Yale museum of british art Stock Photos and Images
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Yale museum of british art Stock Photos and Images
Long Gallery in the Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/long-gallery-in-the-yale-center-for-british-art-new-haven-connecticut-usa-image329230181.htmlRM2A3HMCN–Long Gallery in the Yale Center for British Art, New Haven, Connecticut, USA
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733813.htmlRMP8D8HW–British Museum in New Haven CT
The entrance of the Yale Center for British Art in New Haven, Conn., with a sculpture by Barbara Hepworth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entrance-of-the-yale-center-for-british-art-in-new-haven-conn-22457244.htmlRMB8F0CC–The entrance of the Yale Center for British Art in New Haven, Conn., with a sculpture by Barbara Hepworth.
Yale Center For British Art, New Haven, United States, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-united-states-1974-23771035.htmlRMBAJT5F–Yale Center For British Art, New Haven, United States, 1974
The Yale Center for British Art in New Haven, Conn. was the last building designed by Louis Kahn. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-yale-center-for-british-art-in-new-haven-conn-was-the-last-building-24524579.htmlRMBBW59R–The Yale Center for British Art in New Haven, Conn. was the last building designed by Louis Kahn.
Lobby, Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lobby-yale-center-for-british-art-new-haven-connecticut-usa-13284223.htmlRMAD2K1M–Lobby, Yale Center for British Art, New Haven, Connecticut, USA
The entrance of the Yale Center for British Art in New Haven, Conn. with a sculpture by Barbara Hepworth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entrance-of-the-yale-center-for-british-art-in-new-haven-conn-22457225.htmlRMB8F0BN–The entrance of the Yale Center for British Art in New Haven, Conn. with a sculpture by Barbara Hepworth.
William Hogarth, Self-portrait (c. 1735, Yale Center for British Art) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-hogarth-self-portrait-c-1735-yale-center-for-british-art-132625152.htmlRMHKNGMG–William Hogarth, Self-portrait (c. 1735, Yale Center for British Art)
William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-hogarth-serjeant-painter-to-his-majesty-artist-william-hogarth-british-london-1697-1764-london-dimensions-sheet-15-1516-x-15-34-in-405-x-40-cm-date-1764-museum-metropolitan-museum-of-art-new-york-usa-image225416560.htmlRMR2MH3C–William Hogarth, Serjeant Painter to His Majesty. Artist: William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 15 15/16 x 15 3/4 in. (40.5 x 40 cm). Date: 1764. Museum: Metropolitan Museum of Art, New York, USA.
B Gennari II Cleopatra Yale Center for British Art New Haven Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-b-gennari-ii-cleopatra-yale-center-for-british-art-new-haven-132603072.htmlRMHKMGG0–B Gennari II Cleopatra Yale Center for British Art New Haven
. Français : « La Paix embrassant l'Abondance », huile sur bois, appartenant au Centre d'art britannique de Yale de New Haven (Connecticut) - Paul Mellon Collection, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens. English: 'The Peace embracing the Abundance', oil on wood belonging to the Center for British Art Yale New Haven (Connecticut ) - Paul Mellon Collection, photographed during the exhibition 'Rubens and His Times' at the Louvre-Lens Museum. Peace Embracing Plenty. between 1632 and 1633. 0 La Paix embrassant l'Abondance - P.P Rubens - Yal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/franais-la-paix-embrassant-labondance-huile-sur-bois-appartenant-au-centre-dart-britannique-de-yale-de-new-haven-connecticut-paul-mellon-collection-photographie-lors-de-lexposition-temporaire-rubens-et-son-temps-au-muse-du-louvre-lens-english-the-peace-embracing-the-abundance-oil-on-wood-belonging-to-the-center-for-british-art-yale-new-haven-connecticut-paul-mellon-collection-photographed-during-the-exhibition-rubens-and-his-times-at-the-louvre-lens-museum-peace-embracing-plenty-between-1632-and-1633-0-la-paix-embrassant-labondance-pp-rubens-yal-image184838434.htmlRMMMM38J–. Français : « La Paix embrassant l'Abondance », huile sur bois, appartenant au Centre d'art britannique de Yale de New Haven (Connecticut) - Paul Mellon Collection, photographiée lors de l’exposition temporaire « Rubens et son Temps » au musée du Louvre-Lens. English: 'The Peace embracing the Abundance', oil on wood belonging to the Center for British Art Yale New Haven (Connecticut ) - Paul Mellon Collection, photographed during the exhibition 'Rubens and His Times' at the Louvre-Lens Museum. Peace Embracing Plenty. between 1632 and 1633. 0 La Paix embrassant l'Abondance - P.P Rubens - Yal
Etching: St Agnes of Intercession, 1850. Artist: John Everett Millais. This is the earliest known etching by Millais, originally intended for the fifth issue of the Pre-Raphaelite journal 'The Germ' but never used. The scene from a story by Rossetti shows a fifteenth century artist painting the portrait of his dying lover. Three impressions are known to date, now in The Victoria and Albert Museum, Yale Centre for British Art and this Birmingham impression, mounted beside the reversed preparatory drawing. In the transference to the etching plate, the design appears to have moved closer to Rosse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-st-agnes-of-intercession-1850-artist-john-everett-millais-this-is-the-earliest-known-etching-by-millais-originally-intended-for-the-fifth-issue-of-the-pre-raphaelite-journal-the-germ-but-never-used-the-scene-from-a-story-by-rossetti-shows-a-fifteenth-century-artist-painting-the-portrait-of-his-dying-lover-three-impressions-are-known-to-date-now-in-the-victoria-and-albert-museum-yale-centre-for-british-art-and-this-birmingham-impression-mounted-beside-the-reversed-preparatory-drawing-in-the-transference-to-the-etching-plate-the-design-appears-to-have-moved-closer-to-rosse-image551018723.htmlRM2R0D203–Etching: St Agnes of Intercession, 1850. Artist: John Everett Millais. This is the earliest known etching by Millais, originally intended for the fifth issue of the Pre-Raphaelite journal 'The Germ' but never used. The scene from a story by Rossetti shows a fifteenth century artist painting the portrait of his dying lover. Three impressions are known to date, now in The Victoria and Albert Museum, Yale Centre for British Art and this Birmingham impression, mounted beside the reversed preparatory drawing. In the transference to the etching plate, the design appears to have moved closer to Rosse
Yale Center for British Art Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-building-designed-by-louis-i-kahn-new-image9177239.htmlRMARHMW8–Yale Center for British Art Building designed by Louis I Kahn New Haven Connecticut
Ceres pleading with Jove for the Return of Prosperpina: Ovid, Metamorphoses, Book V 1713–33 Thomas Carwitham British Carwithan worked as a decorative painter in early 18th century England, and here represents Ceres kneeling before Jove. At right, a dog that retreats over the cloud evokes Hades. An inscription identifies the source as Ovid’s 'Metamorphoses,' book 5, which recounts Pluto's abduction of Proserpina into the Underworld, and Ceres's subsequent appeal for her daughter's return. Similar drawings at the Yale Center for British Art, British Museum, and Tate Britain suggest that Carwitha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceres-pleading-with-jove-for-the-return-of-prosperpina-ovid-metamorphoses-book-v-171333-thomas-carwitham-british-carwithan-worked-as-a-decorative-painter-in-early-18th-century-england-and-here-represents-ceres-kneeling-before-jove-at-right-a-dog-that-retreats-over-the-cloud-evokes-hades-an-inscription-identifies-the-source-as-ovids-metamorphoses-book-5-which-recounts-plutos-abduction-of-proserpina-into-the-underworld-and-ceress-subsequent-appeal-for-her-daughters-return-similar-drawings-at-the-yale-center-for-british-art-british-museum-and-tate-britain-suggest-that-carwitha-image458521070.htmlRM2HHYC8E–Ceres pleading with Jove for the Return of Prosperpina: Ovid, Metamorphoses, Book V 1713–33 Thomas Carwitham British Carwithan worked as a decorative painter in early 18th century England, and here represents Ceres kneeling before Jove. At right, a dog that retreats over the cloud evokes Hades. An inscription identifies the source as Ovid’s 'Metamorphoses,' book 5, which recounts Pluto's abduction of Proserpina into the Underworld, and Ceres's subsequent appeal for her daughter's return. Similar drawings at the Yale Center for British Art, British Museum, and Tate Britain suggest that Carwitha
'A Book Auction', c1810. Artists: Otto Limited, Thomas Rowlandson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-book-auction-c1810-artists-otto-limited-thomas-rowlandson-135245285.htmlRMHT0XMN–'A Book Auction', c1810. Artists: Otto Limited, Thomas Rowlandson.
Roubiliac with the Model for Garrick's Shakespeare (Walpole's 'Anecdotes of Painting in England,' vol. 4) 1827 James William Cook The leading French-born sculptor Roubiliac worked in London from 1730 and here models Shakespeare in clay. The engraving is based on a lively painting by Carpantiers (National Portrait Gallery, London and Yale Center for British Art), and versions of the model are preserved at the Victoria and Albert Museum and Folger Shakespeare, Library. In 1758, a related life-size marble was installed in David Garrick’s Temple to Shakespeare at Hampton on the Thames near Twicken Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roubiliac-with-the-model-for-garricks-shakespeare-walpoles-anecdotes-of-painting-in-england-vol-4-1827-james-william-cook-the-leading-french-born-sculptor-roubiliac-worked-in-london-from-1730-and-here-models-shakespeare-in-clay-the-engraving-is-based-on-a-lively-painting-by-carpantiers-national-portrait-gallery-london-and-yale-center-for-british-art-and-versions-of-the-model-are-preserved-at-the-victoria-and-albert-museum-and-folger-shakespeare-library-in-1758-a-related-life-size-marble-was-installed-in-david-garricks-temple-to-shakespeare-at-hampton-on-the-thames-near-twicken-image457871294.htmlRM2HGWRE6–Roubiliac with the Model for Garrick's Shakespeare (Walpole's 'Anecdotes of Painting in England,' vol. 4) 1827 James William Cook The leading French-born sculptor Roubiliac worked in London from 1730 and here models Shakespeare in clay. The engraving is based on a lively painting by Carpantiers (National Portrait Gallery, London and Yale Center for British Art), and versions of the model are preserved at the Victoria and Albert Museum and Folger Shakespeare, Library. In 1758, a related life-size marble was installed in David Garrick’s Temple to Shakespeare at Hampton on the Thames near Twicken
Study of Hollyhocks;Hollyhocks, ca. 1826. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-hollyhockshollyhocks-ca-1826-image415167927.htmlRM2F3CEWY–Study of Hollyhocks;Hollyhocks, ca. 1826.
'A Book Auction', c1810. Artists: Otto Limited, Thomas Rowlandson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-book-auction-c1810-artists-otto-limited-thomas-rowlandson-image262784663.htmlRMW7ETEF–'A Book Auction', c1810. Artists: Otto Limited, Thomas Rowlandson.
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733834.htmlRMP8D8JJ–British Museum in New Haven CT
Yale Center For British Art, New Haven, United States, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-united-states-1974-23771052.htmlRMBAJT64–Yale Center For British Art, New Haven, United States, 1974
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13284923.htmlRMAD2N3T–Yale Center for British Art, New Haven, Connecticut, USA
The Good Samaritan (St. Luke, Chap. 10, verse 30). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Plate: 16 3/4 x 22 5/16 in. (42.5 x 56.7 cm) Small lower plate: 2 5/16 x 22 5/16 in. (5.8 x 56.7 cm) Sheet: 19 7/8 x 23 in. (50.5 x 58.4 cm). Engraver: Simon Francis Ravenet, the elder (French, 1706-1774); Jean Marie Delattre (French, Abbeville 1745-1840 Fulham, London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: February 24,1772. Museum: Metropolitan Museum of Art, New York, USA. Author: after William Hogarth. Simon François Ravenet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-good-samaritan-st-luke-chap-10-verse-30-artist-after-william-hogarth-british-london-1697-1764-london-dimensions-plate-16-34-x-22-516-in-425-x-567-cm-small-lower-plate-2-516-x-22-516-in-58-x-567-cm-sheet-19-78-x-23-in-505-x-584-cm-engraver-simon-francis-ravenet-the-elder-french-1706-1774-jean-marie-delattre-french-abbeville-1745-1840-fulham-london-publisher-john-josiah-boydell-british-1786-1804-date-february-241772-museum-metropolitan-museum-of-art-new-york-usa-author-after-william-hogarth-simon-franois-ravenet-image225415722.htmlRMR2MG1E–The Good Samaritan (St. Luke, Chap. 10, verse 30). Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Plate: 16 3/4 x 22 5/16 in. (42.5 x 56.7 cm) Small lower plate: 2 5/16 x 22 5/16 in. (5.8 x 56.7 cm) Sheet: 19 7/8 x 23 in. (50.5 x 58.4 cm). Engraver: Simon Francis Ravenet, the elder (French, 1706-1774); Jean Marie Delattre (French, Abbeville 1745-1840 Fulham, London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: February 24,1772. Museum: Metropolitan Museum of Art, New York, USA. Author: after William Hogarth. Simon François Ravenet.
Five Visionary Heads (Heads of Women) 270x324mm Yale Center for British Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-five-visionary-heads-heads-of-women-270x324mm-yale-center-for-british-132690331.htmlRMHKTFTB–Five Visionary Heads (Heads of Women) 270x324mm Yale Center for British Art
Interior of Yale Center for British Art Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-yale-center-for-british-art-building-designed-by-louis-image9177216.htmlRMARHMT1–Interior of Yale Center for British Art Building designed by Louis I Kahn New Haven Connecticut
Cloud Study;Study of Cumulous Clouds;Cumulus Clouds, 1822. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cloud-studystudy-of-cumulous-cloudscumulus-clouds-1822-image415166741.htmlRM2F3CDBH–Cloud Study;Study of Cumulous Clouds;Cumulus Clouds, 1822.
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733847.htmlRMP8D8K3–British Museum in New Haven CT
Yale Center For British Art, New Haven, United States, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-united-states-1974-23770977.htmlRMBAJT3D–Yale Center For British Art, New Haven, United States, 1974
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13217988.htmlRMACRHWW–Yale Center for British Art, New Haven, Connecticut, USA
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13217932.htmlRMACRHNH–Yale Center for British Art, New Haven, Connecticut, USA
The Feast of Belshazzar. Museum: Yale Center for British Art. Author: MARTIN, JOHN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-feast-of-belshazzar-museum-yale-center-for-british-art-author-martin-john-image231910396.htmlRMRD8C24–The Feast of Belshazzar. Museum: Yale Center for British Art. Author: MARTIN, JOHN.
Flying Bees - from Jerusalem Copy E 1821 Yale Center for British Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flying-bees-from-jerusalem-copy-e-1821-yale-center-for-british-art-132690806.htmlRMHKTGDA–Flying Bees - from Jerusalem Copy E 1821 Yale Center for British Art
0 La Paix embrassant l'Abondance - P.P Rubens - Yale center for British Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-0-la-paix-embrassant-labondance-pp-rubens-yale-center-for-british-132573528.htmlRMHKK6TT–0 La Paix embrassant l'Abondance - P.P Rubens - Yale center for British Art
Interior of Yale Center for British Art Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-yale-center-for-british-art-building-designed-by-louis-image9177219.htmlRMARHMT4–Interior of Yale Center for British Art Building designed by Louis I Kahn New Haven Connecticut
America a Prophecy copy M c 1807 Yale Center for British Art object 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-america-a-prophecy-copy-m-c-1807-yale-center-for-british-art-object-132601663.htmlRMHKMENK–America a Prophecy copy M c 1807 Yale Center for British Art object 1
Cloud Study;Study of Cumulus Clouds;Looking Southward;Study of Cumulus Clouds, 1822. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cloud-studystudy-of-cumulus-cloudslooking-southwardstudy-of-cumulus-clouds-1822-image415166731.htmlRM2F3CDB7–Cloud Study;Study of Cumulus Clouds;Looking Southward;Study of Cumulus Clouds, 1822.
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733812.htmlRMP8D8HT–British Museum in New Haven CT
Yale Center For British Art, New Haven, United States, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-united-states-1974-23770876.htmlRMBAJRYT–Yale Center For British Art, New Haven, United States, 1974
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13393939.htmlRMADE9GM–Yale Center for British Art, New Haven, Connecticut, USA
The First Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-first-stage-of-cruelty-dated-1751-medium-etching-and-engraving-museum-national-gallery-of-art-washington-dc-author-william-hogarth-image225733186.htmlRMR370YE–The First Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.
Yale Center for British Art with a visitor Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-visitor-building-designed-by-louis-image9177242.htmlRMARHMWB–Yale Center for British Art with a visitor Building designed by Louis I Kahn New Haven Connecticut
America a Prophecy copy M c 1807 Yale Center for British Art object 10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-america-a-prophecy-copy-m-c-1807-yale-center-for-british-art-object-132592272.htmlRMHKM2P8–America a Prophecy copy M c 1807 Yale Center for British Art object 10
Cornelis Janssens van Ceulen, Portrait of a Man, Probably Sir Francis Godolphin (1633, Yale Center for British Art) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cornelis-janssens-van-ceulen-portrait-of-a-man-probably-sir-francis-132673373.htmlRMHKRP6N–Cornelis Janssens van Ceulen, Portrait of a Man, Probably Sir Francis Godolphin (1633, Yale Center for British Art)
Samson Slaying a Philistine, between 1740 and 1770. after Giambologna Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samson-slaying-a-philistine-between-1740-and-1770-after-giambologna-image415166986.htmlRM2F3CDMA–Samson Slaying a Philistine, between 1740 and 1770. after Giambologna
For the Sexes The Gates of Paradise copy D object 9-Alas-Yale Center for British Art, Paul Mellon Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-for-the-sexes-the-gates-of-paradise-copy-d-object-9-alas-yale-center-132691513.htmlRMHKTHAH–For the Sexes The Gates of Paradise copy D object 9-Alas-Yale Center for British Art, Paul Mellon Collection
Rolland Lefebvre, The Young Widow (c. 1665, Yale Center for British Art) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rolland-lefebvre-the-young-widow-c-1665-yale-center-for-british-art-134880535.htmlRMHRC9DY–Rolland Lefebvre, The Young Widow (c. 1665, Yale Center for British Art)
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733833.htmlRMP8D8JH–British Museum in New Haven CT
Yale Center For British Art, New Haven, United States, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-united-states-1974-23771019.htmlRMBAJT4Y–Yale Center For British Art, New Haven, United States, 1974
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13217927.htmlRMACRHMT–Yale Center for British Art, New Haven, Connecticut, USA
The Gargoyles, Stirling Castle. David Young Cameron; Scottish, 1865-1945. Date: 1898. Dimensions: 291 x 174 mm (plate); 405 x 250 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-gargoyles-stirling-castle-david-young-cameron-scottish-1865-1945-date-1898-dimensions-291-x-174-mm-plate-405-x-250-mm-sheet-etching-on-cream-laid-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631000267.htmlRM2YJGF7R–The Gargoyles, Stirling Castle. David Young Cameron; Scottish, 1865-1945. Date: 1898. Dimensions: 291 x 174 mm (plate); 405 x 250 mm (sheet). Etching on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13227906.htmlRMACTKCK–Yale Center for British Art, New Haven, Connecticut, USA
Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-statue-building-designed-by-louis-image9177230.htmlRMARHMTF–Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut
Figures in a Tavern or Coffee House;The Coffee House Politicians;Figures in a Coffee-House, ca. 1725 or after 1750. Formerly attributed to William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figures-in-a-tavern-or-coffee-housethe-coffee-house-politiciansfigures-in-a-coffee-house-ca-1725-or-after-1750-formerly-attributed-to-william-hogarth-image415167252.htmlRM2F3CE1T–Figures in a Tavern or Coffee House;The Coffee House Politicians;Figures in a Coffee-House, ca. 1725 or after 1750. Formerly attributed to William Hogarth.
Thomas Hudson, The Thistlethwayte Family (c. 1758, Yale Center for British Art) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-thomas-hudson-the-thistlethwayte-family-c-1758-yale-center-for-british-134797608.htmlRMHR8FM8–Thomas Hudson, The Thistlethwayte Family (c. 1758, Yale Center for British Art)
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733825.htmlRMP8D8J9–British Museum in New Haven CT
Songs of Innocence copy G 1789 Yale Center for British Art object 4 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-object-134798792.htmlRMHR8H6G–Songs of Innocence copy G 1789 Yale Center for British Art object 4
Yale Center For British Art, New Haven, United States, 1974 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-united-states-1974-23770917.htmlRMBAJT19–Yale Center For British Art, New Haven, United States, 1974
Place Plumereau, Tours. David Young Cameron; Scottish, 1865-1945. Date: 1902-1903. Dimensions: 220 x 184 mm (plate); 283 x 217 mm (sheet). Etching and drypoint on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/place-plumereau-tours-david-young-cameron-scottish-1865-1945-date-1902-1903-dimensions-220-x-184-mm-plate-283-x-217-mm-sheet-etching-and-drypoint-on-cream-laid-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631000976.htmlRM2YJGG54–Place Plumereau, Tours. David Young Cameron; Scottish, 1865-1945. Date: 1902-1903. Dimensions: 220 x 184 mm (plate); 283 x 217 mm (sheet). Etching and drypoint on cream laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Yale Center for British Art, New Haven, Connecticut, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-connecticut-usa-13217920.htmlRMACRHMH–Yale Center for British Art, New Haven, Connecticut, USA
Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-statue-building-designed-by-louis-image9177225.htmlRMARHMTA–Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut
The Brothers Clarke with Other Gentlemen Taking Wine, between 1730 and 1735. Formerly attributed to William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-brothers-clarke-with-other-gentlemen-taking-wine-between-1730-and-1735-formerly-attributed-to-william-hogarth-image415167010.htmlRM2F3CDN6–The Brothers Clarke with Other Gentlemen Taking Wine, between 1730 and 1735. Formerly attributed to William Hogarth.
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733839.htmlRMP8D8JR–British Museum in New Haven CT
Songs of Innocence copy G 1789 Yale Center for British Art object 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-object-134798790.htmlRMHR8H6E–Songs of Innocence copy G 1789 Yale Center for British Art object 3
Cour des bons Enfants, Rouen. David Young Cameron; Scottish, 1865-1945. Date: 1897. Dimensions: 231 x 317 mm (plate); 255 x 340 mm (sheet). Etching on buff laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cour-des-bons-enfants-rouen-david-young-cameron-scottish-1865-1945-date-1897-dimensions-231-x-317-mm-plate-255-x-340-mm-sheet-etching-on-buff-laid-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631000995.htmlRM2YJGG5R–Cour des bons Enfants, Rouen. David Young Cameron; Scottish, 1865-1945. Date: 1897. Dimensions: 231 x 317 mm (plate); 255 x 340 mm (sheet). Etching on buff laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-statue-building-designed-by-louis-image9177227.htmlRMARHMTC–Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut
A Club of Gentlemen, ca. 1730. Formerly attributed to William Hogarth. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-club-of-gentlemen-ca-1730-formerly-attributed-to-william-hogarth-image415167263.htmlRM2F3CE27–A Club of Gentlemen, ca. 1730. Formerly attributed to William Hogarth.
British Museum in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-in-new-haven-ct-image211733819.htmlRMP8D8J3–British Museum in New Haven CT
Songs of Innocence copy G 1789 Yale Center for British Art object 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-object-134798787.htmlRMHR8H6B–Songs of Innocence copy G 1789 Yale Center for British Art object 1
Yale Center for British Art New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-new-haven-ct-72863562.htmlRME6F662–Yale Center for British Art New Haven CT
Yale Center for British Art in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-in-new-haven-ct-49715833.htmlRMCTTN1D–Yale Center for British Art in New Haven CT
St. Aignan, Chartres. David Young Cameron; Scottish, 1865-1945. Date: 1916. Dimensions: 241 x 112 mm (image/plate); 303 x 195 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-aignan-chartres-david-young-cameron-scottish-1865-1945-date-1916-dimensions-241-x-112-mm-imageplate-303-x-195-mm-sheet-etching-and-drypoint-on-ivory-laid-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631000787.htmlRM2YJGFXB–St. Aignan, Chartres. David Young Cameron; Scottish, 1865-1945. Date: 1916. Dimensions: 241 x 112 mm (image/plate); 303 x 195 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-statue-building-designed-by-louis-image9177233.htmlRMARHMW2–Yale Center for British Art with a statue Building designed by Louis I Kahn New Haven Connecticut
Stonehenge at Sunset;Stonehenge, 1836. after John Constable Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stonehenge-at-sunsetstonehenge-1836-after-john-constable-image415166793.htmlRM2F3CDDD–Stonehenge at Sunset;Stonehenge, 1836. after John Constable
Songs of Innocence copy G 1789 Yale Center for British Art object 2 Title Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-object-134798788.htmlRMHR8H6C–Songs of Innocence copy G 1789 Yale Center for British Art object 2 Title
Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) - SE - Intro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-and-of-experience-copy-l-1795-yale-center-for-british-134788002.htmlRMHR83D6–Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) - SE - Intro
Yale Center for British Art in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-in-new-haven-ct-49715823.htmlRMCTTN13–Yale Center for British Art in New Haven CT
St. Merri. David Young Cameron; Scottish, 1865-1945. Date: 1906. Dimensions: 261 x 112 mm (image/plate); 289 x 138 mm (sheet). Etching and drypoint on cream Japanese paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-merri-david-young-cameron-scottish-1865-1945-date-1906-dimensions-261-x-112-mm-imageplate-289-x-138-mm-sheet-etching-and-drypoint-on-cream-japanese-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631000376.htmlRM2YJGFBM–St. Merri. David Young Cameron; Scottish, 1865-1945. Date: 1906. Dimensions: 261 x 112 mm (image/plate); 289 x 138 mm (sheet). Etching and drypoint on cream Japanese paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Yale Center for British Art with a statue and visitors Building designed by Louis I Kahn New Haven Connecticut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-statue-and-visitors-building-designed-image9177241.htmlRMARHMWA–Yale Center for British Art with a statue and visitors Building designed by Louis I Kahn New Haven Connecticut
Barge below Flatford Lock;Flatford Lock, ca. 1810. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/barge-below-flatford-lockflatford-lock-ca-1810-image415167621.htmlRM2F3CEF1–Barge below Flatford Lock;Flatford Lock, ca. 1810.
William Blake - Socrates, Butlin 714 c 1820 125x185mm - Yale Center for British Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-blake-socrates-butlin-714-c-1820-125x185mm-yale-center-for-134787920.htmlRMHR83A8–William Blake - Socrates, Butlin 714 c 1820 125x185mm - Yale Center for British Art
Yale Center for British Art in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-in-new-haven-ct-49715840.htmlRMCTTN1M–Yale Center for British Art in New Haven CT
Restaurant Cavalier, plate five from the Paris Set. David Young Cameron; Scottish, 1865-1945. Date: 1904. Dimensions: 204 x 230 mm (image/plate); 235 x 259 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/restaurant-cavalier-plate-five-from-the-paris-set-david-young-cameron-scottish-1865-1945-date-1904-dimensions-204-x-230-mm-imageplate-235-x-259-mm-sheet-etching-and-drypoint-on-ivory-laid-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631000888.htmlRM2YJGG20–Restaurant Cavalier, plate five from the Paris Set. David Young Cameron; Scottish, 1865-1945. Date: 1904. Dimensions: 204 x 230 mm (image/plate); 235 x 259 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Yale Center for British Art with a statue named William III designed by John Van Nost The Elder near the staircase Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yale-center-for-british-art-with-a-statue-named-william-iii-designed-image9177243.htmlRMARHMWC–Yale Center for British Art with a statue named William III designed by John Van Nost The Elder near the staircase
Reapers, 1795. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reapers-1795-image415166762.htmlRM2F3CDCA–Reapers, 1795.
Songs of Innocence, copy G, 1789 (Yale Center for British Art) object 9 The Blossom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-object-134798042.htmlRMHR8G7P–Songs of Innocence, copy G, 1789 (Yale Center for British Art) object 9 The Blossom
Yale Center for British Art in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-in-new-haven-ct-49715844.htmlRMCTTN1T–Yale Center for British Art in New Haven CT
Songs of Innocence, copy G, 1789 (Yale Center for British Art) 24-27 On Anothers Sorrow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-24-27-on-134798789.htmlRMHR8H6D–Songs of Innocence, copy G, 1789 (Yale Center for British Art) 24-27 On Anothers Sorrow
William Dobson, Portrait of a Family, Probably that of Richard Streatfeild (c. 1645, Yale Center for British Art) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-dobson-portrait-of-a-family-probably-that-of-richard-streatfeild-134797609.htmlRMHR8FM9–William Dobson, Portrait of a Family, Probably that of Richard Streatfeild (c. 1645, Yale Center for British Art)
Dinant, plate nine from the Belgian Set. David Young Cameron; Scottish, 1865-1945. Date: 1907. Dimensions: 200 x 355 mm (image/plate); 262 x 420 mm (sheet). Etching and drypoint on paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dinant-plate-nine-from-the-belgian-set-david-young-cameron-scottish-1865-1945-date-1907-dimensions-200-x-355-mm-imageplate-262-x-420-mm-sheet-etching-and-drypoint-on-paper-origin-scotland-museum-the-chicago-art-institute-florencia-usa-image631001113.htmlRM2YJGGA1–Dinant, plate nine from the Belgian Set. David Young Cameron; Scottish, 1865-1945. Date: 1907. Dimensions: 200 x 355 mm (image/plate); 262 x 420 mm (sheet). Etching and drypoint on paper. Origin: Scotland. Museum: The Chicago Art Institute, FLORENCIA, USA.
Songs of Innocence, copy G, 1789 (Yale Center for British Art) object 27-53 The School Boy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-copy-g-1789-yale-center-for-british-art-object-134790274.htmlRMHR86AA–Songs of Innocence, copy G, 1789 (Yale Center for British Art) object 27-53 The School Boy
White marble sculpture displayed in the entrance of Yale Center for British Art Building designed by Louis I Kahn New Haven Conn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-marble-sculpture-displayed-in-the-entrance-of-yale-center-for-image9177244.htmlRMARHMWD–White marble sculpture displayed in the entrance of Yale Center for British Art Building designed by Louis I Kahn New Haven Conn
Hunting Scene: Drawing the Cover;The Belvoir Hunt: Jumping into and out of a lane, ca. 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunting-scene-drawing-the-coverthe-belvoir-hunt-jumping-into-and-out-of-a-lane-ca-1840-image415167901.htmlRM2F3CEW1–Hunting Scene: Drawing the Cover;The Belvoir Hunt: Jumping into and out of a lane, ca. 1840.
Yale Center for British Art in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-in-new-haven-ct-49715809.htmlRMCTTN0H–Yale Center for British Art in New Haven CT
Labourers. Date/Period: 1789. Genre subject. Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper. Height: 524 mm (20.62 in); Width: 699 mm (27.51 in). Author: George Stubbs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/labourers-dateperiod-1789-genre-subject-etching-stipple-engraving-roulette-and-rocker-on-moderately-thick-slightly-textured-cream-wove-paper-height-524-mm-2062-in-width-699-mm-2751-in-author-george-stubbs-image233251574.htmlRMRFDENA–Labourers. Date/Period: 1789. Genre subject. Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper. Height: 524 mm (20.62 in); Width: 699 mm (27.51 in). Author: George Stubbs.
Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) object 41 The Chimney Sweeper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-and-of-experience-copy-l-1795-yale-center-for-british-134789442.htmlRMHR858J–Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) object 41 The Chimney Sweeper
The Tetrarch;The Racehorse, The Tetrarch, ca. 1913. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tetrarchthe-racehorse-the-tetrarch-ca-1913-image415167962.htmlRM2F3CEY6–The Tetrarch;The Racehorse, The Tetrarch, ca. 1913.
Yale Center for British Art in New Haven CT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yale-center-for-british-art-in-new-haven-ct-49715801.htmlRMCTTN09–Yale Center for British Art in New Haven CT
A Sleeping Leopard. Date/Period: 1791. Painting. Soft-ground etching with roulette on medium, slightly textured, cream wove paper. Height: 254 mm (10 in); Width: 349 mm (13.74 in). Author: George Stubbs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sleeping-leopard-dateperiod-1791-painting-soft-ground-etching-with-roulette-on-medium-slightly-textured-cream-wove-paper-height-254-mm-10-in-width-349-mm-1374-in-author-george-stubbs-image233254623.htmlRMRFDJJ7–A Sleeping Leopard. Date/Period: 1791. Painting. Soft-ground etching with roulette on medium, slightly textured, cream wove paper. Height: 254 mm (10 in); Width: 349 mm (13.74 in). Author: George Stubbs.
Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) Object 48 The Sick Rose Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-songs-of-innocence-and-of-experience-copy-l-1795-yale-center-for-british-134789486.htmlRMHR85A6–Songs of Innocence and of Experience, copy L, 1795 (Yale Center for British Art) Object 48 The Sick Rose
