The Banker's Table. Artist: William Michael Harnett (1848-1892). Dimensions: 8 x 12 in. (20.3 x 30.5 cm). Date: 1877. In a departure from the fruits and vegetables Harnett painted at the outset of his career, this tabletop still life represents manufactured objects. The leather-bound volumes, stained ink bottle, and much-used quill pen show "the mellowing effect of age," which the artist praised in an undated interview. The varied objects reveal Harnett's skill in rendering different textures. Although the rolled coins and other currency probably determined the title, there is nothing in the

The Banker's Table. Artist: William Michael Harnett (1848-1892). Dimensions: 8 x 12 in. (20.3 x 30.5 cm). Date: 1877.  In a departure from the fruits and vegetables Harnett painted at the outset of his career, this tabletop still life represents manufactured objects. The leather-bound volumes, stained ink bottle, and much-used quill pen show "the mellowing effect of age," which the artist praised in an undated interview. The varied objects reveal Harnett's skill in rendering different textures. Although the rolled coins and other currency probably determined the title, there is nothing in the  Stock Photo
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Contributor:

Album / Alamy Stock Photo

Image ID:

RGDE1Y

File size:

33.8 MB (1.3 MB Compressed download)

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Model - no | Property - noDo I need a release?

Dimensions:

4192 x 2818 px | 35.5 x 23.9 cm | 14 x 9.4 inches | 300dpi

Photographer:

Album

More information:

This image could have imperfections as it’s either historical or reportage.

The Banker's Table. Artist: William Michael Harnett (1848-1892). Dimensions: 8 x 12 in. (20.3 x 30.5 cm). Date: 1877. In a departure from the fruits and vegetables Harnett painted at the outset of his career, this tabletop still life represents manufactured objects. The leather-bound volumes, stained ink bottle, and much-used quill pen show "the mellowing effect of age, " which the artist praised in an undated interview. The varied objects reveal Harnett's skill in rendering different textures. Although the rolled coins and other currency probably determined the title, there is nothing in the work or its history to indicate that it was commissioned by or painted for a particular banker. Museum: Metropolitan Museum of Art, New York, USA.