. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature. Encyclopedias and dictionaries. CAD CAD " ExtiiK^iura nymp'nae crudeli funerc Daphnim Flebant." Eclog. V. 20. Joy, on the otlic-r haiid, demands the rapidity of dac- tyles ; e. g. " Saltantes fatyros imitabitur AlphcfibcEus." Eclog. V. 73. To exprefs foftnefs, we mud feleA words confifting of many vowels, with fmooth and flowincr confonants ; and avoid fiich fylial)les as are compofed of feveral confonants, har(h elifions, and rongli letters or afpirates ; e. g. " Devenere locos lartos, et a
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. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature. Encyclopedias and dictionaries. CAD CAD " ExtiiK^iura nymp'nae crudeli funerc Daphnim Flebant." Eclog. V. 20. Joy, on the otlic-r haiid, demands the rapidity of dac- tyles ; e. g. " Saltantes fatyros imitabitur AlphcfibcEus." Eclog. V. 73. To exprefs foftnefs, we mud feleA words confifting of many vowels, with fmooth and flowincr confonants ; and avoid fiich fylial)les as are compofed of feveral confonants, har(h elifions, and rongli letters or afpirates ; e. g. " Devenere locos lartos, et amirna vireta Fortunatonim nemonim, ledefque bcatas." Mu. VI. 638. In exprefling roughnefs, wc njuft chtife words which be- gin und end with an r, or which double the r ; rough con- ionnnts, as the x, or the afpirate h ; words formed of double confonants ; and elifions ; e. g. " Ergo xgre raflris terram rimantur." Gcore. III. 534. Lightnefs and fwiftn.rfs are expreffed by daftyles ; e. g. " Mox acre lapfa q!ieto Radit iter liquidum, ctlcrcs neque commovet alas." JEn. V. 216. Heavinefs, on the other hand, requires fpondees ; e. g. " JUi inter fefe magna vi brachia tollunt In nunicriini, verfantqnc tenaci forcipe ferrum." Georg. IV. 174. Ill other cadences, words placed at the end have a pecu- liar force or grace ; e. g. " Vox quoquc per lucos vulgo exaudita filentes Ingens." Georg. I. 476. See Order, Juncture, and Number. Cadence, in ReaHliig, dcr.otes the falling or lowering of the voice below the key note at the clofe of every period. The key-note, in fpeakinp, , is that tone or found with which the modulation commences, and it is generally continued through every complete fentence or period ; and to this the occafional inflexions of the voice, either above or below it, may be fuppofed to refer. Of courfe the tones that fall a little lower than the key at the clofe of a fentence or period, arc called cadences ; and they arc fometimes