Woman with chatelaine hi-res stock photography and images

Morning walk of the young chatelaine, woman feeding pigeons, Woodcut from 1892 Stock Photo

RFH8B5NK–Morning walk of the young chatelaine, woman feeding pigeons, Woodcut from 1892

El Cid Year : 1961 Italy / USA Director : Anthony Mann Sophia Loren Stock Photo

RMEJ24R0–El Cid Year : 1961 Italy / USA Director : Anthony Mann Sophia Loren

Woman, standing in front of a round table, dressed in a 'dress costume' Accessories: diadem, brooch, chatelaine, purse?, shoes Print from the Dutch fashion magazine Euphrosyne Jan - Oct 1832, Euphrosyne, magazine for the Dutch Dress, 1832 : Hollandsche Kleederdragt, No 12 : Dressed Costume, print maker: Dirk Sluyter, (mentioned on object), intermediary draughtsman: Monogrammist HNS, (mentioned on object),, 1832, paper, etching, engraving, brush, h 214 mm × w 130 mm Stock Photo

RM2JE3T5N–Woman, standing in front of a round table, dressed in a 'dress costume' Accessories: diadem, brooch, chatelaine, purse?, shoes Print from the Dutch fashion magazine Euphrosyne Jan - Oct 1832, Euphrosyne, magazine for the Dutch Dress, 1832 : Hollandsche Kleederdragt, No 12 : Dressed Costume, print maker: Dirk Sluyter, (mentioned on object), intermediary draughtsman: Monogrammist HNS, (mentioned on object),, 1832, paper, etching, engraving, brush, h 214 mm × w 130 mm

Lady Essex, Chatelaine of Cassiobury Park Stock Photo

RM2M3P834–Lady Essex, Chatelaine of Cassiobury Park

Poster for the book Le Tocsin in the newspaper La Dépêche de Toulouse, La Dépêche. Le Tocsin (title on object), La chatelaine (original title), Le Tocsin (original title), Woman in a long dress walks along a forest edge. A dog follows her. Ahead, a spire and a crescent moon., print maker: Henri de Toulouse-Lautrec, printer: Imprimerie Cassan et fils, Toulouse, 1895, paper, letterpress printing, height 569 mm × width 434 mm, print Stock Photo

RM2WR82KR–Poster for the book Le Tocsin in the newspaper La Dépêche de Toulouse, La Dépêche. Le Tocsin (title on object), La chatelaine (original title), Le Tocsin (original title), Woman in a long dress walks along a forest edge. A dog follows her. Ahead, a spire and a crescent moon., print maker: Henri de Toulouse-Lautrec, printer: Imprimerie Cassan et fils, Toulouse, 1895, paper, letterpress printing, height 569 mm × width 434 mm, print

Chatelaine worn by an African-American woman wearing a striped dress of the 1860s. Fort Mifflin, Philadelphia, PA, USA Stock Photo

RFDY4HYK–Chatelaine worn by an African-American woman wearing a striped dress of the 1860s. Fort Mifflin, Philadelphia, PA, USA

Watch and chatelaine, Gold, enamel, glass, steel, Circular gold case having stem with small ring at top; front with circular white face with roman numerals in black and blued steel(?) hands, the whole surrounded by a narrow off-white enameled band with gilt and green lozenge decoration. Reverse shows grisais scene of a couple in a verdant garden, the gowned woman in the foreground standing near a caged bird on a table, the man to the left and behind a low wall or fence, serenading her with a lute., Paris, France, late 18th century, timepieces & measuring devices, Decorative Arts Stock Photo

RM2DMFXBF–Watch and chatelaine, Gold, enamel, glass, steel, Circular gold case having stem with small ring at top; front with circular white face with roman numerals in black and blued steel(?) hands, the whole surrounded by a narrow off-white enameled band with gilt and green lozenge decoration. Reverse shows grisais scene of a couple in a verdant garden, the gowned woman in the foreground standing near a caged bird on a table, the man to the left and behind a low wall or fence, serenading her with a lute., Paris, France, late 18th century, timepieces & measuring devices, Decorative Arts

Meeting of William and the Chatelaine of Vergy with the Duke watching, Duke tells the Duchess the name of the woman loved by WIlliam, Frescoes of the Stock Photo

RM2A2B40X–Meeting of William and the Chatelaine of Vergy with the Duke watching, Duke tells the Duchess the name of the woman loved by WIlliam, Frescoes of the

Gallerie des Modes Petite Mistress, reading a letter, Young woman reads a letter dressed in a robe à la Polonaise, topped with muslin. High hairstyle with 'pouf and egret'. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Preliminary drawing for Gallerie des Modes et Costumes Francais, 1778, 7th booklet, G.39: Petite mistress and Robe à la Polonaise de toile peinte garnie de mousseline, lisant une lettre., Fashion plates, dress, gown: robe à la polonaise, head -gear (POUF) (women's clothes), skirt, shoes, sandals (women's clothes), bracelet Stock Photo

RMW5832N–Gallerie des Modes Petite Mistress, reading a letter, Young woman reads a letter dressed in a robe à la Polonaise, topped with muslin. High hairstyle with 'pouf and egret'. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Preliminary drawing for Gallerie des Modes et Costumes Francais, 1778, 7th booklet, G.39: Petite mistress and Robe à la Polonaise de toile peinte garnie de mousseline, lisant une lettre., Fashion plates, dress, gown: robe à la polonaise, head -gear (POUF) (women's clothes), skirt, shoes, sandals (women's clothes), bracelet

La Chatelaine, 16th century. Dutch woman wearing a chatelaine belt clasp with purse, keys, etc., hanging from it. The chatelaine was a fashion item in Zeeland in the 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuys Types et Caracteres Anciens, dapres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841. Stock Photo

RM2BT58HR–La Chatelaine, 16th century. Dutch woman wearing a chatelaine belt clasp with purse, keys, etc., hanging from it. The chatelaine was a fashion item in Zeeland in the 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuys Types et Caracteres Anciens, dapres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

RMW48998–La Chatelaine, 16th century. Dutch woman wearing a chatelaine belt clasp with purse, keys, etc., hanging from it. The chatelaine was a fashion item in Zeeland in the 16th century. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.

Adele Capell (1867-1922), Countess of Essex (née Adele Grant) US-born socialite who married into British nobility as wife of George De Vere Capell, 7th Earl of Essex. Pictured in The Tatler in 1917 when Cassiobury Park was given over as a convalescent home. Stock Photo

RM2RGDN8J–Adele Capell (1867-1922), Countess of Essex (née Adele Grant) US-born socialite who married into British nobility as wife of George De Vere Capell, 7th Earl of Essex. Pictured in The Tatler in 1917 when Cassiobury Park was given over as a convalescent home.

Inspired by Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II, Robe à la Turque. The woman, according to the accompanying text, is dressed in a 'robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white checkered gaze with a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKA3MD–Inspired by Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II, Robe à la Turque. The woman, according to the accompanying text, is dressed in a 'robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white checkered gaze with a, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Housekeeper's Chatelaine [a set of short chains on a belt worn by women and men for carrying keys, thimble and/or sewing kit, etc.] from Godey's Lady's Book and Magazine, March, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale, Stock Photo

RF2DH8A0X–Housekeeper's Chatelaine [a set of short chains on a belt worn by women and men for carrying keys, thimble and/or sewing kit, etc.] from Godey's Lady's Book and Magazine, March, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,

France Loire Forez region Saint Bonnet le Chateau Porte de la Chatelaine and the oratory dedicated to Notre-Dame-de-Bon-Secours Stock Photo

RME2G48A–France Loire Forez region Saint Bonnet le Chateau Porte de la Chatelaine and the oratory dedicated to Notre-Dame-de-Bon-Secours

La Châtelaine du Liban The Lebanese Mission Year : 1956 France Gianna Maria Canale Director: Richard Pottier Stock Photo

RM2MTWNGG–La Châtelaine du Liban The Lebanese Mission Year : 1956 France Gianna Maria Canale Director: Richard Pottier

A page from Mother Hubbard illustrated by Walter Crane. Stock Photo

RMD8J4R7–A page from Mother Hubbard illustrated by Walter Crane.

The International Exhibition: "Fisherman's Hut in Lapland", by J. F. Hockert, 1862. '...in all probability this fisherman and his pretty wife are only Swedish settlers in Lapland...Besides the physical superiority of this young couple, there are the conical headdress, the bag, worsted balls, and various articles of the chatelaine or "housewife" hanging from the girdle of the woman, and other points of detail which will be identified as Swedish. The reindeer dog is, of course, common in all these high latitudes...our poor fisherman seems to be contented enough with his pipe, Stock Photo

RM2WG0JTJ–The International Exhibition: "Fisherman's Hut in Lapland", by J. F. Hockert, 1862. '...in all probability this fisherman and his pretty wife are only Swedish settlers in Lapland...Besides the physical superiority of this young couple, there are the conical headdress, the bag, worsted balls, and various articles of the chatelaine or "housewife" hanging from the girdle of the woman, and other points of detail which will be identified as Swedish. The reindeer dog is, of course, common in all these high latitudes...our poor fisherman seems to be contented enough with his pipe,

Trance effect on woman during session of hypnosis therapy isolated flat vector illustration. Abstract psychedelic whirlpool and chatelaine watch. Alte Stock Vector

RF2J2HARP–Trance effect on woman during session of hypnosis therapy isolated flat vector illustration. Abstract psychedelic whirlpool and chatelaine watch. Alte

Miss Marcelle Boivin, daughter of the head chef at the Paris House, on the veranda of Ewenton, Balmain, ca. 1912 (note the chatelaine on the mesh handbag) by Sam Hood Stock Photo

RMDY0HH7–Miss Marcelle Boivin, daughter of the head chef at the Paris House, on the veranda of Ewenton, Balmain, ca. 1912 (note the chatelaine on the mesh handbag) by Sam Hood

RF2J29E9J–Trance effect on woman during session of hypnosis therapy isolated flat vector illustration. Abstract psychedelic whirlpool and chatelaine watch. Alte

RM2RAACT7–Adele Capell (1867-1922), Countess of Essex (née Adele Grant) US-born socialite who married into British nobility as wife of George De Vere Capell, 7th Earl of Essex. Pictured in The Tatler in 1917 when Cassiobury Park was given over as a convalescent home. Date: 1917

An elegant bourgeois woman, walking in the countryside. She wears a robe à la Polonaise 'for the morning, where: a Mantelet of taffeta with hood. At overstated combed hair a 'Bonnet à l'Ameriquaine' (according to the latest flavor). Range in the right, walking with ribbons in the left hand. Further accessories: bracelets, ring, chatelaine and shoes with heels and rosettes. Print series from J. 9th Cahier des Français Costumes, 3rd Suite d'Habillemens à la mode, Gallerie des Modes et Costumes Français. Manufacturer : printmaker: Dupin (listed property) to drawing: Claude Louis Desrais (listed b Stock Photo

RM2B6NFM4–An elegant bourgeois woman, walking in the countryside. She wears a robe à la Polonaise 'for the morning, where: a Mantelet of taffeta with hood. At overstated combed hair a 'Bonnet à l'Ameriquaine' (according to the latest flavor). Range in the right, walking with ribbons in the left hand. Further accessories: bracelets, ring, chatelaine and shoes with heels and rosettes. Print series from J. 9th Cahier des Français Costumes, 3rd Suite d'Habillemens à la mode, Gallerie des Modes et Costumes Français. Manufacturer : printmaker: Dupin (listed property) to drawing: Claude Louis Desrais (listed b

Neseser with dishes on Châtelaine; after. 18th century (1750-00-00-1750-00-00);Former MNW collections, woman, miniatures with architecture in landscape, message (provenance), sewing (accessories) Stock Photo

RM2WP5YHD–Neseser with dishes on Châtelaine; after. 18th century (1750-00-00-1750-00-00);Former MNW collections, woman, miniatures with architecture in landscape, message (provenance), sewing (accessories)

BEAUTY AID LORETTA YOUNG , the American film actress , purchasing a fancy trinket - a £116- chatelaine - from ROY GOLDENBERG, an antique - dealer , in Hollywood , California . 1 March 1950 Stock Photo

RM2Y7TE4F–BEAUTY AID LORETTA YOUNG , the American film actress , purchasing a fancy trinket - a £116- chatelaine - from ROY GOLDENBERG, an antique - dealer , in Hollywood , California . 1 March 1950

Watch of gold with a ciseled dial, Leach, c. 1750 - c. 1800 Gold watch with a quoted dial. The cupboard is driven with a representation of a kneeling man for a woman. Hangs on chatelaine bk-nm-12830-b. London gold (metal) Gold watch with a quoted dial. The cupboard is driven with a representation of a kneeling man for a woman. Hangs on chatelaine bk-nm-12830-b. London gold (metal) Stock Photo

RM2TDXY01–Watch of gold with a ciseled dial, Leach, c. 1750 - c. 1800 Gold watch with a quoted dial. The cupboard is driven with a representation of a kneeling man for a woman. Hangs on chatelaine bk-nm-12830-b. London gold (metal) Gold watch with a quoted dial. The cupboard is driven with a representation of a kneeling man for a woman. Hangs on chatelaine bk-nm-12830-b. London gold (metal)

Duke tells the Duchess the name of the woman loved by WIlliam, Frescoes of the Legend of the Chatelaine of Vergy, Bedroom of the Landlady, Palazzo Dav Stock Photo

RM2A2B413–Duke tells the Duchess the name of the woman loved by WIlliam, Frescoes of the Legend of the Chatelaine of Vergy, Bedroom of the Landlady, Palazzo Dav

Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II, Robe à la Turque. The woman, according to the accompanying text, is dressed in a 'robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white checkered gaze with a fringe of white silk, crossed from the front and tied at the back under the belt. Hairstyle with two bows of striped ribbon, without headgear. Lilac shoes with heels and a strip of pink ribbon (Accessories: earring, long gloves, chatelaine). The print is part of the 17th Cahier from the series Cabinet des Stock Photo

RM2HB5T1C–Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II, Robe à la Turque. The woman, according to the accompanying text, is dressed in a 'robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white checkered gaze with a fringe of white silk, crossed from the front and tied at the back under the belt. Hairstyle with two bows of striped ribbon, without headgear. Lilac shoes with heels and a strip of pink ribbon (Accessories: earring, long gloves, chatelaine). The print is part of the 17th Cahier from the series Cabinet des

The Chatelaine. Date: 1912. oil on canvas. Museum: Smithsonian American Art Museum. Stock Photo

RM2R6F0GR–The Chatelaine. Date: 1912. oil on canvas. Museum: Smithsonian American Art Museum.

Au temps passé. Une châtelaine. Comte de Charly, photographer (active 1850s - 1880s) 1862 A woman dressed in costume as a chatelaine, the lady in charge of a large house or chateau, and a young man dressed as her attendant. The woman is wearing a dress with fur accents and a crown. The young man is holding a small object, possibly a pillow, out to the woman. (Recto, mount) upper center, black ink: 'au temps passé'; lower center, black ink: 'Une châtelaine'; Stock Photo

RM2WTDM4C–Au temps passé. Une châtelaine. Comte de Charly, photographer (active 1850s - 1880s) 1862 A woman dressed in costume as a chatelaine, the lady in charge of a large house or chateau, and a young man dressed as her attendant. The woman is wearing a dress with fur accents and a crown. The young man is holding a small object, possibly a pillow, out to the woman. (Recto, mount) upper center, black ink: 'au temps passé'; lower center, black ink: 'Une châtelaine';

THE CHATELAINE The chatelaine's normal bunch of grim-looking keys are replaced by these ornaments swinging at the waist of film actress Christine Norden as she waits at Northolt Airport, Middlesex, this evening to board the plane for Dublin, where she will make a personal appearance at the Catholic Stage Guild Performance. The waist ornaments are grouped under the title ' chatelaine ' . 9 January 1950 Stock Photo

RM2Y7TA61–THE CHATELAINE The chatelaine's normal bunch of grim-looking keys are replaced by these ornaments swinging at the waist of film actress Christine Norden as she waits at Northolt Airport, Middlesex, this evening to board the plane for Dublin, where she will make a personal appearance at the Catholic Stage Guild Performance. The waist ornaments are grouped under the title ' chatelaine ' . 9 January 1950

Art inspired by Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II, Robe à la Turque. The woman, according to the accompanying text, is dressed in a 'robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKX0BP–Art inspired by Cabinet des Modes ou les Modes Nouvelles, 15 Juillet 1786, pl. II, Robe à la Turque. The woman, according to the accompanying text, is dressed in a 'robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chatelaine fourth quarter 19th century probably French Derived from the French for 'lady or mistress of the castle,' and related to the cordelière, a chatelaine was first worn in the 16th and 17th centuries and consisted of a chain with attached items such as a cross and keys. Both decorative and functional, the 19th-century version usually consisted of a central decorated clip that attached to the waistband or belt with a hook at back, such as this example. Several items draped from chains attached to the central clip, and included items a woman might need during her daily routine. This examp Stock Photo

RM2HJ23MR–Chatelaine fourth quarter 19th century probably French Derived from the French for 'lady or mistress of the castle,' and related to the cordelière, a chatelaine was first worn in the 16th and 17th centuries and consisted of a chain with attached items such as a cross and keys. Both decorative and functional, the 19th-century version usually consisted of a central decorated clip that attached to the waistband or belt with a hook at back, such as this example. Several items draped from chains attached to the central clip, and included items a woman might need during her daily routine. This examp

RME2G48F–France Loire Forez region Saint Bonnet le Chateau Porte de la Chatelaine and the oratory dedicated to Notre-Dame-de-Bon-Secours

Euphrosyne, Journal of the Hollandsche Kleiding, 1832: Hollandsche Dugrugt, No. 12: Dressed costume, Dirk Sluyter, After Monogrammist HNS, 1832 Woman, standing in front of a round table, dressed in a 'dressed costume'. Accessories: diadem, brooch, chatelaine, bag (?), Shoes. Print from the Dutch fashion magazine Euphrosyne (Jan - Oct 1832). paper etching / engraving / brush fashion plates. dress, gown: evening dress (+ women's clothes). diadem, tiara (+ women's clothes). skirt (+ women's clothes). brooch, agraffe, clasp (+ women's clothes) Stock Photo

RM2WCGTPB–Euphrosyne, Journal of the Hollandsche Kleiding, 1832: Hollandsche Dugrugt, No. 12: Dressed costume, Dirk Sluyter, After Monogrammist HNS, 1832 Woman, standing in front of a round table, dressed in a 'dressed costume'. Accessories: diadem, brooch, chatelaine, bag (?), Shoes. Print from the Dutch fashion magazine Euphrosyne (Jan - Oct 1832). paper etching / engraving / brush fashion plates. dress, gown: evening dress (+ women's clothes). diadem, tiara (+ women's clothes). skirt (+ women's clothes). brooch, agraffe, clasp (+ women's clothes)

France, Aisne, Laon, the Upper town, rue Chatelaine Stock Photo

RM2BKRRM1–France, Aisne, Laon, the Upper town, rue Chatelaine

'The Chatelaine has a reading', c1900-1950. At the Salon des Artistes Français in Paris from 1893 to 1941, Sonrel exhibited especially large watercolors of idealized women that have both a certain Pre-Raphaelite intensity and an affinity to French symbolist painting. She was inspired by Arthurian romance, biblical subjects, archaic legends and medieval love. Stock Photo

RM2T6GE5J–'The Chatelaine has a reading', c1900-1950. At the Salon des Artistes Français in Paris from 1893 to 1941, Sonrel exhibited especially large watercolors of idealized women that have both a certain Pre-Raphaelite intensity and an affinity to French symbolist painting. She was inspired by Arthurian romance, biblical subjects, archaic legends and medieval love.

Visite de la chatelaine et de son enfant dans une famille de paysans bretons en costume traditionnel. Bretagne (France), photographie 1917. Stock Photo

RM2RFBH25–Visite de la chatelaine et de son enfant dans une famille de paysans bretons en costume traditionnel. Bretagne (France), photographie 1917.

RM2FN8X0G–The Chatelaine, 1912.

Woman with hypnosis session vector line concept Stock Vector

RF2RK0FX3–Woman with hypnosis session vector line concept

Trance effect on woman during session of hypnosis therapy Stock Vector

RF2R2M1JM–Trance effect on woman during session of hypnosis therapy

Elegant woman from the bourgeoisie walking in the countryside, dressed in a robe à la Polonaise 'for the morning. Mantelet (small tippet) with hood. On his head a cap to the final taste. Accessories: bracelet, ring, walking stick with ribbon and brushes, range, chatelaine, shoes with heels and rosettes. Copy to J 53 out of series J. 9th Cahier des Costumes Français, Suite 3rd d'Habillemens à la mode, Gallery des Modes et Costumes Français. Manufacturer : to print by: Pierre Gleich (possibly) to print by: Nicolas Dupinnaar drawing of: Claude Louis Desrais Dating: approx 1785 Physical features: Stock Photo

RM2B6NG1X–Elegant woman from the bourgeoisie walking in the countryside, dressed in a robe à la Polonaise 'for the morning. Mantelet (small tippet) with hood. On his head a cap to the final taste. Accessories: bracelet, ring, walking stick with ribbon and brushes, range, chatelaine, shoes with heels and rosettes. Copy to J 53 out of series J. 9th Cahier des Costumes Français, Suite 3rd d'Habillemens à la mode, Gallery des Modes et Costumes Français. Manufacturer : to print by: Pierre Gleich (possibly) to print by: Nicolas Dupinnaar drawing of: Claude Louis Desrais Dating: approx 1785 Physical features:

Costumes de dame noble en 1386 et de chatelaine en 1395 ( regne de Charles VII 1403-1461) . Gravure en couleurs, in 'la France et les francais a trave Stock Photo

RM2A7Y777–Costumes de dame noble en 1386 et de chatelaine en 1395 ( regne de Charles VII 1403-1461) . Gravure en couleurs, in 'la France et les francais a trave

Female line vector icons and signs. Woman, Girl, Ladies, Femme, Matriarch, Womankind, Womanhood, Female outline vector illustration set Stock Vector

RF2PF1837–Female line vector icons and signs. Woman, Girl, Ladies, Femme, Matriarch, Womankind, Womanhood, Female outline vector illustration set

RMG39FN6–Mourning dress 1861

RM2A2B411–Duke tells the Duchess the name of the woman loved by WIlliam, Frescoes of the Legend of the Chatelaine of Vergy, Bedroom of the Landlady, Palazzo Dav

Journal des Dames et des Demoiselles, 1888-1889, No. 2495: Tissus et Foulards de la M.on LE HOUSSEL (...), Two women and a girl in an interior. Left: children's clothing; girl in a dress with a belt. Woman in an ensemble: fitted jacket, skirt with queue. Accessories: brooch, chatelaine, gloves. Right: dress with stripe motif. Below the performance are some lines of advertising text for various products. Print from the fashion magazine Journal des Dames et des Demoiselles (1841-1902)., after design by: Jules David (1808-1892), (mentioned on object), print maker: anonymous, publisher: Abel Stock Photo

RM2X6WFYY–Journal des Dames et des Demoiselles, 1888-1889, No. 2495: Tissus et Foulards de la M.on LE HOUSSEL (...), Two women and a girl in an interior. Left: children's clothing; girl in a dress with a belt. Woman in an ensemble: fitted jacket, skirt with queue. Accessories: brooch, chatelaine, gloves. Right: dress with stripe motif. Below the performance are some lines of advertising text for various products. Print from the fashion magazine Journal des Dames et des Demoiselles (1841-1902)., after design by: Jules David (1808-1892), (mentioned on object), print maker: anonymous, publisher: Abel

The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster]. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec. TOULOUSE-LAUTREC, HENRI DE. Stock Photo

RMPKWW7K–The Manor Lady or the Omen (La chatelaine ou le tocsin). Dated: 1895. Medium: lithograph in turquoise and light blue [poster]. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec. TOULOUSE-LAUTREC, HENRI DE.

Antique c1910 photograph, mother and daugher in Edwardian clothing. Location is probably Mankato, Minnesota. SOURCE: ORIGINAL PHOTOGRAPH. Stock Photo

RMJDE033–Antique c1910 photograph, mother and daugher in Edwardian clothing. Location is probably Mankato, Minnesota. SOURCE: ORIGINAL PHOTOGRAPH.

Table service of a Lady of Quality. Chromolithography from a miniature of the 'Roman de Renaud de Montauban', 15th century manuscript. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photo

RM2X06RCD–Table service of a Lady of Quality. Chromolithography from a miniature of the 'Roman de Renaud de Montauban', 15th century manuscript. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.

RF2B9CA0D–Gallerie des Modes Petite Mistress, reading a letter, Young woman reads a letter dressed in a robe à la Polonaise, topped with muslin. High hairstyle with 'pouf and egret'. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Preliminary drawing for Gallerie des Modes et Costumes Francais, 1778, 7th booklet, G.39: Petite mistress and Robe à la Polonaise de toile peinte garnie de mousseline, lisant une lettre., Fashion plates, dress, gown: robe à la polonaise, head -gear (POUF) (women's clothes), skirt, shoes, sandals (women's clothes), bracelet, wristle

Mrs Winslows Soothing Syrup trade card 1889 Stock Photo

RMA081X3–Mrs Winslows Soothing Syrup trade card 1889

The Mark Lane express, agricultural journal &c . MARK LANE EXPRESS SUPPLEMENT FORTME HOMC Bullion Embroidery. Fortunate indeed is the woman who has anhoirloom in the shape of a Chatelaine top, forshe can make a hand-bag at comparativelysmall cost if she be anything of a needle-woman. The bag is fashioned from a squareof heavy black satin, having the corners cutoff, so that two straight sides, when folded, willfit into the top, which will be gold plated oroxidised to be almost black. The decorati.mis cloth of gold appliqued on by gold bullionthread, as shown in the detail illustration, thestems Stock Photo

RM2AM3N49–The Mark Lane express, agricultural journal &c . MARK LANE EXPRESS SUPPLEMENT FORTME HOMC Bullion Embroidery. Fortunate indeed is the woman who has anhoirloom in the shape of a Chatelaine top, forshe can make a hand-bag at comparativelysmall cost if she be anything of a needle-woman. The bag is fashioned from a squareof heavy black satin, having the corners cutoff, so that two straight sides, when folded, willfit into the top, which will be gold plated oroxidised to be almost black. The decorati.mis cloth of gold appliqued on by gold bullionthread, as shown in the detail illustration, thestems

Journal of the ladies and young ladies, 1888-1889, No. 2495: fabrics and scarves of the M.ON LE HOUSSEL (...), Jules David (1808-1892), 1888-1889 Two women and a girl in an interior. Left: children's clothing; Girl in a dress with belt. Woman in an ensemble: tailed jacket, skirt with queue. Accessories: brooch, chatelaine, gloves. Right: dress with stripe pattern. Under the performance some lines of advertising text for different products. Print from the fashion magazine Journal des Dames et des Demoiselles (1841-1902). Paris paper engraving fashion plates. dress, gown (+ women's clothes). dr Stock Photo

RM2WFKC5C–Journal of the ladies and young ladies, 1888-1889, No. 2495: fabrics and scarves of the M.ON LE HOUSSEL (...), Jules David (1808-1892), 1888-1889 Two women and a girl in an interior. Left: children's clothing; Girl in a dress with belt. Woman in an ensemble: tailed jacket, skirt with queue. Accessories: brooch, chatelaine, gloves. Right: dress with stripe pattern. Under the performance some lines of advertising text for different products. Print from the fashion magazine Journal des Dames et des Demoiselles (1841-1902). Paris paper engraving fashion plates. dress, gown (+ women's clothes). dr

RM2BKRRKK–France, Aisne, Laon, the Upper town, rue Chatelaine

Fashions for November - Robe of White Crape over a slip of White Satin, 1858. 'The robe has a double skirt trimmed with ruches of blonde, four rows on the lower and three on the upper skirt. The corsage is plain, and pointed in front and at the back. Over it is a fichu Antoinette, covered with ruches of blonde, through the midst of which there runs a wreath formed of honeysuckle and pink azalea. The upper skirt is gathered up at each side by a chatelaine of the same flowers. Odalisque sleeves, gathered up in front of the arm by bouquets of honeysuckle and azalea. A narrow cordon of the same fl Stock Photo

RM2RRJ8CD–Fashions for November - Robe of White Crape over a slip of White Satin, 1858. 'The robe has a double skirt trimmed with ruches of blonde, four rows on the lower and three on the upper skirt. The corsage is plain, and pointed in front and at the back. Over it is a fichu Antoinette, covered with ruches of blonde, through the midst of which there runs a wreath formed of honeysuckle and pink azalea. The upper skirt is gathered up at each side by a chatelaine of the same flowers. Odalisque sleeves, gathered up in front of the arm by bouquets of honeysuckle and azalea. A narrow cordon of the same fl

France, Aisne, Laon, the Upper town, rue Chatelaine and Notre-Dame de Laon cathedral, Gothic architecture Stock Photo

RM2BKRRN4–France, Aisne, Laon, the Upper town, rue Chatelaine and Notre-Dame de Laon cathedral, Gothic architecture

The Reformed Woman, mid to late 17th century. Stock Photo

RM2B7P0X6–The Reformed Woman, mid to late 17th century.

RM2BKRRNT–France, Aisne, Laon, the Upper town, rue Chatelaine and Notre-Dame de Laon cathedral, Gothic architecture

RF2RBMHR3–Trance effect on woman during session of hypnosis therapy

Journal des Luxus und der Moden, 1794, T 17 Young German woman dressed in 'vollem Anzuge. She wears a gown with train, trimmed with two strips of wrinkled fabric. Skirt, the hem of a decorative band with floral pattern. Fichu. Accessories: hair band with feathers, chatelaine with clockwork and medallion, range (?). Print out the fashion magazine Journal des Luxus und der Moden published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Manufacturer : printmaker: Georg Melchior Kraus To own design: Georg Melchior Kraus Publisher: Friedrich Justin BertuchPlaats manufacture Stock Photo

RM2B6X99Y–Journal des Luxus und der Moden, 1794, T 17 Young German woman dressed in 'vollem Anzuge. She wears a gown with train, trimmed with two strips of wrinkled fabric. Skirt, the hem of a decorative band with floral pattern. Fichu. Accessories: hair band with feathers, chatelaine with clockwork and medallion, range (?). Print out the fashion magazine Journal des Luxus und der Moden published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Manufacturer : printmaker: Georg Melchior Kraus To own design: Georg Melchior Kraus Publisher: Friedrich Justin BertuchPlaats manufacture

France, Aisne, Laon, the Upper town, rue Chatelaine main pedestrian street of Laon covered with umbrellas Stock Photo

RM2CA57N0–France, Aisne, Laon, the Upper town, rue Chatelaine main pedestrian street of Laon covered with umbrellas

The arrest of John Brown of Ashford, a Lollard, 1517, (1856). Artist: Alexander Johnston Stock Photo

RMB0KHKW–The arrest of John Brown of Ashford, a Lollard, 1517, (1856). Artist: Alexander Johnston

Statue of the legendary Lady Carcas at the main entrance of the fortified town in Carcassonne, France Stock Photo

RMB7GATG–Statue of the legendary Lady Carcas at the main entrance of the fortified town in Carcassonne, France

"The Spur in the Dish", by Mr. Bell Scott, 1861. Engraving from a painting. One of '...a series of eight pictures by Mr. W. Bell Scott illustrative of the history of the English border now on view at the French Gallery...The scene is supposed to be...the peel house of the Charltons, of Kerleyside, on the North Tyne. The head of the house, with a few of his retainers, sturdy and daring fellows, are seated at the board...waiting in expectation of their usual substantial fare, when the lady of the house enters with the great dish - empty, however, except that it contains a spur, a sign Stock Photo

RM2TBKBYN–"The Spur in the Dish", by Mr. Bell Scott, 1861. Engraving from a painting. One of '...a series of eight pictures by Mr. W. Bell Scott illustrative of the history of the English border now on view at the French Gallery...The scene is supposed to be...the peel house of the Charltons, of Kerleyside, on the North Tyne. The head of the house, with a few of his retainers, sturdy and daring fellows, are seated at the board...waiting in expectation of their usual substantial fare, when the lady of the house enters with the great dish - empty, however, except that it contains a spur, a sign

RM2X0PW3G–Table service of a Lady of Quality. Chromolithography from a miniature of the 'Roman de Renaud de Montauban', 15th century manuscript. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.

Store of new French and English modes, November 10, 1787, 36th notebook, 2nd year, pl. 2, 1787 Woman in a dress of light-purple 'pékin', 'coupée à l'Anglaise'. Apple -green body and apple -green long gloves. A fichu around the neck. Accessories: 'Demi-Bonnette' decorated with ribbons, feathers and rosette, walking stick, chatelaine. The print is part of the 36th Cahier, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. dress, gown (+ women' Stock Photo

RM2WETXYH–Store of new French and English modes, November 10, 1787, 36th notebook, 2nd year, pl. 2, 1787 Woman in a dress of light-purple 'pékin', 'coupée à l'Anglaise'. Apple -green body and apple -green long gloves. A fichu around the neck. Accessories: 'Demi-Bonnette' decorated with ribbons, feathers and rosette, walking stick, chatelaine. The print is part of the 36th Cahier, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. dress, gown (+ women'

Portrait of a Woman, late 1560s. Stock Photo

RM2AX173J–Portrait of a Woman, late 1560s.

RF2RD3081–Trance effect on woman during session of hypnosis therapy

Euphrosyne, tijdschrift voor de Hollandsche Kleeding, 1832 Hollandsche Kleederdragt, No 12 Gekleed Costuum Woman standing a round table, dressed in a costume dressed. Accessories: tiara, brooch, chatelaine, purse, shoes (?). Postcard from the Dutch fashion magazine Euphrosyne (Jan - Oct 1832) . Manufacturer : printmaker Dirk Sluyter (listed building) in view of: Monogrammist HNS (listed building) Dated: 1832 Physical features: etching and engra, brush color material: paper Technique : etching / engra (printing process) / brush dimensions: sheet: h 214 mm × W 130 mm Subject: fashion plates dres Stock Photo

RM2B6M349–Euphrosyne, tijdschrift voor de Hollandsche Kleeding, 1832 Hollandsche Kleederdragt, No 12 Gekleed Costuum Woman standing a round table, dressed in a costume dressed. Accessories: tiara, brooch, chatelaine, purse, shoes (?). Postcard from the Dutch fashion magazine Euphrosyne (Jan - Oct 1832) . Manufacturer : printmaker Dirk Sluyter (listed building) in view of: Monogrammist HNS (listed building) Dated: 1832 Physical features: etching and engra, brush color material: paper Technique : etching / engra (printing process) / brush dimensions: sheet: h 214 mm × W 130 mm Subject: fashion plates dres

RM2CA57N4–France, Aisne, Laon, the Upper town, rue Chatelaine main pedestrian street of Laon covered with umbrellas

"The Arrest of John Brown, of Ashford, a Lollard, and one of the First Martyrs in the Early Part of Henry VIII's Reign" - by A. Johnston - from the Royal Academy Exhibition, 1856. Engraving after a painting depicting an event which took place in 1517. 'Mr. Johnston found the story in D'Aubigne's " History of the Reformation": Brown's wife having been churched that same day, a feast was prepared for their friends, as was usual on such occasions, and they had all taken their seats at table, joy beaming on every face, when the street-door was abruptly opened, and Chilton, the Stock Photo

RM2R4DHG1–"The Arrest of John Brown, of Ashford, a Lollard, and one of the First Martyrs in the Early Part of Henry VIII's Reign" - by A. Johnston - from the Royal Academy Exhibition, 1856. Engraving after a painting depicting an event which took place in 1517. 'Mr. Johnston found the story in D'Aubigne's " History of the Reformation": Brown's wife having been churched that same day, a feast was prepared for their friends, as was usual on such occasions, and they had all taken their seats at table, joy beaming on every face, when the street-door was abruptly opened, and Chilton, the

The morning of the morning in Caracot and skirt in La Suzanne, c. 1785 Woman in a caraco and skirt 'à la Suzanne'. 'Chapeau au Cherubin'. She walks to the Palais Royal in the morning; To distract, she gets a pastille from her chocolate box. Accessories: earrings, flower corsage, bracelets, chatelaine, shoes. Print G 45 from the Series Collection d'Habillements Modernes et Galants, AVEC Les Habillements des Princes et Seigneurs. paper engraving fashion plates. head-gear: hat (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). s Stock Photo

RM2WEK0N1–The morning of the morning in Caracot and skirt in La Suzanne, c. 1785 Woman in a caraco and skirt 'à la Suzanne'. 'Chapeau au Cherubin'. She walks to the Palais Royal in the morning; To distract, she gets a pastille from her chocolate box. Accessories: earrings, flower corsage, bracelets, chatelaine, shoes. Print G 45 from the Series Collection d'Habillements Modernes et Galants, AVEC Les Habillements des Princes et Seigneurs. paper engraving fashion plates. head-gear: hat (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). s

The Juggler and the Woman, c. 1495/1503. Stock Photo

RM2FN96CE–The Juggler and the Woman, c. 1495/1503.

RF2R1CBK1–Trance effect on woman during session of hypnosis therapy

a fashionable young woman or petite mistress, a letter reading. She is dressed in a robe à la Polonaise from painted fabric, trimmed with muslin. Motos and sabot. On the head a cap or pouf with egret. Further accessories: cord around the neck, bracelets, rings, chatelaine, shoes with heels and buckles. Copy to G 39 from series G. 7th Cahier the Costumes Français, 1re Suite d'Habillemens the Femmes à la mode, Gallery des Modes et Costumes Français. Manufacturer : print maker: Pierre Gleich (possibly) to print by: Nicolas Dupinnaar drawing of: Pierre Thomas Le Clerc Date: approx 1785 Physical fe Stock Photo

RM2B6NG0H–a fashionable young woman or petite mistress, a letter reading. She is dressed in a robe à la Polonaise from painted fabric, trimmed with muslin. Motos and sabot. On the head a cap or pouf with egret. Further accessories: cord around the neck, bracelets, rings, chatelaine, shoes with heels and buckles. Copy to G 39 from series G. 7th Cahier the Costumes Français, 1re Suite d'Habillemens the Femmes à la mode, Gallery des Modes et Costumes Français. Manufacturer : print maker: Pierre Gleich (possibly) to print by: Nicolas Dupinnaar drawing of: Pierre Thomas Le Clerc Date: approx 1785 Physical fe

Gallerie des modes et costumes francais, 1778, g 38: Polonois dress (...), c. 1778 Woman in 'Robe à la polonaise' with 'coqueluchon' or hood of the same fabric as the dress. Hat with ostriches, which was called 'Chapeau à la Biscayenne'. Accessories: fan, cord with ring around the neck, bracelet, chatelaine, shoes with heel and rosette. Print from series G. 7th Cosier des Costumes Français, 1re Suite d'Habillemens de Femmes à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. styles of hairdress - AA - women. shoes, sandals (+ women's clothes). skirt (+ women Stock Photo

RM2WETX5D–Gallerie des modes et costumes francais, 1778, g 38: Polonois dress (...), c. 1778 Woman in 'Robe à la polonaise' with 'coqueluchon' or hood of the same fabric as the dress. Hat with ostriches, which was called 'Chapeau à la Biscayenne'. Accessories: fan, cord with ring around the neck, bracelet, chatelaine, shoes with heel and rosette. Print from series G. 7th Cosier des Costumes Français, 1re Suite d'Habillemens de Femmes à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plates. styles of hairdress - AA - women. shoes, sandals (+ women's clothes). skirt (+ women

RM2YX4GNT–Portrait of a Woman, 1577.

RF2R0PDKP–Trance effect on woman during session of hypnosis therapy

woman in a skirt and Caraco 'à la Suzanne. 'Au Chapeau Cherubin. They walk in the morning to the Palais Royal; in distraction they took a slug from her candy box. Accessories: earrings, flower corsage bracelets, chatelaine, shoes. Print G 45 from series Collection d'Habillements modernes et Galants, avec les habillements des princes et seigneurs. Manufacturer : printmaker: anonymous publisher: Basset Place manufacture: Paris Date: approx 1785 Physical features: engra, hand-colored material: paper Technique: engra ( printing process) / hand-color measurements: plate edge: h 307 mm × W 211 mm Su Stock Photo

RM2B713A6–woman in a skirt and Caraco 'à la Suzanne. 'Au Chapeau Cherubin. They walk in the morning to the Palais Royal; in distraction they took a slug from her candy box. Accessories: earrings, flower corsage bracelets, chatelaine, shoes. Print G 45 from series Collection d'Habillements modernes et Galants, avec les habillements des princes et seigneurs. Manufacturer : printmaker: anonymous publisher: Basset Place manufacture: Paris Date: approx 1785 Physical features: engra, hand-colored material: paper Technique: engra ( printing process) / hand-color measurements: plate edge: h 307 mm × W 211 mm Su

Gallerie des Modes et costumes français, 1778, J 53: Elegant bourgeois (...), c. 1778 An elegant citizen woman, walking in the countryside. She is wearing a 'robe à la polonaise' for the morning, about which a mantleet of taf side with hood. A 'Bonnet à l'ameriquaine' ('according to the newest taste' on the highly boosted hairstyle. Fan in the right, walking stick with ribbons in the left hand. Further accessories: bracelets, ring, chatelaine and shoes with heels and rosettes. Print from series J. 9th Cahier des Costumes Français, 3rd Suite d'Habillemens à la Mode, Gallerie des Modes et Costu Stock Photo

RM2WETGYG–Gallerie des Modes et costumes français, 1778, J 53: Elegant bourgeois (...), c. 1778 An elegant citizen woman, walking in the countryside. She is wearing a 'robe à la polonaise' for the morning, about which a mantleet of taf side with hood. A 'Bonnet à l'ameriquaine' ('according to the newest taste' on the highly boosted hairstyle. Fan in the right, walking stick with ribbons in the left hand. Further accessories: bracelets, ring, chatelaine and shoes with heels and rosettes. Print from series J. 9th Cahier des Costumes Français, 3rd Suite d'Habillemens à la Mode, Gallerie des Modes et Costu

Kammerherreinde Caroline Amalie Meldahl, née Ræder, 1881. [Kammerherreinde = chambermaid, chatelaine, Madame la Marquise?] Stock Photo

RM2R49E96–Kammerherreinde Caroline Amalie Meldahl, née Ræder, 1881. [Kammerherreinde = chambermaid, chatelaine, Madame la Marquise?]

Almanac Prentje 1789 Standing man and woman seen from the back Running man and woman seen from the back. The man wears a frak, shorts and socks. Accessories: stitch and boots. The woman is wearing a striped dress in drag and a skirt topped with a wrinkled strip. Accessories: hat with large springs and depending slippage, chatelaine. Manufacturer : print maker: Ernst Ludwig Riepenhausen (indicated on object) Date: 1789 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: h 83 mm × b 52 mm Subject: fashion plates coat (+ men's clothes) head-gear: bicorne, bicor Stock Photo

RM2B6AME3–Almanac Prentje 1789 Standing man and woman seen from the back Running man and woman seen from the back. The man wears a frak, shorts and socks. Accessories: stitch and boots. The woman is wearing a striped dress in drag and a skirt topped with a wrinkled strip. Accessories: hat with large springs and depending slippage, chatelaine. Manufacturer : print maker: Ernst Ludwig Riepenhausen (indicated on object) Date: 1789 Physical characteristics: etching material: paper Technique: etching dimensions: sheet: h 83 mm × b 52 mm Subject: fashion plates coat (+ men's clothes) head-gear: bicorne, bicor

Gallerie of French modes and costumes, 1785, nr. 14, nr. 27, Kopie Naar J 53: Elegant bourgeois walking (...), c. 1785 Elegant woman from the bourgeoisie walking in the countryside, dressed in a 'Robe à la polonaise' for the morning. Mantelet (small shoulder mantle) with hood. On the head a hat to the last taste. Accessories: bracelets, ring, walking stick with ribbon and brushes, fan, chatelaine, shoes with heels and rosettes. Copy to J 53 from series J. 9th Cahier des Costumes Français, 3rd Suite d'Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plat Stock Photo

RM2WEK98M–Gallerie of French modes and costumes, 1785, nr. 14, nr. 27, Kopie Naar J 53: Elegant bourgeois walking (...), c. 1785 Elegant woman from the bourgeoisie walking in the countryside, dressed in a 'Robe à la polonaise' for the morning. Mantelet (small shoulder mantle) with hood. On the head a hat to the last taste. Accessories: bracelets, ring, walking stick with ribbon and brushes, fan, chatelaine, shoes with heels and rosettes. Copy to J 53 from series J. 9th Cahier des Costumes Français, 3rd Suite d'Habillemens à la Mode, Gallerie des Modes et Costumes Français. paper engraving fashion plat

The Manor Lady or the Omen (La chatelaine ou le tocsin), 1895. Stock Photo

RM2F3CMTC–The Manor Lady or the Omen (La chatelaine ou le tocsin), 1895.

Journal des Dames et des Demoiselles, 1888-1889, No 2495 Tissus et Foulards de la Mon LE HOUSSEL () Two women and a girl in an interior. Left: children; girl in a dress with a belt. Woman in an ensemble: fitted jacket, skirt queue. Accessories: brooch, chatelaine, gloves. Right: dress with stripe pattern. Among the show a few lines of text advertising for various products. Print out the fashion magazine Journal des Dames et des Demoiselles (1841-1902) . Manufacturer : designed by Jules David (1808-1892) (listed building) printmaker: anonymous publisher Abel Goubaud (listed building) button H. Stock Photo

RM2B6X5B1–Journal des Dames et des Demoiselles, 1888-1889, No 2495 Tissus et Foulards de la Mon LE HOUSSEL () Two women and a girl in an interior. Left: children; girl in a dress with a belt. Woman in an ensemble: fitted jacket, skirt queue. Accessories: brooch, chatelaine, gloves. Right: dress with stripe pattern. Among the show a few lines of text advertising for various products. Print out the fashion magazine Journal des Dames et des Demoiselles (1841-1902) . Manufacturer : designed by Jules David (1808-1892) (listed building) printmaker: anonymous publisher Abel Goubaud (listed building) button H.

Cabinet of modes or new modes, July 15, 1786, pl. II, A.B. Duhamel, After Pugin, 1786 Robe à la Turque. According to the accompanying text, the woman is dressed in a 'Robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white checkered gaze with a fringe of white side, crossed from the front and knotted on the back under the belt. Haircut with two bows of striped ribbon, without a headgear. Lila shoes with heels and a pink ribbon strip (accessories: earring, long gloves, chatelaine). The print is part of the 17th cahier from the Cabin Stock Photo

RM2TE154G–Cabinet of modes or new modes, July 15, 1786, pl. II, A.B. Duhamel, After Pugin, 1786 Robe à la Turque. According to the accompanying text, the woman is dressed in a 'Robe à la Turque' of white gaze with white shiny and soft lilac stripes, trimmed with soft pink ribbon. Scarf of white checkered gaze with a fringe of white side, crossed from the front and knotted on the back under the belt. Haircut with two bows of striped ribbon, without a headgear. Lila shoes with heels and a pink ribbon strip (accessories: earring, long gloves, chatelaine). The print is part of the 17th cahier from the Cabin

RM2F3CMT1–The Manor Lady or the Omen (La chatelaine ou le tocsin), 1895.

Gallerie des Modes Petite Maitresse, een brief lezend Young woman a letter reading, dressed in a robe à la Polonaise, garnished with muslin. High style with the pouf and egret. Accessories: cord around the neck, bracelets, rings, chatelaine, shoes with heels and buckles. For Drawing for Gallerie des Modes et Costumes Francais, 1778, 7th cahier, G.39: Petite mistress and Robe à la Polonaise toile peinte garnie muslin, lisant une lettre. Manufacturer : artist: Pierre Thomas Le Clerc Date: approx 1778 Physical features: pen in black ink, brush and brown material: paper ink technology: pen / brush Stock Photo

RM2B6NFMT–Gallerie des Modes Petite Maitresse, een brief lezend Young woman a letter reading, dressed in a robe à la Polonaise, garnished with muslin. High style with the pouf and egret. Accessories: cord around the neck, bracelets, rings, chatelaine, shoes with heels and buckles. For Drawing for Gallerie des Modes et Costumes Francais, 1778, 7th cahier, G.39: Petite mistress and Robe à la Polonaise toile peinte garnie muslin, lisant une lettre. Manufacturer : artist: Pierre Thomas Le Clerc Date: approx 1778 Physical features: pen in black ink, brush and brown material: paper ink technology: pen / brush

Store of new French and English modes, November 10, 1787, 36th notebook, 2nd year, pl. 2, A.B. Duhamel, after Defraine, 1787 Woman in a dress of light-purple 'pékin', 'coupée à l'Anglaise'. Apple -green body and apple -green long gloves. A fichu around the neck. Accessories: 'Demi-Bonnette' decorated with ribbons and rosette, walking stick, chatelaine. The print is part of the 36th Cahier, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. h Stock Photo

RM2WEHYY7–Store of new French and English modes, November 10, 1787, 36th notebook, 2nd year, pl. 2, A.B. Duhamel, after Defraine, 1787 Woman in a dress of light-purple 'pékin', 'coupée à l'Anglaise'. Apple -green body and apple -green long gloves. A fichu around the neck. Accessories: 'Demi-Bonnette' decorated with ribbons and rosette, walking stick, chatelaine. The print is part of the 36th Cahier, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. h

Carte-de-visite of Miss Thiele shown in half portrait. Her body is facing the camera, but her head is turned one quarter to her left and she looks off camera. Her hair is gathered at the back of her head and hanging down in large ringlets. She wears a dark colored bodice with a ruffled white lace collar and a white ruffled ribbon at her front neck. A chatelaine is pinned at her front neck with a watch visible and a longer chain hanging down with an object at the end that is out of frame.;The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the p Stock Photo

RM2G4GWAB–Carte-de-visite of Miss Thiele shown in half portrait. Her body is facing the camera, but her head is turned one quarter to her left and she looks off camera. Her hair is gathered at the back of her head and hanging down in large ringlets. She wears a dark colored bodice with a ruffled white lace collar and a white ruffled ribbon at her front neck. A chatelaine is pinned at her front neck with a watch visible and a longer chain hanging down with an object at the end that is out of frame.;The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the p

Gallerie of French modes and costumes, 1785, nr. 5, nr. 9, Kopie Naar G 39: Little Mistress in the Polish dress (...)., C. 1785 A fashionable young woman or 'petite maitresse', reading a letter. She is dressed in a Robe à la polonaise of painted fabric, garnished with muslin. Hals and Sabot. On the head a hat or pouf with aigrette. Further accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Copy to G 39 from series G. 7th Cahier de Costumes Français, 1re Suite d'Habillemens de Femmes à la Mode, Gallerie des Modes et Costumes Français. paper engraving Stock Photo

RM2WEMP6T–Gallerie of French modes and costumes, 1785, nr. 5, nr. 9, Kopie Naar G 39: Little Mistress in the Polish dress (...)., C. 1785 A fashionable young woman or 'petite maitresse', reading a letter. She is dressed in a Robe à la polonaise of painted fabric, garnished with muslin. Hals and Sabot. On the head a hat or pouf with aigrette. Further accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Copy to G 39 from series G. 7th Cahier de Costumes Français, 1re Suite d'Habillemens de Femmes à la Mode, Gallerie des Modes et Costumes Français. paper engraving

Carte-de-visite of Anna M. Stanton shown in full portrait. Stanton is standing with her body turned to the side and her left side foremost. Her head is turned to the camera. She wears her hair parted at the center and gathered into an updo behind her head. She has on a dark colored bodice and a bustle skirt. A chatelaine or watch chain is visible hanging from her chest down underneath her left arm. She is standing in front of an interior backdrop painted with a parlor mantel and draperies. Her hands are resting on top of each other on the top of the back of a carved armchair with a tufted padd Stock Photo

RM2G4GT5C–Carte-de-visite of Anna M. Stanton shown in full portrait. Stanton is standing with her body turned to the side and her left side foremost. Her head is turned to the camera. She wears her hair parted at the center and gathered into an updo behind her head. She has on a dark colored bodice and a bustle skirt. A chatelaine or watch chain is visible hanging from her chest down underneath her left arm. She is standing in front of an interior backdrop painted with a parlor mantel and draperies. Her hands are resting on top of each other on the top of the back of a carved armchair with a tufted padd

Gallerie des Modes, Pierre Thomas Le Clerc, c. 1778 drawing Young woman who reads a letter, dressed in a Robe à la polonaise, garnished with muslin. High hairstyle with 'Pouf and Aigrette'. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Setter for Gallerie des Modes et Costumes Francais, 1778, 7th Cahier, G.39: Petite Maitresse and Robe à la polonaise de Toile Peinte Garnie de Mousseline, Lisant Une Lettre. paper. ink pen / brush fashion plates. dress, gown: robe à la polonaise. head-gear (POUF) (+ women's clothes). skirt. shoes, sandals (+ women Stock Photo

RM2WGWETC–Gallerie des Modes, Pierre Thomas Le Clerc, c. 1778 drawing Young woman who reads a letter, dressed in a Robe à la polonaise, garnished with muslin. High hairstyle with 'Pouf and Aigrette'. Accessories: cord around the neck, bracelets, ring, chatelaine, shoes with heels and buckles. Setter for Gallerie des Modes et Costumes Francais, 1778, 7th Cahier, G.39: Petite Maitresse and Robe à la polonaise de Toile Peinte Garnie de Mousseline, Lisant Une Lettre. paper. ink pen / brush fashion plates. dress, gown: robe à la polonaise. head-gear (POUF) (+ women's clothes). skirt. shoes, sandals (+ women

Carte-de-visite of Caroline "Carrie" N. Lacy shown in full portrait. Lacy stands with her body facing one quarter to her right but her face is turned straight to the camera. Her right hand resting on the back of a carved Gothic revival style side chair. Her left hand is at her side and she is holding a black beaver hat with a heavily embellished ruffled lace hat band. Her hair is parted at the center and braided on the sides extending to the nape of her neck. Her cheeks and lips are tinted pink. She wears a dark colored dress and a dark cloak over it. A chatelaine is pinned at her fr Stock Photo

RM2G4GR02–Carte-de-visite of Caroline "Carrie" N. Lacy shown in full portrait. Lacy stands with her body facing one quarter to her right but her face is turned straight to the camera. Her right hand resting on the back of a carved Gothic revival style side chair. Her left hand is at her side and she is holding a black beaver hat with a heavily embellished ruffled lace hat band. Her hair is parted at the center and braided on the sides extending to the nape of her neck. Her cheeks and lips are tinted pink. She wears a dark colored dress and a dark cloak over it. A chatelaine is pinned at her fr

Store of new French and English modes, October 20, 1787, 34th notebook, 2nd year, pl. 1, A.B. Duhamel, after Defraine, 1787 Standing woman dressed in a pier rot with dot pattern and a body 'à patte' of white (?) Silk. Skirt with the same dot pattern. A fichu around the neck. Accessories: 'Chapeau à la Theodore', long yellow gloves, fan, chatelaine. The print is part of the 34th Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, 20 Novembre 1786 - 21 Décembre 1789. paper engraving fashion pla Stock Photo

RM2WEJ75R–Store of new French and English modes, October 20, 1787, 34th notebook, 2nd year, pl. 1, A.B. Duhamel, after Defraine, 1787 Standing woman dressed in a pier rot with dot pattern and a body 'à patte' of white (?) Silk. Skirt with the same dot pattern. A fichu around the neck. Accessories: 'Chapeau à la Theodore', long yellow gloves, fan, chatelaine. The print is part of the 34th Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, 20 Novembre 1786 - 21 Décembre 1789. paper engraving fashion pla

Euphrosyne, magazine for the Hollandsche Kluity, 1832: Hollandsche Kluefragt, No. 12: Dressed costume.woman, standing in front of a round table, dressed in a 'dressed costume'. Accessories: Diadem, Brooch, Chatelaine, Bag (?), Shoes. Print from the Dutch Fashion Magazine Euphrosyne (Jan - Oct 1832). Stock Photo

RM2F281BE–Euphrosyne, magazine for the Hollandsche Kluity, 1832: Hollandsche Kluefragt, No. 12: Dressed costume.woman, standing in front of a round table, dressed in a 'dressed costume'. Accessories: Diadem, Brooch, Chatelaine, Bag (?), Shoes. Print from the Dutch Fashion Magazine Euphrosyne (Jan - Oct 1832).

Almanakprentje uit 1789: Staande man en vrouw op de rug gezien.Running man and woman, seen on the back. The man wears a frak, knee pants and stockings. Accessories: stitch and boots. The woman wears a striped dress with trail and a skirt topped with a wrinkled strip. Accessories: hat with large feathers and dependent slips, chatelaine. Stock Photo

RM2F290E6–Almanakprentje uit 1789: Staande man en vrouw op de rug gezien.Running man and woman, seen on the back. The man wears a frak, knee pants and stockings. Accessories: stitch and boots. The woman wears a striped dress with trail and a skirt topped with a wrinkled strip. Accessories: hat with large feathers and dependent slips, chatelaine.

Carte-de-visite of American inventor Nancy Maria Donaldson Johnson (1794-1890) who was awarded the first US patent for a hand-cranked ice cream freezer in 1843. She is shown in half portrait, turned one quarter to her right and looks off frame. Her hair is parted at the center and smoothed down to just above her ears where it is curled in ringlets. She wears an ornate lace and ribbon cap with lace tails on the back part of her head. She has on a dark colored bodice with a black velvet yoke embellishment, a white lace collar, and a chatelaine is pinned at her center front neck with the chain ex Stock Photo

RM2G4GW91–Carte-de-visite of American inventor Nancy Maria Donaldson Johnson (1794-1890) who was awarded the first US patent for a hand-cranked ice cream freezer in 1843. She is shown in half portrait, turned one quarter to her right and looks off frame. Her hair is parted at the center and smoothed down to just above her ears where it is curled in ringlets. She wears an ornate lace and ribbon cap with lace tails on the back part of her head. She has on a dark colored bodice with a black velvet yoke embellishment, a white lace collar, and a chatelaine is pinned at her center front neck with the chain ex

Journal des Luxus und der Moden, 1794, T 17.Young German woman dressed in 'volleg anzuge'. She is wearing a dress with trail, deposited with two wrinkled strips of fabric. Skirt, at the zoom a decorative tire with flower pattern. FICHU. Accessories: Hair band (?) With feathers, chatelaine with timepiece and medallion, impeller. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Stock Photo

RM2F27DKY–Journal des Luxus und der Moden, 1794, T 17.Young German woman dressed in 'volleg anzuge'. She is wearing a dress with trail, deposited with two wrinkled strips of fabric. Skirt, at the zoom a decorative tire with flower pattern. FICHU. Accessories: Hair band (?) With feathers, chatelaine with timepiece and medallion, impeller. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.

Woman with chatelaine Stock Photos and Images

Woman with chatelaine Stock Photos and Images

Download Confirmation

Password Confirmation

Search Results for Woman with chatelaine Stock Photos and Images (114)

Filter by agency collections

Search builder

Get great features with your free account

Get inspired for your next project!

Download Confirmation

Password Confirmation