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The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 1: 'Tristes pr… Image details File size:
63.1 MB (5.8 MB Compressed download)
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Dimensions:
5283 x 4173 px | 44.7 x 35.3 cm | 17.6 x 13.9 inches | 300dpi
Date taken:
30 November 1999
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This image could have imperfections as it’s either historical or reportage.
The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 1: 'Tristes presentimientos de lo que ha de acontecer' (Gloomy premonitions of what must come to pass), first edition, Madrid 1863.
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Similar stock images The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 28: 'Populacho… Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/the-disasters-of-war-a-series-of-etchings-by-francisco-de-goya-1746-1828-plate-28-populacho-image212467436.html RM P9JMAM – The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 28: 'Populacho… Francisco José de Goya y Lucientes. This is What You Were Born For, plate twelve from The Disasters of War. 1810–1812. Spain. Etching, lavis, drypoint and burin on ivory wove paper with gilt edges In Francisco de Goya’s series The Disasters of War, 10 of the 80 etchings are devoted to piles of dead bodies, aggressively cementing this subject’s narrative importance. Goya seems to have been engrossed in the artistic possibilities that these groupings allowed. The bodies are portrayed in varied compositions and techniques—some with aquatint, some with traditional etching. Some only depict the dea Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/francisco-jos-de-goya-y-lucientes-this-is-what-you-were-born-for-plate-twelve-from-the-disasters-of-war-18101812-spain-etching-lavis-drypoint-and-burin-on-ivory-wove-paper-with-gilt-edges-in-francisco-de-goyas-series-the-disasters-of-war-10-of-the-80-etchings-are-devoted-to-piles-of-dead-bodies-aggressively-cementing-this-subjects-narrative-importance-goya-seems-to-have-been-engrossed-in-the-artistic-possibilities-that-these-groupings-allowed-the-bodies-are-portrayed-in-varied-compositions-and-techniquessome-with-aquatint-some-with-traditional-etching-some-only-depict-the-dea-image337933336.html RM 2AHP5BM – Francisco José de Goya y Lucientes. This is What You Were Born For, plate twelve from The Disasters of War. 1810–1812. Spain. Etching, lavis, drypoint and burin on ivory wove paper with gilt edges In Francisco de Goya’s series The Disasters of War, 10 of the 80 etchings are devoted to piles of dead bodies, aggressively cementing this subject’s narrative importance. Goya seems to have been engrossed in the artistic possibilities that these groupings allowed. The bodies are portrayed in varied compositions and techniques—some with aquatint, some with traditional etching. Some only depict the dea No se convienen from 'Desastres de la Guerra' Francisco de Goya y Lucientes (Spanish, 1746-1828). 1811-1813. Etching, before aquatint on laid paper, Sheet: 5 3/8 x 7 15/16 in. (13.7 x 20.2 cm). Ten examples are shown here from The Disasters of War (Los Desastres de la Guerra), a series of 82 etchings made by Goya between 1810 and 1820 that highlight the violence and suffering that Spain experienced during the Peninsular War (1808–14) against Napoleon. The first edition was published in 1863, after Goya’s death. The set is divided into three parts: the first half focuses on the brutality of th Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/no-se-convienen-from-desastres-de-la-guerra-francisco-de-goya-y-lucientes-spanish-1746-1828-1811-1813-etching-before-aquatint-on-laid-paper-sheet-5-38-x-7-1516-in-137-x-202-cm-ten-examples-are-shown-here-from-the-disasters-of-war-los-desastres-de-la-guerra-a-series-of-82-etchings-made-by-goya-between-1810-and-1820-that-highlight-the-violence-and-suffering-that-spain-experienced-during-the-peninsular-war-180814-against-napoleon-the-first-edition-was-published-in-1863-after-goyas-death-the-set-is-divided-into-three-parts-the-first-half-focuses-on-the-brutality-of-th-image504718982.html RM 2M93X5X – No se convienen from 'Desastres de la Guerra' Francisco de Goya y Lucientes (Spanish, 1746-1828). 1811-1813. Etching, before aquatint on laid paper, Sheet: 5 3/8 x 7 15/16 in. (13.7 x 20.2 cm). Ten examples are shown here from The Disasters of War (Los Desastres de la Guerra), a series of 82 etchings made by Goya between 1810 and 1820 that highlight the violence and suffering that Spain experienced during the Peninsular War (1808–14) against Napoleon. The first edition was published in 1863, after Goya’s death. The set is divided into three parts: the first half focuses on the brutality of th The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 75: 'Farándula… Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/the-disasters-of-war-a-series-of-etchings-by-francisco-de-goya-1746-1828-plate-75-farndula-image212469714.html RM P9JR82 – The Disasters of War, a series of etchings by Francisco de Goya (1746-1828), plate 75: 'Farándula… Francisco José de Goya y Lucientes. Baltasar Carlos. 1778. Spain. Etching and drypoint with engraved inscription on ivory laid paper Like Velázquez in the 17th century, Goya was an artist to the Spanish Royal Court. He worked in a variety of media, from tapestry design and painting to printing. While his posthumous fame derived from the satirical series Caprichos and the Disasters of War, he also produced other types of prints. Some of his earliest were reproductive etchings after Velázquez’s much-prized portraits and history paintings. Goya would have seen the originals hanging in the Royal P Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/francisco-jos-de-goya-y-lucientes-baltasar-carlos-1778-spain-etching-and-drypoint-with-engraved-inscription-on-ivory-laid-paper-like-velzquez-in-the-17th-century-goya-was-an-artist-to-the-spanish-royal-court-he-worked-in-a-variety-of-media-from-tapestry-design-and-painting-to-printing-while-his-posthumous-fame-derived-from-the-satirical-series-caprichos-and-the-disasters-of-war-he-also-produced-other-types-of-prints-some-of-his-earliest-were-reproductive-etchings-after-velzquezs-much-prized-portraits-and-history-paintings-goya-would-have-seen-the-originals-hanging-in-the-royal-p-image337971562.html RM 2AHRX4X – Francisco José de Goya y Lucientes. Baltasar Carlos. 1778. Spain. Etching and drypoint with engraved inscription on ivory laid paper Like Velázquez in the 17th century, Goya was an artist to the Spanish Royal Court. He worked in a variety of media, from tapestry design and painting to printing. While his posthumous fame derived from the satirical series Caprichos and the Disasters of War, he also produced other types of prints. Some of his earliest were reproductive etchings after Velázquez’s much-prized portraits and history paintings. 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