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Zhu shouchang Stock Photos and Images
Zhu Shouchang, Edo period (1615–1868), 19th century, Japan, Woodblock print; ink on thin paper (some corrections have been paste Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-zhu-shouchang-edo-period-16151868-19th-century-japan-woodblock-print-162420243.htmlRMKC6TJY–Zhu Shouchang, Edo period (1615–1868), 19th century, Japan, Woodblock print; ink on thin paper (some corrections have been paste
Art inspired by Zhu Shouchang, Edo period (1615–1868), 19th century, Japan, Woodblock print; ink on thin paper (some corrections have been pasted over the drawing), 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), The preparatory drawing for a print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-zhu-shouchang-edo-period-16151868-19th-century-japan-woodblock-print-ink-on-thin-paper-some-corrections-have-been-pasted-over-the-drawing-13-34-x-8-12-in-349-x-216-cm-prints-utagawa-kuniyoshi-japanese-17971861-the-preparatory-drawing-for-a-print-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462770535.htmlRF2HTW0F3–Art inspired by Zhu Shouchang, Edo period (1615–1868), 19th century, Japan, Woodblock print; ink on thin paper (some corrections have been pasted over the drawing), 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), The preparatory drawing for a print, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Zhu Shouchang. Artist: Utagawa Kuniyoshi (Japanese, 1797-1861). Culture: Japan. Dimensions: 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm). Date: 19th century. The preparatory drawing for a print is usually pasted on a woodblock and cut along the lines of the drawing. This surviving preparatory drawing, which was apparently not used, is extremely rare. Kuniyoshi combined old-fashioned didacticism with an atmosphere of exoticism and novelty by exploring Western pictorial techniques and characterizations, about which the general public of his time had great curiosity. Zhu Shouchang (J.: Shu Jusho) searc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zhu-shouchang-artist-utagawa-kuniyoshi-japanese-1797-1861-culture-japan-dimensions-13-34-x-8-12-in-349-x-216-cm-date-19th-century-the-preparatory-drawing-for-a-print-is-usually-pasted-on-a-woodblock-and-cut-along-the-lines-of-the-drawing-this-surviving-preparatory-drawing-which-was-apparently-not-used-is-extremely-rare-kuniyoshi-combined-old-fashioned-didacticism-with-an-atmosphere-of-exoticism-and-novelty-by-exploring-western-pictorial-techniques-and-characterizations-about-which-the-general-public-of-his-time-had-great-curiosity-zhu-shouchang-j-shu-jusho-searc-image213302410.htmlRMPB0NB6–Zhu Shouchang. Artist: Utagawa Kuniyoshi (Japanese, 1797-1861). Culture: Japan. Dimensions: 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm). Date: 19th century. The preparatory drawing for a print is usually pasted on a woodblock and cut along the lines of the drawing. This surviving preparatory drawing, which was apparently not used, is extremely rare. Kuniyoshi combined old-fashioned didacticism with an atmosphere of exoticism and novelty by exploring Western pictorial techniques and characterizations, about which the general public of his time had great curiosity. Zhu Shouchang (J.: Shu Jusho) searc
Zhu Shouchang 1939 by Utagawa Kuniyoshi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zhu-shouchang-1939-by-utagawa-kuniyoshi-image575184741.htmlRM2TBNX05–Zhu Shouchang 1939 by Utagawa Kuniyoshi
Shu Jushō, c. 1847, Utagawa Kuniyoshi, Japanese, 1798 - 1861, 10 1/8 x 7 1/4 in. (25.7 x 18.4 cm) (image, sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Kuniyoshi designed many prints featuring Confucian paragons. This print is from a series titled 'Twenty-four Paragons of Filial Piety in China,' which Kuniyoshi created in the late 1840s. He employed western perspective and chiaroscuro in a manner seen in 17th century European etchings. The rectangular cartouche contains the story of Shu Jushø (Zhu Shouchang, in Chinese) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shu-jush-c-1847-utagawa-kuniyoshi-japanese-1798-1861-10-18-x-7-14-in-257-x-184-cm-image-sheet-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-kuniyoshi-designed-many-prints-featuring-confucian-paragons-this-print-is-from-a-series-titled-twenty-four-paragons-of-filial-piety-in-china-which-kuniyoshi-created-in-the-late-1840s-he-employed-western-perspective-and-chiaroscuro-in-a-manner-seen-in-17th-century-european-etchings-the-rectangular-cartouche-contains-the-story-of-shu-jush-zhu-shouchang-in-chinese-image573510365.htmlRM2T91J91–Shu Jushō, c. 1847, Utagawa Kuniyoshi, Japanese, 1798 - 1861, 10 1/8 x 7 1/4 in. (25.7 x 18.4 cm) (image, sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century, Kuniyoshi designed many prints featuring Confucian paragons. This print is from a series titled 'Twenty-four Paragons of Filial Piety in China,' which Kuniyoshi created in the late 1840s. He employed western perspective and chiaroscuro in a manner seen in 17th century European etchings. The rectangular cartouche contains the story of Shu Jushø (Zhu Shouchang, in Chinese)
Utagawa Kuniyoshi. Zhu Shouchang (Shu Jusho), from the series Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko). 1843–1855. Japan. Color woodblock print; chuban Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/utagawa-kuniyoshi-zhu-shouchang-shu-jusho-from-the-series-twenty-four-paragons-of-filial-piety-in-china-morokoshi-nijushiko-18431855-japan-color-woodblock-print-chuban-image337943999.htmlRM2AHPK0F–Utagawa Kuniyoshi. Zhu Shouchang (Shu Jusho), from the series Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko). 1843–1855. Japan. Color woodblock print; chuban
Zhu Shouchang, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zhu-shouchang-19th-century-image382606470.htmlRM2D6D6CP–Zhu Shouchang, 19th century.
Zhu Shouchang 19th century Utagawa Kuniyoshi Japanese The preparatory drawing for a print is usually pasted on a woodblock and cut along the lines of the drawing. This surviving preparatory drawing, which was apparently not used, is extremely rare. Kuniyoshi combined old-fashioned didacticism with an atmosphere of exoticism and novelty by exploring Western pictorial techniques and characterizations, about which the general public of his time had great curiosity. Zhu Shouchang (J.: Shu Jushō) searched and found his mother, who had disappeared during his early youth, after a separation of more t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zhu-shouchang-19th-century-utagawa-kuniyoshi-japanese-the-preparatory-drawing-for-a-print-is-usually-pasted-on-a-woodblock-and-cut-along-the-lines-of-the-drawing-this-surviving-preparatory-drawing-which-was-apparently-not-used-is-extremely-rare-kuniyoshi-combined-old-fashioned-didacticism-with-an-atmosphere-of-exoticism-and-novelty-by-exploring-western-pictorial-techniques-and-characterizations-about-which-the-general-public-of-his-time-had-great-curiosity-zhu-shouchang-j-shu-jush-searched-and-found-his-mother-who-had-disappeared-during-his-early-youth-after-a-separation-of-more-t-image458104276.htmlRM2HH8CK0–Zhu Shouchang 19th century Utagawa Kuniyoshi Japanese The preparatory drawing for a print is usually pasted on a woodblock and cut along the lines of the drawing. This surviving preparatory drawing, which was apparently not used, is extremely rare. Kuniyoshi combined old-fashioned didacticism with an atmosphere of exoticism and novelty by exploring Western pictorial techniques and characterizations, about which the general public of his time had great curiosity. Zhu Shouchang (J.: Shu Jushō) searched and found his mother, who had disappeared during his early youth, after a separation of more t
![Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50. Stock Photo](https://c8.alamy.com/comp/2J3N5F0/zhu-shouchang-shu-jusho-from-the-series-quottwenty-four-paragons-of-filial-piety-in-china-morokoshi-nijushikoquot-c-184850-2J3N5F0.jpg "Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50. Stock Photo")
Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/zhu-shouchang-shu-jusho-from-the-series-quottwenty-four-paragons-of-filial-piety-in-china-morokoshi-nijushikoquot-c-184850-image466989236.htmlRM2J3N5F0–Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)", c. 1848/50.
Search Results for Zhu shouchang Stock Photos and Images (9)
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