Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-depicting-the-saints-innocents-cemetery-in-paris-around-the-year-1550-image255570287.html
RMTRP6E7–Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550
Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-engraving-depicting-the-saints-innocents-cemetery-in-paris-around-59097196.html
RMDC4324–Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550
Two young girls killed in Eveche de Bamberg, around the year 1550, Parallel Title: Two Young Daughters in Bisstum Bamberg killed, A nn o 1550, copperplate engraving, 61.), p. 131, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-young-girls-killed-in-eveche-de-bamberg-around-the-year-1550-parallel-title-two-young-daughters-in-bisstum-bamberg-killed-a-nn-o-1550-copperplate-engraving-61-p-131-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-image328763623.html
RM2A2TD9Y–Two young girls killed in Eveche de Bamberg, around the year 1550, Parallel Title: Two Young Daughters in Bisstum Bamberg killed, A nn o 1550, copperplate engraving, 61.), p. 131, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711
. English: Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 . end of 19th century. Th. Hoffbauer 470 Saints Innocents 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-engraving-depicting-the-saints-innocents-cemetery-in-paris-around-the-year-1550-end-of-19th-century-th-hoffbauer-470-saints-innocents-1550-image188742745.html
RMMY1Y89–. English: Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 . end of 19th century. Th. Hoffbauer 470 Saints Innocents 1550
Sea monster after Sebastian Münster's 'Cosmography' of the year 1550, 1902 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sea-monster-after-sebastian-mnsters-cosmography-of-the-year-1550-1902-image210963121.html
RMP765H5–Sea monster after Sebastian Münster's 'Cosmography' of the year 1550, 1902
blue 1550 number 3d effect white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-1550-number-3d-effect-white-background-image446948847.html
RF2GY47PR–blue 1550 number 3d effect white background
Engraved portrait of Martin Bautista de Lanuza, standing at a table, papers in his hands, wearing a wide collar and cuffs, captioned 'Justice of Aragon, wise judicial consultant, and most circumspect magistrate, Born in Hijar in the year 1550, and died in Zaragoza in 1622', 1791. From the New York Public Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-engraved-portrait-of-martin-bautista-de-lanuza-standing-at-a-table-166771065.html
RMKK925D–Engraved portrait of Martin Bautista de Lanuza, standing at a table, papers in his hands, wearing a wide collar and cuffs, captioned 'Justice of Aragon, wise judicial consultant, and most circumspect magistrate, Born in Hijar in the year 1550, and died in Zaragoza in 1622', 1791. From the New York Public Library.
Jacopo Tintoretto, Twenty-five year old Youth with Fur-lined Coat, portrait painting, circa 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacopo-tintoretto-twenty-five-year-old-youth-with-fur-lined-coat-portrait-painting-circa-1550-image256669179.html
RMTWG84B–Jacopo Tintoretto, Twenty-five year old Youth with Fur-lined Coat, portrait painting, circa 1550
Sea monster, sea hippopotamus, medieval engraving, year 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sea-monster-sea-hippopotamus-medieval-engraving-year-1550-148362622.html
RFJHAE12–Sea monster, sea hippopotamus, medieval engraving, year 1550
German city life around 1550, look at the workrooms, woodcut from the year 1885, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-german-city-life-around-1550-look-at-the-workrooms-woodcut-from-the-130224816.html
RFHFT728–German city life around 1550, look at the workrooms, woodcut from the year 1885, digital improved
Ocean with marine monster and animals on earth, fantastic medieval engraving, year 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ocean-with-marine-monster-and-animals-on-earth-fantastic-medieval-148362607.html
RFJHAE0F–Ocean with marine monster and animals on earth, fantastic medieval engraving, year 1550
Iran/Persia: The ascent of the Prophet Muhammad to heaven on the celestial mount Burak, c. 1550-1580. The Isra and Mi'raj are the two parts of a Night Journey that, according to Islamic tradition, the Prophet Muhammad took during a single night around the year 621. It is considered as both a physical and spiritual journey. A brief outline of the story is related in surah 17 'Al-Isra' of the Qur'an, and other details come from the Hadith, supplemental accounts of the life of the Prophet Muhammad recorded by his companions. In the journey, the Prophet travels on the celestial mount Al-Buraq. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iranpersia-the-ascent-of-the-prophet-muhammad-to-heaven-on-the-celestial-mount-burak-c-1550-1580-the-isra-and-miraj-are-the-two-parts-of-a-night-journey-that-according-to-islamic-tradition-the-prophet-muhammad-took-during-a-single-night-around-the-year-621-it-is-considered-as-both-a-physical-and-spiritual-journey-a-brief-outline-of-the-story-is-related-in-surah-17-al-isra-of-the-quran-and-other-details-come-from-the-hadith-supplemental-accounts-of-the-life-of-the-prophet-muhammad-recorded-by-his-companions-in-the-journey-the-prophet-travels-on-the-celestial-mount-al-buraq-image344240539.html
RM2B01E8Y–Iran/Persia: The ascent of the Prophet Muhammad to heaven on the celestial mount Burak, c. 1550-1580. The Isra and Mi'raj are the two parts of a Night Journey that, according to Islamic tradition, the Prophet Muhammad took during a single night around the year 621. It is considered as both a physical and spiritual journey. A brief outline of the story is related in surah 17 'Al-Isra' of the Qur'an, and other details come from the Hadith, supplemental accounts of the life of the Prophet Muhammad recorded by his companions. In the journey, the Prophet travels on the celestial mount Al-Buraq.
Photograph of painting: Bona the Queen, painting dated for the year 1550. unknown, photographer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photograph-of-painting-bona-the-queen-painting-dated-for-the-year-1550-unknown-photographer-image480445112.html
RM2JWJ4J0–Photograph of painting: Bona the Queen, painting dated for the year 1550. unknown, photographer
Portugal/India: Vasco da Gama (1460/1469 – 24 December 1524), Portuguese explorer and discoverer of the maritime route from Europe to India, in 1524, the last year of his life. Oil on oak panels painting, c. 1525-1550. Vasco da Gama was a Portuguese explorer, one of the most successful in the Age of Discovery, and the commander of the first ships to sail directly from Europe to India. Under the reign of King Manuel I, Portugal discovered Brazil in 1500. Meanwhile, da Gama set sail from Lisbon on July 8, 1497, with a fleet of four ships and 170 men, finally landing in India on May 20, 1498. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portugalindia-vasco-da-gama-14601469-24-december-1524-portuguese-explorer-and-discoverer-of-the-maritime-route-from-europe-to-india-in-1524-the-last-year-of-his-life-oil-on-oak-panels-painting-c-1525-1550-vasco-da-gama-was-a-portuguese-explorer-one-of-the-most-successful-in-the-age-of-discovery-and-the-commander-of-the-first-ships-to-sail-directly-from-europe-to-india-under-the-reign-of-king-manuel-i-portugal-discovered-brazil-in-1500-meanwhile-da-gama-set-sail-from-lisbon-on-july-8-1497-with-a-fleet-of-four-ships-and-170-men-finally-landing-in-india-on-may-20-1498-image344233154.html
RM2B014W6–Portugal/India: Vasco da Gama (1460/1469 – 24 December 1524), Portuguese explorer and discoverer of the maritime route from Europe to India, in 1524, the last year of his life. Oil on oak panels painting, c. 1525-1550. Vasco da Gama was a Portuguese explorer, one of the most successful in the Age of Discovery, and the commander of the first ships to sail directly from Europe to India. Under the reign of King Manuel I, Portugal discovered Brazil in 1500. Meanwhile, da Gama set sail from Lisbon on July 8, 1497, with a fleet of four ships and 170 men, finally landing in India on May 20, 1498.
Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yuriria-mexico-may-26-2024-exterior-view-of-the-former-augustinian-convent-of-san-pablo-built-in-the-year-1550-image607834227.html
RF2X8W6N7–Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550.
Rosanna Arquette 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 638HNWPLX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rosanna-arquette-101307-sea-shepherd-benefit-breaking-the-ice-@-1550-pacific-coast-highway-santa-monica-photo-by-ima-kurodahnw-picturelux-october-13-2007-file-reference-33687-638hnwplx-image223002318.html
RMPXPHME–Rosanna Arquette 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 638HNWPLX
Two young girls killed in Eveche de Bamberg, around the year 1550, Parallel Title: Two Young Daughters in Bisstum Bamberg killed, A nn o 1550, copperplate engraving, 61.), p. 131, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-young-girls-killed-in-eveche-de-bamberg-around-the-year-1550-parallel-title-two-young-daughters-in-bisstum-bamberg-killed-a-nn-o-1550-copperplate-engraving-61-p-131-luyken-jan-inv-et-fec-jan-luyken-thtre-des-martyrs-depuis-la-mort-de-jchrist-jusqu-present-reprsent-en-trs-belles-tailles-douces-=-schau-bhne-der-martyrer-gezeichnet-und-in-kuppfer-gestochen-leyde-chez-pierre-van-der-aa-1711-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-image349828916.html
RF2B9429T–Two young girls killed in Eveche de Bamberg, around the year 1550, Parallel Title: Two Young Daughters in Bisstum Bamberg killed, A nn o 1550, copperplate engraving, 61.), p. 131, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism,
walrus hunt nova Zembla 1596. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-walrus-hunt-nova-zembla-1596-willem-barentsz-william-barents-or-barentz-104952814.html
RMG2N0AP–walrus hunt nova Zembla 1596. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him.
13-year-old king Edward VI agreeing to the execution of the Anabaptist heretic Joan Bocher, 1550. King Edward VI persuaded by Thomas Cranmer to the death of Joan of Kent. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/13-year-old-king-edward-vi-agreeing-to-the-execution-of-the-anabaptist-heretic-joan-bocher-1550-king-edward-vi-persuaded-by-thomas-cranmer-to-the-death-of-joan-of-kent-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image571917290.html
RM2T6D29E–13-year-old king Edward VI agreeing to the execution of the Anabaptist heretic Joan Bocher, 1550. King Edward VI persuaded by Thomas Cranmer to the death of Joan of Kent. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
13-year-old king Edward VI agreeing to the execution of the Anabaptist heretic Joan Bocher, 1550. King Edward VI persuaded by Thomas Cranmer to the death of Joan of Kent. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/13-year-old-king-edward-vi-agreeing-to-the-execution-of-the-anabaptist-heretic-joan-bocher-1550-king-edward-vi-persuaded-by-thomas-cranmer-to-the-death-of-joan-of-kent-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134945.html
RM2GHKC3D–13-year-old king Edward VI agreeing to the execution of the Anabaptist heretic Joan Bocher, 1550. King Edward VI persuaded by Thomas Cranmer to the death of Joan of Kent. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Art inspired by The Year's End from The Peasants' Feast or the Twelve Months, 1546, Engraving; second state of two (Pauli), sheet: 1 15/16 x 2 13/16 in. (5 x 7.2 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At left, a male figure leads a female to the left. At, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-years-end-from-the-peasants-feast-or-the-twelve-months-1546-engraving-second-state-of-two-pauli-sheet-1-1516-x-2-1316-in-5-x-72-cm-prints-sebald-beham-german-nuremberg-15001550-frankfurt-at-left-a-male-figure-leads-a-female-to-the-left-at-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004851.html
RF2HW7KBF–Art inspired by The Year's End from The Peasants' Feast or the Twelve Months, 1546, Engraving; second state of two (Pauli), sheet: 1 15/16 x 2 13/16 in. (5 x 7.2 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), At left, a male figure leads a female to the left. At, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Coenr. Waumans Sculp. 103 IEAN SADELER, Very excellent engraver, native of Brussels in Brabant in the year 1550. He was first damascened in iron, but having a higher spirit, he was addicted to engraving, where the art gave him the greatest softness and subtlety of the chisel: which he acquired by Soij, even by his great diligence, testifies to the pieces he made for Martin de Vos, and several others. in 1588 he went to live in Frankfurt, and from there to Munich in Bavaria, where the Duke luj made a present of a golden oak with a medal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coenr-waumans-sculp-103-iean-sadeler-very-excellent-engraver-native-of-brussels-in-brabant-in-the-year-1550-he-was-first-damascened-in-iron-but-having-a-higher-spirit-he-was-addicted-to-engraving-where-the-art-gave-him-the-greatest-softness-and-subtlety-of-the-chisel-which-he-acquired-by-soij-even-by-his-great-diligence-testifies-to-the-pieces-he-made-for-martin-de-vos-and-several-others-in-1588-he-went-to-live-in-frankfurt-and-from-there-to-munich-in-bavaria-where-the-duke-luj-made-a-present-of-a-golden-oak-with-a-medal-image573205769.html
RM2T8FNPH–Coenr. Waumans Sculp. 103 IEAN SADELER, Very excellent engraver, native of Brussels in Brabant in the year 1550. He was first damascened in iron, but having a higher spirit, he was addicted to engraving, where the art gave him the greatest softness and subtlety of the chisel: which he acquired by Soij, even by his great diligence, testifies to the pieces he made for Martin de Vos, and several others. in 1588 he went to live in Frankfurt, and from there to Munich in Bavaria, where the Duke luj made a present of a golden oak with a medal
. English: Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 . end of 19th century. Th. Hoffbauer 538 Saints Innocents 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-engraving-depicting-the-saints-innocents-cemetery-in-paris-around-the-year-1550-end-of-19th-century-th-hoffbauer-538-saints-innocents-1550-image187436005.html
RMMTXCF1–. English: Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 . end of 19th century. Th. Hoffbauer 538 Saints Innocents 1550
Fantastic representations of malformed human races. After Sebastian Minster's 'Cosmography'' of the year 1550', 1902 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fantastic-representations-of-malformed-human-races-after-sebastian-minsters-cosmography-of-the-year-1550-1902-image210963021.html
RMP765DH–Fantastic representations of malformed human races. After Sebastian Minster's 'Cosmography'' of the year 1550', 1902
View of the courtyard of the Oude Mannenhuis in Amsterdam, Gerontocomium; prope Pandocheum Principum in quo putens ille profundissimus / 't Oude Mannen-Huys; whose principles are from the year 1550, and the additions from 1604 (title on object), Views of Amsterdam and Amsterdam buildings (series title), Views of the city of Amsterdam and its main buildings (series title), Numbered bottom right: 29., print maker: anonymous, publisher: Pieter Schenk (I), Staten van Holland en West-Friesland, Amsterdam, c. 1695 - c. 1700, paper, etching, height 171 mm × width 203 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-courtyard-of-the-oude-mannenhuis-in-amsterdam-gerontocomium-prope-pandocheum-principum-in-quo-putens-ille-profundissimus-t-oude-mannen-huys-whose-principles-are-from-the-year-1550-and-the-additions-from-1604-title-on-object-views-of-amsterdam-and-amsterdam-buildings-series-title-views-of-the-city-of-amsterdam-and-its-main-buildings-series-title-numbered-bottom-right-29-print-maker-anonymous-publisher-pieter-schenk-i-staten-van-holland-en-west-friesland-amsterdam-c-1695-c-1700-paper-etching-height-171-mm-width-203-mm-image599483930.html
RM2WR8RTA–View of the courtyard of the Oude Mannenhuis in Amsterdam, Gerontocomium; prope Pandocheum Principum in quo putens ille profundissimus / 't Oude Mannen-Huys; whose principles are from the year 1550, and the additions from 1604 (title on object), Views of Amsterdam and Amsterdam buildings (series title), Views of the city of Amsterdam and its main buildings (series title), Numbered bottom right: 29., print maker: anonymous, publisher: Pieter Schenk (I), Staten van Holland en West-Friesland, Amsterdam, c. 1695 - c. 1700, paper, etching, height 171 mm × width 203 mm
Paschal Candlestick, c. 1525-1550. In Roman Catholic practice, a large candlestick holds the Paschal Candle, blessed and lit for the first time on Easter eve, then used on significant occasions throughout the year. Despite its religious function, the decorations here are entirely secular-ranging from panthers and bound satyrs to the heads of raptors and goats. These elements derive from ancient Roman sculpture and were especially popular among intellectuals in northern Italy, who were actively exploring connections among pagan traditions, ancient philosophy, and Christianity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paschal-candlestick-c-1525-1550-in-roman-catholic-practice-a-large-candlestick-holds-the-paschal-candle-blessed-and-lit-for-the-first-time-on-easter-eve-then-used-on-significant-occasions-throughout-the-year-despite-its-religious-function-the-decorations-here-are-entirely-secular-ranging-from-panthers-and-bound-satyrs-to-the-heads-of-raptors-and-goats-these-elements-derive-from-ancient-roman-sculpture-and-were-especially-popular-among-intellectuals-in-northern-italy-who-were-actively-exploring-connections-among-pagan-traditions-ancient-philosophy-and-christianity-image330111395.html
RM2A51TCK–Paschal Candlestick, c. 1525-1550. In Roman Catholic practice, a large candlestick holds the Paschal Candle, blessed and lit for the first time on Easter eve, then used on significant occasions throughout the year. Despite its religious function, the decorations here are entirely secular-ranging from panthers and bound satyrs to the heads of raptors and goats. These elements derive from ancient Roman sculpture and were especially popular among intellectuals in northern Italy, who were actively exploring connections among pagan traditions, ancient philosophy, and Christianity.
The end of the year, Sebald Beham, Nuremberg 1500 - 1550 Frankfurt am Main, 1546, print, copperplate engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-end-of-the-year-sebald-beham-nuremberg-1500-1550-frankfurt-am-main-1546-print-copperplate-engraving-image573280918.html
RM2T8K5JE–The end of the year, Sebald Beham, Nuremberg 1500 - 1550 Frankfurt am Main, 1546, print, copperplate engraving
villages nozze. A couple of dancers and two musicians or the end of the year. (Hollstein (volume 3, page 98); Bartsch 160) Hans Sebald Beham (1500-1550). 'Les Noces de villages. Un couple de danseurs et deux musiciens ou La fin de l'année. (Hollstein (volume 3, page 98) ; Bartsch 160)'. Burin. 1546. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/villages-nozze-a-couple-of-dancers-and-two-musicians-or-the-end-of-the-year-hollstein-volume-3-page-98-bartsch-160-hans-sebald-beham-1500-1550-les-noces-de-villages-un-couple-de-danseurs-et-deux-musiciens-ou-la-fin-de-lanne-hollstein-volume-3-page-98-bartsch-160-burin-1546-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350211581.html
RM2B9NECD–villages nozze. A couple of dancers and two musicians or the end of the year. (Hollstein (volume 3, page 98); Bartsch 160) Hans Sebald Beham (1500-1550). 'Les Noces de villages. Un couple de danseurs et deux musiciens ou La fin de l'année. (Hollstein (volume 3, page 98) ; Bartsch 160)'. Burin. 1546. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
German country life around 1550, view of the different professions and works, woodcut from the year 1885, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-german-country-life-around-1550-view-of-the-different-professions-130224817.html
RFHFT729–German country life around 1550, view of the different professions and works, woodcut from the year 1885, digital improved
Vintage engraving, figments of medieval imagination,sailor's tales about human monsters, woodcarving year 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-engraving-figments-of-medieval-imaginationsailors-tales-about-176356059.html
RMM6WKXK–Vintage engraving, figments of medieval imagination,sailor's tales about human monsters, woodcarving year 1550
At the Italian Musenhof in Venice, Italy, um 1550, reproduction of a woodcut from the year 1880, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-at-the-italian-musenhof-in-venice-italy-um-1550-reproduction-of-a-135751373.html
RFHTT079–At the Italian Musenhof in Venice, Italy, um 1550, reproduction of a woodcut from the year 1880, digital improved
Sea monster eating humans, medieval engraving, year 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sea-monster-eating-humans-medieval-engraving-year-1550-148362694.html
RFJHAE3J–Sea monster eating humans, medieval engraving, year 1550
The wonder of the sea and its creatures, facsimile from Sebastians Muenster's cosmography, 1550, woodcut from the year 1885, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-wonder-of-the-sea-and-its-creatures-facsimile-from-sebastians-130224988.html
RFHFT78C–The wonder of the sea and its creatures, facsimile from Sebastians Muenster's cosmography, 1550, woodcut from the year 1885, digital improved
Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yuriria-mexico-may-26-2024-exterior-view-of-the-former-augustinian-convent-of-san-pablo-built-in-the-year-1550-image607834075.html
RF2X8W6FR–Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550.
Stuttgart, Germany - Bronze bell Osanna constructed in year 1550, located in the courtyard of the Old Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stuttgart-germany-bronze-bell-osanna-constructed-in-year-1550-located-in-the-courtyard-of-the-old-castle-image451865805.html
RF2H747CD–Stuttgart, Germany - Bronze bell Osanna constructed in year 1550, located in the courtyard of the Old Castle
Martin Sheen 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 481HNWPLX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martin-sheen-101307-sea-shepherd-benefit-breaking-the-ice-@-1550-pacific-coast-highway-santa-monica-photo-by-ima-kurodahnw-picturelux-october-13-2007-file-reference-33687-481hnwplx-image223001931.html
RMPXPH6K–Martin Sheen 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 481HNWPLX
van barentz's voyages by Gerrit de veer 1598 the hut. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-van-barentzs-voyages-by-gerrit-de-veer-1598-the-hut-willem-barentsz-104952812.html
RMG2N0AM–van barentz's voyages by Gerrit de veer 1598 the hut. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him.
Am italienischen Musenhof in Venedig, Italien, um 1550, Reproduktion eines Holzschnitts aus dem Jahr 1880, digital verbessert / At the Italian Musenhof in Venice, Italy, um 1550, reproduction of a woodcut from the year 1880, digital improved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/am-italienischen-musenhof-in-venedig-italien-um-1550-reproduktion-eines-holzschnitts-aus-dem-jahr-1880-digital-verbessert-at-the-italian-musenhof-in-venice-italy-um-1550-reproduction-of-a-woodcut-from-the-year-1880-digital-improved-image570677375.html
RF2T4CGPR–Am italienischen Musenhof in Venedig, Italien, um 1550, Reproduktion eines Holzschnitts aus dem Jahr 1880, digital verbessert / At the Italian Musenhof in Venice, Italy, um 1550, reproduction of a woodcut from the year 1880, digital improved
Twenty-five year old Youth with Fur-lined Coat. Date/Period: 1550 - 1560. Painting. Oil on canvas. Height: 1,170 mm (46.06 in); Width: 1,000 mm (39.37 in). Author: Tintoretto. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twenty-five-year-old-youth-with-fur-lined-coat-dateperiod-1550-1560-painting-oil-on-canvas-height-1170-mm-4606-in-width-1000-mm-3937-in-author-tintoretto-image219742287.html
RMPNE3ER–Twenty-five year old Youth with Fur-lined Coat. Date/Period: 1550 - 1560. Painting. Oil on canvas. Height: 1,170 mm (46.06 in); Width: 1,000 mm (39.37 in). Author: Tintoretto.
Fashion, clothes in Russia in the 16th - 17th century, from the left, a boyar in field dress in 1600, Tsar in house style around 1550, two boyars in the 16th century and a boyar in the 17th century, digital improved reproduction from an original from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fashion-clothes-in-russia-in-the-16th-17th-century-from-the-left-a-174496739.html
RFM3W0AB–Fashion, clothes in Russia in the 16th - 17th century, from the left, a boyar in field dress in 1600, Tsar in house style around 1550, two boyars in the 16th century and a boyar in the 17th century, digital improved reproduction from an original from the year 1900
(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- An actress performs in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (l Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-160407-fuzhou-april-7-2016-xinhua-an-actress-performs-in-a-rehearsal-101902097.html
RMFWP14H–(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- An actress performs in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (l
. English: Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 . end of 19th century. Th. Hoffbauer 539 Saints Innocents 1550 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-engraving-depicting-the-saints-innocents-cemetery-in-paris-around-the-year-1550-end-of-19th-century-th-hoffbauer-539-saints-innocents-1550-image187989856.html
RMMWRJYC–. English: Engraving depicting the Saints Innocents cemetery in Paris, around the year 1550 . end of 19th century. Th. Hoffbauer 539 Saints Innocents 1550
Three-Quarter Armour thought to be for King Edward VI dated 1550 on display Tower of London England UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-quarter-armour-thought-to-be-for-king-edward-vi-dated-1550-on-display-tower-of-london-england-uk-image507162900.html
RM2MD37CM–Three-Quarter Armour thought to be for King Edward VI dated 1550 on display Tower of London England UK
Portrait of a 34-year-old man 1550 by Willem Key Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-34-year-old-man-1550-by-willem-key-image562461890.html
RM2RK29TJ–Portrait of a 34-year-old man 1550 by Willem Key
Stamp of Gösta Bodman's Philatelist Association, started in 1950.The stamp from Finland, 1950. Map of Map of Helsinki with Omland. Helsinki city weapons. '400-year memory of the city's founding 1550-1950'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stamp-of-gsta-bodmans-philatelist-association-started-in-1950the-stamp-from-finland-1950-map-of-map-of-helsinki-with-omland-helsinki-city-weapons-400-year-memory-of-the-citys-founding-1550-1950-image417569336.html
RM2F79WXG–Stamp of Gösta Bodman's Philatelist Association, started in 1950.The stamp from Finland, 1950. Map of Map of Helsinki with Omland. Helsinki city weapons. '400-year memory of the city's founding 1550-1950'.
The end of the year, Sebald Beham, Nuremberg 1500 - 1550 Frankfurt am Main, 1546, print, copperplate engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-end-of-the-year-sebald-beham-nuremberg-1500-1550-frankfurt-am-main-1546-print-copperplate-engraving-image573280910.html
RM2T8K5J6–The end of the year, Sebald Beham, Nuremberg 1500 - 1550 Frankfurt am Main, 1546, print, copperplate engraving
Allegory of Prudence, Titian (1490–1576) The three heads allude to the three ages of man: youth, maturity and old age; left: Titian at old age; middle: his son Orazio, who died of the plague the same year as Titian; right: his cousin and heir: Marco Vecellio, *1545; the triple-headed beast - Wolf, lion and dog - is a Symbol of prudence. Date: between circa 1550 and circa 1565 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-prudence-titian-14901576-the-three-heads-allude-to-the-three-ages-of-man-youth-maturity-and-old-age-left-titian-at-old-age-middle-his-son-orazio-who-died-of-the-plague-the-same-year-as-titian-right-his-cousin-and-heir-marco-vecellio-1545-the-triple-headed-beast-wolf-lion-and-dog-is-a-symbol-of-prudence-date-between-circa-1550-and-circa-1565-image463812641.html
RM2HXGDN5–Allegory of Prudence, Titian (1490–1576) The three heads allude to the three ages of man: youth, maturity and old age; left: Titian at old age; middle: his son Orazio, who died of the plague the same year as Titian; right: his cousin and heir: Marco Vecellio, *1545; the triple-headed beast - Wolf, lion and dog - is a Symbol of prudence. Date: between circa 1550 and circa 1565
Pair of clappers, about 1550-1292 BCE, 9 9/16 x 3 x 7/16 in. (24.29 x 7.62 x 1.11 cm) (each, approx.), Hippopotamus ivory, Egypt, 16th-13th century BCE, These delicately carved forearms, found in a three-thousand-year-old ancient Egyptian tomb, are percussive instruments. Their curved shape and matching growth lines show that they were made from a single hippopotamus tusk, sawed down the middle into two equal pieces. Music was an important part of ceremonies and banquets in ancient Egypt, and the noise of clapping, banging, and rattling was thought to drive away hostile forces. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-clappers-about-1550-1292-bce-9-916-x-3-x-716-in-2429-x-762-x-111-cm-each-approx-hippopotamus-ivory-egypt-16th-13th-century-bce-these-delicately-carved-forearms-found-in-a-three-thousand-year-old-ancient-egyptian-tomb-are-percussive-instruments-their-curved-shape-and-matching-growth-lines-show-that-they-were-made-from-a-single-hippopotamus-tusk-sawed-down-the-middle-into-two-equal-pieces-music-was-an-important-part-of-ceremonies-and-banquets-in-ancient-egypt-and-the-noise-of-clapping-banging-and-rattling-was-thought-to-drive-away-hostile-forces-image573483163.html
RM2T90BHF–Pair of clappers, about 1550-1292 BCE, 9 9/16 x 3 x 7/16 in. (24.29 x 7.62 x 1.11 cm) (each, approx.), Hippopotamus ivory, Egypt, 16th-13th century BCE, These delicately carved forearms, found in a three-thousand-year-old ancient Egyptian tomb, are percussive instruments. Their curved shape and matching growth lines show that they were made from a single hippopotamus tusk, sawed down the middle into two equal pieces. Music was an important part of ceremonies and banquets in ancient Egypt, and the noise of clapping, banging, and rattling was thought to drive away hostile forces.
King Edward's School, Bury St. Edmund's, [in Suffolk], 1850. 'This very interesting festival, in commemoration of King Edward's School, founded at Bury St. Edmmd's in 1550, was held on Friday week, and was most numerously attended...It was a good thought...that the year which completed the third century of its existence should not be suffered to pass unmarked by some appropriate celebration - some recognition of the debt which the scholars and the inhabitants of the town alike owed to the institution of the Protestant King'. From "Illustrated London News", 1850. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-edwards-school-bury-st-edmunds-in-suffolk-1850-this-very-interesting-festival-in-commemoration-of-king-edwards-school-founded-at-bury-st-edmmds-in-1550-was-held-on-friday-week-and-was-most-numerously-attendedit-was-a-good-thoughtthat-the-year-which-completed-the-third-century-of-its-existence-should-not-be-suffered-to-pass-unmarked-by-some-appropriate-celebration-some-recognition-of-the-debt-which-the-scholars-and-the-inhabitants-of-the-town-alike-owed-to-the-institution-of-the-protestant-king-from-quotillustrated-london-newsquot-1850-image462357695.html
RM2HT65XR–King Edward's School, Bury St. Edmund's, [in Suffolk], 1850. 'This very interesting festival, in commemoration of King Edward's School, founded at Bury St. Edmmd's in 1550, was held on Friday week, and was most numerously attended...It was a good thought...that the year which completed the third century of its existence should not be suffered to pass unmarked by some appropriate celebration - some recognition of the debt which the scholars and the inhabitants of the town alike owed to the institution of the Protestant King'. From "Illustrated London News", 1850.
The Twelve Months: The Year's End, 1546. Hans Sebald Beham (German, 1500-1550). Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-twelve-months-the-years-end-1546-hans-sebald-beham-german-1500-1550-engraving-image240380468.html
RMRY27MM–The Twelve Months: The Year's End, 1546. Hans Sebald Beham (German, 1500-1550). Engraving
Memoirs of Henri IV . use; and that passion, by degrees, grew so strongthat whilst she lived she held the principal place inhis heart, so that, after having had by her three or fourchildren, he had almost resolved to marry her, thoughhe knew not how to do it, except by hazarding greattroubles and very dangerous difficulties. Havingtaken the city of Noyon, he gave the government of itto the Comte dEstr^es, father of this fair one, andshortly after gave him also the post of Grand Masterof the Artillery, which had been held by Jean dEstreesin the year 1550. Not long after the siege of Noyon, he h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/memoirs-of-henri-iv-use-and-that-passion-by-degrees-grew-so-strongthat-whilst-she-lived-she-held-the-principal-place-inhis-heart-so-that-after-having-had-by-her-three-or-fourchildren-he-had-almost-resolved-to-marry-her-thoughhe-knew-not-how-to-do-it-except-by-hazarding-greattroubles-and-very-dangerous-difficulties-havingtaken-the-city-of-noyon-he-gave-the-government-of-itto-the-comte-destres-father-of-this-fair-one-andshortly-after-gave-him-also-the-post-of-grand-masterof-the-artillery-which-had-been-held-by-jean-destreesin-the-year-1550-not-long-after-the-siege-of-noyon-he-h-image338439304.html
RM2AJH6P0–Memoirs of Henri IV . use; and that passion, by degrees, grew so strongthat whilst she lived she held the principal place inhis heart, so that, after having had by her three or fourchildren, he had almost resolved to marry her, thoughhe knew not how to do it, except by hazarding greattroubles and very dangerous difficulties. Havingtaken the city of Noyon, he gave the government of itto the Comte dEstr^es, father of this fair one, andshortly after gave him also the post of Grand Masterof the Artillery, which had been held by Jean dEstreesin the year 1550. Not long after the siege of Noyon, he h
Portrait of the three-year-old Felix Platter II., 1608, oil on canvas, 108.5 x 67 cm, inscribed above middle: FEL., PLATERVS, AET., 3, •, A, ., Dated and signed lower right: ANNO 1608, HBocK Fecit., Hans Bock d. Ä., Zabern/Elsass um 1550/52–1624 Basel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-three-year-old-felix-platter-ii-1608-oil-on-canvas-1085-x-67-cm-inscribed-above-middle-fel-platervs-aet-3-a-dated-and-signed-lower-right-anno-1608-hbock-fecit-hans-bock-d-zabernelsass-um-1550521624-basel-image328707079.html
RM2A2NW6F–Portrait of the three-year-old Felix Platter II., 1608, oil on canvas, 108.5 x 67 cm, inscribed above middle: FEL., PLATERVS, AET., 3, •, A, ., Dated and signed lower right: ANNO 1608, HBocK Fecit., Hans Bock d. Ä., Zabern/Elsass um 1550/52–1624 Basel
Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yuriria-mexico-may-26-2024-exterior-view-of-the-former-augustinian-convent-of-san-pablo-built-in-the-year-1550-image607834234.html
RF2X8W6NE–Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550.
Gnoien, Germany. 16th May, 2023. A bee flies to an apple blossom at the Schönemeyer fruit farm. The apple trees are blossoming later this year than in previous years, so the risk of night frosts is much lower. The following sunny and relatively warm weather provided good conditions for the flight of honey bees and wild insects. Apples are grown on around 1550 hectares in Mecklenburg-Western Pomerania. This makes apples the most important tree fruit for agriculture in the northeast. Credit: Bernd Wüstneck/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gnoien-germany-16th-may-2023-a-bee-flies-to-an-apple-blossom-at-the-schnemeyer-fruit-farm-the-apple-trees-are-blossoming-later-this-year-than-in-previous-years-so-the-risk-of-night-frosts-is-much-lower-the-following-sunny-and-relatively-warm-weather-provided-good-conditions-for-the-flight-of-honey-bees-and-wild-insects-apples-are-grown-on-around-1550-hectares-in-mecklenburg-western-pomerania-this-makes-apples-the-most-important-tree-fruit-for-agriculture-in-the-northeast-credit-bernd-wstneckdpaalamy-live-news-image552030699.html
RM2R234P3–Gnoien, Germany. 16th May, 2023. A bee flies to an apple blossom at the Schönemeyer fruit farm. The apple trees are blossoming later this year than in previous years, so the risk of night frosts is much lower. The following sunny and relatively warm weather provided good conditions for the flight of honey bees and wild insects. Apples are grown on around 1550 hectares in Mecklenburg-Western Pomerania. This makes apples the most important tree fruit for agriculture in the northeast. Credit: Bernd Wüstneck/dpa/Alamy Live News
Chris Kattan 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 168HNWPLX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chris-kattan-101307-sea-shepherd-benefit-breaking-the-ice-@-1550-pacific-coast-highway-santa-monica-photo-by-ima-kurodahnw-picturelux-october-13-2007-file-reference-33687-168hnwplx-image223001348.html
RMPXPGDT–Chris Kattan 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 168HNWPLX
barentz's voyages by Gerrit de veer 1598 a variety of adventures. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-barentzs-voyages-by-gerrit-de-veer-1598-a-variety-of-adventures-willem-104952808.html
RMG2N0AG–barentz's voyages by Gerrit de veer 1598 a variety of adventures. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him.
Barentz's Ship. Willem Barentsz (c. 1550 – 20 June 1597), anglicized as William Barents or Barentz, was a Dutch navigator, cartographer, and Arctic explorer. Barentsz went on three expeditions to the far north in search for a Northeast passage. He reached as far as Novaya Zemlya and the Kara Sea in his first two voyages, but was turned back on both occasions by ice. During a third expedition, the crew discovered Spitsbergen and Bear Island, but subsequently became stranded on Novaya Zemlya for almost a year. Barentsz died on the return voyage in 1597. from The Exploration of the World, Celebr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/barentzs-ship-willem-barentsz-c1550-20-june-1597-anglicized-as-william-barents-or-barentz-was-a-dutch-navigator-cartographer-and-arctic-explorer-barentsz-went-on-three-expeditions-to-the-far-north-in-search-for-a-northeast-passage-he-reached-as-far-as-novaya-zemlya-and-the-kara-sea-in-his-first-two-voyages-but-was-turned-back-on-both-occasions-by-ice-during-a-third-expedition-the-crew-discovered-spitsbergen-and-bear-island-but-subsequently-became-stranded-on-novaya-zemlya-for-almost-a-year-barentsz-died-on-the-return-voyage-in-1597-from-the-exploration-of-the-world-celebr-image458425087.html
RF2HHR1TF–Barentz's Ship. Willem Barentsz (c. 1550 – 20 June 1597), anglicized as William Barents or Barentz, was a Dutch navigator, cartographer, and Arctic explorer. Barentsz went on three expeditions to the far north in search for a Northeast passage. He reached as far as Novaya Zemlya and the Kara Sea in his first two voyages, but was turned back on both occasions by ice. During a third expedition, the crew discovered Spitsbergen and Bear Island, but subsequently became stranded on Novaya Zemlya for almost a year. Barentsz died on the return voyage in 1597. from The Exploration of the World, Celebr
The Year's End from The Peasants' Feast or the Twelve Months. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: sheet: 1 15/16 x 2 13/16 in. (5 x 7.2 cm). Series/Portfolio: The Peasants' Feast or the Twelve Months. Date: 1546. At left, a male figure leads a female to the left. At right, two figures playing bagpipes. From a series of ten prints. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-years-end-from-the-peasants-feast-or-the-twelve-months-artist-sebald-beham-german-nuremberg-1500-1550-frankfurt-dimensions-sheet-1-1516-x-2-1316-in-5-x-72-cm-seriesportfolio-the-peasants-feast-or-the-twelve-months-date-1546-at-left-a-male-figure-leads-a-female-to-the-left-at-right-two-figures-playing-bagpipes-from-a-series-of-ten-prints-museum-metropolitan-museum-of-art-new-york-usa-image225370495.html
RMR2JEA7–The Year's End from The Peasants' Feast or the Twelve Months. Artist: Sebald Beham (German, Nuremberg 1500-1550 Frankfurt). Dimensions: sheet: 1 15/16 x 2 13/16 in. (5 x 7.2 cm). Series/Portfolio: The Peasants' Feast or the Twelve Months. Date: 1546. At left, a male figure leads a female to the left. At right, two figures playing bagpipes. From a series of ten prints. Museum: Metropolitan Museum of Art, New York, USA.
Fashion, costumes, clothes in Germany during the Spanish fashion around 1550-1600, from the left, gentleman in Spanish clothing around 1595, gentleman around 1590 in padded breeches and a gentleman from Görlitz with little padded breeches around 1591, digital improved reproduction from an original from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fashion-costumes-clothes-in-germany-during-the-spanish-fashion-around-174496969.html
RFM3W0JH–Fashion, costumes, clothes in Germany during the Spanish fashion around 1550-1600, from the left, gentleman in Spanish clothing around 1595, gentleman around 1590 in padded breeches and a gentleman from Görlitz with little padded breeches around 1591, digital improved reproduction from an original from the year 1900
(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- Actors perform in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (lfj) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-160407-fuzhou-april-7-2016-xinhua-actors-perform-in-a-rehearsal-of-101902088.html
RMFWP148–(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- Actors perform in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (lfj)
Portrait of a Thirty-One-Year-Old Woman 1550. 1017 Portrait of a Thirty-One-Year-Old Woman attributed to Catharina van Hemessen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-thirty-one-year-old-woman-1550-1017-portrait-of-a-thirty-one-year-old-woman-attributed-to-catharina-van-hemessen-image185550925.html
RMMNTG2N–Portrait of a Thirty-One-Year-Old Woman 1550. 1017 Portrait of a Thirty-One-Year-Old Woman attributed to Catharina van Hemessen
Deutsches Stadtleben um 1550, Blick in die Werkräume / German city life around 1550, look at the workrooms, woodcut from the year 1885, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt, Koloriert, Kolorierung, koloriert, handkoloriert, Hand-colouring, hand coloured, colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsches-stadtleben-um-1550-blick-in-die-werkrume-german-city-life-around-1550-look-at-the-workrooms-woodcut-from-the-year-1885-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-originaldatum-nicht-bekannt-koloriert-kolorierung-koloriert-handkoloriert-hand-colouring-hand-coloured-colored-image432335018.html
RF2G3AFMA–Deutsches Stadtleben um 1550, Blick in die Werkräume / German city life around 1550, look at the workrooms, woodcut from the year 1885, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt, Koloriert, Kolorierung, koloriert, handkoloriert, Hand-colouring, hand coloured, colored
Allegory of Time Governed by Prudence . The three heads allude to the three ages of man: youth, maturity and old age; left: Titian at old age; middle: his son Orazio, who died of the plague the same year as Titian; right: his cousin and heir: Marco Vecellio, *1545; the triple-headed beast - Wolf, lion and dog - is a Symbol of prudence. between circa 1550 and circa 1565. 1195 Titian - Allegorie der Zeit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-time-governed-by-prudence-the-three-heads-allude-to-the-three-ages-of-man-youth-maturity-and-old-age-left-titian-at-old-age-middle-his-son-orazio-who-died-of-the-plague-the-same-year-as-titian-right-his-cousin-and-heir-marco-vecellio-1545-the-triple-headed-beast-wolf-lion-and-dog-is-a-symbol-of-prudence-between-circa-1550-and-circa-1565-1195-titian-allegorie-der-zeit-image185710560.html
RMMP3RM0–Allegory of Time Governed by Prudence . The three heads allude to the three ages of man: youth, maturity and old age; left: Titian at old age; middle: his son Orazio, who died of the plague the same year as Titian; right: his cousin and heir: Marco Vecellio, *1545; the triple-headed beast - Wolf, lion and dog - is a Symbol of prudence. between circa 1550 and circa 1565. 1195 Titian - Allegorie der Zeit
Fashion, costumes, clothes in Germany during the Spanish fashion around 1550-1600, from left, Duke Albrecht V. of Bavaria and his wife Duchess Anna in the new Spanish costume, then a master goldsmith around 1560, then a German merchant in German costume and a German nobleman in Spanish costume, digital improved reproduction from an original from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fashion-costumes-clothes-in-germany-during-the-spanish-fashion-around-174496942.html
RFM3W0HJ–Fashion, costumes, clothes in Germany during the Spanish fashion around 1550-1600, from left, Duke Albrecht V. of Bavaria and his wife Duchess Anna in the new Spanish costume, then a master goldsmith around 1560, then a German merchant in German costume and a German nobleman in Spanish costume, digital improved reproduction from an original from the year 1900
Twenty five year old with fur-lined coat *oil on canvas *117 x 100 cm *circa 1550-1560 1194 Tintoretto - Joven de veinticinco años con pelliza Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twenty-five-year-old-with-fur-lined-coat-oil-on-canvas-117-x-100-cm-circa-1550-1560-1194-tintoretto-joven-de-veinticinco-aos-con-pelliza-image185771408.html
RMMP6H94–Twenty five year old with fur-lined coat *oil on canvas *117 x 100 cm *circa 1550-1560 1194 Tintoretto - Joven de veinticinco años con pelliza
Portrait of a Thirty-One-Year-Old Woman 1550 by Catarina van Hemessen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-thirty-one-year-old-woman-1550-by-catarina-van-hemessen-image562628950.html
RM2RK9XY2–Portrait of a Thirty-One-Year-Old Woman 1550 by Catarina van Hemessen
Jesus among the Doctors Alternative title(s): The Child Jesus in the Temple.[1] The Twelve-year-old Jesus in the Temple.[2] Christ's dispute with the doctors in the temple.. between 1550 and 1600. Bosch follower Christ's dispute with the doctors in the temple (Louvre) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-among-the-doctors-alternative-titles-the-child-jesus-in-the-temple-1-the-twelve-year-old-jesus-in-the-temple-2-christs-dispute-with-the-doctors-in-the-temple-between-1550-and-1600-bosch-follower-christs-dispute-with-the-doctors-in-the-temple-louvre-image184936028.html
RMMMTFP4–Jesus among the Doctors Alternative title(s): The Child Jesus in the Temple.[1] The Twelve-year-old Jesus in the Temple.[2] Christ's dispute with the doctors in the temple.. between 1550 and 1600. Bosch follower Christ's dispute with the doctors in the temple (Louvre)
Christ in discussion with the scribes in the temple The 12-year-old Christ argues with the scribes in the tempel. Manufacturer : printmaker: Isaac Duchemin (attributed to), designed by Adriaan de Weerdt (listed property) Place manufacture: Brussels Date: ca. 1550 - ca. 1599 and / or ca . 1653 - ca. 1654 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 245 mm × W 198 mmToelichting4e capable of reused in J.Ph. Schabaelje's 'Emblemata sacra' in 1653 and 'Great Emblemata sacra' 1654. Subject: Christ's dispute with the doctors in the te Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-in-discussion-with-the-scribes-in-the-temple-the-12-year-old-christ-argues-with-the-scribes-in-the-tempel-manufacturer-printmaker-isaac-duchemin-attributed-to-designed-by-adriaan-de-weerdt-listed-property-place-manufacture-brussels-date-ca-1550-ca-1599-and-or-ca-1653-ca-1654-physical-characteristics-engra-material-paper-technique-engra-printing-process-measurements-plate-edge-h-245-mm-w-198-mmtoelichting4e-capable-of-reused-in-jph-schabaeljes-emblemata-sacra-in-1653-and-great-emblemata-sacra-1654-subject-christs-dispute-with-the-doctors-in-the-te-image348262507.html
RM2B6GMAK–Christ in discussion with the scribes in the temple The 12-year-old Christ argues with the scribes in the tempel. Manufacturer : printmaker: Isaac Duchemin (attributed to), designed by Adriaan de Weerdt (listed property) Place manufacture: Brussels Date: ca. 1550 - ca. 1599 and / or ca . 1653 - ca. 1654 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: h 245 mm × W 198 mmToelichting4e capable of reused in J.Ph. Schabaelje's 'Emblemata sacra' in 1653 and 'Great Emblemata sacra' 1654. Subject: Christ's dispute with the doctors in the te
Christ among the Doctors, 1550. Artist: Filippi, Camillo (1500-1574) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-among-the-doctors-1550-artist-filippi-camillo-1500-1574-image60396732.html
RMDE78J4–Christ among the Doctors, 1550. Artist: Filippi, Camillo (1500-1574)
Labrador: its discovery, exploration, and development . CARTOGRAPHICAL EVOLUTION 69 If the variation of the compass, therefore, in one casewould cause Labrador to stretch to the eastward, in theother case; it would cause Cape Farewell to point tothe west instead of to the east as these maps show it.It may therefore be concluded that the idea of thereal Labrador preponderated when these maps weredrawn. On a map preserved in the Hydrographical Depart-ment in Paris of Portuguese origin, and supposed tohave been drawn about the year 1550, the outline of Terra do laurador is shown somewhat similar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/labrador-its-discovery-exploration-and-development-cartographical-evolution-69-if-the-variation-of-the-compass-therefore-in-one-casewould-cause-labrador-to-stretch-to-the-eastward-in-theother-case-it-would-cause-cape-farewell-to-point-tothe-west-instead-of-to-the-east-as-these-maps-show-itit-may-therefore-be-concluded-that-the-idea-of-thereal-labrador-preponderated-when-these-maps-weredrawn-on-a-map-preserved-in-the-hydrographical-depart-ment-in-paris-of-portuguese-origin-and-supposed-tohave-been-drawn-about-the-year-1550-the-outline-of-terra-do-laurador-is-shown-somewhat-similar-image339075588.html
RM2AKJ6AC–Labrador: its discovery, exploration, and development . CARTOGRAPHICAL EVOLUTION 69 If the variation of the compass, therefore, in one casewould cause Labrador to stretch to the eastward, in theother case; it would cause Cape Farewell to point tothe west instead of to the east as these maps show it.It may therefore be concluded that the idea of thereal Labrador preponderated when these maps weredrawn. On a map preserved in the Hydrographical Depart-ment in Paris of Portuguese origin, and supposed tohave been drawn about the year 1550, the outline of Terra do laurador is shown somewhat similar
BRUEGEL, Pieter the Elder (b. ca. 1525, Breughel, d. 1569, Bruxelles) Gloomy Day 1565 Oil on panel, 118 x 163 cm Kunsthistorisches Museum, Vienna Bruegel executed a series of paintings representing the 12 months of the year. Only five paintings survived and it is debated whether the series comprised 6 or 12 pieces. It is assumed that this painting represents January-February in the series of six. *** Keywords: ************* Author: BRUEGEL, Pieter the Elder Title: Gloomy Day Time-line: 1501-1550 School: Flemish Form: painting Type: landscape Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bruegel-pieter-the-elder-b-ca-1525-breughel-d-1569-bruxelles-gloomy-day-1565-oil-on-panel-118-x-163-cm-kunsthistorisches-museum-vienna-bruegel-executed-a-series-of-paintings-representing-the-12-months-of-the-year-only-five-paintings-survived-and-it-is-debated-whether-the-series-comprised-6-or-12-pieces-it-is-assumed-that-this-painting-represents-january-february-in-the-series-of-six-keywords-author-bruegel-pieter-the-elder-title-gloomy-day-time-line-1501-1550-school-flemish-form-painting-type-landscape-image605083423.html
RM2X4BX27–BRUEGEL, Pieter the Elder (b. ca. 1525, Breughel, d. 1569, Bruxelles) Gloomy Day 1565 Oil on panel, 118 x 163 cm Kunsthistorisches Museum, Vienna Bruegel executed a series of paintings representing the 12 months of the year. Only five paintings survived and it is debated whether the series comprised 6 or 12 pieces. It is assumed that this painting represents January-February in the series of six. *** Keywords: ************* Author: BRUEGEL, Pieter the Elder Title: Gloomy Day Time-line: 1501-1550 School: Flemish Form: painting Type: landscape
Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yuriria-mexico-may-26-2024-exterior-view-of-the-former-augustinian-convent-of-san-pablo-built-in-the-year-1550-image607834200.html
RF2X8W6M8–Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550.
Gnoien, Germany. 16th May, 2023. Apple trees are in bloom at the Schönemeyer fruit farm. The apple trees are blooming later this year than in previous years, so the risk of night frosts is much lower. The following sunny and relatively warm weather provided good conditions for the flight of honey bees and wild insects. Apples are grown on around 1550 hectares in Mecklenburg-Western Pomerania. This makes apples the most important tree fruit for agriculture in the northeast. Credit: Bernd Wüstneck/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gnoien-germany-16th-may-2023-apple-trees-are-in-bloom-at-the-schnemeyer-fruit-farm-the-apple-trees-are-blooming-later-this-year-than-in-previous-years-so-the-risk-of-night-frosts-is-much-lower-the-following-sunny-and-relatively-warm-weather-provided-good-conditions-for-the-flight-of-honey-bees-and-wild-insects-apples-are-grown-on-around-1550-hectares-in-mecklenburg-western-pomerania-this-makes-apples-the-most-important-tree-fruit-for-agriculture-in-the-northeast-credit-bernd-wstneckdpaalamy-live-news-image552030689.html
RM2R234NN–Gnoien, Germany. 16th May, 2023. Apple trees are in bloom at the Schönemeyer fruit farm. The apple trees are blooming later this year than in previous years, so the risk of night frosts is much lower. The following sunny and relatively warm weather provided good conditions for the flight of honey bees and wild insects. Apples are grown on around 1550 hectares in Mecklenburg-Western Pomerania. This makes apples the most important tree fruit for agriculture in the northeast. Credit: Bernd Wüstneck/dpa/Alamy Live News
Tom Arnold 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 740HNWPLX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tom-arnold-101307-sea-shepherd-benefit-breaking-the-ice-@-1550-pacific-coast-highway-santa-monica-photo-by-ima-kurodahnw-picturelux-october-13-2007-file-reference-33687-740hnwplx-image223002506.html
RMPXPHY6–Tom Arnold 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 740HNWPLX
van barentz's voyages by Gerrit de veer 1598 the walrus hunt. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-van-barentzs-voyages-by-gerrit-de-veer-1598-the-walrus-hunt-willem-104952813.html
RMG2N0AN–van barentz's voyages by Gerrit de veer 1598 the walrus hunt. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him.
unbestimmt (Engraver) The twelve -year -old Jesus in the temple. Copper engraving print 1550-1650 , 1550/1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unbestimmt-engraver-the-twelve-year-old-jesus-in-the-temple-copper-engraving-print-1550-1650-15501650-image573034855.html
RM2T87YPF–unbestimmt (Engraver) The twelve -year -old Jesus in the temple. Copper engraving print 1550-1650 , 1550/1650
Czechs Celebrate The Death Of A Bohemian Heretic - The death of Jan Hua, the Bohemian reformer, who was tried as a heretic and burnt at the stake in 1550, is remembered every July 6th by Czechs, and anniversary celebrations are held throughout the country. During his lifetime, Hua was a formidable critic of the curch's doctrine and discipline, and a champion of Czech rights against the Germans. In Prague this year the celebrations took the form of a occasion through the streets and speeches by the President, *****. July 11, 1947. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/czechs-celebrate-the-death-of-a-bohemian-heretic-the-death-of-jan-hua-the-bohemian-reformer-who-was-tried-as-a-heretic-and-burnt-at-the-stake-in-1550-is-remembered-every-july-6th-by-czechs-and-anniversary-celebrations-are-held-throughout-the-country-during-his-lifetime-hua-was-a-formidable-critic-of-the-curchs-doctrine-and-discipline-and-a-champion-of-czech-rights-against-the-germans-in-prague-this-year-the-celebrations-took-the-form-of-a-occasion-through-the-streets-and-speeches-by-the-president-july-11-1947-image463556611.html
RM2HX4R57–Czechs Celebrate The Death Of A Bohemian Heretic - The death of Jan Hua, the Bohemian reformer, who was tried as a heretic and burnt at the stake in 1550, is remembered every July 6th by Czechs, and anniversary celebrations are held throughout the country. During his lifetime, Hua was a formidable critic of the curch's doctrine and discipline, and a champion of Czech rights against the Germans. In Prague this year the celebrations took the form of a occasion through the streets and speeches by the President, *****. July 11, 1947.
Picture photography: Marcin Kober (1550-1598), Portet of Prince Władysław, later Władysałwa IV Vasa, as a one-year-old child; before 06.1939 (1914-00-00-1939-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/picture-photography-marcin-kober-1550-1598-portet-of-prince-wadysaw-later-wadysawa-iv-vasa-as-a-one-year-old-child-before-061939-1914-00-00-1939-00-00-image599019240.html
RM2WPFK48–Picture photography: Marcin Kober (1550-1598), Portet of Prince Władysław, later Władysałwa IV Vasa, as a one-year-old child; before 06.1939 (1914-00-00-1939-00-00);
(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- Actresses perform in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (lfj Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-160407-fuzhou-april-7-2016-xinhua-actresses-perform-in-a-rehearsal-101902091.html
RMFWP14B–(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- Actresses perform in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (lfj
Taler from Württemburg-Teck in the name of Hertog Ulrich (1498-1550), 1507 coin Silver coin. Front: rider on horseback above the year, indoor decorative edge and reversal. Reverse: Coat of arms crowned with two helmets within Covering Stuttgart silver (metal) striking (metalworking) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taler-from-wrttemburg-teck-in-the-name-of-hertog-ulrich-1498-1550-1507-coin-silver-coin-front-rider-on-horseback-above-the-year-indoor-decorative-edge-and-reversal-reverse-coat-of-arms-crowned-with-two-helmets-within-covering-stuttgart-silver-metal-striking-metalworking-image590781410.html
RM2W94BM2–Taler from Württemburg-Teck in the name of Hertog Ulrich (1498-1550), 1507 coin Silver coin. Front: rider on horseback above the year, indoor decorative edge and reversal. Reverse: Coat of arms crowned with two helmets within Covering Stuttgart silver (metal) striking (metalworking)
FUZHOU, April 6, 2016 -- Actors perform in a rehearsal of Record of Southern Bough, a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China s Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of The Four Dreams of Linchuan, a collection of four major Tang Xianzu dramas including The Story of the Purple Hairpin, Record of Southern Bough, Record of Handan and The Peony Pavillion. ) (lfj) CHINA-JIANGXI-FUZHOU-TANG XIANZU-DRAMA-REHEA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fuzhou-april-6-2016-actors-perform-in-a-rehearsal-of-record-of-southern-bough-a-drama-by-ming-dynasty-dramatist-tang-xianzu-1550-1616-in-fuzhou-east-china-s-jiangxi-province-april-6-2016-this-year-marks-the-400th-birth-of-famed-dramatist-tang-xianzu-1550-1661-the-drama-troups-in-fuzhou-the-birthplace-of-tang-xianzu-organized-the-rehearsal-of-the-four-dreams-of-linchuan-a-collection-of-four-major-tang-xianzu-dramas-including-the-story-of-the-purple-hairpin-record-of-southern-bough-record-of-handan-and-the-peony-pavillion-lfj-china-jiangxi-fuzhou-tang-xianzu-drama-rehea-image563913955.html
RM2RNCE03–FUZHOU, April 6, 2016 -- Actors perform in a rehearsal of Record of Southern Bough, a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China s Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of The Four Dreams of Linchuan, a collection of four major Tang Xianzu dramas including The Story of the Purple Hairpin, Record of Southern Bough, Record of Handan and The Peony Pavillion. ) (lfj) CHINA-JIANGXI-FUZHOU-TANG XIANZU-DRAMA-REHEA
Hans Sebald Beham (1500-1550). 'The wedding of villages. A couple of dancers and two musicians or the end of the year. (Hollstein (volume 3, page 98); Bartsch 160)'. Chisel. 1546. Museum of Fine Arts of the city of Paris, Petit Palais. 123050-13 Chisel, 16th 16th XVI 16th 16th 16 Center Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hans-sebald-beham-1500-1550-the-wedding-of-villages-a-couple-of-dancers-and-two-musicians-or-the-end-of-the-year-hollstein-volume-3-page-98-bartsch-160-chisel-1546-museum-of-fine-arts-of-the-city-of-paris-petit-palais-123050-13-chisel-16th-16th-xvi-16th-16th-16-center-image596806681.html
RM2WJXW09–Hans Sebald Beham (1500-1550). 'The wedding of villages. A couple of dancers and two musicians or the end of the year. (Hollstein (volume 3, page 98); Bartsch 160)'. Chisel. 1546. Museum of Fine Arts of the city of Paris, Petit Palais. 123050-13 Chisel, 16th 16th XVI 16th 16th 16 Center
Fashion, clothing in Spain, around 1540 -1590, from left, a captain of Spanish troops, a Spanish soldier, a parade armor around 1580, then Emperor Charles V at the same time King of Spain in an older Spanish costume, after a painting by Titian order 1533, and then a fine Spaniard in 1550, digital improved reproduction from an original from the year 1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fashion-clothing-in-spain-around-1540-1590-from-left-a-captain-of-174496793.html
RFM3W0C9–Fashion, clothing in Spain, around 1540 -1590, from left, a captain of Spanish troops, a Spanish soldier, a parade armor around 1580, then Emperor Charles V at the same time King of Spain in an older Spanish costume, after a painting by Titian order 1533, and then a fine Spaniard in 1550, digital improved reproduction from an original from the year 1900
Head of a Man 1549 Sebald Beham German A miniaturist, draftsman, engraver, etcher and designer of woodcuts and stained glass, Sebald Beham (formerly known at Hans Sebald Beham) was one of the most prolific graphic artists of his time. This crude, grimacing male shares the same clear contours and broad crosshatching found in several other extant head studies by Beham in the museums of Berlin, Dresden and Vienna. The Lehman drawing may have been a preliminary sketch for a popular, profane subject, perhaps a woodcut left unexecuted when Beham died a year later, in 1550.. Head of a Man 459261 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-man-1549-sebald-beham-german-a-miniaturist-draftsman-engraver-etcher-and-designer-of-woodcuts-and-stained-glass-sebald-beham-formerly-known-at-hans-sebald-beham-was-one-of-the-most-prolific-graphic-artists-of-his-time-this-crude-grimacing-male-shares-the-same-clear-contours-and-broad-crosshatching-found-in-several-other-extant-head-studies-by-beham-in-the-museums-of-berlin-dresden-and-vienna-the-lehman-drawing-may-have-been-a-preliminary-sketch-for-a-popular-profane-subject-perhaps-a-woodcut-left-unexecuted-when-beham-died-a-year-later-in-1550-head-of-a-man-459261-image458086424.html
RM2HH7HWC–Head of a Man 1549 Sebald Beham German A miniaturist, draftsman, engraver, etcher and designer of woodcuts and stained glass, Sebald Beham (formerly known at Hans Sebald Beham) was one of the most prolific graphic artists of his time. This crude, grimacing male shares the same clear contours and broad crosshatching found in several other extant head studies by Beham in the museums of Berlin, Dresden and Vienna. The Lehman drawing may have been a preliminary sketch for a popular, profane subject, perhaps a woodcut left unexecuted when Beham died a year later, in 1550.. Head of a Man 459261
Twenty-five year old Youth with Fur-lined Coat between 1550 and 1560 by Jacopo Tintoretto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/twenty-five-year-old-youth-with-fur-lined-coat-between-1550-and-1560-by-jacopo-tintoretto-image544084936.html
RM2PH55TT–Twenty-five year old Youth with Fur-lined Coat between 1550 and 1560 by Jacopo Tintoretto
Christ among the doctors. Date/Period: 1550. Oil on wood. Wood. Height: 470 mm (18.50 in); Width: 330 mm (12.99 in). Author: Camillo Filippi (credited). Filippi, Camillo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-among-the-doctors-dateperiod-1550-oil-on-wood-wood-height-470-mm-1850-in-width-330-mm-1299-in-author-camillo-filippi-credited-filippi-camillo-image219740485.html
RMPNE16D–Christ among the doctors. Date/Period: 1550. Oil on wood. Wood. Height: 470 mm (18.50 in); Width: 330 mm (12.99 in). Author: Camillo Filippi (credited). Filippi, Camillo.
Viggianello, Italy. 11th Oct, 2020. A view of Piano Ruggio at about 1550 meters high, on the Pollino mountains in Basilicata, southern Italy. Very popular tourist destination throughout the year. Credit: Independent Photo Agency/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/viggianello-italy-11th-oct-2020-a-view-of-piano-ruggio-at-about-1550-meters-high-on-the-pollino-mountains-in-basilicata-southern-italy-very-popular-tourist-destination-throughout-the-year-credit-independent-photo-agencyalamy-live-news-image382544628.html
RM2D6ABG4–Viggianello, Italy. 11th Oct, 2020. A view of Piano Ruggio at about 1550 meters high, on the Pollino mountains in Basilicata, southern Italy. Very popular tourist destination throughout the year. Credit: Independent Photo Agency/Alamy Live News
celebration of the patron saint, Moors and Christians, Pollensa, Majorca, Balearic Islands, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celebration-of-the-patron-saint-moors-and-christians-pollensa-majorca-balearic-islands-spain-image565185153.html
RM2RREBC1–celebration of the patron saint, Moors and Christians, Pollensa, Majorca, Balearic Islands, Spain.
Adam's illustrated guide to Rye (with map) : Winchelsea, Northiam, Camben-on-Sea, and all places of interest in the neighbourhood . lar West Tower, built in 1509,contains late transition. Early English, and Decoratedwork. The chancel was re-built and beautified by a formerrector, Rev. E. R. Nares ; there is some good stained glass,and the choir stalls are of carved oak. The register datesfrom the year 1550, but there is an earlier book, said to be very old and illegible. Bishop Porteous was onceRector of this parish. The church has recently beenrestored. In the early part of this century, J. G Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adams-illustrated-guide-to-rye-with-map-winchelsea-northiam-camben-on-sea-and-all-places-of-interest-in-the-neighbourhood-lar-west-tower-built-in-1509contains-late-transition-early-english-and-decoratedwork-the-chancel-was-re-built-and-beautified-by-a-formerrector-rev-e-r-nares-there-is-some-good-stained-glassand-the-choir-stalls-are-of-carved-oak-the-register-datesfrom-the-year-1550-but-there-is-an-earlier-book-said-to-be-very-old-and-illegible-bishop-porteous-was-oncerector-of-this-parish-the-church-has-recently-beenrestored-in-the-early-part-of-this-century-j-g-image342775122.html
RM2AWJN4J–Adam's illustrated guide to Rye (with map) : Winchelsea, Northiam, Camben-on-Sea, and all places of interest in the neighbourhood . lar West Tower, built in 1509,contains late transition. Early English, and Decoratedwork. The chancel was re-built and beautified by a formerrector, Rev. E. R. Nares ; there is some good stained glass,and the choir stalls are of carved oak. The register datesfrom the year 1550, but there is an earlier book, said to be very old and illegible. Bishop Porteous was onceRector of this parish. The church has recently beenrestored. In the early part of this century, J. G
British Museum, London, UK. 14 March 2022. Once described as the greatest art patron in the world, Holy Roman Emperor Rudolf II (1552–1612) was an avid art collector during his 36-year reign. He amassed one of the largest and most diverse collections of the time: thousands of paintings, prints, drawings and sculptures. Printmaking in Prague displays the British Museum’s collection of Rudolfine prints for the very first time, including Jan Muller, Hendrick Goltzius and Albrecht Dürer. Image: Johannes Wechter (c. 1550-1606). View of Prague, 1606 (this edition 1649). Engraving. Credit: Malcolm Pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-london-uk-14-march-2022-once-described-as-the-greatest-art-patron-in-the-world-holy-roman-emperor-rudolf-ii-15521612-was-an-avid-art-collector-during-his-36-year-reign-he-amassed-one-of-the-largest-and-most-diverse-collections-of-the-time-thousands-of-paintings-prints-drawings-and-sculptures-printmaking-in-prague-displays-the-british-museums-collection-of-rudolfine-prints-for-the-very-first-time-including-jan-muller-hendrick-goltzius-and-albrecht-drer-image-johannes-wechter-c-1550-1606-view-of-prague-1606-this-edition-1649-engraving-credit-malcolm-pa-image463952521.html
RM2HXPT4W–British Museum, London, UK. 14 March 2022. Once described as the greatest art patron in the world, Holy Roman Emperor Rudolf II (1552–1612) was an avid art collector during his 36-year reign. He amassed one of the largest and most diverse collections of the time: thousands of paintings, prints, drawings and sculptures. Printmaking in Prague displays the British Museum’s collection of Rudolfine prints for the very first time, including Jan Muller, Hendrick Goltzius and Albrecht Dürer. Image: Johannes Wechter (c. 1550-1606). View of Prague, 1606 (this edition 1649). Engraving. Credit: Malcolm Pa
Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yuriria-mexico-may-26-2024-exterior-view-of-the-former-augustinian-convent-of-san-pablo-built-in-the-year-1550-image607834070.html
RF2X8W6FJ–Yuriria, Mexico, May, 26, 2024: Exterior view of the former Augustinian convent of San Pablo, built in the year 1550.
Gnoien, Germany. 16th May, 2023. Apple trees are in bloom at the Schönemeyer fruit farm. The apple trees are blooming later this year than in previous years, so the risk of night frosts is much lower. The following sunny and relatively warm weather provided good conditions for the flight of honey bees and wild insects. Apples are grown on around 1550 hectares in Mecklenburg-Western Pomerania. This makes apples the most important tree fruit for agriculture in the northeast. Credit: Bernd Wüstneck/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gnoien-germany-16th-may-2023-apple-trees-are-in-bloom-at-the-schnemeyer-fruit-farm-the-apple-trees-are-blooming-later-this-year-than-in-previous-years-so-the-risk-of-night-frosts-is-much-lower-the-following-sunny-and-relatively-warm-weather-provided-good-conditions-for-the-flight-of-honey-bees-and-wild-insects-apples-are-grown-on-around-1550-hectares-in-mecklenburg-western-pomerania-this-makes-apples-the-most-important-tree-fruit-for-agriculture-in-the-northeast-credit-bernd-wstneckdpaalamy-live-news-image552030739.html
RM2R234RF–Gnoien, Germany. 16th May, 2023. Apple trees are in bloom at the Schönemeyer fruit farm. The apple trees are blooming later this year than in previous years, so the risk of night frosts is much lower. The following sunny and relatively warm weather provided good conditions for the flight of honey bees and wild insects. Apples are grown on around 1550 hectares in Mecklenburg-Western Pomerania. This makes apples the most important tree fruit for agriculture in the northeast. Credit: Bernd Wüstneck/dpa/Alamy Live News
Peter Gallagher 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 586HNWPLX Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-gallagher-101307-sea-shepherd-benefit-breaking-the-ice-@-1550-pacific-coast-highway-santa-monica-photo-by-ima-kurodahnw-picturelux-october-13-2007-file-reference-33687-586hnwplx-image223002181.html
RMPXPHFH–Peter Gallagher 10/13/07 'Sea Shepherd Benefit - Breaking The Ice' @ 1550 Pacific Coast Highway, Santa Monica Photo by Ima Kuroda/HNW / PictureLux (October 13, 2007) File Reference # 33687 586HNWPLX
van barentz's voyages by Gerrit de veer 1598 ice closing in on ship. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-van-barentzs-voyages-by-gerrit-de-veer-1598-ice-closing-in-on-ship-104952809.html
RMG2N0AH–van barentz's voyages by Gerrit de veer 1598 ice closing in on ship. Willem Barentsz (William Barents or Barentz) (c. 1550 – 20 June 1597) Dutch navigator, cartographer, and Arctic explorer. He went on three expeditions to the far north in search for a Northeast passage. During his third expedition, the crew was stranded on Nova Zembla for almost a year. Barentsz died on the return voyage in 1597. In the 19th century, the Barents Sea was named after him.
Yellow Tor tor and front door on half-timbered house built in 1550 with date and grapevine, inscription, idyll, house facade, Fischergasse, Karlstadt, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yellow-tor-tor-and-front-door-on-half-timbered-house-built-in-1550-with-date-and-grapevine-inscription-idyll-house-facade-fischergasse-karlstadt-image620099205.html
RM2Y0RXT5–Yellow Tor tor and front door on half-timbered house built in 1550 with date and grapevine, inscription, idyll, house facade, Fischergasse, Karlstadt,
Napatan Egyptian gold Uraeus. the Napatan Period. In the New Kingdom (about 1550 - 1069 BC). The 400 year period in Sudan following Kushite rule in Egypt is known as the 'Napatan Period,' since it used to be thought that during this era Napata was the pol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-napatan-egyptian-gold-uraeus-the-napatan-period-in-the-new-kingdom-84979215.html
RMEX73RY–Napatan Egyptian gold Uraeus. the Napatan Period. In the New Kingdom (about 1550 - 1069 BC). The 400 year period in Sudan following Kushite rule in Egypt is known as the 'Napatan Period,' since it used to be thought that during this era Napata was the pol
Portrait of Julius Caesar, anonymous, Antonio Salamanca, 1550, vintage engraved. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-julius-caesar-anonymous-antonio-salamanca-1550-vintage-engraved-image570300183.html
RF2T3RBKK–Portrait of Julius Caesar, anonymous, Antonio Salamanca, 1550, vintage engraved.
(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- Actors perform in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (lfj) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-160407-fuzhou-april-7-2016-xinhua-actors-perform-in-a-rehearsal-of-101902103.html
RMFWP14R–(160407) -- FUZHOU, April 7, 2016 (Xinhua) -- Actors perform in a rehearsal of 'The Peony Pavillion,' a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China's Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of 'The Four Dreams of Linchuan,' a collection of four major Tang Xianzu dramas including 'The Story of the Purple Hairpin,' 'Record of Southern Bough,' 'Record of Handan' and 'The Peony Pavillion.' (Xinhua/Zhou Mi) (lfj)
Husbands at the accounts, anonymous, 1550 - 1610 A man is working at a table to update the books with entries and expenditures. His wife is with him. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/husbands-at-the-accounts-anonymous-1550-1610-a-man-is-working-at-a-table-to-update-the-books-with-entries-and-expenditures-his-wife-is-with-him-image488030930.html
RF2K9YMC2–Husbands at the accounts, anonymous, 1550 - 1610 A man is working at a table to update the books with entries and expenditures. His wife is with him.
FUZHOU, April 6, 2016 -- Actors perform in a rehearsal of The Peony Pavillion, a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China s Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of The Four Dreams of Linchuan, a collection of four major Tang Xianzu dramas including The Story of the Purple Hairpin, Record of Southern Bough, Record of Handan and The Peony Pavillion. ) (lfj) CHINA-JIANGXI-FUZHOU-TANG XIANZU-DRAMA-REHEARSAL Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fuzhou-april-6-2016-actors-perform-in-a-rehearsal-of-the-peony-pavillion-a-drama-by-ming-dynasty-dramatist-tang-xianzu-1550-1616-in-fuzhou-east-china-s-jiangxi-province-april-6-2016-this-year-marks-the-400th-birth-of-famed-dramatist-tang-xianzu-1550-1661-the-drama-troups-in-fuzhou-the-birthplace-of-tang-xianzu-organized-the-rehearsal-of-the-four-dreams-of-linchuan-a-collection-of-four-major-tang-xianzu-dramas-including-the-story-of-the-purple-hairpin-record-of-southern-bough-record-of-handan-and-the-peony-pavillion-lfj-china-jiangxi-fuzhou-tang-xianzu-drama-rehearsal-image563913962.html
RM2RNCE0A–FUZHOU, April 6, 2016 -- Actors perform in a rehearsal of The Peony Pavillion, a drama by Ming-dynasty dramatist Tang Xianzu (1550-1616), in Fuzhou, east China s Jiangxi Province, April 6, 2016. This year marks the 400th birth of famed dramatist Tang Xianzu (1550-1661). The drama troups in Fuzhou, the birthplace of Tang Xianzu, organized the rehearsal of The Four Dreams of Linchuan, a collection of four major Tang Xianzu dramas including The Story of the Purple Hairpin, Record of Southern Bough, Record of Handan and The Peony Pavillion. ) (lfj) CHINA-JIANGXI-FUZHOU-TANG XIANZU-DRAMA-REHEARSAL
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