htmlRM2KFA9XH–Caterina Sagredo Barbarigo (1715-1772), was a Venetian aristocrat, casino holder, and notorious salonniére, portrait painting in pastel by Rosalba Carriera, 1735-1740
Flora and Zephyr, painting by Giovanni Domenico Tiepolo, circa 1760 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flora-and-zephyr-painting-by-giovanni-domenico-tiepolo-circa-1760-image391984843.htmlRM2DNMCJK–Flora and Zephyr, painting by Giovanni Domenico Tiepolo, circa 1760
Rosalba Carriera, Venetian Rococo painter of portrait miniatures and pastel portraits, 1673-1757. Holding a double-ended chalk holder and self-portrait in pastels. Pittrice. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-venetian-rococo-painter-of-portrait-miniatures-and-pastel-portraits-1673-1757-holding-a-double-ended-chalk-holder-and-self-portrait-in-pastels-pittrice-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image571908281.htmlRM2T6CJRN–Rosalba Carriera, Venetian Rococo painter of portrait miniatures and pastel portraits, 1673-1757. Holding a double-ended chalk holder and self-portrait in pastels. Pittrice. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Rosalba Carriera portrait painting, A Gentleman in a Gold Patterned Coat, and Violet-Brown Cape, pastel, circa 1727 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-portrait-painting-a-gentleman-in-a-gold-patterned-coat-and-violet-brown-cape-pastel-circa-1727-image491337467.htmlRM2KFA9XK–Rosalba Carriera portrait painting, A Gentleman in a Gold Patterned Coat, and Violet-Brown Cape, pastel, circa 1727
Antonio Bellucci, Cimon and Pero (Roman Charity), painting in oil on canvas, circa 1685 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antonio-bellucci-cimon-and-pero-roman-charity-painting-in-oil-on-canvas-circa-1685-image505412182.htmlRM2MA7EB2–Antonio Bellucci, Cimon and Pero (Roman Charity), painting in oil on canvas, circa 1685
Sebastiano Ricci A Miracle of Saint Francis of Paola 1733 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sebastiano-ricci-a-miracle-of-saint-francis-of-paola-1733-image526946968.htmlRF2NH8E6G–Sebastiano Ricci A Miracle of Saint Francis of Paola 1733
Francesco Guardi (1712-1793).Venetian painter. Regatta on the Grand Canal by the Rialto Bridge, 1780s. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793venetian-painter-regatta-on-the-grand-canal-by-the-rialto-bridge-1780s-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471610763.htmlRM2JB7M9F–Francesco Guardi (1712-1793).Venetian painter. Regatta on the Grand Canal by the Rialto Bridge, 1780s. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
Portrait of Vincenzo Morosini, Jacopo Tintoretto, circa 1575-80, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-vincenzo-morosini-jacopo-tintoretto-circa-1575-80-image348961695.htmlRM2B7MG5K–Portrait of Vincenzo Morosini, Jacopo Tintoretto, circa 1575-80,
The Grand Canal, Venice', c1732-1790. Artist: Francesco Guardi. Francesco Guardi (1712-1793) was an Italian painter, nobleman, and a member of the Venetian School. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-grand-canal-venice-c1732-1790-artist-francesco-guardi-francesco-guardi-1712-1793-was-an-italian-painter-nobleman-and-a-member-of-the-venetian-school-image377037435.htmlRM2CWBF2K–The Grand Canal, Venice', c1732-1790. Artist: Francesco Guardi. Francesco Guardi (1712-1793) was an Italian painter, nobleman, and a member of the Venetian School.
Saints Maximus and Oswald, Giovanni Battista Tiepolo, circa 1745, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saints-maximus-and-oswald-giovanni-battista-tiepolo-circa-1745-image349148030.htmlRM2B811TE–Saints Maximus and Oswald, Giovanni Battista Tiepolo, circa 1745,
Saint Lawrence of Rome. Detail of the painting Madonna with Saint Lawrence and Saint Francis of Paola (1775-1780) by Italian Baroque painter Giovanni Domenico Tiepolo on display in the Musee des Beaux-Arts de Strasbourg (Museum of Fine Arts) in Strasbourg, Alsace, France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-lawrence-of-rome-detail-of-the-painting-madonna-with-saint-lawrence-132123564.htmlRMHJXMXM–Saint Lawrence of Rome. Detail of the painting Madonna with Saint Lawrence and Saint Francis of Paola (1775-1780) by Italian Baroque painter Giovanni Domenico Tiepolo on display in the Musee des Beaux-Arts de Strasbourg (Museum of Fine Arts) in Strasbourg, Alsace, France.
Giandomenico Tiepolo (1727-1804). The Apotheosis of Hercules. ca. 1765. Oil on canvas. 101.3 x 85.5 cm. Giandomenico Tiepolo was an Italian Rococo pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giandomenico-tiepolo-1727-1804-the-apotheosis-of-hercules-ca-1765-oil-on-canvas-1013-x-855-cm-giandomenico-tiepolo-was-an-italian-rococo-pa-image460649832.htmlRM2HNCBFM–Giandomenico Tiepolo (1727-1804). The Apotheosis of Hercules. ca. 1765. Oil on canvas. 101.3 x 85.5 cm. Giandomenico Tiepolo was an Italian Rococo pa
![The Sacrifice of Polyxena at the Tomb of Achilles, c1735. The tragic moment depicted is from the end of the Trojan War. According to legend, the ghost of the Greek hero Achilles demanded that the Trojan princess Polyxena be sacrificed at his tomb. Achilles's son, with the feathered helmet, is leading the sacrifice. According to the Roman poet Ovid, Polyxena "kept her look of dauntless courage until the end." In visualizing this passage, the painter has depicted the young woman with a sorrowful yet dignified expression that conveys her bravery in the face of death. Stock Photo](https://c8.alamy.com/comp/2TBKY05/the-sacrifice-of-polyxena-at-the-tomb-of-achilles-c1735-the-tragic-moment-depicted-is-from-the-end-of-the-trojan-war-according-to-legend-the-ghost-of-the-greek-hero-achilles-demanded-that-the-trojan-princess-polyxena-be-sacrificed-at-his-tomb-achilless-son-with-the-feathered-helmet-is-leading-the-sacrifice-according-to-the-roman-poet-ovid-polyxena-quotkept-her-look-of-dauntless-courage-until-the-endquot-in-visualizing-this-passage-the-painter-has-depicted-the-young-woman-with-a-sorrowful-yet-dignified-expression-that-conveys-her-bravery-in-the-face-of-death-2TBKY05.jpg "The Sacrifice of Polyxena at the Tomb of Achilles, c1735. The tragic moment depicted is from the end of the Trojan War. According to legend, the ghost of the Greek hero Achilles demanded that the Trojan princess Polyxena be sacrificed at his tomb. Achilles's son, with the feathered helmet, is leading the sacrifice. According to the Roman poet Ovid, Polyxena "kept her look of dauntless courage until the end." In visualizing this passage, the painter has depicted the young woman with a sorrowful yet dignified expression that conveys her bravery in the face of death. Stock Photo")
The Sacrifice of Polyxena at the Tomb of Achilles, c1735. The tragic moment depicted is from the end of the Trojan War. According to legend, the ghost of the Greek hero Achilles demanded that the Trojan princess Polyxena be sacrificed at his tomb. Achilles's son, with the feathered helmet, is leading the sacrifice. According to the Roman poet Ovid, Polyxena "kept her look of dauntless courage until the end." In visualizing this passage, the painter has depicted the young woman with a sorrowful yet dignified expression that conveys her bravery in the face of death. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sacrifice-of-polyxena-at-the-tomb-of-achilles-c1735-the-tragic-moment-depicted-is-from-the-end-of-the-trojan-war-according-to-legend-the-ghost-of-the-greek-hero-achilles-demanded-that-the-trojan-princess-polyxena-be-sacrificed-at-his-tomb-achilless-son-with-the-feathered-helmet-is-leading-the-sacrifice-according-to-the-roman-poet-ovid-polyxena-quotkept-her-look-of-dauntless-courage-until-the-endquot-in-visualizing-this-passage-the-painter-has-depicted-the-young-woman-with-a-sorrowful-yet-dignified-expression-that-conveys-her-bravery-in-the-face-of-death-image575141621.htmlRM2TBKY05–The Sacrifice of Polyxena at the Tomb of Achilles, c1735. The tragic moment depicted is from the end of the Trojan War. According to legend, the ghost of the Greek hero Achilles demanded that the Trojan princess Polyxena be sacrificed at his tomb. Achilles's son, with the feathered helmet, is leading the sacrifice. According to the Roman poet Ovid, Polyxena "kept her look of dauntless courage until the end." In visualizing this passage, the painter has depicted the young woman with a sorrowful yet dignified expression that conveys her bravery in the face of death.
The Apotheosis of Saint Roch, painting by Giovanni Battista Tiepolo, 1740-1745 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-apotheosis-of-saintroch-painting-by-giovanni-battista-tiepolo-1740-1745-image391984434.htmlRM2DNMC42–The Apotheosis of Saint Roch, painting by Giovanni Battista Tiepolo, 1740-1745
London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-29-march-2022-the-exhibition-is-the-complete-set-of-twenty-four-venetian-views-from-woburn-abbey-painted-by-canaletto-for-lord-john-russell-the-4th-duke-of-bedford-in-the-1730s-this-is-the-first-time-the-paintings-thought-to-be-canalettos-largest-single-commission-will-be-on-display-in-their-entirety-outside-of-their-ancestral-home-at-woburn-abbey-royal-museum-greenwich-1-april-25-september-2022-paul-quezada-neimanalamy-live-news-image465938506.htmlRM2J2198X–London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News
Rosalba Carriera, A Tyrolean Innkeeper, portrait painting in pastel, circa 1728 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-a-tyrolean-innkeeper-portrait-painting-in-pastel-circa-1728-image491337347.htmlRM2KFA9PB–Rosalba Carriera, A Tyrolean Innkeeper, portrait painting in pastel, circa 1728
Giovanni Battista Tiepolo, Apollo and Phaëthon, painting, circa 1731 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-apollo-and-phathon-painting-circa-1731-image406359639.htmlRM2EH37T7–Giovanni Battista Tiepolo, Apollo and Phaëthon, painting, circa 1731
Francesco Guardi (1712-1793). Venetian painter. Caprice (Capriccio), ca. 1770-1780. Oil on canvas. Calouste Gulbenkian Museum. Lisbon. Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-caprice-capriccio-ca-1770-1780-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471837444.htmlRM2JBJ1D8–Francesco Guardi (1712-1793). Venetian painter. Caprice (Capriccio), ca. 1770-1780. Oil on canvas. Calouste Gulbenkian Museum. Lisbon. Portugal.
BATONI, Pompeo (b. 1708, Lucca, d. 1787, Roma) The Ecstasy of St Catherine of Siena 1743 Oil on canvas Museo di Villa Guinigi, Lucca Pompeo Batoni was a very cultured man who gained international fame at an early age. He was the first Italian artist consciously to work out a formal alternative to Rococo art and Venetian painting, which he felt to be outdated. He trained in Rome where he studied Raphael and classic Renaissance art. He quickly came up with a 'reform' program for painting along controlled academic lines. He set out to provide a series of paintings that could be used as a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/batoni-pompeo-b-1708-lucca-d-1787-roma-the-ecstasy-of-st-catherine-of-siena-1743-oil-on-canvas-museo-di-villa-guinigi-lucca-pompeo-batoni-was-a-very-cultured-man-who-gained-international-fame-at-an-early-age-he-was-the-first-italian-artist-consciously-to-work-out-a-formal-alternative-to-rococo-art-and-venetian-painting-which-he-felt-to-be-outdated-he-trained-in-rome-where-he-studied-raphael-and-classic-renaissance-art-he-quickly-came-up-with-a-reform-program-for-painting-along-controlled-academic-lines-he-set-out-to-provide-a-series-of-paintings-that-could-be-used-as-a-image605029454.htmlRM2X49D6P–BATONI, Pompeo (b. 1708, Lucca, d. 1787, Roma) The Ecstasy of St Catherine of Siena 1743 Oil on canvas Museo di Villa Guinigi, Lucca Pompeo Batoni was a very cultured man who gained international fame at an early age. He was the first Italian artist consciously to work out a formal alternative to Rococo art and Venetian painting, which he felt to be outdated. He trained in Rome where he studied Raphael and classic Renaissance art. He quickly came up with a 'reform' program for painting along controlled academic lines. He set out to provide a series of paintings that could be used as a
Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Detail. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-rialto-bridge-after-the-design-by-palladio-ca-1770-oil-on-canvas-detail-calouste-gulbenkian-museum-lisbon-portugal-image471610702.htmlRM2JB7M7A–Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Detail. Calouste Gulbenkian Museum. Lisbon, Portugal.
Lamentation at the Foot of the Cross, Giovanni Domenico Tiepolo, circa 1750-60, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lamentation-at-the-foot-of-the-cross-giovanni-domenico-tiepolo-circa-1750-60-image349148027.htmlRM2B811TB–Lamentation at the Foot of the Cross, Giovanni Domenico Tiepolo, circa 1750-60,
London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-29-march-2022-the-exhibition-is-the-complete-set-of-twenty-four-venetian-views-from-woburn-abbey-painted-by-canaletto-for-lord-john-russell-the-4th-duke-of-bedford-in-the-1730s-this-is-the-first-time-the-paintings-thought-to-be-canalettos-largest-single-commission-will-be-on-display-in-their-entirety-outside-of-their-ancestral-home-at-woburn-abbey-royal-museum-greenwich-1-april-25-september-2022-paul-quezada-neimanalamy-live-news-image465938507.htmlRM2J2198Y–London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News
Giovanni Battista Tiepolo, Woman with a Mandolin, painting, 1755-1760 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-woman-with-a-mandolin-painting-1755-1760-image406359939.htmlRM2EH386Y–Giovanni Battista Tiepolo, Woman with a Mandolin, painting, 1755-1760
Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-rialto-bridge-after-the-design-by-palladio-ca-1770-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471837419.htmlRM2JBJ1CB–Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
The Sacrifice of Polyxena - Pittoni, Giambattista Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sacrifice-of-polyxena-pittoni-giambattista-image604539078.htmlRM2X3F3NA–The Sacrifice of Polyxena - Pittoni, Giambattista
Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-feast-of-the-ascension-in-st-marks-square-ca-1775-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471610688.htmlRM2JB7M6T–Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
An Allegory with Venus and Time, Giovanni Battista Tiepolo, circa 1754-8, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-allegory-with-venus-and-time-giovanni-battista-tiepolo-circa-1754-8-image349148033.htmlRM2B811TH–An Allegory with Venus and Time, Giovanni Battista Tiepolo, circa 1754-8,
London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-29-march-2022-the-exhibition-is-the-complete-set-of-twenty-four-venetian-views-from-woburn-abbey-painted-by-canaletto-for-lord-john-russell-the-4th-duke-of-bedford-in-the-1730s-this-is-the-first-time-the-paintings-thought-to-be-canalettos-largest-single-commission-will-be-on-display-in-their-entirety-outside-of-their-ancestral-home-at-woburn-abbey-royal-museum-greenwich-1-april-25-september-2022-paul-quezada-neimanalamy-live-news-image465938510.htmlRM2J21992–London UK 29 March 2022 The exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. Royal Museum Greenwich 1 April – 25 September 2022 Paul Quezada-Neiman/Alamy Live News
Giovanni Domenico Tiepolo, Head of a Philosopher, painting, 1750-1769 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-domenico-tiepolo-head-of-a-philosopher-painting-1750-1769-image406359938.htmlRM2EH386X–Giovanni Domenico Tiepolo, Head of a Philosopher, painting, 1750-1769
Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Detail. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-rialto-bridge-after-the-design-by-palladio-ca-1770-oil-on-canvas-detail-calouste-gulbenkian-museum-lisbon-portugal-image471837443.htmlRM2JBJ1D7–Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Detail. Calouste Gulbenkian Museum. Lisbon, Portugal.
Rosalba Carriera, A Gentleman in a Gray Cape over a Gold-Embroidered Coat, portrait painting in pastel, before 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-a-gentleman-in-a-gray-cape-over-a-gold-embroidered-coat-portrait-painting-in-pastel-before-1757-image491337444.htmlRM2KFA9WT–Rosalba Carriera, A Gentleman in a Gray Cape over a Gold-Embroidered Coat, portrait painting in pastel, before 1757
Annunciation - Pittoni, Giambattista Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annunciation-pittoni-giambattista-image604539074.htmlRM2X3F3N6–Annunciation - Pittoni, Giambattista
Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Detail. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-feast-of-the-ascension-in-st-marks-square-ca-1775-detail-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471610678.htmlRM2JB7M6E–Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Detail. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
An Allegory with Venus and Time, Giovanni Battista Tiepolo, circa 1754-8, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-allegory-with-venus-and-time-giovanni-battista-tiepolo-circa-1754-8-image557949396.htmlRM2RBMP44–An Allegory with Venus and Time, Giovanni Battista Tiepolo, circa 1754-8,
Christ washing the Feet of the Disciples, Jacopo Tintoretto, circa 1575-80, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-washing-the-feet-of-the-disciples-jacopo-tintoretto-circa-1575-80-image348961632.htmlRM2B7MG3C–Christ washing the Feet of the Disciples, Jacopo Tintoretto, circa 1575-80,
London UK 29 March 2022 At the heart of the exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. The collection includes twenty-two smaller views of Venice, depicting different aspects of the city’s urban fabric, including iconic landmarks such as Piazza San Marco and the Grand Canal, as well as campi, palazzi a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-29-march-2022-at-the-heart-of-the-exhibition-is-the-complete-set-of-twenty-four-venetian-views-from-woburn-abbey-painted-by-canaletto-for-lord-john-russell-the-4th-duke-of-bedford-in-the-1730s-this-is-the-first-time-the-paintings-thought-to-be-canalettos-largest-single-commission-will-be-on-display-in-their-entirety-outside-of-their-ancestral-home-at-woburn-abbey-the-collection-includes-twenty-two-smaller-views-of-venice-depicting-different-aspects-of-the-citys-urban-fabric-including-iconic-landmarks-such-as-piazza-san-marco-and-the-grand-canal-as-well-as-campi-palazzi-a-image465938503.htmlRM2J2198R–London UK 29 March 2022 At the heart of the exhibition is the complete set of twenty-four Venetian views from Woburn Abbey, painted by Canaletto for Lord John Russell, the 4th Duke of Bedford, in the 1730s. This is the first time the paintings, thought to be Canaletto’s largest single commission, will be on display in their entirety outside of their ancestral home at Woburn Abbey. The collection includes twenty-two smaller views of Venice, depicting different aspects of the city’s urban fabric, including iconic landmarks such as Piazza San Marco and the Grand Canal, as well as campi, palazzi a
Francesco Guardi (1712-1793). Venetian painter. Grand Canal at the Rialto Bridge, ca. 1780-1790. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-grand-canal-at-the-rialto-bridge-ca-1780-1790-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471837435.htmlRM2JBJ1CY–Francesco Guardi (1712-1793). Venetian painter. Grand Canal at the Rialto Bridge, ca. 1780-1790. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
Rosalba Carriera, Africa, portrait painting in pastel, before 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rosalba-carriera-africa-portrait-painting-in-pastel-before-1757-image491337437.htmlRM2KFA9WH–Rosalba Carriera, Africa, portrait painting in pastel, before 1757
Giovanni Battista Tiepolo, Neptune and the Winds, painting, 1760-1769 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-neptune-and-the-winds-painting-1760-1769-image406359308.htmlRM2EH37CC–Giovanni Battista Tiepolo, Neptune and the Winds, painting, 1760-1769
Sts Jerome and Peter of Alcantara Pittoni, Giambattista Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sts-jerome-and-peter-of-alcantara-pittoni-giambattista-image604539076.htmlRM2X3F3N8–Sts Jerome and Peter of Alcantara Pittoni, Giambattista
Francesco Guardi (1712-1793). Venetian painter. Caprice (Capriccio), ca. 1770-1780. Oil on canvas. Calouste Gulbenkian Museum. Lisbon. Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-caprice-capriccio-ca-1770-1780-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471610687.htmlRM2JB7M6R–Francesco Guardi (1712-1793). Venetian painter. Caprice (Capriccio), ca. 1770-1780. Oil on canvas. Calouste Gulbenkian Museum. Lisbon. Portugal.
The Origin of the Milky Way, Jacopo Tintoretto, circa 1575, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-origin-of-the-milky-way-jacopo-tintoretto-circa-1575-image557947273.htmlRM2RBMKC9–The Origin of the Milky Way, Jacopo Tintoretto, circa 1575,
Apollo Pursuing Daphne, Giovanni Battista Tiepolo, circa 1755, National Gallery of Art, Washington DC, USA, North America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/apollo-pursuing-daphne-giovanni-battista-tiepolo-circa-1755-national-gallery-of-art-washington-dc-usa-north-america-image367945322.htmlRM2CAHA0A–Apollo Pursuing Daphne, Giovanni Battista Tiepolo, circa 1755, National Gallery of Art, Washington DC, USA, North America
Saints Maximus and Oswald, Giovanni Battista Tiepolo, circa 1745, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saints-maximus-and-oswald-giovanni-battista-tiepolo-circa-1745-image557949387.htmlRM2RBMP3R–Saints Maximus and Oswald, Giovanni Battista Tiepolo, circa 1745,
Portrait of Vincenzo Morosini, Jacopo Tintoretto, circa 1575-80, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-vincenzo-morosini-jacopo-tintoretto-circa-1575-80-image557947321.htmlRM2RBMKE1–Portrait of Vincenzo Morosini, Jacopo Tintoretto, circa 1575-80,
Francesco Guardi (1712-1793).Venetian painter. Regatta on the Grand Canal by the Rialto Bridge, 1780s. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793venetian-painter-regatta-on-the-grand-canal-by-the-rialto-bridge-1780s-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471837428.htmlRM2JBJ1CM–Francesco Guardi (1712-1793).Venetian painter. Regatta on the Grand Canal by the Rialto Bridge, 1780s. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
Lamentation at the Foot of the Cross, Giovanni Domenico Tiepolo, circa 1750-60, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lamentation-at-the-foot-of-the-cross-giovanni-domenico-tiepolo-circa-1750-60-image557949382.htmlRM2RBMP3J–Lamentation at the Foot of the Cross, Giovanni Domenico Tiepolo, circa 1750-60,
Christ washing the Feet of the Disciples, Jacopo Tintoretto, circa 1575-80, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-washing-the-feet-of-the-disciples-jacopo-tintoretto-circa-1575-80-image557947152.htmlRM2RBMK80–Christ washing the Feet of the Disciples, Jacopo Tintoretto, circa 1575-80,
Giovanni Battista Tiepolo, Saint Roch, painting, 1730-1735 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-saint-roch-painting-1730-1735-image406359928.htmlRM2EH386G–Giovanni Battista Tiepolo, Saint Roch, painting, 1730-1735
Death of Sophonisba - Pittoni, Giambattista Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/death-of-sophonisba-pittoni-giambattista-image604539075.htmlRM2X3F3N7–Death of Sophonisba - Pittoni, Giambattista
Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Detail. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-feast-of-the-ascension-in-st-marks-square-ca-1775-detail-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471837412.htmlRM2JBJ1C4–Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Detail. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
Giovanni Battista Tiepolo, painting, Bacchus and Ariadne, 1743-1745 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-painting-bacchus-and-ariadne-1743-1745-image406359312.htmlRM2EH37CG–Giovanni Battista Tiepolo, painting, Bacchus and Ariadne, 1743-1745
A Young Lady with a Parrot Date: c. 1730 Artist: Rosalba Carriera Italian, 1673-1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-lady-with-a-parrot-date-c-1730-artist-rosalba-carriera-italian-1673-1757-image551192490.htmlRF2R0MYJ2–A Young Lady with a Parrot Date: c. 1730 Artist: Rosalba Carriera Italian, 1673-1757
Pisana Mocenigo, née Corner (or Cornaro), portrait painting in pastel by Rosalba Carriera, before 1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pisana-mocenigo-ne-corner-or-cornaro-portrait-painting-in-pastel-by-rosalba-carriera-before-1757-image491337353.htmlRM2KFA9PH–Pisana Mocenigo, née Corner (or Cornaro), portrait painting in pastel by Rosalba Carriera, before 1757
Giovanni Battista Tiepolo, The Investiture of Bishop Harold as Duke of Franconia, painting, 1751-1752 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-the-investiture-of-bishop-harold-as-duke-of-franconia-painting-1751-1752-image406359286.htmlRM2EH37BJ–Giovanni Battista Tiepolo, The Investiture of Bishop Harold as Duke of Franconia, painting, 1751-1752
Clemens August of Bavaria (1700-1761), Archbishop-Elector of Cologne, portrait painting in pastel by Rosalba Carriera, 1727 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clemens-august-of-bavaria1700-1761-archbishop-elector-of-cologne-portrait-painting-in-pastel-by-rosalba-carriera-1727-image491337348.htmlRM2KFA9PC–Clemens August of Bavaria (1700-1761), Archbishop-Elector of Cologne, portrait painting in pastel by Rosalba Carriera, 1727
Giovanni Domenico Tiepolo, Portrait of a Woman, painting, 1762-1770 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-domenico-tiepolo-portrait-of-a-woman-painting-1762-1770-image406359623.htmlRM2EH37RK–Giovanni Domenico Tiepolo, Portrait of a Woman, painting, 1762-1770
Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-guardi-1712-1793-venetian-painter-the-feast-of-the-ascension-in-st-marks-square-ca-1775-oil-on-canvas-calouste-gulbenkian-museum-lisbon-portugal-image471837450.htmlRM2JBJ1DE–Francesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
Giovanni Battista Tiepolo Bacchus and Ariadne c. 1743/1745 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-bacchus-and-ariadne-c-17431745-image526946982.htmlRF2NH8E72–Giovanni Battista Tiepolo Bacchus and Ariadne c. 1743/1745
Giovanni Battista Tiepolo, Wealth and Benefits of the Spanish Monarchy under Charles III, painting, 1762 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-wealth-and-benefits-of-the-spanish-monarchy-under-charles-iii-painting-1762-image406359643.htmlRM2EH37TB–Giovanni Battista Tiepolo, Wealth and Benefits of the Spanish Monarchy under Charles III, painting, 1762
The Artist's Studio - ca. 1746 - 44x53 cm - oil on canvas - Italian Rococo. Author: Pietro Longhi (1702-1785). Location: PALACIO REZZONICO, VENEDIG, ITALIA. Also known as: ESTUDIO DEL PINTOR; EL ESTUDIO DEL ARTISTA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-artists-studio-ca-1746-44x53-cm-oil-on-canvas-italian-rococo-author-pietro-longhi-1702-1785-location-palacio-rezzonico-venedig-italia-also-known-as-estudio-del-pintor-el-estudio-del-artista-image208976475.htmlRMP3YKHF–The Artist's Studio - ca. 1746 - 44x53 cm - oil on canvas - Italian Rococo. Author: Pietro Longhi (1702-1785). Location: PALACIO REZZONICO, VENEDIG, ITALIA. Also known as: ESTUDIO DEL PINTOR; EL ESTUDIO DEL ARTISTA.
Giovanni Battista Tiepolo Apollo Pursuing Daphne c. 1755/1760 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-apollo-pursuing-daphne-c-17551760-image526946978.htmlRF2NH8E6X–Giovanni Battista Tiepolo Apollo Pursuing Daphne c. 1755/1760
The Women of Darius Invoking the Clemency of Alexander, painting by Giovanni Domenico Tiepolo, 1750-1753 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-women-of-darius-invoking-the-clemency-of-alexander-painting-by-giovanni-domenico-tiepolo-1750-1753-image406359930.htmlRM2EH386J–The Women of Darius Invoking the Clemency of Alexander, painting by Giovanni Domenico Tiepolo, 1750-1753
Giambattista Piazzetta (Venice, 1682-1754). Portrait of Giulia Lama (ca. 1715 - 1720). Oil on canvas. 69.4 x 55.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giambattista-piazzetta-venice-1682-1754-portrait-of-giulia-lama-ca-1715-1720-oil-on-canvas-694-x-555-cm-museum-museo-nacional-thyssen-bornemisza-madrid-image236900585.htmlRMRNBN35–Giambattista Piazzetta (Venice, 1682-1754). Portrait of Giulia Lama (ca. 1715 - 1720). Oil on canvas. 69.4 x 55.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.
Giovanni Battista Tiepolo, Study for The Martyrdom of Saint Sebastian, (for the Augustinian monastery at Diessen, Germany), painting, 1739 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-study-for-the-martyrdom-of-saint-sebastian-for-the-augustinian-monastery-at-diessen-germany-painting-1739-image406359640.htmlRM2EH37T8–Giovanni Battista Tiepolo, Study for The Martyrdom of Saint Sebastian, (for the Augustinian monastery at Diessen, Germany), painting, 1739
Francesco Fontebasso, The Adoration of the Shepherds, painting in oil on canvas, 1734-1769 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francesco-fontebasso-the-adoration-of-the-shepherds-painting-in-oil-on-canvas-1734-1769-image573988392.htmlRM2T9RC1C–Francesco Fontebasso, The Adoration of the Shepherds, painting in oil on canvas, 1734-1769
Giovanni Battista Tiepolo, Apollo and Marsyas, painting, 1756-1757 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-apollo-and-marsyas-painting-1756-1757-image406359937.htmlRM2EH386W–Giovanni Battista Tiepolo, Apollo and Marsyas, painting, 1756-1757
Giovanni Domenico Tiepolo, The Departure of the Gondola, painting, 1760-1769 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-domenico-tiepolo-the-departure-of-the-gondola-painting-1760-1769-image406359307.htmlRM2EH37CB–Giovanni Domenico Tiepolo, The Departure of the Gondola, painting, 1760-1769
Giovanni Battista Tiepolo, Saint Joseph and the Christ Child, painting, 1767-1769 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-saint-joseph-and-the-christ-child-painting-1767-1769-image406359929.htmlRM2EH386H–Giovanni Battista Tiepolo, Saint Joseph and the Christ Child, painting, 1767-1769
Antonio Bellucci, Reverence to Elector Johann Wilhelm von der Pfalz, Design for a Ceiling Painting forBensberg Castle, painting in oil on canvas, 1708-1709 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antonio-bellucci-reverence-to-elector-johann-wilhelm-von-der-pfalz-design-for-a-ceiling-painting-forbensberg-castle-painting-in-oil-on-canvas-1708-1709-image556649504.htmlRM2R9HG3C–Antonio Bellucci, Reverence to Elector Johann Wilhelm von der Pfalz, Design for a Ceiling Painting forBensberg Castle, painting in oil on canvas, 1708-1709
The Singer Faustina Bordoni (1697-1781) with a Musical Score, portrait painting in pastel by Rosalba Carriera, 1724-1725 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-singer-faustina-bordoni-1697-1781-with-a-musical-score-portrait-painting-in-pastel-by-rosalba-carriera-1724-1725-image491337457.htmlRM2KFA9X9–The Singer Faustina Bordoni (1697-1781) with a Musical Score, portrait painting in pastel by Rosalba Carriera, 1724-1725
Christ and the Woman Taken in Adultery, painting by Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo, 1752 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-woman-taken-in-adultery-painting-by-giovanni-domenico-tiepolo-after-giovanni-battista-tiepolo-1752-image406359632.htmlRM2EH37T0–Christ and the Woman Taken in Adultery, painting by Giovanni Domenico Tiepolo after Giovanni Battista Tiepolo, 1752
Giovanni Battista Tiepolo, Madonna and Child, painting, 1730-1745 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-madonna-and-child-painting-1730-1745-image406359927.htmlRM2EH386F–Giovanni Battista Tiepolo, Madonna and Child, painting, 1730-1745
The Meeting of Antony and Cleopatra, painting by Giovanni Battista Tiepolo, 1745-1747 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-meeting-of-antony-and-cleopatra-painting-by-giovanni-battista-tiepolo-1745-1747-image406359310.htmlRM2EH37CE–The Meeting of Antony and Cleopatra, painting by Giovanni Battista Tiepolo, 1745-1747
The Institution of the Eucharist, painting by Giovanni Domenico Tiepolo, 1753 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-institution-of-the-eucharist-painting-by-giovanni-domenico-tiepolo-1753-image406359916.htmlRM2EH3864–The Institution of the Eucharist, painting by Giovanni Domenico Tiepolo, 1753
The Immaculate Conception (Saint Joachim and Saint Anne receiving the Virgin Mary from God the Father), painting by Giovanni Battista Tiepolo, 1757-1759 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-immaculate-conception-saint-joachim-and-saint-anne-receiving-the-virgin-mary-from-god-the-father-painting-by-giovanni-battista-tiepolo-1757-1759-image406359656.htmlRM2EH37TT–The Immaculate Conception (Saint Joachim and Saint Anne receiving the Virgin Mary from God the Father), painting by Giovanni Battista Tiepolo, 1757-1759
Maria Theresa (1717-1780), Archduchess of Austria, Queen of Hungary and Bohemia, Holy Roman Empress, portrait painting in pastel by Rosalba Carriera, 1730 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maria-theresa-1717-1780-archduchess-of-austria-queen-of-hungary-and-bohemia-holy-roman-empress-portrait-painting-in-pastel-by-rosalba-carriera-1730-image491337349.htmlRM2KFA9PD–Maria Theresa (1717-1780), Archduchess of Austria, Queen of Hungary and Bohemia, Holy Roman Empress, portrait painting in pastel by Rosalba Carriera, 1730
Latinus gives Aeneas his daughter Lavinia for marriage, painting by Giovanni Battista Tiepolo, 1752-1754 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/latinus-gives-aeneas-his-daughter-lavinia-for-marriage-painting-by-giovanni-battista-tiepolo-1752-1754-image406359925.htmlRM2EH386D–Latinus gives Aeneas his daughter Lavinia for marriage, painting by Giovanni Battista Tiepolo, 1752-1754
Giovanni Battista Tiepolo, Young Man with Bow and large Quiver and his Companion with a Shield, (formerly entitled: 'Telemachus and Mentor'), painting, 1730-1750 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-young-man-with-bow-and-large-quiver-and-his-companion-with-a-shield-formerly-entitled-telemachus-and-mentor-painting-1730-1750-image406359644.htmlRM2EH37TC–Giovanni Battista Tiepolo, Young Man with Bow and large Quiver and his Companion with a Shield, (formerly entitled: 'Telemachus and Mentor'), painting, 1730-1750
Crown Prince, Friedrich Christian of Saxony (1722-1763), later King of Poland, portrait painting in pastel by Rosalba Carriera, 1739-1740 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/crown-prince-friedrich-christian-of-saxony-1722-1763-later-king-of-poland-portrait-painting-in-pastel-by-rosalba-carriera-1739-1740-image491337472.htmlRM2KFA9XT–Crown Prince, Friedrich Christian of Saxony (1722-1763), later King of Poland, portrait painting in pastel by Rosalba Carriera, 1739-1740
Giovanni Battista Tiepolo, painting, The Flight Into Egypt, 1767-1770 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-battista-tiepolo-painting-the-flight-into-egypt-1767-1770-image406359292.htmlRM2EH37BT–Giovanni Battista Tiepolo, painting, The Flight Into Egypt, 1767-1770
Search Results for Venetian rococo painter Stock Photos and Images (102)
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