William bayeux capture Stock Photos and Images
Harold Godwinson captured by Wido, Count Guy de Ponthieu and Harold knighted and armed with suit of chainmail and pennon by William of Normandy. Scenes from the Bayeux Tapestry of the Norman Conquest, 1066. Harold fait prisonnier, Harold fait chevalier. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harold-godwinson-captured-by-wido-count-guy-de-ponthieu-and-harold-knighted-and-armed-with-suit-of-chainmail-and-pennon-by-william-of-normandy-scenes-from-the-bayeux-tapestry-of-the-norman-conquest-1066-harold-fait-prisonnier-harold-fait-chevalier-handcoloured-lithograph-by-villain-after-an-illustration-by-horace-de-viel-castel-from-his-collection-des-costumes-armes-et-meubles-pour-servir-lhistoire-de-la-france-collection-of-costumes-weapons-and-furniture-to-be-used-in-the-history-of-france-treuttel-wurtz-bossange-1829-image571917953.htmlRM2T6D355–Harold Godwinson captured by Wido, Count Guy de Ponthieu and Harold knighted and armed with suit of chainmail and pennon by William of Normandy. Scenes from the Bayeux Tapestry of the Norman Conquest, 1066. Harold fait prisonnier, Harold fait chevalier. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829.
Harold Godwinson in chlamys alone a a ship and other Saxon sailing vessels anchor on land where he is seized by Count Wido. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruce’s The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harold-godwinson-in-chlamys-alone-a-a-ship-and-other-saxon-sailing-vessels-anchor-on-land-where-he-is-seized-by-count-wido-chromolithograph-by-william-mossman-after-an-illustration-by-charles-stothard-made-for-the-society-of-antiquaries-in-rev-john-collingwood-bruces-the-bayeux-tapestry-elucidated-john-russell-smith-london-1856-image382824443.htmlRM2D6R4DF–Harold Godwinson in chlamys alone a a ship and other Saxon sailing vessels anchor on land where he is seized by Count Wido. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruce’s The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.
Harold Godwinson in chlamys alone a a ship and other Saxon sailing vessels anchor on land where he is seized by Count Wido. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harold-godwinson-in-chlamys-alone-a-a-ship-and-other-saxon-sailing-vessels-anchor-on-land-where-he-is-seized-by-count-wido-chromolithograph-by-william-mossman-after-an-illustration-by-charles-stothard-made-for-the-society-of-antiquaries-in-rev-john-collingwood-bruces-the-bayeux-tapestry-elucidated-john-russell-smith-london-1856-image571826608.htmlRM2T68XJT–Harold Godwinson in chlamys alone a a ship and other Saxon sailing vessels anchor on land where he is seized by Count Wido. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.
Count Guy I of Ponthieu leads the captured Harold Godwinson to Beaurain and holds him there. The count rides ahead with a falcon, followed by Harold without his chlamys. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruce’s The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/count-guy-i-of-ponthieu-leads-the-captured-harold-godwinson-to-beaurain-and-holds-him-there-the-count-rides-ahead-with-a-falcon-followed-by-harold-without-his-chlamys-chromolithograph-by-william-mossman-after-an-illustration-by-charles-stothard-made-for-the-society-of-antiquaries-in-rev-john-collingwood-bruces-the-bayeux-tapestry-elucidated-john-russell-smith-london-1856-image382824451.htmlRM2D6R4DR–Count Guy I of Ponthieu leads the captured Harold Godwinson to Beaurain and holds him there. The count rides ahead with a falcon, followed by Harold without his chlamys. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruce’s The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.
Harold Godwinson captured by Wido, Count Guy de Ponthieu and Harold knighted and armed with suit of chainmail and pennon by William of Normandy. Scenes from the Bayeux Tapestry of the Norman Conquest, 1066. Harold fait prisonnier, Harold fait chevalier. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/harold-godwinson-captured-by-wido-count-guy-de-ponthieu-and-harold-knighted-and-armed-with-suit-of-chainmail-and-pennon-by-william-of-normandy-scenes-from-the-bayeux-tapestry-of-the-norman-conquest-1066-harold-fait-prisonnier-harold-fait-chevalier-handcoloured-lithograph-by-villain-after-an-illustration-by-horace-de-viel-castel-from-his-collection-des-costumes-armes-et-meubles-pour-servir-lhistoire-de-la-france-collection-of-costumes-weapons-and-furniture-to-be-used-in-the-history-of-france-treuttel-wurtz-bossange-1829-image371748004.htmlRM2CGPGAC–Harold Godwinson captured by Wido, Count Guy de Ponthieu and Harold knighted and armed with suit of chainmail and pennon by William of Normandy. Scenes from the Bayeux Tapestry of the Norman Conquest, 1066. Harold fait prisonnier, Harold fait chevalier. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1829.
Count Guy I of Ponthieu leads the captured Harold Godwinson to Beaurain and holds him there. The count rides ahead with a falcon, followed by Harold without his chlamys. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/count-guy-i-of-ponthieu-leads-the-captured-harold-godwinson-to-beaurain-and-holds-him-there-the-count-rides-ahead-with-a-falcon-followed-by-harold-without-his-chlamys-chromolithograph-by-william-mossman-after-an-illustration-by-charles-stothard-made-for-the-society-of-antiquaries-in-rev-john-collingwood-bruces-the-bayeux-tapestry-elucidated-john-russell-smith-london-1856-image571824255.htmlRM2T68RJR–Count Guy I of Ponthieu leads the captured Harold Godwinson to Beaurain and holds him there. The count rides ahead with a falcon, followed by Harold without his chlamys. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.
