Vetera monumenta hi-res stock photography and images

Head of an African hyena. From an engraved topaz gem. Hyenae Caput Incis in Topatio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XTN–Head of an African hyena. From an engraved topaz gem. Hyenae Caput Incis in Topatio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Wewntrzne dzieje Polski za Stanissawa Augusta, 1764-1794Badania historyczne ze stanowiska ekonomicznego i administracyjnego . -masem i upami?ta? si? tyll<o przed ?mierci?, pisz?c publicznewyznanie swoich grzechów ***). W ko?cu ostatni prymas Mi- *) O Radzie patrotycznej patrz w sprawie Poni?skiego przed s?-dem sejmowym (druk:) Replika, str. 11 i Odpowied? Instgatorów,str. 13. O Podoskim listy Repnina do Panina w Co-iOHbeRt IIcTopia PocinT. XXVI, 67, T. XXVII, 230, 239 raport Salderna XXII1, 257, Wolko?skie-^o XXVIII, 187, 191, 294. *) Theiner: „Vetera monumenta hist. polonae IV, 387, rap Stock Photo

RM2AN6K44–Wewntrzne dzieje Polski za Stanissawa Augusta, 1764-1794Badania historyczne ze stanowiska ekonomicznego i administracyjnego . -masem i upami?ta? si? tyll<o przed ?mierci?, pisz?c publicznewyznanie swoich grzechów ***). W ko?cu ostatni prymas Mi- *) O Radzie patrotycznej patrz w sprawie Poni?skiego przed s?-dem sejmowym (druk:) Replika, str. 11 i Odpowied? Instgatorów,str. 13. O Podoskim listy Repnina do Panina w Co-iOHbeRt IIcTopia PocinT. XXVI, 67, T. XXVII, 230, 239 raport Salderna XXII1, 257, Wolko?skie-^o XXVIII, 187, 191, 294. *) Theiner: „Vetera monumenta hist. polonae IV, 387, rap

The exterior of the Etruscan underground tomb or Hypogeum at Cortona, Italy. Eiusd Sepulcri Pars Externa et Lateralis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA31–The exterior of the Etruscan underground tomb or Hypogeum at Cortona, Italy. Eiusd Sepulcri Pars Externa et Lateralis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69YF5–Head of an African hyena. From an engraved topaz gem. Hyenae Caput Incis in Topatio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Head of a child from an engraved garnet gem. Infantis Caput Excis in Gemma Vulgo Granata. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y95–Head of a child from an engraved garnet gem. Infantis Caput Excis in Gemma Vulgo Granata. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

De sanctis martyribus Johanne et Paulo, eorumque basilica in urbe Roma vetera monimenta . C A P U T X I Vx Pr<sfens forma h^filicdt fauciorum Johannis ^ Pauli 5 ejusque antiqua monu- menta defcrihuntur, I. r^^^WCr^^^^^ U j u s bafilicsE vctera po- ftulant monumenta, ut ejuspartcs fingillatim ac hillo-rice defcribendas aggrcdiar,undc nonnulla facrx anti-quitatis inftituta & moresad commune documentume tenebris eruantur . Totaitaque bafilic^ moles ad orientem proipeifluni.,habet, quem hic in arrea tabula incilum exhibeo,& faluberrimo fiuitur coelo. Frontem rudi opereexftru(flam pra^fert, cuju Stock Photo

RM2AWEGCH–De sanctis martyribus Johanne et Paulo, eorumque basilica in urbe Roma vetera monimenta . C A P U T X I Vx Pr<sfens forma h^filicdt fauciorum Johannis ^ Pauli 5 ejusque antiqua monu- menta defcrihuntur, I. r^^^WCr^^^^^ U j u s bafilicsE vctera po- ftulant monumenta, ut ejuspartcs fingillatim ac hillo-rice defcribendas aggrcdiar,undc nonnulla facrx anti-quitatis inftituta & moresad commune documentume tenebris eruantur . Totaitaque bafilic^ moles ad orientem proipeifluni.,habet, quem hic in arrea tabula incilum exhibeo,& faluberrimo fiuitur coelo. Frontem rudi opereexftru(flam pra^fert, cuju

RM2T6976X–Head of a child from an engraved garnet gem. Infantis Caput Excis in Gemma Vulgo Granata. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

The Nemean lion slain by Heracles in Greek mythology. From an engraved cornelian gem. Leo Nemaeus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA9X–The Nemean lion slain by Heracles in Greek mythology. From an engraved cornelian gem. Leo Nemaeus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

De sanctis martyribus Johanne et Paulo, eorumque basilica in urbe Roma vetera monimenta . anne et Paulo, C A P U T IV. Ghuintus fuerit apud ^ueteres in fmBos Martyres lohanmm ^ Faulum cultus ^ ^ quanta eorum memorice dignitas. j^ [|—-^^g^^^;=^-:|Anctor.um Martyrunxj Johannis 6i. Pauli nomcn,corumque memorix digni-tas adeo apud veteres infi-gnis fuit, 6c toti ecclelia^ornamento, ut dignum eileputaverim nonnulia fcriptiscommittere, quae de illistradita funt cultus & honoris monumenta. Veruminter alia illud pra? omnibus notandum eil, quodab antiquo ecclefia; more eorum facra nomina inm lla: canon Stock Photo

RM2AWEKX9–De sanctis martyribus Johanne et Paulo, eorumque basilica in urbe Roma vetera monimenta . anne et Paulo, C A P U T IV. Ghuintus fuerit apud ^ueteres in fmBos Martyres lohanmm ^ Faulum cultus ^ ^ quanta eorum memorice dignitas. j^ [|—-^^g^^^;=^-:|Anctor.um Martyrunxj Johannis 6i. Pauli nomcn,corumque memorix digni-tas adeo apud veteres infi-gnis fuit, 6c toti ecclelia^ornamento, ut dignum eileputaverim nonnulia fcriptiscommittere, quae de illistradita funt cultus & honoris monumenta. Veruminter alia illud pra? omnibus notandum eil, quodab antiquo ecclefia; more eorum facra nomina inm lla: canon

RM2T68P1G–The exterior of the Etruscan underground tomb or Hypogeum at Cortona, Italy. Eiusd Sepulcri Pars Externa et Lateralis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Etruscan Christian clay lantern decorated with the heads of the twelve Apostles. Christogram in beads. Christianorum Lucerna Fictilis in Acad. Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59YCJ–Etruscan Christian clay lantern decorated with the heads of the twelve Apostles. Christogram in beads. Christianorum Lucerna Fictilis in Acad. Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T699R6–The Nemean lion slain by Heracles in Greek mythology. From an engraved cornelian gem. Leo Nemaeus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Providentia, Roman divine personification of foresight or providence, with orb and spear. From an engraved agate gem on a heretical amulet. Providentia Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XK5–Providentia, Roman divine personification of foresight or providence, with orb and spear. From an engraved agate gem on a heretical amulet. Providentia Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Small bronze figure of an unknown Etruscan god in long tunic and scapular-like hood. Idolum Etruscorum Ignotum ex aere in Academia Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA5Y–Small bronze figure of an unknown Etruscan god in long tunic and scapular-like hood. Idolum Etruscorum Ignotum ex aere in Academia Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Figure of Fortuna, Roman goddess of fortune, with cornucopia (horn of plenty) and gubernaculum (ship's rudder). From an engraved cornelian gem. Fortuna. Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XKJ–Figure of Fortuna, Roman goddess of fortune, with cornucopia (horn of plenty) and gubernaculum (ship's rudder). From an engraved cornelian gem. Fortuna. Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68PMK–Etruscan Christian clay lantern decorated with the heads of the twelve Apostles. Christogram in beads. Christianorum Lucerna Fictilis in Acad. Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Roman Emperor Nero 37-68, and his mother Agrippina the Younger, 15-59. Engraved gem in jacinth. Nero et Agrippina in Hyacintho. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y7F–Roman Emperor Nero 37-68, and his mother Agrippina the Younger, 15-59. Engraved gem in jacinth. Nero et Agrippina in Hyacintho. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6A1CJ–Figure of Fortuna, Roman goddess of fortune, with cornucopia (horn of plenty) and gubernaculum (ship's rudder). From an engraved cornelian gem. Fortuna. Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Emperor Antoninus Pius, 86-161, and his wife, Faustina the Elder, c.100-140. From an engraved nicolo gem. Antoninus et Faustina in Gem Vulgo Nicolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y91–Emperor Antoninus Pius, 86-161, and his wife, Faustina the Elder, c.100-140. From an engraved nicolo gem. Antoninus et Faustina in Gem Vulgo Nicolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69AXJ–Providentia, Roman divine personification of foresight or providence, with orb and spear. From an engraved agate gem on a heretical amulet. Providentia Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Aratus of Solensis, Greek didactic poet, c.315-240 BC. His major work was the hexameter poem Phenomena. From a cornelian gem. Aratus Poeta in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y6G–Aratus of Solensis, Greek didactic poet, c.315-240 BC. His major work was the hexameter poem Phenomena. From a cornelian gem. Aratus Poeta in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68WY8–Small bronze figure of an unknown Etruscan god in long tunic and scapular-like hood. Idolum Etruscorum Ignotum ex aere in Academia Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Solon, Athenian statesman, constitutional lawmaker and poet, c.630-560 BC. Depicted as an old man of about 80. Engraved gem in cornelian. Solon in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y48–Solon, Athenian statesman, constitutional lawmaker and poet, c.630-560 BC. Depicted as an old man of about 80. Engraved gem in cornelian. Solon in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6CN94–Roman Emperor Nero 37-68, and his mother Agrippina the Younger, 15-59. Engraved gem in jacinth. Nero et Agrippina in Hyacintho. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Altar of Fortuna, Roman goddess of fortune. With cornucopia (horn of plenty) and bees. From an engraved gem in common niccolo. Ara Fortunae Incis in Gemma Vulgo Niccolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XM1–Altar of Fortuna, Roman goddess of fortune. With cornucopia (horn of plenty) and bees. From an engraved gem in common niccolo. Ara Fortunae Incis in Gemma Vulgo Niccolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T699B2–Emperor Antoninus Pius, 86-161, and his wife, Faustina the Elder, c.100-140. From an engraved nicolo gem. Antoninus et Faustina in Gem Vulgo Nicolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Winged figure of Victoria, Roman deity of victory. Wearing a gold cingulum girdle and holding a laurel crown. From an engraved agate gem. Victoria in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XMN–Winged figure of Victoria, Roman deity of victory. Wearing a gold cingulum girdle and holding a laurel crown. From an engraved agate gem. Victoria in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T698C4–Altar of Fortuna, Roman goddess of fortune. With cornucopia (horn of plenty) and bees. From an engraved gem in common niccolo. Ara Fortunae Incis in Gemma Vulgo Niccolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Head of the Roman messenger god Mercury in petasos hat or helmet. Etruscan Turms, Greek Hermes. From a cornelian gem. Mercurius Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y42–Head of the Roman messenger god Mercury in petasos hat or helmet. Etruscan Turms, Greek Hermes. From a cornelian gem. Mercurius Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Etruscan bronze figure of a gryphon, a mythical beast. In the Museum of the Knights of the Order of Saint Stephen, Cortona. Gryphus ex aere in Museo Equit. Corazii. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA6N–Etruscan bronze figure of a gryphon, a mythical beast. In the Museum of the Knights of the Order of Saint Stephen, Cortona. Gryphus ex aere in Museo Equit. Corazii. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69TFT–Aratus of Solensis, Greek didactic poet, c.315-240 BC. His major work was the hexameter poem Phenomena. From a cornelian gem. Aratus Poeta in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Etruscan mortarless walls in the city of Cortona, Italy. Large squared stones laid without lime or cement. Urbis Cortonae Etrusca Moenia. Mensura Brach. Florentinor X. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA2P–Etruscan mortarless walls in the city of Cortona, Italy. Large squared stones laid without lime or cement. Urbis Cortonae Etrusca Moenia. Mensura Brach. Florentinor X. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T687F2–Solon, Athenian statesman, constitutional lawmaker and poet, c.630-560 BC. Depicted as an old man of about 80. Engraved gem in cornelian. Solon in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Venus, Roman goddess of love, offering a ball to Cupid. The Etruscan goddess of love and fertility was Turan. From an engraved cornelian gem. Venus Inci. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA8X–Venus, Roman goddess of love, offering a ball to Cupid. The Etruscan goddess of love and fertility was Turan. From an engraved cornelian gem. Venus Inci. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6CHYX–Etruscan mortarless walls in the city of Cortona, Italy. Large squared stones laid without lime or cement. Urbis Cortonae Etrusca Moenia. Mensura Brach. Florentinor X. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Roman hero Hercules subduing the three-headed hellhound Cerberus. From an engraved cornelian gem. Hercules Cerberum Domans in Corn ap March de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA9J–Roman hero Hercules subduing the three-headed hellhound Cerberus. From an engraved cornelian gem. Hercules Cerberum Domans in Corn ap March de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6949M–Etruscan bronze figure of a gryphon, a mythical beast. In the Museum of the Knights of the Order of Saint Stephen, Cortona. Gryphus ex aere in Museo Equit. Corazii. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Roman god Jupiter with thunderbolt in his left hand and eagle at his feet. Tinia or Tin in the Etruscan religion. From an engraved agate gem. Iuppiter. Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA8B–Roman god Jupiter with thunderbolt in his left hand and eagle at his feet. Tinia or Tin in the Etruscan religion. From an engraved agate gem. Iuppiter. Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Allegorical figure of Piety wearing a robe, holding a veil, next to a column with tripod, a stork at her feet. From an engraved cornelian gem. Pietas Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XMH–Allegorical figure of Piety wearing a robe, holding a veil, next to a column with tripod, a stork at her feet. From an engraved cornelian gem. Pietas Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68N49–Roman hero Hercules subduing the three-headed hellhound Cerberus. From an engraved cornelian gem. Hercules Cerberum Domans in Corn ap March de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

The shepherd Faustulus finding Romulus and Remus suckled by the she-wolf Lupa. In Roman mythology, the twins would become founders of Rome. From an engraved cornelian gem. Faustulus Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XRD–The shepherd Faustulus finding Romulus and Remus suckled by the she-wolf Lupa. In Roman mythology, the twins would become founders of Rome. From an engraved cornelian gem. Faustulus Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6CTXY–Roman god Jupiter with thunderbolt in his left hand and eagle at his feet. Tinia or Tin in the Etruscan religion. From an engraved agate gem. Iuppiter. Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Bronze Etruscan tripod with griffin legs, elegantly decorated with birds and a serpent. In the Museum of the Knights of the Order of Saint Stephen, Cortona. Ex aere in Museo Equitis Corazzi. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y9N–Bronze Etruscan tripod with griffin legs, elegantly decorated with birds and a serpent. In the Museum of the Knights of the Order of Saint Stephen, Cortona. Ex aere in Museo Equitis Corazzi. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6D358–Venus, Roman goddess of love, offering a ball to Cupid. The Etruscan goddess of love and fertility was Turan. From an engraved cornelian gem. Venus Inci. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Antinous, Greek youth from Bithynia, c.111-130. Favourite and lover of the Roman Emperor Hadrian. From an engraved common nicolo gem. Antinous incis in Gemma Vulgo Niccolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y8R–Antinous, Greek youth from Bithynia, c.111-130. Favourite and lover of the Roman Emperor Hadrian. From an engraved common nicolo gem. Antinous incis in Gemma Vulgo Niccolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68P0F–Winged figure of Victoria, Roman deity of victory. Wearing a gold cingulum girdle and holding a laurel crown. From an engraved agate gem. Victoria in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Etruscan Christian clay lantern decorated with a Pisciculorum. The fisherman holds a fish and net, within a circle of vine leaves and grapes. Christianor Lucerna Fictilis in Acad. Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59YET–Etruscan Christian clay lantern decorated with a Pisciculorum. The fisherman holds a fish and net, within a circle of vine leaves and grapes. Christianor Lucerna Fictilis in Acad. Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69AMT–Head of the Roman messenger god Mercury in petasos hat or helmet. Etruscan Turms, Greek Hermes. From a cornelian gem. Mercurius Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Ovid, Roman poet who lived during the reign of Augustus, 43 BC-c.17 AD. In laurel crown. Engraved cornelian gem. Publius Ovidius Naso. Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y7C–Ovid, Roman poet who lived during the reign of Augustus, 43 BC-c.17 AD. In laurel crown. Engraved cornelian gem. Publius Ovidius Naso. Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6A12N–Allegorical figure of Piety wearing a robe, holding a veil, next to a column with tripod, a stork at her feet. From an engraved cornelian gem. Pietas Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

A lion holding a butterfly in its mouth. The lion was attributed to Diana, Cybele, Ceres and Isis. From an engraved cornelian gem. Leo Papilion Ore Ferens in Corneol in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XJP–A lion holding a butterfly in its mouth. The lion was attributed to Diana, Cybele, Ceres and Isis. From an engraved cornelian gem. Leo Papilion Ore Ferens in Corneol in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Greek hero Heracles taking the Delphic tripod. He holds his club above his head and wears the Nemean lionskin. From an engraved cornelian gem. Hercules Tripodem Auferens in Corneola in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA9M–Greek hero Heracles taking the Delphic tripod. He holds his club above his head and wears the Nemean lionskin. From an engraved cornelian gem. Hercules Tripodem Auferens in Corneola in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Graeco-Egyptian deity Serapis in breastplate and modius headdress. Roman Emperor Julian (331-363) rejected Christianity and was depicted as the god Serapis in this engraved cornelian gem. Serapis Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y3M–Graeco-Egyptian deity Serapis in breastplate and modius headdress. Roman Emperor Julian (331-363) rejected Christianity and was depicted as the god Serapis in this engraved cornelian gem. Serapis Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68P5Y–Antinous, Greek youth from Bithynia, c.111-130. Favourite and lover of the Roman Emperor Hadrian. From an engraved common nicolo gem. Antinous incis in Gemma Vulgo Niccolo. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Greek hero Diomedes with the Palladium statue of Athena stolen from Troy. From an engraved cornelian gem in the collection of Marcello Venuti. Diomedes in Corneola apud March Marcellum de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XPY–Greek hero Diomedes with the Palladium statue of Athena stolen from Troy. From an engraved cornelian gem in the collection of Marcello Venuti. Diomedes in Corneola apud March Marcellum de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Symbols of the Greek god Apollo: Tripod, serpent, raven, bow, quiver and laurel. Apulu, chthonic sky god, to the Etruscans. From an engraved emerald gem. Apollinis Symbola in Smaragdo in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA8M–Symbols of the Greek god Apollo: Tripod, serpent, raven, bow, quiver and laurel. Apulu, chthonic sky god, to the Etruscans. From an engraved emerald gem. Apollinis Symbola in Smaragdo in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69RWA–Bronze Etruscan tripod with griffin legs, elegantly decorated with birds and a serpent. In the Museum of the Knights of the Order of Saint Stephen, Cortona. Ex aere in Museo Equitis Corazzi. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Vertumnus, Roman god of seasons, change and plant growth. With scythe, sapling and dog. Voltumna or Veltha, supreme god in the Etruscan pantheon. From a cornelian gem. Vertumnus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA9F–Vertumnus, Roman god of seasons, change and plant growth. With scythe, sapling and dog. Voltumna or Veltha, supreme god in the Etruscan pantheon. From a cornelian gem. Vertumnus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68E94–The shepherd Faustulus finding Romulus and Remus suckled by the she-wolf Lupa. In Roman mythology, the twins would become founders of Rome. From an engraved cornelian gem. Faustulus Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Ceres, Roman goddess of grain and agriculture. Seated on a chair holding ears of wheat. Zerene or the Macedonian goddess Zeirene Eleusia to the Etruscans. From an engraved jasper gem. Ceres Incis. in Diaspro. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA91–Ceres, Roman goddess of grain and agriculture. Seated on a chair holding ears of wheat. Zerene or the Macedonian goddess Zeirene Eleusia to the Etruscans. From an engraved jasper gem. Ceres Incis. in Diaspro. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Numa Pompilius, legendary second king of Rome, c.753–672 BC. Bearded man in daidem. From an engraved agate gem. Numa II Roman Rex in Achate in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y76–Numa Pompilius, legendary second king of Rome, c.753–672 BC. Bearded man in daidem. From an engraved agate gem. Numa II Roman Rex in Achate in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68T2N–Etruscan Christian clay lantern decorated with a Pisciculorum. The fisherman holds a fish and net, within a circle of vine leaves and grapes. Christianor Lucerna Fictilis in Acad. Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Etruscan haruspex holding a bird in his right hand. In Etruscan religion, the haruspex found omens or augurs in the entrails of sacrificed animals. From an engraved cornelian gem. Haruspex Etruscus. Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y3G–Etruscan haruspex holding a bird in his right hand. In Etruscan religion, the haruspex found omens or augurs in the entrails of sacrificed animals. From an engraved cornelian gem. Haruspex Etruscus. Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68P2P–Greek hero Heracles taking the Delphic tripod. He holds his club above his head and wears the Nemean lionskin. From an engraved cornelian gem. Hercules Tripodem Auferens in Corneola in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Ptolemy I Soter, Macedonian Greek general and successor to Alexander the Great, c.367-282 BC. Founder of the Ptolemaic dynasty in Egypt. Engraved gem in jacinth. Ptolomaeus Soter Incis in Hyacintho. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y6W–Ptolemy I Soter, Macedonian Greek general and successor to Alexander the Great, c.367-282 BC. Founder of the Ptolemaic dynasty in Egypt. Engraved gem in jacinth. Ptolomaeus Soter Incis in Hyacintho. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69A81–Numa Pompilius, legendary second king of Rome, c.753672 BC. Bearded man in daidem. From an engraved agate gem. Numa II Roman Rex in Achate in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Allegorical figure of Rome, with spear, cloak, crested Corinthian helmet, Victoria and globe. She is surrounded by birds and the she-wolf Lupa nursing the twins Romulus and Remus. From an engraved cornelian gem. Roma Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XRK–Allegorical figure of Rome, with spear, cloak, crested Corinthian helmet, Victoria and globe. She is surrounded by birds and the she-wolf Lupa nursing the twins Romulus and Remus. From an engraved cornelian gem. Roma Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Roman god Mercury with caduceus and rooster. In Etruscan religion, messenger god and god of trade Turms. Roman Mercury, Greek Hermes. From an engraved agate gem. Mercurius in Achate ap March. de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA96–Roman god Mercury with caduceus and rooster. In Etruscan religion, messenger god and god of trade Turms. Roman Mercury, Greek Hermes. From an engraved agate gem. Mercurius in Achate ap March. de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68DB6–Ovid, Roman poet who lived during the reign of Augustus, 43 BC-c.17 AD. In laurel crown. Engraved cornelian gem. Publius Ovidius Naso. Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Interior view and plan of an Etruscan underground tomb or Hypogeum built of 27 large stones in Cortona, Italy. Sepulcri Etrusci Corton Pars Interna ex Magnis Lapidib Constructa. Mensura Brachior V Florentinor. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA2X–Interior view and plan of an Etruscan underground tomb or Hypogeum built of 27 large stones in Cortona, Italy. Sepulcri Etrusci Corton Pars Interna ex Magnis Lapidib Constructa. Mensura Brachior V Florentinor. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68WYT–A lion holding a butterfly in its mouth. The lion was attributed to Diana, Cybele, Ceres and Isis. From an engraved cornelian gem. Leo Papilion Ore Ferens in Corneol in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Bacchante or acolyte of Bacchus, Roman god of wine. (Fufluns Pacha in Etruscan religion.) In hat, wearing a soft purple silk tunic and skirt. From an engraved agate gem. Baccha Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XWD–Bacchante or acolyte of Bacchus, Roman god of wine. (Fufluns Pacha in Etruscan religion.) In hat, wearing a soft purple silk tunic and skirt. From an engraved agate gem. Baccha Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

A panther emerging from a Libyan cave to attack a lion. Egyptian bas relief in marble. Anaglyphum Aegyptiacum ex Marmore apud March. de Venutis. Scala di Braccio Cortonse. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA6C–A panther emerging from a Libyan cave to attack a lion. Egyptian bas relief in marble. Anaglyphum Aegyptiacum ex Marmore apud March. de Venutis. Scala di Braccio Cortonse. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6CNJE–Vertumnus, Roman god of seasons, change and plant growth. With scythe, sapling and dog. Voltumna or Veltha, supreme god in the Etruscan pantheon. From a cornelian gem. Vertumnus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Small bronze figure of an unknown Etruscan goddess in a hooded mantle. Perhaps Juno or Uni in the dress of a servant. Found in a field near Cortona. Idolum Etruscum ex aere in Academia Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA62–Small bronze figure of an unknown Etruscan goddess in a hooded mantle. Perhaps Juno or Uni in the dress of a servant. Found in a field near Cortona. Idolum Etruscum ex aere in Academia Etrusca. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Bronze spear standard or signum in the shape of a hand manus with rings and bracelets. Symbol of a cohort or squad within a Roman legion. In the collection of Marquis Alessandro Gregorio Capponi. Hasta Militaris. Ex aere. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59YAF–Bronze spear standard or signum in the shape of a hand manus with rings and bracelets. Symbol of a cohort or squad within a Roman legion. In the collection of Marquis Alessandro Gregorio Capponi. Hasta Militaris. Ex aere. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Caelestis Afrorum Dea, Roman goddess in crown, riding a lion, clutching thunderbolts. Known in Carthage as Tanit or Tanith, the Punic sky goddess. From an engraved cornelian gem. Dea Coelestis Inci. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA8G–Caelestis Afrorum Dea, Roman goddess in crown, riding a lion, clutching thunderbolts. Known in Carthage as Tanit or Tanith, the Punic sky goddess. From an engraved cornelian gem. Dea Coelestis Inci. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68DY3–Ceres, Roman goddess of grain and agriculture. Seated on a chair holding ears of wheat. Zerene or the Macedonian goddess Zeirene Eleusia to the Etruscans. From an engraved jasper gem. Ceres Incis. in Diaspro. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Roman god Mercury with caduceus, staff, winged petasos hat and winged feet. In Etruscan religion, messenger god and god of trade Turms. Roman Mercury, Greek Hermes. From an engraved cornelian gem. Mercurius Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA93–Roman god Mercury with caduceus, staff, winged petasos hat and winged feet. In Etruscan religion, messenger god and god of trade Turms. Roman Mercury, Greek Hermes. From an engraved cornelian gem. Mercurius Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69A29–Symbols of the Greek god Apollo: Tripod, serpent, raven, bow, quiver and laurel. Apulu, chthonic sky god, to the Etruscans. From an engraved emerald gem. Apollinis Symbola in Smaragdo in Acad. Etrus. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Unknown Etruscan terrestrial goddess with monstrous body. Her arms hold twisted legs that end in dragon heads. Bronze figure found in a field in Aretino. Dea Etruscorum Ignota ex aera in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA5K–Unknown Etruscan terrestrial goddess with monstrous body. Her arms hold twisted legs that end in dragon heads. Bronze figure found in a field in Aretino. Dea Etruscorum Ignota ex aera in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69AEH–Greek hero Diomedes with the Palladium statue of Athena stolen from Troy. From an engraved cornelian gem in the collection of Marcello Venuti. Diomedes in Corneola apud March Marcellum de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Roman god Amor riding a swan and attacking a dolphin with a trident. From an engraved cornelian gem owned by Ridolfino Venuti. Amor Cycno Insid Tridente Delphin Impetens in Corneol ap Rodulph Venuti. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R4WA8Y–Roman god Amor riding a swan and attacking a dolphin with a trident. From an engraved cornelian gem owned by Ridolfino Venuti. Amor Cycno Insid Tridente Delphin Impetens in Corneol ap Rodulph Venuti. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Julia Flavia, Flavia Julia or Julia Titi, daughter of Roman Emperor Titus and his first wife Arrecina Tertulla, c.63-91. In distinctive hairstyle. Engraved gem in agate. Julia Titi F. Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y7J–Julia Flavia, Flavia Julia or Julia Titi, daughter of Roman Emperor Titus and his first wife Arrecina Tertulla, c.63-91. In distinctive hairstyle. Engraved gem in agate. Julia Titi F. Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6CPBA–Graeco-Egyptian deity Serapis in breastplate and modius headdress. Roman Emperor Julian (331-363) rejected Christianity and was depicted as the god Serapis in this engraved cornelian gem. Serapis Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Daedalus fixing wings on his son Icarus. In Greek myth, Daedalus was an Athenian craftsman and architect of the labyrinth of Crete. Taitle and Vikare in Etruscan. From an engraved cornelian gem. Dedalus alas Icaro Imponens in Cor ap Philippum Venuti. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XNC–Daedalus fixing wings on his son Icarus. In Greek myth, Daedalus was an Athenian craftsman and architect of the labyrinth of Crete. Taitle and Vikare in Etruscan. From an engraved cornelian gem. Dedalus alas Icaro Imponens in Cor ap Philippum Venuti. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68R7P–Interior view and plan of an Etruscan underground tomb or Hypogeum built of 27 large stones in Cortona, Italy. Sepulcri Etrusci Corton Pars Interna ex Magnis Lapidib Constructa. Mensura Brachior V Florentinor. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Priest in Roman peasant dress of hat, cloak, and sandals before an altar (perhaps to Priapus, rustic fertility god). From an engraved chalcedony gem in the collection of Ridolfino Venuti. Sacerdos Rusticus in Calce. ap Rodulph Venuti Corton. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y1X–Priest in Roman peasant dress of hat, cloak, and sandals before an altar (perhaps to Priapus, rustic fertility god). From an engraved chalcedony gem in the collection of Ridolfino Venuti. Sacerdos Rusticus in Calce. ap Rodulph Venuti Corton. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68CAX–Etruscan haruspex holding a bird in his right hand. In Etruscan religion, the haruspex found omens or augurs in the entrails of sacrificed animals. From an engraved cornelian gem. Haruspex Etruscus. Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

A mounted Amazon impaling a lion (or chimera) with a spear. Woman warrior in helmet, breastplate, skirt and boots armed with a lance. From an engraved cornelian gem. Eques Leonem Impetens in Cor ap Can Regin Sellari Cort. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59XMY–A mounted Amazon impaling a lion (or chimera) with a spear. Woman warrior in helmet, breastplate, skirt and boots armed with a lance. From an engraved cornelian gem. Eques Leonem Impetens in Cor ap Can Regin Sellari Cort. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T688NR–Ptolemy I Soter, Macedonian Greek general and successor to Alexander the Great, c.367-282 BC. Founder of the Ptolemaic dynasty in Egypt. Engraved gem in jacinth. Ptolomaeus Soter Incis in Hyacintho. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Priest of Ceres, Roman goddess of grain and agriculture, holding a torch and hook. Zerene in the Etruscan religion, Macedonian goddess Zeirene Eleusia. From an engraved agate sapphire gem in a gold ring Sacerdos Cereris ex Achate in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y1R–Priest of Ceres, Roman goddess of grain and agriculture, holding a torch and hook. Zerene in the Etruscan religion, Macedonian goddess Zeirene Eleusia. From an engraved agate sapphire gem in a gold ring Sacerdos Cereris ex Achate in Museo Coratio. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T68NF6–Roman god Mercury with caduceus and rooster. In Etruscan religion, messenger god and god of trade Turms. Roman Mercury, Greek Hermes. From an engraved agate gem. Mercurius in Achate ap March. de Venutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Bride and groom with deities from an Etruscan pottery urn. The winged woman with sword possibly Discordia or one of the Furies, the winged man in animal-skin hood with hammer possibly the Genius of Jealousy. Urna Etrusca Fictilis in Museo March Devenutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59YC5–Bride and groom with deities from an Etruscan pottery urn. The winged woman with sword possibly Discordia or one of the Furies, the winged man in animal-skin hood with hammer possibly the Genius of Jealousy. Urna Etrusca Fictilis in Museo March Devenutis. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T69XG6–A panther emerging from a Libyan cave to attack a lion. Egyptian bas relief in marble. Anaglyphum Aegyptiacum ex Marmore apud March. de Venutis. Scala di Braccio Cortonse. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

An Etruscan triclinium or dining room. A woman reclining on a bed in a dining room furnished with rich cushions and curtains. From an urn the Museum of the Knights of the Order of Saint Stephen, Cortona Triclinium Etruscum in Urna Fictili ap Eq. Coratium. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59YC1–An Etruscan triclinium or dining room. A woman reclining on a bed in a dining room furnished with rich cushions and curtains. From an urn the Museum of the Knights of the Order of Saint Stephen, Cortona Triclinium Etruscum in Urna Fictili ap Eq. Coratium. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6CWNY–Bacchante or acolyte of Bacchus, Roman god of wine. (Fufluns Pacha in Etruscan religion.) In hat, wearing a soft purple silk tunic and skirt. From an engraved agate gem. Baccha Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

A priestess making a sacrifice to health and hygiene. Etruscan woman places a snake in a bucket to one of the Greek goddesses Hygieia, Panacea, Iaso, and Aceso, daughters of the god of medicine Asclepius. From a white jasper gem. Sacrificium Saluti in Jaspide Candido. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y1A–A priestess making a sacrifice to health and hygiene. Etruscan woman places a snake in a bucket to one of the Greek goddesses Hygieia, Panacea, Iaso, and Aceso, daughters of the god of medicine Asclepius. From a white jasper gem. Sacrificium Saluti in Jaspide Candido. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

RM2T6899R–Allegorical figure of Rome, with spear, cloak, crested Corinthian helmet, Victoria and globe. She is surrounded by birds and the she-wolf Lupa nursing the twins Romulus and Remus. From an engraved cornelian gem. Roma Incis in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Two women in conversation in front of a proscenium with Ionic columns. A scene from a theatre play. From a bronze Etruscan bowl in the Museum of the Knights of the Order of Saint Stephen, Cortona. Patera aerea Etrusca. in Museo Equitis Corazzi. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750. Stock Photo

RM2R59Y99–Two women in conversation in front of a proscenium with Ionic columns. A scene from a theatre play. From a bronze Etruscan bowl in the Museum of the Knights of the Order of Saint Stephen, Cortona. Patera aerea Etrusca. in Museo Equitis Corazzi. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venuti’s Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Vetera monumenta Stock Photos and Images

Vetera monumenta Stock Photos and Images

Download Confirmation

Password Confirmation

Search Results for Vetera monumenta Stock Photos and Images (133)

Filter by agency collections

Search builder

Get great features with your free account

Get inspired for your next project!