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William chambers drawing Stock Photos and Images
Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, Sir William Chambers RA, 1723–1796, British, between 1750 and 1755, Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper, Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm) and Mount: 17 1/2 x 13 5/8 inches (44.5 x 34.6 cm), architectural subject, Grand Tour, niche, sculpture, triglyphs, Europe, Italy, Piazza del Popolo, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-from-the-madonna-del-popolo-santa-maria-del-popolo-rome-sir-william-chambers-ra-17231796-british-between-1750-and-1755-graphite-pen-and-black-and-brown-ink-and-gray-wash-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-13-78-x-9-58in-352-x-244cm-and-mount-17-12-x-13-58-inches-445-x-346-cm-architectural-subject-grand-tour-niche-sculpture-triglyphs-europe-italy-piazza-del-popolo-rome-image389815275.htmlRM2DJ5HA3–Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, Sir William Chambers RA, 1723–1796, British, between 1750 and 1755, Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper, Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm) and Mount: 17 1/2 x 13 5/8 inches (44.5 x 34.6 cm), architectural subject, Grand Tour, niche, sculpture, triglyphs, Europe, Italy, Piazza del Popolo, Rome
The 'Ruined Arch' built in 1759-60 as a mock Roman ruin in Kew Gardens, drawn by Sir William Chambers (1723-1796), a Scottish-Swedish architect, based in London. His best-known works are Somerset House and Kew Gardens, London England. Some of his Kew Garden buildings are lost, those remaining being the ten-storey Pagoda, the Orangery, the Ruined Arch, the Temple of Bellona and the Temple of Aeolus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruined-arch-built-in-1759-60-as-a-mock-roman-ruin-in-kew-gardens-drawn-by-sir-william-chambers-1723-1796-a-scottish-swedish-architect-based-in-london-his-best-known-works-are-somerset-house-and-kew-gardens-london-england-some-of-his-kew-garden-buildings-are-lost-those-remaining-being-the-ten-storey-pagoda-the-orangery-the-ruined-arch-the-temple-of-bellona-and-the-temple-of-aeolus-image397429613.htmlRM2E2GDEN–The 'Ruined Arch' built in 1759-60 as a mock Roman ruin in Kew Gardens, drawn by Sir William Chambers (1723-1796), a Scottish-Swedish architect, based in London. His best-known works are Somerset House and Kew Gardens, London England. Some of his Kew Garden buildings are lost, those remaining being the ten-storey Pagoda, the Orangery, the Ruined Arch, the Temple of Bellona and the Temple of Aeolus.
Sir William Chambers by Sir Joshua Reynolds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-william-chambers-by-sir-joshua-reynolds-132727964.htmlRMHKX7TC–Sir William Chambers by Sir Joshua Reynolds
somerset house london River Thames front Neoclassical building Sir William Chambers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-somerset-house-london-river-thames-front-neoclassical-building-sir-22613598.htmlRMB8P3TE–somerset house london River Thames front Neoclassical building Sir William Chambers
THE ROCK-HEWN AMPHITHEATRE, PETRA, Jordan. Thirty-three tiers of seats rise one above another, and above the seats there are chambers hewn in the rock. The brook of 'Ain Milsa, bordered with verdure, flows across the arena. Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 3. Published in by J. S. Virtue and Co 1883 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rock-hewn-amphitheatre-petra-jordan-thirty-three-tiers-of-seats-rise-one-above-another-and-above-the-seats-there-are-chambers-hewn-in-the-rock-the-brook-of-ain-milsa-bordered-with-verdure-flows-across-the-arena-wood-engraving-of-from-picturesque-palestine-sinai-and-egypt-by-wilson-charles-william-sir-1836-1905-lane-poole-stanley-1854-1931-volume-3-published-in-by-j-s-virtue-and-co-1883-image401460382.htmlRF2E942PP–THE ROCK-HEWN AMPHITHEATRE, PETRA, Jordan. Thirty-three tiers of seats rise one above another, and above the seats there are chambers hewn in the rock. The brook of 'Ain Milsa, bordered with verdure, flows across the arena. Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 3. Published in by J. S. Virtue and Co 1883
Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doric-order-capital-column-and-base-according-to-sir-william-chambers-copperplate-engraving-by-wilson-lowry-from-abraham-rees-cyclopedia-or-universal-dictionary-of-arts-sciences-and-literature-longman-hurst-rees-orme-and-brown-london-1820-image210536387.htmlRMP6EN8K–Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
William Chambers of Glenormiston, 1800 – 1883, a Scottish publisher and politician Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chambers-of-glenormiston-1800-1883-a-scottish-publisher-and-politician-image217646670.htmlRMPJ2JFA–William Chambers of Glenormiston, 1800 – 1883, a Scottish publisher and politician
Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doric-order-capital-column-and-base-according-to-sir-william-chambers-copperplate-engraving-by-wilson-lowry-from-abraham-rees-cyclopedia-or-universal-dictionary-of-arts-sciences-and-literature-longman-hurst-rees-orme-and-brown-london-1820-image331559282.htmlRM2A7BR6X–Doric order capital, column and base according to Sir William Chambers. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Dudley Woodbridge in His Chambers by William Hogarth, 1730 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dudley-woodbridge-in-his-chambers-by-william-hogarth-1730-142968528.htmlRMJ8GNPT–Dudley Woodbridge in His Chambers by William Hogarth, 1730
Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome between 1750 and 1755 by William Chambers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-from-the-madonna-del-popolo-santa-maria-del-popolo-rome-between-1750-and-1755-by-william-chambers-image560016836.htmlRM2RF2Y58–Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome between 1750 and 1755 by William Chambers
Tomb of William Rufus, Winchester Cathedral (Robert Chambers, p.161, 1832) Copy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-tomb-of-william-rufus-winchester-cathedral-robert-chambers-p161-1832-161648991.htmlRMKAYMX7–Tomb of William Rufus, Winchester Cathedral (Robert Chambers, p.161, 1832) Copy
Chines Pagoda, Kew Gardens, London, 1835. Erected under the direction of William Chambers Esq. (1723 – 1796) in 1762 in imitation of the Chinese Taa. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chines-pagoda-kew-gardens-london-1835-erected-under-the-direction-97624747.htmlRMFJR5A3–Chines Pagoda, Kew Gardens, London, 1835. Erected under the direction of William Chambers Esq. (1723 – 1796) in 1762 in imitation of the Chinese Taa.
William Chambers Junior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chambers-junior-image152806930.htmlRMJTGXPA–William Chambers Junior
Smyth 's Parallactic Ladder mount Devised by the British optician and instrument maker George Dolland (1774-1852) and presented to the British astronomer William Henry Smyth (1788-1865). Its function was to act as an equatorial mount for portable telescopes, and to be cheaper and easier to construct than fixed mounts. The telescope would be moved by hand in the cradle, rather than moved by machinery. Artwork from Descriptive and Practical Astronomy by G F Chambers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-smyth-s-parallactic-ladder-mount-devised-by-the-british-optician-and-136355333.htmlRMHWREH9–Smyth 's Parallactic Ladder mount Devised by the British optician and instrument maker George Dolland (1774-1852) and presented to the British astronomer William Henry Smyth (1788-1865). Its function was to act as an equatorial mount for portable telescopes, and to be cheaper and easier to construct than fixed mounts. The telescope would be moved by hand in the cradle, rather than moved by machinery. Artwork from Descriptive and Practical Astronomy by G F Chambers.
Equesterian Statue of William III (Robert Chambers, p.9, July 1832) Copy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equesterian-statue-of-william-iii-robert-chambers-p9-july-1832-copy-image159172050.htmlRMK6XWG2–Equesterian Statue of William III (Robert Chambers, p.9, July 1832) Copy
![Photocopy of drawing (from York County Historical Society) William Wagner, artist ca. 1830 SOUTH FRONT AND WEST SIDE (TAVERN ON FAR LEFT; JOSEPH CHAMBERS HOUSE ADJOINING ON RIGHT) - [Editorial note: This house is not the Golden Plough Tavern or the Gates House, source of the following error is unknown] Golden Plough Tavern, 159 West Market Street, York, York County, PA Stock Photo](https://c8.alamy.com/comp/TDPBC4/photocopy-of-drawing-from-york-county-historical-society-william-wagner-artist-ca-1830-south-front-and-west-side-tavern-on-far-left-joseph-chambers-house-adjoining-on-right-editorial-note-this-house-is-not-the-golden-plough-tavern-or-the-gates-house-source-of-the-following-error-is-unknown-golden-plough-tavern-159-west-market-street-york-york-county-pa-TDPBC4.jpg "Photocopy of drawing (from York County Historical Society) William Wagner, artist ca. 1830 SOUTH FRONT AND WEST SIDE (TAVERN ON FAR LEFT; JOSEPH CHAMBERS HOUSE ADJOINING ON RIGHT) - [Editorial note: This house is not the Golden Plough Tavern or the Gates House, source of the following error is unknown] Golden Plough Tavern, 159 West Market Street, York, York County, PA Stock Photo")
Photocopy of drawing (from York County Historical Society) William Wagner, artist ca. 1830 SOUTH FRONT AND WEST SIDE (TAVERN ON FAR LEFT; JOSEPH CHAMBERS HOUSE ADJOINING ON RIGHT) - [Editorial note: This house is not the Golden Plough Tavern or the Gates House, source of the following error is unknown] Golden Plough Tavern, 159 West Market Street, York, York County, PA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photocopy-of-drawing-from-york-county-historical-society-william-wagner-artist-ca-1830-south-front-and-west-side-tavern-on-far-left-joseph-chambers-house-adjoining-on-right-editorial-note-this-house-is-not-the-golden-plough-tavern-or-the-gates-house-source-of-the-following-error-is-unknown-golden-plough-tavern-159-west-market-street-york-york-county-pa-image249427588.htmlRMTDPBC4–Photocopy of drawing (from York County Historical Society) William Wagner, artist ca. 1830 SOUTH FRONT AND WEST SIDE (TAVERN ON FAR LEFT; JOSEPH CHAMBERS HOUSE ADJOINING ON RIGHT) - [Editorial note: This house is not the Golden Plough Tavern or the Gates House, source of the following error is unknown] Golden Plough Tavern, 159 West Market Street, York, York County, PA
Distinguished artist potter who has his studio and kiln in London garden . Beautiful stoneware pieces sought by collectors . Mr Murray drawing one of the chambers in the oil fired kiln . He is seen holding a finished vase . 13 June 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/distinguished-artist-potter-who-has-his-studio-and-kiln-in-london-garden-beautiful-stoneware-pieces-sought-by-collectors-mr-murray-drawing-one-of-the-chambers-in-the-oil-fired-kiln-he-is-seen-holding-a-finished-vase-13-june-1924-image359763217.htmlRM2BW8HJ9–Distinguished artist potter who has his studio and kiln in London garden . Beautiful stoneware pieces sought by collectors . Mr Murray drawing one of the chambers in the oil fired kiln . He is seen holding a finished vase . 13 June 1924
Art inspired by Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, 1770–74, Graphite, sheet: 16 1/2 x 12 7/8 in. (41.9 x 32.7 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-ceiling-for-the-drawing-room-at-milton-abbey-dorset-177074-graphite-sheet-16-12-x-12-78-in-419-x-327-cm-sir-william-chambers-british-born-sweden-gteborg-17231796-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462964808.htmlRF2HW5T9C–Art inspired by Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, 1770–74, Graphite, sheet: 16 1/2 x 12 7/8 in. (41.9 x 32.7 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Chinese scene. Man and woman on a river boat Chambers, William 1723 - 1796 Drawing British drawings by artists born before 1900. British Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, David Bindman, kat. nr. 26, C 42649, 2008 Chinese scene. Man and woman on a river boat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-scene-man-and-woman-on-a-river-boat-chambers-william-1723-1796-drawing-british-drawings-by-artists-born-before-1900-british-drawings-in-the-department-of-prints-and-drawings-statens-museum-for-kunst-david-bindman-kat-nr-26-c-42649-2008-chinese-scene-man-and-woman-on-a-river-boat-image613418346.htmlRM2XHYHA2–Chinese scene. Man and woman on a river boat Chambers, William 1723 - 1796 Drawing British drawings by artists born before 1900. British Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, David Bindman, kat. nr. 26, C 42649, 2008 Chinese scene. Man and woman on a river boat
Headfort House, Ireland: Sections of the House and Offices, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 15 7/8 x 24 5/16 inches (40.3 x 61.7 cm), architectural subject, balustrade, bust, fireplace, house, kitchen, offices, scale (rule), section (drawing), urn, Headfort House, Ireland, Kells, Leinster, Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/headfort-house-ireland-sections-of-the-house-and-offices-sir-william-chambers-ra-17231796-british-1765-graphite-watercolor-and-pen-and-brown-ink-on-moderately-thick-moderately-textured-beige-laid-paper-sheet-15-78-x-24-516-inches-403-x-617-cm-architectural-subject-balustrade-bust-fireplace-house-kitchen-offices-scale-rule-section-drawing-urn-headfort-house-ireland-kells-leinster-meath-image389843441.htmlRM2DJ6W81–Headfort House, Ireland: Sections of the House and Offices, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 15 7/8 x 24 5/16 inches (40.3 x 61.7 cm), architectural subject, balustrade, bust, fireplace, house, kitchen, offices, scale (rule), section (drawing), urn, Headfort House, Ireland, Kells, Leinster, Meath
Art inspired by Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey, ca. 1760s, Pen, ink and wash, sheet: 10 1/16 x 12 in. (25.5 x 30.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-designs-for-a-chimney-piece-for-richard-barwells-drawing-room-at-esher-surrey-ca-1760s-pen-ink-and-wash-sheet-10-116-x-12-in-255-x-305-cm-sir-william-chambers-british-born-sweden-gteborg-17231796-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462979195.htmlRF2HW6EK7–Art inspired by Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey, ca. 1760s, Pen, ink and wash, sheet: 10 1/16 x 12 in. (25.5 x 30.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sir William Chambers; Joseph Wilton; Sir Joshua Reynolds by John Francis Rigaud Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-william-chambers-joseph-wilton-sir-joshua-reynolds-by-john-francis-132599561.htmlRMHKMC2H–Sir William Chambers; Joseph Wilton; Sir Joshua Reynolds by John Francis Rigaud
quadrangle somerset house 1869 central London River Thames Neoclassical Sir William Chambers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-quadrangle-somerset-house-1869-central-london-river-thames-neoclassical-22628715.htmlRMB8PR4B–quadrangle somerset house 1869 central London River Thames Neoclassical Sir William Chambers
Sir William Chambers RA, 1723–1796, British, Headfort House, Ireland: Sections of the House and Offices, 1765. Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper. architectural subject , balustrade , bust , fireplace , house , kitchen , offices , scale (rule) , section (drawing) , urn. Headfort House , Ireland , Kells , Leinster , Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-chambers-ra-17231796-british-headfort-house-ireland-sections-of-the-house-and-offices-1765-graphite-watercolor-and-pen-and-brown-ink-on-moderately-thick-moderately-textured-beige-laid-paper-architectural-subject-balustrade-bust-fireplace-house-kitchen-offices-scale-rule-section-drawing-urn-headfort-house-ireland-kells-leinster-meath-image398345470.htmlRM2E425KX–Sir William Chambers RA, 1723–1796, British, Headfort House, Ireland: Sections of the House and Offices, 1765. Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper. architectural subject , balustrade , bust , fireplace , house , kitchen , offices , scale (rule) , section (drawing) , urn. Headfort House , Ireland , Kells , Leinster , Meath
View of the Flower Garden and Aviary at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: Thomas Sandby (British, baptized Nottingham 1723-1798 Windsor). Dimensions: Sheet: 11 x 17 11/16 in. (28 x 45 cm). Date: 1763. Leaf 39 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew' (25.19). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-flower-garden-and-aviary-at-kew-architect-sir-william-chambers-british-born-sweden-gteborg-1723-1796-london-artist-thomas-sandby-british-baptized-nottingham-1723-1798-windsor-dimensions-sheet-11-x-17-1116-in-28-x-45-cm-date-1763-leaf-39-in-william-chambers-album-of-drawings-plans-elevations-sections-and-perspective-views-of-the-gardens-and-buildings-of-kew-2519-museum-metropolitan-museum-of-art-new-york-usa-image213168193.htmlRMPAPJ5N–View of the Flower Garden and Aviary at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: Thomas Sandby (British, baptized Nottingham 1723-1798 Windsor). Dimensions: Sheet: 11 x 17 11/16 in. (28 x 45 cm). Date: 1763. Leaf 39 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew' (25.19). Museum: Metropolitan Museum of Art, New York, USA.
Sir William Chambers RA, 1723–1796, British, Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, between 1750 and 1755. Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper. architectural subject , Grand Tour , niche , sculpture , triglyphs. Europe , Italy , Piazza del Popolo , Rome. Madonna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-chambers-ra-17231796-british-drawing-from-the-madonna-del-popolo-santa-maria-del-popolo-rome-between-1750-and-1755-graphite-pen-and-black-and-brown-ink-and-gray-wash-on-moderately-thick-moderately-textured-cream-laid-paper-architectural-subject-grand-tour-niche-sculpture-triglyphs-europe-italy-piazza-del-popolo-rome-madonna-image398450359.htmlRM2E46YDY–Sir William Chambers RA, 1723–1796, British, Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, between 1750 and 1755. Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper. architectural subject , Grand Tour , niche , sculpture , triglyphs. Europe , Italy , Piazza del Popolo , Rome. Madonna
Peper Harow House Surrey England UK Sir William Chambers Capability Brown landscaped park Lebanon Cedar Midleton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-peper-harow-house-surrey-england-uk-sir-william-chambers-capability-43494495.htmlRFCEN9JR–Peper Harow House Surrey England UK Sir William Chambers Capability Brown landscaped park Lebanon Cedar Midleton
Sir William Chambers RA, 1723–1796, British, Headfort House, Ireland: Elevations of the North and South Fronts, 1765. Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid paper. architectural subject , balustrades , chimneys , columns , country house , elevation (drawing) , house , pediments , scale (rule) , stairs , windows. Headfort House , Ireland , Kells , Leinster , Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-chambers-ra-17231796-british-headfort-house-ireland-elevations-of-the-north-and-south-fronts-1765-graphite-pen-and-black-and-brown-ink-and-gray-and-brown-wash-on-moderately-thick-moderately-textured-cream-laid-paper-architectural-subject-balustrades-chimneys-columns-country-house-elevation-drawing-house-pediments-scale-rule-stairs-windows-headfort-house-ireland-kells-leinster-meath-image398345460.htmlRM2E425KG–Sir William Chambers RA, 1723–1796, British, Headfort House, Ireland: Elevations of the North and South Fronts, 1765. Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid paper. architectural subject , balustrades , chimneys , columns , country house , elevation (drawing) , house , pediments , scale (rule) , stairs , windows. Headfort House , Ireland , Kells , Leinster , Meath
William Chambers, 1800-1883. Schottischer Verleger und Autor. Von DJPound nach einer Fotografie von Mayall gestochen. Aus dem Buch „The Drawing-Room of Eminent Personages“, Band 2. Veröffentlicht in London 1860, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chambers-1800-1883-schottischer-verleger-und-autor-von-djpound-nach-einer-fotografie-von-mayall-gestochen-aus-dem-buch-the-drawing-room-of-eminent-personages-band-2-verffentlicht-in-london-1860-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image609300521.htmlRF2XB810W–William Chambers, 1800-1883. Schottischer Verleger und Autor. Von DJPound nach einer Fotografie von Mayall gestochen. Aus dem Buch „The Drawing-Room of Eminent Personages“, Band 2. Veröffentlicht in London 1860, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Sir William Chambers RA, 1723–1796, British, Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, 1765. Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper. architectural subject , attic (interior space) , country house , elevation (drawing) , floor plan , house , offices , scale (rule). Headfort House , Ireland , Kells , Leinster , Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-chambers-ra-17231796-british-headfort-house-east-elevation-of-house-east-elevation-of-offices-and-attic-story-plan-1765-gray-and-brown-wash-with-pen-and-brown-and-black-ink-over-graphite-on-moderately-thick-moderately-textured-cream-laid-paper-architectural-subject-attic-interior-space-country-house-elevation-drawing-floor-plan-house-offices-scale-rule-headfort-house-ireland-kells-leinster-meath-image398347154.htmlRM2E427T2–Sir William Chambers RA, 1723–1796, British, Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, 1765. Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper. architectural subject , attic (interior space) , country house , elevation (drawing) , floor plan , house , offices , scale (rule). Headfort House , Ireland , Kells , Leinster , Meath
William Chambers, 1800-1883. Schottischer Verleger und Autor. Von DJPound nach einer Fotografie von Mayall gestochen. Aus dem Buch The Drawing-Room of Eminent Personages, Band 2. Veröffentlicht in London 1860, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-chambers-1800-1883-schottischer-verleger-und-autor-von-djpound-nach-einer-fotografie-von-mayall-gestochen-aus-dem-buch-the-drawing-room-of-eminent-personages-band-2-verffentlicht-in-london-1860-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image609292808.htmlRM2XB7K5C–William Chambers, 1800-1883. Schottischer Verleger und Autor. Von DJPound nach einer Fotografie von Mayall gestochen. Aus dem Buch The Drawing-Room of Eminent Personages, Band 2. Veröffentlicht in London 1860, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Side table ca. 1780 Probably after a design by John Yenn British A drawing related to the decoration of this, and two similar, tables has been attributed to John Yenn, a pupil and draftsman of the architect Sir William Chambers (1723–1796), who may have been responsible for their design. The Meeting of Bacchus and Ariadne on the Isle of Naxos, after a composition by the Italian painter Guido Reni (1575–1642), is depicted on the table's top. The monogram G IV R, for George IV Rex incised on the back, shows this to be one of the few pieces of furniture in the collection with an English royal pro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-table-ca-1780-probably-after-a-design-by-john-yenn-british-a-drawing-related-to-the-decoration-of-this-and-two-similar-tables-has-been-attributed-to-john-yenn-a-pupil-and-draftsman-of-the-architect-sir-william-chambers-17231796-who-may-have-been-responsible-for-their-design-the-meeting-of-bacchus-and-ariadne-on-the-isle-of-naxos-after-a-composition-by-the-italian-painter-guido-reni-15751642-is-depicted-on-the-tables-top-the-monogram-g-iv-r-for-george-iv-rex-incised-on-the-back-shows-this-to-be-one-of-the-few-pieces-of-furniture-in-the-collection-with-an-english-royal-pro-image458171274.htmlRM2HHBE3P–Side table ca. 1780 Probably after a design by John Yenn British A drawing related to the decoration of this, and two similar, tables has been attributed to John Yenn, a pupil and draftsman of the architect Sir William Chambers (1723–1796), who may have been responsible for their design. The Meeting of Bacchus and Ariadne on the Isle of Naxos, after a composition by the Italian painter Guido Reni (1575–1642), is depicted on the table's top. The monogram G IV R, for George IV Rex incised on the back, shows this to be one of the few pieces of furniture in the collection with an English royal pro
Smyth 's Parallactic Ladder mount Devised by the British optician and instrument maker George Dolland (1774-1852) and presented to the British astronomer William Henry Smyth (1788-1865). Its function was to act as an equatorial mount for portable telescopes, and to be cheaper and easier to construct than fixed mounts. The telescope would be moved by hand in the cradle, rather than moved by machinery. Artwork from Descriptive and Practical Astronomy by G F Chambers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-smyth-s-parallactic-ladder-mount-devised-by-the-british-optician-and-136355405.htmlRMHWREKW–Smyth 's Parallactic Ladder mount Devised by the British optician and instrument maker George Dolland (1774-1852) and presented to the British astronomer William Henry Smyth (1788-1865). Its function was to act as an equatorial mount for portable telescopes, and to be cheaper and easier to construct than fixed mounts. The telescope would be moved by hand in the cradle, rather than moved by machinery. Artwork from Descriptive and Practical Astronomy by G F Chambers.
THE CASTLE OF CAESAREA. A mediieval structure, with marble columns built transversely into the walls. In the interior there are several vaulted chambers. It stands on the ancient mole on the south side of the harbour. Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 3. Published in by J. S. Virtue and Co 1883 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-castle-of-caesarea-a-mediieval-structure-with-marble-columns-built-transversely-into-the-walls-in-the-interior-there-are-several-vaulted-chambers-it-stands-on-the-ancient-mole-on-the-south-side-of-the-harbour-wood-engraving-of-from-picturesque-palestine-sinai-and-egypt-by-wilson-charles-william-sir-1836-1905-lane-poole-stanley-1854-1931-volume-3-published-in-by-j-s-virtue-and-co-1883-image398074998.htmlRF2E3HTM6–THE CASTLE OF CAESAREA. A mediieval structure, with marble columns built transversely into the walls. In the interior there are several vaulted chambers. It stands on the ancient mole on the south side of the harbour. Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 3. Published in by J. S. Virtue and Co 1883
![Sir William Wallace, 1888-9. Design for a stained glass window. Inscribed: 'Sir William Wallace. Cartoon for a window in the Town House [or Town Hall, Council Chambers Committee Room], Dundee'. Stock Photo](https://c8.alamy.com/comp/2Y3CDPR/sir-william-wallace-1888-9-design-for-a-stained-glass-window-inscribed-sir-william-wallace-cartoon-for-a-window-in-the-town-house-or-town-hall-council-chambers-committee-room-dundee-2Y3CDPR.jpg "Sir William Wallace, 1888-9. Design for a stained glass window. Inscribed: 'Sir William Wallace. Cartoon for a window in the Town House [or Town Hall, Council Chambers Committee Room], Dundee'. Stock Photo")
Sir William Wallace, 1888-9. Design for a stained glass window. Inscribed: 'Sir William Wallace. Cartoon for a window in the Town House [or Town Hall, Council Chambers Committee Room], Dundee'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-wallace-1888-9-design-for-a-stained-glass-window-inscribed-sir-william-wallace-cartoon-for-a-window-in-the-town-house-or-town-hall-council-chambers-committee-room-dundee-image621691471.htmlRM2Y3CDPR–Sir William Wallace, 1888-9. Design for a stained glass window. Inscribed: 'Sir William Wallace. Cartoon for a window in the Town House [or Town Hall, Council Chambers Committee Room], Dundee'.
Distinguished artist potter who has his studio and kiln in London garden . Beautiful stoneware pieces sought by collectors . Mr Murray drawing one of the chambers in the oil fired kiln . He is seen holding a finished vase . 13 June 1924 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/distinguished-artist-potter-who-has-his-studio-and-kiln-in-london-garden-beautiful-stoneware-pieces-sought-by-collectors-mr-murray-drawing-one-of-the-chambers-in-the-oil-fired-kiln-he-is-seen-holding-a-finished-vase-13-june-1924-image359763252.htmlRM2BW8HKG–Distinguished artist potter who has his studio and kiln in London garden . Beautiful stoneware pieces sought by collectors . Mr Murray drawing one of the chambers in the oil fired kiln . He is seen holding a finished vase . 13 June 1924
![School catalog, 1909-1910 . Museum Philadelphia FOX, HELEN A., School of Industrial Art of the PennsylvaniaMuseum Philadelphia HART, MABEL L Los Angeles, Cal. SMITH, ]LUDE,- Converse College Spartanburg, S. C. TEACHERS (DRAWING AND PAINTING) BASKI, FUKAWA Minneapolis, Mo. BOYD, JOHN, Glen Mills School Glen Mills. Pa. CHAMBERS, S. P Philadelphia FENNER, ETHLYN K., Pratt Institute Brooklyn GARBER, VIRGINIA Philadelphia HARTSHORNE, ANNA C Tokio, Japan HUQUENELE, ADELE Philadelphia RICE BESSIE E Trenton, N. J. SERVER, WILLIAM J Philadelphia HARTWELL, JOSEPHINE J Amherst, Mass. MINER, LEIGH RICHM Stock Photo](https://c8.alamy.com/comp/2AWK0C6/school-catalog-1909-1910-museum-philadelphia-fox-helen-a-school-of-industrial-art-of-the-pennsylvaniamuseum-philadelphia-hart-mabel-l-los-angeles-cal-smith-lude-converse-college-spartanburg-s-c-teachers-drawing-and-painting-baski-fukawa-minneapolis-mo-boyd-john-glen-mills-school-glen-mills-pa-chambers-s-p-philadelphia-fenner-ethlyn-k-pratt-institute-brooklyn-garber-virginia-philadelphia-hartshorne-anna-c-tokio-japan-huquenele-adele-philadelphia-rice-bessie-e-trenton-n-j-server-william-j-philadelphia-hartwell-josephine-j-amherst-mass-miner-leigh-richm-2AWK0C6.jpg "School catalog, 1909-1910 . Museum Philadelphia FOX, HELEN A., School of Industrial Art of the PennsylvaniaMuseum Philadelphia HART, MABEL L Los Angeles, Cal. SMITH, ]LUDE,- Converse College Spartanburg, S. C. TEACHERS (DRAWING AND PAINTING) BASKI, FUKAWA Minneapolis, Mo. BOYD, JOHN, Glen Mills School Glen Mills. Pa. CHAMBERS, S. P Philadelphia FENNER, ETHLYN K., Pratt Institute Brooklyn GARBER, VIRGINIA Philadelphia HARTSHORNE, ANNA C Tokio, Japan HUQUENELE, ADELE Philadelphia RICE BESSIE E Trenton, N. J. SERVER, WILLIAM J Philadelphia HARTWELL, JOSEPHINE J Amherst, Mass. MINER, LEIGH RICHM Stock Photo")
School catalog, 1909-1910 . Museum Philadelphia FOX, HELEN A., School of Industrial Art of the PennsylvaniaMuseum Philadelphia HART, MABEL L Los Angeles, Cal. SMITH, ]LUDE,- Converse College Spartanburg, S. C. TEACHERS (DRAWING AND PAINTING) BASKI, FUKAWA Minneapolis, Mo. BOYD, JOHN, Glen Mills School Glen Mills. Pa. CHAMBERS, S. P Philadelphia FENNER, ETHLYN K., Pratt Institute Brooklyn GARBER, VIRGINIA Philadelphia HARTSHORNE, ANNA C Tokio, Japan HUQUENELE, ADELE Philadelphia RICE BESSIE E Trenton, N. J. SERVER, WILLIAM J Philadelphia HARTWELL, JOSEPHINE J Amherst, Mass. MINER, LEIGH RICHM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/school-catalog-1909-1910-museum-philadelphia-fox-helen-a-school-of-industrial-art-of-the-pennsylvaniamuseum-philadelphia-hart-mabel-l-los-angeles-cal-smith-lude-converse-college-spartanburg-s-c-teachers-drawing-and-painting-baski-fukawa-minneapolis-mo-boyd-john-glen-mills-school-glen-mills-pa-chambers-s-p-philadelphia-fenner-ethlyn-k-pratt-institute-brooklyn-garber-virginia-philadelphia-hartshorne-anna-c-tokio-japan-huquenele-adele-philadelphia-rice-bessie-e-trenton-n-j-server-william-j-philadelphia-hartwell-josephine-j-amherst-mass-miner-leigh-richm-image342780822.htmlRM2AWK0C6–School catalog, 1909-1910 . Museum Philadelphia FOX, HELEN A., School of Industrial Art of the PennsylvaniaMuseum Philadelphia HART, MABEL L Los Angeles, Cal. SMITH, ]LUDE,- Converse College Spartanburg, S. C. TEACHERS (DRAWING AND PAINTING) BASKI, FUKAWA Minneapolis, Mo. BOYD, JOHN, Glen Mills School Glen Mills. Pa. CHAMBERS, S. P Philadelphia FENNER, ETHLYN K., Pratt Institute Brooklyn GARBER, VIRGINIA Philadelphia HARTSHORNE, ANNA C Tokio, Japan HUQUENELE, ADELE Philadelphia RICE BESSIE E Trenton, N. J. SERVER, WILLIAM J Philadelphia HARTWELL, JOSEPHINE J Amherst, Mass. MINER, LEIGH RICHM
Chimney Piece, drawing, Sir William Chambers (1723-1796), recto, 1743-96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chimney-piece-drawing-sir-william-chambers-1723-1796-recto-1743-96-168220848.htmlRMKNK3BC–Chimney Piece, drawing, Sir William Chambers (1723-1796), recto, 1743-96
Headfort House, Ireland: Elevations of the North and South Fronts, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid paper, Sheet: 15 7/8 x 24 3/16 inches (40.4 x 61.5 cm), architectural subject, balustrades, chimneys, columns, country house, elevation (drawing), house, pediments, scale (rule), stairs, windows, Headfort House, Ireland, Kells, Leinster, Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/headfort-house-ireland-elevations-of-the-north-and-south-fronts-sir-william-chambers-ra-17231796-british-1765-graphite-pen-and-black-and-brown-ink-and-gray-and-brown-wash-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-15-78-x-24-316-inches-404-x-615-cm-architectural-subject-balustrades-chimneys-columns-country-house-elevation-drawing-house-pediments-scale-rule-stairs-windows-headfort-house-ireland-kells-leinster-meath-image389843470.htmlRM2DJ6W92–Headfort House, Ireland: Elevations of the North and South Fronts, Sir William Chambers RA, 1723–1796, British, 1765, Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid paper, Sheet: 15 7/8 x 24 3/16 inches (40.4 x 61.5 cm), architectural subject, balustrades, chimneys, columns, country house, elevation (drawing), house, pediments, scale (rule), stairs, windows, Headfort House, Ireland, Kells, Leinster, Meath
Archive image from page 180 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 CONTEMPOEAEIES AND SUCCESSORS OF EOZOON. 153 Fig. 39. ArcJiceocyathus profundus—showing the base of attach- ment and radiating chambers. {After Billings.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-180-of-dawn-of-life-being-the-dawn-of-life-being-the-history-of-the-oldest-known-fossil-remains-and-their-relation-to-geological-time-and-to-the-development-of-the-animal-kingdom-dawnoflifebeingh00daws-year-1875-contempoeaeies-and-successors-of-eozoon-153-fig-39-arcjiceocyathus-profundusshowing-the-base-of-attach-ment-and-radiating-chambers-after-billings-image259469116.htmlRMW23RE4–Archive image from page 180 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 CONTEMPOEAEIES AND SUCCESSORS OF EOZOON. 153 Fig. 39. ArcJiceocyathus profundus—showing the base of attach- ment and radiating chambers. {After Billings.)
Sir William Chambers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-william-chambers-134883574.htmlRMHRCDAE–Sir William Chambers
Dundas House, Royal Bank of Scotland, St Andrew's Square, Edinburgh, Scotland, 19th century, from Modern Athens by Th. H. Shepherd Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dundas-house-royal-bank-of-scotland-st-andrews-square-edinburgh-scotland-19th-century-from-modern-athens-by-th-h-shepherd-image221517276.htmlRMPTAYF8–Dundas House, Royal Bank of Scotland, St Andrew's Square, Edinburgh, Scotland, 19th century, from Modern Athens by Th. H. Shepherd
View of the Menagerie at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: Thomas Sandby (British, baptized Nottingham 1723-1798 Windsor). Dimensions: Sheet: 10 13/16 x 17 11/16 in. (27.5 x 45 cm). Date: 1763. Leaf 40 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew' (25.19). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-menagerie-at-kew-architect-sir-william-chambers-british-born-sweden-gteborg-1723-1796-london-artist-thomas-sandby-british-baptized-nottingham-1723-1798-windsor-dimensions-sheet-10-1316-x-17-1116-in-275-x-45-cm-date-1763-leaf-40-in-william-chambers-album-of-drawings-plans-elevations-sections-and-perspective-views-of-the-gardens-and-buildings-of-kew-2519-museum-metropolitan-museum-of-art-new-york-usa-image213328583.htmlRMPB1XNY–View of the Menagerie at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: Thomas Sandby (British, baptized Nottingham 1723-1798 Windsor). Dimensions: Sheet: 10 13/16 x 17 11/16 in. (27.5 x 45 cm). Date: 1763. Leaf 40 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew' (25.19). Museum: Metropolitan Museum of Art, New York, USA.
Thorpe's Design old Somerset House Strand central London England River Thames Neoclassical Sir William Chambers King's College Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thorpes-design-old-somerset-house-strand-central-london-england-river-39784481.htmlRMC8M9E9–Thorpe's Design old Somerset House Strand central London England River Thames Neoclassical Sir William Chambers King's College
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset 1770–74 Sir William Chambers British, born Sweden. Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset 362929 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-ceiling-for-the-drawing-room-at-milton-abbey-dorset-177074-sir-william-chambers-british-born-sweden-design-for-a-ceiling-for-the-drawing-room-at-milton-abbey-dorset-362929-image458229378.htmlRM2HHE46X–Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset 1770–74 Sir William Chambers British, born Sweden. Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset 362929
Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey ca. 1760s Sir William Chambers British, born Sweden. Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey 384143 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/designs-for-a-chimney-piece-for-richard-barwells-drawing-room-at-esher-surrey-ca-1760s-sir-william-chambers-british-born-sweden-designs-for-a-chimney-piece-for-richard-barwells-drawing-room-at-esher-surrey-384143-image458102573.htmlRM2HH8AE5–Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey ca. 1760s Sir William Chambers British, born Sweden. Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey 384143
Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, ca. 1775. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-girandole-mirror-an-oval-resting-on-an-oblong-base-terminated-by-two-superimposed-circular-frond-motifs-topped-with-a-lions-head-from-which-hang-floral-swags-and-pendants-ca-1775-image365762724.htmlRM2C71X2C–Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, ca. 1775.
Sir William Chambers RA, 1723–1796, British, Headfort House, Ireland: Plan of Principal Floor, ca. 1765. Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper. architectural subject , bedroom , billiards , country house , drawing room , floor plan , kitchen , larder , library , parlor , rooms , saloon , scale (rule) , stable. Headfort House , Ireland , Kells , Leinster , Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-chambers-ra-17231796-british-headfort-house-ireland-plan-of-principal-floor-ca-1765-graphite-gray-wash-watercolor-and-pen-and-black-and-brown-ink-on-moderately-thick-moderately-textured-cream-laid-paper-architectural-subject-bedroom-billiards-country-house-drawing-room-floor-plan-kitchen-larder-library-parlor-rooms-saloon-scale-rule-stable-headfort-house-ireland-kells-leinster-meath-image398345468.htmlRM2E425KT–Sir William Chambers RA, 1723–1796, British, Headfort House, Ireland: Plan of Principal Floor, ca. 1765. Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper. architectural subject , bedroom , billiards , country house , drawing room , floor plan , kitchen , larder , library , parlor , rooms , saloon , scale (rule) , stable. Headfort House , Ireland , Kells , Leinster , Meath
Ornament in the Shape of a Cross, drawing, Office of Sir William Chambers, recto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ornament-in-the-shape-of-a-cross-drawing-office-of-sir-william-chambers-168220852.htmlRMKNK3BG–Ornament in the Shape of a Cross, drawing, Office of Sir William Chambers, recto
Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, Sir William Chambers RA, 1723–1796, British, 1765, Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 15 15/16 x 24 5/16 inches (40.5 x 61.8 cm), architectural subject, attic (interior space), country house, elevation (drawing), floor plan, house, offices, scale (rule), Headfort House, Ireland, Kells, Leinster, Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/headfort-house-east-elevation-of-house-east-elevation-of-offices-and-attic-story-plan-sir-william-chambers-ra-17231796-british-1765-gray-and-brown-wash-with-pen-and-brown-and-black-ink-over-graphite-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-15-1516-x-24-516-inches-405-x-618-cm-architectural-subject-attic-interior-space-country-house-elevation-drawing-floor-plan-house-offices-scale-rule-headfort-house-ireland-kells-leinster-meath-image389843265.htmlRM2DJ6W1N–Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, Sir William Chambers RA, 1723–1796, British, 1765, Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 15 15/16 x 24 5/16 inches (40.5 x 61.8 cm), architectural subject, attic (interior space), country house, elevation (drawing), floor plan, house, offices, scale (rule), Headfort House, Ireland, Kells, Leinster, Meath
Archive image from page 181 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 VL Fig. 41. Structures of Archaocyathus Profundus. (a.) Lower acervuline portion. (6.) Upper portion, with, three of the radiating laminas. (c.) Portion of lamina with pores and thickened part with canals. In figs, a and h the calcareous part is unshaded. of the wall (figs. 38, 39, and 41 b). In such a struc- ture the chambers in the wall of the cup and th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-181-of-dawn-of-life-being-the-dawn-of-life-being-the-history-of-the-oldest-known-fossil-remains-and-their-relation-to-geological-time-and-to-the-development-of-the-animal-kingdom-dawnoflifebeingh00daws-year-1875-vl-fig-41-structures-of-archaocyathus-profundus-a-lower-acervuline-portion-6-upper-portion-with-three-of-the-radiating-laminas-c-portion-of-lamina-with-pores-and-thickened-part-with-canals-in-figs-a-and-h-the-calcareous-part-is-unshaded-of-the-wall-figs-38-39-and-41-b-in-such-a-struc-ture-the-chambers-in-the-wall-of-the-cup-and-th-image259469456.htmlRMW23RX8–Archive image from page 181 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 VL Fig. 41. Structures of Archaocyathus Profundus. (a.) Lower acervuline portion. (6.) Upper portion, with, three of the radiating laminas. (c.) Portion of lamina with pores and thickened part with canals. In figs, a and h the calcareous part is unshaded. of the wall (figs. 38, 39, and 41 b). In such a struc- ture the chambers in the wall of the cup and th
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, Sir William Chambers, 1770–74 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-ceiling-for-the-drawing-room-at-milton-abbey-dorset-sir-162427584.htmlRMKC7614–Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, Sir William Chambers, 1770–74
William Chambers Junior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-chambers-junior-135701936.htmlRMHTNN5M–William Chambers Junior
Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey, Sir William Chambers, ca. 1760s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-designs-for-a-chimney-piece-for-richard-barwells-drawing-room-at-esher-162463502.htmlRMKC8RRX–Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey, Sir William Chambers, ca. 1760s
View of the Wilderness at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: William Marlow (British, Southwark, London 1740/41-1813 Twickenham, London). Dimensions: Sheet: 11 1/16 x 17 13/16 in. (28.1 x 45.2 cm). Date: 1763. The magnificent Chinese Pagoda of Kew Gardens, designed in 1757 by William Chambers, has always attracted much attention. In the mid-eighteenth century, the pagoda fueled a rage for such buildings throughout Europe, and even today remains one of London's main tourist attractions. This sheet forms part of an album with delicat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-wilderness-at-kew-architect-sir-william-chambers-british-born-sweden-gteborg-1723-1796-london-artist-william-marlow-british-southwark-london-174041-1813-twickenham-london-dimensions-sheet-11-116-x-17-1316-in-281-x-452-cm-date-1763-the-magnificent-chinese-pagoda-of-kew-gardens-designed-in-1757-by-william-chambers-has-always-attracted-much-attention-in-the-mid-eighteenth-century-the-pagoda-fueled-a-rage-for-such-buildings-throughout-europe-and-even-today-remains-one-of-londons-main-tourist-attractions-this-sheet-forms-part-of-an-album-with-delicat-image212871075.htmlRMPA936B–View of the Wilderness at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: William Marlow (British, Southwark, London 1740/41-1813 Twickenham, London). Dimensions: Sheet: 11 1/16 x 17 13/16 in. (28.1 x 45.2 cm). Date: 1763. The magnificent Chinese Pagoda of Kew Gardens, designed in 1757 by William Chambers, has always attracted much attention. In the mid-eighteenth century, the pagoda fueled a rage for such buildings throughout Europe, and even today remains one of London's main tourist attractions. This sheet forms part of an album with delicat
Headfort House, Ireland: Plan of Principal Floor, Sir William Chambers RA, 1723–1796, British, ca. 1765, Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm), architectural subject, bedroom, billiards, country house, drawing room, floor plan, kitchen, larder, library, parlor, rooms, saloon, scale (rule), stable, Headfort House, Ireland, Kells, Leinster, Meath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/headfort-house-ireland-plan-of-principal-floor-sir-william-chambers-ra-17231796-british-ca-1765-graphite-gray-wash-watercolor-and-pen-and-black-and-brown-ink-on-moderately-thick-moderately-textured-cream-laid-paper-sheet-15-1516-x-24-38-inches-405-x-619-cm-architectural-subject-bedroom-billiards-country-house-drawing-room-floor-plan-kitchen-larder-library-parlor-rooms-saloon-scale-rule-stable-headfort-house-ireland-kells-leinster-meath-image389843278.htmlRM2DJ6W26–Headfort House, Ireland: Plan of Principal Floor, Sir William Chambers RA, 1723–1796, British, ca. 1765, Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm), architectural subject, bedroom, billiards, country house, drawing room, floor plan, kitchen, larder, library, parlor, rooms, saloon, scale (rule), stable, Headfort House, Ireland, Kells, Leinster, Meath
Somerset House Renaissance architecture Royal palaces building Strand central London England River Thames Neoclassical Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-somerset-house-renaissance-architecture-royal-palaces-building-strand-39099986.htmlRMC7H4C2–Somerset House Renaissance architecture Royal palaces building Strand central London England River Thames Neoclassical
Dundas House, Royal Bank of Scotland, St Andrew's Square, Edinburgh, Scotland, 19th century, from Modern Athens by Th. H. Shepherd Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dundas-house-royal-bank-of-scotland-st-andrews-square-edinburgh-scotland-19th-century-from-modern-athens-by-th-h-shepherd-image221517196.htmlRMPTAYCC–Dundas House, Royal Bank of Scotland, St Andrew's Square, Edinburgh, Scotland, 19th century, from Modern Athens by Th. H. Shepherd
the new west wing of somerset house central London River Thames 1853 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-new-west-wing-of-somerset-house-central-london-river-thames-1853-23800640.htmlRMBAM5XT–the new west wing of somerset house central London River Thames 1853
Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, 1771-75 (?). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-chimneypiece-possibly-for-melbourne-house-now-albany-piccadilly-london-1771-75-image365762717.htmlRM2C71X25–Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, 1771-75 (?).
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-96 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224339.htmlRMKNK7T3–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-96
Archive image from page 96 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 WHAT IS EOZOON tendency to form a supplemental or intermediate skele- ton with canals though the canals themselves in their arrangement more nearly resemble Calcarina, which Fig. 19. Section of a Nummulite, from Eocene Limestone of Syiia. Showing chambers, tubuli, and canals. Compare this and fig. 20 with figs. 10 and 11. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-96-of-dawn-of-life-being-the-dawn-of-life-being-the-history-of-the-oldest-known-fossil-remains-and-their-relation-to-geological-time-and-to-the-development-of-the-animal-kingdom-dawnoflifebeingh00daws-year-1875-what-is-eozoon-tendency-to-form-a-supplemental-or-intermediate-skele-ton-with-canals-though-the-canals-themselves-in-their-arrangement-more-nearly-resemble-calcarina-which-fig-19-section-of-a-nummulite-from-eocene-limestone-of-syiia-showing-chambers-tubuli-and-canals-compare-this-and-fig-20-with-figs-10-and-11-image259302845.htmlRMW1T7BW–Archive image from page 96 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 WHAT IS EOZOON tendency to form a supplemental or intermediate skele- ton with canals though the canals themselves in their arrangement more nearly resemble Calcarina, which Fig. 19. Section of a Nummulite, from Eocene Limestone of Syiia. Showing chambers, tubuli, and canals. Compare this and fig. 20 with figs. 10 and 11.
Arthur William Devis Lady Chambers Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arthur-william-devis-lady-chambers-google-art-project-137400706.htmlRMHYF402–Arthur William Devis Lady Chambers Google Art Project
View of the Lake and the Island from the Lawn at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: William Marlow (British, Southwark, London 1740/41-1813 Twickenham, London). Dimensions: Sheet: 11 3/16 x 17 13/16 in. (28.4 x 45.2 cm). Date: 1763. This delicate watercolor depicts a view in the Royal Botanic Garden of Kew (near London), designed by the celebrated eighteenth-century English architect William Chambers. This sheet is bound in an album containing the original drawings later published in print form as Plans, Elevations, Sections and Pe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-lake-and-the-island-from-the-lawn-at-kew-architect-sir-william-chambers-british-born-sweden-gteborg-1723-1796-london-artist-william-marlow-british-southwark-london-174041-1813-twickenham-london-dimensions-sheet-11-316-x-17-1316-in-284-x-452-cm-date-1763-this-delicate-watercolor-depicts-a-view-in-the-royal-botanic-garden-of-kew-near-london-designed-by-the-celebrated-eighteenth-century-english-architect-william-chambers-this-sheet-is-bound-in-an-album-containing-the-original-drawings-later-published-in-print-form-as-plans-elevations-sections-and-pe-image212880728.htmlRMPA9FF4–View of the Lake and the Island from the Lawn at Kew. Architect: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Artist: William Marlow (British, Southwark, London 1740/41-1813 Twickenham, London). Dimensions: Sheet: 11 3/16 x 17 13/16 in. (28.4 x 45.2 cm). Date: 1763. This delicate watercolor depicts a view in the Royal Botanic Garden of Kew (near London), designed by the celebrated eighteenth-century English architect William Chambers. This sheet is bound in an album containing the original drawings later published in print form as Plans, Elevations, Sections and Pe
Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, ca. 1769. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-chimneypiece-with-a-classical-cornice-for-ampthill-park-bedfordshire-dining-room-ca-1769-image365762713.htmlRM2C71X21–Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, ca. 1769.
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224328.htmlRMKNK7RM–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Archive image from page 86 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 WHAT IS EOZOON? 63 addition multitudes of microscopic pores tlirougli wliicli tlie soft gelatinous matter can ooze and form outside finger-like or thread-like extensionsfor collecting food. In some cases tke sliell consists of a single cavity only, but in mostj after one cell is completed others are added, forming a series of cells or chambers communicating Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archive-image-from-page-86-of-dawn-of-life-being-the-dawn-of-life-being-the-history-of-the-oldest-known-fossil-remains-and-their-relation-to-geological-time-and-to-the-development-of-the-animal-kingdom-dawnoflifebeingh00daws-year-1875-what-is-eozoon-63-addition-multitudes-of-microscopic-pores-tlirougli-wliicli-tlie-soft-gelatinous-matter-can-ooze-and-form-outside-finger-like-or-thread-like-extensionsfor-collecting-food-in-some-cases-tke-sliell-consists-of-a-single-cavity-only-but-in-mostj-after-one-cell-is-completed-others-are-added-forming-a-series-of-cells-or-chambers-communicating-image259297876.htmlRMW1T12C–Archive image from page 86 of Dawn of life being the. Dawn of life: being the history of the oldest known fossil remains, and their relation to geological time and to the development of the animal kingdom dawnoflifebeingh00daws Year: 1875 WHAT IS EOZOON? 63 addition multitudes of microscopic pores tlirougli wliicli tlie soft gelatinous matter can ooze and form outside finger-like or thread-like extensionsfor collecting food. In some cases tke sliell consists of a single cavity only, but in mostj after one cell is completed others are added, forming a series of cells or chambers communicating
Arthur William Devis Sir Robert Chambers Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arthur-william-devis-sir-robert-chambers-google-art-project-137392765.htmlRMHYENTD–Arthur William Devis Sir Robert Chambers Google Art Project
Side table. Culture: British. Designer: Probably after a design by John Yenn (British, London (?) 1750-1821 London). Dimensions: Overall: 30 1/2 × 46 × 21 in. (77.5 × 116.8 × 53.3 cm). Date: ca. 1780. A drawing related to the decoration of this, and two similar, tables has been attributed to John Yenn, a pupil and draftsman of the architect Sir William Chambers (1723-1796), who may have been responsible for their design. The Meeting of Bacchus and Ariadne on the Isle of Naxos, after a composition by the Italian painter Guido Reni (1575-1642), is depicted on the table's top. The monogram G IV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-table-culture-british-designer-probably-after-a-design-by-john-yenn-british-london-1750-1821-london-dimensions-overall-30-12-46-21-in-775-1168-533-cm-date-ca-1780-a-drawing-related-to-the-decoration-of-this-and-two-similar-tables-has-been-attributed-to-john-yenn-a-pupil-and-draftsman-of-the-architect-sir-william-chambers-1723-1796-who-may-have-been-responsible-for-their-design-the-meeting-of-bacchus-and-ariadne-on-the-isle-of-naxos-after-a-composition-by-the-italian-painter-guido-reni-1575-1642-is-depicted-on-the-tables-top-the-monogram-g-iv-image213132453.htmlRMPAN0H9–Side table. Culture: British. Designer: Probably after a design by John Yenn (British, London (?) 1750-1821 London). Dimensions: Overall: 30 1/2 × 46 × 21 in. (77.5 × 116.8 × 53.3 cm). Date: ca. 1780. A drawing related to the decoration of this, and two similar, tables has been attributed to John Yenn, a pupil and draftsman of the architect Sir William Chambers (1723-1796), who may have been responsible for their design. The Meeting of Bacchus and Ariadne on the Isle of Naxos, after a composition by the Italian painter Guido Reni (1575-1642), is depicted on the table's top. The monogram G IV
General Plan of the Gardens at Kew, 1763. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/general-plan-of-the-gardens-at-kew-1763-image365762712.htmlRM2C71X20–General Plan of the Gardens at Kew, 1763.
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224334.htmlRMKNK7RX–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Arthur William Devis - Sir Robert Chambers - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arthur-william-devis-sir-robert-chambers-146458362.htmlRMJE7N3P–Arthur William Devis - Sir Robert Chambers -
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 16 1/2 x 12 7/8 in. (41.9 x 32.7 cm). Date: 1770-74. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-ceiling-for-the-drawing-room-at-milton-abbey-dorset-artist-sir-william-chambers-british-born-sweden-gteborg-1723-1796-london-dimensions-sheet-16-12-x-12-78-in-419-x-327-cm-date-1770-74-museum-metropolitan-museum-of-art-new-york-usa-image213401478.htmlRMPB57NA–Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 16 1/2 x 12 7/8 in. (41.9 x 32.7 cm). Date: 1770-74. Museum: Metropolitan Museum of Art, New York, USA.
Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, after 1754. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-chimney-piece-for-thomas-hollis-of-lincolns-inn-london-after-1754-image365762711.htmlRM2C71X1Y–Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, after 1754.
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224332.htmlRMKNK7RT–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
![Image taken from page 289 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 289 of '[The Book of Days Stock Photo](https://c8.alamy.com/comp/HBNYGN/image-taken-from-page-289-of-the-book-of-days-a-miscellany-of-popular-HBNYGN.jpg "Image taken from page 289 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 289 of '[The Book of Days Stock Photo")
Image taken from page 289 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 289 of '[The Book of Days Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-289-of-the-book-of-days-a-miscellany-of-popular-127716421.htmlRMHBNYGN–Image taken from page 289 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 289 of '[The Book of Days
Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn, 1740-1800. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-pier-glass-of-tall-oblong-form-the-border-a-palmette-frieze-the-termination-an-urn-1740-1800-image365762702.htmlRM2C71X1J–Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn, 1740-1800.
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224336.htmlRMKNK7T0–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Life and works. Edited by Robert Chambers. Rev. by William Wallace (1896) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-life-and-works-edited-by-robert-chambers-rev-by-william-wallace-1896-114624884.htmlRMGJDH5T–Life and works. Edited by Robert Chambers. Rev. by William Wallace (1896)
The Great Exotic Stove at Kew, 1763. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-great-exotic-stove-at-kew-1763-image365762705.htmlRM2C71X1N–The Great Exotic Stove at Kew, 1763.
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224335.htmlRMKNK7RY–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Life and works. Edited by Robert Chambers. Rev. by William Wallace (1896) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-life-and-works-edited-by-robert-chambers-rev-by-william-wallace-1896-114624860.htmlRMGJDH50–Life and works. Edited by Robert Chambers. Rev. by William Wallace (1896)
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224329.htmlRMKNK7RN–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Image taken from page 122 of 'Chamber's Higher English Reader' Image taken from page 122 of 'Chamber's Higher Eng Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-122-of-chambers-higher-english-reader-image-132252753.htmlRMHK4HMH–Image taken from page 122 of 'Chamber's Higher English Reader' Image taken from page 122 of 'Chamber's Higher Eng
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224327.htmlRMKNK7RK–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
![Image taken from page 130 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 130 of '[The Stock Photo](https://c8.alamy.com/comp/HK4MJM/image-taken-from-page-130-of-the-book-of-days-a-miscellany-of-popular-HK4MJM.jpg "Image taken from page 130 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 130 of '[The Stock Photo")
Image taken from page 130 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 130 of '[The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-130-of-the-book-of-days-a-miscellany-of-popular-132255052.htmlRMHK4MJM–Image taken from page 130 of '[The Book of Days. A miscellany of popular antiquties, in connection with the calendar ... Edited by R. Chambers.]' Image taken from page 130 of '[The
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224331.htmlRMKNK7RR–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Image taken from page 210 of 'Chamber's Higher English Reader' Image taken from page 210 of 'Chamber's Higher English Reader' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-210-of-chambers-higher-english-reader-image-130092876.htmlRMHFJ6P4–Image taken from page 210 of 'Chamber's Higher English Reader' Image taken from page 210 of 'Chamber's Higher English Reader'
Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-chimneypiece-sir-william-chambers-british-born-sweden-168224337.htmlRMKNK7T1–Design for a Chimneypiece, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), 1740-1800
Image taken from page 62 of 'Chamber's Higher English Reader' Image taken from page 62 of 'Chamber's Higher English Reader' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-62-of-chambers-higher-english-reader-image-taken-130174367.htmlRMHFNXMF–Image taken from page 62 of 'Chamber's Higher English Reader' Image taken from page 62 of 'Chamber's Higher English Reader'
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Image taken from page 139 of 'Bohemian Paris of to-day. Written ... from notes by E. Cucuel. Illustrated by E. Cucuel' Image taken from page 139 of 'Bohemian Paris of to-day Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-139-of-bohemian-paris-of-to-day-written-from-127744926.htmlRMHBR7XP–Image taken from page 139 of 'Bohemian Paris of to-day. Written ... from notes by E. Cucuel. Illustrated by E. Cucuel' Image taken from page 139 of 'Bohemian Paris of to-day
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Image taken from page 117 of 'Chambers's New Geographical Readers' Image taken from page 117 of 'Chambers's New Geographical Readers' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-117-of-chamberss-new-geographical-readers-image-127740655.htmlRMHBR2E7–Image taken from page 117 of 'Chambers's New Geographical Readers' Image taken from page 117 of 'Chambers's New Geographical Readers'
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