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Year 1677 Stock Photos and Images
CLEMENTS NINVS PONTIFEX MAX, CREAVS DIE 20 IVN IN THE YEAR 1677 I. James of the Red Forms of Rome to the Temple of Peace before St. Pontus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clements-ninvs-pontifex-max-creavs-die-20-ivn-in-the-year-1677-i-james-of-the-red-forms-of-rome-to-the-temple-of-peace-before-st-pontus-image573205042.htmlRM2T8FMTJ–CLEMENTS NINVS PONTIFEX MAX, CREAVS DIE 20 IVN IN THE YEAR 1677 I. James of the Red Forms of Rome to the Temple of Peace before St. Pontus
vegetation on lava at Fuencaliente on volcano San Antonio after eruprion in the year 1677, Canary Islands, La Palma, Fuencaliente Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vegetation-on-lava-at-fuencaliente-on-volcano-san-antonio-after-eruprion-in-the-year-1677-canary-islands-la-palma-fuencaliente-image566708967.htmlRM2RWYR1Y–vegetation on lava at Fuencaliente on volcano San Antonio after eruprion in the year 1677, Canary Islands, La Palma, Fuencaliente
![. English: Fleuron from book: A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677. Containing a relation of the occasion, rise and progress of the war with the Indians, in the southern, western, eastern and northern parts of said country. By William Hubbard, A.M. Minister of Ipswich. [Five lines of Scripture texts]. 134 A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677 Fleuron W019469-1 Stock Photo](https://c8.alamy.com/comp/P09767/english-fleuron-from-book-a-narrative-of-the-indian-wars-in-new-england-from-the-first-planting-thereof-in-the-year-1607-to-the-year-1677-containing-a-relation-of-the-occasion-rise-and-progress-of-the-war-with-the-indians-in-the-southern-western-eastern-and-northern-parts-of-said-country-by-william-hubbard-am-minister-of-ipswich-five-lines-of-scripture-texts-134-a-narrative-of-the-indian-wars-in-new-england-from-the-first-planting-thereof-in-the-year-1607-to-the-year-1677-fleuron-w019469-1-P09767.jpg ". English: Fleuron from book: A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677. Containing a relation of the occasion, rise and progress of the war with the Indians, in the southern, western, eastern and northern parts of said country. By William Hubbard, A.M. Minister of Ipswich. [Five lines of Scripture texts]. 134 A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677 Fleuron W019469-1 Stock Photo")
. English: Fleuron from book: A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677. Containing a relation of the occasion, rise and progress of the war with the Indians, in the southern, western, eastern and northern parts of said country. By William Hubbard, A.M. Minister of Ipswich. [Five lines of Scripture texts]. 134 A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677 Fleuron W019469-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fleuron-from-book-a-narrative-of-the-indian-wars-in-new-england-from-the-first-planting-thereof-in-the-year-1607-to-the-year-1677-containing-a-relation-of-the-occasion-rise-and-progress-of-the-war-with-the-indians-in-the-southern-western-eastern-and-northern-parts-of-said-country-by-william-hubbard-am-minister-of-ipswich-five-lines-of-scripture-texts-134-a-narrative-of-the-indian-wars-in-new-england-from-the-first-planting-thereof-in-the-year-1607-to-the-year-1677-fleuron-w019469-1-image206727647.htmlRMP09767–. English: Fleuron from book: A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677. Containing a relation of the occasion, rise and progress of the war with the Indians, in the southern, western, eastern and northern parts of said country. By William Hubbard, A.M. Minister of Ipswich. [Five lines of Scripture texts]. 134 A narrative of the Indian wars in New-England, from the first planting thereof in the year 1607, to the year 1677 Fleuron W019469-1
![Clothworkers Company's Cup (Pepys's), 1850. Item from an 'Exhibition of Ancient and Mediaeval Art at the Society of Arts, in John-street, Adelphi', [London]. 'The election cup of the Clothworkers' Company, which is commonly called "Pepys' cup", probably because it was presented to them by Samuel Pepys, who, we find was master in the year 1677'. From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT6986/clothworkers-companys-cup-pepyss-1850-item-from-an-exhibition-of-ancient-and-mediaeval-art-at-the-society-of-arts-in-john-street-adelphi-london-the-election-cup-of-the-clothworkers-company-which-is-commonly-called-quotpepys-cupquot-probably-because-it-was-presented-to-them-by-samuel-pepys-who-we-find-was-master-in-the-year-1677-from-quotillustrated-london-newsquot-1850-2HT6986.jpg "Clothworkers Company's Cup (Pepys's), 1850. Item from an 'Exhibition of Ancient and Mediaeval Art at the Society of Arts, in John-street, Adelphi', [London]. 'The election cup of the Clothworkers' Company, which is commonly called "Pepys' cup", probably because it was presented to them by Samuel Pepys, who, we find was master in the year 1677'. From "Illustrated London News", 1850. Stock Photo")
Clothworkers Company's Cup (Pepys's), 1850. Item from an 'Exhibition of Ancient and Mediaeval Art at the Society of Arts, in John-street, Adelphi', [London]. 'The election cup of the Clothworkers' Company, which is commonly called "Pepys' cup", probably because it was presented to them by Samuel Pepys, who, we find was master in the year 1677'. From "Illustrated London News", 1850. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clothworkers-companys-cup-pepyss-1850-item-from-an-exhibition-of-ancient-and-mediaeval-art-at-the-society-of-arts-in-john-street-adelphi-london-the-election-cup-of-the-clothworkers-company-which-is-commonly-called-quotpepys-cupquot-probably-because-it-was-presented-to-them-by-samuel-pepys-who-we-find-was-master-in-the-year-1677-from-quotillustrated-london-newsquot-1850-image462360310.htmlRM2HT6986–Clothworkers Company's Cup (Pepys's), 1850. Item from an 'Exhibition of Ancient and Mediaeval Art at the Society of Arts, in John-street, Adelphi', [London]. 'The election cup of the Clothworkers' Company, which is commonly called "Pepys' cup", probably because it was presented to them by Samuel Pepys, who, we find was master in the year 1677'. From "Illustrated London News", 1850.
Year 1677 vintage engraving of Ambras Renaissance castle on the hills above Innsbruck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-year-1677-vintage-engraving-of-ambras-renaissance-castle-on-the-hills-122380271.htmlRFH32W7Y–Year 1677 vintage engraving of Ambras Renaissance castle on the hills above Innsbruck
Student life in Strasbourg around 1677, from - Wunderliche und warhafftige Geschichte Philanders von Sittewald, woodcut from the year 1882, digital improved Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-student-life-in-strasbourg-around-1677-from-wunderliche-und-warhafftige-129049955.htmlRFHDXMEY–Student life in Strasbourg around 1677, from - Wunderliche und warhafftige Geschichte Philanders von Sittewald, woodcut from the year 1882, digital improved
Grapevines grow on the volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grapevines-grow-on-the-volcanic-ground-that-was-left-by-the-eruption-image68406937.htmlRFDY85MW–Grapevines grow on the volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677.
Cambrai occupied by the French, 1677 Image of Cameryk, so as, in the year 1677 by the Lodewyk XIV wierd ingested (title object) View of the city Cambrai (Cambrai) after ingestion by French forces under King Louis XIV on april 18, 1677. in the foreground, a few riders and carcasses of horses. Part of an atlas of 223 maps of countries and cities and scenes of war in Europe in the period ca. 1690-1735. Manufacturer : printmaker: anonymous publisher: inherit J. Ratelband & CoPlaats manufacture: printmaker: Northern Netherlands Publisher: Amsterdam Date: 1735 Physical Features: Etching and gravure, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cambrai-occupied-by-the-french-1677-image-of-cameryk-so-as-in-the-year-1677-by-the-lodewyk-xiv-wierd-ingested-title-object-view-of-the-city-cambrai-cambrai-after-ingestion-by-french-forces-under-king-louis-xiv-on-april-18-1677-in-the-foreground-a-few-riders-and-carcasses-of-horses-part-of-an-atlas-of-223-maps-of-countries-and-cities-and-scenes-of-war-in-europe-in-the-period-ca-1690-1735-manufacturer-printmaker-anonymous-publisher-inherit-j-ratelband-coplaats-manufacture-printmaker-northern-netherlands-publisher-amsterdam-date-1735-physical-features-etching-and-gravure-image348245493.htmlRM2B6FXK1–Cambrai occupied by the French, 1677 Image of Cameryk, so as, in the year 1677 by the Lodewyk XIV wierd ingested (title object) View of the city Cambrai (Cambrai) after ingestion by French forces under King Louis XIV on april 18, 1677. in the foreground, a few riders and carcasses of horses. Part of an atlas of 223 maps of countries and cities and scenes of war in Europe in the period ca. 1690-1735. Manufacturer : printmaker: anonymous publisher: inherit J. Ratelband & CoPlaats manufacture: printmaker: Northern Netherlands Publisher: Amsterdam Date: 1735 Physical Features: Etching and gravure,
De Komet of 1677, Jan Luyken, 1677 print The comet who showed itself in the Netherlands in the months of April and May of the year 1677. The comet is observed by a group of people in the night sky. With poem of 14 lines. Northern Netherlands paper etching / letterpress printing comet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-komet-of-1677-jan-luyken-1677-print-the-comet-who-showed-itself-in-the-netherlands-in-the-months-of-april-and-may-of-the-year-1677-the-comet-is-observed-by-a-group-of-people-in-the-night-sky-with-poem-of-14-lines-northern-netherlands-paper-etching-letterpress-printing-comet-image592955131.htmlRM2WCKC8Y–De Komet of 1677, Jan Luyken, 1677 print The comet who showed itself in the Netherlands in the months of April and May of the year 1677. The comet is observed by a group of people in the night sky. With poem of 14 lines. Northern Netherlands paper etching / letterpress printing comet
Drawing of detail of a tomb of a king of England. Screen, carved structure, and effigy of the monarch. 17th century. . A Genealogical History of the Kings of England. London, 1677. From A Genealogical History of the Kings of England ... from the Conquest anno 1066 to the year 1677; in seven parts ... containing a discourse of their several lives ... with their effigies, seals, tombs, arms, quarterings, ... and supporters, all engraven in copper plates, etc. Francis Sandford, Lancaster Herald. Source: G.4840 154. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-of-detail-of-a-tomb-of-a-king-of-england-screen-carved-structure-and-effigy-of-the-monarch-17th-century-a-genealogical-history-of-the-kings-of-england-london-1677-from-a-genealogical-history-of-the-kings-of-england-from-the-conquest-anno-1066-to-the-year-1677-in-seven-parts-containing-a-discourse-of-their-several-lives-with-their-effigies-seals-tombs-arms-quarterings-and-supporters-all-engraven-in-copper-plates-etc-francis-sandford-lancaster-herald-source-g4840-154-language-english-image226773949.htmlRMR4XCDH–Drawing of detail of a tomb of a king of England. Screen, carved structure, and effigy of the monarch. 17th century. . A Genealogical History of the Kings of England. London, 1677. From A Genealogical History of the Kings of England ... from the Conquest anno 1066 to the year 1677; in seven parts ... containing a discourse of their several lives ... with their effigies, seals, tombs, arms, quarterings, ... and supporters, all engraven in copper plates, etc. Francis Sandford, Lancaster Herald. Source: G.4840 154. Language: English.
A Genealogical History of the Kings of England, and Monarchs of Great Britain, From the Conquest, Anno 1066, to the Year 1677 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-genealogical-history-of-the-kings-of-england-and-monarchs-of-great-britain-from-the-conquest-anno-1066-to-the-year-1677-image574558338.htmlRF2TANB0J–A Genealogical History of the Kings of England, and Monarchs of Great Britain, From the Conquest, Anno 1066, to the Year 1677
blue 1677 number 3d effect white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blue-1677-number-3d-effect-white-background-image446423253.htmlRF2GX89BH–blue 1677 number 3d effect white background
Jean Harlow's ex-husband, the wealthy Charles F. McGraw, reads of Paul Bern's death. Sept. 8, 1932. Harlow was almost 18 when she married the 20 year old McGraw. The couple moved to Beverly Hills, and Harlow was drawn into the movies, stressing her marriage. The couple divorced in 1929. (CSU 2015 11 1677) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-harlows-ex-husband-the-wealthy-charles-f-mcgraw-reads-of-paul-87519899.htmlRMF2ATEK–Jean Harlow's ex-husband, the wealthy Charles F. McGraw, reads of Paul Bern's death. Sept. 8, 1932. Harlow was almost 18 when she married the 20 year old McGraw. The couple moved to Beverly Hills, and Harlow was drawn into the movies, stressing her marriage. The couple divorced in 1929. (CSU 2015 11 1677)
Inspired by The Card players., Thomas Wyck, artist, 1631-1677, etching, Thomas Wijck (also Thomas Wijk, or Thomas Wyck, 1616–1677) was a Dutch painter of port views and genre paintings who also made a small number of etchings. Wijck was born into an artist family and received his training from his, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-card-players-thomas-wyck-artist-1631-1677-etching-thomas-wijck-also-thomas-wijk-or-thomas-wyck-16161677-was-a-dutch-painter-of-port-views-and-genre-paintings-who-also-made-a-small-number-of-etchings-wijck-was-born-into-an-artist-family-and-received-his-training-from-his-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459331756.htmlRF2HK8A9G–Inspired by The Card players., Thomas Wyck, artist, 1631-1677, etching, Thomas Wijck (also Thomas Wijk, or Thomas Wyck, 1616–1677) was a Dutch painter of port views and genre paintings who also made a small number of etchings. Wijck was born into an artist family and received his training from his, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Unus Americanus ex Virginia. Aetat 23 / W. Hollar ad vivum (from life) delin. et fecit, by Hollar, Wenceslaus, 1607-1677, etcher Twenty-three-year old Virginia Algonquian man, half-length portrait, wearing necklace and head ornaments, and with facial mar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-unus-americanus-ex-virginia-aetat-23-w-hollar-ad-vivum-from-life-delin-104000019.htmlRMG15H2B–Unus Americanus ex Virginia. Aetat 23 / W. Hollar ad vivum (from life) delin. et fecit, by Hollar, Wenceslaus, 1607-1677, etcher Twenty-three-year old Virginia Algonquian man, half-length portrait, wearing necklace and head ornaments, and with facial mar
Johann, John or Jean T'Serclaes of Tilly, February 1559 - April 30, 1632, was a Dutch count who served during the Thirty Years' War as supreme commander of both the Catholic League and from 1630 the imperial army, engraving from Umling after one Portrait, 1677, digital improved reproduction from an original woodcut or illustration from the year 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johann-john-or-jean-tserclaes-of-tilly-february-1559-april-30-1632-171095127.htmlRFKXA1G7–Johann, John or Jean T'Serclaes of Tilly, February 1559 - April 30, 1632, was a Dutch count who served during the Thirty Years' War as supreme commander of both the Catholic League and from 1630 the imperial army, engraving from Umling after one Portrait, 1677, digital improved reproduction from an original woodcut or illustration from the year 1880
View of the Monument Erected in Memory of the Dreadful Fire in the Year 1666 in Fish Street Hill, a bustling London street on the north side of London Bridge. It was commissioned from the architect Sir Christopher Wren, and built in the wake of the Great Fire of London. The huge pillar, a fluted Doric column, is topped by a flaming urn. It stands 202 feet tall and is located about 202 feet from the site of the baker's shop in Pudding Lane, where the fire began. The Monument was unveiled in 1677 as a reminder of the dreadful fire and a symbol of the city's rebirth. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-monument-erected-in-memory-of-the-dreadful-fire-in-the-year-1666-in-fish-street-hill-a-bustling-london-street-on-the-north-side-of-london-bridge-it-was-commissioned-from-the-architect-sir-christopher-wren-and-built-in-the-wake-of-the-great-fire-of-london-the-huge-pillar-a-fluted-doric-column-is-topped-by-a-flaming-urn-it-stands-202-feet-tall-and-is-located-about-202-feet-from-the-site-of-the-bakers-shop-in-pudding-lane-where-the-fire-began-the-monument-was-unveiled-in-1677-as-a-reminder-of-the-dreadful-fire-and-a-symbol-of-the-citys-rebirth-image227943568.htmlRMR6RM9M–View of the Monument Erected in Memory of the Dreadful Fire in the Year 1666 in Fish Street Hill, a bustling London street on the north side of London Bridge. It was commissioned from the architect Sir Christopher Wren, and built in the wake of the Great Fire of London. The huge pillar, a fluted Doric column, is topped by a flaming urn. It stands 202 feet tall and is located about 202 feet from the site of the baker's shop in Pudding Lane, where the fire began. The Monument was unveiled in 1677 as a reminder of the dreadful fire and a symbol of the city's rebirth.
Chora, Mykonos, Greece. 3rd Oct, 2004. The blue-domed Catholic Church in Chora, Mykonos, the only Catholic church on the island, was constructed in 1668 and renovated in 1677. A tourist favorite, Mykonos attracts large numbers every year and tourism is a major industry. © Arnold Drapkin/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chora-mykonos-greece-3rd-oct-2004-the-blue-domed-catholic-church-in-79172663.htmlRMEGPHF3–Chora, Mykonos, Greece. 3rd Oct, 2004. The blue-domed Catholic Church in Chora, Mykonos, the only Catholic church on the island, was constructed in 1668 and renovated in 1677. A tourist favorite, Mykonos attracts large numbers every year and tourism is a major industry. © Arnold Drapkin/ZUMA Wire/Alamy Live News
Portrait of Pietro Ottoboni, Jean Audran, after Francesco Trevisani, 1677 - 1756, vintage engraved. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-pietro-ottoboni-jean-audran-after-francesco-trevisani-1677-1756-vintage-engraved-image570301342.htmlRF2T3RD52–Portrait of Pietro Ottoboni, Jean Audran, after Francesco Trevisani, 1677 - 1756, vintage engraved.
The comet that showed itself in the Netherlands during the months of April and May of the year 1677. The comet is observed by a group of people in the night sky. With a poem of 14 lines, De komeet van 1677 Den Comeet-Ster Sich vertonende aan Nederlandt, en alomme aan andere Landen: in den jare (...) 1677 (...) in 't noort oosten , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (attributed to), Northern Netherlands, 1677, paper, etching, letterpress printing, h 186 mm × w 133 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-comet-that-showed-itself-in-the-netherlands-during-the-months-of-april-and-may-of-the-year-1677-the-comet-is-observed-by-a-group-of-people-in-the-night-sky-with-a-poem-of-14-lines-de-komeet-van-1677-den-comeet-ster-sich-vertonende-aan-nederlandt-en-alomme-aan-andere-landen-in-den-jare-1677-in-t-noort-oosten-print-maker-jan-luyken-mentioned-on-object-jan-luyken-attributed-to-northern-netherlands-1677-paper-etching-letterpress-printing-h-186-mm-w-133-mm-image472179412.htmlRM2JC5HJC–The comet that showed itself in the Netherlands during the months of April and May of the year 1677. The comet is observed by a group of people in the night sky. With a poem of 14 lines, De komeet van 1677 Den Comeet-Ster Sich vertonende aan Nederlandt, en alomme aan andere Landen: in den jare (...) 1677 (...) in 't noort oosten , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (attributed to), Northern Netherlands, 1677, paper, etching, letterpress printing, h 186 mm × w 133 mm
Portrait of Menno Simons, Christopher of Shechem (I), 1677 Portrait of Menno Simons, leaning on a stool. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-menno-simons-christopher-of-shechem-i-1677-portrait-of-menno-simons-leaning-on-a-stool-image570304006.htmlRF2T3RGG6–Portrait of Menno Simons, Christopher of Shechem (I), 1677 Portrait of Menno Simons, leaning on a stool.
English: Portrait of Mademoiselle de Blois (1677-1749), as Galatea Triumphant. . English: The painting is dated as 1692, the year of her marriage to Felipe II, Duke of Chartres. . 1692. 1020 Portrait of Mademoiselle de Blois (1677-1749), as Galatea Triumphant Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-portrait-of-mademoiselle-de-blois-1677-1749-as-galatea-triumphant-english-the-painting-is-dated-as-1692-the-year-of-her-marriage-to-felipe-ii-duke-of-chartres-1692-1020-portrait-of-mademoiselle-de-blois-1677-1749-as-galatea-triumphant-image185693854.htmlRMMP32BA–English: Portrait of Mademoiselle de Blois (1677-1749), as Galatea Triumphant. . English: The painting is dated as 1692, the year of her marriage to Felipe II, Duke of Chartres. . 1692. 1020 Portrait of Mademoiselle de Blois (1677-1749), as Galatea Triumphant
Portrait of Hellenist Anton Maria Salvini, Cosimo Mogalli, after Giulio Pignatta, 1677 - 1730, vintage engraved. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-hellenist-anton-maria-salvini-cosimo-mogalli-after-giulio-pignatta-1677-1730-vintage-engraved-image570302157.htmlRF2T3RE65–Portrait of Hellenist Anton Maria Salvini, Cosimo Mogalli, after Giulio Pignatta, 1677 - 1730, vintage engraved.
The age of an old house in Appleby, Cumbria, UK. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-age-of-an-old-house-in-appleby-cumbria-uk-49026466.htmlRMCRN9N6–The age of an old house in Appleby, Cumbria, UK.
Portrait of Adriaen du Perron, Adriaen Lommelin, 1630 - 1677 Portrait of Cardinal Adriaen du Perron, Archbishop of Sens (France). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-adriaen-du-perron-adriaen-lommelin-1630-1677-portrait-of-cardinal-adriaen-du-perron-archbishop-of-sens-france-image570299319.htmlRF2T3RAGR–Portrait of Adriaen du Perron, Adriaen Lommelin, 1630 - 1677 Portrait of Cardinal Adriaen du Perron, Archbishop of Sens (France).
Grapevines grow on the volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grapevines-grow-on-the-volcanic-ground-that-was-left-by-the-eruption-image68406974.htmlRFDY85P6–Grapevines grow on the volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677.
The comet of 1677 Den Comeet-Star Sich presenting to Nederlandt and alomme to other countries in the year () 1677 () in 't noort east (title object) comet 1677Den Comeet-Star Sich presenting to Nederlandt and alomme in other countries: in the year (...) 1677 (...) in 't noort east (title object) Property Type : print new picture Item number: RP-P-1896-A-19368-1Catalogusreferentie: FMH 2617Van Eeghen 1 Definition: the comet in April and May of 1677 in the Netherlands showed. The comet is a group of people Where: taken at the night sky. In poem 14 regels. Manufacturer : printmaker Jan Luyken (li Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-comet-of-1677-den-comeet-star-sich-presenting-to-nederlandt-and-alomme-to-other-countries-in-the-year-1677-in-t-noort-east-title-object-comet-1677den-comeet-star-sich-presenting-to-nederlandt-and-alomme-in-other-countries-in-the-year-1677-in-t-noort-east-title-object-property-type-print-new-picture-item-number-rp-p-1896-a-19368-1catalogusreferentie-fmh-2617van-eeghen-1-definition-the-comet-in-april-and-may-of-1677-in-the-netherlands-showed-the-comet-is-a-group-of-people-where-taken-at-the-night-sky-in-poem-14-regels-manufacturer-printmaker-jan-luyken-li-image348292017.htmlRM2B6J20H–The comet of 1677 Den Comeet-Star Sich presenting to Nederlandt and alomme to other countries in the year () 1677 () in 't noort east (title object) comet 1677Den Comeet-Star Sich presenting to Nederlandt and alomme in other countries: in the year (...) 1677 (...) in 't noort east (title object) Property Type : print new picture Item number: RP-P-1896-A-19368-1Catalogusreferentie: FMH 2617Van Eeghen 1 Definition: the comet in April and May of 1677 in the Netherlands showed. The comet is a group of people Where: taken at the night sky. In poem 14 regels. Manufacturer : printmaker Jan Luyken (li
Magazine with Nijmegen as a negotiating city and with New Year's wish for 1677, 1676 - 1677 print Leaf with a face on Nijmegen and Fort Knodsenburg, in the air two putti with a laurel wreath. Under the record a text in 3 columns in German with the history of Nijmegen and its position as a city of negotiating. Ending with the prognosticon for the year 1677. Germany paper etching / letterpress printing Nijmegen. Fort Knodsenburg (Nijmegen) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/magazine-with-nijmegen-as-a-negotiating-city-and-with-new-years-wish-for-1677-1676-1677-print-leaf-with-a-face-on-nijmegen-and-fort-knodsenburg-in-the-air-two-putti-with-a-laurel-wreath-under-the-record-a-text-in-3-columns-in-german-with-the-history-of-nijmegen-and-its-position-as-a-city-of-negotiating-ending-with-the-prognosticon-for-the-year-1677-germany-paper-etching-letterpress-printing-nijmegen-fort-knodsenburg-nijmegen-image595282453.htmlRM2WGDCRH–Magazine with Nijmegen as a negotiating city and with New Year's wish for 1677, 1676 - 1677 print Leaf with a face on Nijmegen and Fort Knodsenburg, in the air two putti with a laurel wreath. Under the record a text in 3 columns in German with the history of Nijmegen and its position as a city of negotiating. Ending with the prognosticon for the year 1677. Germany paper etching / letterpress printing Nijmegen. Fort Knodsenburg (Nijmegen)
Inhabitants of Hoogstraten and Minderhout adore the Christ Child, Adriaen Lommelin, 1630 - 1677 Mary sits with the Christ Child on her lap, her heart Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inhabitants-of-hoogstraten-and-minderhout-adore-the-christ-child-adriaen-lommelin-1630-1677-mary-sits-with-the-christ-child-on-her-lap-her-heart-image488049527.htmlRF2KA0G47–Inhabitants of Hoogstraten and Minderhout adore the Christ Child, Adriaen Lommelin, 1630 - 1677 Mary sits with the Christ Child on her lap, her heart
A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677 1677 Francis Sandford Finely etched and engraved illustrations in this volume offer portraits of British monarchs and nobles beginning with the reign of the Norman King William I, and continuing through that of the Stuart, James II. The latter’s father, Charles I, had been overthrown in 1659 by Republican forces led by Oliver Cromwell and, when the Stuarts reclaimed the throne in 1666, they encouraged renewed attention to royal history. The detailed images also demo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-genealogical-history-of-the-kings-of-england-and-monarchs-of-great-britain-c-from-the-conquest-anno-1066-to-the-year-1677-1677-francis-sandford-finely-etched-and-engraved-illustrations-in-this-volume-offer-portraits-of-british-monarchs-and-nobles-beginning-with-the-reign-of-the-norman-king-william-i-and-continuing-through-that-of-the-stuart-james-ii-the-latters-father-charles-i-had-been-overthrown-in-1659-by-republican-forces-led-by-oliver-cromwell-and-when-the-stuarts-reclaimed-the-throne-in-1666-they-encouraged-renewed-attention-to-royal-history-the-detailed-images-also-demo-image457927591.htmlRM2HH0B8R–A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677 1677 Francis Sandford Finely etched and engraved illustrations in this volume offer portraits of British monarchs and nobles beginning with the reign of the Norman King William I, and continuing through that of the Stuart, James II. The latter’s father, Charles I, had been overthrown in 1659 by Republican forces led by Oliver Cromwell and, when the Stuarts reclaimed the throne in 1666, they encouraged renewed attention to royal history. The detailed images also demo
Herodias and Salome with the head of John the Baptist, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1639 - 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/herodias-and-salome-with-the-head-of-john-the-baptist-anonymous-after-schelte-adamsz-bolswert-after-peter-paul-rubens-1639-1677-image570297113.htmlRF2T3R7P1–Herodias and Salome with the head of John the Baptist, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1639 - 1677.
Invitation to the funeral of Michiel de Ruyter, Bruno Spensionerer, 1677 letter Printed note with horizontal, vertical and diagonal folding seams on one side. Signed; r.: by B. more stretcher. Dated; In the middle of the top: the year 1677. inscription; M.: 't Year 1677. / Tegen Thursday, March 18, will be UE. praying with the corpse of / Michiel de Ruyter, / duke, knight & c. / Lt. Admiral General / Van Holland and Westvriesland. / On 'tnieuwe Walloon Eyland, as a friend to come to Huys, / to go for an hour of precise after the / new church. / UE name will be read./ by B. Spensioner. paper p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/invitation-to-the-funeral-of-michiel-de-ruyter-bruno-spensionerer-1677-letter-printed-note-with-horizontal-vertical-and-diagonal-folding-seams-on-one-side-signed-r-by-b-more-stretcher-dated-in-the-middle-of-the-top-the-year-1677-inscription-m-t-year-1677-tegen-thursday-march-18-will-be-ue-praying-with-the-corpse-of-michiel-de-ruyter-duke-knight-c-lt-admiral-general-van-holland-and-westvriesland-on-tnieuwe-walloon-eyland-as-a-friend-to-come-to-huys-to-go-for-an-hour-of-precise-after-the-new-church-ue-name-will-be-read-by-b-spensioner-paper-p-image590734272.htmlRM2W927GG–Invitation to the funeral of Michiel de Ruyter, Bruno Spensionerer, 1677 letter Printed note with horizontal, vertical and diagonal folding seams on one side. Signed; r.: by B. more stretcher. Dated; In the middle of the top: the year 1677. inscription; M.: 't Year 1677. / Tegen Thursday, March 18, will be UE. praying with the corpse of / Michiel de Ruyter, / duke, knight & c. / Lt. Admiral General / Van Holland and Westvriesland. / On 'tnieuwe Walloon Eyland, as a friend to come to Huys, / to go for an hour of precise after the / new church. / UE name will be read./ by B. Spensioner. paper p
Art inspired by The Card players., Thomas Wyck, artist, 1631-1677, etching, Thomas Wijck (also Thomas Wijk, or Thomas Wyck, 1616–1677) was a Dutch painter of port views and genre paintings who also made a small number of etchings. Wijck was born into an artist family and received his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-card-players-thomas-wyck-artist-1631-1677-etching-thomas-wijck-also-thomas-wijk-or-thomas-wyck-16161677-was-a-dutch-painter-of-port-views-and-genre-paintings-who-also-made-a-small-number-of-etchings-wijck-was-born-into-an-artist-family-and-received-his-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459673985.htmlRF2HKRXT1–Art inspired by The Card players., Thomas Wyck, artist, 1631-1677, etching, Thomas Wijck (also Thomas Wijk, or Thomas Wyck, 1616–1677) was a Dutch painter of port views and genre paintings who also made a small number of etchings. Wijck was born into an artist family and received his, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The comet of 1677; The comeet-star Sich showed Dutch and Alumni to other countries: in the JAR (...) 1677 (...) in 't Noort East. The comet who in April and May of the year 1677 showed in the Netherlands. The comet is observed by a group of people to the night sky. With poem of 14 lines. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-comet-of-1677-the-comeet-star-sich-showed-dutch-and-alumni-to-other-countries-in-the-jar-1677-in-t-noort-east-the-comet-who-in-april-and-may-of-the-year-1677-showed-in-the-netherlands-the-comet-is-observed-by-a-group-of-people-to-the-night-sky-with-poem-of-14-lines-image430914891.htmlRM2G11T9F–The comet of 1677; The comeet-star Sich showed Dutch and Alumni to other countries: in the JAR (...) 1677 (...) in 't Noort East. The comet who in April and May of the year 1677 showed in the Netherlands. The comet is observed by a group of people to the night sky. With poem of 14 lines.
John Overall, 1559 – 1619, was bishop of the see of Norwich from 1618 until his death one year later, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-overall-1559-1619-was-bishop-of-the-see-of-norwich-from-1618-until-his-death-one-year-later-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image340464802.htmlRM2ANWE96–John Overall, 1559 – 1619, was bishop of the see of Norwich from 1618 until his death one year later, etching by Bohemian etcher Wenceslaus Hollar from 1600s
Archive image from page 240 of Cyclopedia of American horticulture, comprising. Cyclopedia of American horticulture, comprising suggestions for cultivation of horticultural plants, descriptions of the species of fruits, vegetables, flowers, and ornamental plants sold in the United States and Canada, together with geographical and biographical sketches cyclopediaofam04bail Year: 1900 ced ffardene SOLANUM ft. high, with truilii 1677 2335 Solandra erandlflora is usually given, that is, if plants are to be grown on as specimens, but the proportion of nutrient substances used in a potting mixt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-240-of-cyclopedia-of-american-horticulture-comprising-cyclopedia-of-american-horticulture-comprising-suggestions-for-cultivation-of-horticultural-plants-descriptions-of-the-species-of-fruits-vegetables-flowers-and-ornamental-plants-sold-in-the-united-states-and-canada-together-with-geographical-and-biographical-sketches-cyclopediaofam04bail-year-1900-ced-ffardene-solanum-ft-high-with-truilii-1677-2335-solandra-erandlflora-is-usually-given-that-is-if-plants-are-to-be-grown-on-as-specimens-but-the-proportion-of-nutrient-substances-used-in-a-potting-mixt-image259485523.htmlRMW24GC3–Archive image from page 240 of Cyclopedia of American horticulture, comprising. Cyclopedia of American horticulture, comprising suggestions for cultivation of horticultural plants, descriptions of the species of fruits, vegetables, flowers, and ornamental plants sold in the United States and Canada, together with geographical and biographical sketches cyclopediaofam04bail Year: 1900 ced ffardene SOLANUM ft. high, with truilii 1677 2335 Solandra erandlflora is usually given, that is, if plants are to be grown on as specimens, but the proportion of nutrient substances used in a potting mixt
Washington, District of Columbia, USA. 12th Aug, 2018. 8/12/18- Layfatte Park, Washington DC.The white supremacist and Antifa both rally near the White House on the one year anniversary of the violence in Charlotesville Va. photos by: - ImageCatcher News Credit: Christy Bowe/Globe Photos/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-district-of-columbia-usa-12th-aug-2018-81218-layfatte-park-washington-dcthe-white-supremacist-and-antifa-both-rally-near-the-white-house-on-the-one-year-anniversary-of-the-violence-in-charlotesville-va-photos-by-imagecatcher-news-credit-christy-boweglobe-photoszuma-wirealamy-live-news-image215265712.htmlRMPE65H4–Washington, District of Columbia, USA. 12th Aug, 2018. 8/12/18- Layfatte Park, Washington DC.The white supremacist and Antifa both rally near the White House on the one year anniversary of the violence in Charlotesville Va. photos by: - ImageCatcher News Credit: Christy Bowe/Globe Photos/ZUMA Wire/Alamy Live News
Image taken from page 87 of 'The Vestry Minute Book of the parish of St. Margaret Lothbury in the City of London, 1571-1677. Edited by E. Freshfield' Image taken from page 87 of 'The Vestry Minute Book Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-87-of-the-vestry-minute-book-of-the-parish-of-127767729.htmlRMHBT915–Image taken from page 87 of 'The Vestry Minute Book of the parish of St. Margaret Lothbury in the City of London, 1571-1677. Edited by E. Freshfield' Image taken from page 87 of 'The Vestry Minute Book
Sheet with Nijmegen as a negotiating city and with New Year's wishes for 1677, Eigentliche Abbildung, und Ausführliche Beschreibung Der, zu denen instehenden Friedens-Tractaten gewidmeten Gelderischen vornehm-berühmten Haupt- und Hansee-Stadt Nieumägen, together with the beruffenen Schantz Knodsenburg (title on object), Leaf with a view of Nijmegen and Fort Knodsenburg, in the air two putti with a laurel wreath. Below the plate a text in 3 columns in German with the history of Nijmegen and its position as a negotiating city. Ending with the Prognosticon for the year 1677., print, print maker Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-with-nijmegen-as-a-negotiating-city-and-with-new-years-wishes-for-1677-eigentliche-abbildung-und-ausfhrliche-beschreibung-der-zu-denen-instehenden-friedens-tractaten-gewidmeten-gelderischen-vornehm-berhmten-haupt-und-hansee-stadt-nieumgen-together-with-the-beruffenen-schantz-knodsenburg-title-on-object-leaf-with-a-view-of-nijmegen-and-fort-knodsenburg-in-the-air-two-putti-with-a-laurel-wreath-below-the-plate-a-text-in-3-columns-in-german-with-the-history-of-nijmegen-and-its-position-as-a-negotiating-city-ending-with-the-prognosticon-for-the-year-1677-print-print-maker-image606629041.htmlRM2X6X9EW–Sheet with Nijmegen as a negotiating city and with New Year's wishes for 1677, Eigentliche Abbildung, und Ausführliche Beschreibung Der, zu denen instehenden Friedens-Tractaten gewidmeten Gelderischen vornehm-berühmten Haupt- und Hansee-Stadt Nieumägen, together with the beruffenen Schantz Knodsenburg (title on object), Leaf with a view of Nijmegen and Fort Knodsenburg, in the air two putti with a laurel wreath. Below the plate a text in 3 columns in German with the history of Nijmegen and its position as a negotiating city. Ending with the Prognosticon for the year 1677., print, print maker
. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. Rawson, his wife, diedbefore 11 October, 1677. Rawson had miany interests, as a member of the FirstChurch in Boston, and then of the Third or Old SouthChurch, and as agent for the Society for Propagating theGospel among the Indians in New England. We haveoccasional glimpses of other activities: he tried to save Mrs.Flibblns, who was executed as a witch, because, saidNorton, she had more wits than her neighbor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-founders-portraits-of-persons-born-abroad-who-came-to-the-colonies-in-north-america-before-the-year-1701-with-an-introduction-biographical-outlines-and-comments-on-the-portraits-rawson-his-wife-diedbefore-11-october-1677-rawson-had-miany-interests-as-a-member-of-the-firstchurch-in-boston-and-then-of-the-third-or-old-southchurch-and-as-agent-for-the-society-for-propagating-thegospel-among-the-indians-in-new-england-we-haveoccasional-glimpses-of-other-activities-he-tried-to-save-mrsflibblns-who-was-executed-as-a-witch-because-saidnorton-she-had-more-wits-than-her-neighbor-image336808574.htmlRM2AFXXNJ–. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. Rawson, his wife, diedbefore 11 October, 1677. Rawson had miany interests, as a member of the FirstChurch in Boston, and then of the Third or Old SouthChurch, and as agent for the Society for Propagating theGospel among the Indians in New England. We haveoccasional glimpses of other activities: he tried to save Mrs.Flibblns, who was executed as a witch, because, saidNorton, she had more wits than her neighbor
. English: Admiral Matthew Aylmer, 1st Baron Aylmer (ca.1655-1720) A three-quarter length portrait to the left, showing Aylmer in armour, wearing a red sash and brown full-bottomed wig. After military service in Ireland and at Tangier, Matthew Aylmer began his naval career as a midshipman in October 1677. He served in the galley ‘Charles’ in the Mediterranean, becoming lieutenant in her in April the following year. He was further advanced by his patron, Admiral Arthur Herbert, to captain of the ‘Chatham’ and other commands followed. The Glorious Revolution of 1688–89 proved favourable to Aylm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-admiral-matthew-aylmer-1st-baron-aylmer-ca1655-1720-a-three-quarter-length-portrait-to-the-left-showing-aylmer-in-armour-wearing-a-red-sash-and-brown-full-bottomed-wig-after-military-service-in-ireland-and-at-tangier-matthew-aylmer-began-his-naval-career-as-a-midshipman-in-october-1677-he-served-in-the-galley-charles-in-the-mediterranean-becoming-lieutenant-in-her-in-april-the-following-year-he-was-further-advanced-by-his-patron-admiral-arthur-herbert-to-captain-of-the-chatham-and-other-commands-followed-the-glorious-revolution-of-168889-proved-favourable-to-aylm-image206713753.htmlRMP08HE1–. English: Admiral Matthew Aylmer, 1st Baron Aylmer (ca.1655-1720) A three-quarter length portrait to the left, showing Aylmer in armour, wearing a red sash and brown full-bottomed wig. After military service in Ireland and at Tangier, Matthew Aylmer began his naval career as a midshipman in October 1677. He served in the galley ‘Charles’ in the Mediterranean, becoming lieutenant in her in April the following year. He was further advanced by his patron, Admiral Arthur Herbert, to captain of the ‘Chatham’ and other commands followed. The Glorious Revolution of 1688–89 proved favourable to Aylm
Grapevines grow on the black volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grapevines-grow-on-the-black-volcanic-ground-that-was-left-by-the-image68406907.htmlRFDY85KR–Grapevines grow on the black volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677.
Franse wreedheden in een dorp, 1672 Presentation of the atrocities committed by French troops in Holland villages in the year 1672, copied to the prints by Romeyn de Hooghe 1673 (FMH 2439). In the middle of the performance is incinerated household goods. Right slain cattle, links residents forced to pull a wagon. The print is numbered: 7. Manufacturer : print maker: anonymously to print by: Romeyn the Hooghe Place manufacture: Northern Netherlands Date: 1673 - 1677 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Measurements: sheet: h 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franse-wreedheden-in-een-dorp-1672-presentation-of-the-atrocities-committed-by-french-troops-in-holland-villages-in-the-year-1672-copied-to-the-prints-by-romeyn-de-hooghe-1673-fmh-2439-in-the-middle-of-the-performance-is-incinerated-household-goods-right-slain-cattle-links-residents-forced-to-pull-a-wagon-the-print-is-numbered-7-manufacturer-print-maker-anonymously-to-print-by-romeyn-the-hooghe-place-manufacture-northern-netherlands-date-1673-1677-physical-characteristics-etching-and-engra-material-paper-technique-etching-engra-printing-process-measurements-sheet-h-2-image348366150.htmlRM2B6NCG6–Franse wreedheden in een dorp, 1672 Presentation of the atrocities committed by French troops in Holland villages in the year 1672, copied to the prints by Romeyn de Hooghe 1673 (FMH 2439). In the middle of the performance is incinerated household goods. Right slain cattle, links residents forced to pull a wagon. The print is numbered: 7. Manufacturer : print maker: anonymously to print by: Romeyn the Hooghe Place manufacture: Northern Netherlands Date: 1673 - 1677 Physical characteristics: etching and engra material: paper Technique: etching / engra (printing process) Measurements: sheet: h 2
Portrait of Melchior Rinck, Christopher of Shechem (I), 1677 Portrait of the theologian and humanist Melchior Rinck. He points to a book in front of h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-melchior-rinck-christopher-of-shechem-i-1677-portrait-of-the-theologian-and-humanist-melchior-rinck-he-points-to-a-book-in-front-of-h-image570303501.htmlRF2T3RFX5–Portrait of Melchior Rinck, Christopher of Shechem (I), 1677 Portrait of the theologian and humanist Melchior Rinck. He points to a book in front of h
Invitation to the funeral of Michiel de Ruyter, Funeral letter from M.A. de Ruyter, Letter printed on one side with horizontal, vertical and diagonal folding seams. Signed, r .: By B. More sophisticated. Dated, in the upper center: 't Jaar 1677. Inscription, m .: The year 1677. / Cons Thursday, March 18, Word UE. prayed for burial with the Corpse of / MICHIEL DE RUYTER, / HERTOG, RIDDER, Bruno Spanceerder, 1677, paper, printing, h 15.9 cm × w 20.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photogra Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/invitation-to-the-funeral-of-michiel-de-ruyter-funeral-letter-from-ma-de-ruyter-letter-printed-on-one-side-with-horizontal-vertical-and-diagonal-folding-seams-signed-r-by-b-more-sophisticated-dated-in-the-upper-center-t-jaar-1677-inscription-m-the-year-1677-cons-thursday-march-18-word-ue-prayed-for-burial-with-the-corpse-of-michiel-de-ruyter-hertog-ridder-bruno-spanceerder-1677-paper-printing-h-159-cm-w-203-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photogra-image349982725.htmlRF2B9B2F1–Invitation to the funeral of Michiel de Ruyter, Funeral letter from M.A. de Ruyter, Letter printed on one side with horizontal, vertical and diagonal folding seams. Signed, r .: By B. More sophisticated. Dated, in the upper center: 't Jaar 1677. Inscription, m .: The year 1677. / Cons Thursday, March 18, Word UE. prayed for burial with the Corpse of / MICHIEL DE RUYTER, / HERTOG, RIDDER, Bruno Spanceerder, 1677, paper, printing, h 15.9 cm × w 20.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photogra
Leaf with Nijmegen as a negotiating city and with New Year's wens before 1677; Eigentliche Abbildung / und ausführliche Disreibung der v / z Danen Instrenden Friedenens-Tractats Washed up Gelderischen Vornehm-Berühmten Haupt- und Hanee-Stadt Nieumägen / Samt der Beruden Schantz Knodsenburg. Leaf with a face on Nijmegen and Fort Knodsenburg, two putti with a laurel wreath in the air. Under the plate a text in 3 columns in German with the history of Nijmegen and its position as a negotiating city. Ending with the prognosticon for the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaf-with-nijmegen-as-a-negotiating-city-and-with-new-years-wens-before-1677-eigentliche-abbildung-und-ausfhrliche-disreibung-der-v-z-danen-instrenden-friedenens-tractats-washed-up-gelderischen-vornehm-berhmten-haupt-und-hanee-stadt-nieumgen-samt-der-beruden-schantz-knodsenburg-leaf-with-a-face-on-nijmegen-and-fort-knodsenburg-two-putti-with-a-laurel-wreath-in-the-air-under-the-plate-a-text-in-3-columns-in-german-with-the-history-of-nijmegen-and-its-position-as-a-negotiating-city-ending-with-the-prognosticon-for-the-year-1677-image430982234.htmlRM2G14X6J–Leaf with Nijmegen as a negotiating city and with New Year's wens before 1677; Eigentliche Abbildung / und ausführliche Disreibung der v / z Danen Instrenden Friedenens-Tractats Washed up Gelderischen Vornehm-Berühmten Haupt- und Hanee-Stadt Nieumägen / Samt der Beruden Schantz Knodsenburg. Leaf with a face on Nijmegen and Fort Knodsenburg, two putti with a laurel wreath in the air. Under the plate a text in 3 columns in German with the history of Nijmegen and its position as a negotiating city. Ending with the prognosticon for the year 1677.
Art inspired by Entry of the Count of Thurn and Taxis into Hemissen, ca. 1651, Etching; only state, Plate: 9 3/4 × 16 1/8 in. (24.7 × 41 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), In 1649 the count of Thurn and Taxis inherited the postal monopoly for the Holy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-entry-of-the-count-of-thurn-and-taxis-into-hemissen-ca-1651-etching-only-state-plate-9-34-16-18-in-247-41-cm-prints-wenceslaus-hollar-bohemian-prague-16071677-london-in-1649-the-count-of-thurn-and-taxis-inherited-the-postal-monopoly-for-the-holy-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954858.htmlRF2HW5BJ2–Art inspired by Entry of the Count of Thurn and Taxis into Hemissen, ca. 1651, Etching; only state, Plate: 9 3/4 × 16 1/8 in. (24.7 × 41 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), In 1649 the count of Thurn and Taxis inherited the postal monopoly for the Holy, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Native American Indian, or A Twenty-Three-Year-Old Virginian Algonquian. Artist: Wenceslaus Hollar, Bohemian, 1607–1677 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/native-american-indian-or-a-twenty-three-year-old-virginianalgonquian-artist-wenceslaus-hollar-bohemian-16071677-image463155765.htmlRM2HWEFW9–Native American Indian, or A Twenty-Three-Year-Old Virginian Algonquian. Artist: Wenceslaus Hollar, Bohemian, 1607–1677
Application of the new fire hoses, 1677, anonymous, after Daniel Stopendaal, after Jan van der Heyden, 1677 - 1699 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/application-of-the-new-fire-hoses-1677-anonymous-after-daniel-stopendaal-after-jan-van-der-heyden-1677-1699-image570295696.htmlRF2T3R5YC–Application of the new fire hoses, 1677, anonymous, after Daniel Stopendaal, after Jan van der Heyden, 1677 - 1699
Lente, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving spring landscape; landscape symbolizing spring (the four seasons of the year) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lente-gabriel-perelle-1650-1677-print-publisher-parispublisher-parisfrance-paper-etching-engraving-spring-landscape-landscape-symbolizing-spring-the-four-seasons-of-the-year-image595101483.htmlRM2WG560B–Lente, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving spring landscape; landscape symbolizing spring (the four seasons of the year)
Francis Sandford, A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677, Francis Sandford (British, 1630–1694), 1677, Illustrations: etching and engraving, 14 5/8 × 9 9/16 × 2 1/16 in. (37.2 × 24.3 × 5.3 cm), Books Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/francis-sandford-a-genealogical-history-of-the-kings-of-england-and-monarchs-of-great-britain-ampc-from-the-conquest-anno-1066-to-the-year-1677-francis-sandford-british-16301694-1677-illustrations-etching-and-engraving-14-58-9-916-2-116-in-372-243-53-cm-books-image344640766.htmlRM2B0KMPP–Francis Sandford, A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677, Francis Sandford (British, 1630–1694), 1677, Illustrations: etching and engraving, 14 5/8 × 9 9/16 × 2 1/16 in. (37.2 × 24.3 × 5.3 cm), Books
Portrait of Adriaen van Blijenburgh, Samuel van Hoogstraten, 1648 - 1677 Adriaen van Blijenburgh, Sheriff of Dordrecht, half-length. Below the portrai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-adriaen-van-blijenburgh-samuel-van-hoogstraten-1648-1677-adriaen-van-blijenburgh-sheriff-of-dordrecht-half-length-below-the-portrai-image488050886.htmlRF2KA0HTP–Portrait of Adriaen van Blijenburgh, Samuel van Hoogstraten, 1648 - 1677 Adriaen van Blijenburgh, Sheriff of Dordrecht, half-length. Below the portrai
. English: New Palace Yard, Westminster Hall As they appear'd in the Year 1647. Print after Hollar showing New Palace Yard in 1647 as seen from the east. Published in 1835 by Ackermann. 1835. Wenceslaus Hollar (1607–1677) Alternative names Wenceslas Hollar, Václav Hollar, Wenzel Hollar, Wencelaus Hollar, Weneeslas von Pracha, Wenceslaus Hollar Bohemus Description Czech painter, draughtsman, engraver and etcher Date of birth/death 13 July 1607 25 March 1677 Location of birth/death Prague London Work period between circa 1620 and circa 1670 Work location Prague, Germany (1627-....) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-new-palace-yard-westminster-hall-as-they-appeard-in-the-year-1647-print-after-hollar-showing-new-palace-yard-in-1647-as-seen-from-the-east-published-in-1835-by-ackermann-1835-wenceslaus-hollar-16071677-alternative-names-wenceslas-hollar-vclav-hollar-wenzel-hollar-wencelaus-hollar-weneeslas-von-pracha-wenceslaus-hollar-bohemus-description-czech-painter-draughtsman-engraver-and-etcher-date-of-birthdeath-13-july-1607-25-march-1677-location-of-birthdeath-prague-london-work-period-between-circa-1620-and-circa-1670-work-location-prague-germany-1627-image188392759.htmlRMMXE0TR–. English: New Palace Yard, Westminster Hall As they appear'd in the Year 1647. Print after Hollar showing New Palace Yard in 1647 as seen from the east. Published in 1835 by Ackermann. 1835. Wenceslaus Hollar (1607–1677) Alternative names Wenceslas Hollar, Václav Hollar, Wenzel Hollar, Wencelaus Hollar, Weneeslas von Pracha, Wenceslaus Hollar Bohemus Description Czech painter, draughtsman, engraver and etcher Date of birth/death 13 July 1607 25 March 1677 Location of birth/death Prague London Work period between circa 1620 and circa 1670 Work location Prague, Germany (1627-....)
Portrait of Charles-Maurice le Tellier, Archbishop of Reims, Pieter van Schuppen, after P. Mignard, 1677 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-charles-maurice-le-tellier-archbishop-of-reims-pieter-van-schuppen-after-p-mignard-1677-image488048740.htmlRF2KA0F44–Portrait of Charles-Maurice le Tellier, Archbishop of Reims, Pieter van Schuppen, after P. Mignard, 1677
Silk cloth buyers and traders guild from Middelburg, guild token with no. 12, Brass token. Front: below year: cloth merchant, standing behind counter in his shop with a piece of fabric, left and right: male and female, between the two: digit 12 within a circle. Reverse: crowned hat with feather, around it: glasses, guy, comb, brush, pot, knitting yarn, three rolls and a suit inside a cover, Middelburg, C. Thibaut, N. van Santen, Abr. Verhof, Pr. van Essen, T. de Jonghe, Johannes van Houten, 1677, brass (alloy), engraving, d 5.6 cm × w 57.85 gr, Reimagined by Gibon, design of warm cheerful glow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silk-cloth-buyers-and-traders-guild-from-middelburg-guild-token-with-no-12-brass-token-front-below-year-cloth-merchant-standing-behind-counter-in-his-shop-with-a-piece-of-fabric-left-and-right-male-and-female-between-the-two-digit-12-within-a-circle-reverse-crowned-hat-with-feather-around-it-glasses-guy-comb-brush-pot-knitting-yarn-three-rolls-and-a-suit-inside-a-cover-middelburg-c-thibaut-n-van-santen-abr-verhof-pr-van-essen-t-de-jonghe-johannes-van-houten-1677-brass-alloy-engraving-d-56-cm-w-5785-gr-reimagined-by-gibon-design-of-warm-cheerful-glow-image349994156.htmlRF2B9BH38–Silk cloth buyers and traders guild from Middelburg, guild token with no. 12, Brass token. Front: below year: cloth merchant, standing behind counter in his shop with a piece of fabric, left and right: male and female, between the two: digit 12 within a circle. Reverse: crowned hat with feather, around it: glasses, guy, comb, brush, pot, knitting yarn, three rolls and a suit inside a cover, Middelburg, C. Thibaut, N. van Santen, Abr. Verhof, Pr. van Essen, T. de Jonghe, Johannes van Houten, 1677, brass (alloy), engraving, d 5.6 cm × w 57.85 gr, Reimagined by Gibon, design of warm cheerful glow
Portrait of Wilhelmus Momma, Johannes Willemsz. Munnickhuysen, after Zacharias Blijhooft, 1677 - 1721 Portrait of Wilhelmus Momma, professor and preac Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-wilhelmus-momma-johannes-willemsz-munnickhuysen-after-zacharias-blijhooft-1677-1721-portrait-of-wilhelmus-momma-professor-and-preac-image570306243.htmlRF2T3RKC3–Portrait of Wilhelmus Momma, Johannes Willemsz. Munnickhuysen, after Zacharias Blijhooft, 1677 - 1721 Portrait of Wilhelmus Momma, professor and preac
Grapevines grow on the black volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grapevines-grow-on-the-black-volcanic-ground-that-was-left-by-the-image68406870.htmlRFDY85JE–Grapevines grow on the black volcanic ground that was left by the eruption of the volcano San Antonio in the year 1677.
Archive image from page 240 of Cyclopedia of American horticulture, comprising. Cyclopedia of American horticulture, comprising suggestions for cultivation of horticultural plants, descriptions of the species of fruits, vegetables, flowers, and ornamental plants sold in the United States and Canada, together with geographical and biographical sketches cyclopediaofam04bail Year: 1900 SOLANUM ft. high, with truilii 1677 2335 Solandra erandlflora is usually given, that is, if plants are to be grown on as specimens, but the proportion of nutrient substances used in a potting mixture vhould be de Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-240-of-cyclopedia-of-american-horticulture-comprising-cyclopedia-of-american-horticulture-comprising-suggestions-for-cultivation-of-horticultural-plants-descriptions-of-the-species-of-fruits-vegetables-flowers-and-ornamental-plants-sold-in-the-united-states-and-canada-together-with-geographical-and-biographical-sketches-cyclopediaofam04bail-year-1900-solanum-ft-high-with-truilii-1677-2335-solandra-erandlflora-is-usually-given-that-is-if-plants-are-to-be-grown-on-as-specimens-but-the-proportion-of-nutrient-substances-used-in-a-potting-mixture-vhould-be-de-image259485486.htmlRMW24GAP–Archive image from page 240 of Cyclopedia of American horticulture, comprising. Cyclopedia of American horticulture, comprising suggestions for cultivation of horticultural plants, descriptions of the species of fruits, vegetables, flowers, and ornamental plants sold in the United States and Canada, together with geographical and biographical sketches cyclopediaofam04bail Year: 1900 SOLANUM ft. high, with truilii 1677 2335 Solandra erandlflora is usually given, that is, if plants are to be grown on as specimens, but the proportion of nutrient substances used in a potting mixture vhould be de
Washington, District of Columbia, USA. 12th Aug, 2018. 8/12/18- Layfatte Park, Washington DC.The white supremacist and Antifa both rally near the White House on the one year anniversary of the violence in Charlotesville Va. photos by: - ImageCatcher News Credit: Christy Bowe/Globe Photos/ZUMA Wire/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-district-of-columbia-usa-12th-aug-2018-81218-layfatte-park-washington-dcthe-white-supremacist-and-antifa-both-rally-near-the-white-house-on-the-one-year-anniversary-of-the-violence-in-charlotesville-va-photos-by-imagecatcher-news-credit-christy-boweglobe-photoszuma-wirealamy-live-news-image215269649.htmlRMPE6AHN–Washington, District of Columbia, USA. 12th Aug, 2018. 8/12/18- Layfatte Park, Washington DC.The white supremacist and Antifa both rally near the White House on the one year anniversary of the violence in Charlotesville Va. photos by: - ImageCatcher News Credit: Christy Bowe/Globe Photos/ZUMA Wire/Alamy Live News
Transactions of the Bristol and Gloucestershire Archaeological Society . lade is of Solingen orPassau make, with the wolf mark, and the hilt has curvedquillons and a disc-shaped pommel embossed with a rose oneach side. The whole is, however, now painted black, whichconceals the workmanship. The scabbard is covered withblack velvet embroidered with black silk, on one side the cityarms, on the other a crowned rose ; the central ornaments arefloral devices, and the chape has on both sides a floral devicewith the date 1677, in which year the city swords were repairedat a cost of £1 18s. 6d. The ne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/transactions-of-the-bristol-and-gloucestershire-archaeological-society-lade-is-of-solingen-orpassau-make-with-the-wolf-mark-and-the-hilt-has-curvedquillons-and-a-disc-shaped-pommel-embossed-with-a-rose-oneach-side-the-whole-is-however-now-painted-black-whichconceals-the-workmanship-the-scabbard-is-covered-withblack-velvet-embroidered-with-black-silk-on-one-side-the-cityarms-on-the-other-a-crowned-rose-the-central-ornaments-arefloral-devices-and-the-chape-has-on-both-sides-a-floral-devicewith-the-date-1677-in-which-year-the-city-swords-were-repairedat-a-cost-of-1-18s-6d-the-ne-image339036892.htmlRM2AKGD0C–Transactions of the Bristol and Gloucestershire Archaeological Society . lade is of Solingen orPassau make, with the wolf mark, and the hilt has curvedquillons and a disc-shaped pommel embossed with a rose oneach side. The whole is, however, now painted black, whichconceals the workmanship. The scabbard is covered withblack velvet embroidered with black silk, on one side the cityarms, on the other a crowned rose ; the central ornaments arefloral devices, and the chape has on both sides a floral devicewith the date 1677, in which year the city swords were repairedat a cost of £1 18s. 6d. The ne
February 19, 2019 - aza Strip, Palestine, 19th February 2019. Some Palestinians are injured by gunshot wounds and tear gas inhalation fired by the Israeli army on the coast northwest of Beit Lahiya, in the northern Gaza Strip, during their 24rd weekly protest against the Israeli naval blockade on the Strip. A Freedom flotilla made up of Gaza boats raising the Palestinian flag set sail from waters off Gaza. Palestinians in Gaza have been staging weekly demonstrations in the northern Gaza Strip for nearly a year to protest against Israel's 12-year naval blockade, which has limited the permitt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/february-19-2019-aza-strip-palestine-19th-february-2019-some-palestinians-are-injured-by-gunshot-wounds-and-tear-gas-inhalation-fired-by-the-israeli-army-on-the-coast-northwest-of-beit-lahiya-in-the-northern-gaza-strip-during-their-24rd-weekly-protest-against-the-israeli-naval-blockade-on-the-strip-a-freedom-flotilla-made-up-of-gaza-boats-raising-the-palestinian-flag-set-sail-from-waters-off-gaza-palestinians-in-gaza-have-been-staging-weekly-demonstrations-in-the-northern-gaza-strip-for-nearly-a-year-to-protest-against-israels-12-year-naval-blockade-which-has-limited-the-permitt-image237127882.htmlRMRNP30X–February 19, 2019 - aza Strip, Palestine, 19th February 2019. Some Palestinians are injured by gunshot wounds and tear gas inhalation fired by the Israeli army on the coast northwest of Beit Lahiya, in the northern Gaza Strip, during their 24rd weekly protest against the Israeli naval blockade on the Strip. A Freedom flotilla made up of Gaza boats raising the Palestinian flag set sail from waters off Gaza. Palestinians in Gaza have been staging weekly demonstrations in the northern Gaza Strip for nearly a year to protest against Israel's 12-year naval blockade, which has limited the permitt
June 4, 2016 - Bialowieza, Poland - A UNESCO team is currently visiting BiaÅ‚owieża primeval forest in eastern Poland to inspect the Environment Ministry's logging plans. The trip comes a week after Environment Minister Jan Szyszko officially announced the launch of intensive timber harvesting operations in the UNESCO-listed forest under a ten-year scheme. BiaÅ‚owieża primeval forest is home to some 20,000 animal species, including the European bison, wolves, lynx, wild boars and more. It is the only remnant of pristine woodlands that once stretched across Europe. (Credit Image: © Velar Gran Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-june-4-2016-bialowieza-poland-a-unesco-team-is-currently-visiting-105155003.htmlRMG3267R–June 4, 2016 - Bialowieza, Poland - A UNESCO team is currently visiting BiaÅ‚owieża primeval forest in eastern Poland to inspect the Environment Ministry's logging plans. The trip comes a week after Environment Minister Jan Szyszko officially announced the launch of intensive timber harvesting operations in the UNESCO-listed forest under a ten-year scheme. BiaÅ‚owieża primeval forest is home to some 20,000 animal species, including the European bison, wolves, lynx, wild boars and more. It is the only remnant of pristine woodlands that once stretched across Europe. (Credit Image: © Velar Gran
Palm Springs, California, U.S.A. 4th Jan, 2024. Margot Robbie signs autographs for the line of fans joyfully yelling at her, 'Hi Barbie!'' She beams back, looking like the most famous doll in history, in her pink and polka dot satin dress and long blond hair. They are at the Palm Springs International Film Festival 2024 at the January 4 th Film Award's Ceremony. (Credit Image: © Amy Katz/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/palm-springs-california-usa-4th-jan-2024-margot-robbie-signs-autographs-for-the-line-of-fans-joyfully-yelling-at-her-hi-barbie!-she-beams-back-looking-like-the-most-famous-doll-in-history-in-her-pink-and-polka-dot-satin-dress-and-long-blond-hair-they-are-at-the-palm-springs-international-film-festival-2024-at-the-january-4-th-film-awards-ceremony-credit-image-amy-katzzuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image591697108.htmlRM2WAJ3KG–Palm Springs, California, U.S.A. 4th Jan, 2024. Margot Robbie signs autographs for the line of fans joyfully yelling at her, 'Hi Barbie!'' She beams back, looking like the most famous doll in history, in her pink and polka dot satin dress and long blond hair. They are at the Palm Springs International Film Festival 2024 at the January 4 th Film Award's Ceremony. (Credit Image: © Amy Katz/ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
Autumn, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/autumn-gabriel-perelle-1650-1677-print-publisher-parispublisher-parisfrance-paper-etching-engraving-autumn-landscape-landscape-symbolizing-autumn-the-four-seasons-of-the-year-image595100911.htmlRM2WG557Y–Autumn, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year)
Invitation to the funeral of Michiel de Ruyter, Funeral letter from M.A. de Ruyter, Letter printed on one side with horizontal, vertical and diagonal folding seams. Signed, r .: By B. More sophisticated. Dated, in the upper center: 't Jaar 1677. Inscription, m .: The year 1677. / Cons Thursday, March 18, Word UE. prayed for burial with the Corpse of / MICHIEL DE RUYTER, / HERTOG, RIDDER, Bruno Spanceerder, 1677, paper, printing, h 15.9 cm × w 20.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/invitation-to-the-funeral-of-michiel-de-ruyter-funeral-letter-from-ma-de-ruyter-letter-printed-on-one-side-with-horizontal-vertical-and-diagonal-folding-seams-signed-r-by-b-more-sophisticated-dated-in-the-upper-center-t-jaar-1677-inscription-m-the-year-1677-cons-thursday-march-18-word-ue-prayed-for-burial-with-the-corpse-of-michiel-de-ruyter-hertog-ridder-bruno-spanceerder-1677-paper-printing-h-159-cm-w-203-cm-image261378846.htmlRMW56RAP–Invitation to the funeral of Michiel de Ruyter, Funeral letter from M.A. de Ruyter, Letter printed on one side with horizontal, vertical and diagonal folding seams. Signed, r .: By B. More sophisticated. Dated, in the upper center: 't Jaar 1677. Inscription, m .: The year 1677. / Cons Thursday, March 18, Word UE. prayed for burial with the Corpse of / MICHIEL DE RUYTER, / HERTOG, RIDDER, Bruno Spanceerder, 1677, paper, printing, h 15.9 cm × w 20.3 cm
Artist: Wenceslaus Hollar, Bohemian, 1607–1677, Native American Indian, or A Twenty-Three-Year-Old Virginian Algonquian, Etching, 10.2 × 7.7 cm (4 × 3 1/16 in.), Made in Bohemia, Czech Republic, Bohemian, 17th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-wenceslaus-hollar-bohemian-16071677-native-american-indian-or-a-twenty-three-year-old-virginianalgonquian-etching-102-77-cm-4-3-116in-made-in-bohemia-czech-republic-bohemian-17thcentury-works-on-paper-prints-image393517563.htmlRM2DT67JK–Artist: Wenceslaus Hollar, Bohemian, 1607–1677, Native American Indian, or A Twenty-Three-Year-Old Virginian Algonquian, Etching, 10.2 × 7.7 cm (4 × 3 1/16 in.), Made in Bohemia, Czech Republic, Bohemian, 17th century, Works on Paper - Prints
. English: New Palace Yard, Westminster Hall As they appear'd in the Year 1647. Print after Hollar showing New Palace Yard in 1647 as seen from the east. Published in 1835 by Ackermann. 1835. Wenceslaus Hollar (1607–1677) Alternative names Wenceslas Hollar, Václav Hollar, Wenzel Hollar, Wencelaus Hollar, Weneeslas von Pracha, Wenceslaus Hollar Bohemus Description Czech painter, draughtsman, engraver and etcher Date of birth/death 13 July 1607 25 March 1677 Location of birth/death Prague London Work period between circa 1620 and circa 1670 Work location Prague, Germany (1627-....) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-new-palace-yard-westminster-hall-as-they-appeard-in-the-year-1647-print-after-hollar-showing-new-palace-yard-in-1647-as-seen-from-the-east-published-in-1835-by-ackermann-1835-wenceslaus-hollar-16071677-alternative-names-wenceslas-hollar-vclav-hollar-wenzel-hollar-wencelaus-hollar-weneeslas-von-pracha-wenceslaus-hollar-bohemus-description-czech-painter-draughtsman-engraver-and-etcher-date-of-birthdeath-13-july-1607-25-march-1677-location-of-birthdeath-prague-london-work-period-between-circa-1620-and-circa-1670-work-location-prague-germany-1627-image187430876.htmlRMMTX5YT–. English: New Palace Yard, Westminster Hall As they appear'd in the Year 1647. Print after Hollar showing New Palace Yard in 1647 as seen from the east. Published in 1835 by Ackermann. 1835. Wenceslaus Hollar (1607–1677) Alternative names Wenceslas Hollar, Václav Hollar, Wenzel Hollar, Wencelaus Hollar, Weneeslas von Pracha, Wenceslaus Hollar Bohemus Description Czech painter, draughtsman, engraver and etcher Date of birth/death 13 July 1607 25 March 1677 Location of birth/death Prague London Work period between circa 1620 and circa 1670 Work location Prague, Germany (1627-....)
Silk cloth buyers and traders guild from Middelburg, guild token with no. 12, Brass token. Front: below year: cloth merchant, standing behind counter in his shop with a piece of fabric, left and right: male and female, between the two: digit 12 within a circle. Reverse: crowned hat with feather, around it: glasses, guy, comb, brush, pot, knitting yarn, three rolls and a suit inside a cover, Middelburg, C. Thibaut, N. van Santen, Abr. Verhof, Pr. van Essen, T. de Jonghe, Johannes van Houten, 1677, brass (alloy), engraving, d 5.6 cm × w 57.85 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silk-cloth-buyers-and-traders-guild-from-middelburg-guild-token-with-no-12-brass-token-front-below-year-cloth-merchant-standing-behind-counter-in-his-shop-with-a-piece-of-fabric-left-and-right-male-and-female-between-the-two-digit-12-within-a-circle-reverse-crowned-hat-with-feather-around-it-glasses-guy-comb-brush-pot-knitting-yarn-three-rolls-and-a-suit-inside-a-cover-middelburg-c-thibaut-n-van-santen-abr-verhof-pr-van-essen-t-de-jonghe-johannes-van-houten-1677-brass-alloy-engraving-d-56-cm-w-5785-image261391347.htmlRMW57B97–Silk cloth buyers and traders guild from Middelburg, guild token with no. 12, Brass token. Front: below year: cloth merchant, standing behind counter in his shop with a piece of fabric, left and right: male and female, between the two: digit 12 within a circle. Reverse: crowned hat with feather, around it: glasses, guy, comb, brush, pot, knitting yarn, three rolls and a suit inside a cover, Middelburg, C. Thibaut, N. van Santen, Abr. Verhof, Pr. van Essen, T. de Jonghe, Johannes van Houten, 1677, brass (alloy), engraving, d 5.6 cm × w 57.85
Portrait of poet and senator Vincenzo da Filicaja, Cosimo Mogalli, after Giovanni Camillo Ciabilli, 1677 - 1730, vintage engraved. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-poet-and-senator-vincenzo-da-filicaja-cosimo-mogalli-after-giovanni-camillo-ciabilli-1677-1730-vintage-engraved-image570306805.htmlRF2T3RM45–Portrait of poet and senator Vincenzo da Filicaja, Cosimo Mogalli, after Giovanni Camillo Ciabilli, 1677 - 1730, vintage engraved.
The village of Los Quemados, situated on the volcanic lava ground that the volcano San Antonio left in the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-village-of-los-quemados-situated-on-the-volcanic-lava-ground-that-image68407292.htmlRFDY865G–The village of Los Quemados, situated on the volcanic lava ground that the volcano San Antonio left in the year 1677.
Conquest of Tobago, counted token in honor of Louis XIV, King of France, Copper Medal. Front: man's bust inside the inside. Reverse: mortar, shooting at the city of Tobago within a circle, cut off: year, Tobago, Louis XIV (King of France), anonymous, France, 1677, copper (metal), striking (metalworking), d 2.7 cm × w 7.55 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/conquest-of-tobago-counted-token-in-honor-of-louis-xiv-king-of-france-copper-medal-front-mans-bust-inside-the-inside-reverse-mortar-shooting-at-the-city-of-tobago-within-a-circle-cut-off-year-tobago-louis-xiv-king-of-france-anonymous-france-1677-copper-metal-striking-metalworking-d-27-cm-w-755-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349991443.htmlRF2B9BDJB–Conquest of Tobago, counted token in honor of Louis XIV, King of France, Copper Medal. Front: man's bust inside the inside. Reverse: mortar, shooting at the city of Tobago within a circle, cut off: year, Tobago, Louis XIV (King of France), anonymous, France, 1677, copper (metal), striking (metalworking), d 2.7 cm × w 7.55 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Archive image from page 109 of Der Mensch (1886-). Der Mensch dermensch01rankuoft Year: 1886- ä3efructung unb GiGutroidelunö. wirb 1677 angegeben. S){e carafteriftifdje eiücgUdjfeit biefer {(einen elntbe nuifste bei bem bamaligen tonbe ber enntniffe über bie (ementarftruftur ber DrganiiCMnen bie 3)ieinung (jemorrnfen, baf? biefe fo rafd) aftb I)in unb l;er id) [toenben fleinen, faul= quappennljnlidjen ebilbe waljte Spiere feien, unb man gab iljuen batjer hen Flamen Spermatozoa, amentiere. ielfac max man ber oollfonimen irrigen 9)ieinung, ba biefe „amen= tiere'' eigentH(e 9Jtenfd)en(aroen feie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-109-of-der-mensch-1886-der-mensch-dermensch01rankuoft-year-1886-3efructung-unb-gigutroidelun-wirb-1677-angegeben-se-carafteriftifdje-eicgudjfeit-biefer-einen-elntbe-nuifste-bei-bem-bamaligen-tonbe-ber-enntniffe-ber-bie-ementarftruftur-ber-drganiicmnen-bie-3ieinung-jemorrnfen-baf-biefe-fo-rafd-aftb-iin-unb-ler-id-toenben-fleinen-faul=-quappennljnlidjen-ebilbe-waljte-spiere-feien-unb-man-gab-iljuen-batjer-hen-flamen-spermatozoa-amentiere-ielfac-max-man-ber-oollfonimen-irrigen-9ieinung-ba-biefe-amen=-tiere-eigenthe-9jtenfdenaroen-feie-image258655961.htmlRMW0PP8W–Archive image from page 109 of Der Mensch (1886-). Der Mensch dermensch01rankuoft Year: 1886- ä3efructung unb GiGutroidelunö. wirb 1677 angegeben. S){e carafteriftifdje eiücgUdjfeit biefer {(einen elntbe nuifste bei bem bamaligen tonbe ber enntniffe über bie (ementarftruftur ber DrganiiCMnen bie 3)ieinung (jemorrnfen, baf? biefe fo rafd) aftb I)in unb l;er id) [toenben fleinen, faul= quappennljnlidjen ebilbe waljte Spiere feien, unb man gab iljuen batjer hen Flamen Spermatozoa, amentiere. ielfac max man ber oollfonimen irrigen 9)ieinung, ba biefe „amen= tiere'' eigentH(e 9Jtenfd)en(aroen feie
![Ecclesiastical chronicle for Scotland . oressdownwards, having this added to her signature by the Notary— With my hand at ye pen. [Carte Monialium de North Berwick,p. 60. Printed for the Bannatyne Club.] As the Bass could furnish few or no hearers, we are notsurprised to find in the Buik of Assignations of the Ministersand Reidars Stipends for the year 1576, the following entry— Bass and Auldhame neidis na reidaris. All we can say of itsfuture fate is comprehended in one sentence, written by Fraser of 54 EARLY BISHOPS IN SCOTLAND. Brea in 1677—Below the garden there is a Chapel for DivineServi Stock Photo](https://c8.alamy.com/comp/2AKJWMH/ecclesiastical-chronicle-for-scotland-oressdownwards-having-this-added-to-her-signature-by-the-notary-with-my-hand-at-ye-pen-carte-monialium-de-north-berwickp-60-printed-for-the-bannatyne-club-as-the-bass-could-furnish-few-or-no-hearers-we-are-notsurprised-to-find-in-the-buik-of-assignations-of-the-ministersand-reidars-stipends-for-the-year-1576-the-following-entry-bass-and-auldhame-neidis-na-reidaris-all-we-can-say-of-itsfuture-fate-is-comprehended-in-one-sentence-written-by-fraser-of-54-early-bishops-in-scotland-brea-in-1677below-the-garden-there-is-a-chapel-for-divineservi-2AKJWMH.jpg "Ecclesiastical chronicle for Scotland . oressdownwards, having this added to her signature by the Notary— With my hand at ye pen. [Carte Monialium de North Berwick,p. 60. Printed for the Bannatyne Club.] As the Bass could furnish few or no hearers, we are notsurprised to find in the Buik of Assignations of the Ministersand Reidars Stipends for the year 1576, the following entry— Bass and Auldhame neidis na reidaris. All we can say of itsfuture fate is comprehended in one sentence, written by Fraser of 54 EARLY BISHOPS IN SCOTLAND. Brea in 1677—Below the garden there is a Chapel for DivineServi Stock Photo")
Ecclesiastical chronicle for Scotland . oressdownwards, having this added to her signature by the Notary— With my hand at ye pen. [Carte Monialium de North Berwick,p. 60. Printed for the Bannatyne Club.] As the Bass could furnish few or no hearers, we are notsurprised to find in the Buik of Assignations of the Ministersand Reidars Stipends for the year 1576, the following entry— Bass and Auldhame neidis na reidaris. All we can say of itsfuture fate is comprehended in one sentence, written by Fraser of 54 EARLY BISHOPS IN SCOTLAND. Brea in 1677—Below the garden there is a Chapel for DivineServi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ecclesiastical-chronicle-for-scotland-oressdownwards-having-this-added-to-her-signature-by-the-notary-with-my-hand-at-ye-pen-carte-monialium-de-north-berwickp-60-printed-for-the-bannatyne-club-as-the-bass-could-furnish-few-or-no-hearers-we-are-notsurprised-to-find-in-the-buik-of-assignations-of-the-ministersand-reidars-stipends-for-the-year-1576-the-following-entry-bass-and-auldhame-neidis-na-reidaris-all-we-can-say-of-itsfuture-fate-is-comprehended-in-one-sentence-written-by-fraser-of-54-early-bishops-in-scotland-brea-in-1677below-the-garden-there-is-a-chapel-for-divineservi-image339090769.htmlRM2AKJWMH–Ecclesiastical chronicle for Scotland . oressdownwards, having this added to her signature by the Notary— With my hand at ye pen. [Carte Monialium de North Berwick,p. 60. Printed for the Bannatyne Club.] As the Bass could furnish few or no hearers, we are notsurprised to find in the Buik of Assignations of the Ministersand Reidars Stipends for the year 1576, the following entry— Bass and Auldhame neidis na reidaris. All we can say of itsfuture fate is comprehended in one sentence, written by Fraser of 54 EARLY BISHOPS IN SCOTLAND. Brea in 1677—Below the garden there is a Chapel for DivineServi
Summer, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving summer landscape; landscape symbolizing summer (the four seasons of the year) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/summer-gabriel-perelle-1650-1677-print-publisher-parispublisher-parisfrance-paper-etching-engraving-summer-landscape-landscape-symbolizing-summer-the-four-seasons-of-the-year-image595101528.htmlRM2WG5620–Summer, Gabriel Perelle, 1650 - 1677 print publisher: Parispublisher: ParisFrance paper etching / engraving summer landscape; landscape symbolizing summer (the four seasons of the year)
. English: New Palace Yard, Westminster Hall As they appear'd in the Year 1647. Print after Hollar showing New Palace Yard in 1647 as seen from the east. Published in 1835 by Ackermann. 1835. Wenceslaus Hollar (1607–1677) Alternative names Wenceslas Hollar, Václav Hollar, Wenzel Hollar, Wencelaus Hollar, Weneeslas von Pracha, Wenceslaus Hollar Bohemus Description Czech painter, draughtsman, engraver and etcher Date of birth/death 13 July 1607 25 March 1677 Location of birth/death Prague London Work period between circa 1620 and circa 1670 Work location Prague, Germany (1627-....) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-new-palace-yard-westminster-hall-as-they-appeard-in-the-year-1647-print-after-hollar-showing-new-palace-yard-in-1647-as-seen-from-the-east-published-in-1835-by-ackermann-1835-wenceslaus-hollar-16071677-alternative-names-wenceslas-hollar-vclav-hollar-wenzel-hollar-wencelaus-hollar-weneeslas-von-pracha-wenceslaus-hollar-bohemus-description-czech-painter-draughtsman-engraver-and-etcher-date-of-birthdeath-13-july-1607-25-march-1677-location-of-birthdeath-prague-london-work-period-between-circa-1620-and-circa-1670-work-location-prague-germany-1627-image189160594.htmlRMMYN07E–. English: New Palace Yard, Westminster Hall As they appear'd in the Year 1647. Print after Hollar showing New Palace Yard in 1647 as seen from the east. Published in 1835 by Ackermann. 1835. Wenceslaus Hollar (1607–1677) Alternative names Wenceslas Hollar, Václav Hollar, Wenzel Hollar, Wencelaus Hollar, Weneeslas von Pracha, Wenceslaus Hollar Bohemus Description Czech painter, draughtsman, engraver and etcher Date of birth/death 13 July 1607 25 March 1677 Location of birth/death Prague London Work period between circa 1620 and circa 1670 Work location Prague, Germany (1627-....)
Representation of the atrocities committed by French troops in Dutch villages in the year 1672, copied from the 1673 prints by Romeyn de Hooghe (FMH 2439). The depiction shows the interior of a house with a fireplace on the right and a box bed in the background. The print is numbered: 3., Atrocities in a farmhouse, 1672, print maker: anonymous, Romeyn de Hooghe, Netherlands, 1673 - 1677, paper, etching, engraving, h 185 mm × w 295 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/representation-of-the-atrocities-committed-by-french-troops-in-dutch-villages-in-the-year-1672-copied-from-the-1673-prints-by-romeyn-de-hooghe-fmh-2439-the-depiction-shows-the-interior-of-a-house-with-a-fireplace-on-the-right-and-a-box-bed-in-the-background-the-print-is-numbered-3-atrocities-in-a-farmhouse-1672-print-maker-anonymous-romeyn-de-hooghe-netherlands-1673-1677-paper-etching-engraving-h-185-mm-w-295-mm-image473391493.htmlRM2JE4RK1–Representation of the atrocities committed by French troops in Dutch villages in the year 1672, copied from the 1673 prints by Romeyn de Hooghe (FMH 2439). The depiction shows the interior of a house with a fireplace on the right and a box bed in the background. The print is numbered: 3., Atrocities in a farmhouse, 1672, print maker: anonymous, Romeyn de Hooghe, Netherlands, 1673 - 1677, paper, etching, engraving, h 185 mm × w 295 mm
Portrait of Johannes Hus, Christopher of Shechem (I), 1677 Portrait of Johannes Hus. In his hand he holds a book with closing ribbons. It stands in a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johannes-hus-christopher-of-shechem-i-1677-portrait-of-johannes-hus-in-his-hand-he-holds-a-book-with-closing-ribbons-it-stands-in-a-image570305224.htmlRF2T3RJ3M–Portrait of Johannes Hus, Christopher of Shechem (I), 1677 Portrait of Johannes Hus. In his hand he holds a book with closing ribbons. It stands in a
The village of Los Quemados, situated on the volcanic lava ground that the volcano San Antonio left in the year 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-village-of-los-quemados-situated-on-the-volcanic-lava-ground-that-image68406842.htmlRFDY85HE–The village of Los Quemados, situated on the volcanic lava ground that the volcano San Antonio left in the year 1677.
Portrait of Johan Henrik Thim, Abraham Bloteling, after Andreas Stech, in or after 1677 - 1690 Bust of Johan Henrik Thim, director-general at the VOC. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johan-henrik-thim-abraham-bloteling-after-andreas-stech-in-or-after-1677-1690-bust-of-johan-henrik-thim-director-general-at-the-voc-image488038420.htmlRF2KA01YG–Portrait of Johan Henrik Thim, Abraham Bloteling, after Andreas Stech, in or after 1677 - 1690 Bust of Johan Henrik Thim, director-general at the VOC.
City of Antwerp, lead that gave out the right to bread, Copper Medal. Front: two opened hands above the castle and the year inside the cover. Reverse: monogram of letters A and B between ornament inside an inscription, Antwerp, anonymous, 1677, copper (metal), striking (metalworking), d 2.5 cm × w 5.35 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-of-antwerp-lead-that-gave-out-the-right-to-bread-copper-medal-front-two-opened-hands-above-the-castle-and-the-year-inside-the-cover-reverse-monogram-of-letters-a-and-b-between-ornament-inside-an-inscription-antwerp-anonymous-1677-copper-metal-striking-metalworking-d-25-cm-w-535-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349990497.htmlRF2B9BCCH–City of Antwerp, lead that gave out the right to bread, Copper Medal. Front: two opened hands above the castle and the year inside the cover. Reverse: monogram of letters A and B between ornament inside an inscription, Antwerp, anonymous, 1677, copper (metal), striking (metalworking), d 2.5 cm × w 5.35 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Funeral procession of Michiel de Ruyter, 1677, Jan Luyken, 1683 The funeral procession of Michiel de Ruyter in Amsterdam on 18 March 1677. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funeral-procession-of-michiel-de-ruyter-1677-jan-luyken-1683-the-funeral-procession-of-michiel-de-ruyter-in-amsterdam-on-18-march-1677-image488029215.htmlRF2K9YJ6R–Funeral procession of Michiel de Ruyter, 1677, Jan Luyken, 1683 The funeral procession of Michiel de Ruyter in Amsterdam on 18 March 1677.
. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. of a miller and baker, as well as a modestlibrary of books. In 1659, Montague moved up the riverto Hadley, where he obtained land close to the church andthe palisade. He served as selectman In 1671 and 1677,was clerk of the writs In 1681, and active as a baker,miller, and farmer. He belonged to a family long devotedto Episcopacy, If he was of the Boveney line, and possiblymoved often on account of his religio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-founders-portraits-of-persons-born-abroad-who-came-to-the-colonies-in-north-america-before-the-year-1701-with-an-introduction-biographical-outlines-and-comments-on-the-portraits-of-a-miller-and-baker-as-well-as-a-modestlibrary-of-books-in-1659-montague-moved-up-the-riverto-hadley-where-he-obtained-land-close-to-the-church-andthe-palisade-he-served-as-selectman-in-1671-and-1677was-clerk-of-the-writs-in-1681-and-active-as-a-bakermiller-and-farmer-he-belonged-to-a-family-long-devotedto-episcopacy-if-he-was-of-the-boveney-line-and-possiblymoved-often-on-account-of-his-religio-image336810759.htmlRM2AFY1FK–. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. of a miller and baker, as well as a modestlibrary of books. In 1659, Montague moved up the riverto Hadley, where he obtained land close to the church andthe palisade. He served as selectman In 1671 and 1677,was clerk of the writs In 1681, and active as a baker,miller, and farmer. He belonged to a family long devotedto Episcopacy, If he was of the Boveney line, and possiblymoved often on account of his religio
Battle of Kassel on April 11, 1677 between the French army under Philip I the Duke of Orleans and the Prince of Orange. In the foreground the French a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-kassel-on-april-11-1677-between-the-french-army-under-philip-i-the-duke-of-orleans-and-the-prince-of-orange-in-the-foreground-the-french-a-image488033709.htmlRF2K9YRY9–Battle of Kassel on April 11, 1677 between the French army under Philip I the Duke of Orleans and the Prince of Orange. In the foreground the French a
Archive image from page 654 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTIVATORS WHEEL OR SULKY, P. STUtlR. COITIVITOE. Pattnled JlL. 2, 1677. Plumed Jin 9, 1B77. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-654-of-digest-of-agricultural-implements-patented-digest-of-agricultural-implements-patented-in-the-united-states-from-ad-1789-to-july-1881-digestofagricult02alle-year-1886-cultivators-wheel-or-sulky-p-stutlr-coitivitoe-pattnled-jll-2-1677-plumed-jin-9-1b77-image242272533.htmlRMT24D2D–Archive image from page 654 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTIVATORS WHEEL OR SULKY, P. STUtlR. COITIVITOE. Pattnled JlL. 2, 1677. Plumed Jin 9, 1B77.
Portrait of Cardinal Camillo Massimi, Albertus Clouwet, after Carlo Maratti, 1677 - 1679 Portrait in oval frame of Cardinal Camillo Massimi. Bust to t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-cardinal-camillo-massimi-albertus-clouwet-after-carlo-maratti-1677-1679-portrait-in-oval-frame-of-cardinal-camillo-massimi-bust-to-t-image570300007.htmlRF2T3RBDB–Portrait of Cardinal Camillo Massimi, Albertus Clouwet, after Carlo Maratti, 1677 - 1679 Portrait in oval frame of Cardinal Camillo Massimi. Bust to t
Jan Baptist van Baeza, Adriaen Lommelin, 1630 - 1677 Jan Baptist van Baeza, Christian martyr in Japan, lying with a cross pressed against him on a bed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-baptist-van-baeza-adriaen-lommelin-1630-1677-jan-baptist-van-baeza-christian-martyr-in-japan-lying-with-a-cross-pressed-against-him-on-a-bed-image570303490.htmlRF2T3RFWP–Jan Baptist van Baeza, Adriaen Lommelin, 1630 - 1677 Jan Baptist van Baeza, Christian martyr in Japan, lying with a cross pressed against him on a bed
Battle of Kassel (1677), painting in the grand stairwell at Versailles, Louis Surugue, after Adam Frans van der Meulen, after Charles Le Brun, 1725. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-of-kassel-1677-painting-in-the-grand-stairwell-at-versailles-louis-surugue-after-adam-frans-van-der-meulen-after-charles-le-brun-1725-image570297906.htmlRF2T3R8PA–Battle of Kassel (1677), painting in the grand stairwell at Versailles, Louis Surugue, after Adam Frans van der Meulen, after Charles Le Brun, 1725.
Bodle of 2 Pence Scotch from Scotland van Karel II, 1677 ,, 1677 coin Copper mint. Front: crossed sword and scepter. Above that Kroon. Reverse: Distel-Plant, above which year in Covering. copper (metal) striking (metalworking) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bodle-of-2-pence-scotch-from-scotland-van-karel-ii-1677-1677-coin-copper-mint-front-crossed-sword-and-scepter-above-that-kroon-reverse-distel-plant-above-which-year-in-covering-copper-metal-striking-metalworking-image590843121.htmlRM2W976C1–Bodle of 2 Pence Scotch from Scotland van Karel II, 1677 ,, 1677 coin Copper mint. Front: crossed sword and scepter. Above that Kroon. Reverse: Distel-Plant, above which year in Covering. copper (metal) striking (metalworking)
View of the Grote Markt with the town hall in Haarlem, anonymous, Jan van de Velde (II), after Pieter Jansz. Saenredam, 1643 - 1677 Figures on the Gro Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-grote-markt-with-the-town-hall-in-haarlem-anonymous-jan-van-de-velde-ii-after-pieter-jansz-saenredam-1643-1677-figures-on-the-gro-image488041704.htmlRF2KA064T–View of the Grote Markt with the town hall in Haarlem, anonymous, Jan van de Velde (II), after Pieter Jansz. Saenredam, 1643 - 1677 Figures on the Gro
Portrait of Albertine Agnes, vintage engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-albertine-agnes-vintage-engraving-image417568600.htmlRF2F79W08–Portrait of Albertine Agnes, vintage engraving.
The Card players., Thomas Wyck, artist, 1631-1677, etching, Thomas Wijck (also Thomas Wijk, or Thomas Wyck, 1616–1677) was a Dutch painter of port views and genre paintings who also made a small number of etchings. Wijck was born into an artist family and received his training from his father. He journeyed to Italy, presumably by 1640, the year in which a ‘Tommaso fiammingo, pittore’ (Thomas the Fleming, painter) is documented as residing in Rome in the Via della Fontanella. Although this evidence of his residence in Rome around this time has been questioned Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-card-players-thomas-wyck-artist-1631-1677-etching-thomas-wijck-also-thomas-wijk-or-thomas-wyck-16161677-was-a-dutch-painter-of-port-views-and-genre-paintings-who-also-made-a-small-number-of-etchings-wijck-was-born-into-an-artist-family-and-received-his-training-from-his-father-he-journeyed-to-italy-presumably-by-1640-the-year-in-which-a-tommaso-fiammingo-pittore-thomas-the-fleming-painter-is-documented-as-residing-in-rome-in-the-via-della-fontanella-although-this-evidence-of-his-residence-in-rome-around-this-time-has-been-questioned-image454317197.htmlRM2HB3X65–The Card players., Thomas Wyck, artist, 1631-1677, etching, Thomas Wijck (also Thomas Wijk, or Thomas Wyck, 1616–1677) was a Dutch painter of port views and genre paintings who also made a small number of etchings. Wijck was born into an artist family and received his training from his father. He journeyed to Italy, presumably by 1640, the year in which a ‘Tommaso fiammingo, pittore’ (Thomas the Fleming, painter) is documented as residing in Rome in the Via della Fontanella. Although this evidence of his residence in Rome around this time has been questioned
Portrait of Inacho Melchior Ferdinand de Velasco, constable of Velasco and Tovar, governor of Belgium and Burgundy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-inacho-melchior-ferdinand-de-velasco-constable-of-velasco-and-tovar-governor-of-belgium-and-burgundy-image570300649.htmlRF2T3RC89–Portrait of Inacho Melchior Ferdinand de Velasco, constable of Velasco and Tovar, governor of Belgium and Burgundy.
City of Antwerp, lead that gave out the right to bread, Copper Medal. Front: two opened hands above the castle and the year inside the cover. Reverse: monogram of letters A and B between ornament inside an inscription, Antwerp, anonymous, 1677, copper (metal), striking (metalworking), d 2.5 cm × w 5.95 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-of-antwerp-lead-that-gave-out-the-right-to-bread-copper-medal-front-two-opened-hands-above-the-castle-and-the-year-inside-the-cover-reverse-monogram-of-letters-a-and-b-between-ornament-inside-an-inscription-antwerp-anonymous-1677-copper-metal-striking-metalworking-d-25-cm-w-595-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349990498.htmlRF2B9BCCJ–City of Antwerp, lead that gave out the right to bread, Copper Medal. Front: two opened hands above the castle and the year inside the cover. Reverse: monogram of letters A and B between ornament inside an inscription, Antwerp, anonymous, 1677, copper (metal), striking (metalworking), d 2.5 cm × w 5.95 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits . famous houses of the South. He acquired an excel-lent library; was a member of the committee to buildWilliam and Mary College; became a member of theHouse of Burgesses, 1677-1682 ; a member of the Council,1680-1704; and auditor and receiver general, 1687-1704.Always a shrewd and enterprising man of business, asplanter, miller, and merchant in foreign trade, Byrd sentlarge caravans 400 miles inland to the haunt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-founders-portraits-of-persons-born-abroad-who-came-to-the-colonies-in-north-america-before-the-year-1701-with-an-introduction-biographical-outlines-and-comments-on-the-portraits-famous-houses-of-the-south-he-acquired-an-excel-lent-library-was-a-member-of-the-committee-to-buildwilliam-and-mary-college-became-a-member-of-thehouse-of-burgesses-1677-1682-a-member-of-the-council1680-1704-and-auditor-and-receiver-general-1687-1704always-a-shrewd-and-enterprising-man-of-business-asplanter-miller-and-merchant-in-foreign-trade-byrd-sentlarge-caravans-400-miles-inland-to-the-haunt-image339096030.htmlRM2AKK4CE–The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits . famous houses of the South. He acquired an excel-lent library; was a member of the committee to buildWilliam and Mary College; became a member of theHouse of Burgesses, 1677-1682 ; a member of the Council,1680-1704; and auditor and receiver general, 1687-1704.Always a shrewd and enterprising man of business, asplanter, miller, and merchant in foreign trade, Byrd sentlarge caravans 400 miles inland to the haunt
Archive image from page 272 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTiVA rORS-PAhALLEL H, 1 PAtlEE C31IIVAI0K F>UDl*i etc. It E. H. PilTEE. :IILT1VATCIII. ,.d fi> i'. 1677 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-272-of-digest-of-agricultural-implements-patented-digest-of-agricultural-implements-patented-in-the-united-states-from-ad-1789-to-july-1881-digestofagricult02alle-year-1886-cultiva-rors-pahallel-h-1-patlee-c31iivai0k-fgtudli-etc-it-e-h-piltee-iilt1vatciii-d-figt-i-1677-image242259771.htmlRMT23TPK–Archive image from page 272 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTiVA rORS-PAhALLEL H, 1 PAtlEE C31IIVAI0K F>UDl*i etc. It E. H. PilTEE. :IILT1VATCIII. ,.d fi> i'. 1677
Dutch double penny, 1677, province of Holland, 1677 coin Silver coin. Front: between value designation 2 s crowned coat of arms of Holland. Reversal: Inscription: Provincial name in three lines, including year. Dordrecht silver (metal) striking (metalworking) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dutch-double-penny-1677-province-of-holland-1677-coin-silver-coin-front-between-value-designation-2-s-crowned-coat-of-arms-of-holland-reversal-inscription-provincial-name-in-three-lines-including-year-dordrecht-silver-metal-striking-metalworking-image590848405.htmlRM2W97D4N–Dutch double penny, 1677, province of Holland, 1677 coin Silver coin. Front: between value designation 2 s crowned coat of arms of Holland. Reversal: Inscription: Provincial name in three lines, including year. Dordrecht silver (metal) striking (metalworking)
Conquest of Tobago, counted token in honor of Louis XIV, King of France, Copper Medal. Front: man's bust inside the inside. Reverse: mortar, shooting at the city of Tobago within a circle, cut off: year, Tobago, Louis XIV (King of France), anonymous, France, 1677, copper (metal), striking (metalworking), d 2.7 cm × w 7.55 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/conquest-of-tobago-counted-token-in-honor-of-louis-xiv-king-of-france-copper-medal-front-mans-bust-inside-the-inside-reverse-mortar-shooting-at-the-city-of-tobago-within-a-circle-cut-off-year-tobago-louis-xiv-king-of-france-anonymous-france-1677-copper-metal-striking-metalworking-d-27-cm-w-755-image261388727.htmlRMW577YK–Conquest of Tobago, counted token in honor of Louis XIV, King of France, Copper Medal. Front: man's bust inside the inside. Reverse: mortar, shooting at the city of Tobago within a circle, cut off: year, Tobago, Louis XIV (King of France), anonymous, France, 1677, copper (metal), striking (metalworking), d 2.7 cm × w 7.55
Jean Cools, magistrate of the treasury of Brussels, Copper Medal. Front: scales, hanging in balance on a ribbon, because the hand puts a rod on it, underneath a brazier between size and weight within the scope. Reverse: helmeted coat between year above inscription, Brussels, anonymous, Jan-1677, copper (metal), striking (metalworking), d 3.1 cm × w 6.59 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and rev Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-cools-magistrate-of-the-treasury-of-brussels-copper-medal-front-scales-hanging-in-balance-on-a-ribbon-because-the-hand-puts-a-rod-on-it-underneath-a-brazier-between-size-and-weight-within-the-scope-reverse-helmeted-coat-between-year-above-inscription-brussels-anonymous-jan-1677-copper-metal-striking-metalworking-d-31-cm-w-659-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-rev-image349991450.htmlRF2B9BDJJ–Jean Cools, magistrate of the treasury of Brussels, Copper Medal. Front: scales, hanging in balance on a ribbon, because the hand puts a rod on it, underneath a brazier between size and weight within the scope. Reverse: helmeted coat between year above inscription, Brussels, anonymous, Jan-1677, copper (metal), striking (metalworking), d 3.1 cm × w 6.59 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and rev
. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. ed for his relief. In 1677 his warfare with Quakerism 487 — that sink of all errors, as Mather describes it—brought trouble, in the form of an invasion of the church,at sermon time, by a female Quaker, in a Canvas Frock,her hair disshevelled, and loose like a Periwigg, her face asblack as ink. After a career of prominence in Boston hedied, 15 October, 1678. The last words which he everspoke in a sermon were t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-founders-portraits-of-persons-born-abroad-who-came-to-the-colonies-in-north-america-before-the-year-1701-with-an-introduction-biographical-outlines-and-comments-on-the-portraits-ed-for-his-relief-in-1677-his-warfare-with-quakerism-487-that-sink-of-all-errors-as-mather-describes-itbrought-trouble-in-the-form-of-an-invasion-of-the-churchat-sermon-time-by-a-female-quaker-in-a-canvas-frockher-hair-disshevelled-and-loose-like-a-periwigg-her-face-asblack-as-ink-after-a-career-of-prominence-in-boston-hedied-15-october-1678-the-last-words-which-he-everspoke-in-a-sermon-were-t-image336806132.htmlRM2AFXRJC–. The founders; portraits of persons born abroad who came to the colonies in North America before the year 1701, with an introduction, biographical outlines and comments on the portraits. ed for his relief. In 1677 his warfare with Quakerism 487 — that sink of all errors, as Mather describes it—brought trouble, in the form of an invasion of the church,at sermon time, by a female Quaker, in a Canvas Frock,her hair disshevelled, and loose like a Periwigg, her face asblack as ink. After a career of prominence in Boston hedied, 15 October, 1678. The last words which he everspoke in a sermon were t
![Archive image from page 660 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTIVATORS WHEEL OR SULKY 837 0. STORK. CULTIVATOR FatsDtBd June Z6. 1677. ]. L. CVBET. COR! BARROW AKS CITLTI7AT0R. Si. 192,742. Plt.nl.J J.ly 3. IBT ;v>-.f.''..y. Stock Photo](https://c8.alamy.com/comp/T24D78/archive-image-from-page-660-of-digest-of-agricultural-implements-patented-digest-of-agricultural-implements-patented-in-the-united-states-from-ad-1789-to-july-1881-digestofagricult02alle-year-1886-cultivators-wheel-or-sulky-837-0-stork-cultivator-fatsdtbd-june-z6-1677-l-cvbet-cor!-barrow-aks-citlti7at0r-si-192742-pltnlj-jly-3-ibt-vgt-fy-T24D78.jpg "Archive image from page 660 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTIVATORS WHEEL OR SULKY 837 0. STORK. CULTIVATOR FatsDtBd June Z6. 1677. ]. L. CVBET. COR! BARROW AKS CITLTI7AT0R. Si. 192,742. Plt.nl.J J.ly 3. IBT ;v>-.f.''..y. Stock Photo")
Archive image from page 660 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTIVATORS WHEEL OR SULKY 837 0. STORK. CULTIVATOR FatsDtBd June Z6. 1677. ]. L. CVBET. COR! BARROW AKS CITLTI7AT0R. Si. 192,742. Plt.nl.J J.ly 3. IBT ;v>-.f.''..y. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-660-of-digest-of-agricultural-implements-patented-digest-of-agricultural-implements-patented-in-the-united-states-from-ad-1789-to-july-1881-digestofagricult02alle-year-1886-cultivators-wheel-or-sulky-837-0-stork-cultivator-fatsdtbd-june-z6-1677-l-cvbet-cor!-barrow-aks-citlti7at0r-si-192742-pltnlj-jly-3-ibt-vgt-fy-image242272668.htmlRMT24D78–Archive image from page 660 of Digest of agricultural implements, patented Digest of agricultural implements, patented in the United States from A.D. 1789 to July 1881 .. digestofagricult02alle Year: 1886 CULTIVATORS WHEEL OR SULKY 837 0. STORK. CULTIVATOR FatsDtBd June Z6. 1677. ]. L. CVBET. COR! BARROW AKS CITLTI7AT0R. Si. 192,742. Plt.nl.J J.ly 3. IBT ;v>-.f.''..y.
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