Western paradise of amitabha buddha hi-res stock photography and images

Stele of Maitreya Buddha, 563, 25 1/4 x 11 x 5 11/16 in. (64.14 x 27.94 x 14.45 cm), Black limestone with traces of pigment, China, 6th century, While small in scale, this exquisitely carved stele displays the full iconography found on larger Buddhist statues of the same theme. In addition to the central Maitreya image with its incised halo and flanking bodhisattvas, apsaras and dragons appear at the top and bottom of the flame-shaped mandorla. The small figures on lotuses at the feet of the bodhisattvas represent the new souls being born in the Western Paradise of Amitabha Buddha. Stock Photo

RM2T91GDD–Stele of Maitreya Buddha, 563, 25 1/4 x 11 x 5 11/16 in. (64.14 x 27.94 x 14.45 cm), Black limestone with traces of pigment, China, 6th century, While small in scale, this exquisitely carved stele displays the full iconography found on larger Buddhist statues of the same theme. In addition to the central Maitreya image with its incised halo and flanking bodhisattvas, apsaras and dragons appear at the top and bottom of the flame-shaped mandorla. The small figures on lotuses at the feet of the bodhisattvas represent the new souls being born in the Western Paradise of Amitabha Buddha.

China: 'The Western Paradise of the Amitabha Buddha'. Fresco, Mogao Caves, Dunhuang, Gansu, c. 800 CE. The Mogao Caves, or Mogao Grottoes (Chinese: mò gāo kū), also known as the Caves of the Thousand Buddhas and Dunhuang Caves, form a system of 492 temples 25 km (15.5 miles) southeast of the center of Dunhuang, an oasis strategically located at a religious and cultural crossroads on the Silk Road, in Gansu province, China. The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years. The first caves were dug out 366 CE as places of Buddhist meditation. Stock Photo

RM2B01D0N–China: 'The Western Paradise of the Amitabha Buddha'. Fresco, Mogao Caves, Dunhuang, Gansu, c. 800 CE. The Mogao Caves, or Mogao Grottoes (Chinese: mò gāo kū), also known as the Caves of the Thousand Buddhas and Dunhuang Caves, form a system of 492 temples 25 km (15.5 miles) southeast of the center of Dunhuang, an oasis strategically located at a religious and cultural crossroads on the Silk Road, in Gansu province, China. The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years. The first caves were dug out 366 CE as places of Buddhist meditation.

Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Standing Amida Buddha - Hollowed- out wood , gliced lacqer . End of Heian - Early Kamakura 12th - 13th century - Amida ( Sanskrit Amitabha ) presides over the Western Paradise of the Pure Land and is the most venerated Buddha in East Asia Stock Photo

RM2A926HP–Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - Standing Amida Buddha - Hollowed- out wood , gliced lacqer . End of Heian - Early Kamakura 12th - 13th century - Amida ( Sanskrit Amitabha ) presides over the Western Paradise of the Pure Land and is the most venerated Buddha in East Asia

London, United Kingdom - December 21, 2018: Amitabha Buddha from Hancui displayed in the Bristish Museum, London, United Kingdom. Stock Photo

RFW2DXJE–London, United Kingdom - December 21, 2018: Amitabha Buddha from Hancui displayed in the Bristish Museum, London, United Kingdom.

唐彩繪漆金夾紵阿彌陀佛像, Buddha, Probably Amitabha (Amituofo), early 7th century Stock Photo

RMKC77W1–唐彩繪漆金夾紵阿彌陀佛像, Buddha, Probably Amitabha (Amituofo), early 7th century

AMITABHA, THE BUDDHA OF THE WESTERN PURE LAND, Tibetan, Buddhist, 18th c., painting. Amitayus, the Buddha of Eternal Life, in his paradise, Sukhavati, the Western Pure Land. The sky is filled with demigods who scatter flowers. Just below Amitayus are the eight great bodhisattvas. In bottom landscape are pools from which the purified are reborn (BSLOC 2017 16 13) Stock Photo

RMKWDJGH–AMITABHA, THE BUDDHA OF THE WESTERN PURE LAND, Tibetan, Buddhist, 18th c., painting. Amitayus, the Buddha of Eternal Life, in his paradise, Sukhavati, the Western Pure Land. The sky is filled with demigods who scatter flowers. Just below Amitayus are the eight great bodhisattvas. In bottom landscape are pools from which the purified are reborn (BSLOC 2017 16 13)

Amitabha triad. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm) Overall with mounting: 83 1/4 x 31 1/2 in. (211.5 x 80 cm) Overall with knobs: 83 1/4 x 34 in. (211.5 x 86.4 cm). Date: ca. 13th century. The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha's Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Stock Photo

RMPAB5XE–Amitabha triad. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm) Overall with mounting: 83 1/4 x 31 1/2 in. (211.5 x 80 cm) Overall with knobs: 83 1/4 x 34 in. (211.5 x 86.4 cm). Date: ca. 13th century. The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha's Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean:

Art inspired by 唐彩繪漆金夾紵阿彌陀佛像, Buddha, Probably Amitabha (Amituofo), Tang dynasty (618–907), early 7th century, China, Hollow dry lacquer with traces of gilt and polychrome pigment and gilding, H. 38 in. (96.5 cm); W. 27 in. (68.6 cm); D. 22 1/2 in. (57.1 cm), Sculpture, The position, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW39D1–Art inspired by 唐彩繪漆金夾紵阿彌陀佛像, Buddha, Probably Amitabha (Amituofo), Tang dynasty (618–907), early 7th century, China, Hollow dry lacquer with traces of gilt and polychrome pigment and gilding, H. 38 in. (96.5 cm); W. 27 in. (68.6 cm); D. 22 1/2 in. (57.1 cm), Sculpture, The position, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Home to the white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase the British Museum, London, UK Stock Photo

RMF9DNW1–Home to the white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase the British Museum, London, UK

. English: Amitāyus Buddha in His Paradise. Tibet. Distemper with gold on cloth, 56 1/4 x 39 1/2 in. (142.9 x 100.3 cm). Amitayus, the Buddha of Eternal Life, is also known as Amitabha, one of the five Cosmic Buddhas of Esoteric Buddhism. He is shown in his paradise, Sukhavati, the Western Pure Land, enthroned beneath a flowering tree festooned with strands of jewels and auspicious symbols. To either side the sky is filled with throngs of ecstatic demigods who bear offerings and scatter flowers. Seated below are the eight great bodhisattvas, and between them are two large, low tables covered Stock Photo

RMMMH0MP–. English: Amitāyus Buddha in His Paradise. Tibet. Distemper with gold on cloth, 56 1/4 x 39 1/2 in. (142.9 x 100.3 cm). Amitayus, the Buddha of Eternal Life, is also known as Amitabha, one of the five Cosmic Buddhas of Esoteric Buddhism. He is shown in his paradise, Sukhavati, the Western Pure Land, enthroned beneath a flowering tree festooned with strands of jewels and auspicious symbols. To either side the sky is filled with throngs of ecstatic demigods who bear offerings and scatter flowers. Seated below are the eight great bodhisattvas, and between them are two large, low tables covered

Western Paradise - China, Northern Qi dynasty ca. 570 Stock Photo

RMB8AG32–Western Paradise - China, Northern Qi dynasty ca. 570

Amitabha, the Buddha of the Western Pure Land (Sukhavati), ca. 1700. Amitayus, the Buddha of Eternal Life. Stock Photo

RM2AX1AF2–Amitabha, the Buddha of the Western Pure Land (Sukhavati), ca. 1700. Amitayus, the Buddha of Eternal Life.

Lintel possibly showing the Western Paradise of the Buddha Amitabha. Yamanaka and Co. Stock Photo

RM2BF12T9–Lintel possibly showing the Western Paradise of the Buddha Amitabha. Yamanaka and Co.

RMKWDM7D–AMITABHA, THE BUDDHA OF THE WESTERN PURE LAND, Tibetan, Buddhist, 18th c., painting. Amitayus, the Buddha of Eternal Life, in his paradise, Sukhavati, the Western Pure Land. The sky is filled with demigods who scatter flowers. Just below Amitayus are the eight great bodhisattvas. In bottom landscape are pools from which the purified are reborn (BSLOC 2017 16 13)

South Korea, Seoul, Yongsan-gu, National Museum, Buddha Amitabha Preaching in the Western Paradise, 19th-20th century Stock Photo

RM2JJW42N–South Korea, Seoul, Yongsan-gu, National Museum, Buddha Amitabha Preaching in the Western Paradise, 19th-20th century

South Korea, Seoul, National Museum of Korea, Amitabha Buddha preaching in the Western Paradise, painting, Stock Photo

RMDHHKX6–South Korea, Seoul, National Museum of Korea, Amitabha Buddha preaching in the Western Paradise, painting,

Seated Buddha, Probably Amitabha (Amit'abul), the Buddha of the Western Paradise M.2000.15.129 Stock Photo

RMDBAG83–Seated Buddha, Probably Amitabha (Amit'abul), the Buddha of the Western Paradise M.2000.15.129

Amitabha Buddhas assembly in the Western Paradise 2011 by Unidentified artist Stock Photo

RM2TBBKAT–Amitabha Buddhas assembly in the Western Paradise 2011 by Unidentified artist

Seated Buddha, Probably Amitabha (Amit'abul), the Buddha of the Western Paradise. Korea, Korean, Joseon (1392-1910), 15th-early 16th century. Sculpture. Hammered silver with gilding Stock Photo

RM2J02F18–Seated Buddha, Probably Amitabha (Amit'abul), the Buddha of the Western Paradise. Korea, Korean, Joseon (1392-1910), 15th-early 16th century. Sculpture. Hammered silver with gilding

Taiwan, The Amatobhi Buddha surrounded by hundreds of smaller Buddhas is the 'Buddha of Infinite Light.' Stock Photo

RMB20699–Taiwan, The Amatobhi Buddha surrounded by hundreds of smaller Buddhas is the 'Buddha of Infinite Light.'

南宋佚名阿彌陀如來圖軸, Buddha Amitabha descending from his Pure Land, Unidentified Artist, active 13th century, 13th century Stock Photo

RMKC7NWN–南宋佚名阿彌陀如來圖軸, Buddha Amitabha descending from his Pure Land, Unidentified Artist, active 13th century, 13th century

Buddha Amitabha descending from his Pure Land. Artist: Unidentified Artist , active 13th century. Culture: China. Dimensions: Image: 53 1/2 in. × 23 in. (135.9 × 58.4 cm) Overall with mounting: 95 3/4 × 31 3/4 in. (243.2 × 80.6 cm) Overall with knobs: 95 3/4 × 33 1/2 in. (243.2 × 85.1 cm). Date: 13th century. This painting, traditionally ascribed by Japanese scholars to a Song Buddhist painter named Zhang Sigong, represents the Buddha Amitabha (J.: Amida) welcoming souls into his Western Paradise. The drapery of the robe is drawn in the 'scudding-cloud and running-water' style, a drapery pa Stock Photo

RMPAM433–Buddha Amitabha descending from his Pure Land. Artist: Unidentified Artist , active 13th century. Culture: China. Dimensions: Image: 53 1/2 in. × 23 in. (135.9 × 58.4 cm) Overall with mounting: 95 3/4 × 31 3/4 in. (243.2 × 80.6 cm) Overall with knobs: 95 3/4 × 33 1/2 in. (243.2 × 85.1 cm). Date: 13th century. This painting, traditionally ascribed by Japanese scholars to a Song Buddhist painter named Zhang Sigong, represents the Buddha Amitabha (J.: Amida) welcoming souls into his Western Paradise. The drapery of the robe is drawn in the 'scudding-cloud and running-water' style, a drapery pa

Art inspired by 南宋佚名阿彌陀如來圖軸, Buddha Amitabha descending from his Pure Land, Southern Song dynasty (1127–1279), 13th century, China, Hanging scroll; ink and color on silk, Image: 53 1/2 in. × 23 in. (135.9 × 58.4 cm), Paintings, Unidentified Artist, active 13th century, This painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW38XW–Art inspired by 南宋佚名阿彌陀如來圖軸, Buddha Amitabha descending from his Pure Land, Southern Song dynasty (1127–1279), 13th century, China, Hanging scroll; ink and color on silk, Image: 53 1/2 in. × 23 in. (135.9 × 58.4 cm), Paintings, Unidentified Artist, active 13th century, This painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK Stock Photo

RMF9DPAM–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Seated Buddha, Probably Amitabha (Amit'abul), the Buddha of the Western Paradise, 15th-early 16th century. Stock Photo

RM2T1DY7W–Seated Buddha, Probably Amitabha (Amit'abul), the Buddha of the Western Paradise, 15th-early 16th century.

The Jina Buddha of Infinite Light (Amitabha) in His Pure Land Paradise (Sukhavati). Western Tibet, Guge, 15th century. Paintings. Mineral pigments on cotton cloth Stock Photo

RM2J0253F–The Jina Buddha of Infinite Light (Amitabha) in His Pure Land Paradise (Sukhavati). Western Tibet, Guge, 15th century. Paintings. Mineral pigments on cotton cloth

Buddha dated 707 China The plumpness of this Buddha’s face and body, together with the draped robes and waisted pedestal, are typical of Chinese sculpture from the late seventh to early eighth century. The inscription on the base identifies the figure as Amitabha, a celestial Buddha who presides over the Western Paradise, but some scholars have suggested that the inscription may have been added later.. Buddha. China. dated 707. Marble. Tang dynasty (618–907). Sculpture Stock Photo

RM2HHA81C–Buddha dated 707 China The plumpness of this Buddha’s face and body, together with the draped robes and waisted pedestal, are typical of Chinese sculpture from the late seventh to early eighth century. The inscription on the base identifies the figure as Amitabha, a celestial Buddha who presides over the Western Paradise, but some scholars have suggested that the inscription may have been added later.. Buddha. China. dated 707. Marble. Tang dynasty (618–907). Sculpture

Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion 7th–8th century Peninsular Thailand Avalokiteshvara, the Bodhisattva of Infinite Compassion, is identified by the seated image of Amitabha, the Buddha of the Western Paradise, in his hair. The sculpture is said to have been found in peninsular Thailand and was probably made there. The posture and facial type are closest to sculptures from that region. However, the work also relates to some of the sculptures assigned to the Shrivijaya empire.. Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion 38958 Stock Photo

RM2HHWEEK–Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion 7th–8th century Peninsular Thailand Avalokiteshvara, the Bodhisattva of Infinite Compassion, is identified by the seated image of Amitabha, the Buddha of the Western Paradise, in his hair. The sculpture is said to have been found in peninsular Thailand and was probably made there. The posture and facial type are closest to sculptures from that region. However, the work also relates to some of the sculptures assigned to the Shrivijaya empire.. Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion 38958

아미타삼존도 고려, 阿彌陀三尊圖高麗, Amitabha triad, Unidentified Artist, ca. 13th century Stock Photo

RMKCD6YB–아미타삼존도 고려, 阿彌陀三尊圖高麗, Amitabha triad, Unidentified Artist, ca. 13th century

Amitabha, the Buddha of the Western Pure Land (Sukhavati). Culture: Central Tibet. Dimensions: 56 1/4 × 39 1/2 in. (142.9 × 100.3 cm). Date: ca. 1700. Amitayus, the Buddha of Eternal Life, is also known as Amitabha, one of the five Cosmic Buddhas of Esoteric Buddhism. He is shown in his paradise, Sukhavati, the Western Pure Land, enthroned beneath a flowering tree festooned with strands of jewels and auspicious symbols. To either side the sky is filled with throngs of ecstatic demigods who bear offerings and scatter flowers. Seated below are the eight great bodhisattvas, and between them are Stock Photo

RMPB1TJF–Amitabha, the Buddha of the Western Pure Land (Sukhavati). Culture: Central Tibet. Dimensions: 56 1/4 × 39 1/2 in. (142.9 × 100.3 cm). Date: ca. 1700. Amitayus, the Buddha of Eternal Life, is also known as Amitabha, one of the five Cosmic Buddhas of Esoteric Buddhism. He is shown in his paradise, Sukhavati, the Western Pure Land, enthroned beneath a flowering tree festooned with strands of jewels and auspicious symbols. To either side the sky is filled with throngs of ecstatic demigods who bear offerings and scatter flowers. Seated below are the eight great bodhisattvas, and between them are

Art inspired by 아미타삼존도 고려, 阿彌陀三尊圖高麗, Amitabha triad, Goryeo dynasty (918–1392), ca. 13th century, Korea, Hanging scroll; ink, color and gold on silk, Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm), Paintings, Unidentified Artist, The Amitabha Buddha (Korean: Amita) was the focus of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW38E4–Art inspired by 아미타삼존도 고려, 阿彌陀三尊圖高麗, Amitabha triad, Goryeo dynasty (918–1392), ca. 13th century, Korea, Hanging scroll; ink, color and gold on silk, Image: 45 1/4 x 23 1/4 in. (114.9 x 59.1 cm), Paintings, Unidentified Artist, The Amitabha Buddha (Korean: Amita) was the focus of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMF9DNDD–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Art inspired by The Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 1668, Japan, Hanging scroll; color and gold on silk, Image: 51 1/8 x 24 1/4 in. (129.9 x 61.6 cm), Paintings, According to Pure Land belief, Amida Buddha (Amitabha, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTTGJ1–Art inspired by The Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 1668, Japan, Hanging scroll; color and gold on silk, Image: 51 1/8 x 24 1/4 in. (129.9 x 61.6 cm), Paintings, According to Pure Land belief, Amida Buddha (Amitabha, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 1668, Japan, Hanging Stock Photo

RMKC74DG–The Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 1668, Japan, Hanging

Lintel possibly showing the Western Paradise of the Buddha Amitabha, Tang dynasty, 8th century. Stock Photo

RM2GGBRXG–Lintel possibly showing the Western Paradise of the Buddha Amitabha, Tang dynasty, 8th century.

Art inspired by Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion, 7th–8th century, Peninsular Thailand, Bronze, H. 9 7/8 in. (25.2cm), Sculpture, Avalokiteshvara, the Bodhisattva of Infinite Compassion, is identified by the seated image of Amitabha, the Buddha of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW37R9–Art inspired by Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion, 7th–8th century, Peninsular Thailand, Bronze, H. 9 7/8 in. (25.2cm), Sculpture, Avalokiteshvara, the Bodhisattva of Infinite Compassion, is identified by the seated image of Amitabha, the Buddha of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion, 7th–8th century Stock Photo

RMKC7ET3–Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion, 7th–8th century

Taima Mandala, 当麻曼荼羅, Edo period (1615–1868), 1750, Japan, Hanging scroll; ink, color, and gold on silk, 41 13/16 x 37 1/16 in Stock Photo

RMKC69TF–Taima Mandala, 当麻曼荼羅, Edo period (1615–1868), 1750, Japan, Hanging scroll; ink, color, and gold on silk, 41 13/16 x 37 1/16 in

Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas 1668 Japan According to Pure Land Buddhist belief, Amida Buddha (Amitabha) welcomes devotees to his paradise, the Western Pure Land, where they can achieve perfect spiritual development. Paintings such as this one, which represent Amida descending to meet the faithful at the moment of death, attended by a host of bodhisattvas, are known as raigō-zu ('welcoming descent pictures'). According to the inscription on the back of this work, it was commissioned by Oikawa Zen'emon, a resident of the eastern outskirts of the capital of Edo ( Stock Photo

RM2HHTFC1–Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas 1668 Japan According to Pure Land Buddhist belief, Amida Buddha (Amitabha) welcomes devotees to his paradise, the Western Pure Land, where they can achieve perfect spiritual development. Paintings such as this one, which represent Amida descending to meet the faithful at the moment of death, attended by a host of bodhisattvas, are known as raigō-zu ('welcoming descent pictures'). According to the inscription on the back of this work, it was commissioned by Oikawa Zen'emon, a resident of the eastern outskirts of the capital of Edo (

Bodhisattva Seishi 17th or 18th century Japan This pair of bodhisattvas (2006.437a–e and .438a–e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha’s right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisattvas have small, gentle faces with fleshy features and plump bodies that contribute to an androgyno Stock Photo

RM2HJ3PFB–Bodhisattva Seishi 17th or 18th century Japan This pair of bodhisattvas (2006.437a–e and .438a–e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha’s right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisattvas have small, gentle faces with fleshy features and plump bodies that contribute to an androgyno

Bodhisattva Kannon. Culture: Japan. Dimensions: H. 30 in. (76.2 cm); Diam. of lower pedestal 12 1/2 in. (31.8 cm). Date: 17th or 18th century. This pair of bodhisattvas (2006.437a-e and .438a-e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha's right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisatt Stock Photo

RMPB57G2–Bodhisattva Kannon. Culture: Japan. Dimensions: H. 30 in. (76.2 cm); Diam. of lower pedestal 12 1/2 in. (31.8 cm). Date: 17th or 18th century. This pair of bodhisattvas (2006.437a-e and .438a-e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha's right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisatt

RMF9DNTR–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Buddha Amitabha descending from his Pure Land, 13th century. Buddha Amitabha welcoming souls into Western Paradise. Southern Song dynasty (1127-1279). Traditionally ascribed to a Song Buddhist painter Zhang Sigong, Stock Photo

RM2AX16NE–Buddha Amitabha descending from his Pure Land, 13th century. Buddha Amitabha welcoming souls into Western Paradise. Southern Song dynasty (1127-1279). Traditionally ascribed to a Song Buddhist painter Zhang Sigong,

Buddha Amitabha descending from his Pure Land 13th century Unidentified artist This painting, traditionally ascribed by Japanese scholars to a Song Buddhist painter named Zhang Sigong, represents the Buddha Amitabha (J.: Amida) welcoming souls into his Western Paradise. The drapery of the robe is drawn in the 'scudding-cloud and running-water' style, a drapery pattern the Chinese used to recall the Indian origin of the Buddha image.Infrared reflectography has revealed the following traces of an inscription in the lower left corner: 'Qingyuanfu, east of Washing Horse Bridge.. .' Since the name Stock Photo

RM2HH9YWY–Buddha Amitabha descending from his Pure Land 13th century Unidentified artist This painting, traditionally ascribed by Japanese scholars to a Song Buddhist painter named Zhang Sigong, represents the Buddha Amitabha (J.: Amida) welcoming souls into his Western Paradise. The drapery of the robe is drawn in the 'scudding-cloud and running-water' style, a drapery pattern the Chinese used to recall the Indian origin of the Buddha image.Infrared reflectography has revealed the following traces of an inscription in the lower left corner: 'Qingyuanfu, east of Washing Horse Bridge.. .' Since the name

RMF9DPC1–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Amitabha Buddha’s assembly in the Western Paradise , late 18th-early 19th century. Surrounded by a supporting cast of twelve, including bodhisattvas, disciples, guardians, and attendants, including Avalokiteshvara and Kshitigarbha. Joseon dynasty (1392-1910) Stock Photo

RM2AX1J59–Amitabha Buddha’s assembly in the Western Paradise , late 18th-early 19th century. Surrounded by a supporting cast of twelve, including bodhisattvas, disciples, guardians, and attendants, including Avalokiteshvara and Kshitigarbha. Joseon dynasty (1392-1910)

Bodhisattva Guanyin 15th–16th century China Bodhisattvas are usually adorned as royalty, with heavy jewelry, layered silk robes, and elaborate headdresses. At the center of Guanyin’s crown sits a cross-legged Buddha, the celestial Buddha Amitabha of the Western Paradise, from whose forehead Guanyin is said to have first emerged. The vase in Guanyin’s hands often appears in depictions of the bodhisattva in two special forms: White-Robed and Water-Moon Guanyin.. Bodhisattva Guanyin. China. 15th–16th century. Leaded brass. Ming dynasty (1368–1644). Sculpture Stock Photo

RM2HJ0KG9–Bodhisattva Guanyin 15th–16th century China Bodhisattvas are usually adorned as royalty, with heavy jewelry, layered silk robes, and elaborate headdresses. At the center of Guanyin’s crown sits a cross-legged Buddha, the celestial Buddha Amitabha of the Western Paradise, from whose forehead Guanyin is said to have first emerged. The vase in Guanyin’s hands often appears in depictions of the bodhisattva in two special forms: White-Robed and Water-Moon Guanyin.. Bodhisattva Guanyin. China. 15th–16th century. Leaded brass. Ming dynasty (1368–1644). Sculpture

Buddha, Probably Amitabha early 7th century China The position of the Buddha’s arms indicates that the hands were once held in a gesture of meditation and suggests that this sculpture represents Amitabha, a celestial Buddha who presides over his Western Paradise. Devotion to Amitabha, a major component of Chinese Buddhist practice since the sixth century, promotes the goal of rebirth in Amitabha’s Pure Land, where conditions are conducive to achieving spiritual understanding. The sculpture was made using the dry-lacquer technique, in which a core (often made of wood) is covered with clay and t Stock Photo

RM2HH08DB–Buddha, Probably Amitabha early 7th century China The position of the Buddha’s arms indicates that the hands were once held in a gesture of meditation and suggests that this sculpture represents Amitabha, a celestial Buddha who presides over his Western Paradise. Devotion to Amitabha, a major component of Chinese Buddhist practice since the sixth century, promotes the goal of rebirth in Amitabha’s Pure Land, where conditions are conducive to achieving spiritual understanding. The sculpture was made using the dry-lacquer technique, in which a core (often made of wood) is covered with clay and t

RMF9DNYG–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Statue of Amitabha, 800s. This small sculpture shows Amita, the Buddha of the Western Paradise and the focus of the Pure Land sect of Buddhism, which was popular across East Asia, including Korea. Amita is recognizable from its standing, frontal pose, its right hand raised palm out in a gesture that reassures viewers to have no fear. The aesthetics of the Shilla period are reflected in the sculpture’s modest size, appropriate for an aristocrat’s private worship, and the use of gilt-bronze, exemplifying the popularity of gold at the time. Stock Photo

RM2A529MX–Statue of Amitabha, 800s. This small sculpture shows Amita, the Buddha of the Western Paradise and the focus of the Pure Land sect of Buddhism, which was popular across East Asia, including Korea. Amita is recognizable from its standing, frontal pose, its right hand raised palm out in a gesture that reassures viewers to have no fear. The aesthetics of the Shilla period are reflected in the sculpture’s modest size, appropriate for an aristocrat’s private worship, and the use of gilt-bronze, exemplifying the popularity of gold at the time.

Amida, the Buddha of Infinite Light (Amitabha) ca. 1250 Japan Amida Nyorai (Sanskrit: Amitabha Tathagata), the Buddha of Limitless Light, sits upon a lotus pedestal with his hands forming the mudra of meditation. Amida presides over his own paradise, the Western Pure Land, to which he welcomes any being who calls upon his name. His benevolent gaze, directed toward the viewer below, is symbolic of this boundless compassion. The Pure Land sects of Buddhism, with their emphasis on salvation through faith, stirred the imagination of both courtiers and commoners alike, and temples dedicated to Amid Stock Photo

RM2HH0HX6–Amida, the Buddha of Infinite Light (Amitabha) ca. 1250 Japan Amida Nyorai (Sanskrit: Amitabha Tathagata), the Buddha of Limitless Light, sits upon a lotus pedestal with his hands forming the mudra of meditation. Amida presides over his own paradise, the Western Pure Land, to which he welcomes any being who calls upon his name. His benevolent gaze, directed toward the viewer below, is symbolic of this boundless compassion. The Pure Land sects of Buddhism, with their emphasis on salvation through faith, stirred the imagination of both courtiers and commoners alike, and temples dedicated to Amid

RMF9DR0P–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Bodhisattva Kannon 17th or 18th century Japan This pair of bodhisattvas (2006.437a–e and .438a–e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha’s right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisattvas have small, gentle faces with fleshy features and plump bodies that contribute to an androgyno Stock Photo

RM2HHWKWB–Bodhisattva Kannon 17th or 18th century Japan This pair of bodhisattvas (2006.437a–e and .438a–e) was originally part of a sculptural group centering on Amida Buddha (Sanskrit: Amitabha), who presides over the Western Paradise. Seishi (Sanskrit: Mahasthamaprapta), who holds his hands in the gesture of adoration, once stood to Buddha’s right. His companion, Kannon (Sanskrit: Avalokiteshvara), typically would have held a small lotus pedestal representing a throne for the deceased soul. The bodhisattvas have small, gentle faces with fleshy features and plump bodies that contribute to an androgyno

Amitabha Triad, 1400s. This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall. Stock Photo

RM2A504C6–Amitabha Triad, 1400s. This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall.

RMF9DPCT–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Amitabha, the Buddha of the Western Pure Land (Sukhavati) ca. 1700 Central Tibet Amitayus, the Buddha of Eternal Life, is also known as Amitabha, one of the five Cosmic Buddhas of Esoteric Buddhism. He is shown in his paradise, Sukhavati, the Western Pure Land, enthroned beneath a flowering tree festooned with strands of jewels and auspicious symbols. To either side the sky is filled with throngs of ecstatic demigods who bear offerings and scatter flowers. Seated below are the eight great bodhisattvas, and between them are two large, low tables covered with offerings. To either side are the va Stock Photo

RM2HHPB3Y–Amitabha, the Buddha of the Western Pure Land (Sukhavati) ca. 1700 Central Tibet Amitayus, the Buddha of Eternal Life, is also known as Amitabha, one of the five Cosmic Buddhas of Esoteric Buddhism. He is shown in his paradise, Sukhavati, the Western Pure Land, enthroned beneath a flowering tree festooned with strands of jewels and auspicious symbols. To either side the sky is filled with throngs of ecstatic demigods who bear offerings and scatter flowers. Seated below are the eight great bodhisattvas, and between them are two large, low tables covered with offerings. To either side are the va

Amitabha Buddha’s assembly in the Western Paradise late 18th–early 19th century Unidentified artist This work depicts an assembly of divine figures in the Western Paradise, the realm of the Amitabha Buddha (Korean: Amita). The central deity sits on a lotus flower atop a fabric-covered dais, surrounded by a supporting cast of twelve, including bodhisattvas, disciples, guardians, and attendants. In particular, Avalokiteshvara (Korean: Gwaneum) and Kshitigarbha (Korean: Jijang)—at the Buddha’s left and right, respectively—are often paired as attendant bodhisattvas to Amitabha in Korean Pure Land Stock Photo

RM2HHAJ44–Amitabha Buddha’s assembly in the Western Paradise late 18th–early 19th century Unidentified artist This work depicts an assembly of divine figures in the Western Paradise, the realm of the Amitabha Buddha (Korean: Amita). The central deity sits on a lotus flower atop a fabric-covered dais, surrounded by a supporting cast of twelve, including bodhisattvas, disciples, guardians, and attendants. In particular, Avalokiteshvara (Korean: Gwaneum) and Kshitigarbha (Korean: Jijang)—at the Buddha’s left and right, respectively—are often paired as attendant bodhisattvas to Amitabha in Korean Pure Land

Descent and Return of Amida to Western Paradise with a Believer's Soul (Gosho mandara), ca. 1300. Amida receives the soul of the warrior Kumagai Naozane (1141-1208) after the battle of Ichinotani during the Genpei war. Kamakura period (1185-1333) Stock Photo

RM2AX1AB0–Descent and Return of Amida to Western Paradise with a Believer's Soul (Gosho mandara), ca. 1300. Amida receives the soul of the warrior Kumagai Naozane (1141-1208) after the battle of Ichinotani during the Genpei war. Kamakura period (1185-1333)

RMF9DRER–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

Amida Triad in the Form of Sacred Sanskrit Syllables 13th century Japan Embroidered Buddhist images were introduced to Japan from China in the sixth century. Large embroideries were prominent among icons from the sixth through the ninth century and were often hung in temple lecture halls. In the Kamakura period, practices focused on attaining birth in the Buddha Amida’s (Sanskrit: Amitābha) Western Paradise became widespread, and many small embroideries like this one were produced for individual devotional practice and deathbed ritual. In place of anthropomorphic images, the Sanskrit syllables Stock Photo

RM2HJ1507–Amida Triad in the Form of Sacred Sanskrit Syllables 13th century Japan Embroidered Buddhist images were introduced to Japan from China in the sixth century. Large embroideries were prominent among icons from the sixth through the ninth century and were often hung in temple lecture halls. In the Kamakura period, practices focused on attaining birth in the Buddha Amida’s (Sanskrit: Amitābha) Western Paradise became widespread, and many small embroideries like this one were produced for individual devotional practice and deathbed ritual. In place of anthropomorphic images, the Sanskrit syllables

Welcoming Descent of Amida and Bodhisattvas, late 14th century. Raigo paintings depict the scene in which Amida and attendants descend from heaven to take a believer back to Western Paradise. Stock Photo

RM2AX19KB–Welcoming Descent of Amida and Bodhisattvas, late 14th century. Raigo paintings depict the scene in which Amida and attendants descend from heaven to take a believer back to Western Paradise.

Taima Mandala 1750 Japan The Taima Mandala represents the Pure Land of the Buddha Amida (Sanskrit: Amitābha) bordered on three sides by parables from the Sutra on the Meditation on the Buddha of Infinite Life (Kanmuryōjukyō). This text, portions of which appear in the boundaries between scenes, recounts the promise at the core of Pure Land School teaching: that those who concentrate on the Buddha Amida during life, and recite his name, will be escorted to his Pure Land, known as the Western Paradise, at the final moment of death. The painting depicts an enormous palace with a golden pond presi Stock Photo

RM2HH80JM–Taima Mandala 1750 Japan The Taima Mandala represents the Pure Land of the Buddha Amida (Sanskrit: Amitābha) bordered on three sides by parables from the Sutra on the Meditation on the Buddha of Infinite Life (Kanmuryōjukyō). This text, portions of which appear in the boundaries between scenes, recounts the promise at the core of Pure Land School teaching: that those who concentrate on the Buddha Amida during life, and recite his name, will be escorted to his Pure Land, known as the Western Paradise, at the final moment of death. The painting depicts an enormous palace with a golden pond presi

Amitabha triad ca. 13th century Unidentified artist The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha’s Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Gwaneum) on his left and Mahasthamaprapta (Korean: Dae Seji) on his right. The identifying attributes of the former include a miniature image of Amitabha in her crown and a ritual sprinkler, or kundika, in h Stock Photo

RM2HGYYD5–Amitabha triad ca. 13th century Unidentified artist The Amitabha Buddha (Korean: Amita) was the focus of worship in Pure Land Buddhism, which enjoyed great popularity during the Goryeo period. Devotees were promised entrance to Amitabha’s Western Paradise upon recitation of his name. Seated high on an elaborate lotus throne, Amitabha is flanked by two bodhisattvas, Avalokiteshvara (Korean: Gwaneum) on his left and Mahasthamaprapta (Korean: Dae Seji) on his right. The identifying attributes of the former include a miniature image of Amitabha in her crown and a ritual sprinkler, or kundika, in h

This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall. Amitabha Triad, 1400s. Korea, Joseon dynasty (1392-1910). Bronze with traces of gilding; overa Stock Photo

RM2T8AA5B–This rare bronze triad from the 1400s shows Amitabha (???? in Korean), or the Buddha of the Western Paradise, seated on a lotus pedestal at the center. He is flanked by two sacred attendants, Ksitigarbha (???? in Korean) on his left and Avalokitesvara (???? in Korean) on his right. The combination of these three Buddhist deities was particularly popular in the early Joseon period. The small scale suggests that this triad might have been displayed in a personal shrine rather than a large worship hall. Amitabha Triad, 1400s. Korea, Joseon dynasty (1392-1910). Bronze with traces of gilding; overa

Amit'a (Amitabha) and the Eight Bodhisattvas , Dated in accordance with 1666. Hanging scroll; ink and gold on silk, 39 x 32 in. (99.1 x 81.3cm). Although Buddhism had flourished in Korea for centuries, official patronage for Buddhist art virtually disappeared when the Joseon dynasty, which discouraged the practice of Buddhism in favor of Confucianism, took power in 1392. The faith never truly died out, however, and artists continued to make Buddhist imagery for less elite patrons. Amitabha, the Buddha of the Western Paradise, is shown here enthroned and making a teaching gesture. He is surrou Stock Photo

RM2M92JCK–Amit'a (Amitabha) and the Eight Bodhisattvas , Dated in accordance with 1666. Hanging scroll; ink and gold on silk, 39 x 32 in. (99.1 x 81.3cm). Although Buddhism had flourished in Korea for centuries, official patronage for Buddhist art virtually disappeared when the Joseon dynasty, which discouraged the practice of Buddhism in favor of Confucianism, took power in 1392. The faith never truly died out, however, and artists continued to make Buddhist imagery for less elite patrons. Amitabha, the Buddha of the Western Paradise, is shown here enthroned and making a teaching gesture. He is surrou

Welcoming Descent of Jizō early 14th century Japan This painting depicts the bodhisattva Jizō (Sanskrit: Ksitigarbha) descending to earth on a cloud to retrieve the soul of a suffering believer. He appears in the guise of a Buddhist monk, carrying a wish-fulfilling jewel and a golden walking staff. Images of such a “welcoming descent,” or raigō, are more commonly associated with the Buddha Amida (Sanskrit: Amitabha), who transports the dead to his paradise in the Western Pure Land. Raigō images of Jizō originated in the Kamakura period and may be related to Kasuga Shrine in Nara (Japan’s capit Stock Photo

RM2HHY06K–Welcoming Descent of Jizō early 14th century Japan This painting depicts the bodhisattva Jizō (Sanskrit: Ksitigarbha) descending to earth on a cloud to retrieve the soul of a suffering believer. He appears in the guise of a Buddhist monk, carrying a wish-fulfilling jewel and a golden walking staff. Images of such a “welcoming descent,” or raigō, are more commonly associated with the Buddha Amida (Sanskrit: Amitabha), who transports the dead to his paradise in the Western Pure Land. Raigō images of Jizō originated in the Kamakura period and may be related to Kasuga Shrine in Nara (Japan’s capit

Buddha Amitābha with Two Attending Bodhisattvas, 1200s. China, Southern Song dynasty (1127-1279). Hanging scroll; ink and color on silk; painting: 134 x 79.7 cm (52 3/4 x 31 3/8 in.); overall: 223 x 95.7 cm (87 13/16 x 37 11/16 in.). The supreme deities that rule over the Western Paradise—Amit?bha (??? in Chinese), Avalokite?vara (Guanyin ??), and Mah?sth?mapr?pta (Dashizhi ???)—are here enclosed within a circle of light. To secure entry into that paradise for Buddhist followers of the Pure Land sect, one must recite the phrase namo amituofo (??????, Homage to the Buddha Amit?bha). Here the p Stock Photo

RM2H0YCRJ–Buddha Amitābha with Two Attending Bodhisattvas, 1200s. China, Southern Song dynasty (1127-1279). Hanging scroll; ink and color on silk; painting: 134 x 79.7 cm (52 3/4 x 31 3/8 in.); overall: 223 x 95.7 cm (87 13/16 x 37 11/16 in.). The supreme deities that rule over the Western Paradise—Amit?bha (??? in Chinese), Avalokite?vara (Guanyin ??), and Mah?sth?mapr?pta (Dashizhi ???)—are here enclosed within a circle of light. To secure entry into that paradise for Buddhist followers of the Pure Land sect, one must recite the phrase namo amituofo (??????, Homage to the Buddha Amit?bha). Here the p

RMF9DNY5–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DM94–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DNA3–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DPCE–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DMJM–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DNCP–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DPD9–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DNCE–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DR35–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DM8M–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DNBN–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DR1J–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DNX9–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DNWW–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DR23–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

RMF9DMHC–The white 19-foot-tall marble figure of Amitabha Buddha on the North Staircase being restored at the British Museum, London, UK

The Buddha, Gandhara, 2nd-3rd century AD at the British Museum, London, UK Stock Photo

RMF9DR3D–The Buddha, Gandhara, 2nd-3rd century AD at the British Museum, London, UK

The Buddha, Sarnarth, Uttar Pradesh, 5th Century-6th Century AD at the British Museum, London, UK Stock Photo

RMF9DPBC–The Buddha, Sarnarth, Uttar Pradesh, 5th Century-6th Century AD at the British Museum, London, UK

Entrance to the British Museum, London, UK Stock Photo

RMF9DPE3–Entrance to the British Museum, London, UK

Western paradise of amitabha buddha Stock Photos and Images

Western paradise of amitabha buddha Stock Photos and Images

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