Rectangular Octave Virginal. Culture: German. Dimensions: Height: 3 9/16 in. (9.1 cm) Width (parallel to keyboard): 17 3/8 in. (44.1 cm) Depth (perpendicular to keyboard): 8 9/16 in. (21.8 cm). Date: ca. 1600. An ebony, casketlike virginal in the style of Samuel Biedermann the Elder, probably made in Augsburg about 1600, is decorated with engravings by Hans Sebald Beham and the elder Crispijn van de Passe. A delicate parchment rosette adorns the sound hole. Two shallow drawers, perhaps for sewing equipment, fit into the top of the lid. Sounding an octave above normal pitch, this virginal wa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rectangular-octave-virginal-culture-german-dimensions-height-3-916-in-91-cm-width-parallel-to-keyboard-17-38-in-441-cm-depth-perpendicular-to-keyboard-8-916-in-218-cm-date-ca-1600-an-ebony-casketlike-virginal-in-the-style-of-samuel-biedermann-the-elder-probably-made-in-augsburg-about-1600-is-decorated-with-engravings-by-hans-sebald-beham-and-the-elder-crispijn-van-de-passe-a-delicate-parchment-rosette-adorns-the-sound-hole-two-shallow-drawers-perhaps-for-sewing-equipment-fit-into-the-top-of-the-lid-sounding-an-octave-above-normal-pitch-this-virginal-wa-image213414719.html
RMPB5TJ7–Rectangular Octave Virginal. Culture: German. Dimensions: Height: 3 9/16 in. (9.1 cm) Width (parallel to keyboard): 17 3/8 in. (44.1 cm) Depth (perpendicular to keyboard): 8 9/16 in. (21.8 cm). Date: ca. 1600. An ebony, casketlike virginal in the style of Samuel Biedermann the Elder, probably made in Augsburg about 1600, is decorated with engravings by Hans Sebald Beham and the elder Crispijn van de Passe. A delicate parchment rosette adorns the sound hole. Two shallow drawers, perhaps for sewing equipment, fit into the top of the lid. Sounding an octave above normal pitch, this virginal wa
Virginal by Robert Hatley London 1664 with unique feature of pair of music drawers underneath the keyboard at Fenton House Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-virginal-by-robert-hatley-london-1664-with-unique-feature-of-pair-22705625.html
RMB8X975–Virginal by Robert Hatley London 1664 with unique feature of pair of music drawers underneath the keyboard at Fenton House
Woman Playing the Virginal by the Dutch Golden Age artist, Jan Miense Molenaer (1610-1668), oil on panel, c. 1637 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-playing-the-virginal-by-the-dutch-golden-age-artist-jan-miense-molenaer-1610-1668-oil-on-panel-c-1637-image455357603.html
RM2HCR97F–Woman Playing the Virginal by the Dutch Golden Age artist, Jan Miense Molenaer (1610-1668), oil on panel, c. 1637
Virginal, Italian, 16th or 17th century, Italy, Italian, Wood and various materials, Inner Instrument: perpendicular to keyboard 41.5 cm, parallel to keyboard 156.8 cm, depth 20.8 cm, 3-octave span 52.2 cm, Sounding lengths (and plucking points): C/E 137.8 (28.0) cm, c2 32.6 (10.2) cm, c3 16.2 (7.5) cm, Chordophone-Zither-plucked-virginal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginal-italian-16th-or-17th-century-italy-italian-wood-and-various-materials-inner-instrument-perpendicular-to-keyboard-415-cm-parallel-to-keyboard-1568-cm-depth-208-cm-3-octave-span-522-cm-sounding-lengths-and-plucking-points-ce-1378-280-cm-c2-326-102-cm-c3-162-75-cm-chordophone-zither-plucked-virginal-image344668228.html
RM2B0MYRG–Virginal, Italian, 16th or 17th century, Italy, Italian, Wood and various materials, Inner Instrument: perpendicular to keyboard 41.5 cm, parallel to keyboard 156.8 cm, depth 20.8 cm, 3-octave span 52.2 cm, Sounding lengths (and plucking points): C/E 137.8 (28.0) cm, c2 32.6 (10.2) cm, c3 16.2 (7.5) cm, Chordophone-Zither-plucked-virginal
Virginal, keyboard musical instrument of the Renaissance. Museum of the Teatro alla Scala, Milan. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginal-keyboard-musical-instrument-of-the-renaissance-museum-of-the-teatro-alla-scala-milan-italy-image397294650.html
RF2E2A9AJ–Virginal, keyboard musical instrument of the Renaissance. Museum of the Teatro alla Scala, Milan. Italy.
MUSIC - A 17th century English Virginal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/music-a-17th-century-english-virginal-image608396580.html
RM2X9PT18–MUSIC - A 17th century English Virginal.
Queen Elizabeth's Virginal. This musical instrument is sitting on a stand and is believed to have belonged to Queen Elizabeth due to her Royal Arms appearing on one side of the keyboard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-queen-elizabeths-virginal-this-musical-instrument-is-sitting-on-a-104967737.html
RMG2NKBN–Queen Elizabeth's Virginal. This musical instrument is sitting on a stand and is believed to have belonged to Queen Elizabeth due to her Royal Arms appearing on one side of the keyboard.
1884 engraving of an Italian-made Octave Virginal in a cabinet from about 1600. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1884-engraving-of-an-italian-made-octave-virginal-in-a-cabinet-from-about-1600-image230573058.html
RMRB3E82–1884 engraving of an Italian-made Octave Virginal in a cabinet from about 1600.
An old engraving showing the musical instruments (from Ancient Egypt onwards) that were the precursors of the piano. It is from a Victorian book of the 1880s. The illustration shows Ancient Egyptian lyres (a to c) and harps (e and f). In medieval times the cithara (g) and psalterium (h) were played. In the 1500s the dulcimer (i) and citole (j) were popular. Larger were the keyed cithara (k) and the clavicymbal (l). Various virginals date from Elizabethan times (p to o). The spinet (q) and manichorde (m) date from the 1600s and from the 1700s is the harpsicord (r) which is a large spinet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-old-engraving-showing-the-musical-instruments-from-ancient-egypt-onwards-that-were-the-precursors-of-the-piano-it-is-from-a-victorian-book-of-the-1880s-the-illustration-shows-ancient-egyptian-lyres-a-to-c-and-harps-e-and-f-in-medieval-times-the-cithara-g-and-psalterium-h-were-played-in-the-1500s-the-dulcimer-i-and-citole-j-were-popular-larger-were-the-keyed-cithara-k-and-the-clavicymbal-l-various-virginals-date-from-elizabethan-times-p-to-o-the-spinet-q-and-manichorde-m-date-from-the-1600s-and-from-the-1700s-is-the-harpsicord-r-which-is-a-large-spinet-image382670708.html
RM2D6G4B0–An old engraving showing the musical instruments (from Ancient Egypt onwards) that were the precursors of the piano. It is from a Victorian book of the 1880s. The illustration shows Ancient Egyptian lyres (a to c) and harps (e and f). In medieval times the cithara (g) and psalterium (h) were played. In the 1500s the dulcimer (i) and citole (j) were popular. Larger were the keyed cithara (k) and the clavicymbal (l). Various virginals date from Elizabethan times (p to o). The spinet (q) and manichorde (m) date from the 1600s and from the 1700s is the harpsicord (r) which is a large spinet.
music, notation for keyboard instruments by William Byrd, sheet XVII, from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls', London, 1611, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-music-notation-for-keyboard-instruments-by-william-byrd-sheet-xvii-96408537.html
RMFGRP21–music, notation for keyboard instruments by William Byrd, sheet XVII, from 'Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls', London, 1611, Additional-Rights-Clearences-Not Available
Virginal by Neupert, Bamberg - after instrument made by Floriani 1567-72 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-virginal-by-neupert-bamberg-after-instrument-made-by-floriani-1567-101540302.html
RMFW5FKA–Virginal by Neupert, Bamberg - after instrument made by Floriani 1567-72
Double keyboard spinnet or virginal invented by Hans Ruckers the Elder of Antwerp, circa 1580. Painted lid shows Apollo and Marsyas in musical competition. Chromolithograph from an illustration by William Gibb from A.J. Hipkins' 'Musical Instruments, Historic, Rare and Unique,' Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated 'The Royal House of Stuart' (1890), 'Naval and Military Trophies' (189 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-keyboard-spinnet-or-virginal-invented-by-hans-ruckers-the-elder-of-antwerp-circa-1580-painted-lid-shows-apollo-and-marsyas-in-musical-competition-chromolithograph-from-an-illustration-by-william-gibb-from-aj-hipkins-musical-instruments-historic-rare-and-unique-adam-and-charles-black-edinburgh-1888-alfred-james-hipkins-1826-1903-was-an-english-musicologist-who-specialized-in-the-history-of-the-pianoforte-and-other-instruments-william-gibb-was-a-master-illustrator-and-chromolithographer-and-illustrated-the-royal-house-of-stuart-1890-naval-and-military-trophies-189-image331683509.html
RM2A7HDKH–Double keyboard spinnet or virginal invented by Hans Ruckers the Elder of Antwerp, circa 1580. Painted lid shows Apollo and Marsyas in musical competition. Chromolithograph from an illustration by William Gibb from A.J. Hipkins' 'Musical Instruments, Historic, Rare and Unique,' Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated 'The Royal House of Stuart' (1890), 'Naval and Military Trophies' (189
A 16th century virginal showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-16th-century-virginal-showing-a-detail-of-the-inscription-and-date-92373249.html
RMFA7Y0H–A 16th century virginal showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire.
Woman at the Virginal, by Jan Miense Molenaer, 1630-40, Dutch painting, oil on panel. On the lid of the instrument is painting of a couple in a landscape, and at right a well dressed young man enters the room. Perched atop the virginal is a monkey, who warns against the dangers of carnal desire (BSLOC 2016 3 221) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-at-the-virginal-by-jan-miense-molenaer-1630-40-dutch-painting-115916301.html
RMGMGCBW–Woman at the Virginal, by Jan Miense Molenaer, 1630-40, Dutch painting, oil on panel. On the lid of the instrument is painting of a couple in a landscape, and at right a well dressed young man enters the room. Perched atop the virginal is a monkey, who warns against the dangers of carnal desire (BSLOC 2016 3 221)
Art inspired by Double Virginal, 1581, Antwerp, Flemish, Flemish, Pine, beech, poplar, mahogany, paint, gesso, metal, parchment, brass, Width: 71 3/4 in. (182.2 cm), Hans Ruckers the Elder (Flemish, Mechelen ca. 1545–1598 Antwerp), This double virginal is the earliest known instrument, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-double-virginal-1581-antwerp-flemish-flemish-pine-beech-poplar-mahogany-paint-gesso-metal-parchment-brass-width-71-34-in-1822-cm-hans-ruckers-the-elder-flemish-mechelen-ca-15451598-antwerp-this-double-virginal-is-the-earliest-known-instrument-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462848509.html
RF2HW0FYW–Art inspired by Double Virginal, 1581, Antwerp, Flemish, Flemish, Pine, beech, poplar, mahogany, paint, gesso, metal, parchment, brass, Width: 71 3/4 in. (182.2 cm), Hans Ruckers the Elder (Flemish, Mechelen ca. 1545–1598 Antwerp), This double virginal is the earliest known instrument, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. International studio. DECORATED VIRGINAL CMzdeferS£tigWyrt-. 1666 One of the few surviving keyboard in-struments of Carolean England, madeby Adam Lecersidge. It is painted withviews oj the Mall in St. James Park,iritb Arlington House in the background.The keyboard is homed by marqueteriepanels oj exotic woods, and rests on acontemporary turned walnut stand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/international-studio-decorated-virginal-cmzdeferstigwyrt-1666-one-of-the-few-surviving-keyboard-in-struments-of-carolean-england-madeby-adam-lecersidge-it-is-painted-withviews-oj-the-mall-in-st-james-parkiritb-arlington-house-in-the-backgroundthe-keyboard-is-homed-by-marqueteriepanels-oj-exotic-woods-and-rests-on-acontemporary-turned-walnut-stand-image336685733.html
RM2AFNA2D–. International studio. DECORATED VIRGINAL CMzdeferS£tigWyrt-. 1666 One of the few surviving keyboard in-struments of Carolean England, madeby Adam Lecersidge. It is painted withviews oj the Mall in St. James Park,iritb Arlington House in the background.The keyboard is homed by marqueteriepanels oj exotic woods, and rests on acontemporary turned walnut stand.
INSTRUMENTS - KEYBOARD - VIRGINAL Virginal, made by Iohannes Rucker, Antwerp, 1622. Inscribed Omnis Spiritum Laudet Dominum Joannes Ruckers Fecit Antverpiae Drawn by Hipkins, 1921. (Alfred James Hipkins 1826-1903) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/instruments-keyboard-virginal-virginal-made-by-iohannes-rucker-antwerp-image157817039.html
RMK4N56R–INSTRUMENTS - KEYBOARD - VIRGINAL Virginal, made by Iohannes Rucker, Antwerp, 1622. Inscribed Omnis Spiritum Laudet Dominum Joannes Ruckers Fecit Antverpiae Drawn by Hipkins, 1921. (Alfred James Hipkins 1826-1903)
Jonge vrouw achter het klavichord A young woman playing the clavichord. Down in the margin a two-line verse in Frans. Manufacturer : printmaker Cornelis-Henricus van Meurs (listed building) printmaker Cornelis Hubert van Meurs (rejected attribution) to painting by Gerard Dou (listed property) Place manufacture: Northern Netherlands Date: ca. 1720 - ca. 1730 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Measurements: plate edge: h 317 mm × W 268 mm Subject: one person playing keyboard instrumentspinet, virginal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonge-vrouw-achter-het-klavichord-a-young-woman-playing-the-clavichord-down-in-the-margin-a-two-line-verse-in-frans-manufacturer-printmaker-cornelis-henricus-van-meurs-listed-building-printmaker-cornelis-hubert-van-meurs-rejected-attribution-to-painting-by-gerard-dou-listed-property-place-manufacture-northern-netherlands-date-ca-1720-ca-1730-physical-characteristics-etching-and-engra-material-paper-technique-etching-engra-printing-process-measurements-plate-edge-h-317-mm-w-268-mm-subject-one-person-playing-keyboard-instrumentspinet-virginal-image348465922.html
RM2B6WYRE–Jonge vrouw achter het klavichord A young woman playing the clavichord. Down in the margin a two-line verse in Frans. Manufacturer : printmaker Cornelis-Henricus van Meurs (listed building) printmaker Cornelis Hubert van Meurs (rejected attribution) to painting by Gerard Dou (listed property) Place manufacture: Northern Netherlands Date: ca. 1720 - ca. 1730 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Measurements: plate edge: h 317 mm × W 268 mm Subject: one person playing keyboard instrumentspinet, virginal
Double keyboard spinnet or virginal invented by Hans Ruckers the Elder of Antwerp, circa 1580. Painted lid shows Apollo and Marsyas in musical competition. Chromolithograph from an illustration by William Gibb from A.J. Hipkins' 'Musical Instruments, Historic, Rare and Unique,' Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated 'The Royal House of Stuart' (1890), 'Naval and Military Trophies' (189 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-keyboard-spinnet-or-virginal-invented-by-hans-ruckers-the-elder-of-antwerp-circa-1580-painted-lid-shows-apollo-and-marsyas-in-musical-competition-chromolithograph-from-an-illustration-by-william-gibb-from-aj-hipkins-musical-instruments-historic-rare-and-unique-adam-and-charles-black-edinburgh-1888-alfred-james-hipkins-1826-1903-was-an-english-musicologist-who-specialized-in-the-history-of-the-pianoforte-and-other-instruments-william-gibb-was-a-master-illustrator-and-chromolithographer-and-illustrated-the-royal-house-of-stuart-1890-naval-and-military-trophies-189-image231229992.html
RMRC5C60–Double keyboard spinnet or virginal invented by Hans Ruckers the Elder of Antwerp, circa 1580. Painted lid shows Apollo and Marsyas in musical competition. Chromolithograph from an illustration by William Gibb from A.J. Hipkins' 'Musical Instruments, Historic, Rare and Unique,' Adam and Charles Black, Edinburgh, 1888. Alfred James Hipkins (1826-1903) was an English musicologist who specialized in the history of the pianoforte and other instruments. William Gibb was a master illustrator and chromolithographer and illustrated 'The Royal House of Stuart' (1890), 'Naval and Military Trophies' (189
Dame at Spinet, Abraham Delfos, after Jan de Bray, 1798 drawing paper. chalk one person playing keyboard instrument. spinet, virginal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dame-at-spinet-abraham-delfos-after-jan-de-bray-1798-drawing-paper-chalk-one-person-playing-keyboard-instrument-spinet-virginal-image595608742.html
RM2WH090P–Dame at Spinet, Abraham Delfos, after Jan de Bray, 1798 drawing paper. chalk one person playing keyboard instrument. spinet, virginal
Virginal Virginaal, Virginaal with the MUSICA LABORUM DULCE spelled on the inside of the lid and pasted around the keyboard with paper with ornaments with dolphins. Solve on base., Johannes Ruckers (attributed to), Antwerp, 1640, poplar (wood), spruce (wood), oak (wood), bone (material), iron (metal), brass (alloy), paper, l 150.0 cm × w 48.0 cm × h 22.0 cm l 106.0 cm × w 42.5 cm × h 78.0 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginal-virginaal-virginaal-with-the-musica-laborum-dulce-spelled-on-the-inside-of-the-lid-and-pasted-around-the-keyboard-with-paper-with-ornaments-with-dolphins-solve-on-base-johannes-ruckers-attributed-to-antwerp-1640-poplar-wood-spruce-wood-oak-wood-bone-material-iron-metal-brass-alloy-paper-l-1500-cm-w-480-cm-h-220-cm-l-1060-cm-w-425-cm-h-780-cm-image261357119.html
RMW55RJR–Virginal Virginaal, Virginaal with the MUSICA LABORUM DULCE spelled on the inside of the lid and pasted around the keyboard with paper with ornaments with dolphins. Solve on base., Johannes Ruckers (attributed to), Antwerp, 1640, poplar (wood), spruce (wood), oak (wood), bone (material), iron (metal), brass (alloy), paper, l 150.0 cm × w 48.0 cm × h 22.0 cm l 106.0 cm × w 42.5 cm × h 78.0 cm
The late Mrs. T.H. Kelly, whose husband first owned Glen Ascham, playing the 17th century Italian virginal in her home. Mrs. T. H. Kelly playing her 1620 A.D. Virginal at her home at Darling Point 52 the instrument was made by Hans Bachers in the Lowlands of Europe & decorated in Italy. It has a Russian boat of Arms above the keyboard. March 14, 1938. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-late-mrs-th-kelly-whose-husband-first-owned-glen-ascham-playing-the-17th-century-italian-virginal-in-her-home-mrs-t-h-kelly-playing-her-1620-ad-virginal-at-her-home-at-darling-point-52-the-instrument-was-made-by-hans-bachers-in-the-lowlands-of-europe-decorated-in-italy-it-has-a-russian-boat-of-arms-above-the-keyboard-march-14-1938-image463557305.html
RM2HX4T21–The late Mrs. T.H. Kelly, whose husband first owned Glen Ascham, playing the 17th century Italian virginal in her home. Mrs. T. H. Kelly playing her 1620 A.D. Virginal at her home at Darling Point 52 the instrument was made by Hans Bachers in the Lowlands of Europe & decorated in Italy. It has a Russian boat of Arms above the keyboard. March 14, 1938.
MUSIC - An old Quadrangular Italian Virginal - MUSICA - Un antico quadrangolare virginiano italiano Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/music-an-old-quadrangular-italian-virginal-musica-un-antico-quadrangolare-virginiano-italiano-image608396517.html
RM2X9PRY1–MUSIC - An old Quadrangular Italian Virginal - MUSICA - Un antico quadrangolare virginiano italiano
Double Spinet or Virginal. This musical instrument was made by Hans Ruckers the elder of Antwerp. It is numbered 9 out of sixty-six existing instruments by the Ruckers family. The left hand keyboard was a removable part, whilst the right was a fixture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-double-spinet-or-virginal-this-musical-instrument-was-made-by-hans-104967767.html
RMG2NKCR–Double Spinet or Virginal. This musical instrument was made by Hans Ruckers the elder of Antwerp. It is numbered 9 out of sixty-six existing instruments by the Ruckers family. The left hand keyboard was a removable part, whilst the right was a fixture.
Lady for a keyboard, Johannes de Mare, 1816 - 1889 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-for-a-keyboard-johannes-de-mare-1816-1889-image240611248.html
RMRYCP2T–Lady for a keyboard, Johannes de Mare, 1816 - 1889
A glass virginal, an early spinet with the strings parallel to the keyboard, typically rectangular, from Austria. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-glass-virginal-an-early-spinet-with-the-strings-parallel-to-the-165998560.html
RMKJ1TT0–A glass virginal, an early spinet with the strings parallel to the keyboard, typically rectangular, from Austria. Dated 17th Century
Dominicus Venetus, Virginal, cypress, boxwood, wood, total: length: 1499 mm; width: 472 mm; height: 178 mm; weight: 13.1 kg, engraving: on the end board: DOMINICUS, VENETUS, FECIT M D LX, I I, keyboard instruments, ornaments, dance (at festivities), city, city view (veduta), Renaissance Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dominicus-venetus-virginal-cypress-boxwood-wood-total-length-1499-mm-width-472-mm-height-178-mm-weight-131-kg-engraving-on-the-end-board-dominicus-venetus-fecit-m-d-lx-i-i-keyboard-instruments-ornaments-dance-at-festivities-city-city-view-veduta-renaissance-image392064663.html
RM2DNT2DB–Dominicus Venetus, Virginal, cypress, boxwood, wood, total: length: 1499 mm; width: 472 mm; height: 178 mm; weight: 13.1 kg, engraving: on the end board: DOMINICUS, VENETUS, FECIT M D LX, I I, keyboard instruments, ornaments, dance (at festivities), city, city view (veduta), Renaissance
A 18th century British portible virginal, a musical instrument that resembles with only one string attached to each key on the keyboard. Earlier ones had no legs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-18th-century-british-portible-virginal-a-musical-instrument-that-resembles-with-only-one-string-attached-to-each-key-on-the-keyboard-earlier-ones-had-no-legs-image491648283.html
RM2KFTEB7–A 18th century British portible virginal, a musical instrument that resembles with only one string attached to each key on the keyboard. Earlier ones had no legs.
1884 engraving of a virginal made by Annibale Rossi in Milan in 1577. Currently in the collection of the Victoria and Albert Museum, London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1884-engraving-of-a-virginal-made-by-annibale-rossi-in-milan-in-1577-currently-in-the-collection-of-the-victoria-and-albert-museum-london-image230573060.html
RMRB3E84–1884 engraving of a virginal made by Annibale Rossi in Milan in 1577. Currently in the collection of the Victoria and Albert Museum, London.
A 16th century virginal showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-16th-century-virginal-showing-a-detail-of-the-inscription-and-date-92373253.html
RMFA7Y0N–A 16th century virginal showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire.
MUSIC - An old Italian Clavichord -MUSICA ,Un vecchio clavicordo Italiano Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/music-an-old-italian-clavichord-musica-un-vecchio-clavicordo-italiano-image608396499.html
RM2X9PRXB–MUSIC - An old Italian Clavichord -MUSICA ,Un vecchio clavicordo Italiano
Harpsichord with rectangular spinet of the Renaissance, at the Museum of the Teatro alla Scala, in Milan, Italy, Europe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/harpsichord-with-rectangular-spinet-of-the-renaissance-at-the-museum-of-the-teatro-alla-scala-in-milan-italy-europe-image512320586.html
RM2MNE63P–Harpsichord with rectangular spinet of the Renaissance, at the Museum of the Teatro alla Scala, in Milan, Italy, Europe.
Virginal Virginaal, Virginaal with the MUSICA LABORUM DULCE spelled on the inside of the lid and pasted around the keyboard with paper with ornaments with dolphins. Solve on base., Johannes Ruckers (attributed to), Antwerp, 1640, poplar (wood), spruce (wood), oak (wood), bone (material), iron (metal), brass (alloy), paper, l 150.0 cm × w 48.0 cm × h 22.0 cm l 106.0 cm × w 42.5 cm × h 78.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginal-virginaal-virginaal-with-the-musica-laborum-dulce-spelled-on-the-inside-of-the-lid-and-pasted-around-the-keyboard-with-paper-with-ornaments-with-dolphins-solve-on-base-johannes-ruckers-attributed-to-antwerp-1640-poplar-wood-spruce-wood-oak-wood-bone-material-iron-metal-brass-alloy-paper-l-1500-cm-w-480-cm-h-220-cm-l-1060-cm-w-425-cm-h-780-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-image349966710.html
RF2B9AA32–Virginal Virginaal, Virginaal with the MUSICA LABORUM DULCE spelled on the inside of the lid and pasted around the keyboard with paper with ornaments with dolphins. Solve on base., Johannes Ruckers (attributed to), Antwerp, 1640, poplar (wood), spruce (wood), oak (wood), bone (material), iron (metal), brass (alloy), paper, l 150.0 cm × w 48.0 cm × h 22.0 cm l 106.0 cm × w 42.5 cm × h 78.0 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern
David Leeuw with his Family, Abraham van den Tempel, by 1671, Dutch painting, oil on canvas. The wealthy merchant David Leeuw and his family making music as an expression of harmonious family life. They convey their piety by performing religious music (BSLOC 2016 3 58) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-david-leeuw-with-his-family-abraham-van-den-tempel-by-1671-dutch-painting-115916706.html
RMGMGCXA–David Leeuw with his Family, Abraham van den Tempel, by 1671, Dutch painting, oil on canvas. The wealthy merchant David Leeuw and his family making music as an expression of harmonious family life. They convey their piety by performing religious music (BSLOC 2016 3 58)
ca 1542 Annibale dei Rossi Virginal harpsichord acquired by the Landmark Center history museum in 1981 in St. Paul, Minnesota USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ca-1542-annibale-dei-rossi-virginal-harpsichord-acquired-by-the-landmark-center-history-museum-in-1981-in-st-paul-minnesota-usa-image554104800.html
RF2R5DJ94–ca 1542 Annibale dei Rossi Virginal harpsichord acquired by the Landmark Center history museum in 1981 in St. Paul, Minnesota USA.
A description and history of the pianoforte and of the older keyboard stringed instruments . me of proportion,nearly always absent m modern keyboard instruments. HARPSICHORD. The harpsichord is a double, triple—in some instances, quadruple—spinet, the sounds being excited by a jack and quill plectrum thesame as in the spinet or virginal. In other words, instead of onestring to a note, as in the spinet or virginal, the harpsichord hastwo, three, and sometimes, although rarely, fom. Excepting thecommon features of the case, sound-board, wire strings, and key-board, the harpsichord differs entire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-description-and-history-of-the-pianoforte-and-of-the-older-keyboard-stringed-instruments-me-of-proportionnearly-always-absent-m-modern-keyboard-instruments-harpsichord-the-harpsichord-is-a-double-triplein-some-instances-quadruplespinet-the-sounds-being-excited-by-a-jack-and-quill-plectrum-thesame-as-in-the-spinet-or-virginal-in-other-words-instead-of-onestring-to-a-note-as-in-the-spinet-or-virginal-the-harpsichord-hastwo-three-and-sometimes-although-rarely-fom-excepting-thecommon-features-of-the-case-sound-board-wire-strings-and-key-board-the-harpsichord-differs-entire-image340153440.html
RM2ANB954–A description and history of the pianoforte and of the older keyboard stringed instruments . me of proportion,nearly always absent m modern keyboard instruments. HARPSICHORD. The harpsichord is a double, triple—in some instances, quadruple—spinet, the sounds being excited by a jack and quill plectrum thesame as in the spinet or virginal. In other words, instead of onestring to a note, as in the spinet or virginal, the harpsichord hastwo, three, and sometimes, although rarely, fom. Excepting thecommon features of the case, sound-board, wire strings, and key-board, the harpsichord differs entire
Double Virginal. Culture: Flemish. Dimensions: Width: 71 3/4 in. (182.2 cm) Depth: 19 1/2 in. (49.5 cm). Maker: Hans Ruckers the Elder (Flemish, Mechelen ca. 1545-1598 Antwerp). Date: 1581. This double virginal is the earliest known instrument by Hans Ruckers, who founded a dynasty that dominated Flemish harpsichord building for a hundred years.Double virginals consist of a large instrument (called 'the mother'), with its keyboard placed off-center, and a small virginal ('the child'), tuned an octave above that of the large instrument and stored in the space next to its keyboard. Either inst Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-virginal-culture-flemish-dimensions-width-71-34-in-1822-cm-depth-19-12-in-495-cm-maker-hans-ruckers-the-elder-flemish-mechelen-ca-1545-1598-antwerp-date-1581-this-double-virginal-is-the-earliest-known-instrument-by-hans-ruckers-who-founded-a-dynasty-that-dominated-flemish-harpsichord-building-for-a-hundred-yearsdouble-virginals-consist-of-a-large-instrument-called-the-mother-with-its-keyboard-placed-off-center-and-a-small-virginal-the-child-tuned-an-octave-above-that-of-the-large-instrument-and-stored-in-the-space-next-to-its-keyboard-either-inst-image213181712.html
RMPAR7CG–Double Virginal. Culture: Flemish. Dimensions: Width: 71 3/4 in. (182.2 cm) Depth: 19 1/2 in. (49.5 cm). Maker: Hans Ruckers the Elder (Flemish, Mechelen ca. 1545-1598 Antwerp). Date: 1581. This double virginal is the earliest known instrument by Hans Ruckers, who founded a dynasty that dominated Flemish harpsichord building for a hundred years.Double virginals consist of a large instrument (called 'the mother'), with its keyboard placed off-center, and a small virginal ('the child'), tuned an octave above that of the large instrument and stored in the space next to its keyboard. Either inst
Lady for a keyboard, Johannes de Mare, after Charles Robert Leslie, 1816 - 1888 print A lady for a keyboard on which she holds the right hand, with a sheet of paper in the other hand. paper steel engraving spinet, virginal. adolescent, young woman, maiden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-for-a-keyboard-johannes-de-mare-after-charles-robert-leslie-1816-1888-print-a-lady-for-a-keyboard-on-which-she-holds-the-right-hand-with-a-sheet-of-paper-in-the-other-hand-paper-steel-engraving-spinet-virginal-adolescent-young-woman-maiden-image592957638.html
RM2WCKFEE–Lady for a keyboard, Johannes de Mare, after Charles Robert Leslie, 1816 - 1888 print A lady for a keyboard on which she holds the right hand, with a sheet of paper in the other hand. paper steel engraving spinet, virginal. adolescent, young woman, maiden
A glass virginal, an early spinet with the strings parallel to the keyboard, typically rectangular, from Austria. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-glass-virginal-an-early-spinet-with-the-strings-parallel-to-the-165998556.html
RMKJ1TRT–A glass virginal, an early spinet with the strings parallel to the keyboard, typically rectangular, from Austria. Dated 17th Century
Giovanni Celestini, Virginal, rosewood, boxwood, cypress, bone, parchment, inlaid, Total: length: 1447 mm; width: 450 mm (max. Width: 450 mm (max. width); Height: 200 mm (body height); Weight: 33.4 kg, Inscription: on the facing strip above the keyboard: JOANNIS CELESTINI VENETI MDLXXXVI, Inscription: on the back of the facing strip: Johannes Celestini Veneti 1587, keyboard instruments, plant ornaments, history of Orpheus, Renaissance Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-celestini-virginal-rosewood-boxwood-cypress-bone-parchment-inlaid-total-length-1447-mm-width-450-mm-max-width-450-mm-max-width-height-200-mm-body-height-weight-334-kg-inscription-on-the-facing-strip-above-the-keyboard-joannis-celestini-veneti-mdlxxxvi-inscription-on-the-back-of-the-facing-strip-johannes-celestini-veneti-1587-keyboard-instruments-plant-ornaments-history-of-orpheus-renaissance-image392064708.html
RM2DNT2F0–Giovanni Celestini, Virginal, rosewood, boxwood, cypress, bone, parchment, inlaid, Total: length: 1447 mm; width: 450 mm (max. Width: 450 mm (max. width); Height: 200 mm (body height); Weight: 33.4 kg, Inscription: on the facing strip above the keyboard: JOANNIS CELESTINI VENETI MDLXXXVI, Inscription: on the back of the facing strip: Johannes Celestini Veneti 1587, keyboard instruments, plant ornaments, history of Orpheus, Renaissance
Lady before a piano, Johannes de Mare, Charles Robert Leslie, 1816 - 1889 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-before-a-piano-johannes-de-mare-charles-robert-leslie-1816-1889-image240607856.html
RMRYCHNM–Lady before a piano, Johannes de Mare, Charles Robert Leslie, 1816 - 1889
A 16th century virginal showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-16th-century-virginal-showing-a-detail-of-the-inscription-and-date-92373248.html
RMFA7Y0G–A 16th century virginal showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire.
MUSIC .An old English Spinet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/music-an-old-english-spinet-image608396526.html
RM2X9PRYA–MUSIC .An old English Spinet
Chalice with a woman behind a spinet, Conical foot. Baluster-shaped trunk with a ring of air bubbles, three knots. Conical chalice rounded at the bottom. On the chalice, in a cartouche of rococo ornament and flowers, a woman playing on a spinet. A man looks over her shoulder. Musical instruments on both sides. Signed below the show Willem Fortuyn Me fecit 1757, spinet, virginal, one person playing keyboard instrument, ornament, cartouche, anonymous, c. 1750 - before 1757 and/or 1757, glass, glassblowing, h 23.2 cm × d 9.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chalice-with-a-woman-behind-a-spinet-conical-foot-baluster-shaped-trunk-with-a-ring-of-air-bubbles-three-knots-conical-chalice-rounded-at-the-bottom-on-the-chalice-in-a-cartouche-of-rococo-ornament-and-flowers-a-woman-playing-on-a-spinet-a-man-looks-over-her-shoulder-musical-instruments-on-both-sides-signed-below-the-show-willem-fortuyn-me-fecit-1757-spinet-virginal-one-person-playing-keyboard-instrument-ornament-cartouche-anonymous-c-1750-before-1757-andor-1757-glass-glassblowing-h-232-cm-d-96-cm-image261354762.html
RMW55MJJ–Chalice with a woman behind a spinet, Conical foot. Baluster-shaped trunk with a ring of air bubbles, three knots. Conical chalice rounded at the bottom. On the chalice, in a cartouche of rococo ornament and flowers, a woman playing on a spinet. A man looks over her shoulder. Musical instruments on both sides. Signed below the show Willem Fortuyn Me fecit 1757, spinet, virginal, one person playing keyboard instrument, ornament, cartouche, anonymous, c. 1750 - before 1757 and/or 1757, glass, glassblowing, h 23.2 cm × d 9.6 cm
Lady for a keyboard, Johannes de Mare, 1816 - 1889. Reimagined by Gibon. Classic art with a modern twist reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-for-a-keyboard-johannes-de-mare-1816-1889-reimagined-by-gibon-classic-art-with-a-modern-twist-reimagined-image230491965.html
RFRAYPRW–Lady for a keyboard, Johannes de Mare, 1816 - 1889. Reimagined by Gibon. Classic art with a modern twist reimagined
Lady for a keyboard, Johannes de Mare, 1816 - 1889 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lady-for-a-keyboard-johannes-de-mare-1816-1889-104908785.html
RMG2K069–Lady for a keyboard, Johannes de Mare, 1816 - 1889
. Bulletin - United States National Museum. Science. Figure 2.—Polygonal virginal in outer case. {Smn/isivnan /,/wlo 46792.) pins, strings and jacks, and since both types were known as virginals in 17th-century England, it is logical to reserve the term spinet for another kind of instrument, namely the one with the wrest plank and tuning pins in front over the keyboard, and with the strings stretched diagonally. Such instruments were popular in England in the late Hth and early 18th centuries and were known in English as spinets during the period of their popularity. By using the term polygona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-united-states-national-museum-science-figure-2polygonal-virginal-in-outer-case-smnisivnan-wlo-46792-pins-strings-and-jacks-and-since-both-types-were-known-as-virginals-in-17th-century-england-it-is-logical-to-reserve-the-term-spinet-for-another-kind-of-instrument-namely-the-one-with-the-wrest-plank-and-tuning-pins-in-front-over-the-keyboard-and-with-the-strings-stretched-diagonally-such-instruments-were-popular-in-england-in-the-late-hth-and-early-18th-centuries-and-were-known-in-english-as-spinets-during-the-period-of-their-popularity-by-using-the-term-polygona-image233698313.html
RMRG5TG9–. Bulletin - United States National Museum. Science. Figure 2.—Polygonal virginal in outer case. {Smn/isivnan /,/wlo 46792.) pins, strings and jacks, and since both types were known as virginals in 17th-century England, it is logical to reserve the term spinet for another kind of instrument, namely the one with the wrest plank and tuning pins in front over the keyboard, and with the strings stretched diagonally. Such instruments were popular in England in the late Hth and early 18th centuries and were known in English as spinets during the period of their popularity. By using the term polygona
Spinet. Culture: Italian. Dimensions: Width: 57 1/4 in. (145.4 cm) Depth: 19 in. (48.3 cm). Date: 1540. Still playable after 450 years, this spinetta embodies the spirit of Italian humanism in its sophistication and elegance. The graceful pentagonal shape of the case conforms to the layout of the strings stretched over the soundboard, and the exterior is richly decorated with panels of inlaid wood, mother-of-pearl, and tracery. Layers of pierced parchment recreate a Gothic rose in the sound hole. Dolphins appear in the inlay flanking the keyboard, and carved figures of grotesques bracket the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spinet-culture-italian-dimensions-width-57-14-in-1454-cm-depth-19-in-483-cm-date-1540-still-playable-after-450-years-this-spinetta-embodies-the-spirit-of-italian-humanism-in-its-sophistication-and-elegance-the-graceful-pentagonal-shape-of-the-case-conforms-to-the-layout-of-the-strings-stretched-over-the-soundboard-and-the-exterior-is-richly-decorated-with-panels-of-inlaid-wood-mother-of-pearl-and-tracery-layers-of-pierced-parchment-recreate-a-gothic-rose-in-the-sound-hole-dolphins-appear-in-the-inlay-flanking-the-keyboard-and-carved-figures-of-grotesques-bracket-the-image213210879.html
RMPATGJ7–Spinet. Culture: Italian. Dimensions: Width: 57 1/4 in. (145.4 cm) Depth: 19 in. (48.3 cm). Date: 1540. Still playable after 450 years, this spinetta embodies the spirit of Italian humanism in its sophistication and elegance. The graceful pentagonal shape of the case conforms to the layout of the strings stretched over the soundboard, and the exterior is richly decorated with panels of inlaid wood, mother-of-pearl, and tracery. Layers of pierced parchment recreate a Gothic rose in the sound hole. Dolphins appear in the inlay flanking the keyboard, and carved figures of grotesques bracket the
Lady before a piano, Johannes de Mare, Charles Robert Leslie, 1816 - 1889 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lady-before-a-piano-johannes-de-mare-charles-robert-leslie-1816-1889-104865810.html
RMG2H1BE–Lady before a piano, Johannes de Mare, Charles Robert Leslie, 1816 - 1889
Lady for a keyboard, Johannes de Mare, after Charles Robert Leslie, 1816 - 1885 print A lady for a keyboard on which she holds the right hand, with a sheet of paper in the other hand. paper. pencil steel engraving spinet, virginal. adolescent, young woman, maiden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-for-a-keyboard-johannes-de-mare-after-charles-robert-leslie-1816-1885-print-a-lady-for-a-keyboard-on-which-she-holds-the-right-hand-with-a-sheet-of-paper-in-the-other-hand-paper-pencil-steel-engraving-spinet-virginal-adolescent-young-woman-maiden-image592958093.html
RM2WCKG2N–Lady for a keyboard, Johannes de Mare, after Charles Robert Leslie, 1816 - 1885 print A lady for a keyboard on which she holds the right hand, with a sheet of paper in the other hand. paper. pencil steel engraving spinet, virginal. adolescent, young woman, maiden
A glass virginal, an early spinet with the strings parallel to the keyboard, typically rectangular, from Austria. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-a-glass-virginal-an-early-spinet-with-the-strings-parallel-to-the-165998559.html
RMKJ1TRY–A glass virginal, an early spinet with the strings parallel to the keyboard, typically rectangular, from Austria. Dated 17th Century
16th century virginals showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-16th-century-virginals-showing-a-detail-of-the-inscription-and-date-92373246.html
RMFA7Y0E–16th century virginals showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire.
MUSIC - An old Italian Clavichord -MUSICA ,Un vecchio clavicordo Italiano Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/music-an-old-italian-clavichord-musica-un-vecchio-clavicordo-italiano-image608396495.html
RM2X9PRX7–MUSIC - An old Italian Clavichord -MUSICA ,Un vecchio clavicordo Italiano
Music - An historic illustrations showing a long haired woman playing a 17th century spinet (harpsichord) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/music-an-historic-illustrations-showing-a-long-haired-woman-playing-a-17th-century-spinet-harpsichord-image244703839.html
RMT6366R–Music - An historic illustrations showing a long haired woman playing a 17th century spinet (harpsichord)
Chalice with a woman behind a spinet, Conical foot. Baluster-shaped trunk with a ring of air bubbles, three knots. Conical chalice rounded at the bottom. On the chalice, in a cartouche of rococo ornament and flowers, a woman playing on a spinet. A man looks over her shoulder. Musical instruments on both sides. Signed below the show Willem Fortuyn Me fecit 1757, spinet, virginal, one person playing keyboard instrument, ornament, cartouche, anonymous, c. 1750 - before 1757 and/or 1757, glass, glassblowing, h 23.2 cm × d 9.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chalice-with-a-woman-behind-a-spinet-conical-foot-baluster-shaped-trunk-with-a-ring-of-air-bubbles-three-knots-conical-chalice-rounded-at-the-bottom-on-the-chalice-in-a-cartouche-of-rococo-ornament-and-flowers-a-woman-playing-on-a-spinet-a-man-looks-over-her-shoulder-musical-instruments-on-both-sides-signed-below-the-show-willem-fortuyn-me-fecit-1757-spinet-virginal-one-person-playing-keyboard-instrument-ornament-cartouche-anonymous-c-1750-before-1757-andor-1757-glass-glassblowing-h-232-cm-d-96-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-a-image349964915.html
RF2B9A7PY–Chalice with a woman behind a spinet, Conical foot. Baluster-shaped trunk with a ring of air bubbles, three knots. Conical chalice rounded at the bottom. On the chalice, in a cartouche of rococo ornament and flowers, a woman playing on a spinet. A man looks over her shoulder. Musical instruments on both sides. Signed below the show Willem Fortuyn Me fecit 1757, spinet, virginal, one person playing keyboard instrument, ornament, cartouche, anonymous, c. 1750 - before 1757 and/or 1757, glass, glassblowing, h 23.2 cm × d 9.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness a
Young Woman Playing the Clavichord, Cornelis-Henricus van Meurs, after Gerard Dou, c. 1720 - c. 1730 print A young woman plays the Klavichord. At the bottom of the margin a two -way verse in French. Northern Netherlands paper etching / engraving one person playing keyboard instrument. spinet, virginal Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-playing-the-clavichord-cornelis-henricus-van-meurs-after-gerard-dou-c-1720-c-1730-print-a-young-woman-plays-the-klavichord-at-the-bottom-of-the-margin-a-two-way-verse-in-french-northern-netherlands-paper-etching-engraving-one-person-playing-keyboard-instrument-spinet-virginal-image593127067.html
RM2WCY7HF–Young Woman Playing the Clavichord, Cornelis-Henricus van Meurs, after Gerard Dou, c. 1720 - c. 1730 print A young woman plays the Klavichord. At the bottom of the margin a two -way verse in French. Northern Netherlands paper etching / engraving one person playing keyboard instrument. spinet, virginal
A 16th century virginals showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-16th-century-virginals-showing-a-detail-of-the-inscription-and-date-92373254.html
RMFA7Y0P–A 16th century virginals showing a detail of the inscription (and date of 1537) over the keyboard, in the Music Room at Westwood Manor, Wiltshire.
Lady before a piano, Johannes de Mare, Charles Robert Leslie, 1816 - 1889. Reimagined by Gibon. Classic art with a reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-before-a-piano-johannes-de-mare-charles-robert-leslie-1816-1889-reimagined-by-gibon-classic-art-with-a-reimagined-image230462740.html
RFRAXDG4–Lady before a piano, Johannes de Mare, Charles Robert Leslie, 1816 - 1889. Reimagined by Gibon. Classic art with a reimagined
Portrait of a man playing a virginal, Francesco Traballesi, 1554 - 1570 painting Portrait of a young man playing on a virginal with insert work, turned the face to the viewer. In the background an ink set and books on a table. panel. oil paint (paint) historical persons not known by name. spinet, virginal. one person playing keyboard instrument Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-man-playing-a-virginal-francesco-traballesi-1554-1570-painting-portrait-of-a-young-man-playing-on-a-virginal-with-insert-work-turned-the-face-to-the-viewer-in-the-background-an-ink-set-and-books-on-a-table-panel-oil-paint-paint-historical-persons-not-known-by-name-spinet-virginal-one-person-playing-keyboard-instrument-image595559144.html
RM2WGX1NC–Portrait of a man playing a virginal, Francesco Traballesi, 1554 - 1570 painting Portrait of a young man playing on a virginal with insert work, turned the face to the viewer. In the background an ink set and books on a table. panel. oil paint (paint) historical persons not known by name. spinet, virginal. one person playing keyboard instrument
Double Virginal 1600 Lodewijck Grouwels Flemish, active The Netherlands This is the only known instrument of Lodewijck Grouwels, a Protestant maker who left Catholic Antwerp in 1593 and moved to the Calvinist stronghold of Middelburg. The instrument is sometimes referred to as a “mother and child virginal,” as there is a main virginal (the mother) and a second smaller removable octave virginal (the child). The small keyboard is a replacement made by the famous harpsichord maker Arnold Dolmetsch in 1896 during a restoration of the entire instrument.The instrument is lavishly decorated, with pai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-virginal-1600-lodewijck-grouwels-flemish-active-the-netherlands-this-is-the-only-known-instrument-of-lodewijck-grouwels-a-protestant-maker-who-left-catholic-antwerp-in-1593-and-moved-to-the-calvinist-stronghold-of-middelburg-the-instrument-is-sometimes-referred-to-as-a-mother-and-child-virginal-as-there-is-a-main-virginal-the-mother-and-a-second-smaller-removable-octave-virginal-the-child-the-small-keyboard-is-a-replacement-made-by-the-famous-harpsichord-maker-arnold-dolmetsch-in-1896-during-a-restoration-of-the-entire-instrumentthe-instrument-is-lavishly-decorated-with-pai-image458444778.html
RM2HHRXYP–Double Virginal 1600 Lodewijck Grouwels Flemish, active The Netherlands This is the only known instrument of Lodewijck Grouwels, a Protestant maker who left Catholic Antwerp in 1593 and moved to the Calvinist stronghold of Middelburg. The instrument is sometimes referred to as a “mother and child virginal,” as there is a main virginal (the mother) and a second smaller removable octave virginal (the child). The small keyboard is a replacement made by the famous harpsichord maker Arnold Dolmetsch in 1896 during a restoration of the entire instrument.The instrument is lavishly decorated, with pai
Virginal, 1640 Virginal with the spell Musica Laborum Dulce Levamen on the inside of the lid and covered around the keyboard with paper with ornaments with dolphins. Loose on chassis. Antwerp poplar (wood). spruce (wood). oak (wood). bone (material). iron (metal). brass (alloy). paper Virginal with the spell Musica Laborum Dulce Levamen on the inside of the lid and covered around the keyboard with paper with ornaments with dolphins. Loose on chassis. Antwerp poplar (wood). spruce (wood). oak (wood). bone (material). iron (metal). brass (alloy). paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginal-1640-virginal-with-the-spell-musica-laborum-dulce-levamen-on-the-inside-of-the-lid-and-covered-around-the-keyboard-with-paper-with-ornaments-with-dolphins-loose-on-chassis-antwerp-poplar-wood-spruce-wood-oak-wood-bone-material-iron-metal-brass-alloy-paper-virginal-with-the-spell-musica-laborum-dulce-levamen-on-the-inside-of-the-lid-and-covered-around-the-keyboard-with-paper-with-ornaments-with-dolphins-loose-on-chassis-antwerp-poplar-wood-spruce-wood-oak-wood-bone-material-iron-metal-brass-alloy-paper-image581365398.html
RM2TNRDDX–Virginal, 1640 Virginal with the spell Musica Laborum Dulce Levamen on the inside of the lid and covered around the keyboard with paper with ornaments with dolphins. Loose on chassis. Antwerp poplar (wood). spruce (wood). oak (wood). bone (material). iron (metal). brass (alloy). paper Virginal with the spell Musica Laborum Dulce Levamen on the inside of the lid and covered around the keyboard with paper with ornaments with dolphins. Loose on chassis. Antwerp poplar (wood). spruce (wood). oak (wood). bone (material). iron (metal). brass (alloy). paper
Double Virginal 1581 Hans Ruckers the Elder Flemish This double virginal is the earliest known instrument by Hans Ruckers, who founded a dynasty that dominated Flemish harpsichord building for a hundred years.Double virginals consist of a large instrument (called 'the mother'), with its keyboard placed off-center, and a small virginal ('the child'), tuned an octave above that of the large instrument and stored in the space next to its keyboard. Either instrument may be played by itself, or the small virginal may be removed from its space and placed on top of the larger one. When this is done, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/double-virginal-1581-hans-ruckers-the-elder-flemish-this-double-virginal-is-the-earliest-known-instrument-by-hans-ruckers-who-founded-a-dynasty-that-dominated-flemish-harpsichord-building-for-a-hundred-yearsdouble-virginals-consist-of-a-large-instrument-called-the-mother-with-its-keyboard-placed-off-center-and-a-small-virginal-the-child-tuned-an-octave-above-that-of-the-large-instrument-and-stored-in-the-space-next-to-its-keyboard-either-instrument-may-be-played-by-itself-or-the-small-virginal-may-be-removed-from-its-space-and-placed-on-top-of-the-larger-one-when-this-is-done-image458570858.html
RM2HJ1KPJ–Double Virginal 1581 Hans Ruckers the Elder Flemish This double virginal is the earliest known instrument by Hans Ruckers, who founded a dynasty that dominated Flemish harpsichord building for a hundred years.Double virginals consist of a large instrument (called 'the mother'), with its keyboard placed off-center, and a small virginal ('the child'), tuned an octave above that of the large instrument and stored in the space next to its keyboard. Either instrument may be played by itself, or the small virginal may be removed from its space and placed on top of the larger one. When this is done,
Muselar Virginal 1622 Joannes (Jan) Ruckers Flemish Joannes (Jan) Ruckers was the oldest son of Hans Ruckers who built the extraordinary 'mother and child' virginal also at The Metropolitan Museum of Art (29.90). After training in his father's workshop, Joannes became a master and joined the Guild of St. Luke's in 1611. This instrument is a muselar virginal, a type of instrument with a rectangular case and a single set of strings that run parallel to the back of the case and with its keyboard set to the right fo the center of the case. The more typical virginals had their keyboards to the righ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/muselar-virginal-1622-joannes-jan-ruckers-flemish-joannes-jan-ruckers-was-the-oldest-son-of-hans-ruckers-who-built-the-extraordinary-mother-and-child-virginal-also-at-the-metropolitan-museum-of-art-2990-after-training-in-his-fathers-workshop-joannes-became-a-master-and-joined-the-guild-of-st-lukes-in-1611-this-instrument-is-a-muselar-virginal-a-type-of-instrument-with-a-rectangular-case-and-a-single-set-of-strings-that-run-parallel-to-the-back-of-the-case-and-with-its-keyboard-set-to-the-right-fo-the-center-of-the-case-the-more-typical-virginals-had-their-keyboards-to-the-righ-image458565692.html
RM2HJ1D64–Muselar Virginal 1622 Joannes (Jan) Ruckers Flemish Joannes (Jan) Ruckers was the oldest son of Hans Ruckers who built the extraordinary 'mother and child' virginal also at The Metropolitan Museum of Art (29.90). After training in his father's workshop, Joannes became a master and joined the Guild of St. Luke's in 1611. This instrument is a muselar virginal, a type of instrument with a rectangular case and a single set of strings that run parallel to the back of the case and with its keyboard set to the right fo the center of the case. The more typical virginals had their keyboards to the righ
Pleasure Garden, anonymous, c. 1590 painting. virginal. virginal lid. lid Lusthof. Buitenhuis with a garden where an elegant company entertains itself with a meal and music. In the garden and sitting in the grass in the foreground some Minneparen. On the right a few goes on board a boat for a pleasure craft. A fountain in the garden, there is a peacock on the fence. Probably the lid of a keyboard. Low Countries panel. oil paint (paint) Garden of Delights (sometimes called 'Hortus Deliciarum'). garden of Love, court of Love, 'fête galante'. garden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pleasure-garden-anonymous-c-1590-painting-virginal-virginal-lid-lid-lusthof-buitenhuis-with-a-garden-where-an-elegant-company-entertains-itself-with-a-meal-and-music-in-the-garden-and-sitting-in-the-grass-in-the-foreground-some-minneparen-on-the-right-a-few-goes-on-board-a-boat-for-a-pleasure-craft-a-fountain-in-the-garden-there-is-a-peacock-on-the-fence-probably-the-lid-of-a-keyboard-low-countries-panel-oil-paint-paint-garden-of-delights-sometimes-called-hortus-deliciarum-garden-of-love-court-of-love-fte-galante-garden-image595555864.html
RM2WGWWG8–Pleasure Garden, anonymous, c. 1590 painting. virginal. virginal lid. lid Lusthof. Buitenhuis with a garden where an elegant company entertains itself with a meal and music. In the garden and sitting in the grass in the foreground some Minneparen. On the right a few goes on board a boat for a pleasure craft. A fountain in the garden, there is a peacock on the fence. Probably the lid of a keyboard. Low Countries panel. oil paint (paint) Garden of Delights (sometimes called 'Hortus Deliciarum'). garden of Love, court of Love, 'fête galante'. garden
Dancing Party in the Forecourt of an Imaginary Palace with a Capriccio View of Venice in the Distance, anonymous, c. 1615 painting. virginal lid. musical instrument. stringed instrument. keyboard instrument. virginal Elegant company on a terrace of a pleasure court. In the middle, three pairs dance to the music of a group of musicians. On the right the arrival of a few people in a gondola. Everything in a venice environment. Probably the lid of a virginal. Antwerp panel. oil paint (paint) garden. visiting; receiving guests; elegant company. musician - CC - out of doors. landscapes in the temp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dancing-party-in-the-forecourt-of-an-imaginary-palace-with-a-capriccio-view-of-venice-in-the-distance-anonymous-c-1615-painting-virginal-lid-musical-instrument-stringed-instrument-keyboard-instrument-virginal-elegant-company-on-a-terrace-of-a-pleasure-court-in-the-middle-three-pairs-dance-to-the-music-of-a-group-of-musicians-on-the-right-the-arrival-of-a-few-people-in-a-gondola-everything-in-a-venice-environment-probably-the-lid-of-a-virginal-antwerp-panel-oil-paint-paint-garden-visiting-receiving-guests-elegant-company-musician-cc-out-of-doors-landscapes-in-the-temp-image595540870.html
RM2WGW6CP–Dancing Party in the Forecourt of an Imaginary Palace with a Capriccio View of Venice in the Distance, anonymous, c. 1615 painting. virginal lid. musical instrument. stringed instrument. keyboard instrument. virginal Elegant company on a terrace of a pleasure court. In the middle, three pairs dance to the music of a group of musicians. On the right the arrival of a few people in a gondola. Everything in a venice environment. Probably the lid of a virginal. Antwerp panel. oil paint (paint) garden. visiting; receiving guests; elegant company. musician - CC - out of doors. landscapes in the temp
Landscape with a Couple Dancing outside a Country Mansion, Pieter Meulener, 1645 painting. virginal lid. musical instrument. stringed instrument. keyboard instrument. virginal Landscape Outside a village with a group of people who have fun in the open air. On the left a few dancing to the music of a lute player and a violinist. On the right a man with a bag over the shoulder. Painted on the lid of a virginal. panel. oil paint (paint) banquet of elegant company - CC - out of doors. group dancing among upper classes. one pair dancing; man and woman dancing as a couple. landscapes in the temper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-a-couple-dancing-outside-a-country-mansion-pieter-meulener-1645-painting-virginal-lid-musical-instrument-stringed-instrument-keyboard-instrument-virginal-landscape-outside-a-village-with-a-group-of-people-who-have-fun-in-the-open-air-on-the-left-a-few-dancing-to-the-music-of-a-lute-player-and-a-violinist-on-the-right-a-man-with-a-bag-over-the-shoulder-painted-on-the-lid-of-a-virginal-panel-oil-paint-paint-banquet-of-elegant-company-cc-out-of-doors-group-dancing-among-upper-classes-one-pair-dancing-man-and-woman-dancing-as-a-couple-landscapes-in-the-temper-image595535410.html
RM2WGTYDP–Landscape with a Couple Dancing outside a Country Mansion, Pieter Meulener, 1645 painting. virginal lid. musical instrument. stringed instrument. keyboard instrument. virginal Landscape Outside a village with a group of people who have fun in the open air. On the left a few dancing to the music of a lute player and a violinist. On the right a man with a bag over the shoulder. Painted on the lid of a virginal. panel. oil paint (paint) banquet of elegant company - CC - out of doors. group dancing among upper classes. one pair dancing; man and woman dancing as a couple. landscapes in the temper
Musicians in an interior, Leonaert Bramer, 1606 - 1674 drawing On the left a lady standing on a spinet. In the middle, sitting at a table, a violinist. There are a lute and a violin on the table (Viola da Gamba). In the foreground is a cello and a lute is on the floor. Furthermore, a fighting dog and cat can be seen. paper brush interior of the house. cat. dog. ornamental birds: parrot. monkeys, apes. one person playing keyboard instrument. spinet, virginal. one person playing string instrument (bowed). string instruments (bowed). small group of musicians, chamber orchestra, jazz band Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/musicians-in-an-interior-leonaert-bramer-1606-1674-drawing-on-the-left-a-lady-standing-on-a-spinet-in-the-middle-sitting-at-a-table-a-violinist-there-are-a-lute-and-a-violin-on-the-table-viola-da-gamba-in-the-foreground-is-a-cello-and-a-lute-is-on-the-floor-furthermore-a-fighting-dog-and-cat-can-be-seen-paper-brush-interior-of-the-house-cat-dog-ornamental-birds-parrot-monkeys-apes-one-person-playing-keyboard-instrument-spinet-virginal-one-person-playing-string-instrument-bowed-string-instruments-bowed-small-group-of-musicians-chamber-orchestra-jazz-band-image595590716.html
RM2WGYE10–Musicians in an interior, Leonaert Bramer, 1606 - 1674 drawing On the left a lady standing on a spinet. In the middle, sitting at a table, a violinist. There are a lute and a violin on the table (Viola da Gamba). In the foreground is a cello and a lute is on the floor. Furthermore, a fighting dog and cat can be seen. paper brush interior of the house. cat. dog. ornamental birds: parrot. monkeys, apes. one person playing keyboard instrument. spinet, virginal. one person playing string instrument (bowed). string instruments (bowed). small group of musicians, chamber orchestra, jazz band
Virginal. The virginal, like the harpsichord, is a keyboard instrument the strings of which are plucked by plectra. Used mostly in domestic contexts, virginals were smaller and usually less costly than harpsichords. These instruments were often played by young girls, giving rise to the name‘virginal’. The decoration of this instrument is not painted, but consists of printed paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virginal-the-virginal-like-the-harpsichord-is-a-keyboard-instrument-the-strings-of-which-are-plucked-by-plectra-used-mostly-in-domestic-contexts-virginals-were-smaller-and-usually-less-costly-than-harpsichords-these-instruments-were-often-played-by-young-girls-giving-rise-to-the-namevirginal-the-decoration-of-this-instrument-is-not-painted-but-consists-of-printed-paper-image431556923.html
RM2G23377–Virginal. The virginal, like the harpsichord, is a keyboard instrument the strings of which are plucked by plectra. Used mostly in domestic contexts, virginals were smaller and usually less costly than harpsichords. These instruments were often played by young girls, giving rise to the name‘virginal’. The decoration of this instrument is not painted, but consists of printed paper.
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation